consciousness conceived as complex matrices
patterns contained within patterns.
magnetic anomaly brainwave synchronization
unrecognized vortex activity locations.
correlation amplification phenomena resonance.
measurable parameter brain wave activity
highly sensitive field fluctuations.
transducer low frequency geomagnetic pulsations
electromagnetic patterns: their associated chemical changes.
Weak intensity complex magnetic fields
generated earth hum technology affect
flux-gate sample collapsing fields
amplifier filter stages couples into analog digital converter.
experiments correlating local geophysical anomalies
earth's magnetic field changes consciousness.
single electromagnetic coupling mechanism
including spin-mediated neurons.
upsurge solar activity alters brain rhythms, hormonal levels
healing nature mystic experiences
anomalous cognition ******-physical phenomena.
internal model reality - subjective consciousness
addition computational capacity
existential status may need exotic physics
quantum entanglement and new forms of physical interaction
magnetic sensory cells induced meditative states
direct correlation shifts magnetic flux.
No active effort required.
Magnetic mineral aligned crystal chains
embedded biological membranes.
atomic sublattices of ferrimagnetic material
plausible theoretical mechanisms
mechanosensitive membrane ion gates
specific synergetic properties for transduction.
cuboctahedral morphology properties
jitterbugging vector equilibrium matrix basis tensegrity.
basic geometrical biological building blocks.
mystical red rock temples
Tracing disjunctive dislocations
Mother Earth speaks
Questions remain.

The Ache is leaving. Three years languished by dead end jobs, drugs and friends. Last week above a bagel store, the sun morphs mute amidst travelling clouds, indifferent fluctuations of light on an otherwise featureless day.

You arrive a tight knot of anxieties over a moment in time that could only have arrived after its departure. The Ache welcomes you into their sparse interior. You trace last month’s 21st across the black mould complex; navigate piles of stacked boxes, unsure if anything is inside of them.

“I always make the best friends in departure,” the Ache says, flipping a plushy up and down by the waist.

“Maybe you can only love that which is already lost,” you reply, with an insight a friend will give you a week later.

The acid tastes bitter under your tongue. Small marks your body bursting, a glowing radiance of interconnections you’d always had but only now begun to feel. The Ache follows suit and you sit on the couch together to watch .hack//Legend of the Twilight. The come up entangles you in the spectacle; the screaming boy protagonist, the chipped tooth gag, the moe sister in need of saving from the liminal space of dead code. You take part in it; you revel in it. Bodies morph on the surface of the screen in hyperflat obscenity, their parts interchangeable to the affect of the drama. Faces invert, break and disfigure, before reformation into the self-same identity form.

A month earlier, you’d hosted a house show at your flat. Too anxious to perform you’d dropped a tab as you’ve done now. An overbearing sensation of too-much-ness — of sickening reality — washed through the nexus of your being. You writhed on the ground screaming into a microphone as a cacophony of sounds roiled through you. Everyone cheered.

The floor rose later that night. A damp, disgusting intensity that triggered contractions in your throat and chest. Pulled to the ground, you fought off your bandmate’s advances, too shocked to express your revulsion and horror, to react accordingly, to reconstitute a border of consensual sociality. You broke free and slurred “I’m no one’s! I’m no one’s!” before running out of the room. Hours later, you tried to comfort them. Weeks later, you realised how ******* ******* that had been. Months later, you learnt their friend had committed suicide days before the show.

Back in the lounge, a prince rides onto the screen on a pig. You turn to the Ache and say “This is ******* awful.”

The Ache responds “I know right?”

Outside the world burns blue with lustre. The Ache trails you and falls onto their stomach. “Oh my god,” the Ache blurts, “this is why I love acid. Everything just feels right.” They gaze wistfully at the grasses and flowers before them; catch a whiff of asphalt and nectar, intermingled. “Like, gender isn’t even a thing, you know? Just properties condensed into a legible sign to be disciplined by heteronormative governmentality.”

“Properties! Properties!” You chant, stomping around the Ache with your arms stretched out. You wave them in the air like windmills. You bare your teeth. “Properties! Properties!”

“You know what I mean, right?” The Ache asks, pointedly. “You know what I mean?”

You continue chanting “Properties!” for another minute or two, before spotting a slug on a blade of grass beneath your feet. You fall to your knees and gasp “It’s a slug!”

You and the Ache stare at the tiny referent for an indefinite period of time, absorbed in its glistening moistures. Eventually, the Ache says “I think it’s actually a snail.”

You used to read postmodern novels on acid. You loved their exploration of hyperreality; their dissection of culture as a system of meaning that arises out of our collective, desperate attempts to overcome the indifference of facticity. Read symptomatically, culture does not reveal unseen depths in the world, but rather, constitutes shallow networks of sprawling complexity — truth effects — illusions of mastery over an, otherwise, undifferentiated and senseless becoming.

Then one day, the world overwhelmed you. Down the hall, your flatmates sounded an eternal return. As they spoke in joyous abandon you traced the lines from their mouths — found their origin in idiot artefacts of Hollywood Babylon. The joy of abstraction you once relished in your books took on an all too direct horror. You recoiled. You bound your lips in hysteria, for fear of becoming another repeating machine of an all too present culture industry. Better dumb than banal — better to say nothing at all, than everything that already was and would ever be. You cried and cried until everyone left — until you were alone with your silence and your tears and your nonexistent originality.

Dusk falls in violet streaks. You reach your room on the second floor of the building, open the bedside window and stick your legs out into a cool breeze. The Ache joins you. Danny Burton, the local MP, arrives in his van, his smiling bald face plastered on its side like an uncanny double enclosing its original.

“Hey look, it’s Danny Burton, the local MP.” Danny Burton turns his head. He glares at your dangling feet for a few seconds before entering his house. “You know, this is the first time in three years he’s looked at me and it’s at the peak of my degeneracy.” You turn to the Ache. “One of my favourite past times is watching him wander around the house at night, ******* and unsure of himself. He always goes to check on his BBQ.” You bounce on the bed in mania.

“See this is what people do, right?” the Ache says, mirroring your excitement. “Like, look at that lady walking her dog.” The Ache motions, with a cruel glint in their eyes, to the passerby on the fast dimming street. “What do you think she gets out of that? Doing that every night?” Without waiting for you to respond, the Ache answers, in a low, sarcastic tone “I guess she gets enjoyment. Doing her thing. Like everyone else.” The lady and the dog disappear beyond the curve of the road. Another pair soon arrives, taking the same path as the one before.

A few months back, you’d met an old friend at an exhibition on intersectional feminism. After the perfunctory art, wine and grapes, she drove you home, back to your run down flat in an otherwise bourgeois neighbourhood. She sat silent as the sun set before the dashboard, then asked how anyone could live like this; how anyone could stand driving out of their perfect suburban home, at the same time every morning, to work the same shift every day, for the rest of their stupid life. The dull ache of routine; the slow, boring death. You said nothing. You said nothing because you agreed with her.

“Life began as self-replicating information molecules,” you reply, obliquely. “Catalysis on superheated clay pockets. Repetition out of an attempt to bind the excess of radiant light.”

It is dark now; a formless hollow, pitted with harsh yellow lamps of varying, distant sizes. The Ache flips onto their stomach and scoffs “What’s that? We’re all in this pointless repetition together?”

You respond, cautiously “I just don’t think that being smart is any better than being stupid; that our disavowed repetitions are any worthier than anyone else’s.”

The Ache returns your gaze with an intensity you’ve never seen before. “Did I say being smart was any better? Did I say that? Being smart is part of the issue. There is no trajectory that doesn’t become a habitual refrain. When you can do anything, everything becomes rote, effortless and pointless.

“But don’t act as if there’s no difference between us and these ******* idiots,” the Ache spits, motioning into the blackness beyond your frame. “I knew this one guy, this complete and utter ****. We went to a café, and he wouldn’t stop talking about the waitress, about how hot she was, how he wanted to **** her, while she was in earshot, because, I don’t know, he thought that would get him laid.

“Then we went for a drive and he failed a ******* u-turn. He just drove back and forth, over and again. A dead, automatic weight. A car came from the other lane, towards us, and waited for him to finish, but he stopped in the middle of the street and started yelling, saying **** like, ‘what does this ******* want?’ He got out of his car, out of his idiot u-turn, and tried to start a fight with the other driver — you know, the one who’d waited silently for him to finish.”

You don’t attempt a rebuttal; you don’t want to negate the Ache’s experience. Instead, you ask “Why were you hanging out with this guy in the first place?”

The Ache responds “Because I was alone, and I was lonely, and I had no one else.”

It is 2AM. Moths dance chaotic across the invisible precipice of your bedside window, between the inner and outer spaces of linguistic designation. There is a layering of history here — of affects and functions that have blurred beyond recognition — discoloured, muted, absented.

In the hollow of your bed, the Ache laughs. You don’t dare close the distance. Sometimes you find the edges of their impact and trace your own death. All your worries manifest without content. All form and waver and empty expanse where you drink deeply without a head. Because you have lost so much time already. And nothing keeps.

Months later, after the Ache has left, you will go to the beach. You will see the roiling waves beneath crash into the rocky shore of the esplanade, a violence that merges formlessly into a still, motionless horizon, for they are two and the same. You will be unable to put into words how it feels to know that such a line of calm exists out of the pull and push of endless change, that it has existed long before your birth and will exist long after your death.

The last lingering traces of acid flee your skin. Doused in tomorrow’s stupor, you close your eyes. You catch no sleep.

Bordering the ear of Dyonisius, in the latomia stone cuts of paradise, they stopped at Syracuse. A certain flash of limestone reflected Wonthelimar's court; Marielle Quentinnais, wandering before him on calypso calcareous stones. Her superior powers made her eclipse her from an underground world, to mount towards carbonated stones that made egregious tilts to revive her in her arms. The end of a century became part of her heart with the premiere of the female species that led her to the Shemesh of Syracuse. The excessive temper strengthened it in everything, making it a revived stone from the Miocene with the Avignon characters, colluding through the Rhone until hitting this neat gold stone brought from the arms of Ezpaktul, transplanted with precision and gold typologies, with great Malleable morphologies that carried him across the surface where Wonthelimar was looking at her, his heart almost pounding when he saw her! the waters spoke of hydric morphologies that conferred of her on waters and springs that were inferiorized in disheartened lower levels when he lost her in the forests of Valdaine. Her brackish tears did not stop imputing a micro space with distinguished Psilocybin mushrooms, for an Ambrosia Mercurial compote that Wonthelimar chewed and that had been immolated from the remnants of Eleusis, helping to revive it from the lost space die of the Mausoleum of the Quentinnais. The mantles froze the cold and warm air masses in Syracuse, carried several meters above sea level, with eager extra surpasses by coexisting in the cave blocks, where she would rest with Vernarth in her arms. For the subjugation of the journey that would make him perhaps mortal, retreating towards a three-dimensionality that would raise him above the Pleiades, as Aurion would do behind with his club, but rather leaving behind the cavities that would put his quantum at the mercy of the tiny rosaries that she did, while he was getting ready to approach on the surfaces of the hypogeal speleothemes, like the Profitis of the Mediterranean who spoke to him of music, and of flood episodes with his spectrum in front of her, losing her in a melancholic fervor, being plunged into the hypogeum of Chauvet. The level of her vicious intrigues led him to follow her like an unattainable cousin, but with backwaters that compelled him to think of her master Vernarth, linked to micro images that warned him when he tried to get too close. The floating instants weighed more than a slight depth through accumulations of his retro memory, making him flee from her, and now she was fleeing from him, with large sprays of dew that filtered into her arid aquifer memory, superior to the kart that is established by correspondence when someone supposedly disappears, because their free will is entombed with their stone specter. Due to regimes suffered, there was only one monarch that rose in icy and polar vadose conditions, towards an earthly level where the feet melt the calcaneus as if it were a weak relative ascent towards a couple of beings who loved each other imprecise, and contexts when vivifying their hiding place. in the caverns of Chauvet. He can hardly recall it a shallow light, almost falling without mass towards the front of the stalactites, creating concretions of solid love under the deepest prodigality.

Wonthelimar, had had a vision on the vadose threshold when he came out to the surface with Vlad and Vernarth, being able to realize that the cloying environment made him subordinate himself in the altimetry of his maniacal impossible love, putting at risk the mission of overcoming the fluctuations of his visions, placing precepts in the sighting courses in Syracuse that had him dazzled, and very close to the entrance pit of the Ear of Dionisius. The puffs of caliginous air mass climbed before the beastly decibel of Vlad's chiropterans, falling through the marshes that were found from freshwater by several estuaries, and with decimeters when they tried to adjust their addiction. Solvents in the glaciers looked immutable when they were taken by underwater stimuli and models, still remaining after an extraordinary performance of vague probity, reviewing the details of actualism on the interfaces that led them, causing the water to flee from their bodies and inclinations. Only a few deposits favored the band mechanism to protect Vernarth's burning, which crystallized in excesses of the Sun, precisely when the fluctuations seemed bulky, by coordinating the foreign fattening in its arms, with which it would open the floodgates before entering the Grotto of Dyonisius, with greater rigors of concretion and emotion that flourished towards a maximum extension, which progressively gave rise to the devotional areas that received them at adjoining angles of forty-five degrees from its main arch, where frequencies stood out and the light with the mass of the Sun, distributed in small stars, which leaving campaniles that adhere to the normal area of distribution of the frequencies of the cave, on bands that reflected moved bodies on the mirror of rain that was shown on themselves, such as once striated towards a more tempting rib of the Coralloidal Speleothems. In Catania, they settled in the polis of Artemis's prosapia, on sieges where he led Marielle to past vigils with the Archons of Athens, not being able to subject her to arbitrary vexation.

Marielle was screened behind the Erithrina Coralloides of the Speleothemes, when this deciduous tree changed the color of its foliage in emerald colors, its spines served to deposit the Vernarth clone on its leaflets. After the libation of the alkaloid by Wothelimar, helping him to materialize the elusive effigy of her Marielle, making insertions in her disintegrated seeds allowing him to remove from her back some elytra, like those of Daedalus when she fled to Sicily escaping from King Minos. A snowy thread emanated from the similar ether that was picking through the noses of Wonthelmar and Vlad Strigoi, making it necessary to put wings on both of them to go to the cave of Dyonisius, toning the resins and aldehyde they carried to keep the Vernarth clone alive. Both rose over Marielle who was left with the custody of the clone, as well as their backs released red resins as consumed fuel, which was circularly reconsumed to rise up and enter the cave, resisting the arid aridities of the toxic fuel that was expelled on the Edens of Sicily.

4 harmful foods that benefit us too
Maintaining a healthy diet isn't easy as one has to be careful of every morsel of food or sip of drink that they consume. So when research reveals a positive angle to some harmful dietary habits, what should one do?

A recent study in London showed that those who increased their coffee intake by more than a cup a day were less prone to have Type 2 Diabetes. On the other hand, caffeine is known to increase blood pressure and isn't good for the body in the long run. Here is a list of food items that are considered harmful, but benefit us in some ways as well...

WHITE BREAD

Why it's bad: For a while now, white bread has been pushed to the back seat due to the growing notion that it leads to increased blood sugar and can ultimately cause obesity. The grains are processed in such a way that it strips the bread off all nutrients. Scientists at Tufts University in Boston also found that eating white bread increases your waistline, when compared to brown bread. Fitness expert Wanitha Ashok adds, "Eating white bread makes you hungry in an hour or so. When it comes to nutrition, it doesn't get the top slot."

Why it's good: Eating white bread isn't necessarily a bad thing as long as you eat the enriched variety that contains nutrients, especially those that are topped with oats and nuts. Research done by the Irish University Nutrition Alliance showed that white bread contributed as much iron and fibre to an Irish diet as meat or fish. Nutritionist Ryan Fernando says, "The only time we recommend white bread to anyone is after a good workout. Sports athletes, especially, eat white bread as it helps replenish glucose faster and it's beneficial for the muscles."

FROZEN VEGETABLES

Why they're bad: It is believed that fresh vegetables are better than frozen ones because of all the processing that takes place to freeze them and keep them fresh. A study done by the Department of Nutrition and Dietetics in Turkey concluded that thawing frozen veggies before cooking them led to the loss of Vitamin C. "This is just convenience food. Anything you store for a long time begins to lose nutritional value. Also, in India, there are so many electricity fluctuations, so it's better to keep fresh vegetables," says Wanitha Ashok.

Why they're good: Lately, a lot of reports say that frozen veggies are better than the fresh variety because they are picked when they are most ripe and frozen so none of the vitamins are lost.Also,a study done at the University of Chester shows that there was a decline in the nutritional value of fresh veggies when refrigerated com - pared to frozen ones.

EGG YOLK

Why it's bad: It's known to increase cholesterol, which is why people with heart conditions avoid egg yolk. It also contains a lot of fat,which isn't good for people who gain weight easily. A Canadian study says that regularly consuming egg yolks can lead to plaque build-up in blood vessels. Why it's good: "Egg yolk has essential nutrients and vitamins, especially when compared to egg whites, which don't have as much. One or two eggs yolk a day are recommended for children, whereas adults should have one to get their intake of necessary nutrients," says Ryan Fernando. The cholesterol in the yolk is needed for elders and children who have adrenal issues.

CHOCOLATE

Why it's bad: Not only does consumption of chocolate gradually increase one's weight,but people tend to cut down on it because of its caffeine and fat content. "Children get addicted to chocolate when their consumption is not moderated. It's harmful for diabetic people and the sweeteners in it are bad for the teeth," says Nainatara S, a consultant nutritionist. The high oxalates in chocolate are known to cause kidney stones. A study by the American Society of Clinical Nutrition showed that the higher the consumption of chocolate by elders, the more likely they were to be affected by bone disease.

Why it's good: Nutritionist Murali Subramanian says one benefit of eating chocolate is its antioxidant content. A study in the University of Illinois showed that consuming dark chocolate helped lower cholesterol and blood pressure. The antioxidants in the chocolate also help reduce chances of obesity and Type 2 Diabetes.Read more here:www.marieaustralia.com/formal-dresses-2015 | www.marieaustralia.com/formal-dresses-adelaide

"Mental Illness"
Do those words excite you?
Look at me
I am a whirlpool of melancholy
I am a drain
I am filled with mania
I am a pulse
An endless flame
Of what perfect madness
I am every kind of fluctuation imaginable
"Mental Illness"
But I am so intimately rearranged
Put together in the most unique
And beautiful
And miserable of ways

"Mental Illness"
Ha,
*I am so much more than that.

Crackling criss-crossing blue in mind. It scissors down the lanes through the pipes and tubes and little dividers. Electrical mind numbing beauty. Veins-bursting in excited anticipation. Convulsions and scenic skittering routes. Into the Nexus! Here simmers what we are thinking and believing. Our mind's eye focuses and drips into the pool until completion. Psionic figures dance flicker through life existence. Pulse-width fluctuations. Tiny menagerie of our Will. Scribbling through dusted panes of time interface. All afire with ourselves once we have discovered ourselves. Nano-tech emotions. Hope fear anger mercy curiosity buzzing swarms of grey goo jibbering and bubbling in an artificial mind-****. What is all this allusion? Nothing complicated. Speculation on future times where sensual technological biological singularity is paramount. In my room where the clocks are taped over and the sun is dark and dim. Through the windows I see myself. The boxes on the floor emanate simple clickings with melodies intertwined casually. I myself appear redundant. I have done this and so have others. To discuss oneself is worthless unless you become convinced you are another entity gazing back across the room. I feel I am being watched. I become cautious as he may have noticed. Tingling weightlessness tickles in waves in both heads. The Jazz Classic appears. Old dark men and women in hazy environments. Organic supposition or cold observation? Both hold importance so let us appreciate it all. The cello quivers and hums with vibration. Fingers callused and riveted like the age-old corn field bother still strings. A child hums to just myself. What does he want? I never asked him for an audience. Yet he freely gives it to me. Now he multiplies. Or she? Children confuse and cause one to be apprehensive. Nothing and silence. Silence in movement. Cease my visual stimulation for a couple seconds each. The child is back. What does he speak? Pray inside the rubble? Heal in this place? In disgrace? I do not know. His octaves are meshing together. Whining and thrumming with strange alterations. Some madmen tweaks my ears. Maybe he knows the child? I'm not sure. Let us continue on. The flute is the child. Old cello, you have stopped? These musings mean nothing. I would look upon them in a year and think nothing of it. Yet it feels as if this time is important. Da Vinci knocks on the door. Not as if I wanted to talk to it. Wouldn't mind I suppose. He is gone. We talked but I do not remember the conversation. Perhaps we've all talked but we just don't remember our conversations. That's ridiculous though. Then anything is possible. We could have flown to the moon on scarlet weasels outfitted with the latest nano-pores that secreted pure liquid indulgence. And we did because I just imagined we might have. However, I don't remember actually doing it. Just what I thought it might have been like. How frustrating. My thoughts are the same as all others who write out their thoughts when under the influence of yourself. It always seems like some thing is scuttling near my feet or under the nightstand; just out of view. Strange. I would be afraid. No reason to fear that which doesn't bother me. No reason to fear much of anything. That's been said before. Why are we so often concerned with saying that which has been said before? Cliche? auump-ump auump-ump auump-ump little thumping noise in my ears. That vibration is calming. Every night I am awake. Every day I seem asleep. I do not like it but I do not care yet I allow it to be what it will. Vision defaults to out of focus. My eyes always cross if I cease trying to control them. People are strange. Animals are strange. Same thing I guess. Someone will find that clever. Someone will find it cliche. This someone won't care. ****** fantasy permeates day to day. More entertaining than living a fantasy though. ***. Not that entertaining. Perhaps no one knows how to do it properly anymore. Maybe we never did. Maybe some people are just disenchanted with it. When I'm by myself, I never have any ****** desire. When around others, I generally think of it out of curiosity: what would it be like to please the person in front of me? The only enjoyment I've had with *** would consist of pleasing another or observing another ****. The human body is intriguing. Definitely. I really do think so. Sometimes I look at my own. Not out of appreciation really. Just the fact that I have body allows me to investigate it and understand it more. Pain is merely a stage one can get past, so I suppose I injure myself sometimes to see how I react. It's like I need to check I'm still working properly. I can't tell when I'm tired. I feel something, but when I ask myself if I'm tired, I murmur back, "I don't know." Maybe that is why I stay up till early mornings? I wanted to add again that the human body is beautiful and unappealing all in the same space. Perhaps the unattractiveness and softness and strangeness produces attraction. A negative and a negative equals a positive. Three negatives likes to fluctuate. In my mind at least. I may ask another to remove their clothing and whatnot during those intimate moments. Eh, never quite feel like having *** though. I like the emotions and sensuality of just looking at someone. They usually want to physically play around with each other. I think I enjoy fighting more. One day I'll leave everyone except I'll reminisce on those I enjoyed meeting. Maybe come back and visit? I would like to ride something quickly through an empty desert. Find my own food and water. Create shelter. Think by myself. My room is the smallest desert I have and the biggest. I have more in my head but I only occupy one at a time. I suppose I like I do like things like all others. I mean, materials can be nice. If I impart meaning on to an object it gains importance. I see it vital to also say that if it were to be lost, then I wouldn't mind and I would obtain something else or nothing at all.The constitution. Just mentioned by some woman in my room. Or in my ears would be more correct. Constitutional Rights. I honestly don't see the need for them. I was criticized for burbling that once. We should not need a constitution. We should be able to do what we like to do without fear or concern. Unless natural fear and concern appears. Now that may confuse a bit. Right to bear arms. I shouldn't have to be told or allowed to massive bear arms if I feel the need to have them. Big hairy bear arms. Curious little mishap. Freudian slip as Johnny said once? Danger Danger. Anyway, Right to bare arms. I shouldn't have to be told, as I look back,  go back and throw in that comma after told, that I'm allowed to bare arms and defend myself. I'll just do it if the need arises. Freedom of speech. That already has many issues these days. However, there shouldn't have been a need to tell people they have freedom of speech. Speech should have been freely allowed and never oppressed in  the first place. Theme? We have erred so much in the past and I would think sometimes we ignore that and just try make little cosmetic fixes by saying it's okay. Another point. Hold that: side discomfort. I sometimes feel like a little spider or creature is crawling or skittering on my leg under the covers or I'll change the music to Galaxy 2 Galaxy 90's hi-tec jazz there we go. Done! Now back! Or I forget what I said about the spiders. Another point: what? ******, curse damnable ****. Can't recollect what it was I was connecting together. Something that tied in to deceiving people into things are okay. I could go on about consumerism and all that jazz. Instead I'm listening to some techno-jazz whatever-decided-to-call-it. Hyphenated phrases are fun when I decide they are appropriate. English and grammar in such can be cool but at the same time I want to say **** it and stay proper. Do both. Acknowledge how to write and speak "correctly," but as long as someone understands what you are trying to say, then why correct more? Someone large doesn't like the fact I make a lot of noise in the morning. I stole some speakers and subwoofer from the room next to me as I was going to say Austin.  They are on the floor and whichever large person lives below me is probably annoyed or was. I don't spend any of my actual time despising them, but I'll easily say I despise them when someone asks. Otherwise it isn't worth wasting time on. Perhaps the vibration quivers downstairs and shakes them silently. The greate beast is perturbed and sneaky vibrations cause electro-annoyance! Her pulsewidth as I understand it must be like a super-saw as I think it. Silence. Some woman said it's just a feeling. HEA not sure what why I put that sounds like a garageband song. Switched to Inspiration! That is what I did this night. Finally start writing and making things again. Even though I never did and always did. My head sometimes hurts from thinking. Never truly though. Gotta say those things to keep the conversation going. That is really the only reason I say anything. To keep the conversation going. Otherwise I'd just watch people and be just fine. Just yelled "bahh," out loud (didn't sound the comma) because I felt the need or the want. Same. Wrong keys erased. sdas=a====dddddddddd Sorry. Oh well. Oh My. How the time flies goodbye. Going nowhere. Could write more but I felt the slight flicker of wanting to stop. So I do. What an ending. Now I'm only typing to continue the conversation with myself. Just thought ******* sounds good melody. Do as I sayt way to go good job. STOPSDMFA

****** a

Guess I'll read this little conundrum I wrote up. Stop writing ******. Stop EDITING

"Mother of heaven, regina of the clouds,
O sceptre of the sun, crown of the moon,
There is not nothing, no, no, never nothing,
Like the clashed edges of two words that ****."
And so I mocked her in magnificent measure.
Or was it that I mocked myself alone?
I wish that I might be a thinking stone.
The sea of spuming thought foists up again
The radiant bubble that she was. And then
A deep up-pouring from some saltier well
Within me, bursts its watery syllable.

II

A red bird flies across the golden floor.
It is a red bird that seeks out his choir
Among the choirs of wind and wet and wing.
A torrent will fall from him when he finds.
Shall I uncrumple this much-crumpled thing?
I am a man of fortune greeting heirs;
For it has come that thus I greet the spring.
These choirs of welcome choir for me farewell.
No spring can follow past meridian.
Yet you persist with anecdotal bliss
To make believe a starry connaissance.

III

Is it for nothing, then, that old Chinese
Sat tittivating by their mountain pools
Or in the Yangtse studied out their beards?
I shall not play the flat historic scale.
You know how Utamaro's beauties sought
The end of love in their all-speaking braids.
You know the mountainous coiffures of Bath.
Alas! Have all the barbers lived in vain
That not one curl in nature has survived?
Why, without pity on these studious ghosts,
Do you come dripping in your hair from sleep?

IV

This luscious and impeccable fruit of life
Falls, it appears, of its own weight to earth.
When you were Eve, its acrid juice was sweet,
Untasted, in its heavenly, orchard air.
An apple serves as well as any skull
To be the book in which to read a round,
And is as excellent, in that it is composed
Of what, like skulls, comes rotting back to ground.
But it excels in this, that as the fruit
Of love, it is a book too mad to read
Before one merely reads to pass the time.

V

In the high west there burns a furious star.
It is for fiery boys that star was set
And for sweet-smelling virgins close to them.
The measure of the intensity of love
Is measure, also, of the verve of earth.
For me, the firefly's quick, electric stroke
Ticks tediously the time of one more year.
And you? Remember how the crickets came
Out of their mother grass, like little kin,
In the pale nights, when your first imagery
Found inklings of your bond to all that dust.

VI

If men at forty will be painting lakes
The ephemeral blues must merge for them in one,
There is a substance in us that prevails.
But in our amours amorists discern
Such fluctuations that their scrivening
Is breathless to attend each quirky turn.
When amorists grow bald, then amours shrink
Into the compass and curriculum
Of introspective exiles, lecturing.
It is a theme for Hyacinth alone.

VII

The mules that angels ride come slowly down
The blazing passes, from beyond the sun.
Descensions of their tinkling bells arrive.
These muleteers are dainty of their way.
Meantime, centurions guffaw and beat
Their shrilling tankards on the table-boards.
This parable, in sense, amounts to this:
The honey of heaven may or may not come,
But that of earth both comes and goes at once.
Suppose these couriers brought amid their train
A damsel heightened by eternal bloom.

VIII

Like a dull scholar, I behold, in love,
An ancient aspect touching a new mind.
It comes, it blooms, it bears its fruit and dies.
This trivial trope reveals a way of truth.
Our bloom is gone. We are the fruit thereof.
Two golden gourds distended on our vines,
Into the autumn weather, splashed with frost,
Distorted by hale fatness, turned grotesque.
We hang like warty squashes, streaked and rayed,
The laughing sky will see the two of us
Washed into rinds by rotting winter rains.

IX

In verses wild with motion, full of din,
Loudened by cries, by clashes, quick and sure
As the deadly thought of men accomplishing
Their curious fates in war, come, celebrate
The faith of forty, ward of Cupido.
Most venerable heart, the lustiest conceit
Is not too ***** for your broadening.
I quiz all sounds, all thoughts, all everything
For the music and manner of the paladins
To make oblation fit. Where shall I find
Bravura adequate to this great hymn?

X

The fops of fancy in their poems leave
Memorabilia of the mystic spouts,
Spontaneously watering their gritty soils.
I am a yeoman, as such fellows go.
I know no magic trees, no balmy boughs,
No silver-ruddy, gold-vermilion fruits.
But, after all, I know a tree that bears
A semblance to the thing I have in mind.
It stands gigantic, with a certain tip
To which all birds come sometime in their time.
But when they go that tip still tips the tree.

XI

If *** were all, then every trembling hand
Could make us squeak, like dolls, the wished-for words.
But note the unconscionable treachery of fate,
That makes us weep, laugh, grunt and groan, and shout
Doleful heroics, pinching gestures forth
From madness or delight, without regard
To that first, foremost law. Anguishing hour!
Clippered with lilies scudding the bright chromes,
Keen to the point of starlight, while a frog
Boomed from his very belly odious chords.

XII

A blue pigeon it is, that circles the blue sky,
On sidelong wing, around and round and round.
A white pigeon it is, that flutters to the ground,
Grown tired of flight. Like a dark rabbi, I
Observed, when young, the nature of mankind,
In lordly study. Every day, I found
Man proved a gobbet in my mincing world.
Like a rose rabbi, later, I pursued,
And still pursue, the origin and course
Of love, but until now I never knew
That fluttering things have so distinct a shade.

clinton rebukes israel over east jerusalem homes obama nasa plans catastrophic say moon astronauts alaska wolves **** woman's teacher out jogging ireland frees 3 cartoonist plot suspects sarkozy and brown attack u.s. over protectionism pope benedict's former diocese rehoused abuser priest chile puts quake damage at $30bn winnie denies interview criticizing nelson mandela climate change makes birds shrink in north america dr rowan williams is honored for work on russia weymouth ridgeway skeletons scandinavian vikings live bangladesh v england michael schumacher pledges to raise game in bahrain can the u.s. vice-president broker middle east peace? sarkozy's party faces socialist drubbing remote indian state set for development new york dust victims split on 9/11 deal  german tells of childhood abuse by catholic priest a step closer to the american dream? lehman: how $50bn was buried in london ba strike union announces dates in march china's oil demand increase astonishing says iea china warns google to comply with censorship laws net clash for web police projects hsbc admits huge swiss bank data theft phil spector ****** conviction appealed sir david jason to voice cbbc animation climate change 'makes birds shrink' in north america thalidomide effect mystery solved blood pressure fluctuations warning sign for stroke winnie denies interview criticizing nelson mandela mogadishu residents told to leave somali capital same-*** couples marry in mexico city by mistake i clicked on wrong button and lost everything

evening

Maria and Mr. Riner are sitting on my bed
******* like garlands, against the wall
the words stew inside and I can't seem to
pour them out
but we three fools, sit and scribble regardless
staring blankly at the drooling clock
(persistent, in our memories).
the whitewashed cinderblocks are testament
to the number of walls
the quantity of clocks
this series of chairs
and if we close out eyes we expect to
wake up in heaven
but it's just the same old hell.

she says, keep writing
(if you feel inclined)
and slides her back into mine
but I've got no more letters in these fists
(so I'll lie and think for a bit).

she says,
I've never been a 'she' before...


morning

my coat sits in a bundle near the door
I've been trying to find a way to hang it
but I'm having mixed results, in fact
all this month I've been trying to make attachments
to these white,
white,
cinder block walls
with all manner of adhesives.
but these nightly sessions
have been ******* with the humidity

and every morning something new is on the floor.


all I can do is put them back up again.
try and
be a little more constant
with these climate fluctuations.
try and

sleep a little more, sweat a little less.

the alcoholic’s eyes are the least searching,
there’s a fixed point in them,
they’re not darting as you might expect
with the loss of the ******’s carousel of
frenzy: up & down up & down.
the alcoholic’s eyes are fixed on a point
that makes the world less transfixed in its parabolic fluctuations,
that steady eye we’re all expected to have
when a hallucinogenic curtain is thrown over our eyes,
when the young moralise the old
and the old can’t teach the young -
hence the alcoholic’s eye steady darting into commotion
he least expected - otherwise known as the world.
‘but the lions are caged!’ the alcoholic bemoans,
'now i’ll have to put up with economic tourists panicky over eating their own
in the race of who gets richer first spawning a thousand gypsies
correcting political correctness to a hijab **** ****** at for conversation!'

i feel alive, again, sunrise ---
this is all too strange, noon high ---
i don't want it, early eve ----

i wonder what
it would feel like
to be

alive,

moonfall.

I live my life in extremes
Polar opposites attract in the center of my soul
And for some reason, living on opposite ends
Seems to be a fashion trend
I am not the "I made out with every girl in my college sorority
So now I'm bisexual" type of queer
Not to out-and-proud vomiting rainbows type of bisexuality
I am the bisexuality that gets erased
The eighth grade girl who, when she told her first boyfriend she was queer,
He told her she was over dramatic and crazy.
I am the bisexuality that gets oppressed
Because I am confined to the walls of a shrinking closet
Or is it expanding?
I have lost my sense of left or right
Up or down
Yes or no.
I am not your manic pixie dream girl type of bipolar
Not the girl who needs saving from her mental illness
Not drowning.
I am the bipolar disorder that becomes overwhelming
The depression that chains me to my bed in the morning
The hypomania that seems euphoric, but is never happy
The grey area, the lone horizon, the empty space in the middle
Seems like something I drive through over the speed limit
Every day of my life.
While my extremes do not look good on your favorite actress
They look beautiful on me.
Not an outfit I can strip down when it goes out of style
Not a channel I can change when it is not appealing anymore
But I will learn to love my fluctuations
My mood pendulum
My love pendulum
I am swinging from state to state
But at least I am flying
Instead of falling.

well, if everyone is
   going to be so *******
honest...

   tender, little melancholics
   attempting to punch
   above their weight...

egomaniac? always a superstition,
littered with scatter brains,
broken mirrors
   and: the eternal fire -
no longer a choking smoke...
   shrapnel from some fungus,
or some whizz-kid's experiment
in the Swiss Alps...

initial psychosis?
   oh sure... peppered with
polka dots of hallucinations,
some visual,
but mostly auditory...
   a bit like:
    being forced out of your
own head,
   but not your body...
i could call it:
     being fertilißed...

mainstream: "transgender"
hot topics...
get a load of this one:
all metaphor,
   the closest approximation
of the truth, or subsequent
"feelings"...
      the body is left intact,
the brain though:
   what's the difference
between psychosis
         and osmosis?

an etymological study:
shared suffix:
    -osis
                and that's about it...
but initial psychosis:
for all the fear,
   for all my travels between
London and Edinburgh
and Glasgow,
and Dover,
   and Athens,
   and... Serbia...
              Katowice...
          wherever i went:
i had ants up my ***,
         fidgety ******, i was...
i'm pretty ******* sure,
that if i decided to drop l.s.d.
i would be unimpressed...
compared to my initial
psychosis... which lasted
for... how long was it?
anyone care for the scale,
i just don't exactly remember:
months, years?
  i'd be boasting if i put it
on a weeks scale...

2nd tier psychosis...
ugh... too much Kant...
                 no hallucinations...
just debiliating thoughts,
a chimera of p.t.s.d.,
  depression and the whole
rainbow of the DSM...
    more ****-heads in these parts
than genitals or anti-genitals
or... whatever hormonal... thing...
there's to it...

look closer at
  the orthodox madmen...
and now look at:
    acceptable madness...
we're hardly cripples...
crippling thoughts yes,
in this case,
   a 2 week period of absolute,
unadulterated debility:
no i know where the word
comes from in ****** for
idiot, i.e. debil...

2nd tier psychosis:
it's a noumenon...
    unlike a phenomenon
you might hear about...
when some schizoid can't
restrain himself
and goes off off the tangent
of: perfectly normal
paranoia...

          what? if everyone's
going to be so ******* honest,
i might as well throw my two
cents into the wishing well...
if i write this out,
bash the blank slate,
that's me one step away
from doing it to a punching
bag... which...
i usually associate with:
exhausts the body...
   and the mind was always
   just silent, in accordance to:
elvis... has just... left the building.

i wonder what a 3rd tier
psychosis is...
              and there i was thinking:
the problem with madness,
you can only go mad once...
apparently you can
go mad twice...
   it was never going to be
a terminal illness...
madness is... like...
fluctuations...
   it changes over time...
       and with it: the language...
unless of course
    i'll be restricted,
akin to that amazon show
homecoming
   (julia wobewts:
tongue numb, forgot to trill,
lisp and all)...
   then again:
   memory is a fickle faculty,
i actually don't possess
the will to remember what
i want,
    or what i don't want...
it's almost automated,
akin to:
         the "ancient" rubrics
of pedagogy on a teen level
of exposure...

  as ever: first comes the drill...
2 x 2 = 4, a, b, c, d, e, f, g, h, i, j...
like: who the **** invented
this pointless memory gap,
this pointless rust,
this pointless sequence of
non-events?
        memory erosion:
   right there, in school...
and not even a "menial" task
at hand...
   not even a craft that can be
repeated, over and over again:
for a reason...
  that it can be perfected,
and therefore made, easier...

yeah... 2nd tier psychosis
is too orientating,
thereby not disorientating,
therefore not a phenomenon,
but a noumenon...
therefore a cold-sweat horror...
and not as much
of a scenario of running
a mythical marathon
up and down England to Scotland,
or across Europe
   to Athens...

and there i was thinking...
perhaps one day...
    i might have a curious reader
akin to r. d. laing...
                      one day...

infringement on i.q.?
   who said anything about
an infringement on i.q.?
            well there's the exfoliation
process of...
   ridding oneself of the tuxedo
of social norms, constrictions...
like any old person might
given the notion: **** it,
i'm old, i don't care...
        the paranoid aspect is
associated with:
    youth...
        and the whole:
                   not yet, not yet...
well... if not now, then, then?

          brash, crass...
whatever you want to call it:
hit the iron while its hot...
            and here i am thinking...
so... this premature melancholics
is... the new, "normal"?

welcome to the chemistry circus
of lady pharma:
i always wanted to think of
my brain is either a chemical soup,
or my use of language
as a salad...
   that'll go just fine,
with the main course
                            of jesus christ.

this is a poem about happiness.
this is also a poem about how great life is, see? here's a metaphor
comparing nature to the faultless
form of a pedastalized lover,
here's a description of the
effect of changes in air pressure
and localized temperature
fluctuations
on physical matter in a given area.
here's a bland truism that
anybody can relate to.
here's a couple rhyming stanzas
about the ethereal shifting of
connecting threads which
cause all life to dance upon
the cosmic stage like food poisoned marionettes.
here's an ode to the wrinkles of
my ******* and
the bits of fuzz that occasionally
find their home in my *****.
here's a sonette to the drop outs
doing better than me
here's a dirge for the businessman
that hangs himself
and a jubilee for his widow
who earns nothing off his death
because he left his entire estate
to his catamite.
I'm writing a symphony in color,
notes of fermenting wood
dogshit and coffin dust.
the violas swoop and drone
the piccolos trill fast enough
to excise your gastrointestinal system
the barotone sax wheezes
and the timpani drum rumbles
(the flutes sit motionless because
**** flutes)
the pianists fingers are bleeding
hes banging with stumps now
his face contorted in ecstatic glee
as if the face of god has parted
the clouds just to scrape his gums
clean with his dietous ****.
and lo faint is the whisper
which climbs and slithers
between the
false,
bash upon life with both hands.
here is life here is death
let me show your life
let me breathe your wretching
like squandered
like roots in the soil,
paint your everlasting cave drawing
in the face of your kitchen
and dance around a fire
let the embers lick your heels
til pagan viciousness overtakes
your quivering form.
gasp it in

Hark! 'tis the twanging horn! O'er yonder bridge,
That with its wearisome but needful length
Bestrides the wintry flood, in which the moon
Sees her unwrinkled face reflected bright,
He comes, the herald of a noisy world,
With spatter'd boots, strapp'd waist, and frozen locks;
News from all nations lumb'ring at his back.
True to his charge, the close-pack'd load behind,
Yet careless what he brings, his one concern
Is to conduct it to the destin'd inn:
And, having dropp'd th' expected bag, pass on.
He whistles as he goes, light-hearted wretch,
Cold and yet cheerful: messenger of grief
Perhaps to thousands, and of joy to some;
To him indiff'rent whether grief or joy.
Houses in ashes, and the fall of stocks,
Births, deaths, and marriages, epistles wet
With tears that trickled down the writer's cheeks
Fast as the periods from his fluent quill,
Or charg'd with am'rous sighs of absent swains,
Or nymphs responsive, equally affect
His horse and him, unconscious of them all.
But oh th' important budget! usher'd in
With such heart-shaking music, who can say
What are its tidings? have our troops awak'd?
Or do they still, as if with ***** drugg'd,
Snore to the murmurs of th' Atlantic wave?
Is India free? and does she wear her plum'd
And jewell'd turban with a smile of peace,
Or do we grind her still? The grand debate,
The popular harangue, the **** reply,
The logic, and the wisdom, and the wit,
And the loud laugh--I long to know them all;
I burn to set th' imprison'd wranglers free,
And give them voice and utt'rance once again.
Now stir the fire, and close the shutters fast,
Let fall the curtains, wheel the sofa round,
And, while the bubbling and loud-hissing urn
Throws up a steamy column, and the cups,
That cheer but not inebriate, wait on each,
So let us welcome peaceful ev'ning in.
Not such his ev'ning, who with shining face
Sweats in the crowded theatre, and, squeez'd
And bor'd with elbow-points through both his sides,
Out-scolds the ranting actor on the stage:
Nor his, who patient stands till his feet throb,
And his head thumps, to feed upon the breath
Of patriots, bursting with heroic rage,
Or placemen, all tranquility and smiles.
This folio of four pages, happy work!
Which not ev'n critics criticise; that holds
Inquisitive attention, while I read,
Fast bound in chains of silence, which the fair,
Though eloquent themselves, yet fear to break;
What is it, but a map of busy life,
Its fluctuations, and its vast concerns?...


Oh winter, ruler of th' inverted year,
Thy scatter'd hair with sleet like ashes fill'd,
Thy breath congeal'd upon thy lips, thy cheeks
Fring'd with a beard made white with other snows
Than those of age, thy forehead wrapp'd in clouds,
A leafless branch thy sceptre, and thy throne
A sliding car, indebted to no wheels,
But urg'd by storms along its slipp'ry way,
I love thee, all unlovely as thou seem'st,
And dreaded as thou art! Thou hold'st the sun
A pris'ner in the yet undawning east,
Short'ning his journey between morn and noon,
And hurrying him, impatient of his stay,
Down to the rosy west; but kindly still
Compensating his loss with added hours
Of social converse and instructive ease,
And gath'ring, at short notice, in one group
The family dispers'd, and fixing thought,
Not less dispers'd by day-light and its cares.
I crown thee king of intimate delights,
Fire-side enjoyments, home-born happiness,
And all the comforts that the lowly roof
Of undisturb'd retirement, and the hours
Of long uninterrupted ev'ning, know.
No rattling wheels stop short before these gates;
No powder'd pert proficient in the art
Of sounding an alarm, assaults these doors
Till the street rings; no stationary steeds
Cough their own knell, while, heedless of the sound,
The silent circle fan themselves, and quake:
But here the needle plies its busy task,
The pattern grows, the well-depicted flow'r,
Wrought patiently into the snowy lawn,
Unfolds its *****; buds, and leaves, and sprigs,
And curling tendrils, gracefully dispos'd,
Follow the nimble finger of the fair;
A wreath that cannot fade, or flow'rs that blow
With most success when all besides decay.
The poet's or historian's page, by one
Made vocal for th' amusement of the rest;
The sprightly lyre, whose treasure of sweet sounds
The touch from many a trembling chord shakes out;
And the clear voice symphonious, yet distinct,
And in the charming strife triumphant still;
Beguile the night, and set a keener edge
On female industry: the threaded steel
Flies swiftly, and, unfelt, the task proceeds.
The volume clos'd, the customary rites
Of the last meal commence. A Roman meal;
Such as the mistress of the world once found
Delicious, when her patriots of high note,
Perhaps by moonlight, at their humble doors,
And under an old oak's domestic shade,
Enjoy'd--spare feast!--a radish and an egg!
Discourse ensues, not trivial, yet not dull,
Nor such as with a frown forbids the play
Of fancy, or proscribes the sound of mirth:
Nor do we madly, like an impious world,
Who deem religion frenzy, and the God
That made them an intruder on their joys,
Start at his awful name, or deem his praise
A jarring note. Themes of a graver tone,
Exciting oft our gratitude and love,
While we retrace with mem'ry's pointing wand,
That calls the past to our exact review,
The dangers we have 'scaped, the broken snare,
The disappointed foe, deliv'rance found
Unlook'd for, life preserv'd and peace restor'd--
Fruits of omnipotent eternal love.
Oh ev'nings worthy of the gods! exclaim'd
The Sabine bard. Oh ev'nings, I reply,
More to be priz'd and coveted than yours,
As more illumin'd, and with nobler truths.
That I, and mine, and those we love, enjoy....

these faces on the wall that have no eyes,
the young children with blood escaping from their hands
   as they    pick up a mound of the Earth and  throw at genuflected  roses.
these battered men   in parks   searching  for light
   and   my woman   is no longer with  me.

it’s all  vaudeville:  this obnoxious working of continuance,
these redundant  flutings,   these  unprecedented fluctuations.

opening  the yellow gates  to death
as the  automobile churns the  last of its exhausted snarl.
   we    are children   peering through   glass cases
as   death laughs at his   hopeless  clientele,
    sad,   desolate   progenies   in   working-classes,
in   parks,  in factories,   somewhere along Mendiola,
  or  just treading the waist-high  hellish   froths   of   Dapitan,
    there’s   always   death in   the nooks   of the quiet
and from   where birds    stir in  sidereal circles,   death
  with his hands    resting   on the   cage,   chases us  back to  our homes.

death   the changing of the   gatekeeper.
death  the   telling machine.
death   the dentist.
death   my next door neighbor.
death,   this boorish broken-winged   Maya twitching in  front
   of my dog’s shadow  shot out of the Sun’s  shameful recoil.
death,   my loud and loutish muse,
death    the   truant,
death,   the   copious  fog somewhere in Kennon Rd.
   death,   in my   hands through   darkness    and  light,
death   through troves   of enigma,
      death   through   undisputed clearings,
death    the   long line  of red beads   in EDSA,
  death  the gates   of Plaridel,

     it’s the moon   following you,   trailing your measure,
i hold   my woman’s used   shirt,  pick up her photographs
    and there’s no tender movement left but  the still-seeking   lion
prowling   the jungles   of my  heart,   seared by  lovelorn undoing.
  
through   the  bottom of  the sky and the  unchanging roof-beam,
  the weathervane ceases to  a sojourn  and the  wind is  trapped
    in   a place  where we   cannot   utter any word  between the  gnashing
  of   our teeth – through the wasted   years,  through  the sleeping in  and out
  of   homes filled  with beatings,  to cathedrals swollen with  tribulations,
      and to   the vineyards     wrung   out   of wine,    my  lover,   walking  through  fire,
        sound     silence.

the wrong atmospherics of transmission
move in uninvestigated chaotic archives
red and pink turbulent storms swarm across
deep space frequencies in imaginative
currents of pulsars
that are translated into phases
each represented in diverse
conflicting modes of expression
in obsessive grooves of consciousness
cut up components of recycled narratives
audibly fixating on vibrations
that sound across the universe
in diffused spirals of manic fluctuations
converting archaic symbols into equivalents
of dust surfaces that oxidise in intermittent epochs
and deposit a rediscovered earth
an expansive transferable construction
of accidental providence
that allows for expression in artificially generated realities
hallucinated images that float
across the consciousness of the cosmos
producing visions that punctuate rational thought
become preoccupied with the conception
of  interplanetary transpeciation
counting the chronological diversity
of those that occupy the black, blank
vacuum of space

Significance decreased as your speech began to reek
with pretentious hypocrisy revealing conspicuous shortcomings
Importunately making conclusions based upon illusions
Spouting lines to save but delirium is all you gave
As if I were seeking your confirmation, salvation, or blessings
I would've asked your opinion if I valued your progression and prosperities
or wondered into a church if I sought duplicitous appease
This unrequited love you deal is meretricious and full of disease
You sell a lie until it's spent then devour what is left of one's esteem
You depend on the humiliation and degradation of another
to accommodate the hostilities you experience from others
Passing off insurmountable grief to save yourself from your own realities
I hope one day you find peace and revelation
Before someone else is enraptured by your false persona falling victim to your belittlement and fluctuations

The Saturday night crowd, all here to see Dave Van Ronk,
sit huddled in the fashion of Antwerp diamond cutters,
sipping cinnamon/marshmallow coffee at the tables.
Caffe Lena is Saratoga's happening place in the 60's and
we're here to forget the war and civil strife in the ghettos.

Sister Mary Katherine, sans frock, is the warmup act,
but no one really gives her any mind,
as she struggles to seat herself upon the stool
intended for the six-foot plus Van Ronk.
Joan Baez prepare to eat your heart out!

Without so much as introduction, she
breaks into a high soprano Just Like Tom Thumb's Blues.
Heads pivot like synchronized swimmers toward the stage.
Her silken voice emits notes blinking
into reality from quantum fluctuations in space/time.

Every quivering high-C grafts the audience together.
She's spinning veils of sound,
the like of which our ears are unfamiliar.
The quavers in her throat match the tremors in my coffee.
In the back of the cafe a drunken Van Ronk passes out.

Sweet liars and their sugar coated lies…
Root from their heart and branch out in the skies…
Their innocent souls and deceptive eyes…
Their polished shoes and branded ties…

In the beginning they seek your attention…
The next desire is your affection…
By recital of their past and rejection…
Either from them or from other direction…

“Don’t sympathies sweetheart, I am a strong man… Okay”…
“My heart comes free with this ring and bouquet”…
“Say yes, my love, we’ll plan a holiday”…
“Let’s go shopping for your lingerie”…

The candles are lit and the dinner is served…
The charm and chivalry is observed…
His scent and accent leaves you unnerved…
He is definitely the prince you thought you deserved…

Ah! And you fall in the trap and love as well…
Dreaming of him and his tempting propel…
You talk of him and his stories you tell…
Of the vamps he dated and your own love spell …

He has your trust and you are happy high…
His kisses and touch you can’t deny…
“He loves me so much” you amplify…
You light his nights like a firefly…

Now when you feel the bygones are supplanted…
The road gets a little slanted…
When you are more often taken for granted…
His fluctuations show the doldrums are planted…

You inspect the change and the causes aligned…
And come across the love texts enshrined…
You feel shattered and maligned…
The way you are portrayed and opined…

You demotion as ex is celebrated with a raised toast…
With his new flame and he playing host…
You embrace your strength with care utmost…
His vows and love , haunting you like ghosts…

You want to cry till you paralyze…
Blaming thyself for this jeopardize…
The arduous task to analyze, summarize and self sterilize…
From these sweet liars and their sugar coated lies…

~Kathaa Kirti

Night shifts into jet black
city escapes
if it's not insanity,
we don't have an answer at stake.

this product of you and me
was never an accident.
love at its peak
signaling and S.O.S.

you've bought me in a surface.
we don't now yet.
analog fluctuations I wanted
you and I cant forget.

Sanctions we break,
with metal palms we punch.
limitations act as walls
our thirst  keeps me quenched.

My passion, your fire.
will get us above the wires
ambiguous insights to the past.
Passion and fire, you ignite.

It is a replicable dialectic

that swirls in my mind

like a spiral of cigarette smoke

covering fluctuations

of diffused expanses

of transferable hallucinated images

relying on an artificial artificiality

to generate a reality

one that amplifies a calisthenics

of maximized reduction

in the blank vacuum of space

allows those sophistication’s

where there is a scrutiny

of exclusions

that may perhaps betray

the concepts of others

those correlatives

of our own creative interirority

where a mind may repeal a transgression

for it is breakfast in the time

of the Wizard Pig

another day
a few more hours
till this time comes again.
look out, for i will make
the same mistakes.
but these errors are not random
they are natural fluctuations.

at the Turkish shop, the owner bellows: MATEUS! oh hi hi sir. ten quid and 3 pence in my wallet... packet of tobacco and three strong orange-tree beers to buy... £10.03 i give him, he gives me £1.50 back... small change, your everyday practice of arithmetic... someone money evolved to be a separate language, neither i, nor 1, or b of 8 can identify the trans-valuation of quality symbols attached to mathematical symbols directly (the price of a pineapple is £1.00) or indirectly: a poem is priceless... no one can master the three para-linguistic languages... even though they know each other: the mathematician will never become an economist or a rich man, likewise in reverse, the two stated examples will never create a mathematician... likewise with words: put a prince on Dante's divine comedy... but it'll just end up a subjectivity (quality) v. objectivity (quantity) debate - all we have is Judas talking about the monetary algorithm, the pentagram, 1, 2, 5, 10, 20, 50(p)... and all the digits missing.... later: 1, 2, 5, 10, 20, 50(£)... how could a mathematician survive in this sort of environment? this language makes the other two languages nonsensical, pointless, let's just sum it up: ridiculous. is this a forgotten Europe, or is it simply the Europe not conquered by Rome? then i guess it's true that we are licensed to be feral, and rightly so, as sowed, or given to us, by post-Colonial nations... meaning the Visegrad group: the new Austro-Hungary - will not experience terrorist attacks... because it wasn't two faced, one face showing another lacking... **** me... just be honest... what's the harm in that? oh right, your Egyptian suntan having lapsed into turning you into an Essex orange.*

bypassing history, and entering archaeology,
you'd find the Poles to be the ones
responsible for the Holocaust,
talk about German humour -
like you'd find similarities toward the  excesses of
St. Thomas' Gospel and how the *******
movement came about: a mob of Chinese
factory workers could care less about
western indecision about "keeping the faith":
first they tell you that all those demonic
and angelic fables are metaphors,
then they use the same sly counter negation
tactic of hiding things using metaphors
when a man decides to chop his **** off
to enter "the kingdom of heaven" -
what a saviour he ended up to be,
the Greeks look half smug half pauper,
and some hidden half Byzantine bewildered -
which is what archaeology provides,
and the historian Josephus kindly adds,
false prophet, mount of Olives' insurrection,
Egypt... the Nag Hammadi?
the Jews made two mistakes, both of them
surfaced, one concerning Isiah
and one concerning Jesus... the Jesus unravelling
took off, speedy, blind faithful:
**** heterosexual affairs, there's billions
of us (never mind the fact that 2 billion
are either Chinese or Indian, never mind that),
we can manage deviations:
we're scientifically equipped to elevate
prostitution toward surrogacy.
and so it was.
we've already established enough freedoms
for neither the polygamy of monotheism,
or the monogamy of monotheism can counter
the freedoms we've given out..
                   i'd like to see the polygamy
in its truest form: that arising from polytheism,
but i'd also like to see monogamy in polytheism,
or atheism.... the two are quiet similar:
either there are many gods, or there aren't any,
hence the coliseum and the jackals and the emperors...
or some power-ridden-prose of another
gifted maniac riddling the frustrations of
mothers in western society, saying: aha, ooh, eh?
but given the Poles are facing the mass product,
they're being countered by archaeology rather
than history, it looks like that,
an optical illusion... people travel to Poland
to see Auschwitz, they travel to Berlin to see the Wall...
clue of: who did it? the Poles!
if you took away all common sense of history,
and were left with the measure of times via archaeology,
it would certainly bespeak the correction:
the Poles invoked the Holocaust, the Germans
just built Mercedes-Benz - that's how it will look like
when the dust settles, and people turn to holidaying -
like they already have with the monetary funds
division, the twelve "disciples" arithmetic:
1p, 2p, 5p, 10p, 20p, 50p, £1, £2, £5, £10, £20, £50...
mathematics is a purity from this
impurity, hence the reason that mathematicians
are ****** arithmeticians - they've never been told
to govern the fluctuations of the worth of such
commas in encoding - 1, 2, 3, 4, 5, 6... fair enough...
1p, 2p, 3p, 4p, 5p, 6p, 7£, 8£, 9£, 10£, 11£, 12£...
so said Judas: for the Arthur gimmick,
round the table they sat - and said:
                 count 6 of centimetres - and count
        6 for metres -                  then deviate from that
cutting process -                      as 6 on the micro siding,
   then 6 on the macro siding -
          the third sixth                 assurance is
the theoretical assumption                        that pure
mathematics provides, meaning no mathematician would
ever become an economist;
        or as some already said: 6 days of work,
                      followed by a Sabbath interlude.

Quarks, photons, gluons: sub-atomic particles:
Quantum fluctuations
That wink in and out of existence.
Where do they come from?
Where do they go?

There must be somewhere else.
Somewhere beyond our space and time.
Outside our multiverse,
Our Realm.
A parallel dimension next to ours.

Heaven?
Who knows?

We ourselves are made of particles:
Many a water molecule,
blinking in and out.
So in effect we are dead
As often as alive.

But am I God?
Are We God (assuming You are Real)?
Yet we have little power.
We can’t be God.

Maybe We are The One Mind,
Dreaming all together.
Dream Creations in our very own Dreams.
Within our virtual, mortal shells.

We are caught in an infinite,
Vibrating energy stream,
Perceiving an illusory Virtual World,
Living the Dream together indeed:
The One Mind.

Paul Butters

sure, the romance, they are the new gods,
     Paris, Rome, Barcelona (don't ask me about Madrid,
                                                       too royal),
a Venetian mask i would don, and become the quixote fighting treadmills rather than windmills -
although to Rome i have not walked
                for my footsteps to encounter the pave,
but in the Venetian pirate lair, plunderers of Byzantium
i have set foot on, at the same time to have learned
of the number 613 near a synagogue and heard the shofar.
Paris (not the Trojan) is the cliche synonym of Eros -
elsewhere Gemini: St. Petersburg as the Amsterdam
   of the north, and Edinburgh as the Athens of the north.

well, such a verse does indeed desire
                                                 more translation of Horace,
as in nimis ex vos, sed non satis ex "ego",
  yes, "ego" the abstract component of you that's
free from the three tier psychoanalytical *******,
what superego, what id? forget it! there's only you
and only "you" - work with me:
               too much out of you, but not enough
               from your alter (synonym of "ego" -
               Jungian shadow porridge);
but as promised, yet more Horace

               deus inmortalis haberi dum cupit Empedocles
               ardentem frigidus Aetnam insiluit.
               sit ius liceatque perire poetis:
               invitum qui servat, idem facit occidenti.
               nec semel hoc fecit nec, si retractus erit,
               iam fiet **** et ponet famosae mortis
               amorem. nec satis adparet, cur versus factitet,
               utrum minxerit in patrios cineres an triste
               bidental moverit incestus: certe furit ac velut
               ursus, obiectos caveae valuit si frangere clatros,
               indoctum doctumque fugat recitator
               acerbus; quem vero arripuit, tenet occiditque
               legendo, non misura cutem nisi plena
               cruoris hirudo.

but of course i'll translate, but prior in dogmatic proposals...
keep the book of revelation of the Ιωαννης,
discard the rest... the four primers are a parody of
the tetragrammaton - so gentle in his own land
yet such a vicious serpent in Egypt? which one's the fraud?
messiah of just hanging, standing still,
40 years in the desert or 40 hours on the cross?
and all that iconoclasm and modern too via narcissism?
"bring out the selfie shtick! oh wait... my hands are
nailed to a ******* crux!" and this persistent 2000 year old
negation - and being spared, the Romans, or
rather the alphabetum, Roma est mort but you
can still ask the italians of a cappuccino - Chino and
Khaki elsewhere with the Lombardy League ponce
rubbing shoulders with Saxons... Chino Versace
whistle at a Bella... you can still see c b g long after
and the coliseum in ruins... it wasn't swallowed up!
i too though the second H in the tetragrammaton was
intended as a déjà vu - it would sit perfectly with
anti-, the concept, but not the man as such,
and indeed the Y would make a perfect tree of Golgotha
in that tweaked geometric, then W and seas
and continuance - Roma alphabetum, sole constructor
of computer robot? maybe... but you see, the H
is a slippery *****, it's silent, like in Khaki... or
as is the usual case in Hindu - Dhal... it's not so much
déjà vu but silence - a necessary surd to make spelling
pretty... dyslexics think spelling is a bit like arithmetic...
it's actually an aesthetic, but they do find it as hard as
arithmetic, and that's why they're genius at numbers...
but the aesthetics is missing, so they cling to numbers
and the aesthetic is missing, and everything associated
with money... well, it's a bit ugly, isn't it?

... (postponed translation)... yes, London is Hades...
    doom and gloom.

but indeed the Gemini in the tetragrammaton,
but first the principle of three-dimensional space (Y) -
just look into one of the corners of a cube (yes
the room you're sitting in),
and lastly the principle of waves, whichever,
sine or cosine as you will, looks better that way
than mediating the ad infinitum of 1, 2, 3 etc.,
sea and constant fluxes (fluctuations),
pin-point the opposite, the principle of one-dimensional
space (a definite coordinate, rather than three-dimensional
space and that ****** indefinite coordinate) and
subsequent ripples, which aren't necessarily waves:
my tools? a-       and -the            and every other ism
that might act as an auxiliary attaché - time (W).
but indeed the anti- implementation that serves as
direct Gemini chiral-ism: the latter serves no close
resemblance to be guided to Golgotha,
hence guided toward Megiddo, and a crucifix also there?

**** such religiosity twice over with its vortex,
as promised the Horace translation

       Empedocles, desirous of godliness in being so,
       having icily strutted toward old age and by
       old age near frozen, was prophesied to jump
       into flaming Etna. as they want, let the poets
       have a right to a death (of their choosing).
       who whomever against his will saves,
       twice-over rattles the suicide's intentions.
       it hasn't been the first time, it's not that easy
       to say it: i am human. he wants to immortalise
       himself, fame posthumously. he writes poems.
       why? maybe he urinated on his father's grave,
       maybe in a place basked by throngs he took
       from it the vices and in solitude became
       desolate with inherited uncleanliness of urbanity?
       like a bear with scars, prison bars he breaks open,
       scares off the wise and the foolish, such
       the adamant nature of compulsive poetic labour,
       whoever he grasps with recitations he
       finishes off, the leech attached to his skin will
       not fall off, until satiated with enough blood.

**dicam Siculique poetae narrabo interitum.

sunlight reflected in broken
jagged fragments
on the wings of an aeroplane flying north
deep in the valley of organs and
warm trickling blood.
she haunts my thoughts as a distant terror
a threat to the happiness
weaved between weathered fingers
she'll take him away
take away
with the fluctuations of her voice
cutting raw wounds in the back of
my throat.
//calmly wait
passion resonates with a sticky wet
presence
clinging wet clothes to curves.
he sees my thighs
with appraising eyes.
you must belong to me::
to my sacred heart beats--
no thoughts of california and the wreckage
she should bring