I put you on a lifeboat and watched you sail safely through,
As I drowned in the ice cold waters thinking about you.

I've struggled and faught to keep my head afloat
In hopes that you'll come back for me in your little lifeboat.

We did our best to avoid the iceberg, or so I like to think
But being the Titanic we were doomed, bound to sink.
 
And we broke so quickly, like it was out of the blue.
Turns out love isn't a strong enough glue.

So here I swim in the freezing sea of sorrow
Hoping to find warmth in a better tomorrow.

I can try to pretend, pretend that I'm not sinking,
But all the while I can't stop myself from thinking.

Thinking that if I can just stay afloat for a while
You'll come sailing by in your little lifeboat with a smile.

But you won't come, you've already reached dry land.
So I struggle for my life, for anyone to lend their hand.

I can only hope that hand comes before I freeze.
Oh Lord, send me my own little lifeboat, please.

12/17/13

“I know you're tired but come, this is the way...

In your light, I learn how to love.
In your beauty, how to make poems.
You dance inside my chest where no-one sees you,
but sometimes I do, and that sight becomes this art.”*        ― Rumi


1.
“You and I have spoken all these words, but for the way we have to go, words are no preparation. I have one small drop of knowing in my soul.
Let it dissolve in your ocean.

A mountain keeps an echo deep inside. That's how I hold your voice.”
― Rumi


2.
“Do not feel lonely, the entire universe is inside you.
Stop acting so small. You are the universe in ecstatic motion.

Set your life on fire. Seek those who fan your flames.”   ― Rumi


3.
“The way of love is not
a subtle argument.

The door there
is devastation.

Birds make great sky-circles
of their freedom.
How do they learn it?

They fall, and falling,
they're given wings.”                          ― Rumi


4.
“The morning wind spreads its fresh smell. We must get up and take that in, that wind that lets us live. Breathe before it's gone.

Sorrow prepares you for joy.
It violently sweeps everything out of your house, so that new joy can find space to enter. It shakes the yellow leaves from the bough of your heart, so that fresh, green leaves can grow in their place. It pulls up the rotten roots, so that new roots hidden beneath have room to grow.
Whatever sorrow shakes from your heart, far better things will take their
place.”                                     ― Rumi


5.
“You are so weak. Give up to grace.
The ocean takes care of each wave till it gets to shore.
You need more help than you know.

Be a lamp, or a lifeboat, or a ladder. Help someone's soul heal.
Walk out of your house like a shepherd.”
― Rumi, The Essential Rumi


6.
“You think you are alive
because you breathe air?
Shame on you,
that you are alive in such a limited way.
Don't be without Love,
so you won't feel dead.
Die in Love
and stay alive forever.

I want to see you.
Know your voice.

Recognise you when you
first come 'round the corner.

Sense your scent when I come
into a room you've just left.

Know the lift of your heel,
the glide of your foot.

Become familiar with the way
you purse your lips
then let them part,
just the slightest bit,
when I lean in to your space
and kiss you.

I want to know the joy
of how you whisper
“more”...                                                       ­     ― Rumi


7.
“When you go through a hard period,
When everything seems to oppose you,
... When you feel you cannot even bear one more minute,
NEVER GIVE UP!
Because it is the time and place that the course will divert!

The cure for pain is in the pain.
In Silence, there is eloquence. Stop weaving and see how the pattern improves.

The truth was a mirror in the hands of God. It fell, and broke into pieces. Everybody took a piece of it, and they looked at it and thought they had the truth.”                                       ― Rumi


8.
“Study me as much as you like, you will not know me, for I differ in a hundred ways from what you see me to be. Put yourself behind my eyes and see me as I see myself, for I have chosen to dwell in a place you cannot see.

Moonlight floods the whole sky from horizon to horizon;
How much it can fill your room depends on its windows.”
― Rumi, The Essential Rumi


9.
“Keep walking, though there's no place to get to.
Don't try to see through the distances.
That's not for human beings. Move within,
But don't move the way fear makes you move.

If you are irritated by every rub, how will your mirror be polished?

Start a huge, foolish project, like Noah…it makes absolutely no difference what people think of you.”   ― Rumi


10.
“Do you know what you are?
You are a manuscript oƒ a divine letter.
You are a mirror reflecting a noble face.
This universe is not outside of you.
Look inside yourself;
everything that you want,
you are already that.”
― Rumi, Hush, Don't Say Anything to God: Passionate Poems of Rumi



11.
“Out beyond ideas of wrongdoing
and rightdoing, there is a field.
I'll meet you there.

When the soul lies down in that grass
the world is too full to talk about.

What you seek, is seeking you.”                             ― Rumi


12.
“The lion is most handsome when looking for food.

Pain is a treasure, for it contains mercies.
Love comes with a knife, not some shy question, and not with fears for its reputation!

I am your moon and your moonlight too
I am your flower garden and your water too
I have come all this way, eager for you
Without shoes or shawl
I want you to laugh
To **** all your worries
To love you
To nourish you.”                                          ― Rumi


13.
“I was dead, then alive.
Weeping, then laughing.

The power of love came into me,
and I became fierce like a lion,
then tender like the evening star.”                        ― Rumi


14.
“Suffering is a gift. In it is hidden mercy.

Come, come, whoever you are. Wanderer, worshiper, lover of leaving.
It doesn't matter. Ours is not a caravan of despair.. come, even if you have broken your vows a thousand times. Come, yet again, come, come.

But listen to me. For one moment - quit being sad. Hear blessings
dropping their blossoms
around you.

I closed my mouth and spoke to you in a hundred silent ways.”
― Rumi


15.
“The breeze at dawn has secrets to tell you. Don't go back to sleep!
You must ask for what you really want.
Don't go back to sleep!
People are going back and forth
across the doorsill where the two worlds touch,
The door is round and open
Don't go back to sleep!

These pains you feel are messengers. Listen to them.”
― Rumi, The Essential Rumi



16.
“Like a sculptor, if necessary,
carve a friend out of stone.
Realise that your inner sight is blind
and try to see a treasure in everyone.”                    ― Rumi


17.
“Let the lover be disgraceful, crazy, absent-minded. Someone sober will worry about things going badly. Let the lover be.

There are lovers content with longing.
I’m not one of them.”    ― Rumi, The Essential Rumi


18.
“There is a secret medicine given only to those who hurt so hard they can't hope.
The hopers would feel slighted if they knew.

You were born with potential.
You were born with goodness and trust. You were born with ideals and dreams. You were born with greatness.
You were born with wings.
You are not meant for crawling, so don't.
You have wings.
Learn to use them and fly.”          ― Rumi


19.
“Forget safety.
Live where you fear to live.
Destroy your reputation.
Be notorious.

Inside you, there’s an artist you don’t know about… say yes quickly, if you know, if you’ve known it from before the beginning of the universe.”
― Rumi


20.
“Let yourself be silently drawn by the stronger pull of what you really love. It will not lead you astray.”     ― Rumi





"On a day
when the wind is perfect,
the sail just needs to open and the world is full of beauty.
Today is such a day.”                                               ― Rumi






S T – 25 feb 14

Like a psychotic docent in the wilderness,
I will not speak in perfect Ciceronian cadences.
I draw my voice from a much deeper cistern,
Preferring the jittery synaptic archive,
So sublimely unfiltered, random and profane.
And though I am sequestered now,
Confined within the walls of a gated, golf-coursed,
Over-55 lunatic asylum (for Active Seniors I am told),
I remain oddly puerile,
Remarkably refreshed and unfettered.  
My institutionalization self-imposed,
Purposed for my own serenity, and also the safety of others.
Yet I abide, surprisingly emancipated and frisky.
I may not have found the peace I seek,
But the quiet has mercifully come at last.

The nexus of inner and outer space is context for my story.
I was born either in Brooklyn, New York or Shungopavi, Arizona,
More of intervention divine than census data.
Shungopavi: a designated place for tribal statistical purposes.
Shungopavi: an ovine abbatoir and shaman’s cloister.
The Hopi: my mother’s people, a state of mind and grace,
Deftly landlocked, so cunningly circumscribed,
By both interior and outer Navajo boundaries.
The Navajo: a coyote trickster people; a nation of sheep thieves,
Hornswoggled and landlocked themselves,
Subsumed within three of the so-called Four Corners:
A 3/4ths compromise and covenant,
Pickled in firewater, swaddled in fine print,
A veritable swindle concocted back when the USA
Had Manifest Destiny & mayhem on its mind.

The United States: once a pubescent synthesis of blood and thunder,
A bold caboodle of trooper spit and polish, unwashed brawlers, Scouts and      
Pathfinders, mountain men, numb-nut ne'er-do-wells,
Buffalo Bills & big-balled individualists, infected, insane with greed.
According to the Gospel of His Holiness Saint Zinn,
A People’s’ History of the United States: essentially state-sponsored terrorism,
A LAND RUSH grabocracy, orchestrated, blessed and anointed,
By a succession of Potomac sharks, Great White Fascist Fathers,
Far-Away-on-the Bay, the Bay we call The Chesapeake.
All demented national patriarchs craving lebensraum for God and country.
The USA: a 50-state Leviathan today, a nation jury-rigged,
Out of railroad ties, steel rails and baling wire,
Forged by a litany of lies, rapaciousness and ******,
And jaw-torn chunks of terra firma,
Bites both large and small out of our well-****** Native American ***.

Or culo, as in va’a fare in culo (literally "go do it in the ***")
Which Italian Americans pronounce as fongool.
The language center of my brain,
My sub-cortical Broca’s region,
So fraught with such semantic misfires,
And autonomic linguistic seizures,
Compel acknowledgement of a father’s contribution,
To both the gene pool and the genocide.
Columbus Day:  a conspicuously absent holiday out here in Indian Country.
No festivals or Fifth Avenue parades.
No excuse for ethnic hoopla. No guinea feast. No cannoli. No tarantella.
No excuse to not get drunk and not **** your sister-in-law.
Emphatically a day for prayer and contemplation,
A day of infamy like Pearl Harbor and 9/11,
October 12, 1492: not a discovery; an invasion.

Growing up in Brooklyn, things were always different for me,
Different in some sort of redskin/****/****--
Choose Your Favorite Ethnic Slur-sort of way.
The American Way: dehumanization for fun and profit.
Melting *** anonymity and denial of complicity with evil.
But this is no time to bring up America’s sordid past,
Or, a personal pet peeve: Indian Sovereignty.
For Uncle Sam and his minions, an ever-widening, conveniently flexible concept,
Not a commandment or law,
Not really a treaty or a compact,
Or even a business deal.  Let’s get real:
It was not even much in the way of a guideline.
Just some kind of an advisory, a bulletin or newsletter,
Could it merely have been a free-floating suggestion?
Yes, that’s it exactly: a suggestion.

Over and under halcyon American skies,
Over and around those majestic purple mountain peaks,
Those trapped in poetic amber waves of wheat and oats,
Corn and barley, wheat shredded and puffed,
Corn flaked and milled, Wheat Chex and Wheaties, oats that are little Os;
Kix and Trix, Fiber One, and Kashi-Go-Lean, Lucky Charms and matso *****,
Kreplach and kishka,
Polenta and risotto.
Our cantaloupe and squash patch,
Our fruited prairie plain, our delicate ecological Eden,
In balance and harmony with nature, as Chief Joseph of the Nez Perce instructs:
“These white devils are not going to,
Stop ****** and killing, cheating and eating us,
Until they have the whole ******* enchilada.
I’m talking about ‘from sea to shining sea.’”

“I fight no more forever,” Babaloo.
So I must steer this clunky keelboat of discovery,
Back to the main channel of my sad and starry demented river.
My warpath is personal but not historical.
It is my brain’s own convoluted cognitive process I cannot saavy.
Whatever biochemical or—as I suspect more each day—
Whatever bio-mechanical protocols govern my identity,
My weltanschauung: my world-view, as sprechen by proto-Nazis;
Putz philosophers of the 17th, 18th & 19th century.
The German intelligentsia: what a cavalcade of maniacal *******!
Why is this Jew unsurprised these Zarathustra-fueled Übermenschen . . .
Be it the Kaiser--Caesar in Deutsch--Bismarck, ******, or,
Even that Euro-*****,  Angela Merkel . . . Why am I not surprised these Huns,
Get global grab-*** on the sauerbraten cabeza every few generations?
To be, or not to be the ***** bullgoose loony: GOTT.

Biomechanical protocols govern my identity and are implanted while I sleep.
My brain--my weak and weary CPU--is replenished, my discs defragmented.
A suite of magnetic and optical white rooms, cleansed free of contaminants,
Gun mounts & lifeboat stations manned and ready,
Standing at attention and saluting British snap-style,
Snap-to and heel click, ramrod straight and cheerful: “Ready for duty, Sir.”
My mind is ravenous, lusting for something, anything to process.
Any memory or image, lyric or construct,
Be they short-term dailies or deeply imprinted.
Fixations archived one and all in deep storage time and space.
Memories, some subconscious, most vaporous;
Others--the scary ones—eidetic: frighteningly detailed and extraordinarily vivid.
Precise cognitive transcripts; recollected so richly rife and fresh.
Visual, auditory, tactile, gustatory, and olfactory reloads:
Queued up and increasingly re-experienced.

The bio-data of six decades: it’s all there.
People, countless, places and things cataloged.
Every event, joy and trauma enveloped from within or,
Accessed externally from biomechanical storage devices.
The random access memory of a lifetime,
Read and recollected from cerebral repositories and vaults,
All the while the entire greedy process overseen,
Over-driven by that all-subservient British bat-man,
Rummaging through the data in batches small and large,
Internal and external drives working in seamless syncopation,
Self-referential, at times paradoxical or infinitely looped.
“Cogito ergo sum."
Descartes stripped it down to the basics but there’s more to the story:
Thinking about thinking.
A curse and minefield for the cerebral:  metacognition.

No, it is not the fact that thought exists,
Or even the thoughts themselves.
But the information technology of thought that baffles me,
As adaptive and profound as any evolution posited by Darwin,
Beyond the wetware in my skull, an entirely new operating system.
My mental and cultural landscape are becoming one.
Machines are connecting the two.
It’s what I am and what I am becoming.
Once more for emphasis:
It is the information technology of who I am.
It is the operating system of my mental and cultural landscape.
It is the machinery connecting the two.
This is the central point of this narrative:
Metacognition--your superego’s yenta Cassandra,
Screaming, screaming in your psychic ear, your good ear:

“LISTEN:  The machines are taking over, taking you over.
Your identity and train of thought are repeatedly hijacked,
Switched off the main line onto spurs and tangents,
Only marginally connected or not at all.
(Incoming TEXT from my editor: “Lighten Up, Giuseppi!”)
Reminding me again that most in my audience,
Rarely get past the comic page. All righty then: think Calvin & Hobbes.
John Calvin, a precocious and adventurous six-year old boy,
Subject to flights of 16th Century French theological fancy.
Thomas Hobbes, a sardonic anthropomorphic tiger from 17th Century England,
Mumbling about life being “solitary, poor, nasty, brutish and short.”
Taken together--their antics and shenanigans--their relationship to each other,
Remind us of our dual nature; explore for us broad issues like public education;
The economy, environmentalism & the Global ****** Thermometer;
Not to mention the numerous flaws of opinion polls.



And again my editor TEXTS me, reminds me again: “LIGHTEN UP!”
Consoling me:  “Even Shakespeare had to play to the groundlings.”
The groundlings, AKA: The Rabble.
Yes. Even the ******* Bard, even Willie the Shake,
Had to contend with a decidedly lowbrow copse of carrion.
Oh yes, the groundlings, a carrion herd, a flying flock of carrion seagulls,
Carrion crow, carrion-feeders one and all,
And let’s throw Sheryl Crow into the mix while we’re at it:
“Hit it! This ain't no disco. And it ain't no country club either, this is L.A.”  

                  Send "All I Wanna Do" Ringtone to your Cell              

Once more, I digress.
The Rabble:  an amorphous, gelatinous Jabba the Hutt of commonality.
The Rabble: drunk, debauched & lawless.
Too *****-delicious to stop Bill & Hilary from thinking about tomorrow;
Too Paul McCartney My Love Does it Good to think twice.

The Roman Saturnalia: a weeklong **** fest.
The Saturnalia: originally a pagan kink-fest in honor of the deity Saturn.
Dovetailing nicely with the advent of the Christian era,
With a project started by Il Capo di Tutti Capi,
One of the early popes, co-opting the Roman calendar between 17 and 25 December,
Putting the finishing touches on the Jesus myth.
For Brooklyn Hopi-***-Jew baby boomers like me,
Saturnalia manifested itself as Disco Fever,
Unpleasant years of electrolysis, scrunched ***** in tight polyester
For Roman plebeians, for the great unwashed citizenry of Rome,
Saturnalia was just a great big Italian wedding:
A true family blowout and once-in-a-lifetime ego-trip for Dad,
The father of the bride, Vito Corleone, Don for A Day:
“Some think the world is made for fun and frolic,
And so do I! Funicula, Funiculi!”

America: love it or leave it; my country right or wrong.
Sure, we were citizens of Rome,
But any Joe Josephus spending the night under a Tiber bridge,
Or sleeping off a three day drunk some afternoon,
Up in the Coliseum bleachers, the cheap seats, out beyond the monuments,
The original three monuments in the old stadium,
Standing out in fair territory out in center field,
Those three stone slabs honoring Gehrig, Huggins, and Babe.
Yes, in the house that Ruth built--Home of the Bronx Bombers--***?
Any Joe Josephus knows:  Roman citizenship doesn’t do too much for you,
Except get you paxed, taxed & drafted into the Legion.
For us the Roman lifestyle was HIND-*** humble.
We plebeians drew our grandeur by association with Empire.
Very few Romans and certainly only those of the patrician class lived high,
High on the hog, enjoying a worldly extravaganza, like—whom do we both know?

Okay, let’s say Laurence Olivier as Crassus in Spartacus.
Come on, you saw Spartacus fifteen ******* times.
Remember Crassus?
Crassus: that ***** twisted **** trying to get his freak on with,
Tony Curtis in a sunken marble tub?
We plebes led lives of quiet *****-scratching desperation,
A bunch of would-be legionnaires, diseased half the time,
Paid in salt tablets or baccala, salted codfish soaked yellow in olive oil.
Stiffs we used to call them on New Year’s Eve in Brooklyn.
Let’s face it: we were hyenas eating someone else’s ****,
Stage-door jackals, Juvenal-come-late-lies, a mob of moronic mook boneheads
Bought off with bread & circuses and Reality TV.
Each night, dished up a wide variety of lowbrow Elizabethan-era entertainments.  
We contemplate an evening on the town, downtown—
(cue Petula Clark/Send "Downtown" Ringtone to your Cell)

On any given London night, to wit:  mummers, jugglers, bear & bull baiters.
How about dog & **** fighters, quoits & skittles, alehouses & brothels?
In short, somewhere, anywhere else,
Anywhere other than down along the Thames,
At Bankside in Southwark, down in the Globe Theater mosh pit,
Slugging it out with the groundlings whose only interest,
In the performance is the choreography of swordplay and stale ****** puns.
Meanwhile, Hugh Fennyman--probably a fellow Jew,
An English Renaissance Bugsy Siegel or Mickey Cohen—
Meanwhile Fennyman, the local mob boss is getting his ya-yas,
Roasting the feet of my text-messaging editor, Philip Henslowe.
Poor and pathetic Henslowe, works on commission, always scrounging,
But a true patron of my craft, a gentleman of infinite jest and patience,
Spiritual subsistence, and every now and then a good meal at some,
Sawdust joint with oyster shells, and a Prufrockian silk purse of T.S. Eliot gold.

Poor, pathetic Henslowe, trussed up by Fennyman,
His editorial feet in what looks like a Japanese hibachi.
Henslowe’s feet to the fire--feet to the fire—get it?
A catchy phrase whose derivation conjures up,
A grotesque yet vivid image of torture,
An exquisite insight into how such phrases ingress the idiom,
Not to mention a scene once witnessed at a secret Romanian CIA prison,
I’d been ordered to Bucharest not long after 9/11,
Handling the rendition and torture of Habib Ghazzawy,

An entirely innocent falafel maker from Steinway Street, Astoria, Queens.
Shock the Monkey: it’s what we do. GOTO:
Peter Gabriel - Shock the Monkey/
(HQ music video) - YouTube//
www.youtube.com/
Poor, pathetic, ******-on Henslowe.


Fennyman :  (his avarice is whet by something Philly screams out about a new script)  "A play takes time. Find actors; Rehearsals. Let's say open in three weeks. That's--what--five hundred groundlings at tuppence each, in addition four hundred groundlings tuppence each, in addition four hundred backsides at three pence--a penny extra for a cushion, call it two hundred cushions, say two performances for safety how much is that Mr. Frees?"
Jacobean Tweet, John (1580-1684) Webster:  “I saw him kissing her bubbies.”

It’s Geoffrey Rush, channeling Henslowe again,
My editor, a singed smoking madman now,
Feet in an ice bucket, instructing me once more:
“Lighten things up, you know . . .
Comedy, love and a bit with a dog.”
I digress again and return to Hopi Land, back to my shaman-monastic abattoir,
That Zen Center in downtown Shungopavi.
At the Tribal Enrolment Office I make my case for a Certificate of Indian Blood,
Called a CIB by the Natives and the U.S. Bureau of Indian Affairs.
The BIA:  representing gold & uranium miners, cattle and sheep ranchers,
Sodbusters & homesteaders; railroaders and dam builders since 1824.
Just in time for Andrew Jackson, another false friend of Native America,
Just before Old Hickory, one of many Democratic Party hypocrites and scoundrels,
Gives the FONGOOL, up the CULO go ahead.
Hey Andy, I’ve got your Jacksonian democracy: Hanging!
The Bureau of Indian Affairs (BIA) mission is to:   "… enhance the quality of life, to promote economic opportunity, and to carry out the responsibility to protect and improve the trust assets of American Indians, Indian tribes, and Alaska Natives. What’s that in the fine print?  Uncle Sammy holds “the trust assets of American Indians.”

Here’s a ******* tip, Geronimo: if he trusted you,
It would ALL belong to you.
To you and The People.
But it’s all fork-tongued white *******.
If true, Indian sovereignty would cease to be a sick one-liner,
Cease to be a blunt force punch line, more of,
King Leopold’s 19th Century stand-up comedy schtick,
Leo Presents: The **** of the Congo.
La Belgique mission civilisatrice—
That’s what French speakers called Uncle Leo’s imperial public policy,
Bringing the gift of civilization to central Africa.
Like Manifest Destiny in America, it had a nice colonial ring to it.
“Our manifest destiny [is] to overspread the continent,
Allotted by Providence for the free development,
Of our yearly multiplying millions.”  John L. O'Sullivan, 1845

Our civilizing mission or manifest destiny:
Either/or, a catchy turn of phrase;
Not unlike another ironic euphemism and semantic subterfuge:
The Pacification of the West; Pacification?
Hardly: decidedly not too peaceful for Cochise & Tonto.
Meanwhile, Madonna is cash rich but disrespected Evita poor,
To wit: A ****** on the Rocks (throwing in a byte or 2 of Da Vinci Code).
Meanwhile, Miss Ciccone denied her golden totem *****.
They snubbed that little guinea ****, didn’t they?
Snubbed her, robbed her rotten.
Evita, her magnum opus, right up there with . . .
Her SNL Wayne’s World skit:
“Get a load of the unit on that guy.”
Or, that infamous MTV Music Video Awards stunt,
That classic ***** Lip-Lock with Britney Spears.

How could I not see that Oscar snubola as prime evidence?
It was just another stunning case of American anti-Italian racial animus.
Anyone familiar with Noam Chomsky would see it,
Must view it in the same context as the Sacco & Vanzetti case,
Or, that arbitrary lynching of 9 Italian-Americans in New Orleans in 1891,
To cite just two instances of anti-Italian judicial reach & mob violence,
Much like what happened to my cousin Dominic,
Gang-***** by the Harlem Globetrotters, in their locker room during halftime,
While he working for Abe Saperstein back in 1952.
Dom was doing advance for Abe, supporting creation of The Washington Generals:
A permanent stable of hoop dream patsies and foils,
Named for the ever freewheeling, glad-handing, backslapping,
Supreme Commander Allied Expeditionary Force (SCAEF), himself,
Namely General Dwight D. Eisenhower, the man they liked,
And called IKE: quite possibly a crypto Jew from Abilene.

Of course, Harry Truman was my first Great White Fascist Father,
Back in 1946, when I first opened my eyes, hung up there,
High above, looking down from the adobe wall.
Surveying the entire circular kiva,
I had the best seat in the house.
Don’t let it be said my Spider Grandmother or Hopi Corn Mother,
Did not want me looking around at things,
Discovering what made me special.
Didn’t divine intervention play a significant part of my creation?
Knowing Mamma Mia and Nonna were Deities,
Gave me an edge later on the streets of Brooklyn.
The Cradleboard: was there ever a more divinely inspired gift to human curiosity? The Cradleboard: a perfect vantage point, an infant’s early grasp,
Of life harmonious, suspended between Mother Earth and Father Sky.
Simply put: the Hopi should be running our ******* public schools.

But it was IKE with whom I first associated,
Associated with the concept 1600 Pennsylvania Avenue.
I liked IKE. Who didn’t?
What was not to like?
He won the ******* war, didn’t he?
And he wasn’t one of those crazy **** John Birchers,
Way out there, on the far right lunatic Republican fringe,
Was he? (It seems odd and nearly impossible to believe in 2013,
That there was once a time in our Boomer lives,
When the extreme right wing of the Republican Party
Was viewed by the FBI as an actual threat to American democracy.)
Understand: it was at a time when The FBI,
Had little ideological baggage,
But a great appetite for secrets,
The insuppressible Jay Edgar doing his thang.

IKE: of whom we grew so, oh-so Fifties fond.
Good old reliable, Nathan Shaking IKE:
He’d been fixed, hadn’t he? Had had the psychic snip.
Snipped as a West Point cadet & parade ground martinet.
Which made IKE a good man to have in a pinch,
Especially when crucial policy direction was way above his pay grade.
Cousin Dom was Saperstein’s bagman, bribing out the opposition,
Which came mainly from religious and patriotic organizations,
Viewing the bogus white sports franchise as obscene.
The Washington Generals, Saperstein’s new team would have but one opponent,
And one sole mission: to serve as the **** of endless jokes and sight gags for—
Negroes.  To play the chronic fools of--
Negroes.  To be chronically humiliated and insulted by—
Negroes.  To run up and down the boards all night, being outran by—
Negroes.  Not to mention having to wear baggy silk shorts.



Meadowlark Lemon:  “Yeah, Charlie, we ***** that grease-ball Dominic; we shagged his guinea mouth and culo rotten.”  

(interviewed in his Scottsdale, AZ winter residence in 2003 by former ESPN commentator Charlie Steiner, Malverne High School, Class of ’67.)
                                                        
  ­                                                                 ­                 
IKE, briefed on the issue by higher-ups, quickly got behind the idea.
The Harlem Globetrotters were to exist, and continue to exist,
Are sustained financially by Illuminati sponsors,
For one reason and one reason only:
To serve elite interests that the ***** be kept down and subservient,
That the minstrel show be perpetuated,
A policy surviving the elaborate window dressing of the civil rights movement, Affirmative action, and our first Uncle Tom president.
Case in point:  Charles Barkley, Dennis Rodman & Metta World Peace Artest.
Cha-cha-cha changing again:  I am Robert Allen Zimmermann,
A whiny, skinny Jew, ****** and rolling in from Minnesota,
Arrested, obviously a vagrant, caught strolling around his tony Jersey enclave,
Having moved on up the list, the A-list, a special invitation-only,
Yom Kippur Passover Seder:  Next Year in Jerusalem, Babaloo!

I take ownership of all my autonomic and conditioned reflexes;
Each personal neural arc and pathway,
All shenanigans & shellackings,
Or blunt force cognitive traumas.
It’s all percolating nicely now, thank you,
In kitchen counter earthen crockery:
Random access memory: a slow-cook crockpot,
Bubbling through my psychic sieve.
My memories seem only remotely familiar,
Distant and vague, at times unreal:
An alien hybrid databank accessed accidently on purpose;
Flaky science sustains and monitors my nervous system.
And leads us to an overwhelming question:
Is it true that John Dillinger’s ******* is in the Smithsonian Museum?
Enquiring minds want to know, Kemosabe!

“Any last words, *******?” TWEETS Adam Smith.
Postmortem cyber-graffiti, an epitaph carved in space;
Last words, so singular and simple,
Across the universal great divide,
Frisbee-d, like a Pleistocene Kubrick bone,
Tossed randomly into space,
Morphing into a gyroscopic space station.
Mr. Smith, a calypso capitalist, and me,
Me, the Poet Laureate of the United States and Adam;
Who, I didn’t know from Adam.
But we tripped the light fantastic,
We boogied the Protestant Work Ethic,
To the tune of that old Scotch-Presbyterian favorite,
Variations of a 5-point Calvinist theme: Total Depravity; Election; Particular Redemption; Irresistible Grace; & Perseverance of the Saints.

Mr. Smith, the author of An Inquiry into the Nature
& Causes of the Wealth of Nations (1776),
One of the best-known, intellectual rationales for:
Free trade, capitalism, and libertarianism,
The latter term a euphemism for Social Darwinism.
Prior to 1764, Calvinists in France were called Huguenots,
A persecuted religious majority . . . is that possible?
A persecuted majority of Edict of Nantes repute.
Adam Smith, likely of French Huguenot Jewish ancestry himself,
Reminds me that it is my principal plus interest giving me my daily gluten.
And don’t think the irony escapes me now,
A realization that it has taken me nearly all my life to see again,
What I once saw so vividly as a child, way back when.
Before I put away childish things, including the following sentiment:
“All I need is the air that I breathe.”

  Send "The Air That I Breathe" Ringtone to your Cell  

The Hippies were right, of course.
The Hollies had it all figured out.
With the answer, as usual, right there in the lyrics.
But you were lucky if you were listening.
There was a time before I embraced,
The other “legendary” economists:
The inexorable Marx,
The savage society of Veblen,
The heresies we know so well of Keynes.
I was a child.
And when I was a child, I spake as a child—
Grazie mille, King James—
I understood as a child; I thought as a child.
But when I became a man I jumped on the bus with the band,
Hopped on the irresistible bandwagon of Adam Smith.

Smith:  “Any last words, *******?”
Okay, you were right: man is rationally self-interested.
Grazie tanto, Scotch Enlightenment,
An intellectual movement driven by,
An alliance of Calvinists and Illuminati,
Freemasons and Johnny Walker Black.
Talk about an irresistible bandwagon:
Smith, the gloomy Malthus, and David Ricardo,
Another Jew boy born in London, England,
Third of 17 children of a Sephardic family of Portuguese origin,
Who had recently relocated from the Dutch Republic.
******* Jews!
Like everything shrewd, sane and practical in this world,
WE also invented the concept:  FOLLOW THE MONEY.

The lyrics: if you were really listening, you’d get it:
Respiration keeps one sufficiently busy,
Just breathing free can be a full-time job,
Especially when--borrowing a phrase from British cricketers—,
One contemplates the sorry state of the wicket.
Now that I am gainfully superannuated,
Pensioned off the employment radar screen.
Oft I go there into the wild ebon yonder,
Wandering the brain cloud at will.
My journey indulges curiosity, creativity and deceit.
I free range the sticky wicket,
I have no particular place to go.
Snagging some random fact or factoid,
A stop & go rural postal route,
Jumping on and off the brain cloud.

Just sampling really,
But every now and then, gorging myself,
At some information super smorgasbord,
At a Good Samaritan Rest Stop,
I ponder my own frazzled neurology,
When I was a child—
Before I learned the grim economic facts of life and Judaism,
Before I learned Hebrew,
Before my laissez-faire Bar Mitzvah lessons,
Under the rabbinical tutelage of Rebbe Kahane--
I knew what every clever child knows about life:
The surfing itself is the destination.
Accessing RAM--random access memory—
On a strictly need to know basis.
RAM:  a pretty good name for consciousness these days.

If I were an Asimov or Sir Arthur (Sri Lankabhimanya) Clarke,
I’d get freaky now, riffing on Terminators, Time Travel and Cyborgs.
But this is truth not science fiction.
Nevertheless, someone had better,
Come up with another name for cyborg.
Some other name for a critter,
Composed of both biological and artificial parts?
Parts-is-parts--be they electronic, mechanical or robotic.
But after a lifetime of science fiction media,
After a steady media diet, rife with dystopian technology nightmares,
Is anyone likely to admit to being a cyborg?
Since I always give credit where credit is due,
I acknowledge that cyborg was a term coined in 1960,
By Manfred Clynes & Nathan S. Kline and,
Used to identify a self-regulating human-machine system in outer space.

Five years later D. S. Halacy's: Cyborg: Evolution of the Superman,
Featured an introduction, which spoke of:  “… a new frontier, that was not,
Merely space, but more profoundly, the relationship between inner space,
And outer space; a bridge, i.e., between mind and matter.”
So, by definition, a cyborg defined is an organism with,
Technology-enhanced abilities: an antenna array,
Replacing what was once sentient and human.
My glands, once in control of metabolism and emotions,
Have been replaced by several servomechanisms.
I am biomechanical and gluttonous.
Soaking up and breathing out the atmosphere,
My Baby Boom experience of six decades,
Homogenized and homespun, feedback looped,
Endlessly networked through predigested mass media,
Culture as demographically targeted content.

This must have something to do with my own metamorphosis.
I think of Gregor Samsa, a Kafkaesque character if there ever was one.
And though we share common traits,
My evolutionary progress surpasses and transcends his.
Samsa--Phylum and Class--was, after all, an insect.
Nonetheless, I remain a changeling.
Have I not seen many stages of growth?
Each a painful metamorphic cycle,
From exquisite first egg,
Through caterpillar’s appetite & squirm.
To phlegmatic bliss and pupa quietude,
I unfold my wings in a rush of Van Gogh palette,
Color, texture, movement and grace, lift off, flapping in flight.
My eyes have witnessed wondrous transformations,
My experience, nouveau riche and distinctly self-referential;
For the most part unspecific & longitudinally pedestrian.

Yes, something has happened to me along the way.
I am no longer certain of my identity as a human being.
Time and technology has altered my basic wiring diagram.
I suspect the sophisticated gadgets and tools,
I’ve been using to shape & make sense of my environment,
Have reared up and turned around on me.
My tools have reshaped my brain & central nervous system.
Remaking me as something simultaneously more and less human.
The electronic toys and tools I once so lovingly embraced,
Have turned unpredictable and rabid,
Their bite penetrating my skin and septic now, a cluster of implanted sensors,
Content: currency made increasingly more valuable as time passes,
Served up by and serving the interests of a pervasively predatory 1%.
And the rest of us: the so-called 99%?
No longer human; simply put by both Howards--Beale & Zinn--

Humanoid.

Water lapped up the side of the lifeboat
as it bobbed up and down on the sea
only seven ****** had survived
the rest had gone under and drowned

The first officer and the stoker
lent over a fellow ******
he was coughing up oil
and in unbearable pain, was screaming

The stoker mumbled, He's not got long
then he started to sob in his hands bitterly
they had been torpedoed by a U Boat
a day and three quarters out of Italy

The coughing then stopped
the ****** was dead
so they said a little prayer
then tipped him over the edge


By Christos Andreas Kourtis aka NeonSolaris

PROLOGUE
               Hyde Park weekend of politics and pop,
Geldof’s gang of divas and mad hatters;
Sergeant Pepper only one heart beating,
resurrected by a once dead Beatle.
The ******, Queen and Irish juggernauts;
The Entertainer and dead bands
re-jigged for the sake of humanity.
   The almighty single named entities
all out for Africa and people power.
Olympics in the bag, a Waterloo
of celebrations in the street that night
Leaping and whooping in sheer delight
Nelson rocking in Trafalgar Square
The promised computer wonderlands
rising from the poisoned dead heart wasteland;
derelict, deserted, still festering.
The Brave Tomorrow in a world of hate.
The flame will be lit, magic rings aloft
and harmony will be our middle name.

On the seventh day of the seventh month,
Festival of the skilful Weaving girl;
the ‘war on terror’ just a tattered trope
drained and exhausted and put out of sight
in a dark corner of a darker shelf.
A power surge the first lie of the day.
Savagely woken from our pleasant dream
al Qa’ida opens up a new franchise
and a new frontier for terror to prowl.

               Howling sirens shatter morning’s progress
Hysterical screech of ambulances
and police cars trying to grip the road.
The oppressive drone of helicopters
gathering like the Furies in the sky;
Blair’s hubris is acknowledged by the gods.
Without warning the deadly game begins.

The Leviathan state machinery,
certain of its strength and authority,
with sheer balletic co-ordination,
steadies itself for a fine performance.
The new citizen army in ‘day glow’
take up their ‘Support Official’ roles,
like air raid wardens in the last big show;
feisty  yet firm, delivering every line
deep voiced and clearly to the whole theatre.
On cue, the Police fan out through Bloomsbury
clearing every emergency exit,
arresting and handcuffing surly streets,
locking down this ancient river city.
Fetching in fluorescent green costuming,
the old Bill nimbly Tangos and Foxtrots
the airways, Oscar, Charlie and Yankee
quickly reply with grid reference Echo;
Whiskey, Sierra, Quebec, November,
beam out from New Scotland Yard,
staccato, nearly lost in static space.
      
              LIVERPOOL STREET STATION
8.51 a.m. Circle Line

Shehezad Tanweer was born in England.
A migrant’s child of hope and better life,
dreaming of his future from his birth.
Only twenty two short years on this earth.
In a madrassah, Lahore, Pakistan,
he spent twelve weeks reading and rote learning
verses chosen from the sacred text.
Chanting the syllables, hour after hour,
swaying back and forth with the word rhythm,
like an underground train rocking the rails,
as it weaves its way beneath the world,
in turning tunnels in the dead of night.

Teve Talevski had a meeting
across the river, he knew he’d be late.
**** trains they do it to you every time.
But something odd happened while he waited
A taut-limbed young woman sashayed past him
in a forget-me-not blue dress of silk.
She rustled on the platform as she turned.
She turned to him and smiled, and he smiled back.
Stale tunnel air pushed along in the rush
of the train arriving in the station.
He found a seat and watched her from afar.
Opened his paper for distraction’s sake
Olympic win exciting like the smile.

Train heading southwest under Whitechapel.
Deafening blast, rushing sound blast, bright flash
of golden light, flying glass and debris
Twisted people thrown to ground, darkness;
the dreadful silent second in blackness.
The stench of human flesh and gunpowder,
burning rubber and fiery acrid smoke.
Screaming bone bare pain, blood-drenched tearing pain.
Pitiful weeping, begging for a god
to come, someone to come, and help them out.

Teve pushes off a dead weighted man.
He stands unsteady trying to balance.
Railway staff with torches, moving spotlights
**** and jolt, catching still life scenery,
lighting the exit in gloomy dimness.
They file down the track to Aldgate Station,
Teve passes the sardine can carriage
torn apart by a fierce hungry giant.
Through the dust, four lifeless bodies take shape
and disappear again in drifting smoke.
It’s only later, when safe above ground,
Teve looks around and starts to wonder
where his blue epiphany girl has gone.

                 KINGS CROSS STATION
8.56 a.m. Piccadilly Line

Many named Lyndsey Germaine, Jamaican,
living with his wife and child in Aylesbury,
laying low, never visited the Mosque.   
                Buckinghamshire bomber known as Jamal,
clean shaven, wearing normal western clothes,
annoyed his neighbours with loud music.
Samantha-wife converted and renamed,
Sherafiyah and took to wearing black.
Devout in that jet black shalmar kameez.
Loving father cradled close his daughter
Caressed her cheek and held her tiny hand
He wondered what the future held for her.

Station of the lost and homeless people,
where you can buy anything at a price.
A place where a face can be lost forever;
where the future’s as real as faded dreams.
Below the mainline trains, deep underground
Piccadilly lines cross the River Thames
Cram-packed, shoulder to shoulder and standing,
the train heading southward for Russell Square,
barely pulls away from Kings Cross Station,
when Arash Kazerouni hears the bang,
‘Almighty bang’ before everything stopped.
Twenty six hearts stopped beating that moment.
But glass flew apart in a shattering wave,
followed by a  huge whoosh of smoky soot.
Panic raced down the line with ice fingers
touching and tagging the living with fear.
Spine chiller blanching faces white with shock.

Gracia Hormigos, a housekeeper,
thought, I am being electrocuted.
Her body was shaking, it seemed her mind
was in free fall, no safety cord to pull,
just disconnected, so she looked around,
saw the man next to her had no right leg,
a shattered shard of bone and gouts of  blood,
Where was the rest of his leg and his foot ?

Level headed ones with serious voices
spoke over the screaming and the sobbing;
Titanic lifeboat voices giving orders;
Iceberg cool voices of reassurance;
We’re stoical British bulldog voices
that organize the mayhem and chaos
into meaty chunks of jobs to be done.
Clear air required - break the windows now;
Lines could be live - so we stay where we are;
Help will be here shortly - try to stay calm.

John, Mark and Emma introduce themselves
They never usually speak underground,
averting your gaze, tube train etiquette.
Disaster has its opportunities;
Try the new mobile, take a photograph;
Ring your Mum and Dad, ****** battery’s flat;
My network’s down; my phone light’s still working
Useful to see the way, step carefully.

   Fiona asks, ‘Am I dreaming all this?’
A shrieking man answers her, “I’m dying!”
Hammered glass finally breaks, fresher air;
too late for the man in the front carriage.
London Transport staff in yellow jackets
start an orderly evacuation
The mobile phones held up to light the way.
Only nineteen minutes in a lifetime.
  
EDGEWARE ROAD STATION
9.17 a.m. Circle Line

               Mohammed Sadique Khan, the oldest one.
Perhaps the leader, at least a mentor.
Yorkshire man born, married with a daughter
Gently spoken man, endlessly patient,
worked in the Hamara, Lodge Lane, Leeds,
Council-funded, multi-faith youth Centre;
and the local Primary school, in Beeston.
No-one could believe this of  Mr Khan;
well educated, caring and very kind
Where did he hide his secret other life  ?

Wise enough to wait for the second train.
Two for the price of one, a real bargain.
Westbound second carriage is blown away,
a commuter blasted from the platform,
hurled under the wheels of the east bound train.
Moon Crater holes, the walls pitted and pocked;
a sparse dark-side landscape with black, black air.
The ripped and shredded metal bursts free
like a surprising party popper;
Steel curlicues corkscrew through wood and glass.
Mass is made atomic in the closed space.
Roasting meat and Auschwitzed cremation stench
saturates the already murky air.              
Our human kindling feeds the greedy fire;
Heads alight like medieval torches;
Fiery liquid skin drops from the faceless;
Punk afro hair is cauterised and singed.  
Heat intensity, like a wayward iron,
scorches clothes, fuses fibres together.
Seven people escape this inferno;
many die in later days, badly burned,
and everyone there will live a scarred life.

               TAVISTOCK ROAD
9.47 a.m. Number 30 Bus  

Hasib Hussain migrant son, English born
barely an adult, loved by his mother;
reported him missing later that night.
Police typed his description in the file
and matched his clothes to fragments from the scene.
A hapless victim or vicious bomber ?
Child of the ‘Ummah’ waging deadly war.
Seventy two black eyed virgins waiting
in jihadist paradise just for you.

Red double-decker bus, number thirty,
going from Hackney Wick to Marble Arch;
stuck in traffic, diversions everywhere.
Driver pulls up next to a tree lined square;
the Parking Inspector, Ade Soji,
tells the driver he’s in Tavistock Road,
British Museum nearby and the Square.
A place of peace and quiet reflection;
the sad history of war is remembered;
symbols to make us never forget death;
Cherry Tree from Hiroshima, Japan;
Holocaust Memorial for Jewish dead;
sturdy statue of  Mahatma Gandhi.
Peaceful resistance that drove the Lion out.
Freedom for India but death for him.

Sudden sonic boom, bus roof tears apart,
seats erupt with volcanic force upward,
hot larva of blood and tissue rains down.
Bloodied road becomes a charnel-house scene;
disembodied limbs among the wreckage,
headless corpses; sinews, muscles and bone.
Buildings spattered and smeared with human paint
Impressionist daubs, blood red like the bus.

Jasmine Gardiner, running late for work;
all trains were cancelled from Euston Station;  
she headed for the square, to catch the bus.
It drove straight past her standing at the stop;
before she could curse aloud - Kaboom !
Instinctively she ran, ran for her life.
Umbrella shield from the shower of gore.

On the lower deck, two Aussies squeezed in;
Catherine Klestov was standing in the aisle,
floored by the bomb, suffered cuts and bruises
She limped to Islington two days later.
Louise Barry was reading the paper,
she was ‘****-scared’ by the explosion;
she crawled out of the remnants of the bus,
broken and burned, she lay flat on the road,
the world of sound had gone, ear drums had burst;
she lay there drowsy, quiet, looking up
and amazingly the sky was still there.

Sam Ly, Vietnamese Australian,
One of the boat people once welcomed here.
A refugee, held in his mother’s arms,
she died of cancer, before he was three.
Hi Ly struggled to raise his son alone;
a tough life, inner city high rise flats.
Education the smart migrant’s revenge,
Monash Uni and an IT degree.
Lucky Sam, perfect job of a lifetime;
in London, with his one love, Mandy Ha,
Life going great until that fateful day;
on the seventh day of the seventh month,
Festival of the skilful Weaving girl.

Three other Aussies on that ****** bus;
no serious physical injuries,
Sam’s luck ran out, in choosing where to sit.
His neck was broken, could not breath alone;
his head smashed and crushed, fractured bones and burns
Wrapped in a cocoon of coma safe
This broken figure lying on white sheets
in an English Intensive Care Unit
did not seem like Hi Ly’s beloved son;
but he sat by Sam’s bed in disbelief,
seven days and seven nights of struggle,
until the final hour, when it was done.

In the pit of our stomach we all knew,
but we kept on deep breathing and hoping
this nauseous reality would pass.
The weary inevitability
of horrific disasters such as these.
Strangely familiar like an old newsreel
Black and white, it happened long ago.
But its happening now right before our eyes
satellite pictures beam and bounce the globe.
Twelve thousand miles we watch the story
Plot unfolds rapidly, chapters emerge
We know the places names of this narrative.
  
It is all subterranean, hidden
from the curious, voyeuristic gaze,
Until the icon bus, we are hopeful
This public spectacle is above ground
We can see the force that mangled the bus,
fury that tore people apart limb by limb
Now we can imagine a bomb below,
far below, people trapped, fiery hell;
fighting to breathe each breath in tunnelled tombs.

Herded from the blast they are strangely calm,
obedient, shuffling this way and that.
Blood-streaked, sooty and dishevelled they come.
Out from the choking darkness far below
Dazzled by the brightness of the morning
of a day they feared might be their last.
They have breathed deeply of Kurtz’s horror.
Sights and sounds unimaginable before
will haunt their waking hours for many years;
a lifetime of nightmares in the making.
They trudge like weary soldiers from the Somme
already see the world with older eyes.

On the surface, they find a world where life
simply goes on as before, unmindful.
Cyclist couriers still defy road laws,
sprint racing again in Le Tour de France;
beer-gutted, real men are loading lorries;
lunch time sandwiches are made as usual,
sold and eaten at desks and in the street.
Roadside cafes sell lots of hot sweet tea.
The Umbrella stand soon does brisk business.
Sign writers' hands, still steady, paint the sign.
The summer blooms are watered in the park.
A ***** stretches on the bench and wakes up,
he folds and stows his newspaper blankets;
mouth dry,  he sips water at the fountain.
A lady scoops up her black poodle’s ****.
A young couple argues over nothing.
Betting shops are full of people losing
money and dreaming of a trifecta.
Martin’s still smoking despite the patches.
There’s a rush on Brandy in nearby pubs
Retired gardener dead heads his flowers
and picks a lettuce for the evening meal

Fifty six minutes from start to finish.
Perfectly orchestrated performance.
Rush hour co-ordination excellent.
Maximum devastation was ensured.
Cruel, merciless killing so coldly done.
Fine detail in the maiming and damage.

A REVIEW

Well activated practical response.
Rehearsals really paid off on the day.
Brilliant touch with bus transport for victims;
Space blankets well deployed for shock effect;
Dramatic improv by Paramedics;
Nurses, medicos and casualty staff
showed great technical E.R. Skills - Bravo !
Plenty of pizzazz and dash as always
from the nifty, London Ambo drivers;
Old fashioned know-how from the Fire fighters
in hosing down the fireworks underground.
Dangerous rescues were undertaken,
accomplished with buckets of common sense.
And what can one say about those Bobbies,
jolly good show, the lips unquivering
and universally stiff, no mean feat
in this Premiere season tear-jerker.
Nail-bitingly brittle, but a smash-hit
Poignant misery and stoic suffering,
fortitude, forbearance and lots of grit
Altogether was quite tickety boo.



NOTES ON THE POEM

Liverpool Street Station

A Circle Line train from Moorgate with six carriages and a capacity of 1272 passengers [ 192 seated; 1080 standing]. 7 dead on the first day.

Southbound, destination Aldgate. Explosion occurs midway between Liverpool Street and Aldgate.

Shehezad Tanweer was reported to have ‘never been political’ by a friend who played cricket with him 10 days before the bombing

Teve Talevski is a real person and I have elaborated a little on reports in the press. He runs a coffee shop in North London.

At the time of writing the fate of the blue dress lady is not known

Kings Cross Station

A Piccadilly Line train with six carriages and a capacity of 1238 passengers [272 seated; 966 standing]. 21 dead on first day.

Southbound, destination Russell Square. Explosion occurs mi

I walk along the endless shores,
trying to decide whether or not
I should plunge into the depths
of what this world has to offer.

As I step upon the grains of time,
one step more sure than the other,
I wonder what life will bring me
if I continue following this path.

The timeless beach takes me closer
to the next journey across time.
The water is calm and inviting, here,
and I’m curious to know what’s beyond.

The seas of the world are full,
filled with opportunities and chance.
I hesitate to take my lifeboat
to where Life is most unsure.

While the Seas of Life are disturbed
by storms of many lives competing,
I stay afloat closer to quiet shores
where life is still, in harmony with Nature.

Yet, when I meet another Life,
one who’ll guide me along, safely,
I know I’ll follow without a doubt,
as we’re stronger with the two of us.

Together, we’ll cross Life’s oceans
and journey with purpose to our goal.
We’ll share lifeboats and experience
until we reach the end, where we’ll grow old.

the moon looks a lot like porcelain tonight
but not in a superfluously verbose kind of way--
more of a telekinetic fragility kind of way.
where the plaid shirt hanging on that semi-open closet
across the room faintly resembles
a picnic blanket that belonged
to a midsummer day sometime in March--
some memories as such now only belongs
in a film cartridge//
or on post-emptied bottles of Prosecco on your nightstand.
I now understand--
why hurricanes are named after people
but to make people--
fleeting, paper people--
your universe
is to trail further and further away from land.
we're too inlove with chances;
too fixated in the idea of emancipating the uncertainty from the "maybe".
lie your flimsy bones on your pillow-invaded sheets darling
and call it a lifeboat.

it's a fragile night
and so are you.

In the land of Coleridge and his Ancient Mariner,
    In a time of coal fires, wooden boats and horsepower,
There is a story of the Lynmouth Lifeboat Louisa
    And the night horse and man over 13 miles pulled her.

Two of the afternoon clock struck a chime,
    On January 12th, 1899.
The wind howled and the sea it roared,
    Flooding ports and railways, taking off windows and doors.
The ship, Forest Hall, with masts a three
    Was being towed up Bristol Channel with a crew of 15.
Bound for Liverpool, at St. David’s Head she cast off,
    But the wind, it blew stronger and the waters grew rough.
Suddenly the cable grew taught and then snapped,
    The tugboat immediately came about to get back.
For over an hour they tried to re-fix the line
    But the storm was upon them, they had run out of time.
Captain Uliss made haste to anchor at bay
    But another obstacle was thrown in their way.
The rudder of the Forest Hall was broken by a squall,
    To the mercy of Poseidon and ****** they were all.
The ships’ anchor dragged, no purchase it found
    The ship was headed for Exmoor’s rough ground
At 6:33pm a telegraph was sent
    From Porlock to Lynmouth the Postmaster went
“Large vessel. Distress. Offshore Porlock”
    Five minutes later the first signal rocket went off
Out into the pounding rain they ran
    Those lifeboatmen and locals to lend them a hand
The waves loomed over the watch tower on the pier,
    Then crashed down in fury which deafened the ear
“Tis hopeless” the Coxswain, Jack Crocombe, said he
    “ain’t a crew in the service who could launch safely”
“From a more sheltered station we’ll call a new boat”
    And to the post-office they went, to send a telegraph out
Tap, tap, tap on the Morse key he pressed
    But nothing was happening, there was no line left
Blown down by the storm, and all hope with it,
    “The duty is ours, but we cannot fulfil it”.


Part 2:
“The duty is ours, it’s us or nobody” he shouts
    “it can’t never be nobody, go we must”
The protests did start, and questions did fall,
    But the Coxswain had an answer to silence them all
“Now, I know that we can’t launch her from ‘ere”
    “but it’s thirteen miles to Porlock Weir”
The voices were shouting, no one knew what to do
    But the Second Coxswain’s voice carried on through
“Jack, we’ll need ‘osses, every ‘oss can be spared”
    “if we got enough power, we’ll get her there”
The choice had been made, the die had been cast,
    The crew had a plan, a solution at last
Around came the Lifeboat Louisa, so grand
    Standing 34ft long and 7ft wide on land
3.5 tonnes was her unladen mass
    The add thirteen crew, oars, rigging and two masts
The shafts had been fitted to the carriage with ease,
    Rarely used but kept in the boathouse for needs
The horses were hitched, the carriage coupled on.
    In total, the train was one hundred and thirty foot long
“Right then” said the Coxswain “let’s be off”
    “up Countisbury Hill!” but as soon as they started, they stopped.
The horses did not pull together as a team,
    The wheels were stuck in the parapet, of the bridge over the stream
In minutes it was fixed, and it started again
    This time all horses were pulling the same.
Up Countisbury hill, they walked on and on,
    Until they reached open ground, then the protection was gone
The rain thundered down; the wind raged again
    Still the team kept on going, the pace slow and same.
All of a sudden, the carriage plunged to the right,
    A four-foot wheel came off, then rolled out of sight
“There’s a wheel off!” the cry rang “get them scotches under!”
    It was the front offside wheel that was causing this blunder
Nearly forty minutes it took to replace the wheel
    Still the great storm refused to heel
But then they were off, nearly conquered the hill
    But many more challenges faced them still.
The Blue Ball Inn marks Countisbury Hill peak
    And hot cocoa and brandy helped restore the weak.
Now they pressed on, ten miles to go.
    They were making good progress but painfully slow.


Part 3:
The rain had stopped, the lamps shone bright,
    This brave crew continued through the night.
The party had by now reached Ashton Lane
    Where their troubles soon were to begin again
On this narrow road, the walls were strong and thick
    Impassable for the carriage, but Coxswain Jack had a trick
“We’ll pull the boat through the lane on the skids”
    “The carriage can go o’er the moors with the kids”
So once again horse and train were detached
    A new plan at work, only recently hatched
Eight horses pulled the carriage away,
    Leaving ten to continue to Porlock Bay.
The boat was pulled down Ashton Lane
    Later, all men agreed this was the worst part of the way.
Mud underneath, and walls closing in
    Barely inches to move and soaked to the skin
Boast, horses and carriage finally together again
    Made their way onwards, leaving the lane
Half past one, on that stormy black morn
    County Gate was passed, conversation was born
The crew started talking, spirits, they grew
    But a challenge was coming and this they all knew
Porlock Hill was coming their way,
    Navigating this death path was tricky even in the day.


Part 4:
Porlock Hill, as the locals say
    Is the devil incarnate come night or day
But the brave men from Lynmouth at the top they stopped
    Safety chains, drag ropes and skid pans were fitted against the clock
Four horses at the front to control the bends
    Ten at the back plus men to see this through to the end
Down the twists and turns the crawled
    On the drag ropes and harnesses, man and horse hauled
Round the last corner “We’ve done it!” “We’re down!”
    Sighs let out, smiles put on, it was an inspiring sound
Then all at once, morale took a plunge down,
    As they stared at the entrance to Porlock Town.
Old Widow Washford had a cottage this end,
    It would be impossible for the carriage to round the bend
The wall of the garden would have to come down
    So, the crew started trying to widen the ground
“What are ye thinking at this time o’ night?”
    “How dare ye start bangin! Gave me a fright”
Old Widow Washford’s head poked through the door
    Was there no end to the troubles faced on this moor?
Once again, the Coxswain had the answer and said
    “Don’t worry, we’re just widening the road dear. Go back to bed”
The old woman was dressed and out in a flash
    Shouting encouragement, soon the wall was hashed.
Six inches more, they needed to pass
    The corner of the cottage came off at last.
Five of the clock struck the morning chime,
    For most people here, that was rising time.
Out of the town, and past the Ship Inn
    The last part of their journey was soon to begin.


Part 5:
Half past five when they reached Porlock Weir
    They were soon stopped by people when drew near.
“You can’t go no further” the Anchor Hotel Landlord said
    “the road’s gone, Jack, to the beach, nothing’s left”
Only half a mile stood ‘tween the crew and their goal
    They would not let this stop them, oh no.
The top road they took, almost as narrow as Ashton Lane
    An exercise none of them wanted to repeat again.
The train drew on, till they reached a tree
    An old Laburnum standing between them and the sea.
Down it came and then back on their way
    The light was beginning to turn night to day.
The boat reached the beach, the flares had been lit,
    The ****** poised with their oars, ready to hit.
Holding the stop, Second Coxswain yelled “HAUL”
    And down shot the Louisa, into the squall
The oars struck together, through the roaring sea
    Sails hoisted, oars beating, wind blowing hatefully.

It was on the morning Friday 13th January,
    That Lifeboat Louisa of Lynmouth launched at Porlock from Countisbury.
Ten and a half hours, over thirteen miles
    This crew and their boat had endured many trails
The Forest Hall was reach, her crew all safe
    Back to the mainland they made at pace.


Jack Crocombe, George Richards, Charles Crick, Richard Burgess,
    Richard Ridler, David Crocombe, Bertram Pennicott, William Jarvis.
George Rawle, William Richards and John Ward
    John Riddler, E.J. Peddar and Richard Moore.

All of them crew members on that historic day
    And for this they are remembered in every way.


But I give my thanks to the crew mate who gave this story to me,
    My Great Great Grandfather, Lynmouth Lifeboatman
        William Sellick Pugsley.


Sophie J Pugsley
Great Great Granddaughter of crewmate William Pugsley of the Lynmouth Lifeboat Service.

ever since my childhood broke and the safety net disintegrated
I've been running and holding it high above, arms aching
in a futile attempt to stop things falling through
woven seams. Sometimes it works and I stare up,
neck burning, to the things I cannot touch.

I do not look down to the debris scattered around me,
to the failures of my braced shoulders, slipping through like water;
impacting like stones.

once I caught a fisherman; he threaded silver secrets
through twine using smiles and sympathy and I lowered my arms, to keep him alongside. There were some places he couldn't reach but
that was ok, because we ran for an eternity ensnared in each second.

it was a particularly beautiful day when I noticed him slowing,
staring out to sea, steps faltering and new smiles forming that
were not faced to me. He left me and dived headfirst, forgetting that
fisherman cannot swim. He drowned as I ran on, arms outstretched
above me as the net danced in the wind and everything fell through.

I have never stopped, never ceased these thundering steps;
my eyes are still turned to the sky, the holes in my net cast
beautiful shadows and through them I see the stars and wait impatient
for the night when they too fall.

I will love you no matter how many mistakes I make when trying to reduce fractions, and no matter how difficult it is to memorize the periodic table. I will love you as the manatee loves the head of lettuce and as the dark spot loves the leopard, as the leech loves the ankle of a wader and as a corpse loves the beak of a vulture. I will love you as the iceberg loves the ship, and the passengers love the lifeboat and the lifeboat loves the teeth of the ***** whale, and the ***** whale loves the flavor of naval uniforms. I never want to be away from you again, except at work, in the restroom or when one of us is at a movie the other does not want to see.

I will love you as we find ourselves farther and farther from one another, where we once were so close that we could slip the curved straw, and the long, slender spoon, between our lips and fingers respectively. I will love you until the chances of us running into one another slip from slim to zero, and until your face is fogged by distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog. I will love you no matter where you go and who you see, no matter where you avoid and who you don’t see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and no matter how I am discovered after what happens to me as I am discovering this.

I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp, and as a gasping person loves a glass of brandy to calm their nerves, and as a glass of brandy loves to shatter on the floor, and as the noise of glass shattering loves to make someone else gasp, and as someone else gasping loves a nearby desk to lean against, even if leaning against it presses a lever that loves to open a drawer and reveal a secret compartment. I will love you until all such compartments are discovered and opened, and until all the secrets have gone gasping into the world.

I will love you as misfortune loves orphans, as fire loves innocence, and as justice loves to sit and watch while everything goes wrong.

I will love you if I never see you again, and I will love you if I see you every Tuesday.

Strange as it may seem, I still hope for the best, even though the best, like an interesting piece of mail, so rarely arrives, and even when it does it can be lost so easily.

Life will never end when you are in it.”

swimming in currents,
water dark as our Shadows,
there’s a war going on outside,
and inside we all have our own battles,

don’t know who to trust,
just need someone I can trust,
lost at sea it seems life’s but a dream,
and I’m sailing through on my lifeboat,

I hope,
this lifeboat can find a lifeguard,
because I feel like a criminal that’s escaped prison,
and now I’m living larger than life at large,

like I’m not hiding,
but people don’t see me,
even when I’m out here shining,
or occasionally when I’m on the TV,

see she,

is my Lifeguard,
guarding me to her life,
she protects me from my Darkness,
with the Love of her Light,

swimming fearlessly through the Seven Seas,
by my side she rides relentlessly,
she’s my Lifeguard she’s my Lighthouse,
upon my rock she shines luminescently,

she shows trust in our Divine Nature,
she is what’s better when we’re together,
she is the grass that’s greener the weather that’s clearer,
and every moment together with her feels like forever,

even though we both know nothing lasts forever,

everyone goes eventually,

evidentially,
she is certainly a site to behold,
how could someone be so modest,
and at the same time so bold,

to hold,
and to have,
to love,
and to laugh,

she loves me unconditionally,
never mad,
always happy,
forever sad,

rays of sunlight shine in like insight,
on me from her whenever I’m feeling down,
she shows up just in time to save my life,
grabbing my hand just as I’m about to drown,

more stamina than Pamela she’s an Angel a Savior,
she’s my own personal hero,
she is my Lifeguard,
always watching facing fear without fear so,
I offer her my everything,
indebted gratitude to her like a Samurai,
and yeah even though we’re both socialites,
we prefer when it’s just us as in her and I,

and I know this world is a dangerous place,
but as long as we have each other we will survive,
because she is my lifeguard my lifeboat my lightforce,
she is my lighthouse guiding me home with her loving light…

∆ Aaron La Lux ∆

IV**

Ma boys, ma boys
I hold them close in this canvas
Lifeboat
They look me in the eyes and say,
“Papa, where is Mama?”
How is it answered?
How do I answer sweet boys
Who question me in this canvas
Lifeboat?
How can it be said:
‘Boys, Papa take you away from
Mama
To Liberty Land
Where streets are gold?’
So I
I say nothing to quiet boys
In lifeboat rocking on the sea
Dark water is like truffle blood
I cannot see.
Away go we
On dark sea.
Small boys stop asking
Where Mama go
When they know
How I take them away.
I hold them tight
And look for dawn.

This heart isn’t hallow
This emptiness is just
As full as it can get
Like drowning a sealed
Water bottle full of
Oxygen

My heart breathes like a water boarding
Screams for first dates
That don’t come
Crushes over girls
Who ask me out to coffee so
They can brag about having coffee
With a cute guy to me
While the two of us
Have coffee

Smile
Do not show the hallow
Do not let the wind being knocked out of you
Whistle off of your rib cage
Like love notes being shredded

Remember
This is just coffee
Don’t pay attention to the fact that
Coffee hardly ever happens
Don’t pay attention to the fact that
You’ve literally had a crush on this girl since
Before you actually met her
Don’t pay attention to the fact that
There might not ever be another
Coffee

Remember
This is just your life
They don’t write love stories for hallowed out hearts
Or at least hearts that are only full of an outlining
Of oxygen
With skin singed from dysphoria
I hear it’s not good theater
If the main character looks like
A burn victim—
A bit indistinguishable
Like someone threw
Scalding coffee over your gender
Or tried to fill your heart with it

Breathe

Remember getting over her
It wasn’t hard
After all
It was just coffee
And it wasn’t like you
Had hope to fill your heart with
It was too full of out-linings
It’d be like stuffing a net with sand
Or trying to pour coffee into a
Shattered cup

Breathe

Let the broken shards of the
I-guess-this-really-is-just-coffee cups
Fill your lungs
It’s easier than breathing in another night
Of lonely
At least then you know
There was coffee
And glasses that fell apart
In tune with the shattering
Of your heart
So human
To lose something
By breaking it

Breathe

Remember
There was another coffee
And another girl
And this time we didn’t drink
From busted cups
But in something sturdy
Like a glass of hugs
That held the future of more time together
And had teabags of hope attached to strings
Of fingers that interlocked with hers
On the couch during our
Second date

My god
I know we had on shoes
With rubber souls
But that night your
Fingertips felt electric
Like a coffee cup with
An outlet in it
And the fork of my fingers found
The shock inside of you
It was warm like
Body heat
Or setting yourself on fire
*******
I never knew holding hands could make
My burned heart
Feel like a bonfire
Of shredded love notes
And shattered cups

I squeezed your hand a bit too hard
Like ripping coffee out of a sponge
I hoped you didn’t feel
How desperately I needed to hold
Onto the lifeboat rope of your arm
Because I’ve been drowning
In shards of glass from
I-guess-this-really-is-just-coffee cups
My whole life

I wish that second dates
Came with instruction manuals
Because I had no idea what to do
So at 2am
When you said you needed to leave
I walked you out to your car
And while I never read an instruction manual
I know that was the right move
Because you turned
And smushed your face into mine
Like I was stealing cotton candy in my mouth

I’m glad you were a good kisser
Because I know that kissing cotton candy
Has to be awkward as ****
But I hope that you at least found
Something sweet somewhere between
My lips

My god
How great a thief you were
When I checked my breath
The next morning
It was gone
Electrocuted from my lungs
And now I knew why kids
Keep shoving forks
Into outlets
It’s because the electric feels ******* incredible
Like taking a bath in oxygen
Or drowning in an ocean of inhales
Or fighting off a horde of dragons by
******* breathing on them

So Breathe

Remember
Cotton candy may seem sweet
But it doesn’t last forever
Eventually
Everyone can’t bare to have
Another bite

Awkward-at-first-kisses became
Awkward kisses
Breath kept coming home early
And dragons began to breathe
Back at me

I wasn’t surprised when you told me
You started seeing someone
It made sense
I always kept too many dragons around
With screaming hearts
And shattered coffee cups
Burning everything

I wasn’t surprised when I cried that day
It made sense
I had all of my oxygen back now
It was the only kind of breath
I knew

You see, oxygen flows through the heart and
Circles through the veins
I know oxygen
Like shattered coffee cups
And broken hallows
Filled with oceans of air

I guess that’s why
I set my heart on fire
Because maybe
It was never
There.

False pride  tracks you like a  hologram
across  smudges  of  imperfection
you have  neither  friend  or  foe,
loneliness turns  your timetable.
Deadlier if  you  found another
with your  semblance,
negative  contact charged
will outlast the eons
further still.

I

Before the sea the sound of sea, before the wind a mask of wind placed on the face, before the rain the touch of rain on the cheek. The lee shore of this finger of land is a gathered turbulence of tea-coloured, leaf-curling wave upon wave, wholly irregular, turning, folding, falling. No steady crash and withdrawal hiss, but a chaos of breaking and turning over, no rhyme or reason, and far, far up the beached misted shore. There, do you see? - suddenly appearing in the waves’ turmoil a raft of concrete, metalled, appearing to disappear, the foreshore’s strategic sixty year old litter shifting and decaying slowly under the toss of water and wind.
 
II
 
From the lighthouse steps to the sea fifty yards no more: the path, a brief facing of the wind and spit of rain, then turning the back to it see the complexity of low vegetation holding its own on the shallow earth-invading sand and rolled leaves of marram grass. Sea Buckthorn is the dominant plant, not yet berried with its clustered inedible oil-rich orange fruits. The leaves, slight, barely 5cm long, but in profusion, clustering upward, splaying out and upward on thin branches, hiding the wind in its density, never more than chest high, so the eye looks down, sees the plane of the leaves, long, thin, suddenly tapered, dense, stiff, thorny.
 
III
 
You said, ‘look the door is curved.’ And it was. In the late afternoon light filtering through the oblong window 150’ into the grey sky the panelled wood was honeyed. Covered with a well-varnished frottage of swirled marks, some of the wood itself, some of gathering age and infestation, the single window’s light blazed a small white rectangle on the larger rectangle of the door. The passage outside the door too narrow for the eye to take in the whole door straight on, one has to move past and catch its form obliquely.
 
IV
 
The curve, the long four-mile curve of the finger into the afternoon mist and sea cloud. From the road: only seen the smooth ebbing tide waters retreating from the archipelagos of mud and sand and slight vegetation of rusted grass.  From the road: only heard over the marramed banks the sea’s sound of waves’ confusion and winds’ turmoil. Follow the fade of the curve’s progress in the echo of distance. It paints itself from the brush of the eye, the sea a grey resist. This spreading away is a long breath taken . . . then expelled from the lungs of looking. You can’t quite hold it all in one view so you’ll build the image in sections, assembling and projecting across two adjoining landscape sheets as if the spiral binding isn’t there. The resulting image when digitally joined will describe the negative space of sea of sky, silent and uncluttered by marks. Only the curve of the land will collect the drawn, a vertical stroke here for a lighthouse, a slight smudge for the lifeboat station.
 
V
 
From the road looking south to an invisible North Shore, the mist hiding the true horizon, there is layer upon layer of horizontal bands: of grass, of mud, of nested water around mud, wet sand, layered water, mud-black, water-grey, a dull sky-reflected white of a sheltered sea, and patterning everywhere, dots of birds near and distant. Then, in the very centre, a curlew in profile, its long downward curving bill dipping for worms into the wet sand and mud. Breeding on summer moorland, wading winter estuaries, this somewhat larger than other waders here, so distinctive with its heavy, calm stance.

Looking for the lifeboat
That is hidden amongst this life’s wreckage sway

Broken pieces of the heart, that fell from you, from me
Did we always have this hate, hidden away?
Now cracked open for all to see

Because loving you, changed into loving me
Want to be on a different path, live a different way
I want to find who I used to be, breakaway from us, from we

My love, there is no lifeboat
The poison is hidden too deep, accrued from our yesterday

A goodbye is our only release now, it’s meant to be
Don’t say another word, It’s our final day
Let’s leave with our shared true love memory

He floated
on her tongue,
her words,
were his lifeboat.

Logan Robertson

6/23/17

We were west of the Azores,
Five days out of New York,
when we spotted the Mary Celeste.
She was listing to Leeward
But still under sail
with no obvious sign of distress.

Briggs, Her captain, I knew
as a man good and true
And his shipmates
were capable men.
We hailed, but no answer,
So I send men aboard
To find out what had become of them.

Her cargo intact, just one lifeboat gone
And a rope that trailed aft in the sea.
Something had caused them
To abandon their ship
but why was a mystery to me.

There are storms on the Ocean
As winter draws near;
A sea grave was his crew's likely fate
Or else they were drifting
Ever farther from shore
with nothing to eat on their plates.

I gave thanks to God’s grace
that cold, indifferent Fate’s
bony fingers had not touched on me
and I wept for my friends
of the Mary Celeste
who would never
come home from the sea.

It's my lifeboat
that floats
center stage in the
opaque green, mucky lake.

It glistens and gleams

As its diamond eyes
stare into mine
and ****** me;
further manipulating my senses.

The lake speaks in sonnets,
admitting truths of love and desire.

It cannot live without me,
for I have always managed to make its life more "hectic in the best way possible"

-a forbidden love.

"One day we will find a way to be together", it says.

"One day you and I may become one."

I need the lake, for it has always managed to find me peace.

     Sincerely yours,
                              
                                 Curtis

you've got ocean eyes,
baby.
so deep i could drown.

Wind bellows,
gusts choke,
ocean's gushing spray
a ghost;
fog in throat
a storm's smokey omen
then
supernovae explosions
of morose emotions.

Juxtaposed,
atop, afloat,
a lone lifeboat
rowing,
going coast to coast;
rain soaks,
thrown to and fro.

Cold, piercing, potent-
rosy nose,
hands exposed,
fingers frozen,
spirit comatose,
bloodied knuckles
bursting bones;
both broken open
and all so hopeless,
struggling
just to keep oars,
boards oaken,
devoted to
a stroking motion.

In search of a post,
a place to tie a rope
but I'm a skipping stone
about to slip below.

I use to be like Summer. A burst of brilliant red like when you bite into a perfectly ripe Strawberry. I stained his lips with my sugar-sweet kisses. Like evening’s Cotton Candy sunsets and blushing clouds trimmed with falling golden light, I was your whole sky, morning, evening and night; you marveled at my untouchable beauty, so close but yet so far. I was a Summer storm, rolling thunder and shattering lightning, electricity running through your bones. I was the pitter-pattering rain, tap dancing upon your room, humming you to sleep, every night you saw me in your dreams and always played them back to me. In your sleep you would see me, dancing far away  to somewhere where there was no other-side-of-the-fence, grass was always green wherever my feet touched the earth in between joyful leaps. Where the wind was music in the trees and the grass flowed in fluid motion like dancers caught up in the melody, where the wildflowers bobbed up and down and where the fleeting Robin never left, for there it is always Spring. Yes indeed, I was like wild flowers in mid July, I was the magical meadow tender and warm, hidden away in the pockets of your heart away from the dark, I was a safe haven you happened to stumble upon while fleeing the snapping jaws of the shadow wolves in the Forbidden Forest. Bright and strong like a sunflower, I did not bend in even the most wild wind, and you could lean against me and take in my strength, my untainted, yellow light. Soft and simple but still enough, like a daisy. I made a necklace of my prettiest flowers and hung it around your neck, a most beautiful and delicate daisy chain, my petals kissed and tickled your chest. But I was also vibrant like a Indian Paint Brush, I painted you the prettiest picture, promising passion in streaks of brilliant color, I promised you everything, my roots, my stems, my leaves, my blossoms, everything. And the promise ignited a wildfire within your shivering heart, and spread through your bones, to the black of your eyes, reflecting the fragmented image of me swimming beneath the broken lake’s surface, the white of my skin and the ripple of my hair, you reached into the water blinded, you dug through the sand until you caught me. Oh yes, I was the sunlight dancing on the kaleidoscope forest floor, that you chased trying to catch a handful of light, and I was the fairy circle you wished upon. Yes, I was your Summer.

And as the days grew shorter and the nights became colder I discovered that whenever my mind would wander it would always seem to fall back to you. I remember one night, it must have been in August, the night was pure and honest, and I was caught up in the infinity of the swirling, silver cosmos. My father joined me at my side and pointed up at the sky and showed me the North Star, I had never seen it before. He told me that it was like a compass that would point you home; the lost man’s final hope. Something about that brilliant twinkling star rendered me helpless, I was lost in it’s hypnotizing light. I stared at that star for the rest of the night wonderstruck by it’s beauty and the comforting thought that it knew the way to anywhere you wanted to be. And as the Sun ascended the horizon’s heavenly staircase and peaked in a mirage of smudged pastels for the first time in my life, I felt lost, I felt lost without that star. I all of a sudden had so many questions but no answers, I grasped for sure footing in my jagged thoughts, but was startled to find that you kept popping into my mind, as bright and clear and undeniable as that, stupid, beautiful, bewitching star, and I found myself wondering if somehow, someway, you had become my North Star, the compass that could show my wandering soul the way. And as the world was morphed into view under Daylight’s knowing hands, I realized it was true, you were my last hope, you were going to take me home to a place I didn’t even know, but suddenly was desperately homesick for. And I tried so hard to fall out of alignment with you, to break away from your orbit and run from the galaxy that would soon be us, and the black hole that would **** me up. But I was going up against Gravity, and I was pulled down, down, down.

No matter how I tried, how much I told myself that you were not the only star I could see, that you were not my infinity. But it was futile and somewhere I knew that, I knew that as well as I knew that I wanted you to be my infinity, and I yours. I wanted to create the most beautiful galaxy the Seven Continents had ever seen, so vast and far that no telescope could capture it, and scientists would forever marvel how it came to be. But nowadays, I ask perhaps, If I had known what would happen when the Universe could no longer contain our overpowering glow, what would happen when my North Star exploded? When all I would have left would be memories that would leave a deep scar, but I wouldn’t be able to remember why, leaving me as clueless as I was that first night; when all I would have is whispers that were almost too quiet to hear but would constantly be a murmur in my ear? Have you ever stepped outside and looked up the night sky when the world is asleep and still, but the sky is more alive than you?  Have you ever tried to take a picture to remember the wondrous spectacle Mother Nature and the Heavenly Father have laid out for you? You can try all you want, and use up all the memory on your phone, but no matter what you do, you cannot capture the beauty above you. The pictures if not blurred from your frustrated shaking hands, are simply screens of black, with dots of white that could be dust where stars are supposed to be. And you must walk under those stars, to you they shine so loud and clear, they are right there for God’s sake, but you cannot capture their beauty, you cannot touch them. You must endure the torture of knowing but lacking. And that’s what would happen to me when my North Star exploded into whimsical stardust, when you left me in the pitch black; slowly I am being crushed by the weight of absolute nothingness. And ******, even if I had known this is what would happen to us, that this would happen to me...even if I had known all this to be true, I know I would follow you into that unsure, perilous blue where every man is for himself. Because everything is fair in love and war. And even to this day, over a year later, I would retrace my steps back to that night, and let you destroy my horizon, my faith in 11:11, and belief in shooting stars all over again, if only for a glimpse of you, my darling North Star, Pivoting Axle of my world, my Gravity, my Endless Summer; my Infinity.  

Because soon it became clear that you were my Summer too. You wrapped your loose ends around me and rocked me to sleep in your makeshift cradle like the hammock out back that we used to nap in, do you remember that? You were the pile of books that I whirl through every Summer under the Weeping Willow Tree. You made me smile, you made me laugh, you made me blush and you made me terribly sad. For even then you were my defining phrase and favorite quote that I felt spoke to me the most. You were the birds in the trees singing their fragile hearts out, you told me of Summers past, and how you accidently went backwards and migrated straight into the darkest winter you’d ever seen and couldn’t find your way out of the storm. And that’s why underneath my daisy chain your heart was laced with icy carnations, that’s why your lungs were filled with puffs of smoke that looked like a breath in the biting cold. And that’s why your lips were so ugly, bruised black, purple and blue, proof of what you’ve been through, and every time you tried to explain your torn past, your lips got worse, your skin became terribly chapped, and your voice cracked as you tried to fight back, but the words eventually bled through your lips, so you learned not to speak, because you hated to bleed. But regardless of your cold words and colder shoulder, you were still Summer to me.You were the fireworks on the 4th of July, you lit up the world and were all that I could see, I couldn’t look away, I was afraid to miss a thing. You were the crunch of graham crackers when you bite into a perfect s'more, and you were the laughter when your marshmallow catches on fire.  You were my favorite time of the day, in between night and day, when the sky melts into this glorious turquoise blue, and the silhouette of the pine trees stand out against the fading light. You were quiet and thoughtful, the feeling you get when you sit atop a Ferris Wheel at the the County Fair, you’re a little bit scared, but you can’t help but be blown away by the world below your dangling feet. You were the spike of fear and the adrenaline rush you get when you dive off a cliff into the water, you can’t help but wonder if there are dangerous rocks at the bottom, even though you know it’s too late and there is no stopping your falling body now. But you feel alive, you feel alive and when you survive, you feel unstoppable. That’s the way you made me feel, I was afraid of how much I loved you, how you could tear me apart and push me to the end of the world, and with a brush of your heavy fingertips I would topple over the edge, and I faced the monstrosity of wondering what it would like to be dead, and just before I would let myself go and come to an endless end, you would pull me back up and dust me off, wipe my tears and bandage my bleeding elbows and knees; I was scared that maybe you hurt me just to be the only one who knew what would save me. And I was absolutely terrified of that fact that if that was true, I would still love you. I was scared of you, I was scared of what would happen when Summer came to a end.

I remember I went to California that year for the very first time in my life right before school started. I thought it would be good, to be away from you. I told myself I hoped that you would get bored of waiting for me to come back home and find another girl to give the world, but deep down I knew that I wanted you to wait more than anything. But denial is my thing, as you would soon know all too well, it’s what I do best. So I denied my feelings for you, I denied having any at all. (I still do to this day.) And it was only in California, that I finally realized that I couldn’t keep lying to myself. It happened late at night, as I suppose the most truthful thoughts always do. I couldn’t sleep, I tossed and turned and rolled and stretched but the bed was lumpy and the sheets were suffocating and I found myself slipping away,  tiptoeing across the squeaking floor and squeezing out of the heavy wood door, into the fog and sea salt air. I walked for a very long time. I think when people are near the ocean, and have sins they have to wash from their bloodstained palms, they find a friend in the Ocean, someone to hold their hand and teach them how to stand and walk upon water. And that night, I glided to the ocean like a ghost whose tables had been turned and broken, and now finds itself the the haunted one with blistering splinters that it can not see, left over from a world that could not be; made up of broken promises, what if’s and missed moments they can never get back. The Ocean’s magnitude overwhelmed me and neutralized the quiet chaos bubbling beneath my skin. The rabid froth and spit of crashing waves put out the fire that was eating away at me and the undertow pulled me into the blue. I floated through the undefined blur of the the aqua world. I ran my hands through the rocky sand and felt the urgent weight and staggering cold of the water pulling me under, but risking my life in that current among the frothing foam horses racing against the Moon’s tide made me feel so alive. I am no mermaid, I cannot breathe underwater, but for the first time in seemingly forever I had air in my collapsing lungs, and I didn’t know you could drown on dry land until I was dying in the sea. But it was not my time, and I awoke washed up on the scraping sand with water in my ringing ears, knotted hair and no feeling in my blue fingers. I sat there on the diamond sand for a long time until I was strong enough again to lift my arm and slowly I reached into the sky, and grabbed my North Star and pulled it into my heart and where it glowed, I scrubbed myself clean of my history and orthodox scriptures with the salt of the sea and was born again free of frown lines. Something about the Ocean brings clarity, and yes it is dangerous and chaotic, it could destroy the world and wipe us all away, leaving not a trace of the human race, but the Ocean is a lifeboat, a saviour of many in a way. When you find yourself faced with a whole new infinity, a horizon that only ends when it meets another, you are small, and you are still. You are pinned against your past but then can remember how to breathe again, you exhale the toxic smoke swirling in your lungs and inhale the mist. Exhale the past, inhale the future, breathe child-for you are here, no longer there. You are small and you are still but you are real. And that night I learned two of Life’s endless lessons. First; People love what kills them. Faced with death you are flooded with life, it ignites your brittle bones and breathes music back into the silent calamity of your echoing heart. People love what kills them. Second; the person you think of when you stand in front of the ocean. That’s the person you’re in love with. And I thought of you, you, you. I thought of you and I never stopped. And it’s killing me.  

But I knew something but really nothing of death back then. So when I got home a week before school I asked if we could meet somewhere in between. And we did. Beneath glaring flick of fluorescent lights in the gas station’s parking lot that didn’t stay any open later than ten, surrounded by everything ugly about humans, rusty pennies, tumbling plastic bags, stomped out cigarette butts and smashed beer cans, you held my hands and kissed me for the very first time, and suddenly, the world was beautiful. We walked hand in hand for the longest time, but found ourselves just a block past the lonely parking lot, by the town’s fountain. We sat there and splashed out feet in the ***** water enjoying the feeling of being. You had brought a bag of Skittles and sorted the red ones from the rest, and when I asked why with a laugh you sheepishly admitted you remembered that I thought that the red ones were the best and that the lemons made my face wrinkle and nose tickle. I poked fun at you for remembering something that silly, but truthfully it meant the world to me, because it meant someone out there was listening to even the simplest things I had to say. And in the fluid reflection of those pool lights rippling across your perfect face, I could tell that even though that pitiful fountain was no ocean, that you were thinking only of me. That night we shot ourselves into the dark like shooting stars and fell into each other, that fateful night was the night we became each other’s North Star. But in the end, no one knows where that star is taking them, they call it a lost man’s compass and the last hope, but if he is lost is his compass not broken, or else wouldn’t he be home? Is hope then of no use? Are North Stars just poetry to salvage doomed souls? I often wonder if, regardless of our faith in each other’s sense of direction, if that night was the most we ever knew each other.

You told me you loved Cheezits, and Lucky Charms with Hershey’s Chocolate Syrup. You admitted that you chewed your nails to tiny stubs when you felt to much because all you ever wanted to be was numb. You confessed that you had trouble looking at your dad the same and saying,”I love you,” to your mom and tried to explain why video games were any fun. I pointed out all the scars on my legs and how I got them, whether it was from tearing through my childhood neighborhood on my Barbie tricycle or if it was from running over gravel trying to outrun myself and everything evil that clung to me. I muttered between my  hands and embarrassed giggles why I was terrified of fish and flies, and you laughed so hard you couldn’t breathe. I recalled for the first time the night mom died and everything that followed that night, awful night that never seemed to end, and with a quivering bottom lip counted off everything th

Elijah worked at the further end
Of the Port McDonald pier,
His job was simply to keep the light
Bright burning through the year,
All he’d see were the seagulls who
Would swoop and dive in the spray,
As the sea beat up on the jetty piles
On a cold, dark winter’s day.

His mother had died of a broken heart
Long after his father fled,
Had loosed the chains of his fatherhood
For a life on the sea instead,
They’d put him into an orphanage
Where he learned to abide the rod,
And found that his supplications and
His prayers fell short of God.

The universe was an empty space,
A vast, unseeing sky,
There wasn’t a presence watching him
As they’d said, in the days gone by,
He ached for a revelation that
Would show he was not alone,
A single soul in the firmament
In front of an empty throne.

He’d never managed to make a friend
In the long, sad years of life,
And women, though they avoided him
He longed for a sweet young wife,
His isolation was made complete
When he walked back to his room,
After a night on the lonely pier
In the early morning gloom.

One night a waif from the city streets
Sought shelter from the storm,
Huddled against the cabin wall
Where he sat, both safe and warm,
He heard her shuffle and took her in
And gave her tea from the urn,
And fell in love with her sad, grey eyes,
A waif from the city, spurned.

She came again, and again each night,
They talked until the dawn,
And weaved their dreams and their fantasies
Of a world they’d neither known,
But then one night the Inspector came,
A grim, ungiving man,
Who frowned, and he told the girl to leave,
He said that she was banned.

She waited, shivering in the cold
In the lee of the old sea wall,
Til he came hurrying from his shift
As the dawn spread over all,
He wrapped her up in his coat, and cried
He could do no more than this,
But she clung on to his lonely form
And she gave him his first kiss.

He took her back to his room to stay
And he watched her as she slept,
If she had opened her eyes that day
She would see Elijah wept,
‘I won’t go back to those lonely nights,’
Was the thought that gripped his mind,
To lose his midnight companion now
He thought, was most unkind.

That night, he told her to meet him there
At the far end of the pier,
‘Just as the clock strikes one!’ She said,
‘I’ll be there, never fear.’
He’d soaked the pier in kerosene
Just twenty yards from the end,
And when she arrived, he said, ‘You’ll see,
They won’t part us, my friend.’

At two in the morning, up it went
In a blaze of fire and smoke,
The centre part of the pier ablaze
As they watched it, neither spoke,
A gap appeared as it all fell in
Was extinguished by the sea,
But the end stood tall like a sailing ship
That had set the couple free.

The storm that ravaged the coast that night
Kept the lifeboat on the shore,
They wanted to go and rescue him,
The Inspector said, ‘What for?’
While they looked out at the raging sea
Made plans for the world they’d won,
And when the light of the dawn approached
The end of the pier had gone.

David Lewis Paget

In this world
of suffering and blood
it is difficult
to make a special case
for yourself.

What exactly does closure feel like?
I'm not really sure because
the days I felt my first heartache
like a bullet to my chest
I cried for a week straight then got over it-
I had so many friends, I never cared to love again.
I was never really sure how to close the open door
the day my grandma died my mind went blank.
So I drank away the pain until the images
of her cancer ridden body faded away.
How do you cope when at the same time
you see your grandmother die
you remember these horrors
from your childhood of someone ripping away
your innocence.
I haven't been the same since.
So now what's left?
I have left the one I love
with a heavy heart
and no closure to console me.
I just feel as if I am drifting
slowly and without a lifeboat
no paddle in merky waters
with a windstorm that won't quit.
But I feel at peace
like the calm before the storm
that realizes it will be sunny one day again soon.
So how will closure console this empty soul?
I've never really felt that feeling before.
Closure is a ******* step child to me-
just an extra sock that can't find a match.
A newly lit match burning out too fast
never to be used again.
A bowl filled with resin
when all you need is one ******* hit.
Closure is a seesaw with no one at the other end to help-
you're on your own adventure
and you only venture from the usual path.
It's a road you walk alone-
barefoot upon rocks that have been shaped from struggle.
Closure is the progression into solitude.
So how do I get closure from you?
How do these hands feel okay again
not holding on to yours-
how does my bed feel whole again
without you next to me.
I'm not sure quite yet-
but one day I will see.
Closure is an empty room
before a dance recital
it's a preconcert soundcheck
and everyday anxiety.
The nights are worse than the days
and I've come to grips with feeling this way.
I hope one day to feel okay.
I know one day I will feel okay-
because today, I feel pretty okay.

"Unsinkable"
was a myth;
which no-one ever said.

But she was beautiful,
the most advanced,
the biggest,
the "floating city",
the greatest ever made.

This magnificent vessel
which slipped out
from Harland and Wolff,
it cannot be denied,
was a fine symbol,
of hard work
and Irish pride.

********

That fateful night
truly was
a night to remember.

A night of heroes,
as men willingly
threw their lives away,
that women and children,
may live another day.

A night of heroines,
as women
gave up their lives
to stay with their men
as lovers and wives.

A night of honour
as Thomas Andrews,
whom Titanic designed,
and Captain Smith, stayed,
to their fates resigned.

A night of cowardice,
as J Bruce Ismay,
took a lifeboat place;
from a woman or child
stealing a space.

A night of tragedy
as more than 1500 died,
and of miracles,
that so many survived.

*********

One hundred years on.

RMS Titanic lies
broken on the sea bed.
At peace, in pieces,
she lies there
as broken as the dreams
of those who built her.

The survivors
who numbered 700 and more,
have now joined
all those who went before.

But Titanic,
gives new life today,
as she is being eaten away,
In bizarre irony,
this beautiful lady,
who caused death and strife,
is now teeming with life.

Microscopic life
feasting on this tomb
has sealed her doom;
as into the mighty hull they bore,
By 2030
Titanic will be no more.

Gone
but not forgotten,
neither Her or her victims;
that no-one can deny.

The great RMS Titanic
shall not
cannot
ever wholly die.

Faces only remind you of
How lonely you are,
You say you've swam too far
Into the sea of your regrets
That I am your lifeboat
But didn't you hear
I sank long, long ago?

You've been searching
For a new home,
One that doesn't creak
Or shudder at night.
But homes are not people
And your voice cracks
As you point out
There's a welcome mat
By the front door
But I never answer
When you knock.

It's been a while since
I started attracting
Strangers with flashlights
To search me like
A haunted place.
I finally realized they
Were the ones that
Needed scaring away.

It's so odd to think,
You once told me
You saw beauty
In clifftops,
And I thought you
Were talking about
The view.

i am sinking
there is no lifeboat
no one to hold onto
it is me against water
how do i change
the course of what happens next
to rise
instead
of sink

Feeling good is:
Greeting a stranger with a smile,
Chatting with your elderly neighbor's,
And treating them with care and compassion.

Soothing another's pain,
Feeding hungry stomachs,
Standing with the oppressed,
Rendering service to others for no return.

Exploring a new idea,
Enriching your knowledge,
Reflecting and pondering,
Planting the seeds of positive change.

Listening to the whispers of love,
Inspiring the next generation,
Being around intelligent people,
Enjoying the company of soft-hearted friends.

Restoring people's shattered dreams,
Be their candle and their lifeboat,
Listening to the cries of innocent souls,
And showing them the way to a new dawn.

Lifting the spirit of the broken-hearted,
Delivering them through a helping hand,
Dressing your soul in a garment of giving.
Lifting your voice to be the champion of the forgotten.

Counting your blessings,
Reciting your prayers,
Contemplating the universe,
Listening to nature’s songs with muted words.

Hussein Dekmak

I'm nearing the brink of insanity again
because as the days pass by
I can no longer get the thoughts of you
out of my mind-
I wonder when I will lose it.
Cave into the solitude I've always known
and end every tie I have with those around me.
See when you left-
the music stopped
and my hands stopped being able to write
these fingers would type and type
but no string of notes formulated.
I do not hear the bells anymore-
just the sound of a car crash
because everything feels like such a wreck.
I can't seem to dream about anything anymore
except for something relating to you
and I would like to think these
are all signs we should start running back-
that all we need in this life is each other again
but now I'm too afraid.
I've become scared and insecure since you left
but gained a facade thats hard to let go of.
Hiding my feelings was routine before you showed up
and reminded me what the good ones felt like-
until you showed me even you can cause
the bad ones too.
I always keep things inside
clinging to my repressive tendencies
I wish I never had to.
I feel lost-
I just hope you find yourself
and I hope you find your happy
I'm just sorry it couldn't be with me.
I'm sorry I keep searching
for pieces of you I will never find-
for signs that one day things will be different.
I just keep clinging on to a hope
that I'm not really sure I should.
But love just doesn't disappear
it crashes and burns.