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The first thing he does.
He lets down my hair,
long neurons shiver, and the violin's
fascination couples to the bow,
silver pleading to my fingertips, a refrain,
the smaller portion of infinity…  

The heavy book presses upon the table,
open to Abraham, where God dwells in unnumbered stars like glass houses, and a charlatan speaks accidentally as a prophet,
as accidentally as I touch his hand.

We stay up too late, and the blue spark
he seeks is hidden, eyes in the lamp-dark, my haphazard wick and oil left untended.
He does not return my gaze.

Instead, he weeps at the tomb as the stone rolls away
from the fading mitigations of the holy ghost’s bed.

The first thing he does…*
In the pre-life world, a veil.
In the veil, a forgetting.
In the forgetting, a footprint…

He undoes the cascade, my barette,
for the same reason I read the book:
to remember from a distance what is here.
 Jan 2018 William A Gibson
r
I'll wake up
Mundy morning
dead tired
from restless
dreams about
the forbidden sound
of fish on ice,
a harmonica
full of ants,
cat paws that fall
in the night,
the breathing
of waterfalls,
the depth
of mountain roots
and falling soot
from the fires
of Viking pyres.
Carving stones below
Where tears go
Cherish anything
But a spring
Calm and dead
Anything but a flow
Tears follow
All is said
this is a tale
of two star-crossed lovers
with a love so powerful
they tainted the heavens
with bursts of colours

they were never meant to be;
mischievous little kids
finding love in sinful glee
in laughter, between dreams and reality

and though it was lawless,
they found solace
because in every prison,
they found a rhyme and a reason

but even for a love so great,
they could not escape
the fates’ wrath and envy

destiny pulled on their threads
cut them loose, thrusted them into misery;
for their memories were wiped clean,
but feelings remained as strong as they had ever been

the boy exiled in a far off land
across the pacific sea
the girl trapped in her need to break free
in a realm both boring and bland

ensnared in a labyrinth of woe
the lovers yearned for anything—
for something, for someone,
to obliterate this endless longing

the gods answered them
in the form of two loved ones
polished in every edge,
a perfect someone

but perfect felt too perfect
and not perfect enough
to fill up the hole
left by a perfectly imperfect

until one day the gods whispered
for the winds to push the two
and the birds to tug at their sleeves
over mountain and sea
even through the darkest valley
so their paths would finally meet

and so they did.

in the flurry of a moment
a pair of brown eyes met
and time was frozen
once more

the two stared intently
as if remembering a broken melody
a lost childhood song
branded as a wrong

the birds fluttered and flew
taking the cursed red fibre
snipped them in two
and the lovers felt all the lighter

it was the girl who spoke first:
“**** the stars.
i don’t want perfect,
i want you.”


eyes dazzling, the boy nodded:
“we’ll invert the universe—
the night sky a blank white
the stars pitch black
the earth moving in reverse”


the fates saw and surrendered
as the stars began to wither
for this love is love
in all its splendor

so the lovers walked away with a promise
under their breaths, they both swore:
“i lost you once,
but nevermore.”



they say no one can rewrite the stars,
so i propose we orchestrate supernovas.
I don’t know you well enough
or I’d read you this poem.
I don’t know you well enough,
though your quite handsome.

I don’t know you well enough
for you to care about my interests,
I don’t know you well enough —
we haven’t reached that level yet.

I don’t know you well enough,
but if I did I wouldn’t want to.
I don’t know you well enough,
please keep playing elusive.

I like your life, but
I don’t know you well enough
to like your instagrams —
it could seem stalker-ish.

We’ve talked about dinner,
but I don’t know when
or if we’ll actually go.
I don’t know you well enough.

I don’t know you well enough,
but text you regardless,
you invite me backhanded
to your friends' plans.

I don’t know you well enough,
to hold your glance,
you buy me a beer,
my hands fold between my legs.

I don’t know you well enough,
but I know when your drunk.
Your friends leave
and I give you a ride home.

I don’t know you well enough,
but you invite me in,
your cat treats me like
a familiar friend.

I don’t you well enough,
but I know when we share spit,
it just lubricates comments
on our horniness.

I don’t know you well enough,
but I know your apartment —
your couch is too squishy
and your bed is too close.

I don’t know you well enough.
I ask if *** will ruin this,
but don't know what this is.

I don’t know you well enough,
but I sleep in your bed.
Your rolling-over motion
was disappointing,
but not unexpected.

I STILL don’t know you well enough,
but I know three unanswered texts
means your not interested
in telling me.

Or perhaps,
I don’t know you well enough.

I don’t know you well enough,
but I’m getting to know me
and I know that naiive
isn’t who I want to be.
Descartian Damsel in Distress
The year you were born
was the year I turned 6,
leaving my second home
to a place where I didn't exist.
It was the first time
I remember being scared,
of a knock on the door
to a dark street corner,
not a voice to properly
enunciate my fears,

hands trembling,
I was naught a writer then,
just a poetic mind
inable, hands not stable,
to open doors to
concrete streets,
the gentle ****** or
the careful cat,

daddy loves you,
under my breath.
He only had time to run,
from place to place,
the most logical option,
for his career,
but not his young girl.
The world's forgotten friend,
having not a voice,
to say hi at the door,
or accept the house-warming gift
from the neighbor girl.

Dear Fish the Pig,
The year you turned 6,
I hit puberty.
Grew tusks,
that kept inching,
toward a person
hidden in the swamp,
watching beneath reeds
the blondes and skinnies
courting Hercules.
An ugly pink pig,
jealous of the swans
gliding across water
drowning my squeals for approval,
left behind from highs and *** and flight.
Snarling away the bugs,
company that could have been friends,
retreating to being busy,
terrified of high school eyes
that adjust to the darkness,
and call isolation insecurity.
No worse a disease.

Dear Fish the Pig,
The year you hit puberty,
I lost my virginity,
my naked body
a prime scientific diamond
to the boyfriend who
just wanted to love me.
Two heads rested upon his bed,
vocal chords distilled,
when I replied "love you too,"
and felt hollow inside.
His mirror cracked
with my scraggly hair and fat.
I was a treadmill mess
with no time to stretch.
My secret of the weighted, edible variety.
How could he be skinnier than me?
So I traded being a pig
for the femme version al him,
and gleefully changed
my nickname from stocky
to skinny-Minnie,
until I could wear his pants baggy.

Dear Fish the Pig,
two years from now
you will be 19.
Let me remind you of something
from someone who is 23
and is still uncomfortable with her body:

Don't be.

To be is a simple mistake
with a complicated result,

Because
A haute girl fainting in university,
isn't martyrdom for beauty.
It is stupidity.
Purging friends for a toilet,
isn't just punny.
It is insanity.

Dear Fish the Pig,
Don't turn your fantasy
into my nightmare.

Don't sign the loneliness
that wastes me.
Don't bury yourself in dust
it doesn't feel as good as the dirt,
knowing the roots,
and working through their kinks.

Dear Fish the Pig,
I admire your honesty.
Your struggles
make for great poetry.
But idolizing a girl with
skin pale as white roses
also made a good story.
Longing is beautiful
with the promise
of a happy ending.
But depression
sporn from jealousy
isn't so pretty.

Dear Fish the Pig,
wear your tattered clothing,
blow my mind
with beautiful melancholy,
sit in that obscure place to reflect,
but never forget,
your life doesn't have to be an indie movie.
Weave words into beautiful tapestries,
but when you tire of their decor,
go out into the world empty.
Tint white walls joyfully.
Don't re-write my history.
The words in italics are those of Fish The Pig. Go check out her stuff @ http://hellopoetry.com/fish/. She is awesome!
if I’m too shy to tell you
my feelings,
you’ll know.
I’ll hide behind my thousands of masks
quietly laughing and telling you jokes
because I’m afraid
that if I tell you one small thing
my masks will fall off
and one thing will lead to everything.
I may be unexpressed but I have a lot of things
to think about.    
                    ~n.r.
another little poem hope you people like!
I've always wondered why they called it a "crush",
and now I think I know why.
I've admired you from afar,
knowing that if I told you my feelings,
it would ruin my life forever
because I was afraid of saying it to your face.
Sometimes we would catch each others eyes for a few seconds and then look back to the homework we were doing.
But I knew it wasn't going to happen.
Ever.
Not like you had a girlfriend or anything,
but it was because I could never talk to you.
And that crushed me.
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