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I talked with the new moon tonight,
And asked: - How fast,
How slow
The seasons come and go,
The birds migrate, the grass is getting dry,
And not be late
In life,
In death,
At birth, how loud do we have to shout?
How long to stay?
And wait,
And count,
How slow, how fast we have to love,
And get a glimpse of quicksand,
A touch of a tear
When wrapped arms melt in waves,
How many steps?
The ocean, lying at your feet
Begging for your embrace,
How slow the clouds go, or
                                                         Stay
Still,
How long the gaze,
How slow the breath
I fold my edges sharp and clean
A paper crane you’ve never seen
I glide through rooms
I speak in tune
I shine
I gleam
Your perfect moon
But the mirror cracks when I exhale
A breath too real
A breath too frail
Smoke and mirrors
That’s my skin
Love me untill I let you in
Then I’m the shadow
The ghost
The sin
Fractured skin
I can't win
I laugh in keys you’ll understand
I shape my world with careful hands
A chiseled smile
A painted hue
The me you love is never true
The paint peels back
It stains my nails
You see the colours that I kept veiled
A breath cuts through the mask
Exposing raw edges
"It's quite a pretty hell,
quite a pretty hell,"

said the wilting woman
to her plastic window self,

a half-tint fetch, etched
in the eye of the weevil

threading the black dough
of the crosstown bus route.

The nightclubbers behind her
exchange glances and hold hands

as she begins to hum to herself,
but the unvarnished melody

lodges in an angle of odd brain
& soon I'm humming it too

as I step into 18th Street's maw,
already bristling neon sweet

with milkmaid dress hems
threshing ruptured doorsteps -

turning up my street I catch
a last sight of the shushed bus husk

crawling away northwards
with only a scratching hum inside

for its heartbeat, and a face lost
in the catacomb of its reflection.
Teacher says that every time a bell rings
she is awakened in the night and lies there
remembering the bay at San Sebastian.

The stars in the sky there are local,
drifting up from modest houses in Loiola.
They are as close as cats on a sill
and are able to both warm and wound.

Teacher says that when her heart beats,
she cannot sleep, recalling the day of drums--
the Tamborrada, and the clouds that gathered
in search of their pilfered thunder.

During the Aste Nagusia, or Big Week.
La Concha Bay is home to stilt walkers wearing
huge papier mâché heads. The calm waters
are like mothers who knew these giants as babies.

Teacher says that there was a man there,
or a woman, or an enchantment she cannot describe.
Perhaps all three, a trinity born of sangria, celebration,
and one bell beneath the drumbeat, a ringing bird.

On these recent nights, far from the Basque country,
she is startled by her doppelganger lying awake beside her.
The lesson she cannot teach is that neither knew of the other,
though the invitation was always there, a tongue in the bell,

Like an arrow in the flesh of a saint or an invitation
to La Concha Bay, and the days to be lived beyond it.
travel stories for girls
The conspicuous Christians
fill four booths and keep the waitress hopping.

12 adults
5 young children needing high chairs in the aisle
17 orders, all different
5 special requests
2 plates sent back
1 spilled coffee
separate checks, please.

after an hour, they leave
dishes, napkins, crayons, sticky syrup spots,
straws, spoons, forks,
and
1 tract
with
2 crisp 1 dollar bills tucked neatly inside.
I cannot sleep for in the street
A thousand mournful cries
The skies are red and carnage spread
Through a thousand lies

From mourning bells to fairy tales
A Criticism said
For city streets and summer heat
Torments whose left with dread

And clouds smother men as they roll in
A hard rain will come
Lightning strikes like the crack of live bones
And the hoarse words of Cain’s son

And I hear the cries of the
Children - the ones lost
In the dark

I know they want a future,
But I fear
They lost the spark
I.
Lain down, unconcealed
toward the window
shoulder to hip -- a shadowy cursive
perhaps penumbra

II.
Seated, face in utter profile
standing, sorting laundry
washing dishes, guarding
the radiator

III.
Hair eschewed in
conjugated waters
double-exposed
roots and
foliage -- wisps
of sugarland
in subtext
their dark net
cast over a pearly bright sea
discovery left
to the imagination
For Eleanor Callahan
The day of my release
I walked the streets
Seeing the sky and the grass under my feet
It was weird, I was free
But not free from my memories-
They flee,

The people I once knew,
Can't look me in the eye
They know what I did,
But so do I, because everyday I relive-
All the things that haunt me

Every day's a clock, with no hands
Each minute strikes the soul like a match
How am I supposed to relive-
Relearn to live

The cars and the people
The dog on the corner,
He barks like crazy
But nothing will be as crazy as the thought
Maybe I want to go back to-
What was once my living doom

I was told to get a job
But right now crossing the street-
Feels like my head will pop
All the honks and the shouts
Who knew the world could be so loud

In confinement it was quiet
Because a noise too loud,
Could trigger a guard,
Beating us until,
the lights went out-

Showers and meals were on a schedule,
Now I have to decide for myself
And still I manage
I cross the street-
Not trying to vanish-
In my internal defeat.
Can a certain affection,
Perhaps feel as a victory
My love for you, platonically
Deeply rooted into my soul

My veins made for dancing ours,
My eyes made for meeting yours
Self made at heavens sake
I love you dearly my best friend.
I love you like a wind-
That never breezed
My warmth for you is like a winter
That wouldn't get too cold

A love so kind and caring
Like a bird spreading its wings
And a dog running free
Perhaps a bee that keeps its stings

I love the sun a little more-
When you're around to watch
I love the pouring rain
Or the stars I cannot touch.
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