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zebra Feb 2019
scarlet haught
queen of mirth
dog ****
drooling jewelry red splits
pulled by a chariot  
of six hundred million house cats
dissembling for freaky insertions
of scarlet bud flowers uterine tube

breath of spit
while ballet toes kiss fingers and tongues
glazing thickly tides sweat
bamming greased ****

Christ *****
"once upon a never more"
bi-sexed up
**** twitch glistening holes
drizzle fish
in red tents overturned
for fabulous *******
and angelic *****'s
flirty dance the come **** me  

her throat a never ending squealed gullet
sublime Madonna of Oor
bare thighed and pulpy spread
scissor strokes and stride
wagging tongue for rosy oleo sticks
and **** pastry rectums pulled tight
in lop sided temples of split flesh

another ambulance to the emergency **** ward
in a dreamland of leggy nurses

sacred fig of Freyja
Goddess to **** toys
and pretty pretty who go that way
hocus opus poke and stir
freckle face **** mouth
a lapping menagerie

i gird my ***** and follow her
into a cologned room; of dark rim box butter
***** yelping for
a slow grind in a belly of clams

red and velvet pageant
she nests in the heart
a midwife disturbia
to pregnant lust
being pushed down and worked up
till loosened in thick ****
and black whip afterbirth
like flowers of curves and blood

her banquet; a platter of wet orifice
trilling vibratos ******
and anxious kisses crawling through her mouth
like fallen angels flying
dire sister of knock out *******
pleading goth nuns for lesbian heated
Satan loving veiled Christian crotch
and a thousand delicious gaped
******* **** poundings
and mouth ***** **** plunge

crucifix of wrack and *****
****** and beaten senseless
instructions from the  book of night
of **** and spite
written by
Abrahams primitive nations
arms of the cross she is nailed to
sweet ***** waifs beaten dead
in a tillage of brokenness

mans club
shore of incinerated witches and tortured justice
shut up when your talkin to me
clan of honor
duo troupe
almanac of hell
Robert Ronnow Aug 2015
Madison's defense of the establishment clause to the Virginia
      legislature:
Religion both existed and flourished, not only without the support of human laws, but in spite of every opposition from them, and not only during the period of miraculous aid but long after it had been left to its own evidence and the ordinary care of Providence.

                                          May I say
electromagnetic waves. Radiant energy.
Light travels in waves
                                      Waves of what?
Electromagnetic waves consist of electric and magnetic fields
oscillating at right angles to each other
and to the direction of motion of the wave.
                                                           ­             All waves can be described
in terms of amplitude, wavelength, frequency and speed.

Waves of what?
                            Think of a hand waving. The wave itself
is virtual, ideal. The hand and eyes are waves. The wave's
a quantum guess.
                           Religion and electromagnetic waves - visible, audible, ideal
causing real reactions in earth-time (real as it gets). Madison's
ordinary
               care of Providence
                                               impossible to handle.

Needed is a medium: antenna, cathode ray, page,
body
          hairy, sweaty
                                 diurnal
with the capacity to say Providence electromagnetic visible light
element god.
                       Alone in your life and body. Say
the heavy word
weighty word
isotope
             charged word (ion god)
the particle physicist and political philosopher have it over the poet
who is sharing ignorance
                                           pretty much all he doesn't know.

Or who stays within a dimension she knows she knows, extrapolating
her hand in a child's hand or husband's hold or nest in a tree hole
limited government
                                  separation of powers
                                                          ­            daily low intensity warfare
light, radio and gamma waves
                                                     Waves of what?
Matter can be treated by both wave and particle theories (the duality of matter) since its convertible counterpart - light - has long been treated successfully by both theories.
convertible counterpart
                                         light matter light

Solutions to the equations are called wave functions, or orbitals.
Religion or the duty which we owe our Creator and the manner of discharging it can be directed only by reason and conviction, not by force or violence. It is proper to take alarm at the first experiment on our liberties. We hold this prudent jealousy to be the first duty of Citizens, and one of the noblest characteristics of the late Revolution. The free men of America did not wait till usurped power had strengthened itself by exercise and entangled the question in precedents. They saw all the consequences in the principle and they avoided the consequences by denying the principle. We revere this lesson too much to soon forget it.

Last night's movie She's No Angel on the Christian channel
begged many essential questions (and had bad music)
                                                          ­                                  why
the loving liberal successful couple should
keep a shotgun in the home (later used per Shakespeare)
                                                    ­                                           what
the community's (authority's) reaction to the violence
and precipitating dissembling might have been (per The Crucible)
                                                       ­                                             whether
the golden spiritual couple would subsequently dissemble lobby or
      defend
themselves and the loved one legally and lengthily (per Dostoyevsky)
                                                    ­                                                   where
unclean tragic outcomes end in Death's cleanliness
ravens eat the fur and guts of bad guesses off the roads (per A
      Designer of Systems)

but not I think missing
the deeper lesson

that she is neither her past
nor her wings

but a pure goodness
                                   bone stillness
                                                       ­   potential energy

a light wave
and a particle.
--Madison, James, "Memorial and Remonstrance Against Religious Assessments"
--LeMay, Beall, Robblee & Brower, Chemistry: Connections to Our Changing World, Prentice Hall, 2000

www.ronnowpoetry.com
I admit the briar
Entangled in my hair
Did not injure me;
My blenching and trembling,
Nothing but dissembling,
Nothing but coquetry.

I long for truth, and yet
I cannot stay from that
My better self disowns,
For a man's attention
Brings such satisfaction
To the craving in my bones.

Brightness that I pull back
From the Zodiac,
Why those questioning eyes
That are fixed upon me?
What can they do but shun me
If empty night replies?
sir humbug Jul 2018
one more for Joni and the one who accuses me of
"owning the courage to care so blatantly."

<:>
accused of writing with blatant courage,
a  4 credit requirement for caring

blatant is a word of merger -
open obvious unsubtle and unashamed

and a dissembling misleading one!

it is all of these  and yet can be a contradictory mask of
opposing, differing faces

my blatant is none of these
but appearance only

**** muses keep me coming back
to a particular lyric,
keeps seeking me out, so successfully, wherever I go,
I hear it
it’s invading my both sides now

the dizzy dancing way you feel

you think I have my own blatant courage, untrue!
so oft you mistook my dizzy dancing,
all fluff all humbug so obvious so ashamed,
a cover up, a most subtle cosmetic pretense of the truth -
  of
no courage at all
and yet (they mock)
you do care...

just another of my peculiar
life’s illusions
(self-delusions)

  I really don’t have blatant courage at all
1271

September’s Baccalaureate
A combination is
Of Crickets—Crows—and Retrospects
And a dissembling Breeze

That hints without assuming—
An Innuendo sear
That makes the Heart put up its Fun
And turn Philosopher.
I
FATHER AND CHILD
SHE hears me strike the board and say
That she is under ban
Of all good men and women,
Being mentioned with a man
That has the worst of all bad names;
And thereupon replies
That his hair is beautiful,
Cold as the March wind his eyes.

II
BEFORE THE WORLD WAS MADE

IF I make the lashes dark
And the eyes more bright
And the lips more scarlet,
Or ask if all be right
From mirror after mirror,
No vanity's displayed:
I'm looking for the face I had
Before the world was made.
What if I look upon a man
As though on my beloved,
And my blood be cold the while
And my heart unmoved?
Why should he think me cruel
Or that he is betrayed?
I'd have him love the thing that was
Before the world was made.

III
A FIRST CONFESSION

I ADMIT the briar
Entangled in my hair
Did not injure me;
My blenching and trembling,
Nothing but dissembling,
Nothing but coquetry.
I long for truth, and yet
I cannot stay from that
My better self disowns,
For a man's attention
Brings such satisfaction
To the craving in my bones.
Brightness that I pull back
From the Zodiac,
Why those questioning eyes
That are fixed upon me?
What can they do but shun me
If empty night replies?

IV
HER TRIUMPH

I DID the dragon's will until you came
Because I had fancied love a casual
Improvisation, or a settled game
That followed if I let the kerchief fall:
Those deeds were best that gave the minute wings
And heavenly music if they gave it wit;
And then you stood among the dragon-rings.
I mocked, being crazy, but you mastered it
And broke the chain and set my ankles free,
Saint George or else a pagan Perseus;
And now we stare astonished at the sea,
And a miraculous strange bird shrieks at us.

V

CONSOLATION

O BUT there is wisdom
In what the sages said;
But stretch that body for a while
And lay down that head
Till I have told the sages
Where man is comforted.
How could passion run so deep
Had I never thought
That the crime of being born
Blackens all our lot?
But where the crime's committed
The crime can be forgot.

VI
CHOSEN

THE lot of love is chosen.  I learnt that much
Struggling for an image on the track
Of the whirling Zodiac.
Scarce did he my body touch,
Scarce sank he from the west
Or found a subtetranean rest
On the maternal midnight of my breast
Before I had marked him on his northern way,
And seemed to stand although in bed I lay.
I struggled with the horror of daybreak,
I chose it for my lot! If questioned on
My utmost pleasure with a man
By some new-married bride, I take
That stillness for a theme
Where his heart my heart did seem
And both adrift on the miraculous stream
Where -- wrote a learned astrologer --
The Zodiac is changed into a sphere.

VII
PARTING
He. Dear, I must be gone
While night Shuts the eyes
Of the household spies;
That song announces dawn.
She. No, night's bird and love's
Bids all true lovers rest,
While his loud song reproves
The murderous stealth of day.
He. Daylight already flies
From mountain crest to crest
She. That light is from the moom.
He. That bird...
She. Let him sing on,
I offer to love's play
My dark declivities.

VIII
HER VISION IN THE WOOD

DRY timber under that rich foliage,
At wine-dark midnight in the sacred wood,
Too old for a man's love I stood in rage
Imagining men.  Imagining that I could
A greater with a lesser pang assuage
Or but to find if withered vein ran blood,
I tore my body that its wine might cover
Whatever could rccall the lip of lover.
And after that I held my fingers up,
Stared at the wine-dark nail, or dark that ran
Down every withered finger from the top;
But the dark changed to red, and torches shone,
And deafening music shook the leaves; a troop
Shouldered a litter with a wounded man,
Or smote upon the string and to the sound
Sang of the beast that gave the fatal wound.
All stately women moving to a song
With loosened hair or foreheads grief-distraught,
It seemed a Quattrocento painter's throng,
A thoughtless image of Mantegna's thought --
Why should they think that are for ever young?
Till suddenly in grief's contagion caught,
I stared upon his blood-bedabbled breast
And sang my malediction with the rest.
That thing all blood and mire, that beast-torn wreck,
Half turned and fixed a glazing eye on mine,
And, though love's bitter-sweet had all come back,
Those bodies from a picture or a coin
Nor saw my body fall nor heard it shriek,
Nor knew, drunken with singing as with wine,
That they had brought no fabulous symbol there
But my heart's victim and its torturer.

IX
A LAST CONFESSION

WHAT lively lad most pleasured me
Of all that with me lay?
I answer that I gave my soul
And loved in misery,
But had great pleasure with a lad
That I loved ******.
Flinging from his arms I laughed
To think his passion such
He fancied that I gave a soul
Did but our bodies touch,
And laughed upon his breast to think
Beast gave beast as much.
I gave what other women gave
"That stepped out of their clothes.
But when this soul, its body off,
Naked to naked goes,
He it has found shall find therein
What none other knows,
And give his own and take his own
And rule in his own right;
And though it loved in misery
Close and cling so tight,
There's not a bird of day that dare
Extinguish that delight.

X
MEETING

HIDDEN by old age awhile
In masker's cloak and hood,
Each hating what the other loved,
Face to face we stood:
"That I have met with such,' said he,
"Bodes me little good.'
"Let others boast their fill,' said I,
"But never dare to boast
That such as I had such a man
For lover in the past;
Say that of living men I hate
Such a man the most.'
'A loony'd boast of such a love,'
He in his rage declared:
But such as he for such as me --
Could we both discard
This beggarly habiliment --
Had found a sweeter word.

XI
FROM THE 'ANTIGONE'

OVERCOME -- O bitter sweetness,
Inhabitant of the soft cheek of a girl --
The rich man and his affairs,
The fat flocks and the fields' fatness,
Mariners, rough harvesters;
Overcome Gods upon Parnassus;
Overcome the Empyrean; hurl
Heaven and Earth out of their places,
That in the Same calamity
Brother and brother, friend and friend,
Family and family,
City and city may contend,
By that great glory driven wild.
Pray I will and sing I must,
And yet I weep -- Oedipus' child
Descends into the loveless dust.
INSCRIBED TO ROBERT AIKEN, ESQ.

        Let not Ambition mock their useful toil,
        Their homely joys and destiny obscure;
        Nor Grandeur hear with a disdainful smile,
        The short and simple annals of the poor.
                  (Gray, “Elegy Written in a Country Churchyard”)

  My lov’d, my honour’d, much respected friend!
      No mercenary bard his homage pays;
    With honest pride, I scorn each selfish end:
      My dearest meed a friend’s esteem and praise.
      To you I sing, in simple Scottish lays,
    The lowly train in life’s sequester’d scene;
      The native feelings strong, the guileless ways;
    What Aiken in a cottage would have been;
Ah! tho’ his worth unknown, far happier there, I ween!

  November chill blaws loud wi’ angry sugh,
      The short’ning winter day is near a close;
    The miry beasts retreating frae the pleugh,
      The black’ning trains o’ craws to their repose;
    The toil-worn Cotter frae his labour goes,—
    This night his weekly moil is at an end,—
      Collects his spades, his mattocks and his hoes,
    Hoping the morn in ease and rest to spend,
And weary, o’er the moor, his course does hameward bend.

  At length his lonely cot appears in view,
      Beneath the shelter of an aged tree;
    Th’ expectant wee-things, toddlin, stacher through
      To meet their dad, wi’ flichterin noise an’ glee.
      His wee bit ingle, blinkin bonilie,
    His clean hearth-stane, his thrifty wifie’s smile,
      The lisping infant prattling on his knee,
    Does a’ his weary kiaugh and care beguile,
An’ makes him quite forget his labour an’ his toil.

  Belyve, the elder bairns come drapping in,
      At service out, amang the farmers roun’;
    Some ca’ the pleugh, some herd, some tentie rin
      A cannie errand to a neibor toun:
      Their eldest hope, their Jenny, woman-grown,
    In youthfu’ bloom, love sparkling in her e’e,
      Comes hame, perhaps, to shew a braw new gown,
    Or deposite her sair-won penny-fee,
To help her parents dear, if they in hardship be.

  With joy unfeign’d, brothers and sisters meet,
      An’ each for other’s weelfare kindly spiers:
    The social hours, swift-wing’d, unnotic’d fleet;
      Each tells the uncos that he sees or hears.
      The parents partial eye their hopeful years;
    Anticipation forward points the view;
      The mother, wi’ her needle an’ her sheers,
    Gars auld claes look amaist as weel’s the new;
The father mixes a’ wi’ admonition due.

  Their master’s an’ their mistress’s command
      The younkers a’ are warned to obey;
    An’ mind their labours wi’ an eydent hand,
      An’ ne’er tho’ out o’ sight, to jauk or play:
      “An’ O! be sure to fear the Lord alway,
    An’ mind your duty, duly, morn an’ night!
      Lest in temptation’s path ye gang astray,
    Implore his counsel and assisting might:
They never sought in vain that sought the Lord aright!”

  But hark! a rap comes gently to the door.
      Jenny, wha kens the meaning o’ the same,
    Tells how a neebor lad cam o’er the moor,
      To do some errands, and convoy her hame.
      The wily mother sees the conscious flame
    Sparkle in Jenny’s e’e, and flush her cheek;
      Wi’ heart-struck, anxious care, inquires his name,
      While Jenny hafflins is afraid to speak;
Weel-pleas’d the mother hears, it’s nae wild, worthless rake.

  Wi’ kindly welcome Jenny brings him ben,
      A strappin youth; he takes the mother’s eye;
    Blythe Jenny sees the visit’s no ill taen;
      The father cracks of horses, pleughs, and kye.
      The youngster’s artless heart o’erflows wi’ joy,
    But, blate and laithfu’, scarce can weel behave;
      The mother wi’ a woman’s wiles can spy
    What maks the youth sae bashfu’ an’ sae grave,
Weel pleas’d to think her bairn’s respected like the lave.

  O happy love! where love like this is found!
      O heart-felt raptures! bliss beyond compare!
    I’ve paced much this weary, mortal round,
      And sage experience bids me this declare—
    “If Heaven a draught of heavenly pleasure spare,
      One cordial in this melancholy vale,
      ’Tis when a youthful, loving, modest pair,
    In other’s arms breathe out the tender tale,
Beneath the milk-white thorn that scents the ev’ning gale.”

  Is there, in human form, that bears a heart,
      A wretch! a villain! lost to love and truth!
    That can with studied, sly, ensnaring art
      Betray sweet Jenny’s unsuspecting youth?
      Curse on his perjur’d arts! dissembling smooth!
    Are honour, virtue, conscience, all exil’d?
      Is there no pity, no relenting truth,
    Points to the parents fondling o’er their child,
Then paints the ruin’d maid, and their distraction wild?

  But now the supper crowns their simple board,
      The halesome parritch, chief of Scotia’s food;
    The soupe their only hawkie does afford,
      That yont the hallan snugly chows her cud.
      The dame brings forth, in complimental mood,
    To grace the lad, her weel-hain’d kebbuck fell,
      An’ aft he’s prest, an’ aft he ca’s it guid;
    The frugal wifie, garrulous, will tell,
How ’twas a towmond auld, sin’ lint was i’ the bell.

  The cheerfu’ supper done, wi’ serious face,
      They round the ingle form a circle wide;
    The sire turns o’er, with patriarchal grace,
      The big ha’-Bible, ance his father’s pride;
      His bonnet rev’rently is laid aside,
    His lyart haffets wearing thin and bare;
      Those strains that once did sweet in Zion glide,
    He wales a portion with judicious care;
And, “Let us worship God,” he says with solemn air.

  They chant their artless notes in simple guise;
      They tune their hearts, by far the noblest aim:
    Perhaps Dundee’s wild-warbling measures rise,
      Or plaintive Martyrs, worthy of the name,
      Or noble Elgin beets the heaven-ward flame,
    The sweetest far of Scotia’s holy lays.
      Compar’d with these, Italian trills are tame;
      The tickl’d ear no heart-felt raptures raise;
Nae unison hae they, with our Creator’s praise.

  The priest-like father reads the sacred page,
      How Abram was the friend of God on high;
    Or Moses bade eternal warfare wage
      With Amalek’s ungracious progeny;
      Or how the royal bard did groaning lie
    Beneath the stroke of Heaven’s avenging ire;
      Or Job’s pathetic plaint, and wailing cry;
    Or rapt Isaiah’s wild, seraphic fire;
Or other holy seers that tune the sacred lyre.

  Perhaps the Christian volume is the theme,
      How guiltless blood for guilty man was shed;
    How He, who bore in Heaven the second name
      Had not on earth whereon to lay His head:
      How His first followers and servants sped;
    The precepts sage they wrote to many a land:
      How he, who lone in Patmos banished,
    Saw in the sun a mighty angel stand,
And heard great Bab’lon’s doom pronounc’d by Heaven’s command.

  Then kneeling down to Heaven’s Eternal King,
      The saint, the father, and the husband prays:
    Hope “springs exulting on triumphant wing,”
      That thus they all shall meet in future days:
      There ever bask in uncreated rays,
    No more to sigh or shed the bitter tear,
      Together hymning their Creator’s praise,
    In such society, yet still more dear,
While circling Time moves round in an eternal sphere.

  Compar’d with this, how poor Religion’s pride
      In all the pomp of method and of art,
    When men display to congregations wide
      Devotion’s ev’ry grace except the heart!
      The Pow’r, incens’d, the pageant will desert,
    The pompous strain, the sacerdotal stole;
      But haply in some cottage far apart
    May hear, well pleas’d, the language of the soul,
And in His Book of Life the inmates poor enrol.

  Then homeward all take off their sev’ral way;
      The youngling cottagers retire to rest;
    The parent-pair their secret homage pay,
      And proffer up to Heav’n the warm request,
      That He who stills the raven’s clam’rous nest,
    And decks the lily fair in flow’ry pride,
      Would, in the way His wisdom sees the best,
    For them and for their little ones provide;
But chiefly, in their hearts with grace divine preside.

  From scenes like these old Scotia’s grandeur springs,
      That makes her lov’d at home, rever’d abroad:
    Princes and lords are but the breath of kings,
      “An honest man’s the noblest work of God”:
      And certes, in fair Virtue’s heavenly road,
    The cottage leaves the palace far behind:
      What is a lordling’s pomp? a cumbrous load,
    Disguising oft the wretch of human kind,
Studied in arts of hell, in wickedness refin’d!

  O Scotia! my dear, my native soil!
      For whom my warmest wish to Heaven is sent!
    Long may thy hardy sons of rustic toil
      Be blest with health, and peace, and sweet content!
      And, oh! may Heaven their simple lives prevent
    From luxury’s contagion, weak and vile!
      Then, howe’er crowns and coronets be rent,
    A virtuous populace may rise the while,
And stand a wall of fire around their much-lov’d isle.

  O Thou! who pour’d the patriotic tide
      That stream’d thro’ Wallace’s undaunted heart,
    Who dar’d to nobly stem tyrannic pride,
      Or nobly die, the second glorious part,—
      (The patriot’s God peculiarly thou art,
    His friend, inspirer, guardian, and reward!)
      O never, never Scotia’s realm desert,
    But still the patriot, and the patriot-bard,
In bright succession raise, her ornament and guard!
1330

Without a smile—Without a Throe
A Summer’s soft Assemblies go
To their entrancing end
Unknown—for all the times we met—
Estranged, however intimate—
What a dissembling Friend—
PoetWhoKnowIt May 2013
Ingénue, Ingénue
mellifluous intonation;
within my ear
intangible embrocation!

Emollient to my inure
lithe and lilt affections-
A panacea, a talisman
fetching provocation.

Ingénue, Ingénue
Why must you fall
into such fugacious
dalliances?

Becoming and comely
are you
The cynosure of men
dissembling by demure

Ingénue, Ingénue
how easily I imbue
sempiternal scintilla
into naive little you

Lo, during my brooding-
arrive in halcyon gambol,
Dulcet or Saccharine
Is it me or you?

Ingénue, oh Ingénue
an epiphany, so true
a furtive labyrinthine
past the offing of you

None so opulent
cast more than penumbra.
T'would simply be Pyrrhic
to go on, continue.
Someone once told me my vocabulary was lacking... so I started writing poems to remember words.
Ingénue - a naive young woman
mellifluous - Sweet sounding
intonation - inflection
intangible - unable to be touched or grasped
emborcation - to apply a lotion
emollient - a softening agent
inure - to become jaded
lithe - slender and flexible
lilt - move musically or lively
panacea - solution to all problems
talisman - a good luck charm
fetching - pretty
fugacious - fleeting
dalliances - short love affair
cynosure - focus of admiration
dissembling - deceive
demure - shy and reserved
imbue - instill, infuse
sempiternal - eternal
scintilla - a small spark
brooding - thinking alone
halcyon - happy, care-free
gambol - to skip or leap about joyfully
dulcet - sweet or sugary
saccharine - overly or sickishly sweet
epiphany - sudden realization
furtive - sneaky
offing - area of ocean between horizon and offshore
opulent - lush, luxurious
penumbra - half-shadow
Pyrrhic - victory but with heavy losses
Lawrence Hall Dec 2016
Christmas Morning – Some Dissembling Required

Does the quiet magic disappear at dawn?
The Star, the stable, shepherds, wise men three
And all the mysteries of Christmas Eve
Seem less than vapor on bright Christmas Day

Among the litter of expectations
Cast happily about, and on the floor
The wrappings and ribbons of little gifts
Received and given around the festive tree

But every noisy moment reminds us:
The quiet magic never goes away
Nat Lipstadt Nov 2013
I sorta sleep in my underwear.

Another lie.

I sleep in the ****,
when I have the energy
to remove the day's toil off of my
skin, which is not so easy.

No special creme, cleanser.
too tired to tirade, living life,
fall in to bed worn,
shoes et. al., the ones that need soles.
you already knew that.

wake up in the dark.
start to disrobe,
and soon enough, *******,
another poem done.

the poem of course is me ****,
so you get to see what
is under what I wear.

So I sorta sleep in my under-what-I-wear,
is not exactly a lie,
just me dissembling^
and/or disassembling
another day in this life.
^ dissemble verb, dis·sem·bled, dis·sem·bling.
— verb (used with object)

to give a false or misleading appearance to; conceal the truth or real nature of: to dissemble one's incompetence in business.
to put on the appearance of; feign: to dissemble innocence.
Obsolete . to let pass unnoticed; ignore.

A humorous adjunct to this
Nat Lipstadt · Jun 15
How I Defrosted My Woman
Or
Nat Lipstadt · Sep 8
I don't sleep in p.j's
Francie Lynch Sep 2014
I've a sinking friendship,
Torpedoed by the *******,
And listing.
The first mate mutinied.
Once a blood brother,
Like no other;
An intimate
At an imminent end,
An alter-ego
More than a friend.

I've been too patient,
Veered off course
With understanding.
I'm quite sure
This Pythias
Would run and leave me
Hanging.

I'm on a cliff
And won't hang on
To a blade of trust,
A fawning pawn.
He had my back,
I turn,
He's gone.

This partisan
Must part
A homeless homeboy,
A dissembling fraud.

No longer a mainstay,
He's insecure,
His equivocations
Make lines blur,
I don't believe
Him anymore.

He really needs a soul-mate,
Classmate, playmate,
But he's become a reprobate,
Lying prostrate,
Lying up straight.
I'll drown my Boswell
In my inkwell;
No longer
An advocate.

The laughs have left,
Yes,
I'm bereft,
But I'll catch the wind.
My course is true.
This friendship
Can't be salvaged.
It's scuttled,
And I won't
Sink with you.
Annabelle Camp Nov 2017
What is it about love that makes people so obsessed?
Love is a dangerous addiction
once felt entering your body, nothing can replace it

But was that love?
Or child plays dissembling ever puzzle piece inside of your body

He'll tell you he loves you
Just so that you won't feel guilty inviting him in
Body on body
His hand on your skin
Was this love?

Blinded behind what romance means
He took advantage because you were just a teen
Small and innocent
Craving affection from one who could provide
Not knowing he'll be the one to steal your precious innocence on the inside

He'll never know he is the reason you cried
He'll never know that every night you died

You felt like you were stabbed in your heart with a blade
Drowning in blood from every part of you body
From your toes to your brain

You felt betrayed
He never loved you
You had been played

Regrets were made
Not that you loved too much
But because he was an unwelcome, uncontrollable love that never stayed

-AB
To the girl that creates an unrealistic realm of what love should be
david mungoshi Sep 2015
Blessed are the love-less
for they shall suffer no deep sighs

Blessed are the love-less
for they shall never have sleepless nights

Blessed are the love-less
for they shall never have to watch empty roads

Blessed ar the love-less
for they shall never know any pangs of anxiety

Blessed are the love-less
for they shall never have to re-arrange themselves

Blessed are the love-less
for they shall be free of dissembling

Blessed are the love-less
for they shall never be seduced by con-artists

Blessed are the love-less
for theirs is  the security of ignominy

Blessed are the love-less
for they shall inherit the estates of the heartbroken

Blessed indeed are the love-less
for they shall never have to chase after rainbows
Who is this man of which you speak

A hallow man, with a set of theatrical masks

That project grotesque shadows upon the world

A monster of evil, a creature ,yes a creature

Whose moral viciousness is vividly stamped

On his twisted body who believes

He has been cruelly cheated by dissembling nature

Yet has with skill a fathomless malice fashioned

Aye and calls for the closing of ears

To the admonitions of conscience

And to vicious energies of hate and ambition

Yes and gives to the eyes coordinates locating an illusion

Whilst he would still the lips with distance

That evaporates in a poignant lament

Of shrouds and gaping graves

Of deformed and emaciated children

Forced to hide in the darkness

The darkness that shadows his words and actions

Gives to us the unbearable fear of abandonment

That would mutate and change places

With the frequent futility of human endeavor

Who is the man of which you speak

It is a man who tosses pebbles
When I said “I love you,” I lied
with a drifting and dreamy head
across the velvety sea
I imagined
resting and narrowly defined
in the nakedness
at the edge of your lap.

I have a history
of over-indulging
mixed-up senses.

I tasted the sight
of a gently curved nose.

I caressed the scent
of a lightly perfumed neck.

I’ll speak but not hear again
of the salty, savory, sweetness;
all bitterness has gone.

It’s not that I binged
so much as feasted
after a prolonged period
of self-deprivation.

And now I’m caught
between two urges:
To shave, to shear, to no longer
shabbily make shrift;
Or to revel
in the sloppy temptation
of recalling you.

Powerless I'll watch
the dissembling
tomorrow makes.

Before it comes, whisper-soft,
I repeat my mistake,
and unreliably say,
“I loved you.”
This work is licensed under a Creative Commons Attribution 3.0 License.
Brent Kincaid Jun 2018
You cringeworthy, evil pismire;
Your father did surely miss-sire
This personification of flatulence,
The embodiment of self importance
Overflowing with abject peccancy
Devoid of any sign of respectability
Replete with gross odoriferousness
Horribly and infamously unscrupulous.

You have reveled in misrepresentation
And tried to elevate your calumniation
Disinformation and deception exists
As capitalistic dissembling persists.
You’ve collected an evil government
Built mostly of human excrement
And have such a lack of veracity
That you speak in constant mendacity.

Sycophantic eructations of dogmatic bile
Issue from your unsympathetic smile
And your inauthentic glad-handed gropes
As if we all of us are unbright gullible dopes
That buy your fabrications completely
While you pilfer and prevaricate indiscreetly.
You are a Vaudevillian villain miscast as star,
But most of us know exactly what you are.

Deceit, deception, dishonesty; a tragedy
But not for you, for us and our country.
Distortion, evasion and fabrication the rules;
You despair of any other kinds of tools.
Falsehoods, fictions and forgery are your tricks.
You demand we build with straw-less bricks
Your erections that are planned to be palaces
Filled with your giant golden carved phalluses.

Those monuments, inanotomically correct,
Established to celebrate and somehow protect
A mountebank on the way to an overseas bank
Claiming to eradicate the scoria he creates
That decades of privation will not quite alleviate.
But you, the Great Prevaricator, will always blame
Other players in your sick, unconstitutional game
Instead of admitting your complicity and guilt
About the disgusting, putrid swamp you built.
Stanley Wilkin Oct 2016
The raven strutted into view-
Dissembling crows
Peered from the tangled grass lashed
Into solemn silence.
The raven assumed a coal-black authority
Driven by its coal-black soul.
Its beak stabbed out automatically
Bleakness of past; spectral futures
Like echoes. Its eyes were cruel drops
Of impenetrable night.
The raven possessed everything in
The imperious manner of a cut-throat-
Killing without fear, without conscience.
It ruled like the destroyer.
We sit together and talk, or smoke in silence.
You say (but use no words) 'this night is passing
As other nights when we are dead will pass . . .'
Perhaps I misconstrue you: you mean only,
'How deathly pale my face looks in that glass . . .'

You say: 'We sit and talk, of things important . . .
How many others like ourselves, this instant,
Mark the pendulum swinging against the wall?
How many others, laughing, sip their coffee--
Or stare at mirrors, and do not talk at all? . . .

'This is the moment' (so you would say, in silence)
When suddenly we have had too much of laughter:
And a freezing stillness falls, no word to say.
Our mouths feel foolish . . .  For all the days hereafter
What have we saved--what news, what tune, what play?

'We see each other as vain and futile tricksters,--
Posturing like bald apes before a mirror;
No pity dims our eyes . . .
How many others, like ourselves, this instant,
See how the great world wizens, and are wise? . . .'

Well, you are right . . .  No doubt, they fall, these seconds . . .
When suddenly all's distempered, vacuous, ugly,
And even those most like angels creep for schemes.
The one you love leans forward, smiles, deceives you,
Opens a door through which you see dark dreams.

But this is momentary . . . or else, enduring,
Leads you with devious eyes through mists and poisons
To horrible chaos, or suicide, or crime . . .
And all these others who at your conjuration
Grow pale, feeling the skeleton touch of time,--

Or, laughing sadly, talk of things important,
Or stare at mirrors, startled to see their faces,
Or drown in the waveless vacuum of their days,--
Suddenly, as from sleep, awake, forgetting
This nauseous dream; take up their accustomed ways,

Exhume the ghost of a joke, renew loud laughter,
Forget the moles above their sweethearts' eyebrows,
Lean to the music, rise,
And dance once more in a rose-festooned illusion
With kindness in their eyes . . .

They say (as we ourselves have said, remember)
'What wizardry this slow waltz works upon us!
And how it brings to mind forgotten things!'
They say 'How strange it is that one such evening
Can wake vague memories of so many springs!'

And so they go . . .  In a thousand crowded places,
They sit to smile and talk, or rise to ragtime,
And, for their pleasures, agree or disagree.
With secret symbols they play on secret passions.
With cunning eyes they see

The innocent word that sets remembrance trembling,
The dubious word that sets the scared heart beating . . .
The pendulum on the wall
Shakes down seconds . . .  They laugh at time, dissembling;
Or coil for a victim and do not talk at all.
Nat Lipstadt Oct 2014
dreams in colors that don't exist,
and 'mares re dear sir, deadlines missed,
wrestle~arrest poet,
instant awake
in the wee time,
pouring liquidity,
fluids and words,
puddling, stinking,
coming,
from the
always dangerous,
always interesting temple inner inside,
sanctimonious no more sanctum

this particular sleep,
shortened, irretrievable,
bookmarked "closed,"
chapters,
hours too soon,
this rest business,
arrested
filed in an ugly
grey metal file cabinet,
in an unfinished manila prison
with your other unimportant poems

the dark room universe
populated by
hints, shadows, voices,
waiting, welcoming,
mirrors on the walls
unified in one voice
deep, obtuse,
demanding recognition
"hither hither come"

forced march
to a visitation,
to the the parition,
of your reflection,
clearest ever seen,
in the black pitch,
uncovered by guise, feathers
the clothes of normative pretenses,
the man-made borderlines of
preservation falsehoods

seen your own semblance,
parts rearranged,
uncanny,
the mirrors are screaming:
shameful lovely,
this, our artistry,
your apparition,
now accurate,
reflecting your under-
lying
condition,
at last,
an accurate portrayal,
of your inaccuracies

do you find yourself attractive?
this new balance,
the unregulated pieces
of you
before your dissembling,
discerning,
dissecting eyes?

feeling the valence,
an introduction,
a physical magnetism
any attraction
any resemblance
to the semblance
that writes
this s.o.s.?

answer us thus,
do you up
and like yourself
unvarnished,
grunge, swag,
truth  trammeled,
don't you want to kiss yourself
goodbye,
or better yet,
fare thee hell?

go ahead,
ask yourself now,
that one question
that prevents conception,
from your inception,
what is it that
makes you exceptional?

don't you realize,
everything about you
ends in a question mark?

how dare you write poetry?
you are the false poet,
you live on the division
tween artifice and self-deception,
this, your only precept,
and now that you are
clarified,
answer this,
knowing you know
nothing
but artifice,

**how dare you write poetry?
valence - the capacity of one person or thing to react with or affect another in some special way, as by attraction or the facilitation of a function or activity.

semblance - an assumed or unreal appearance; show; the slightest appearance or trace; likeness, image, or copy; a spectral appearance; apparition.

10-22-14
1390

These held their Wick above the West—
Till when the Red declined—
Or how the Amber aided it—
Defied to be defined—

Then waned without disparagement
In a dissembling Hue
That would not let the Eye decide
Did it abide or no—
Fatıma Jan 2014
Once upon a time,
The night of rendezvous with him
Went like the scent of daisies everliving.

Eyes...
Selectively rising to meet mine
Wearing meek and hesitant makeup
Concealing the flushed feelings
Towards one another.

Lips...
Enjoined to avoid bursts
Of cackles loving the latter's
Oblivion
Dissembling yet verifiable
Between us.

Alas, 'eternity' shall never persist
For this remains a pipe dream
Shackles of his indifferent family
His aura bipolar to mine
Alas.

Carpe Diem
A sole motivator
Diminishing the mirage of hopelessness
Flourishing his debonair charms
Spell bounded and cherished

Today.

The End
Far afield

The Story
Began to see daylight
city of flips May 2018
for the part-time writers, who write in deeds untill indeed

the mundane Mondays till the fully fried Fridays,
the too short beginning weekends when
you celebrate your lottery winnings,
mega millions of

chores

wheeeeeee

these some,
poet poem poetry, latter-day saints
yet to be arrived-arresting,
good lord,
writing time -
a time slot that doesn’t
appear on your unscheduled
cellphone
calendar

so this what needs remembering, us,

these days are the
storage days

the professionals screen stare, self obligatory
demanding the page output,
the disciplined work ethic,
self torture this work,
that they would pay to do

these some
access accessible accessories in actual time
when
a time clock is punching them back,
time immediacy, a mistress,
needing a wife’s daily attention

the rest of us accumulators,
hoarder-recallers; off-site monthly
storage unit renters for old reusable furniture memories

until the dissembling assembly of the pieces,
with the arrival of the year of the hour of the day
is an urgency spilling
and the consumption urge
eats you alive from inside out,
your patience is rewarded

no screen slave you,
just a spigot turned twice
and over flowing winks bring/ring
the-no-longer-stowed stored eye pics,
poems for a someday

and the waiting was worth the waiting price

some people
us, juggle jiggly *****,
tend to drop them all...
till we don’t...
May  ‘18
david mungoshi Aug 2016
You're one of those people
With mind's eye like an eagle's
You say all the right things
But never ever feel them
Life is much the poorer for it
The art of dissembling
Is your mark of distinction
And I who sees everything
And feels everything
With a bleeding heart
Sorely miss the days of old
When a yes was a yes
And a no was a NO
Even without a shake of the head
How I wish diplomacy and all artifice
Had never become   human tools
The way things are between us
We are heading for a big crash
¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯
. . . of incantations in                        
cantankerous philosophy!                
Of these lying liabilities,                    
   what startling objection, so accosting,
has exhausted me? More so than    
named quite unfortunate atrocity!  
Shall hordes of thought be accursed
by degrees of displeasing hostility  
such that satiated curiosity                
be evermore abashed in me?            

                    “. . . but I have admonished thee,”
                                                            said­ he,

this subtle, blackened tenant            
with a tin man's tonality.                  
This paper drum that bends to sing
does beg of him the courtesy;          
yet, acrid rhetoric singes the hair    
with unfavorable flintlock fidelity.
His evasive guarantee then              
upends the pores relentlessly.        

“These words will compel a poor
                    foresight to bleed in the fray
          as cascading tears cast their weight
                              upon cheek in dismay . . .”


. . . to quash the cypress toxin          
of a caustic potpourri—                    
a dissembling toupee                        
to one's balding reality.                    
O lasting opacity                                
of such poignant translucency,        
this flagrant serendipity,                  
once spawned, must always be?    
Possibly; though, I cannot count    
how many sets see dawns at sea.    

                    “. . . but I have astonished thee,”
            said he

through this Möbius rebuttal          
like some soap on TV,                      
though, it’s ne'er some rerun          
what’s cliché wants creativity.        
The veiling lee of his lofty marquee
     beclouds that one pyrrhic mystery—
that now-clandestine oblation        
of one bless'ed unanimity.              

“Akin to a twin whose soul’s
                    one sin was mine to portray.
          ‘I’ll pay ne’er a thought!’
                              curs’ed common naïveté . . .”


. . . and yet, that's cause to bend    
reverent knee, not to thee,              
but to that which mine                    
eye's sole endeavor is to see.          
“So, leave me be!”                            
I lament, ostensibly,                        
“Lest that passage fall paved          
by none other than me.”                
Perhaps the Second World war    
is just my cup of tea.                      

                    “. . . or perhaps this darkness is me,”
said he


∘ ⊱‧⌍  ⌈✞⌋  ⌌‧⊰ ∞
﹋﹋﹋﹋﹋﹋﹋﹋
Jacobo Raymundo May 2013
the sound of your name through the guardian pines by the blowing wind excites my ear and tingles my mind and heart with an unbearably eager desire to hold

your skin which is softer than the melody of an angel's harp which soothes me with divine ease as the troubles that surround my world fade away with the sight of

your joyful smile which glows with greater intensity than the sun yet is calmer than a still lake held in a vacuum caresses my affection with such sweet beauty that can be easily found in

your dissembling eyes which hide such terrifyingly destructive hardship and show nothing but seraphic mysticism as you cast untold bindings upon

my heart which staggers along in the face of uncertainty yet remains valiant in the face of true hardship as I battle back demons who wish to corrupt my world in the sake of ease but its rewards do not captivate my emotions and thoughts as you do therefore

*I Stay Here
Simon Leake Jun 2016
The rain gives way to blossoms and blossoms
give way to snow that never drifts but scatters.

In this way now the weather intervenes;
the legacy of a child’s breath upon a popsicle.

With only one hand on the steering wheel
we still find it hard to let go our designs;

a glance in the mirror of a mirage, of carnage?
The territory swallows us all the same,

only the precision of the map is at stake:
how well the landscape bends to the road.

To be lost in this world and not afraid
is a skill we have yet to remember;

to master life in the ruin of life: life
dissembling in the rings of the ash tree.

What looks like rot is just the caterpillar
giving way to the nascent butterfly

but not like your smile gives way,
breaks, before the latest tyrant.
after reading 'A Field Guide to Getting Lost' by Rebecca Solnit
Sarah Aubrey Sep 2010
There are so many things in life
That can make you not like yourself very much
If you let them
The problem is
Once you’re at that point
It can be so hard to turn back
Every word
Can start to sound dissembling
Words meant to be esteem builders
Can find a way to tear you down
Once your self esteem has been battered down a bit
It’s hard to smooth out the chinks
In the armor
Sometimes you can build it back up again
But other times the battle has taken so much
That the new material
Is only thread and tissue paper
The façade is so weak
But most of the world does not see
How hard you have to try
To protect all that is underneath
You dig for strength from within
Now you see
Those walls too
Are turning paper thin
Take it a step at a time
Like layers of skin
Building up after a bad abrasion
One layer can’t stand much on its own
When they coalesce however
They can be as strong as wood
It could be a million strikes of an ax
Before all is cut and broken
Copyright 2010 Sarah Aubrey
Stanley Wilkin Sep 2016
SHADOWS.
Sunset shadows creep across the wall,
Memories flit through the mind
Coagulating into an unlit pool
Where dissembling thoughts unwind.
Then all is utter darkness,
Opaque, a descent into barely contained distress.

Thoughts lay dormant
An incantation in a poisoned sacrament
Waiting for the moon to wane, sun to rise,
Excoriated by refreshed light  
Burning into the mind’s dull eyes
Destroying the mind’s dull sight.

The sun exposes every cranny
Evolution of moss and vine,
Lucidity shuffled aside to free
What lies behind the surface shine.
Once exposed, what can we know?
We cannot illumine the mind’s cavernous flow.

An untended wall will last fifty years
And then break apart and fall.
Destroyed by fears
That over time weaken and spoil.
Within each of us there is a roughly built division
Turning our forms into dust, blown into the sky, by demons driven.
Brent Kincaid May 2015
I can clearly state
And easily enumerate
No need to exaggerate
That in the aggregate
Up until the current date
The state of our beloved state
Has chosen to populate
The majority of the electorate
With the dregs of the vulgate.

I’m stating that our congress
Has become a total mess
With the outcome being less
Pleasing than a pool of cess.
With many of ‘no’ and few of ‘yes’
I fear we have to confess
We will be forced to dress
In ***** rags and even less
Too broke for a game of chess.

We are a buckless stag nation
On less than WW2 B rations
Caught in the collaboration
Between rightist indignation
And hyper-religious damnation
Golden calf worship and adoration
Built on the dollar sign adulation
Fostered by the dissembling peroration
By the authors of American privation.

Our representatives sell out constantly
And take in our dollars steadily
Saying yes to bribery readily
Feathering their beds happily
Ignoring their promises fearlessly
Because they proceed quite protectedly
From any repercussions legally
From the almighty powers that be
That coddle and tend them carefully.
It has to be that way necessarily
In this falsely-labeled free country.
Vines of sound wind around my heart.
Wind of distant passion blows in
a changeable east wind.

Take me with you
to your interior landscape,
and I promise to ask no questions.

Shadows of late afternoon sunlight
tremble silently on the wall beside us,
listening to the battling of my heart.

Time and again
I have been undone by you.

Zeus himself stands by, admiring
your tricky disguises.

The simpler and more transparent
the convincing illusion
that you are some other man,
the more dangerous
the dissembling.

It is always you.
Always will be you.

And this will happen again
as it is happening now.
©Elisa Maria Argiro
PJ Poesy Mar 2016
Playing jai alai with my heart
Your throw is amazingly good
Ricochet ****** ***** darts
Atria gushing as it would
Bouncing off wall into never should

I stand here mesmerized
By folly of your play
Leaving me somehow paralyzed
With brutal force you slay
"Hurled out of bounds," as game say

In your court I'm trembling
With sped rebound do I struggle
Propelled to dissembling
Will you hold or will you juggle?
My heart a mere pumping muscle
Jai-Alai and love are both certain to get blood rushing.
the black rose Dec 2016
you see the potential, then you think of time wasted; you seek true hearts, but to you love has basted.
you visualize happiness, complete bliss and unity; but sadly you know how cruel love can be.
here's to a time where it doesn't pain to love! to a time where people are so above; dissembling, dishonesty but are aware and complacent, that  admire soul & value aside from childish relations!

in search of real, true, honest, unfeigned
here's to the real, true, honest, unnamed.
im sooo rusty, I haven't written in years :( & I still **** at titles.

— The End —