274 Etceteras
left behind orphans, moms, widows et cetera
who cares et cetera what their names are?
for they're Heroes indeed, Martyrs now et cetera.
**** happens et cetera, "it's common". Why surprised?
I'll give you some examples; China, England et cetera
That's the way the cookie crumbles.
Hope you're safe and sound et cetera
in your warm, cozy et cetera house.
WE et cetera are used to cold stones and mines.
though not stone-cold hearts.



mosquitoism

there are so many places to hide,

in my home at 17th and South screaming death threats at my roommates laughing diabolically playing  videogames and Jeopardy cooking quinoa stretching canvas the dog going mad frothing lunging  spastic to get the monkeys or the wookies or whatever random commandments we issue forth  drunken while Schlock rampages the backdrop,

at my uncle's row house on 22nd and Wallace with my shoes off freezing skipping class to watch March  Madness unwrapping waxpaper hoagies grimacing with each sip of Cherrywine or creamsicle  soda reading chapters at my leisure,

in the stacks among fiberglass and eternal florescent lima-tiled and echo-prone red-eyed and white-faced  caked with asbestos and headphones exhuming ossified pages from layers of cosmic dust  presiding benevolent,

in University City disguised in nothing but a name infiltrating Penn club soccer getting caught after  scoring yet still invited to the pure ***** joy of hell and heaven house parties of ice luge jungle  juice kegstand coke politic networking,

at Drexel's nightlit astroturf with the Jamaicans rolling blunts on the sidelines playing soccer floating in  slo-mo through billows of purple till the early morning or basketball at Penn against goggle- eyed professors in kneepads and copious sweat,

in the shadow tunnels behind Franklin Field always late night loner overlooking rust belt rails abandoned  to an absent tempo till tomorrow never looking behind me in the fear that someone is there,

at Phillies Stadium on glorious summer Tuesdays for dollar dog night laden with algebra geometry and  physics purposely forgetting to apply ballistics to the majestic arc of a home run or in the frozen  subway steam selling F.U. T.O. t-shirts to Eagles fans gnashing when the Cowboys come to town,

at 17th and Sansom in the morning bounding from Little Pete's scrambled eggs toast and black coffee  studying in the Spring thinking All is Full of Love in my ears leaving fog pollen footprints on the  smoking cement blooming,

at the Shambhala Center with dharma lotus dripping from heels soaking rosewater insides thrumming to the  groan of meditation,

at the Art Museum Greco-fleshed and ponderous counting tourists running the Rocky steps staring into shoji screen tatame teahouses,

at the Lebanese place plunked boldly in Reading Terminal Market buying hummus bumping past the Polish  and Irish on my way to the Amish with their wheelwagons packed with pretzels and honey and  chocolate and tea,

at the motheaten thrift store on North Broad buried under sad accumulations of ramshackle clothing  clowning ridiculous in the dim squinting at coathangers through magnifying glasses and mudflat  leather hoping to salvage something insane,

in the brown catacombed warrens of gutted Subterranea trying unsuccessfully to ignore bearded medicine

men adorned with shaman shell necklaces hawking incense bootlegs and broken Zippos halting conversation to listen pensive to the displacement of air after each train hurtles by,

at 30th Street Station cathedral sitting dwarfed by columns Herculean in their ascent and golden light  thunderclap whirligig wings on high circling the luminous waiting sprawled nascent on stringwood pews,

at the Masonic Temple next to City Hall, pretending to be a tourist all the while hoping scouring for clues in the cryptic grand architect apocrypha to expose global conspiracies,

at the Trocadero Electric Factory TLA Khyber Unitarian Church dungeon breaking my neck to basso  perfecto glitch kick drums with a giant's foot stampeding breakbeat holographic mind-boggled  hole-in-the-skull intonations,

at the Medusa Lounge Tritone Bob and Barbara's Silk City et cetera with a pitcher a pounder of Pabst and a  shot of Jim Beam glowing in the dark at the foosball table disco ball bopstepping to hip hop and  jazz and accordions and piano and vinyl,

in gray Fishtown at Gino's recording rap holding pizza debates on the ethics of sampling anything by  David Axelrod rattling tambourines and smiles at the Russian shopgirl downstairs still chained to  soul record crackles of antiquity spiraling from windows above,

at Sam Doom's on 12th and Spring Garden crafting friendship in greenhouse egg crate foam closets  breaking to scrutinize cinema and celebrate Thanksgiving blessed by holy chef Kronick,

in the company of Emily all over or in Kohn's Antiques salvaging for consanguinity and quirky heirlooms  discussing mortality and cancer and celestial funk chord blues as a cosmological constant and  communism and Cuba over mango brown rice plantains baking oatmeal chocolate chip cookies,

in a Coca Cola truck riding shotgun hot as hell hungover below the raging Kensington El at 6 AM nodding soft to the teamsters' curses the snagglesouled destitute crawling forth poisoned from sheet-metal shanty cardboard box projects this is not desolate,

at the impound lot yet again accusing tow trucks of false pretext paying up sheepish swearing I'll have my  revenge,

in the afterhour streets practicing trashcan kung fu and cinder block shotput shouting sauvage operatic at  tattooed bike messenger tribesmen pitstopped at the food trucks,

in the embrace of those I don't love the names sometimes rush at me drowned and I pray to myself for  asylum,

in the ciphers I host always at least 8 emcee lyric clerics summoning elemental until every pore ruptures  and their eyes erupt furious forever the profound voice of dreadlocked Will still haunting stray  bullet shuffles six years later,

in the caldera of Center City with everyone craning our skulls skyward past the stepped skyscrapers  beaming ear-to-ear welcoming acid sun rain melting maddeningly to reconstitute as concrete  rubber steel glass glowing nymphs,

in Philadelphia where every angle is accounted for and every megawatt careers into every throbbing wall where  Art is a mirror universe for every event ever volleyed through the neurons of History,

in Philadelphia of so many places to hide I am altogether as a funnel cloud frenetic roiling imbuing every corner sanctum sanctorum with jackhammer electromagnetism quivering current realizing stupefied I have failed so utterly wonderful human for in seeking to hide I have found

in Philadelphia

I hate how the words
"Lesbian," "Gay," "Bisexual," et cetera
Are thought of as bad words.

It's like, oh, no, don't teach your little sister the word lesbian
Don't tell her there are some girls who like other girls
How inappropriate!

It's like, oh, no, don't teach your little brother the word gay
Don't tell him there are some boys who like other boys
How disgusting!

Don't let anyone under the age you deem appropriate know
That there are people who aren't heterosexual
Why?
I can't possibly understand why.

There is no reason for homophobia, not really.
I saw a metaphor somewhere that went something like this:
"I was in Subway, and I bought myself a ham sub. As I was paying, the man behind me bought a different sub than me, and I was immediately offended that he got a different sandwich."
This is what it sounds like when people say homosexual people affect them.
How do they affect you?

Just because they don't love someone who is of the opposite ***
Or just because they like both
Or something else
Just because of their ****** preference, no matter what it may be
You think that gives you reason to hate them? Really?
Just because they're different than the 'normal' you're used to?
Normality is relative.
You can't say it's not "normal."
That is not a justified nor sensical argument.

What is wrong with those people?
Can't they just see past all their biases and realize that we're all people
And we all deserve the same rights no matter who we're attracted to
No matter who we kiss
No matter who we touch
No matter who we have *** with
Is it really that difficult?

We're all humans when it comes down to it, and we all deserve the same rights.
Everyone should be able to see that.

And you know what I wonder?
Why are we voting on whether people deserve rights or not in the first place?

And then there's people who act like homosexuality is a disease
People who act like anyone who is anything but heterosexual is broken and needs to be fixed

They're not broken.
They don't need to be fixed.
They are who they are, and the government shouldn't tell them what they can and cannot do
Based simply and only on who they're attracted to.

"You can't get married because you aren't straight."
Do you realize how shallow that is? Do you?
"You're disgusting because you aren't straight."
Why?
Why should it matter to you who they're in a relationship with?
It's their life, their decision.

No one ever asks heterosexual people why they're heterosexual.
No one ever says, "Hey, when did you decide you were straight?"
It's just ridiculous, and I'm fed up of it.

"If gay marriage is legalized, more people will become gay."
Oh, yeah, sure, of course, that will totally happen.
Just like when African Americans were given rights
Everyone decided they wanted to go out and become African American.
Just like when women were given rights
Everyone decided they wanted to go out and become female.

People of all sorts of sexualities and preferences have grown up
With mostly straight media everywhere
It didn't "turn" them straight.
So gay media won't "turn" anyone gay
It won't hurt anyone if there's a gay couple in a commercial.
Or a TV show.
Or any other form of media.

It makes me sick to think that just because of your personal opinion
My friends who are not heterosexual would not be allowed to get married
To the person that they love.

Do you know what will happen if gay marriage is legalized?
Gay people will get married.

Why can't you just understand that it doesn't matter?
Why should you care what they do?
Why should you care who they like?

It doesn't affect you.
It doesn't change you.
It's just giving LGBT people more control over their own lives.
It's just giving LGBT people rights they should have had in the first place.

**Why?

Victor was a little baby,
Into this world he came;
His father took him on his knee and said:
'Don't dishonour the family name.'

Victor looked up at his father
Looked up with big round eyes:
His father said; 'Victor, my only son,
Don't you ever ever tell lies.'

Victor and his father went riding
Out in a little dog-cart;
His father took a Bible from his pocket and read;
'Blessed are the pure in heart.'

It was a frosty December
Victor was only eighteen,
But his figures were neat and his margins were straight
And his cuffs were always clean.

He took a room at the Peveril,
A respectable boarding-house;
And Time watched Victor day after day
As a cat will watch a mouse.

The clerks slapped Victor on the shoulder;
'Have you ever had woman?' they said,
'Come down town with us on Saturday night.'
Victor smiled and shook his head.

The manager sat in his office,
Smoked a Corona cigar:
Said; 'Victor's a decent fellow but
He's too mousy to go far.'

Victor went up the his bedroom,
Set the alarum bell;
Climbed into bed, took his Bible and read
Of what happened to Jezebel.

It was the First of April,
Anna to the Peveril came;
Her eyes, her lips, her *******, her hips
And her smile set men aflame,

She looked as pure as a schoolgirl
On her First Communion day,
But her kisses were like the best champagne
When she gave herself away.

It was the Second of April.
She was wearing a coat of fur;
Victor met her upon the stair
And he fell in love with her.

The first time he made his proposal,
She laughed, said; 'I'll never wed;
The second time there was a pause;
Then she smiled and shook her head.

Anna looked into her mirror,
Pouted and gave a frown:
Said 'Victor's as dull as a wet afternoon
But I've got to settle down.'

The third time he made his proposal,
As they walked by the Reservoir:
She gave him a kiss like a blow on the head,
Said; 'You are my heart's desire.'

They were married early in August,
She said; 'Kiss me, you funny boy';
Victor took her in his arms and said;
'O my Helen of Troy.'

It was the middle of September,
Victor came to the office one day;
He was wearing a flower in his buttonhole,
He was late but he was gay.

The clerks were talking of Anna,
The door was just ajar:
One said, 'Poor old Victor, but where ignorance
Is bliss, et cetera.'

Victor stood still as a statue,
The door was just ajar:
One said, 'God, what fun I had with her
In that Baby Austin car.'

Victor walked out into the High Street,
He walked to the edge of town:
He came to the allotments and the ******* heap
And his tears came tumbling down.

Victor looked up at the sunset
As he stood there all alone;
Cried; 'Are you in Heaven, Father?'
But the sky said 'Address not known'.

Victor looked at the mountains,
The mountains all covered in snow
Cried; 'Are you pleased with me, Father?'
And the answer came back, No.

Victor came to the forest,
Cried: 'Father, will she ever be true?'
And the oaks and the beeches shook their heads
And they answered: 'Not to you.'

Victor came to the meadow
Where the wind went sweeping by:
Cried; 'O Father, I love her so',
But the wind said, 'She must die'.

Victor came to the river
Running so deep and so still:
Crying; 'O Father, what shall I do?'
And the river answered, '****'.

Anna was sitting at table,
Drawing cards from a pack;
Anna was sitting at table
Waiting for her husband to come back.

It wasn't the Jack of Diamonds
Nor the Joker she drew first;
It wasn't the King or the Queen of Hearts
But the Ace of Spades reversed.

Victor stood in the doorway,
He didn't utter a word:
She said; 'What's the matter, darling?'
He behaved as if he hadn't heard.

There was a voice in his left ear,
There was a voice in his right,
There was a voice at the base of his skull
Saying, 'She must die tonight.'

Victor picked up a carving-knife,
His features were set and drawn,
Said; 'Anna it would have been better for you
If you had not been born.'

Anna jumped up from the table,
Anna started to scream,
But Victor came slowly after her
Like a horror in a dream.

She dodged behind the sofa,
She tore down a curtain rod,
But Victor came slowly after her:
Said; 'Prepare to meet thy God.'

She managed to wrench the door open,
She ran and she didn't stop.
But Victor followed her up the stairs
And he caught her at the top.

He stood there above the body,
He stood there holding the knife;
And the blood ran down the stairs and sang,
'I'm the Resurrection and the Life'.

They tapped Victor on the shoulder,
They took him away in a van;
He sat as quiet as a lump of moss
Saying, 'I am the Son of Man'.

Victor sat in a corner
Making a woman of clay:
Saying; 'I am Alpha and Omega, I shall come
To judge the earth some day.'

demons and monsters

whether personal
    or sprung from  Hollywood creations
    in that vein

seem to be a little bit like gods

you can
     believe in them
     blame them
     adore them
     fear them
     pray to them

but

     or because

you have no proof
they exist

aunt lucy during the recent

war could and what

is more did tell you just

what everybody was fighting

for,

my sister

isabel created hundreds

(and

hundreds)of socks not to

mention shirts fleaproof earwarmers

etcetera wristers etcetera, my

mother hoped that

i would die etcetera

bravely of course my father used

to become hoarse talking about how it was

a privilege and if only he

could meanwhile my

self etcetera lay quietly

in the deep mud et
cetera

(dreaming,

et

  cetera, of

Your smile

eyes knees and of your Etcetera)

Memes! Angels, aberrations of opposition super standing
overseeing you,

The screamin' heebie jeebies.

Yo, where you wanta go, you axin me we just go

with it, the flow 'know?

What I mean is, are we memes or mes or messes of yeses
gone all johnny rcome late-rotten scarred scared, some thing not so far
from sacred when you put your mind to the whole idea of life being

at all. Thinking this is not easy. We are Able. Our belly's living waters cry out,

you are your brother's keeper, yes, you are.

Be leavin' that be, I am is, and you is,
too. When you apprehend the meme named
war.
That meme has led the me-me mob for as far as men
remember, but
now, machines remember for us, all the facts, just
the facts, ma'am.

Why'd the d go into a comma, Pop?

Welt (Duetch, bitte) Enshaung, glaube ich, vie leicht, aber

are we ever going to filter out these German bleed-overs?
stay tuned, next week the meme beacon is pulled down,

who shall pre or post or ex maybe vail, travail, like
trip
wow, I hate being a 20 year old vet back in the U.S. of A.
FTA All the way, Airborne

*******, Herman Hesse *******
Jorney to and fro the east to west, and soon, et
cetera. Siam is a mere myth now, eh?

As the Narnia thing not called a heathen lie was allowed
allowable in mere Christianity.

I've only seen the English POV's on PBS, they may be filtered through
feedback, meme belching bursting bubbles from new wine 'nold vessels about to plode into eternity, singing along.

Thank you, very much. May I introduce, duce, intro duce, y'gittin this?

Duce means 2 if you see e squeen between, you see that?

Fun. No reason for fun? Who here, now, believes that or, no,
bees leavin' those lies be told?

Hunh? Y'know? Watch man, waht of the night?

See, what I mean? All this from me hearin' some guy say,
"Come and see, like that was  okeh. For any body, n'me, too.

Thinking, as a past-time, is pointless. You know, if you act like it.

I’m indebted to the Oxford Dictionary of Quotations, 4th Edition 1996

Ab Imo Pectore

Ab imo pectore,
Blandae mendacia linguae,
Cadit quaestio,
Desunt cetera.
Est modus in rebus.
Faber est quisque fortunae suae,
Gigni de nihilo nihilum, in nihilum nil posse reverti.
Hic finis fandi,
Interdum stultus bene loquitur?
Jacta interdum est alea,
Labuntur et imputantur.
Magni nominis umbra,
Nec scire fas est omnia,
Omne crede diem tibi diluxisse supremun,
Pallida mors aequo pulsat pauperum tabernas regumque turres;
Quid rides, mutato nominee de te fibula narrator,
Res ipsa loquitur.
Solvitur ambulando…
Tempora mutantur, nos et matamur in illis.
Urbi et orbi,
Vestigia nulla retrorsum.


From The Bottom Of The Heart

From the bottom of the heart,  the falsehoods of a smooth tongue,
The question drops, the rest is wanting.
There is a balance in all things, every man is the creator of his own fate.
From nothing, nothing can come, into nothing, nothing can return.
Let there be an end to talking, for who can tell when a fool speaks the truth?
The die is sometimes already cast,
A moment comes and goes, and is laid to our account.
From the smallest shadow to the mightiest name,
No one can claim to know all things,
I believe that every day that dawns may be my last,
Pale death knocks impartially at both poor and rich men’s houses;
Don’t laugh, change the name and the story is yours,
It’s so obvious, it speaks for itself.
As the concept of motion is proven by walking…
So in time all things change, as we must, in time, all change.
And to all the world,
There’s no turning back.

Ab Imo Pectore / From The Bottom Of The Heart

Ab imo pectore,
From the bottom of the heart,
Blandae mendacia linguae,  
The falsehoods of a smooth tongue,
Cadit quaestio,
The question drops,
Desunt cetera.
The rest is found wanting.
Est modus in rebus,
There is a balance in all things,
Faber est quisque fortunae suae.
Every man is the creator of his own fate.
Gigni de nihilo nihilum, in nihilum nil posse reverti.
From nothing, nothing can come, into nothing, nothing can return.  
Hic finis fandi,
Let there be an end to talking,
Interdum stultus bene loquitur?
For who can tell when a fool speaks the truth?
Jacta interdum est alea.
The die is sometimes already cast,
Labuntur et imputantur.
A moment comes and goes, and is laid to our account.
Magni nominis umbra,
From the smallest shadow to the mightiest name,
Nec scire fas est omnia,
No one can claim to know all things,
Omne crede diem tibi diluxisse supremun,
I believe that every day that dawns may be my last,
Pallida  mors aequo pulsat pauperum tabernas regumque turres;
Pale death knocks impartially at both poor man and rich men’s houses;
Quid rides, mutato nominee de te fibula narrator,
Don’t laugh, change the name and the story is yours,
Res ipsa loquitur.
It’s so obvious, that it speaks for itself.
Solvitur ambulando…
As the concept of motion is proven by walking…
Tempora mutantur, nos et matamur in illis.
So in time all things change, as we must, in time, all change.
Urbi et orbi,
And to all the world,
Vestigia nulla retrorsum.
There’s no turning back.


r10.1

I. Amazing Grace, How Sweet The Sound

Dear Jesus—
I’d pray while curled up
late at night, in my twin bed—
Thank You for my salvation.
Thank You for leaving your Father,
and enduring such cruel betrayal,
and dying such a wicked death at the
hands of Your own people on the cross—
and so on, and so forth.
Thank you for my family,
for my Mom and my Dad,
for Madelyn and Josh,
because, even though we don’t
always get along, we love each other.
And thank You for my dog, Max.
He really is the best!
This is where I’d smile,
picturing the happy, chubby Beagle,
gray fur just starting to creep in.
Thank You for our house, and our cars,
and our church, and Pastor Amsbaugh,
and my friends Ashley, Danny, Amanda,
Jonathan, Laura, Alexa, and Josh—
et cetera, et cetera.
Thank you for all of your blessings.
There are too many to count, Jesus.
I pray for Grandmom and Granddad Parrish,
please watch over their health, because they
need Your healing touch, and please,
please, please, save Granddad,
before it’s too late.
I also pray for Grandmom and Granddad Spicer—
even though they’re healthy,
they need to get saved too.
Heaven won’t be the same without them.
I ask You to help me with school,
help me to study hard and get
good grades, and to be a good student
for Mom, and to always honor You.
In Your name, Amen.
Then I would ***** the lights,
and stare at the ceiling,
sometimes for hours,
hoping my thoughts,
my prayers,
broke through the layers
of paint and plaster and wood,
made it all the way to Heaven,
to Jesus,
who’d be sitting in His throne,
listening so intently,
just waiting to answer each
and every request.


II. That Saved A Wretch Like Me

The first time I got saved, I was four,
too young to understand the implications
of raising my hand and following my
Sunday school teacher’s repeat-after-me,
rinse and repeat prayer.
I lived my childhood as the good little
Christian my parents needed me to be,
following the Ten Commandments,
attending church three times a week,
even trying to enjoy the dull services,
the endless sitting and standing,
the same hymns every week—
but I was no different than that prayer
nearly a decade before,
just going through the motions.
At twelve, after an evangelist spewed
fire and brimstone for an hour,
my Mary Janes were trembling,
and I prayed again, hoping this time,
maybe, I would feel that peace
that passeth all understanding.
But still, I was lonely and searching—
my salvation was hollow, useless.
So, at fifteen, while tucked away at a
summer camp in the Appalachians
I prayed again, begging,
This is the last time, God.
I’m trying, but You’ve got to help me.
The bitterness at my abandonment
rose in my heart like the pretty balloon that
a child has grasped onto so tightly all
afternoon, but their fingers grow tired
after a long day in the heat, and
so the helium carries it up, up, up,
into the atmosphere,
into to the sun.


III.  I Once Was Lost, But Now Am Found

I was seventeen, staring at my grandfather’s
lifeless body; he was clutching a decaying
photograph of my grandmother,
who had died only two years
before in this same bedroom.
He could have been in a deep sleep,
but then the old, rotted windows
would have been rattling from his snores.
I thought of the last prayer I ever said—
God, he’s dying. Just take him to Heaven. Please.
But God was never listening, was He?

you were bound by my ash
and my blood
we'll make it through another winter won't we
let's stop pretending
let's drop the pretenses
what more could i give
all of it spent so you could learn to live

Kurt Queller uses narrative criticism to analyze Mark 3:1-6, the healing miracle story in the gospel of Mark.  Queller’s narrative criticism includes “echoes of the Exodus liberation narrative” , echoes of Deuteronomy’s covenant language and Sabbatical provisions , intratextual echoes in Mark , and independent echoes in the other synoptic gospels.  Queller uses these echoes to fill in the gaps he finds in the story of Jesus healing the man with the withered hand on the Sabbath.
In the beginning of his criticism, Queller lists the gaps in Mark 3:1-6’s narrative that he seeks to fill: the meaning of the withered hand, Jesus’ reason for healing on the Sabbath, His reason for considering the withered hand life-threatening, why it is a choice between good and evil, et cetera.  He begins filling these gaps by referencing intertextual echoes of Mark 3:1-6 in Exodus.  Jesus’ command to the man with the withered hand in Mark 3:5, “Stretch out your hand,” is echoed in Exodus 14:16 where God commands Moses, “stretch out your hand.” When the man with the withered hand stretches out his hand, his hand is restored. Likewise, when Moses stretches out his hand, the Reed Sea parts, resulting in the restoration of the Israelites’ freedom.
Queller’s reference to this echo in Exodus, paired with other echoes he mentions in Deuteronomy, helped me begin to understand Jesus’ insistence on healing the withered hand. Queller was able to use the echoes to fill in the gaps I previously could not fill. In Deuteronomy 15, God’s covenant requires liberal lending and debt forgiveness to the poor on the Sabbath year. God reminds the Israelites that He delivered them from Egypt in verse 15, and He claims that this is the reason for His liberal Sabbatical law. Thus, this Deuteronomic prescription for Sabbath observance is a continuation of the Exodus liberation narrative. Queller mentions these echoes in Exodus and Deuteronomy to draw a larger narrative framework for understanding Mark’s controversial healing story.
In my initial reading, I recognized that a withered hand is not necessarily a matter of life and death. Like Queller, this was a gap that I initially set out to fill. However, I was unable to fill this gap in a way that completely satisfied my confusion on the matter. Queller’s larger narrative framework for this passage led me to a better understanding of why Jesus considered the withered hand worthy to heal on the Sabbath.
According to Queller’s filling of the gaps, the withered hand is an affliction that can be compared to the Israelites’ enslavement in Egypt. The withered hand also embodies the economic predicament of the poor, who remain enslaved to their debt to the rich.  Such enslavement could be a death sentence, which is why the Sabbath requires the liberation of slaves and debt forgiveness of the poor. It seems plausible to me that a withered hand could cause a man to be enslaved and/or perpetually poor. This line of reasoning, provided by Queller’s larger narrative framework, allowed me to truly see how the Sabbath could require Jesus’ healing of the withered hand.
Another gap Queller and I similarly set out to fill is the question of what constitutes as doing good and what constitutes as doing evil on the Sabbath. This gap also arises from Mark 3:4, in which Jesus asks, “Which is lawful on the Sabbath: to do good or to do evil, to save life or to ****?” (Mark 3:4 NIV). In his analysis of this particular part of this particular verse, Queller points out a small important detail that I originally missed. Mark 3:4 does not set the frame for a passive, inner choice between good and evil.  The literal wording says, “to do good or to do evil.” The choice between good and evil on the Sabbath thereby requires action.
While recognizing that required action is problematic for the restful nature of the Sabbath, Queller supports his assertion by referencing Deuteronomy 30. Deuteronomy 30’s prescription for obedience of the Sabbath repeats the active command, “do it.”  Queller illustrates the parallelism between Mark and Deuteronomy by placing Deuteronomy 30:14 and Mark 3:4-5 in a figure side-by-side.  Deuteronomy 30:14 says, “The word is very near to you, in your mouth, and in your heart, and in your hands, to do it.” With this commandment as the framework, Mark 3:4-5 spells out the Pharisees’ failure to do good; It says, “But they were silent . . . grieved at their hardness of heart, he said to the man: ‘Stretch out your hand.’ And he stretched it out.”
From this, Queller concludes, “The ‘word’ to be done is already ‘in [their] mouth’ – but they refuse to say anything in response; it is ‘in [their] heart’ – but their heart is hardened against it. It is ‘in [their] hands, to do it’ – but as Jesus turns again to address the man, our attention is directed back to an inert hand, that, in its current withered state, seems unlikely to do anything.”  From this I am now able to conclude that which constitutes as doing “good” on the Sabbath is acting on the word. The word is completely accessible to us, and we must use our mouths, hearts, and hands to act upon it.
This gap of good and evil action that Queller helps fill also provides further evidence for the necessity of Jesus’ healing of the withered hand. Since the hands are required to carry out good action in obedience of the covenant, the withered hand is an affliction that can breach said covenant. Queller asserts that the withered hand symbolizes “the tangible embodiment of [the Pharisees] unwillingness, despite the ‘nearness’ of the word, to do it.”  Jesus, by necessity, must heal this affliction to show the Pharisees how to act according to the law of the Sabbath; “The stretching out of the hand then becomes a ‘witness against’ those who have chosen to forgo or even prohibit action because of exclusively sacral concerns.”  Without the preceding narrative frame of Deuteronomy, such significance of the withered hand for the Sabbath covenant was impossible for me to comprehend.
Though Queller is certainly helpful in providing evidence that enables understanding of the withered hand’s significance, there are parts of his criticism that I find contradictory and unhelpful. This occurs when he references echoes in Exodus and Deuteronomy to provide a framework for understanding the Pharisees’ silence in Mark 3:4 and hardness of hearts in Mark 3:5. He first relates the Pharisees’ hardened heart in response to Jesus’ plea in Mark to the Pharaoh’s hardened heart in response to Moses’ numerous pleas in Exodus. In my concordance work, I also made this connection. However, Queller and I differ in the conclusions we draw from this observation.
Queller draws from Deuteronomy to provide framework in conjunction with Exodus for understanding Mark’s interpretation of the Sabbatical law. He references Deuteronomy 29:19, which warns against thinking one can receive the blessings of the covenant while breaching it in the inner wanderings of the heart. This passive infidelity of the covenant brings God’s curse to the innocent as well as the guilty. Queller uses this context to explain why his literal translation says Jesus “co-aggrieved”  with the Pharisees because of their silence and hard hearts. The Pharisees’ passive, inner breach of the covenant invoked God’s curse on them, as well as the innocent Jesus, according to Queller.  
When I analyzed Jesus’ reaction to the hard hearts of the Pharisees in comparison to God’s reaction to that of the Pharaoh, I realized that the same Greek word was used to describe Jesus’ anger and God’s wrath. However, the consequences of Jesus’ anger and God’s wrath do not relate as clearly as Queller would lead one to believe. As a result of the Pharaoh’s hard heart, God’s wrath leads to the Pharaoh’s ultimate demise. Jesus’ resulting anger from the Pharisees’ hard hearts, on the other hand, catalyzes his decision to heal the withered hand. This action ultimately leads to Jesus’ destruction alone. Jesus, the innocent character, does not fall to the mutual destruction of the Pharisees, per Queller’s argument. I see no destruction of the Pharisees at all. Instead, Jesus restores God’s blessing of the guilty by becoming the recipient of God’s wrath in their place.
This conclusion, though differing from Queller, is consistent with his interpretation of the withered hand. Queller writes, “The withered hand embodies covenant curses invoked against those refusing to ‘open [their] hands’ in liberal lending, instead killing the poor by freezing credit in view of an impending sabbatical debt amnesty” . If the withered hand embodies God’s curse against the Pharisees, then Jesus revokes this curse when he cures the withered hand. Furthermore, the larger narrative framework of Mark’s gospel echoes this conclusion. Jesus’ crucifixion ultimately pays the debt of sinners and liberates them from God’s wrath.
Kurt Queller’s narrative criticism uses intertextuality, a narrative tool that “evokes resonances of the earlier text beyond those explicitly cited”  and “requires the reader to recover unstated or suppressed correspondences between the two texts.”  Such intertextual echoes he references from Deuteronomy and Exodus provide a larger background for interpreting Mark’s healing controversy. This granted me the ability to fill many gaps in the narrative that I was unable to fill prior to reading Queller’s criticism. In a footnote, he explains that his “metalepsis” uses such intertextual echoes for analysis, and, “In narrative, the resultant new figuration operates at what Robert M. Fowler calls the ‘discourse level.’ Metaleptic signification is thus transacted between an implied narrator and an implied audience – as it were, behind the backs of the narrative’s ‘story-level’ participants.”
The intertextual and metaleptic tools that Queller uses for his narrative criticism have proven to be very insightful and helpful for my understanding Mark 3:1-6 in an entirely new way. Even as I disagree with Queller on certain parts of his argument, these points of disagreement pushed me to deepen my own individual reading of the text. In comparing my argument to Queller’s, I realized just how far my initial interpretation was able to go. This narrative criticism answered a lot of my questions and filled many gaps. However, most of my conclusions about the implications and ultimate consequences of the text remain unshaken.  
Bibliography
Queller, Kurt. “Stretch Out Your Hand!” Echo and Metalepsis in Mark’s Sabbath Healing Controversy. Journal of Biblical Literature 129, no. 4 (2010): 737-58.

for me
  
    ever since my mother died
    on the day spring began
    eleven years ago

my joy over the annual reburgeoning of life
also evokes the memory of death

I know
death is unique and final
     spring is eternal

but all the lovely flowers sprouting forth
always remind me of my mother’s love
of flowers and all other natural beauties
like sea shells  pine cones  precious stones …

maybe it was appropriate
    after all
for her to leave this earth
when it brought forth new life again
    bursting into renewal
as if to compensate us
for our loss

[Alright, I don’t know how else to say this, but...
You know Unsafe?
I only made 3 parts.
I keep getting wind that there’s a part 4.
I’m starting to think that SHE continued it somehow.
How she did is beyond me, considering she isn’t exactly real.

Oh yeah.

       You might want a little clarity as to whom i am referring to.

Alright. so, the series X is written about a mystery girl that is called (or rather represented as) X, no?

Well, the reason she’s called that is because nobody knows her name.

I never gave her one.

Getting back on topic, it’s supposed to be written by another fictional person, whom for the sake of continuity, we will call W. Now, W and X were in love, very much so. W is offed, X mourns, yadda yadda yadda, et cetera, et cetera. Well, I felt that in order to give X more clarity and depth, that i’d have to write a second series, One that is written in the perspective of X. This premise became what you now know as Unsafe.

But, for some reason...

As I continued writing Unsafe, it felt more and more like I wasn’t even writing.

It’s like she had extended into my subconsious, from the fictional world in which she dwells, and into my pen.

Luckily, she’s easy to identify. I write her in ‘a special way’ as opposed to my [normal] writing.

Wait.









Alright, Don’t be alarmed, but She MIGHT (this is a big might) have escaped the domain I made for her,

Unsafe,

And into my Notes.

I cannot tell if it’s true or not, as this notice is considered it’s own poem. I cannot interact with my Notes until I decide to leave any poem that I am currently in.

But more importantly, this also implies that she is SENTIENT, and no longer needs me to convey her thoughts and actions.
Hell, she might be fighting for control over my account as I write this!

Ahahaha...

I really ******* myself over, huh?

Anyways, if you see her, tell me IMMEDIATELY! Just whatever you do, DON’T interact with her! In her current state, she is most likely extremely hostile.
I do appreciate you reading X and Unsafe, but this is getting a liiiiitle serious here, so uh...

Please take caution! I couldn’t live with myself if one of my readers LITERALLY GOT KILLED OFF by one of my works.

I’ll update you guys if anything meaningful happens.

In the meantime, I think I’ll go somewhere...

Familiar.]

Thursday, October 25, 2018
1:33 PM History records my state of mind:

Pure thought projects zoom in and out of focus,
Political integrity, personal honesty, good medicine, bad medicine

Whose hell imagined itself transfigured int-energ-
emagically into
the set of NULL?

Mine.
Imagine that. Pure thought experiment, unjudgeable, fret not.

Puritans lack the pineal insight to see the light in the forest.
Horus eye in the middle of the brain?
I just saw that, too. Pineal reality.

The light in the forest?

The man in black lingered there, according Hawthorne,

or did old Nate mock the man in black and laugh at the idea of

good medicine, bad medicine, goody two-shoes
holds it in her holy socks. She's a witch.
stupid.

That was a McLuhanwaderyadoin joke. You don't have to laugh.
We no longer know of his work.
Have to is a stupid saying.
say waht it means, spellt out have, et to.
I have
breath,
blood, spit, eyes, ears et cetera

but to, have to, what? can to having have meaning with no do:
to what end have I any thingable thought to what?
Stupid language, nothing is ever clear.

Ought we explore our relationship, you and me, I mean,
when I say we. We are intimate, dear reader.
As close as two minds may be, with permission, assumed.
My insane, in your brain, is not my insane in mine.
A little like leaven, if you ever bake.

No con querity con cerns us here, we filtered those before.
CERN's discerning of the matter making
thing, bosonic tonic device,
that led us to line our tinfoil hat with lead,
just in case Higgs ups happen and stutters start.

Hold your breath. We both have one to hold, but not for long.
And so it goes, I do enjoy a vintage Vonnegut thought
floating by on a breeze.

Imagine me a Virginia Wolfe trust fund child gone wild,
un gentled, sent down t' Tobbacca Road
in a hot rod Lincoln,
t' find a bride.

Some said something in the water, flouride, petrafied
pineal glands and blinded a generation,
to the sins of their father's
legions of liars,

hired to progressively teach us to work in factories
which vanished
right before

the beans vanished from our ears and we heard the rush
of the rolling tide lifting boats big and small.

Remember being accused, in your mind, of only wanting to be on the side that's winning?

That hot rod Lincoln, Thunderword road, remember the environ?
Pure
Moonshine, melts that petrafied flouride away,

a whole generation o' peasants
turned on.
Holler Hi dee **, burns the tummy, doncha know but

epigenetic application of pure moonshine in the ac-company-ment,
companion, accuse amigo,
same bread, same leaven,
com panion we be
joined.

Jesuits, that was the idea,
formed in Xavier's fever wracked brain
as his medievally medicated flesh fought for every
breath.
Heroic. Hagiographic. Stale, smoke filled acacia incense maybe

We have gone to havings
whence such bread is said to become the an-ointed, magi know, knew, expected, fore told for if ever forever begins,
as far as mortal peasants may be concerned with such high mindedness.

The leader is a liar and the people feel free to follow him.
When the twisted rule the ruled twist, too.

Solomonic wisdom, that is. Oil on the water. Pass the torch.

This was 2018, Donald Trump was President.
how come this to be
to have to be
held.
Who still,
can imagine war?
None.

No reflection,
lack of humility,
proud noble rare-ified re-ified de-ified

Charming fellow, though, can't you admit
his charm is a luring, tempting thing, temporary testing,
is he
an enemy,
donchaluvem? Life is the test. It is that simple. Right, Mr. Perot?

No distraction action condemns a man here, we have none.
Condemnation, none of that here. My reality, you know.

Tempests in teapots, fersher. Command zed, eh.
Fold it up, put it away. New idea. New everything.

People and political servants. No more leaders, no more war.
imagine that.
People and servants serving to govern the emerging
situations
as time rolls out the barrel with the single rotten apple,

and we, the people, feed that rotten apple to the pigs,

who were addicted to pearls,
during the confusion
as mankind lost its mind

we never doubted the need for men to be born.
again, we knew not what we believed born again may be.

Taste, good medicine is bitter more oft than not,

Sugar blues on a global level, those never justify the cost,
of making the medicine go down.

Sweet desire deprived, that is poison.
Dainty appetizers, served in the rich man circus,
stolen by servants racked with guilt,

shame and blame arise,

emergency action, a reason, why are those dainty meats so alluring,


ask the fisherman. Watch for his hook.

Dear Z
Oh Z, oh sweet Z
I’m supposed to be giving you advice, tell you what not to do, et cetera, et cetera
But I know the words written here
Won’t matter to you
Z, you were always such a strong minded girl
Do it your own way, don’t let anyone tell you what to do, keep pushing the boundaries if you can
You were never angry when you got grounded
Instead, a small part of you felt satisfied
Maybe it was the devil speaking, but you actually laughed when you got in trouble
I know, this is only one side of you, but I hope you gave the other sides a chance
I know how hard it is to let go of that stubborn, don’t give a **** about what people say attitude
Facade
Remember the girl you said you wanted to be?
The one who you were working on getting closer to?
She lit up rooms with the way she talked about poetry
She was so full of life
Z, be that girl, okay?
Let people get close to you, please don’t keep pushing them away
You know you need them and they’re always going to be there for you
I know it’s hard, so hard to ask for help
You’ll want to do it on your own
But Z, you know where that got you last time
So many “last times”
“next times”
How about Now?
Z,
Do you remember the nights when you got in your own head, trying to convince yourself you weren’t worth it?
Do you remember feeling so numb afterwards from reading the journal entries you wrote while sitting at the bottom of your man-made ocean of tears?
I want you to know that you’ve always been beautiful, but you’re the only one that has yet to realise that
I want you to know that you’ve got so much potential left in you
You’re always telling others
“Your fire’s only begun to burn brighter”
Z, YOUR fire’s only begun to burn brighter
Don’t stop, I hope you never stop trying to make peoples’ days better
I also hope you realise
How important you are
Dear Z
I want you to remember
Your past may have made you who you are today
I want you to remember
Your future is going to be great
Dear Z
I love who you are
Who you were
And who you have yet to be

two hundred years ago
   or so
this title might have read
"America", etc.,

according to the myth
that then was strong
and still exotic
   and promising to aliens
with no experience

today, after Wounded Knee, the Trail of Tears,
the Civil War, the Restoration, all the lynchings,
after Vietnam, Grenada, Panama, Nicaragua,
the Gulf, Iraq, Afghanistan,Lybia, Syria & cetera,
Ferguson, Baltimore, & cetera,
"America" has disappeared

it has, in fact, become quite evident
that to subsume the continent
   on the far side
       of the Atlantic or Pacific
   with this name
will do no more

   in truth, it rarely ever did

the mythic notion
   of a just and free society
was definitely buried at My Lai,
Panama City, on the desert plains
of Kurdistan, the Baghdad prisons,
    and Guantanamo
by racist violence & arrogance
   and pitiful ideas of white supremacy

   the usa today lies bare
   of the old promise of 'America'

street people, rampant fundamentalists,
drugs, and low employment rates,
in a society that longs
   despite its cherished myth
   of tough but honest competition
for holy war in order to rebuild with profit
   what it has destroyed with arms

that, to all evidence, cares not
a penny's worth for
   the unbuildable
   which never shows in the domestic census
or for the lives of others but their own brave boys
   preferably white
who have in recent years
      though with increasing discomfort
upon appointment by their country's presidents
achieved the dreary fame
   of bombing back into the stone age
distant lands that had
    just barely begun
to make it out from there

           * *

It was an—I don't know—unfleshing of sorts. There I am. I'm in my old room. My parent's place. And Mom's telling me what all we need to pack up and organize. This place, my room, it's frozen in time. It looks exactly the way it did when I graduated high school. The lime green walls, the Brett Favre poster, a few pieces of artwork my brother did. There are all these medals and trophies for soccer; football; academic *******; and most of it, to be frank, was undeserving. I phoned it in, my education and extra curriculars. Things came easy, et cetera. And the lesser accolades, the participation trophies, for these, Mom hands me a pocket knife and tells me to pry off the nameplates and she'll donate them to Goodwill. It was tangible, right? This erasure. I've talked to you about that before, erasure. I wanted to disappear completely, but there I am in my old room, prying away pieces of my past with a knife, a couple of nameplates popping off and hitting the floor before I can grab them. That sound, dull, empty, metallic.

I'm alone a lot now, you know? After losing the job, entering this funk, gaining weight. I'm in a depressive state. In that room, I felt like I was just further removing myself from the world, like my deletion had gained dimension, it was truly, ****, what word am I looking for here? Help me. Comprehensive. That's good. Sterile and safe for work. My erasure became comprehensive. Ha.

And it's hard to talk about this, depression, erasure. I always feel like a selfish child. I'm perpetually throwing a fit. I won't clean my room. I don't want to brush my teeth. I don't want to help grandma with lunch. Ha ha.

You say that. And I appreciate it. But if I always talked to you about this stuff, you'd stop answering the phone. Or I'd feel so guilty about bothering you that I'd stop calling. This feeling gets you from both sides. It's like that old adage. Never chew on something that's eating you. But that's precisely what I'm doing. In this moment. Outside of this moment. I want to ask you how do I stop. But what could you possibly say. Stop thinking about it. Find a hobby. Exercise. Read. Journal. Go to therapy. You could smile while you told me these things, you could pat my hand, you could finish your coffee, and you could walk out the door to face your own little tragedies, feeling like you'd done something kind today, check the box, score some karma. You see all those recommendations are tired, generic; they're surface level, phony. What would I prefer? I think if you threw that coffee in my face that'd be a start.

Which Is Greater?

I break a vow.
A serious vow.

In a place, in this site,
Where the fluid pain
Is the water of the world,
The element that is crux,
The amniotic liquor of creative flux,
The morning juice,
The afternoon caffe,
The first beer of the day,
The liquid that we rinse and spit out our every day,

I will write about pain,
Arrogantly, as if there is any unused combination of
Letters, vowels and consonants left unspoken, *****,
Having sworn not to, for pain is cumulative.

Asking myself,
Which is greater?

The pain of creation, inception, origination and birth,
The pain of  wreck and ruin, destruction and death.

Homework Self-Assignment: Compare and Contrast

Suddenly, I am expert.

Creating a poem a day is very painful.
A poem that is the sum of
Reflection, research, and purging.

Once I wrote:

The poem is the afterbirth,
A conflicts resolution, an outcome,
Battlefield debris, the residue of
An exacting vision, a sentiment surging,
And your army of words, inadequate to the task,
Fighting to capture that insight flashed,
Each word a soldier, disheveled,
Crying, let me live, let me be saved,
Let me make a poem,
Let it be inscribed upon my victorious flag.

The poem is the sweat left upon the brow,
Having exercised the five senses,
The salt of struggle and debate,
It's completion, each word,
Both a victory and a defeat.

Suddenly, I am  expert.

My mother is dying.
It is a process. Days pass,
She neither eats or drinks,
Yet she lives on.

I watch each labored exhalation,
A subtraction, a countdown,
It is as if she was returning each singular day,
Every word e're spoke, every dream dreamt,
she ever possessed to the atmosphere,
One breath at a time.

Is that painful?
It is for me.

Now you complain. They're different, not to be compared, et cetera.

Pain is pain,
Whether it is in the service of creation, or
Creative destruction.

Once I wrote:

With each passing poem,
I am lessened within, expurgated,
In a sense part of me, expunged,
Part of me, passing too,
Every poem's birth diminishes me.

So, one and the same?

Nope. Yes. But. Cannot one be the greater?
Yes, one is greater.
When I lay on my deathbed,
I will exhale the answer
Into the atmosphere
For your retrieval.

They wanted a curriculum vitae
In absentia
I decided to ad lib
Ad nauseum
Ipso facto, lie and deceive
Exaggerate, mislead et cetera

Hardly a bona fide
Modus operandi
They caught me in flagrante delicto

Requiescat in pace, (RIP) my chances
Now I'm persona non grata
Mea culpa

right in the face of all the everyday reports
about disasters near and far

why do we not remember
the beauty of our world
the people whom we know
who are quite wonderful  and do great things
    day in day out without much clanging
    of media cymbals or rewards

the teenager who saves a drowning man
    thinks s/he just did the natural thing

the union woman in the protest march for better wages
    believes it’s simply natural to march

the officer leading a child that lost its way
    home to the parents

the neighbor noticing that her best friend next door
    has not picked up her morning paper

et cetera    et cetera

they are the unremembered heroes
of our daily lives

methinks our media are too obsessed
    with all the bad news in the world
and over that simply forget
    that it’s the good things which allow them to report
also the less enticing aspects of mankind

I look at Sil and start to SCREAM and yell and yammer excitedly with this new idea bursting forth -  Let’s go to Sunday mass hungover, or maybe still drunk. Maybe we can puke in the pews or confess our sins to the pederast priest! Sil, always an easy read, agreed instantly so we left the watering hole in the wall, brimming with stalwart stoic sin and soaking in ***, gin and ugh…pheromones.

“fadder I puked in yer pews. How many hail Marys is dat?”

“fadder I smoked a joint in the rectory.”

“fadder I occasionally sleeps wit men.” I cry,

We see his previously shock beet red face light up.

“Wit MEN fadder wit men.  Not little boys”

Disappointed pederast priest preaching piously about the sins of drugs and alcohol and *** and ****** and y’know, pretty much everything fun ever.

“fadder I sold me mudders dentures for new headshots.”

“fadder I was in a ****” et cetera. After the pederast has a coronary we’ll steal the communion wine and dance on the church *****. You can play a sweet soft soothing melody accompanied soliloquy or Debussy’s Claire de Lune. We’ll remember better days when he could still play and cry red tears, ****** drunk. Stuck in our respective funk ruts our calls to the coronary catholic become more somber.

“fadder I’m afraid. I’m afraid of dying…I’m afraid of living.”

Rolling around on the confession booth floor now,

“fadder I want to die, fadder I tried to **** myself”

Sil shows strong salient scalpel scars that we both still remember suturing shut.

“fadder I should be in the Waterford In-patient wing”

By now we’ve revived the poor old Father…As it happens he’s a rowdy red whiskey noser. Sil’s feeling good, rambunctious and reeling secretly seething I believe.

“So fadder explain to me why it’s a sin to love another man but every other ******* week some ******’ pillar of the community cops for kiddie ****?!” His ire is up, red cheeked wide eyed boiling over.

The priest is mute silent on the subject at first, finally looking up from a leather bound book, he starts to speak in careful, measured words unfamiliar to the impatience of our generation.

“My son, I’ve never ****** any boys, nor do I hate ‘the gays’ and what’s all this about killing yourselves and Waterford Bridge Road?” I feel a lecture coming on…”What’s the allure of this demure throwaway life attitude you have, so many of you.”

This question throws a long echoing silence through the puke stained pews.  A symbol for broken, wasted, busted, beat down lost youth. Or whatever. (Say it like a valley girl honey.)

Breaking the silence I turn to him quietly, “I guess for me I really don’t see the point of any of it beyond a couple of laughs and a lot of highs. I see the corruption that I’m too stupid to fix, that I can’t realistically change.”

Sil interjects “I think generationally we just don’t really have a tether – Everyone exists superficially, digitally we don’t know how to talk to one another we just get drunk or high and crash into each other blindly praying for a little connection on those rare occasions we realize how disconnected we really are.”

“Generationally? Is that even a word?!”

“Shut up milk drinker!” Sil punches me

“Yeah everyone sitting alone in rooms or all together with a *** and coke and a cellphone silently tapping away.”

The pederast nods “you boys need family, children, religion even. You know it brings us together as a community. The ****** of the masses son” He pauses, wagging a finger “and I don’t consider that to be a pejorative.”

Taking a ridiculous swig I nod “I understand the appeal really but I prefer actual opiates  and being alone and not changing.”

After a box of communion wine, (Yes it can come in boxes, look it up) we bid farewell to the swell drunk ‘ol pederast priest, promising to return someday with Irish Mist for his thirsty Irish lips, (Is that bigotry?) the old coot.

“Sil come over and stay in my bed we can binge watch a season of Louie and drink ******’ Borises and I’ll play guitar for you an…” I stammer on

“STOP! You had me at BED” Sil yells at me belligerently as we stagger down Bully Street arms intertwined drunk walking. It’s foggy and misty, our feet soaked and my body is drained of life. Finally we knock into my front door struggling with keys, we must have dropped 5 times.

“I think yer scars are beautiful Sil” (I love it, I do) I tell her softly as I run my hand over them, feeling the slight texture change, the scar raised…We kiss and stare into eyes, not alone not for tonight.

Gloria, latex snap. Opaque lipstick.
I should press holiday stamps
over those big blue eyes of yours.
Misspelled spoken word, whole hunting
from malignant orange ,
crosshairs and et cetera.

*** on me - stellar hardwood floor ;
the last unicorn was a battered woman
with certain dysmorphic symptoms.
My boyfriend thinks it's **** when
i read the dsm v the way i eat jello shots.

Still, I don't **** him how I would the
surrealish ***** in a polyester uniform.
He knows there's been a cowboy in a parka on the corner for days
politely asking about the three legged race. I have no answers for him
or his handsome eagle co-defendant.

I really think
I'll marry my best friend for her
enameled heart and health insurance.
I took my multivitamin , tapping out
morse on old formica ,
while telling my dead dog im sorry for
letting them **** him.

the current occupier of the white house
is unable to lead the battle against the pandemic
sends unmarked secret police
    to push peaceful protesters into unmarked vans
lets police use tear gas and rubber bullets
    to clear a place for a photo-op before a church
    into which he has never set foot
    holding up a bible which he most likely never read
spreads birther lies about possible opponents

tries to defund the US postal service
    because he is afraid of mail-in votes
attempts to destroy anti-pollution laws
    that improve people’s health
wants to abolish Medicaid
tries to celebrate a wishy-washy peace agreement
    between UAE and Israel as his success
    throwing the Palestinians under the bus

    & cetera   & cetera   & cetera

all he has managed to do in three-and-a-half years
is destroy many achievements of his predecessors
destabilize world diplomatic alliances
insult longtime allies and cuddle up to authoritarian leaders
killing 170,000 {updated 300.000] Americans due to his lack of leadership
sending tens of millions into unemployment and joblessness
and blame everybody else in the world for his blatant incompetence

today the USA have lost all credit
among the global community
and left a vacuum
    China and Russia are racing to fill

make America great again?
the best cynical joke of the past 120 years

I find solace
In that thoughts are imaginary
Fever dreams
Nothing much to them
Until you act

That line that exists
Between your mind's tellings
And your mouth's doings
Is a beautiful thing
It's what I hang my hat on each day

And then there's that thing

Life
It's a weird one
An old, odd friend
Who you don't know whether to kiss
Or to lure into a back alley
Intent on cutting their belly open
To see what falls out

Appearance of the New Courier
(with namesake "Georgia Ives")
flew into the courtroom
faster than Bold face WingDings!

After the judge opened
the waxed sealed envelope stamped
with the official legal imprimatur
sound of silence filled the courtroom.

After perusing highlighted principle details,
a noticeable con jug gay shun
didst Impact countenance of attired judge.

Recess announced at authority decree
(spelled out with quotation marks high
lighting dotted i's and crossed t's)
figuratively a nouns sing moratorium
for those accused of run on sentences,
split infinitives, then versus than...
incorrect usage of ellipses, et cetera.

The justice of supreme court
critically espied quotation marks
(underscoring reductio ad absurdum
Times New Roman regulation)
against stiff penalty asper those
who commit rhetorical perturbations!    

This lenient fiat occurred immediate
by innocent omission of a colon,
which subsequently, naturally,
and immediately affected
every future jury presiding over
a defendant applying incorrect punctuation!

A favorite comma cull anecdote
often repeated by my late english
grammar (a palliative to me psyche
despite the multi-generational
difference in age) happened
when she celebrated twenty  
and counting punctual marks, whence time
in utero came to an end period.

Many question marks still abound
as per the specific circumstances
of this generally uneventful birth,
only that she seemed to dash
from the womb (of her mother –

mine great grandmother christened
Latina Greco) with a pointed
exclamation declaration
of independence while ****** constitution
adorned with supposedly shimmering
invisible golden braces
and a full set of teeth.

Somewhat averse to authoritarianism
and mores of assuming the sir name
of the groom, she maintained nom
de plume affixed on her birth certificate.

If born that way today, and ready
to pledge marital vow, would
probably follow the common custom
and hyphenate name of beau similar
to newlyweds of this day and at this very moment.

Back in those days though,
town’s folk exclaimed with
pointed superstition that a baby born
after being bracketed nine months

within the womb (which seemed
like an eternal sentence), and equipped
with the means to chew would
most likely experience little colon difficulty.

As a dignified divine dowager,
she willingly shared her cradle
to graveside tidbits (populated
with many wisecracks and
marked quotations from a life
that spanned more than a century21.

Smart as a whip or pin
(the latter term somewhat out of vogue),
this independent woman
(who married into nobility

from humble roots) frequently evinced
el shaped lips when the un
suspecting recipient ensnared
of her harmless ingenious pranks.

Aside from what many considered
childlike antics (which characteristic
salient trait appealed to this grandson),
she excelled at verbal adroitness

and could spin a jesting lightly
mocking pun, which seemed
to quiver with an invisible
apostrophe shaped blackened barb.

Though privileged per parochial parents,
her inherited empire and peers, the people
of the proletariat class felt
figuratively parenthetically
included as persons of concern
to this genteel dame.

She exemplified and wore that moniker
noblesse oblige with utmost
august excellence, and whenever
the need or wont arose to address
the madding crowd (this
crowned empress) resorted
to non-verbal communication ala semaphore.

Her lily-white hands (most often
remained sheathed in Palmolive
clad ding silken gloves - exuded
a faint patrician touch) partitioned

the air with arabesques accentuated
with sign language for those
among the teeming masses
unable to hear or in fact deaf.

Regular adherence to being grammatically
(yet not necessarily politically) correct
witnessed the air being sliced with even
less familiar punctuation symbols
such as the emdash, en-dash.

Even doctorates of English and
strict task masters (whose
frowning scowls strongly resembled
semicolons when even minor indiscretions,
infractions, transgressions, et cetera
with english language observed)

never found fault with this
former bohemian, whose rhapsodic,
melodic, linguistic voice ameliorated
dark memories from dereliction dis
played by former queen.

She also received the treatment of
a champion lyricist, whereby every lyre
(got set on fire) from utterance akin
to a choir of hells angels, yet this

chanteuse voice rang thru the
azure vault causing the small hairs
of the spine to experience a pleasant
electric shock therapy.

when our mind is full of great ideas
we want to write them down
yet there are times when we  discover
that there is no connection from our brain
to all the instruments we use
to transcribe our flighty thoughts
    to give them shape on paper, screen, or in the sand

sometimes it helps to pause a bit and reconsider
what we do really want to say  
    focus and concentrate
    articulate precisely yet suggestively
our indomitable urge to formulate
    the turmoil of emotions we may harbor
    our wild ideas of revolution
    the overbearing pain of loss and separation
    grey landscapes of depression
    attractions of dramatic suicide
also the joy and pleasures of deep love
    of unexpected friendships found
        where even angels fear to tread
    the happiness of our children
    the love we recognize
        often too late
    our parents have bestowed on us

et cetera  et cetera

the catalogue of our themes
expands through our lives
so do the challenges
of how to tell the tale

it helps to aim for clarity
we have to  let our instruments of writing know
which of our turbulently swirling thoughts
should earn the privilege
to become words
    and be communicated
to people who
    before they read our verse
have no idea at all
    that we exist

I sit here
counting windows;
six, twelve, eighteen,
et cetera.

How much money
could the contractor
have saved
without them?
Easily thousands,
but would it be worth
blotting out the sun?
Workers shivering
at their desks,
wishing for
brighter lives.
Clients choosing
the competitor,
who's employees
shine a little brighter.
The windowless building
closing its doors
because they couldn't
afford the bills,
all because
they saved some
money on the windows.

I sit here
counting windows;
six, twelve, eighteen,
et cetera.

"Isn't it incredible,"
She queried,
"There's an addicting collection of lifestyles before us...
And we can be any of them!"

"Marissa, you genius,"
Said I,
"You brilliant, amazing, genius!"
She had articulated perfectly the way I felt about the world in front of us.

There were the usual crowds--
The jocks,
The nerds,
The theatre kids,
The band geeks,
The stoners,
The gamers,
The popular chicks,
The emos,
Et cetera, et cetera.

All with their own quirks,
Their idiosyncrasies,
Their peccadilloes,
Warts and shines.

There were other kinds of crowds, too,
Though.

There was the girl with thin scars on her thin wrists,
A part of the lonely crowd that grappled with a common demon.

The boy who wore the same sweatshirt every day,
Who'd recently begin to sport some peach fuzz above his upper lip,
Who often smelled of body odor and whose hair was a little too greasy.
The one who was a member of the horde of quiet poor--
Smart enough to fool you,
But not wealthy enough to keep up.

The student who slept through class,
Part of the group for whom school offered an escape from the wars at home.
A small island of relative peace amidst a sea of turbulent battles.

There were the busy bees,
With their AP classes and extracurriculars,
Not popular but not ostracized, either.

There were the ones who flitted between,
The social butterflies who somehow maintained the graces of all the above,
Few and far between,
But easy to talk to and unassuming,
The kind of people everyone likes.

There were the bullies, too.
The ones insecure in themselves,
Feasting on,
Reveling in,
Dependent upon,
The weaknesses of others.

All these and so many more.

We saw them all--

A brilliant camouflage of people and personalities and habits of life,
Some by choice,
Others not.

And like Plath's fig tree,
Which we'd read about in English class last week,
They all seemed so appealing,
In some way or another.

Maybe I wanted their smarts,
Or their popularity,
Or their anonymity,
Or their struggles,
Or their personality,
Or their strength,
Or their courage..

I didn't really know.

But I did know that,
Like the fig tree,
I would choose one,
And the others would die off,
Forgotten.

But for now,
There they were,
An enticing dinner menu with altogether too many options.

And here we stood,
In the hallowed halls of high school,
The world ours for the taking,

And such an addicting collection of lifestyles in front of us.