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 10439° 
Kai
I've been lately writing poetry!
Oh? What do I see?
A perfect poetry site waiting for me!
First poem, proud of it!
Oh? Someone in my messages?
This guy seems sweet
And he's hoping I don't get beat!
Pretty songs for me to listen to!
And a drunk man messaging me...?
โ€œYou're only making yourself a victim because you're cutting yourself"
Oh? Okay- thanks for the paragraph/drunk rant?

Shining lights on all of my latest poems?
Thank you! You're so sweet!
โ€ฆ.ohโ€ฆtalking to me about pedophilesโ€ฆgot itโ€ฆ
Why are there so many sad songs?
WHY DOES THIS MAN HAVE SO ****** MUSIC TASTE AGGGHGDGFGCC

Oh? You wrote a poem about the 764 and absolutely humiliating them?
Great! Good job!
โ€ฆBut uhhโ€ฆ why and how did they make a virus only going after your followers that are minors? Not funny!
Why is this man warning me if they threaten me? Is he trying to make me scared on purpose?
Blaming the Japanese for this virus now, huh?
Oh? Now blaming someone else named Pax to be part of the 764? Crazy

โ€ฆ. going to another website? But you're so fun!
May as well click on the link you sent me so I can join you

Drunk rants with me? That's okay!
Giving me gold so I can freely make poems?
THANK YOU SM
Daily texting
2-10 hour sessions
Why are you drinking everyday?
You're making me concerned for your health
I told you to stop drinking, papa
You promised me you'd stop
All you did was keep on drinking

Commenting on every poem I made
Oh? So suddenly I'm a โ€œnasty *****" when I have done nothing to you? ใ‚ใ‚ŠใŒใจใ†!
We have a suicide pact now?
I'm going off the bridge first?
Don't mind if I do

Oh? Another poetry site? Okayโ€ฆ
I really don't like the way this site works, can't we just message each other with email?
Yes? Yay!

People bullying you on the internet? That's not okay!
Why would they accuse you of being a *******?
Letting me join an uncensored group to back you up? Great!
Sending me to a Reddit page to back you up?
Alright!
โ€ฆ.oh โ€ฆ they warned me and I didn't do anythingโ€ฆ.
******* this man is an actual *******โ€ฆ..
gotta go fast like Sonic
pack my bags and leave

Oh? I betrayed you? Crazy
We were just friends
Can you stop spitting my name everywhere?
It's like you're so obsessed with me
Stop trying to be the Eminem to my Mariah Carey
Made a poem about you and you HAD to take it down?
Never thought you'd want to hide your identity THAT hard
Oh? Betting on my suicide now, are we?
Sending me multiple emails, desperate for me to come back to him?
I'm not that ******* naive or gullible
It's crazy if you think that about me
โ€ฆI did tell you to send those photos of your cut open arms but I DIDN'T THINK YOU'D TAKE IT SERIOUSLY AND DO IT

Being racist?
โ€œJapshitโ€?
Why are you so obsessed with my Chinese genes?
โ€œI thought I can use Kai because of her Chinise genes because the Chinise was known to be very good spies. โ˜๏ธ๐Ÿค“" ใธใƒผ! Didn't know that!
Also, that's not how you spell Chinese, my fellow kind sir
Threatening people to come to America with a Katana and slice us to pieces
So envious, I see
You're just mad because we have a little bit more freedom than your drunk *** does

Ohโ€ฆ. Talking to me about ****
Got it
Thanks
I didn't need to be taught about METART or some **** like that
I'm only 12 years old
You ***** *****

Wellโ€ฆthis is the aftermath
There it goes out to all of you:
Ghost
RGH
Ryan Geoffrey Hayward
Nephilim Angel
Nephalem
Rose White
Rose Red
Jacob Lives
Hybrid Angel
Tormenter
Bread Crumbs
The Machine
Dirt-In-My-Shirt
Soul Unknown
Unicorns Passing
And etc. ENJOYERS

(Btw, all of these names are RGH's names so if you have these names, please don't feel targeted! The person knows who they are.)

EDIT: ILY ALL SM!!! I DIDN'T THINK THIS POEM WOULD GAIN THIS MUCH ATTENTION BUT I'M HAPPY THAT IT DID!! (โ โ‰งโ โ–ฝโ โ‰ฆโ ) I'M GOING TO VIRTUALLY KISS EVERYONE ON THE CHEEK ONCE THEY READ THIS... or just virtually hug you, yk, whatever you're comfortable with
 770° 
South-by-Southwest
I held your love
with the fingers of my heart
I tattooed the promise
to all my tomorrows
across my back to be carried for eternity
. . . where are you now ?

It takes forever for distant stars to burn my lips
There is no mercy found on the floorboards that walk across my kiss
. . . where are they now ?

Remember how the needles of time stitched the nights together ?
How easy does the fabric of love become unentwined
. . .ย ย remember ?
 737° 
B C Steffan
The Devil
Doesnโ€™t tear you down
He builds you up
Until

You believe you can
Do it alone
Then he smiles
As you fall

And you always fall
 675° 
TOD HOWARD HAWKS
I once had a friend whose great-grandfather was a partner of J.P. Morgan. My friend had grown up in the Upper East Side of Manhattan. He was a good man, and you wouldn't have known he was heir to a vast fortune, except for hisย anamnestic autos. In fact, he eschewed the affected life. He was an organic farmer outside of Lawrence, Kansas. I mean he really was a farmer. He was up at 6 and drove a tractor til sunset. He and I would get together from time to time eating tapioca pudding at Denny's and, of course, chatting. The one idiosyncrasy that gave away his untold wealth was anamnestic autos. To the side of his modest farm house was a field within which were old antique cars spread out as if they were cattle, but they were not. There was an Alpha Romeo, a Horsch, a Lamborghini, a Maserati, and a Ferrari. My friend would get an impulse to buy a certain antique car, and because he had the money, he'd buy it. But then after enjoying it for a time, he literally put it out to pasture. The scene reminded me of a painting by Salvador Dali. He never talked about his fortune, but he often ordered a second tapioca pudding.

TOD HOWARD HAWKS
 562° 
The Wilted Witch
I swim endless in despair
So that I do not drown in it.
I breathe only to breathe.

I am suspended in sunlight with no warmth.
I am surrounded by notes that make no melody.
I fumble, falter, fail.

Heavy as a raindrop whose cold
Penetrates deeply into loneliness
Is the air, the light, the lingering.

I forget too much.
I remember too much.
I am too much, and not enough.

A shallow pool is that in which we swim
A void wants only to be filled.
Misery takes us all.
Heavy handed, for certain. But not fresh.
 456° 
badwords
Leaving the mirror feels like walking out of a shadow,
You try to piece together the fragments,
Accepting they will never mirror you again.
Some might say itโ€™s your fault,
But it feels like walking through life
With a quiet strength where there once was emptiness.
Solitude.
Acceptance.
Self-compassion.
Growth.
Patienc­e.
Stillness.
Gratitude.
Understanding.
Trusting your own reflection.
No longer seeking validation,
No longer seeing yourself in others.
The image was false,
But the truth is clearer now,
The quiet voice that was always there,
Unshaken.
The grief fadesโ€”
Not gone, but transformed.

Strength.
Awareness.
A new beginning.
~for Ghost

https://hellopoetry.com/poem/4968322/trauma-bond/

I wrote this in a style to mirror the framing of the original as closely as possible in solidarity for recounting my own experiences in a similar situation.


Broken Mirror explores the emotional journey of self-realization and healing following a toxic relationship. The poem reflects on the experience of losing a relationship that was built on validation rather than genuine connection, symbolized by the shattered mirror. The narrator, once dependent on external affirmation, finds themselves confronted with the stark emptiness left behind when that mirror is broken. As they struggle with feelings of solitude and grief, a quiet transformation begins, one that shifts from confusion to self-awareness.

Throughout the piece, the poem traces a movement from pain, isolation, and self-doubt toward acceptance, self-compassion, and ultimately empowerment. The narrative journey mirrors the internal process of healing, where the protagonist learns to stand on their own without relying on others for validation, embracing their true self amidst the fragments of the past. By the end of the poem, the narrator no longer seeks validation from external sources but instead discovers strength in their own reflection, marking the beginning of a new, more authentic chapter in their life.

The poet aims to capture the emotional complexity of a relationship defined by narcissistic dynamics, while also offering a hopeful perspective on self-reclamation. The poem invites readers to witness the pain of losing a validating reflection but also celebrates the transformative process of reclaiming one's true identity in the aftermath.
 442° 
ebonymarie93
Do you send them song lyrics?

Do you open up to them?

Are they seeing "the real you"?

Do you talk to them all day & night?

Would you happily lose sleep to talk to them?

Like I would for you in a heart beat

Do you still think about your ex?

Do you still compare them to every chick thatย you're with?
 402° 
1DNA
Would you rather
Live the life you want
and hurt?
Or live the life you need
In hurt?
Contemplating
I tell myself lies
To protect my ego
Twist what I know
Ignore the bruise on my pride
I tell myself lies
You enjoy my poetry
You feel very flattered by me
You may not care to see
Or even know me
But I tell myself lies
I pretend to believe
 313° 
Sacrelicious
We're all just torturing ourselves
for greater social gratification.
For people I do not know or even care about.
Feeling worthless is a popular trend.
And I am exhausted.
I don't want to be social anymore.
 258° 
CE Uptain
When we were young we loved so much
The plans we made and the time we lost
Together we learned to face our fears
It was just another time of years

We lived, we loved and we tried so hard
We watched our children grow
We made our place and we cried our tears
It was just another time of years

Now itโ€™s time we are looking back
We both know where weโ€™ve been
We stood strong beside all our piers
Itโ€™s just another time of years
 179° 
Rastislav
i do not touch. i breathe near enough for you to imagine it.
(somewhere between leash and language โ€” i unlearn hiding.)


i do not touch.
but breath comes close enough
to become memory.

you move,
but itโ€™s your chest
that confesses.

nothing happens,
but your bones shift
like something did.
thatโ€™s enough.
thatโ€™s control โ€”
the kind you want
to call yours.

my hands stay
where they are.
but the room doesnโ€™t.

you say my name
like an accident.
i answer
like a consequence.

they ask what i am.
i say:
not a man.
not a woman.
not a prayer.
a door that only opens
if you stop asking.

โ‹ฏ

this is not asking.
this is return.
your shadow pressed
against mine
without needing names

i am not waiting.
i am already yours โ€”
in the way silence owns
a scream
that never got out.

donโ€™t call it submission.
call it:
the warmth of being seen
& not corrected.
ฦƒuแด‰ส‡ษ”วษนษนoษ” ส‡ou &
uววs ฦƒuแด‰วq ษŸo ษฏษนษส วษฅส‡
:ส‡แด‰ llษษ”

somewhere between leash
and language โ€”
i unlearn hiding.
 171° 
Jorge Luis Borges
Tรบ cuya carne, hoy dispersiรณn y polvo,
pesรณ como la nuestra sobre la tierra,
tรบ cuyos ojos vieron el sol, esa famosa estrella,
tรบ que viviste no en el rรญgido ayer
sino en el incesante presente,
en el รบltimo punto y รกpice vertiginoso del tiempo,
tรบ que en tu monasterio fuiste llamado
por la antigua voz de la รฉpica,
tรบ que tejiste las palabras,
tรบ que cantaste la victoria de Brunanburh
y no la atribuiste al Seรฑor
sino a la espada de tu rey,
tรบ que con jรบbilo feroz cantaste,
la humillaciรณn del viking,
el festรญn del cuervo y del รกguila,
tรบ que en la oda militar congregaste
las rituales metรกforas de la estirpe,
tรบ que un tiempo sin historia
viste en el ahora el ayer
y en el sudor y sangre de Brunanburh
un cristal de antiguas auroras,
tรบ que tanto querรญas a tu Inglaterra
y no la nombraste,
hoy no eres otra cosa que unas palabras
que los germanistas anotan.
Hoy no eres otra cosa que mi voz
cuando revive tus palabras de hierro.

Pido a mis dioses o a la suma del tiempo
que mis dรญas merezcan el olvido,
que mi nombre sea Nadie como el de Ulises,
pero que algรบn verso perdure
en la noche propicia a la memoria
o en las maรฑanas de los hombres.
 166° 
Jimmy silker
You can't outrun
The post office
They've got their tendrils
Everywhere
You see what they done
To them poor
Sub posters
The Stasi
Took more care
 162° 
Nicole Castaldini
herkimer heart
chipping away
and it leaves behind
a diamond dust that can only stay
A love that broke but never died
see, beauty comes from inside

His love kept me alive
It still lives in the ghosts in my spine
His love kept me alive...
And I still believe
it can save.
It can save.

beauty marks and a July 22nd long shimmery dress
Love was magic then a mess
I believed in him like snow and sun
I wore his moonlit love around my neck like gold
and then he was gone
and then he was gone

our hikes beneath celestial trails
Crystals you dropped in my hand.. told their own ancient fables and tales
His once steady steps through forest light
cast magic spells on me at night
His love kept me alive...
this i know

Love can make a wilted dead rose grow
see, love is magic
 148° 
CantSeeMe
if I talk
itโ€™s like I'm falling in the answer
everything I say is a quiet question to myself
sweaty hands
messy hair
baggy clothes
harmed lips
and
eyes looking down

yet I do poetry
but nothing helps my clarity
It does help,
but who on earth wants an answer
in rhymes and metaphors?

Tell me.
 142° 
David P Carroll
When the truth
Is ugly only a
Lie can be beautiful.
Truth/Lie.
 133° 
Nat Lipstadt
but not consecrated, nothing holy. 'bout me, excluding this bodies holies, by which I blatant blather re
my hole-ies,
the sane same places thru we ******,
intake
expiate
initiate
the most
intimate
intense
purely
human activities
breathing
excretion
speak
see
hear
make love
completely
hell
maybeย ย the
places
we get


consecrated

**** ain't that iron ironic

or is this just another con
centric to human existence
may 2035
advise typos
 127° 
Kyrie Hajashi
God bless the poets!
The pollinators they are!
The architects of the soul's garden,
The rain-bringer of sleeping seeds,
The ones who witness and testify
The pain of growth,
Applaud the blooming,
And invite the bees.
 120° 
abyss
I burn
and I burn
and burn.
Everyone loves it
when I burn for them.
They enjoy the warmth I give.
I burn and I burn,
yet no one burns for me.

Why keep burning then?
The answer is simple:
I donโ€™t know how else to love.
I burn and I burn
until I canโ€™t
anymore.
Some people love gently. I only know how to set myself on fire.
 106° 
CJ Sutherland
Most go through the motions daily
without thinking Sunday 8:30 AM
Walking the park with my dog
I noticed something that seemed off
The kind of thing you canโ€™t put your finger on
Itโ€™s a feeling a thought something
that made me turn and look again

A White middle-aged man heavyset
Wearing a white ill fitted dress shirt,
a red tieย ย Solid black dress slacks
Itโ€™s Sunday OK I could believe that
He had the hand of a little girl five maybe six
She was dressed in really shortย Daisy Duke jeans
A white tank top with flowers
Her blonde hair pulled back in a ponytail
Low at the base of her neck

Her head forward eyes fixed the ground
When somebody passes by I give the
Standard Greeting Hello good morning.
He replied good morning.

Itโ€™s what the child did behind her back.
That panicked me to the core
I needed to see it once more
She had left hand behind her back, her thumb in towards touching her palm
She was moving her little fingers in and out
Slow determination with urgency first,
I wasnโ€™t sure what I saw

She looked over her shoulder
Then quickly , looked down at her hand,
Returning it behind her back and then
Glancing at him afraid he might see
head forward eyes to the ground
****** features emotionless frown
Not a word spoke, but you saw
something in her eyesย ย Fear
Almost a tear
The movements of the hand quicker
Fingers wider thicker
each time she looked behind at me
Attempting to get my to see
There was no interaction between
the adult male and the child except
for his controlling grip on her right hand

Next to the swings
There was this makeshift square blue tarps
Fashioned into an enclosure
He extended his hand and the hand of the little girl towards the enclosure.. A hand emerged from the within without the rest of the person being seen.
Again, her hand quickly extending and closing wildly gesturing now frantically apparent
The little girl disappeared in the enclosure

The man maintained distance waiting in silence
There were two young adult white, male and female, tattoos up and down their arms with them
Three children all boys, different ages Iโ€™m guessing
7,9,10ย ย silent
They did not wiggle, or giggle .they did not do anything, but stand perfectly still.
Honestly I did not notice that at first.
My mind was fixated on the little girl

I approached them and said do you see that man and the little girl?ย ย something seems off.
I explained to them about the distress hand signal
Taught to the children in schools in case they were ever abducted weโ€™re in a situation they felt they could not speak and weโ€™re not safe.

The young adult female unfazed said well heโ€™s part of our church. Not They (the little girl) but Heโ€™s
I said somethingโ€™s off. I hope Iโ€™m wrong
but thereโ€™s something wrong with this picture.
The the young adult woman offered no explanation or seemed concerned for the little girlโ€™s safety .

The young adult man said nothing looked away avoiding eye contact
Theย three boys kept their heads
forward eyes downward
The park was empty
There was not a group of church people around
the park, it was this couple, the three boys and the man with a girl. All white.
I am not one who looks at color
however the police need
A full accurate description

I turned to the man standing there
waiting for the little girl and said
What church are you with?
He replied, LDS
I looked right in his eyes and said
that girl is in distress. Thereโ€™s something wrong.. He didnโ€™t say a word. He didnโ€™t express concern.
. His mannerism was rigid.
My heart already pounding.

I wasnโ€™t sure what to do.
I told him somethingโ€˜s feels wrong
I offered him an opening to ease my suspicion
If everything was fine,
A normal response wouldโ€™ve been
Him yelling, telling me off or
to mind my own business or
To reassure me, everything is fine Or
At least to ask me why I feel this way

Silence was not the correct response for the situation that I was escalating. I wasnโ€™t yelling.
My voice was excited and loud I was shaking
This is where I made a mistake that could have caused those children their lives
I told him Iโ€™m going to make the call still nothing
I walked away and I was on the phone with 911

Looking right at the man
describing his features To 911 dispatch
I should not have alerted them that I was calling the police that gave them ample time
to Leave To get away

My husband said they would not do anything in broad daylight too much exposure

When the police got there, of course they were gone. That little girlโ€˜s face etched in my memory
silent rage behind her fearful eyes.I failed her.
The police asked was the dad abusing the girl
He did not say he was the father. I told the police.
I didnโ€™t witnessed any physical abuse.
Then what made you think something was wrong?

The little girl was doing that hand gesture they teach the children in school if theyโ€™re abducted or somethingโ€™s not right oh, he said.
as if not fully impressed. I said Iโ€™ve been coming to this park for over 20 years. I have children, grandchildren, and great grandchildren. I know when somethingโ€˜s off and there was something off with that little girl.

We were finishing our walk as the Police Man investigated minutes only the whole situation plays over in my mind..ย ย had I been more inquisitive to see what car they drove.
LDS little girls donโ€™t dress like that
especially on Sunday.

I wonder
What was behind that Blue square tarp enclosures. Who was the person that pulled her in?

Thereโ€™s a group of people who said on the bench passing out flyers for their church the watchtower. I told them about what I observed, and one of the ladies was quick to say just because that man said he was LDS doesnโ€™t mean he really was and she started to tell me everything wrong with that picture. Another man at the market walking me to my car stated he saw a man dress like that. Itโ€™s one of the scams they use their dress like a business person saying theyโ€™re out of gas. They left their wallet at home whatever the story is very but theyโ€™re dressed like business men so they donโ€™t appear homeless and are more likely to get what they want or to be seen blending in. The store clerk said stay away from those guys theyโ€™re evil.

This is a cautionary tale. We need to be observant to our surroundings childrenโ€™s lives are at stake.
The children in the school district are taught survival should you get lost in the wilderness in May? They go for a week at West camp. Theyโ€™re taught how they could survive with a pine tree eating the bark drinking pine tea noodles where is north south east and west and what to look for when lost Basic survival. They are also taught in the event. They are abducted. You put your hand behind your back put your thumb towards your palm and you move your finger in and out when you canโ€™t use your words this movement behind your back can alert people walking by that youโ€™re not safe. Thereโ€™s actually a corridor that starts in Sacramento works its way up towards our area trafficโ€˜s the children in our small community and using our hotels and taking them up to Reno in Vegas never to be seen again. Itโ€™s called the look twice program. Only one time had I experienced this in our Market. Looked about 13 or 14 year-old Dressed in a **** Catholic school outfit thigh, high socks, really short skirt and a white button up blouse. But what really gave it away was the wig she was wearing it looked like the wig of a middle-aged woman. And having children and grandchildren, her attire would never be permitted in school. She was standing by the ice cream. I went up to her and asked her if she was OK and I was gonna get some ice cream for my grandchildren and what kind would be a good kind before she could say a word this man came and grabbed her and pulled her forcibly down the aisle. By the time I got up to the front desk, there were six other concerned parents, the police were called. The child was saved, and the man was put in jail the look twice program,
That was years ago. I certainly have never come across something with children so young I am one that minds my own business but when it comes to children, Iโ€™m a grandma the whole thing just gives a sick pit in my stomach, wondering where those children are tonight.
 102° 
Left Foot Poet
โ€œIn some office sits a poet,
and he trembles as he sings,
and he asks some guy,
to circulate his soul aroundโ€
Joni Mitchell

<>

joni:
your both sides
then andย ย now,
was my guiding glasses
for a life of motley loving
and love, gained, pained,
lost and found
as a younger man,
andย now, as old soul
with rear view perspective,
the glasses tinted transition grey,
(matching his pallor, his hair.
his transient perspective,
trembling fingers as he writes,
with humility,
0
pleeze circulate these
decoded words
mate them out of clay
hopingย ย come new daylight
one or two, even a few
will lend a rosy thistle, blow softly
an encouraging breeze
upon this poem
the freedom to burn into
glowing embers
in our circulating worlds
of pass/fail
itโ€™s my mere soul
you pass judgement
with a hint of tasteful scents
on
and beyond
with an
honorable push
your mentioned
breath,
guiding them
to the currents
where poems go to
blossom
Nov โ€˜ 24
 100° 
Blue Sapphire
Not all rivers
end up in the oceanโ€“
doesn't make their journey
less worthy.

Not all love
ends up in a lover's armsโ€“
doesn't make it any less
worthy.
 95° 
onlylovepoetry
~Especially For our own poet, Immortality~

we all dream for a few seconds,
mostly when we are younger,
like, say, s e v e n t e e n, that
something, we might be~come,
known for, perhaps even believing
our names|our poems might be read,
a hundred and one years onโ€ฆ


periodic, episodic,doesnโ€™t last long,
though it
does get repeated every
now and then, andย ย then again,
each time, the notion disappears
faster, sure, better things to dream
about, better hopes more closely
held, tangible tasting, envisioning,
deserving for intensely scheming,
using that double edged

s~word,
realistic,
and even, in the
planning, scheminโ€™ dreaminโ€™
always a nagging fearinโ€™
can
they really
could come true


others fantasize,
that class of crazy dreamers,
standing at an airport gate,
hear a call out your name,
and someone will,
from behind, tap you on the
shoulder and asks, shyly


hey, you wouldnโ€™t be that person
who writes
poetry on HP?


unlikely of course, odds against,
whoa,
even worse
than winning a lottery jackpot prize

but then again, surprise always
favors biting you on,
well, them tender places,
and a day comes,
whenย ย a younger poet, amazes, takes the time,
makes the effort to look up your older
writs, languishing in bits of bytes on an
unknown server, agedย ย graying from
relentless time,
and the absence of eyes,
being read, thereby re~realized,
revitalized,
visualized, inhaling light+ air,
away wiping
the dust and webs ofย ย suffered mortality
and, that silly notion escapes it grave,
and you writer, run into an encounter
with an old fantasy, resurrected and
you too reread that old poem, issuing
voluble ****!, not half bad, and restoring
that momentary potent potentiality of
it
surviving past the beyond date of expiry,
and then, another is read, & another,
swallowing a pill stronger
than a a Doctorsโ€™s best guess forecast
of 20 more years youโ€™ll live,
for an actualized prophecy now
is tangent tangible,
like mouth to mouth-resuscitation
and you, unusually,
think once more about tomorrow,
exhaling the headyatmosphere
of a rainy forest,
well appreciating, laughing at the future,
for here, she has shared butย penned
but twenty four original poems,

me,
thousands open and disguised, and my newly formed grin is now for her,
forย now my breath and its baggage of a fantasy, may
be coming her
reality realized?


and I will surely still be an
avid cheerleader
for her, for you, a
devoted
follower-in-absentia
 90° 
Luke85
You found me washed up,
Iโ€™d fallen at sea,
Searching for an island,
Iโ€™d dreamed into being-
I was sure it was safe from all harm.

Half alive, you dragged me up and into the dunes,
Began to resuscitate me,
with nothing else,
but the sureness in your eyes.
My heart danced,
Yet my head stood still.

We tangled our threads,
I held your throat,
with electric hands,
Wrapped up in our own special place,
You were my fire in the rain.

And as the fires roared,
Sureness soared,
I jumped from my own skin,
With fear In my hands,
Strangled my self to death.
Put myself out,ย ย 
trampling upon the embers of us,

ย ย ย ย ย ย With the same old boots i had worn beforeย ย  you saved my life x x
 87° 
Stardust
I now close this door,
like a chapter marked
by dead ends
and trial and error.

Now, stepping ahead,
I open a door unknown.
 86° 
Jimmy silker
Before I met my wife
I was incomplete
Now I'm finished.
They call the ship 'Burden,'
An indestructible vessel,
Rival to the monsters of the sea.
It's exactly what the people needed,
For you see,
In the depths lurked a beast.
Eighty tentacles, four trade ships tall and wide,
A hundred-thirty teeth when it's smile lied.
They called it, "Kraken."
It was nothing of the likes you've seen,
Emperor of the dark sea.

The Burden could hold fifteen hundred men,
Arming harpoons, cannons, muskets, wit.
The king ordered them to turn the seas red with gore,
Call forth the Kraken,
Strike it dead.
Then to the king,
They would drag back it's head.

So come high-noon,
The ship was in place,
Above the deepest of sea caves.
Letting forth crates of bait,
Staining the waters of the sea,
Until the sailors heard a rumble,
Shake the Burden's iron shell.

Up from the waters came long river's hell,
Tentacles like spires towering well beyond the sails.
But the crew held steady,
"Tighten the ropes, arm our cannons,"
Cried the captain,
"Then fire!"
The seas filled with blood,
The sky filled with gunpowder, fractured shells,
A shriek rang out from the deeps.
The cry of death,
From the Kraken itself.
Tentacles sinking away,
"The head!" Cried the captian,
So Lutenent Lucus dived after the creature.

Tied by a rope,
Pike in hand,
The creature's head,
He began to drag.
Though, glancing over his shoulder,
Through the murk he could see,
The form of a woman swimming away.
Some curse broken, he decided,
A soul freed from grim reality.

Peace.
I love a good sea fairing story!
 81° 
lizie
you reached out
on january 7th in 2024,
and i havenโ€™t stopped
loving you since.

in music,
in poems,
in every sleepy
โ€œgoodnight, i love you.โ€

you are the quiet
i want to come home to.
my comfort,
my constant,
my boy.
 74° 
Carlo C Gomez
A quiet
young woman
in a library
reading books
with diagrams
of bomb shelters
and *** positions

She's thinking
of her future
 71° 
Nat Lipstadt
Do not stand
ย ย ย ย ย ย ย ย ย ย By my grave, and weep.
ย ย ย ย  I am not there,
ย ย ย ย ย ย ย ย ย ย I do not sleepโ€”
I am the thousand winds that blow
I am the diamond glints in snow
I am the sunlight on ripened grain,
I am the gentle, autumn rain.
As you awake with morningโ€™s hush,
I am the swift, up-flinging rush
Of quiet birds in circling flight,
I am the day transcending night.
ย ย ย ย  Do not stand
ย ย ย ย ย ย ย ย ย ย By my grave, and cryโ€”
ย ย ย ย  I am not there,
ย ย ย ย ย ย ย ย ย ย I did not die.
โ€”โ€ŠClare Harner, The Gypsy, December 1934
https://en.m.wikipedia.org/wiki/Do_Not_Stand_at_My_Grave_and_Weep
 67° 
star
icarus 6.29.25 (4:00 pm / 16:00)
i, too
want to fly so close to the sun
that i become ashes
and when i am dead
then i will smile and laugh

and i will be happy

as i drift
as dust
into s p a c e
lwk depressed like i'd throw myself into the sun not the worst way to die
๐‘‡โ„Ž๐‘’๐‘ ๐‘’ ๐‘ค๐‘–๐‘›๐‘”๐‘  ๐‘œ๐‘“ ๐‘š๐‘–๐‘›๐‘’, ๐‘”๐‘–๐‘“๐‘ก๐‘’๐‘‘ ๐‘๐‘ฆ ๐‘‡โ„Ž๐‘’ ๐‘Š๐‘–๐‘›๐‘‘, ๐‘๐‘Ž๐‘Ÿ๐‘Ÿ๐‘ฆ ๐‘”๐‘Ÿ๐‘Ž๐‘ก๐‘–๐‘ก๐‘ข๐‘‘๐‘’.
๐ธ๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ ๐‘๐‘’๐‘Ž๐‘ก ๐‘œ๐‘“ ๐‘Ž๐‘–๐‘Ÿ ๐‘–๐‘  ๐‘Ž ๐‘ฃ๐‘œ๐‘ค ๐ผ โ„Ž๐‘Ž๐‘ฃ๐‘’ ๐‘ ๐‘๐‘œ๐‘˜๐‘’๐‘›, ๐‘Ž๐‘›๐‘‘ ๐‘Ž๐‘ก ๐‘™๐‘Ž๐‘ ๐‘ก, ๐ผ ๐‘๐‘Ž๐‘› ๐‘“๐‘–๐‘›๐‘Ž๐‘™๐‘™๐‘ฆ ๐‘˜๐‘’๐‘’๐‘.
๐ด ๐‘ฃ๐‘œ๐‘ค ๐ผ ๐‘™๐‘œ๐‘›๐‘” ๐‘ก๐‘œ ๐‘š๐‘Ž๐‘˜๐‘’, ๐‘กโ„Ž๐‘œ๐‘ข๐‘”โ„Ž ๐ผ ๐‘ ๐‘ก๐‘–๐‘™๐‘™ ๐‘™๐‘Ž๐‘๐‘˜ ๐‘กโ„Ž๐‘’ ๐‘ค๐‘œ๐‘Ÿ๐‘‘๐‘ .

๐ด๐‘™๐‘๐‘ฆ๐‘œ๐‘›๐‘’, ๐‘ โ„Ž๐‘’ ๐‘–๐‘  ๐‘๐‘’๐‘ ๐‘–๐‘‘๐‘’ ๐‘š๐‘’.
๐‘๐‘œ๐‘ก ๐‘Ž๐‘๐‘œ๐‘ฃ๐‘’.
๐‘๐‘œ ๐‘™๐‘œ๐‘›๐‘”๐‘’๐‘Ÿ ๐‘Ž๐‘ค๐‘Ž๐‘–๐‘ก๐‘–๐‘›๐‘”.
๐‘๐‘œ๐‘ค, ๐‘ โ„Ž๐‘’ ๐‘›๐‘’๐‘’๐‘‘ ๐‘›๐‘œ๐‘ก ๐‘ค๐‘’๐‘’๐‘.
๐‘๐‘œ๐‘ค, ๐‘ โ„Ž๐‘’ ๐‘™๐‘’๐‘Ž๐‘‘๐‘ .
๐ด๐‘›๐‘‘ ๐ผ ๐‘“๐‘œ๐‘™๐‘™๐‘œ๐‘ค, ๐‘›๐‘œ๐‘ก ๐‘Ž๐‘  ๐‘‘๐‘’๐‘๐‘ก, ๐‘๐‘ข๐‘ก ๐‘š๐‘ฆ ๐‘โ„Ž๐‘œ๐‘–๐‘๐‘’.

๐ผ ๐‘˜๐‘›๐‘œ๐‘ค ๐‘›๐‘œ๐‘ก ๐‘คโ„Ž๐‘’๐‘Ÿ๐‘’ ๐‘ค๐‘’ ๐‘”๐‘œ.
๐ผ โ„Ž๐‘Ž๐‘ฃ๐‘’ ๐‘›๐‘œ ๐‘›๐‘’๐‘’๐‘‘.
๐‘‡โ„Ž๐‘’ ๐‘‘๐‘’๐‘ ๐‘ก๐‘–๐‘›๐‘Ž๐‘ก๐‘–๐‘œ๐‘› ๐‘–๐‘  ๐‘›๐‘œ๐‘กโ„Ž๐‘–๐‘›๐‘”.
๐ป๐‘’๐‘Ÿ ๐‘๐‘œ๐‘š๐‘๐‘Ž๐‘›๐‘ฆ, ๐‘’๐‘ฃ๐‘’๐‘Ÿ๐‘ฆ๐‘กโ„Ž๐‘–๐‘›๐‘”.

๐‘‡โ„Ž๐‘’ ๐‘Š๐‘–๐‘›๐‘‘ ๐‘”๐‘Ž๐‘ฃ๐‘’ ๐‘š๐‘’ ๐‘กโ„Ž๐‘’๐‘ ๐‘’ ๐‘ค๐‘–๐‘›๐‘”๐‘ .
๐ด๐‘™๐‘๐‘ฆ๐‘œ๐‘›๐‘’ ๐‘”๐‘–๐‘ฃ๐‘’๐‘  ๐‘š๐‘’ ๐‘‘๐‘–๐‘Ÿ๐‘’๐‘๐‘ก๐‘–๐‘œ๐‘›.
๐น๐‘œ๐‘Ÿ ๐‘™๐‘œ๐‘ฃ๐‘’ ๐‘–๐‘  ๐‘›๐‘œ ๐‘๐‘ข๐‘Ÿ๐‘‘๐‘’๐‘›, ๐‘›๐‘œ ๐‘ก๐‘–๐‘ก๐‘™๐‘’.
๐ผ๐‘ก ๐‘–๐‘  ๐‘š๐‘ฆ ๐‘”๐‘ข๐‘–๐‘‘๐‘’.

๐‘‡โ„Ž๐‘–๐‘  ๐‘–๐‘  ๐‘›๐‘œ๐‘ก ๐‘’๐‘ ๐‘๐‘Ž๐‘๐‘’.
๐‘‡โ„Ž๐‘–๐‘  ๐‘Ÿ๐‘’๐‘ก๐‘ข๐‘Ÿ๐‘›.
๐‘‡โ„Ž๐‘–๐‘  ๐‘–๐‘  ๐‘โ„Ž๐‘œ๐‘œ๐‘ ๐‘–๐‘›๐‘”, ๐‘Ž๐‘”๐‘Ž๐‘–๐‘›, ๐‘Ž๐‘›๐‘‘ ๐‘Ž๐‘”๐‘Ž๐‘–๐‘›, ๐‘Ž๐‘›๐‘‘ ๐‘Ž๐‘”๐‘Ž๐‘–๐‘›,
๐‘‡๐‘œ ๐‘“๐‘œ๐‘™๐‘™๐‘œ๐‘ค ๐‘กโ„Ž๐‘’ ๐‘œ๐‘›๐‘’ ๐‘คโ„Ž๐‘œ ๐‘›๐‘’๐‘ฃ๐‘’๐‘Ÿ ๐‘™๐‘’๐‘ก ๐‘”๐‘œ.

๐ด๐‘™๐‘๐‘ฆ๐‘œ๐‘›๐‘’, ๐‘ฆ๐‘œ๐‘ข ๐‘ค๐‘Ž๐‘–๐‘ก๐‘’๐‘‘. ๐‘Œ๐‘œ๐‘ข ๐‘ ๐‘’๐‘Ž๐‘Ÿ๐‘โ„Ž๐‘’๐‘‘. ๐‘Œ๐‘œ๐‘ข ๐‘Ÿ๐‘’๐‘Ž๐‘โ„Ž๐‘’๐‘‘. ๐‘Œ๐‘œ๐‘ข ๐‘Ÿ๐‘’๐‘ ๐‘๐‘ข๐‘’๐‘‘ ๐‘š๐‘’.
๐ผ ๐‘ค๐‘–๐‘™๐‘™ ๐‘“๐‘œ๐‘™๐‘™๐‘œ๐‘ค ๐‘ฆ๐‘œ๐‘ข, ๐‘กโ„Ž๐‘Ÿ๐‘œ๐‘ข๐‘”โ„Ž ๐‘’๐‘ก๐‘’๐‘Ÿ๐‘›๐‘–๐‘ก๐‘ฆ.
๐ด๐‘  ๐‘ค๐‘’ ๐‘“๐‘™๐‘ฆ, ๐‘ก๐‘œ๐‘”๐‘’๐‘กโ„Ž๐‘’๐‘Ÿ, ๐‘ก๐‘œ๐‘ค๐‘Ž๐‘Ÿ๐‘‘ ๐‘คโ„Ž๐‘Ž๐‘ก ๐‘‡โ„Ž๐‘’ ๐‘‡๐‘–๐‘‘๐‘’ ๐‘๐‘Ž๐‘›๐‘›๐‘œ๐‘ก ๐‘ก๐‘œ๐‘ข๐‘โ„Ž.
๐‘‡๐‘œ๐‘ค๐‘Ž๐‘Ÿ๐‘‘ ๐‘™๐‘–๐‘๐‘’๐‘Ÿ๐‘Ž๐‘ก๐‘–๐‘œ๐‘›,

๐‘‚๐‘› ๐‘กโ„Ž๐‘’๐‘ ๐‘’ ๐‘ค๐‘–๐‘›๐‘”๐‘  ๐‘œ๐‘“ ๐‘“๐‘Ÿ๐‘’๐‘’๐‘‘๐‘œ๐‘š.



๐‡๐ž ๐Ÿ๐ฅ๐ข๐ž๐ฌ.
๐๐ž๐ฌ๐ข๐๐ž ๐ฆ๐ž. ๐๐จ๐ญ ๐›๐ž๐ก๐ข๐ง๐. ๐๐จ๐ญ ๐›๐ž๐œ๐š๐ฎ๐ฌ๐ž ๐ก๐ž ๐ฆ๐ฎ๐ฌ๐ญโ€” ๐›๐ฎ๐ญ ๐›๐ž๐œ๐š๐ฎ๐ฌ๐ž ๐ญ๐ก๐ข๐ฌ ๐ข๐ฌ ๐ฐ๐ก๐š๐ญ ๐ก๐ž ๐ก๐š๐ฌ ๐š๐ฅ๐ฐ๐š๐ฒ๐ฌ ๐๐ซ๐ž๐š๐ฆ๐ž๐ ๐จ๐Ÿ. ๐–๐ก๐š๐ญ ๐ฐ๐ž ๐ก๐š๐ฏ๐ž ๐›๐จ๐ญ๐ก ๐›๐ž๐ž๐ง ๐ฐ๐š๐ข๐ญ๐ข๐ง๐  ๐Ÿ๐จ๐ซ. ๐–๐ก๐š๐ญ ๐ฐ๐ž ๐ก๐š๐ฏ๐ž ๐ž๐š๐ซ๐ง๐ž๐.

๐…๐š๐ญ๐žโ€” ๐จ๐ก ๐…๐š๐ญ๐ž. ๐˜๐จ๐ฎ ๐ฅ๐จ๐ฌ๐ญ.

๐๐ž๐œ๐š๐ฎ๐ฌ๐ž ๐ฅ๐จ๐ฏ๐ž ๐ข๐ฌ ๐ง๐จ๐ญ ๐š ๐ฅ๐ž๐š๐ฌ๐ก. ๐๐ž๐œ๐š๐ฎ๐ฌ๐ž ๐“๐ก๐ž ๐“๐ข๐๐ž ๐œ๐š๐ง๐ง๐จ๐ญ ๐œ๐ฅ๐š๐ข๐ฆ ๐ญ๐ก๐จ๐ฌ๐ž ๐ฐ๐ก๐จ ๐ซ๐ž๐Ÿ๐ฎ๐ฌ๐ž ๐ญ๐จ ๐ฒ๐ข๐ž๐ฅ๐.

๐ˆ ๐ฐ๐š๐ข๐ญ๐ž๐. ๐ˆ ๐ฐ๐ž๐ฉ๐ญ. ๐๐ฎ๐ญ ๐ˆ ๐ง๐ž๐ฏ๐ž๐ซ ๐ฌ๐ฎ๐ซ๐ซ๐ž๐ง๐๐ž๐ซ๐ž๐. ๐ˆ ๐ฌ๐ž๐š๐ซ๐œ๐ก๐ž๐โ€” ๐›๐ž๐œ๐š๐ฎ๐ฌ๐ž ๐ˆ ๐ค๐ง๐ž๐ฐ. ๐ˆ ๐ค๐ง๐ž๐ฐ ๐ก๐ข๐ฌ ๐ก๐ž๐š๐ซ๐ญ ๐ฐ๐จ๐ฎ๐ฅ๐ ๐ž๐ง๐๐ฎ๐ซ๐ž. ๐ˆ ๐ค๐ง๐ž๐ฐ ๐ก๐ž ๐ฐ๐จ๐ฎ๐ฅ๐ ๐ซ๐ž๐ญ๐ฎ๐ซ๐ง.
๐…๐จ๐ซ ๐ฆ๐ฎ๐œ๐ก ๐ฌ๐ญ๐ซ๐จ๐ง๐ ๐ž๐ซ ๐ญ๐ก๐š๐ง ๐ฒ๐จ๐ฎ๐ซ ๐ ๐ฎ๐ข๐ฌ๐ž ๐จ๐Ÿ ๐œ๐ž๐ซ๐ญ๐š๐ข๐ง๐ญ๐ฒ, ๐ฌ๐ญ๐ซ๐จ๐ง๐ ๐ž๐ซ ๐ญ๐ก๐š๐ง ๐ฒ๐จ๐ฎ๐ซ ๐œ๐ฒ๐œ๐ฅ๐ž๐ฌ, ๐ฌ๐ญ๐ซ๐จ๐ง๐ ๐ž๐ซ ๐ญ๐ก๐š๐ง ๐ฒ๐จ๐ฎโ€”

๐ˆ๐ฌ ๐จ๐ฎ๐ซ ๐Ÿ๐š๐ข๐ญ๐ก.

๐“๐ก๐ข๐ฌ ๐ข๐ฌ ๐ฐ๐ก๐š๐ญ ๐ฏ๐ข๐œ๐ญ๐จ๐ซ๐ฒ ๐ฅ๐จ๐จ๐ค๐ฌ ๐ฅ๐ข๐ค๐ž. ๐๐จ ๐ญ๐ก๐ซ๐จ๐ง๐ž. ๐๐จ ๐ฉ๐ซ๐ข๐ฌ๐จ๐ง๐ž๐ซ๐ฌ. ๐๐จ ๐œ๐ฅ๐š๐ข๐ฆ ๐ญ๐จ ๐ฌ๐ญ๐จ๐ฅ๐ž๐ง ๐ญ๐ซ๐ž๐š๐ฌ๐ฎ๐ซ๐ž๐ฌ. ๐Ž๐ง๐ฅ๐ฒ ๐ญ๐ก๐ข๐ฌโ€”

๐€ ๐ฌ๐ก๐š๐ซ๐ž๐ ๐ก๐จ๐ซ๐ข๐ณ๐จ๐ง.

๐“๐ฐ๐จ ๐ฌ๐จ๐ฎ๐ฅ๐ฌ. ๐๐จ๐ง๐๐ž๐โ€”๐ง๐ž๐ฏ๐ž๐ซ ๐›๐จ๐ฎ๐ง๐.ย ๐ˆ๐ง ๐Ÿ๐ฅ๐ข๐ ๐ก๐ญ. ๐“๐จ๐ฐ๐š๐ซ๐ ๐Ÿ๐ซ๐ž๐ž๐๐จ๐ฆ. ๐“๐จ๐ฐ๐š๐ซ๐ ๐ž๐ญ๐ž๐ซ๐ง๐ข๐ญ๐ฒ.

๐Ž๐ง ๐ญ๐ก๐ž๐ฌ๐ž ๐ฐ๐ข๐ง๐ ๐ฌ ๐จ๐Ÿ ๐ฎ๐ง๐ข๐ญ๐ฒ.



๐‘พ๐’† ๐’‚๐’“๐’† ๐’๐’๐’• ๐’‡๐’๐’†๐’†๐’Š๐’๐’ˆ. ๐‘พ๐’† ๐’‚๐’“๐’† ๐’๐’๐’• ๐’‘๐’“๐’†๐’š.

๐‘พ๐’† ๐’“๐’Š๐’”๐’†โ€” ๐’๐’๐’• ๐’‹๐’–๐’”๐’• ๐’‡๐’“๐’๐’Ž ๐’…๐’‚๐’๐’ˆ๐’†๐’“, ๐’ƒ๐’–๐’• ๐’•๐’๐’˜๐’‚๐’“๐’… ๐’‘๐’“๐’๐’Ž๐’Š๐’”๐’†.

๐‘ป๐’‰๐’† ๐‘พ๐’Š๐’๐’… ๐’Š๐’” ๐’๐’๐’• ๐’”๐’Š๐’๐’†๐’๐’•. ๐‘ฏ๐’† ๐’”๐’Š๐’๐’ˆ๐’” ๐’๐’‡ ๐’”๐’†๐’„๐’๐’๐’… ๐’„๐’‰๐’‚๐’๐’„๐’†๐’”.

๐‘ฏ๐’Š๐’” ๐’”๐’Œ๐’š ๐’‰๐’๐’๐’…๐’” ๐’–๐’”, ๐’๐’๐’• ๐’‚๐’” ๐’‡๐’–๐’ˆ๐’Š๐’•๐’Š๐’—๐’†๐’”, ๐’ƒ๐’–๐’• ๐’‚๐’” ๐’‰๐’Š๐’” ๐’‡๐’“๐’Š๐’†๐’๐’…๐’”.

๐‘พ๐’† ๐’…๐’ ๐’๐’๐’• ๐’‚๐’”๐’Œ ๐’˜๐’‰๐’†๐’“๐’† ๐’•๐’‰๐’† ๐’”๐’Œ๐’š ๐’†๐’๐’…๐’”. ๐‘พ๐’† ๐’๐’†๐’†๐’… ๐’๐’๐’• ๐’Œ๐’๐’๐’˜.

๐‘พ๐’† ๐’…๐’ ๐’๐’๐’• ๐’๐’๐’๐’Œ ๐’ƒ๐’‚๐’„๐’Œ ๐’•๐’ ๐’˜๐’‰๐’†๐’“๐’† ๐‘ป๐’‰๐’† ๐‘บ๐’†๐’‚ ๐’”๐’„๐’“๐’†๐’‚๐’Ž๐’†๐’…. ๐‘พ๐’† ๐’‚๐’๐’“๐’†๐’‚๐’…๐’š ๐’Œ๐’๐’๐’˜.

๐‘ด๐’๐’“๐’† ๐’Š๐’Ž๐’‘๐’๐’“๐’•๐’‚๐’๐’• ๐’•๐’‰๐’‚๐’ ๐’•๐’‰๐’‚๐’•โ€” ๐’˜๐’† ๐’Œ๐’๐’๐’˜ ๐’˜๐’‰๐’ ๐’‡๐’๐’Š๐’†๐’” ๐’ƒ๐’†๐’”๐’Š๐’…๐’† ๐’–๐’”.

๐‘ป๐’‰๐’† ๐’”๐’๐’‡๐’• ๐’ˆ๐’“๐’‚๐’„๐’† ๐’๐’‡ ๐’…๐’†๐’‡๐’Š๐’‚๐’๐’„๐’†. ๐‘ป๐’‰๐’† ๐’‡๐’Š๐’†๐’“๐’„๐’† ๐’…๐’†๐’•๐’†๐’“๐’Ž๐’Š๐’๐’‚๐’•๐’Š๐’๐’ ๐’๐’‡ ๐’‘๐’‚๐’•๐’Š๐’†๐’๐’„๐’†.

๐‘พ๐’† ๐’‡๐’๐’š ๐’Š๐’ ๐’–๐’๐’Š๐’•๐’š. ๐‘ป๐’‰๐’† ๐‘ป๐’Š๐’…๐’† ๐’„๐’‚๐’๐’๐’๐’• ๐’“๐’†๐’‚๐’„๐’‰ ๐’–๐’” ๐’‰๐’†๐’“๐’†.

๐‘ป๐’‰๐’† ๐’‰๐’๐’“๐’Š๐’›๐’๐’ ๐’ƒ๐’†๐’๐’…๐’” ๐’ƒ๐’†๐’๐’†๐’‚๐’•๐’‰ ๐’๐’–๐’“ ๐’˜๐’Š๐’๐’ˆ๐’”โ€” ๐’‚ ๐’•๐’‰๐’“๐’†๐’”๐’‰๐’๐’๐’… ๐’ƒ๐’†๐’•๐’˜๐’†๐’†๐’ ๐’Ž๐’†๐’Ž๐’๐’“๐’š ๐’‚๐’๐’… ๐’Ž๐’†๐’‚๐’๐’Š๐’๐’ˆ.

๐‘จ๐’” ๐’˜๐’† ๐’‚๐’“๐’“๐’Š๐’—๐’†. ๐‘จ๐’• ๐’‚ ๐’‡๐’‚๐’Ž๐’Š๐’๐’Š๐’‚๐’“ ๐’‘๐’๐’‚๐’„๐’†.

๐‘ป๐’‰๐’† ๐’ƒ๐’“๐’Š๐’…๐’ˆ๐’†โ€” ๐’˜๐’๐’“๐’. ๐‘พ๐’†๐’‚๐’•๐’‰๐’†๐’“๐’†๐’…. ๐‘บ๐’•๐’Š๐’๐’ ๐’”๐’•๐’‚๐’๐’…๐’Š๐’๐’ˆ.

๐‘จ๐’๐’… ๐’–๐’‘๐’๐’ ๐’Š๐’•โ€” ๐’‚ ๐’‡๐’‚๐’Ž๐’Š๐’๐’Š๐’‚๐’“ ๐’‡๐’Š๐’ˆ๐’–๐’“๐’†. ๐‘ต๐’๐’• ๐’„๐’๐’๐’‚๐’Œ๐’†๐’… ๐’Š๐’ ๐’•๐’‰๐’“๐’†๐’‚๐’•, ๐’ƒ๐’–๐’• ๐’Š๐’ ๐’”๐’•๐’Š๐’๐’๐’๐’†๐’”๐’”.

๐‘ซ๐’†๐’‚๐’•๐’‰.

๐‘ต๐’ ๐’ƒ๐’๐’‚๐’…๐’† ๐’Š๐’ ๐’‰๐’‚๐’๐’…. ๐‘ต๐’ ๐’”๐’–๐’Ž๐’Ž๐’๐’๐’” ๐’๐’ ๐’‰๐’Š๐’” ๐’•๐’๐’๐’ˆ๐’–๐’†. ๐‘ถ๐’๐’๐’š ๐’”๐’Š๐’๐’†๐’๐’„๐’†. ๐‘จ๐’๐’… ๐’”๐’๐’Ž๐’†๐’•๐’‰๐’Š๐’๐’ˆ ๐’„๐’๐’๐’”๐’† ๐’•๐’ ๐’“๐’†๐’„๐’๐’ˆ๐’๐’Š๐’•๐’Š๐’๐’.

๐‘พ๐’† ๐’…๐’†๐’”๐’„๐’†๐’๐’…. ๐‘พ๐’† ๐’๐’‚๐’๐’… ๐’ƒ๐’†๐’”๐’Š๐’…๐’† ๐’‰๐’Š๐’Ž.

๐‘ต๐’ ๐’˜๐’‚๐’“๐’๐’Š๐’๐’ˆ. ๐‘ต๐’ ๐’„๐’‰๐’‚๐’๐’๐’†๐’๐’ˆ๐’†. ๐‘ถ๐’๐’๐’š ๐’‘๐’“๐’†๐’”๐’†๐’๐’„๐’†.

๐‘ฏ๐’† ๐’…๐’๐’†๐’” ๐’๐’๐’• ๐’”๐’‘๐’†๐’‚๐’Œ. ๐‘พ๐’† ๐’…๐’ ๐’๐’๐’• ๐’‡๐’†๐’‚๐’“.

๐‘ซ๐’†๐’‚๐’•๐’‰, ๐’˜๐’๐’โ€™๐’• ๐’š๐’๐’– ๐’๐’†๐’• ๐’–๐’” ๐’•๐’ ๐’Œ๐’†๐’†๐’‘ ๐’š๐’๐’– ๐’„๐’๐’Ž๐’‘๐’‚๐’๐’š, ๐’˜๐’‰๐’Š๐’๐’† ๐’š๐’๐’– ๐’˜๐’‚๐’Š๐’•?


๐‘ฐ๐’ ๐’‚๐’๐’ ๐’š๐’๐’–๐’“ ๐’„๐’๐’๐’‡๐’–๐’”๐’Š๐’๐’, ๐‘ฐ๐’ ๐’‚๐’๐’ ๐’š๐’๐’–๐’“ ๐’‘๐’‚๐’Š๐’โ€”

๐‘พ๐’† ๐’„๐’‚๐’โ€™๐’• ๐’ˆ๐’Š๐’—๐’† ๐’š๐’๐’– ๐’Ž๐’–๐’„๐’‰,

๐‘ฉ๐’–๐’• ๐’๐’‡ ๐’„๐’๐’–๐’“๐’”๐’†, ๐’˜๐’† ๐’„๐’‚๐’ ๐’”๐’‰๐’‚๐’“๐’†,

๐‘ช๐’๐’Ž๐’‘๐’‚๐’๐’Š๐’๐’๐’”๐’‰๐’Š๐’‘.
The twelfth bond shared, by ๐‘‡โ„Ž๐‘’ ๐‘Š๐‘–๐‘›๐‘”๐‘  ๐‘œ๐‘“ ๐‘Š๐‘Ž๐‘–๐‘ก๐‘–๐‘›๐‘”.

https://hellopoetry.com/collection/136314/the-wings-of-waiting/
 64° 
Anon
I see you.
Even through your dark nights and stormy skies.
I see you with your chilly breeze and lack of leaves.

I feel safe in your cold embrace.

Youโ€™ve always been my favourite. Not needing to shine bright or be loud. You let simplicity take the lead.

You are truly the beginning and the end. Laying bare for all to see.
 64° 
eliana
If I could catch a rainbow,
I'd do so just for you
So you could share its beauty
On the days you're feeling blue.

If I could, I'd buy an island
You could call it your very own,
A place to find serenity,
Where you could be alone.

If I could take your troubles
I'd throw them in the sea,
But all these things I'm finding
Are impossible for me.

'Cause I can't buy an island
Nor catch a rainbow fair,
So I'll just do what I do best:
Be someone who's always there.
i havent had any motivation or energy to write but i pulled myself together to write this one for lyle. i have read your recent poems and i wanna try to cheer you up. You have been there for me and I wanna be there for you.
 59° 
Nicole
She understood.
She was actually happy.
It finally didn't
Have to be a secret
Anymore
Because she
Understood.
Because she was happy
It could finally
Be said out loud
Be shared and
Be understood.
Too bad it was
Just a dream.
 58° 
Rastislav
power is not force. it is presence that doesnโ€™t leave.
(the one who stands and is drawn towards โ€” not by command, but by gravity.)


i do not command โ€”
i endure.
i do not move.
i remain โ€”
and so, draw.

not with force,
but with gravity โ€”
the name silence wears
when someone listens
long enough.

i am not flame.
i am the hand
that might one day
be lifted.

power is not possession.
it is presence
that does not flee
when you need
to be seen.

โ‹ฏ

you do not ask โ€”
but wish to be held.
you are not pleading,
you are forming โ€”
a shape unfinished,
already breathing.

you do not surrender.
you open โ€”
like a hand
where a name
wants to rest.

this is not weakness.
this is the dignity
of being known.
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