Submit your work, meet writers and drop the ads. Become a member
Vanity, saith the preacher, vanity!
Draw round my bed: is Anselm keeping back?
Nephews—sons mine—ah God, I know not! Well—
She, men would have to be your mother once,
Old Gandolf envied me, so fair she was!
What’s done is done, and she is dead beside,
Dead long ago, and I am Bishop since,
And as she died so must we die ourselves,
And thence ye may perceive the world’s a dream.
Life, how and what is it? As here I lie
In this state-chamber, dying by degrees,
Hours and long hours in the dead night, I ask
“Do I live, am I dead?” Peace, peace seems all.
Saint Praxed’s ever was the church for peace;
And so, about this tomb of mine. I fought
With tooth and nail to save my niche, ye know:
—Old Gandolf cozened me, despite my care;
Shrewd was that ****** from out the corner South
He graced his carrion with, God curse the same!
Yet still my niche is not so cramped but thence
One sees the pulpit o’ the epistle-side,
And somewhat of the choir, those silent seats,
And up into the very dome where live
The angels, and a sunbeam’s sure to lurk:
And I shall fill my slab of basalt there,
And ’neath my tabernacle take my rest,
With those nine columns round me, two and two,
The odd one at my feet where Anselm stands:
Peach-blossom marble all, the rare, the ripe
As fresh poured red wine of a mighty pulse
—Old Gandolf with his paltry onion-stone,
Put me where I may look at him! True peach,
Rosy and flawless: how I earned the prize!
Draw close: that conflagration of my church
—What then? So much was saved if aught were missed!
My sons, ye would not be my death? Go dig
The white-grape vineyard where the oil-press stood,
Drop water gently till the surface sink,
And if ye find—Ah God, I know not, I!—
Bedded in store of rotten fig-leaves soft,
And corded up in a tight olive-frail,
Some lump, ah God, of lapis lazuli,
Big as a Jew’s head cut off at the nape,
Blue as a vein o’er the Madonna’s breast
Sons, all have I bequeathed you, villas, all,
That brave Frascati villa with its bath,
So, let the blue lump poise between my knees,
Like God the Father’s globe on both his hands
Ye worship in the Jesu Church so gay,
For Gandolf shall not choose but see and burst!
Swift as a weaver’s shuttle fleet our years:
Man goeth to the grave, and where is he?
Did I say basalt for my slab, sons? Black—
’Twas ever antique-black I meant! How else
Shall ye contrast my frieze to come beneath?
The bas-relief in bronze ye promised me.
Those Pans and Nymphs ye wot of, and perchance
Some tripod, thyrsus, with a vase or so,
The Saviour at his sermon on the mount,
Saint Praxed in a glory, and one Pan
Ready to twitch the Nymph’s last garment off,
And Moses with the tables—but I know
Ye mark me not! What do they whisper thee,
Child of my bowels, Anselm? Ah, ye hope
To revel down my villas while I gasp
Bricked o’er with beggar’s mouldy travertine
Which Gandolf from his tomb-top chuckles at!
Nay, boys, ye love me—all of jasper, then!
’Tis jasper ye stand pledged to, lest I grieve.
My bath must needs be left behind, alas!
One block, pure green as a pistachio-nut,
There’s plenty jasper somewhere in the world—
And have I not Saint Praxed’s ear to pray
Horses for ye, and brown Greek manuscripts,
And mistresses with great smooth marbly limbs?
—That’s if ye carve my epitaph aright,
Choice Latin, picked phrase, Tully’s every word,
No gaudy ware like Gandolf’s second line—
Tully, my masters? Ulpian serves his need!
And then how I shall lie through centuries,
And hear the blessed mutter of the mass,
And see God made and eaten all day long,
And feel the steady candle-flame, and taste
Good strong thick stupefying incense-smoke!
For as I lie here, hours of the dead night,
Dying in state and by such slow degrees,
I fold my arms as if they clasped a crook,
And stretch my feet forth straight as stone can point,
And let the bedclothes, for a mortcloth, drop
Into great laps and folds of sculptor’s work:
And as yon tapers dwindle, and strange thoughts
Grow, with a certain humming in my ears,
About the life before I lived this life,
And this life too, popes, cardinals and priests,
Saint Praxed at his sermon on the mount,
Your tall pale mother with her talking eyes,
And new-found agate urns as fresh as day,
And marble’s language, Latin pure, discreet,
—Aha, ELUCESCEBAT quoth our friend?
No Tully, said I, Ulpian at the best!
Evil and brief hath been my pilgrimage.
All lapis, all, sons! Else I give the Pope
My villas! Will ye ever eat my heart?
Ever your eyes were as a lizard’s quick,
They glitter like your mother’s for my soul,
Or ye would heighten my impoverished frieze,
Piece out its starved design, and fill my vase
With grapes, and add a visor and a Term,
And to the tripod ye would tie a lynx
That in his struggle throws the thyrsus down,
To comfort me on my entablature
Whereon I am to lie till I must ask
“Do I live, am I dead?” There, leave me, there!
For ye have stabbed me with ingratitude
To death—ye wish it—God, ye wish it! Stone—
Gritstone, a crumble! Clammy squares which sweat
As if the corpse they keep were oozing through—
And no more lapis to delight the world!
Well, go! I bless ye. Fewer tapers there,
But in a row: and, going, turn your backs
—Ay, like departing altar-ministrants,
And leave me in my church, the church for peace,
That I may watch at leisure if he leers—
Old Gandolf—at me, from his onion-stone,
As still he envied me, so fair she was!
How sweetly shines, through azure skies,
  The lamp of Heaven on Lora’s shore;
Where Alva’s hoary turrets rise,
  And hear the din of arms no more!

But often has yon rolling moon,
  On Alva’s casques of silver play’d;
And view’d, at midnight’s silent noon,
  Her chiefs in gleaming mail array’d:

And, on the crimson’d rocks beneath,
  Which scowl o’er ocean’s sullen flow,
Pale in the scatter’d ranks of death,
  She saw the gasping warrior low;

While many an eye, which ne’er again
  Could mark the rising orb of day,
Turn’d feebly from the gory plain,
  Beheld in death her fading ray.

Once, to those eyes the lamp of Love,
  They blest her dear propitious light;
But, now, she glimmer’d from above,
  A sad, funereal torch of night.

Faded is Alva’s noble race,
  And grey her towers are seen afar;
No more her heroes urge the chase,
  Or roll the crimson tide of war.

But, who was last of Alva’s clan?
  Why grows the moss on Alva’s stone?
Her towers resound no steps of man,
  They echo to the gale alone.

And, when that gale is fierce and high,
  A sound is heard in yonder hall;
It rises hoarsely through the sky,
  And vibrates o’er the mould’ring wall.

Yes, when the eddying tempest sighs,
  It shakes the shield of Oscar brave;
But, there, no more his banners rise,
  No more his plumes of sable wave.

Fair shone the sun on Oscar’s birth,
  When Angus hail’d his eldest born;
The vassals round their chieftain’s hearth
  Crowd to applaud the happy morn.

They feast upon the mountain deer,
  The Pibroch rais’d its piercing note,
To gladden more their Highland cheer,
  The strains in martial numbers float.

And they who heard the war-notes wild,
  Hop’d that, one day, the Pibroch’s strain
Should play before the Hero’s child,
  While he should lead the Tartan train.

Another year is quickly past,
  And Angus hails another son;
His natal day is like the last,
  Nor soon the jocund feast was done.

Taught by their sire to bend the bow,
  On Alva’s dusky hills of wind,
The boys in childhood chas’d the roe,
  And left their hounds in speed behind.

But ere their years of youth are o’er,
  They mingle in the ranks of war;
They lightly wheel the bright claymore,
  And send the whistling arrow far.

Dark was the flow of Oscar’s hair,
  Wildly it stream’d along the gale;
But Allan’s locks were bright and fair,
  And pensive seem’d his cheek, and pale.

But Oscar own’d a hero’s soul,
  His dark eye shone through beams of truth;
Allan had early learn’d controul,
  And smooth his words had been from youth.

Both, both were brave; the Saxon spear
  Was shiver’d oft beneath their steel;
And Oscar’s ***** scorn’d to fear,
  But Oscar’s ***** knew to feel;

While Allan’s soul belied his form,
  Unworthy with such charms to dwell:
Keen as the lightning of the storm,
  On foes his deadly vengeance fell.

From high Southannon’s distant tower
  Arrived a young and noble dame;
With Kenneth’s lands to form her dower,
  Glenalvon’s blue-eyed daughter came;

And Oscar claim’d the beauteous bride,
  And Angus on his Oscar smil’d:
It soothed the father’s feudal pride
  Thus to obtain Glenalvon’s child.

Hark! to the Pibroch’s pleasing note,
  Hark! to the swelling nuptial song,
In joyous strains the voices float,
  And, still, the choral peal prolong.

See how the Heroes’ blood-red plumes
  Assembled wave in Alva’s hall;
Each youth his varied plaid assumes,
  Attending on their chieftain’s call.

It is not war their aid demands,
  The Pibroch plays the song of peace;
To Oscar’s nuptials throng the bands
  Nor yet the sounds of pleasure cease.

But where is Oscar? sure ’tis late:
  Is this a bridegroom’s ardent flame?
While thronging guests and ladies wait,
  Nor Oscar nor his brother came.

At length young Allan join’d the bride;
  “Why comes not Oscar?” Angus said:
“Is he not here?” the Youth replied;
  “With me he rov’d not o’er the glade:

“Perchance, forgetful of the day,
  ’Tis his to chase the bounding roe;
Or Ocean’s waves prolong his stay:
  Yet, Oscar’s bark is seldom slow.”

“Oh, no!” the anguish’d Sire rejoin’d,
  “Nor chase, nor wave, my Boy delay;
Would he to Mora seem unkind?
  Would aught to her impede his way?

“Oh, search, ye Chiefs! oh, search around!
  Allan, with these, through Alva fly;
Till Oscar, till my son is found,
  Haste, haste, nor dare attempt reply.”

All is confusion—through the vale,
  The name of Oscar hoarsely rings,
It rises on the murm’ring gale,
  Till night expands her dusky wings.

It breaks the stillness of the night,
  But echoes through her shades in vain;
It sounds through morning’s misty light,
  But Oscar comes not o’er the plain.

Three days, three sleepless nights, the Chief
  For Oscar search’d each mountain cave;
Then hope is lost; in boundless grief,
  His locks in grey-torn ringlets wave.

“Oscar! my son!—thou God of Heav’n,
  Restore the prop of sinking age!
Or, if that hope no more is given,
  Yield his assassin to my rage.

“Yes, on some desert rocky shore
  My Oscar’s whiten’d bones must lie;
Then grant, thou God! I ask no more,
  With him his frantic Sire may die!

“Yet, he may live,—away, despair!
  Be calm, my soul! he yet may live;
T’ arraign my fate, my voice forbear!
  O God! my impious prayer forgive.

“What, if he live for me no more,
  I sink forgotten in the dust,
The hope of Alva’s age is o’er:
  Alas! can pangs like these be just?”

Thus did the hapless Parent mourn,
  Till Time, who soothes severest woe,
Had bade serenity return,
  And made the tear-drop cease to flow.

For, still, some latent hope surviv’d
  That Oscar might once more appear;
His hope now droop’d and now revived,
  Till Time had told a tedious year.

Days roll’d along, the orb of light
  Again had run his destined race;
No Oscar bless’d his father’s sight,
  And sorrow left a fainter trace.

For youthful Allan still remain’d,
  And, now, his father’s only joy:
And Mora’s heart was quickly gain’d,
  For beauty crown’d the fair-hair’d boy.

She thought that Oscar low was laid,
  And Allan’s face was wondrous fair;
If Oscar liv’d, some other maid
  Had claim’d his faithless *****’s care.

And Angus said, if one year more
  In fruitless hope was pass’d away,
His fondest scruples should be o’er,
  And he would name their nuptial day.

Slow roll’d the moons, but blest at last
  Arriv’d the dearly destin’d morn:
The year of anxious trembling past,
  What smiles the lovers’ cheeks adorn!

Hark to the Pibroch’s pleasing note!
  Hark to the swelling nuptial song!
In joyous strains the voices float,
  And, still, the choral peal prolong.

Again the clan, in festive crowd,
  Throng through the gate of Alva’s hall;
The sounds of mirth re-echo loud,
  And all their former joy recall.

But who is he, whose darken’d brow
  Glooms in the midst of general mirth?
Before his eyes’ far fiercer glow
  The blue flames curdle o’er the hearth.

Dark is the robe which wraps his form,
  And tall his plume of gory red;
His voice is like the rising storm,
  But light and trackless is his tread.

’Tis noon of night, the pledge goes round,
  The bridegroom’s health is deeply quaff’d;
With shouts the vaulted roofs resound,
  And all combine to hail the draught.

Sudden the stranger-chief arose,
  And all the clamorous crowd are hush’d;
And Angus’ cheek with wonder glows,
  And Mora’s tender ***** blush’d.

“Old man!” he cried, “this pledge is done,
  Thou saw’st ’twas truly drunk by me;
It hail’d the nuptials of thy son:
  Now will I claim a pledge from thee.

“While all around is mirth and joy,
  To bless thy Allan’s happy lot,
Say, hadst thou ne’er another boy?
  Say, why should Oscar be forgot?”

“Alas!” the hapless Sire replied,
  The big tear starting as he spoke,
“When Oscar left my hall, or died,
  This aged heart was almost broke.

“Thrice has the earth revolv’d her course
  Since Oscar’s form has bless’d my sight;
And Allan is my last resource,
  Since martial Oscar’s death, or flight.”

“’Tis well,” replied the stranger stern,
  And fiercely flash’d his rolling eye;
“Thy Oscar’s fate, I fain would learn;
  Perhaps the Hero did not die.

“Perchance, if those, whom most he lov’d,
  Would call, thy Oscar might return;
Perchance, the chief has only rov’d;
  For him thy Beltane, yet, may burn.

“Fill high the bowl the table round,
  We will not claim the pledge by stealth;
With wine let every cup be crown’d;
  Pledge me departed Oscar’s health.”

“With all my soul,” old Angus said,
  And fill’d his goblet to the brim:
“Here’s to my boy! alive or dead,
  I ne’er shall find a son like him.”

“Bravely, old man, this health has sped;
  But why does Allan trembling stand?
Come, drink remembrance of the dead,
  And raise thy cup with firmer hand.”

The crimson glow of Allan’s face
  Was turn’d at once to ghastly hue;
The drops of death each other chace,
  Adown in agonizing dew.

Thrice did he raise the goblet high,
  And thrice his lips refused to taste;
For thrice he caught the stranger’s eye
  On his with deadly fury plac’d.

“And is it thus a brother hails
  A brother’s fond remembrance here?
If thus affection’s strength prevails,
  What might we not expect from fear?”

Roused by the sneer, he rais’d the bowl,
  “Would Oscar now could share our mirth!”
Internal fear appall’d his soul;
  He said, and dash’d the cup to earth.

“’Tis he! I hear my murderer’s voice!”
  Loud shrieks a darkly gleaming Form.
“A murderer’s voice!” the roof replies,
  And deeply swells the bursting storm.

The tapers wink, the chieftains shrink,
  The stranger’s gone,—amidst the crew,
A Form was seen, in tartan green,
  And tall the shade terrific grew.

His waist was bound with a broad belt round,
  His plume of sable stream’d on high;
But his breast was bare, with the red wounds there,
  And fix’d was the glare of his glassy eye.

And thrice he smil’d, with his eye so wild
  On Angus bending low the knee;
And thrice he frown’d, on a Chief on the ground,
  Whom shivering crowds with horror see.

The bolts loud roll from pole to pole,
  And thunders through the welkin ring,
And the gleaming form, through the mist of the storm,
  Was borne on high by the whirlwind’s wing.

Cold was the feast, the revel ceas’d.
  Who lies upon the stony floor?
Oblivion press’d old Angus’ breast,
  At length his life-pulse throbs once more.

“Away, away! let the leech essay
  To pour the light on Allan’s eyes:”
His sand is done,—his race is run;
  Oh! never more shall Allan rise!

But Oscar’s breast is cold as clay,
  His locks are lifted by the gale;
And Allan’s barbèd arrow lay
  With him in dark Glentanar’s vale.

And whence the dreadful stranger came,
  Or who, no mortal wight can tell;
But no one doubts the form of flame,
  For Alva’s sons knew Oscar well.

Ambition nerv’d young Allan’s hand,
  Exulting demons wing’d his dart;
While Envy wav’d her burning brand,
  And pour’d her venom round his heart.

Swift is the shaft from Allan’s bow;
  Whose streaming life-blood stains his side?
Dark Oscar’s sable crest is low,
  The dart has drunk his vital tide.

And Mora’s eye could Allan move,
  She bade his wounded pride rebel:
Alas! that eyes, which beam’d with love,
  Should urge the soul to deeds of Hell.

Lo! see’st thou not a lonely tomb,
  Which rises o’er a warrior dead?
It glimmers through the twilight gloom;
  Oh! that is Allan’s nuptial bed.

Far, distant far, the noble grave
  Which held his clan’s great ashes stood;
And o’er his corse no banners wave,
  For they were stain’d with kindred blood.

What minstrel grey, what hoary bard,
  Shall Allan’s deeds on harp-strings raise?
The song is glory’s chief reward,
  But who can strike a murd’rer’s praise?

Unstrung, untouch’d, the harp must stand,
  No minstrel dare the theme awake;
Guilt would benumb his palsied hand,
  His harp in shuddering chords would break.

No lyre of fame, no hallow’d verse,
  Shall sound his glories high in air:
A dying father’s bitter curse,
  A brother’s death-groan echoes there.
I weep for Adonais—he is dead!
O, weep for Adonais! though our tears
Thaw not the frost which binds so dear a head!
And thou, sad Hour, selected from all years
To mourn our loss, rouse thy obscure compeers,
And teach them thine own sorrow, say: “With me
Died Adonais; till the Future dares
Forget the Past, his fate and fame shall be
An echo and a light unto eternity!”

Where wert thou, mighty Mother, when he lay,
When thy Son lay, pierced by the shaft which flies
In darkness? where was lorn Urania
When Adonais died? With veiled eyes,
Mid listening Echoes, in her Paradise
She sate, while one, with soft enamoured breath,
Rekindled all the fading melodies
With which, like flowers that mock the corse beneath,
He had adorned and hid the coming bulk of death.

O, weep for Adonais—he is dead!
Wake, melancholy Mother, wake and weep!
Yet wherefore? Quench within their burning bed
Thy fiery tears, and let thy loud heart keep
Like his, a mute and uncomplaining sleep;
For he is gone, where all things wise and fair
Descend;—oh, dream not that the amorous Deep
Will yet restore him to the vital air;
Death feeds on his mute voice, and laughs at our despair.

Most musical of mourners, weep again!
Lament anew, Urania!—He died,
Who was the Sire of an immortal strain,
Blind, old, and lonely, when his country’s pride,
The priest, the slave, and the liberticide
Trampled and mocked with many a loathed rite
Of lust and blood; he went, unterrified,
Into the gulf of death; but his clear Sprite
Yet reigns o’er earth; the third among the sons of light.

Most musical of mourners, weep anew!
Not all to that bright station dared to climb;
And happier they their happiness who knew,
Whose tapers yet burn through that night of time
In which suns perished; others more sublime,
Struck by the envious wrath of man or god,
Have sunk, extinct in their refulgent prime;
And some yet live, treading the thorny road
Which leads, through toil and hate, to Fame’s serene abode.

But now, thy youngest, dearest one, has perished—
The nursling of thy widowhood, who grew,
Like a pale flower by some sad maiden cherished,
And fed with true-love tears, instead of dew;
Most musical of mourners, weep anew!
Thy extreme hope, the loveliest and the last,
The bloom, whose petals nipped before they blew
Died on the promise of the fruit, is waste;
The broken lily lies—the storm is overpast.

To that high Capital, where kingly Death
Keeps his pale court in beauty and decay,
He came; and bought, with price of purest breath,
A grave among the eternal.—Come away!
Haste, while the vault of blue Italian day
Is yet his fitting charnel-roof! while still
He lies, as if in dewy sleep he lay;
Awake him not! surely he takes his fill
Of deep and liquid rest, forgetful of all ill.

He will awake no more, oh, never more!—
Within the twilight chamber spreads apace
The shadow of white Death, and at the door
Invisible Corruption waits to trace
His extreme way to her dim dwelling-place;
The eternal Hunger sits, but pity and awe
Soothe her pale rage, nor dares she to deface
So fair a prey, till darkness, and the law
Of change, shall o’er his sleep the mortal curtain draw.

O, weep for Adonais!—The quick Dreams,
The passion-winged Ministers of thought,
Who were his flocks, whom near the living streams
Of his young spirit he fed, and whom he taught
The love which was its music, wander not,—
Wander no more, from kindling brain to brain,
But droop there, whence they sprung; and mourn their lot
Round the cold heart, where, after their sweet pain,
They ne’er will gather strength, or find a home again.

And one with trembling hands clasps his cold head,
And fans him with her moonlight wings, and cries,
“Our love, our hope, our sorrow, is not dead;
See, on the silken fringe of his faint eyes,
Like dew upon a sleeping flower, there lies
A tear some Dream has loosened from his brain.”
Lost Angel of a ruined Paradise!
She knew not ’twas her own; as with no stain
She faded, like a cloud which had outwept its rain.

One from a lucid urn of starry dew
Washed his light limbs as if embalming them;
Another clipped her profuse locks, and threw
The wreath upon him, like an anadem,
Which frozen tears instead of pearls begem;
Another in her wilful grief would break
Her bow and winged reeds, as if to stem
A greater loss with one which was more weak;
And dull the barbed fire against his frozen cheek.

Another Splendour on his mouth alit,
That mouth, whence it was wont to draw the breath
Which gave it strength to pierce the guarded wit,
And pass into the panting heart beneath
With lightning and with music: the damp death
Quenched its caress upon his icy lips;
And, as a dying meteor stains a wreath
Of moonlight vapour, which the cold night clips,
It flushed through his pale limbs, and passed to its eclipse.

And others came… Desires and Adorations,
Winged Persuasions and veiled Destinies,
Splendours, and Glooms, and glimmering Incarnations
Of hopes and fears, and twilight Phantasies;
And Sorrow, with her family of Sighs,
And Pleasure, blind with tears, led by the gleam
Of her own dying smile instead of eyes,
Came in slow pomp;—the moving pomp might seem
Like pageantry of mist on an autumnal stream.

All he had loved, and moulded into thought,
From shape, and hue, and odour, and sweet sound,
Lamented Adonais. Morning sought
Her eastern watch-tower, and her hair unbound,
Wet with the tears which should adorn the ground,
Dimmed the aereal eyes that kindle day;
Afar the melancholy thunder moaned,
Pale Ocean in unquiet slumber lay,
And the wild Winds flew round, sobbing in their dismay.

Lost Echo sits amid the voiceless mountains,
And feeds her grief with his remembered lay,
And will no more reply to winds or fountains,
Or amorous birds perched on the young green spray,
Or herdsman’s horn, or bell at closing day;
Since she can mimic not his lips, more dear
Than those for whose disdain she pined away
Into a shadow of all sounds:—a drear
Murmur, between their songs, is all the woodmen hear.

Grief made the young Spring wild, and she threw down
Her kindling buds, as if she Autumn were,
Or they dead leaves; since her delight is flown,
For whom should she have waked the sullen year?
To Phoebus was not Hyacinth so dear
Nor to himself Narcissus, as to both
Thou, Adonais: wan they stand and sere
Amid the faint companions of their youth,
With dew all turned to tears; odour, to sighing ruth.

Thy spirit’s sister, the lorn nightingale
Mourns not her mate with such melodious pain;
Not so the eagle, who like thee could scale
Heaven, and could nourish in the sun’s domain
Her mighty youth with morning, doth complain,
Soaring and screaming round her empty nest,
As Albion wails for thee: the curse of Cain
Light on his head who pierced thy innocent breast,
And scared the angel soul that was its earthly guest!

Ah, woe is me! Winter is come and gone,
But grief returns with the revolving year;
The airs and streams renew their joyous tone;
The ants, the bees, the swallows reappear;
Fresh leaves and flowers deck the dead Season’s bier;
The amorous birds now pair in every brake,
And build their mossy homes in field and brere;
And the green lizard, and the golden snake,
Like unimprisoned flames, out of their trance awake.

Through wood and stream and field and hill and Ocean
A quickening life from the Earth’s heart has burst
As it has ever done, with change and motion,
From the great morning of the world when first
God dawned on Chaos; in its stream immersed,
The lamps of Heaven flash with a softer light;
All baser things pant with life’s sacred thirst;
Diffuse themselves; and spend in love’s delight
The beauty and the joy of their renewed might.

The leprous corpse, touched by this spirit tender,
Exhales itself in flowers of gentle breath;
Like incarnations of the stars, when splendour
Is changed to fragrance, they illumine death
And mock the merry worm that wakes beneath;
Nought we know, dies. Shall that alone which knows
Be as a sword consumed before the sheath
By sightless lightning?—the intense atom glows
A moment, then is quenched in a most cold repose.

Alas! that all we loved of him should be,
But for our grief, as if it had not been,
And grief itself be mortal! Woe is me!
Whence are we, and why are we? of what scene
The actors or spectators? Great and mean
Meet massed in death, who lends what life must borrow.
As long as skies are blue, and fields are green,
Evening must usher night, night urge the morrow,
Month follow month with woe, and year wake year to sorrow.

He will awake no more, oh, never more!
“Wake thou,” cried Misery, “childless Mother, rise
Out of thy sleep, and slake, in thy heart’s core,
A wound more fierce than his with tears and sighs.”
And all the Dreams that watched Urania’s eyes,
And all the Echoes whom their sister’s song
Had held in holy silence, cried: “Arise!”
Swift as a Thought by the snake Memory stung,
From her ambrosial rest the fading Splendour sprung.

She rose like an autumnal Night, that springs
Our of the East, and follows wild and drear
The golden Day, which, on eternal wings,
Even as a ghost abandoning a bier,
Had left the Earth a corpse. Sorrow and fear
So struck, so roused, so rapt Urania;
So saddened round her like an atmosphere
Of stormy mist; so swept her on her way
Even to the mournful place where Adonais lay.

Our of her secret Paradise she sped,
Through camps and cities rough with stone, and steel,
And human hearts, which to her aery tread
Yielding not, wounded the invisible
Palms of her tender feet where’er they fell:
And barbed tongues, and thoughts more sharp than they,
Rent the soft Form they never could repel,
Whose sacred blood, like the young tears of May,
Paved with eternal flowers that undeserving way.

In the death-chamber for a moment Death,
Shamed by the presence of that living Might,
Blushed to annihilation, and the breath
Revisited those lips, and Life’s pale light
Flashed through those limbs, so late her dear delight.
“Leave me not wild and drear and comfortless,
As silent lightning leaves the starless night!
Leave me not!” cried Urania: her distress
Roused Death: Death rose and smiled, and met her vain caress.

“‘Stay yet awhile! speak to me once again;
Kiss me, so long but as a kiss may live;
And in my heartless breast and burning brain
That word, that kiss, shall all thoughts else survive,
With food of saddest memory kept alive,
Now thou art dead, as if it were a part
Of thee, my Adonais! I would give
All that I am to be as thou now art!
But I am chained to Time, and cannot thence depart!

“O gentle child, beautiful as thou wert,
Why didst thou leave the trodden paths of men
Too soon, and with weak hands though mighty heart
Dare the unpastured dragon in his den?
Defenceless as thou wert, oh, where was then
Wisdom the mirrored shield, or scorn the spear?
Or hadst thou waited the full cycle, when
Thy spirit should have filled its crescent sphere,
The monsters of life’s waste had fled from thee like deer.

“The herded wolves, bold only to pursue;
The obscene ravens, clamorous o’er the dead;
The vultures to the conqueror’s banner true
Who feed where Desolation first has fed,
And whose wings rain contagion;—how they fled,
When, like Apollo, from his golden bow
The Pythian of the age one arrow sped
And smiled!—The spoilers tempt no second blow,
They fawn on the proud feet that spurn them lying low.

“The sun comes forth, and many reptiles spawn;
He sets, and each ephemeral insect then
Is gathered into death without a dawn,
And the immortal stars awake again;
So is it in the world of living men:
A godlike mind soars forth, in its delight
Making earth bare and veiling heaven, and when
It sinks, the swarms that dimmed or shared its light
Leave to its kindred lamps the spirit’s awful night.”

Thus ceased she: and the mountain shepherds came,
Their garlands sere, their magic mantles rent;
The Pilgrim of Eternity, whose fame
Over his living head like Heaven is bent,
An early but enduring monument,
Came, veiling all the lightnings of his song
In sorrow; from her wilds Irene sent
The sweetest lyrist of her saddest wrong,
And Love taught Grief to fall like music from his tongue.

Midst others of less note, came one frail Form,
A phantom among men; companionless
As the last cloud of an expiring storm
Whose thunder is its knell; he, as I guess,
Had gazed on Nature’s naked loveliness,
Actaeon-like, and now he fled astray
With feeble steps o’er the world’s wilderness,
And his own thoughts, along that rugged way,
Pursued, like raging hounds, their father and their prey.

A pardlike Spirit beautiful and swift—
A Love in desolation masked;—a Power
Girt round with weakness;—it can scarce uplift
The weight of the superincumbent hour;
It is a dying lamp, a falling shower,
A breaking billow;—even whilst we speak
Is it not broken? On the withering flower
The killing sun smiles brightly: on a cheek
The life can burn in blood, even while the heart may break.

His head was bound with pansies overblown,
And faded violets, white, and pied, and blue;
And a light spear topped with a cypress cone,
Round whose rude shaft dark ivy-tresses grew
Yet dripping with the forest’s noonday dew,
Vibrated, as the ever-beating heart
Shook the weak hand that grasped it; of that crew
He came the last, neglected and apart;
A herd-abandoned deer struck by the hunter’s dart.

All stood aloof, and at his partial moan
Smiled through their tears; well knew that gentle band
Who in another’s fate now wept his own,
As in the accents of an unknown land
He sung new sorrow; sad Urania scanned
The Stranger’s mien, and murmured: “Who art thou?”
He answered not, but with a sudden hand
Made bare his branded and ensanguined brow,
Which was like Cain’s or Christ’s—oh! that it should be so!

What softer voice is hushed over the dead?
Athwart what brow is that dark mantle thrown?
What form leans sadly o’er the white death-bed,
In mockery of monumental stone,
The heavy heart heaving without a moan?
If it be He, who, gentlest of the wise,
Taught, soothed, loved, honoured the departed one,
Let me not vex, with inharmonious sighs,
The silence of that heart’s accepted sacrifice.

Our Adonais has drunk poison—oh!
What deaf and viperous murderer could crown
Life’s early cup with such a draught of woe?
The nameless worm would now itself disown:
It felt, yet could escape, the magic tone
Whose prelude held all envy, hate, and wrong,
But what was howling in one breast alone,
Silent with expectation of the song,
Whose master’s hand is cold, whose silver lyre unstrung.

Live thou, whose infamy is not thy fame!
Live! fear no heavier chastisement from me,
Thou noteless blot on a remembered name!
But be thyself, and know thyself to be!
And ever at thy season be thou free
To spill the venom when thy fangs o’erflow:
Remorse and Self-contempt shall cling to thee;
Hot Shame shall burn upon thy secret brow,
And like a beaten hound tremble thou shalt—as now.

Nor let us weep that our delight is fled
Far from these carrion kites that scream below;
He wakes or sleeps with the enduring dead;
Thou canst not soar where he is sitting now—
Dust to the dust! but the pure spirit shall flow
Back to the burning fountain whence it came,
A portion of the Eternal, which must glow
Through time and change, unquenchably the same,
Whilst thy cold embers choke the sordid hearth of shame.

Peace, peace! he is not dead, he doth not sleep—
He hath awakened from the dream of life—
’Tis we, who lost in stormy visions, keep
With phantoms an unprofitable strife,
And in mad trance, strike with our spirit’s knife
Invulnerable nothings.—We decay
Like corpses in a charnel; fear and grief
Convulse us and consume us day by day,
And cold hopes swarm like worms within our living clay.

He has outsoared the shadow of our night;
Envy and calumny and hate and pain,
And that unrest which men miscall delight,
Can touch him not and torture not again;
From the contagion of the world’s slow stain
He is secure, and now can never mourn
A heart grown cold, a head grown grey in vain;
Nor, when the spirit’s self has ceased to burn,
With sparkless ashes load an unlamented urn.

He lives, he wakes—’tis Death is dead, not he;
Mourn not for Adonais.—Thou young Dawn,
Turn all thy dew to splendour, for from thee
The spirit thou lamentest is not gone;
Ye caverns and ye forests, cease to moan!
Cease, ye faint flowers and fountains, and thou Air
Which like a mourning veil
ryn Sep 2014
Creature of myth, you have to be real
I know you're there, I know you exist
Can't see nor touch but indeed I feel
That should suffice to say the least

No one I know has seen this mythical creature
I stand by my beliefs... I simply just do...
This being unknown to aged texts or ancient scriptures
Allow me to document, I'll keep it true

"A magnificent neck that tapers into a head
Much like a halo, wearing a luminescent crown
Azurite for eyes like many have said
A golden mane majestically cascading down

Almond shaped face, with cheeks slightly scaled
In the centre were dimple-like nostrils
From it's mouth, a voice; demure and frail
Speaks in verses from a time frozen still

Within the cage right under its chest
I know that calmly there lay beating
A huge, magnanimous heart does rest
Embedded deep within a physique so beguiling

Its spine is perfect, as if forged by a divine mould
Limbs are long, but with gait so light
Non terrestrial wings that into nothing they fold
Stretched around is smoothened skin milky white"


That is all I have got to offer so far
Matched the words to my mind's bewitching visage
No one has seen it; thus ensured that they cannot mar
In my head will forever be etched the image

Creature of myth... Please be real
Know that I am blinded, I just want to see
Not for the others, you don't reveal
I do believe... I just need to convince me...
--To Elizabeth Robins Pennell


'O mes cheres Mille et Une Nuits!'--Fantasio.

Once on a time
There was a little boy:  a master-mage
By virtue of a Book
Of magic--O, so magical it filled
His life with visionary pomps
Processional!  And Powers
Passed with him where he passed.  And Thrones
And Dominations, glaived and plumed and mailed,
Thronged in the criss-cross streets,
The palaces pell-mell with playing-fields,
Domes, cloisters, dungeons, caverns, tents, arcades,
Of the unseen, silent City, in his soul
Pavilioned jealously, and hid
As in the dusk, profound,
Green stillnesses of some enchanted mere.--

I shut mine eyes . . . And lo!
A flickering ****** of memory that floats
Upon the face of a pool of darkness five
And thirty dead years deep,
Antic in girlish broideries
And skirts and silly shoes with straps
And a broad-ribanded leghorn, he walks
Plain in the shadow of a church
(St. Michael's:  in whose brazen call
To curfew his first wails of wrath were whelmed),
Sedate for all his haste
To be at home; and, nestled in his arm,
Inciting still to quiet and solitude,
Boarded in sober drab,
With small, square, agitating cuts
Let in a-top of the double-columned, close,
Quakerlike print, a Book! . . .
What but that blessed brief
Of what is gallantest and best
In all the full-shelved Libraries of Romance?
The Book of rocs,
Sandalwood, ivory, turbans, ambergris,
Cream-tarts, and lettered apes, and calendars,
And ghouls, and genies--O, so huge
They might have overed the tall Minster Tower
Hands down, as schoolboys take a post!
In truth, the Book of Camaralzaman,
Schemselnihar and Sindbad, Scheherezade
The peerless, Bedreddin, Badroulbadour,
Cairo and Serendib and Candahar,
And Caspian, and the dim, terrific bulk--
Ice-ribbed, fiend-visited, isled in spells and storms--
Of Kaf! . . . That centre of miracles,
The sole, unparalleled Arabian Nights!

Old friends I had a-many--kindly and grim
Familiars, cronies quaint
And goblin!  Never a Wood but housed
Some morrice of dainty dapperlings.  No Brook
But had his nunnery
Of green-haired, silvry-curving sprites,
To cabin in his grots, and pace
His lilied margents.  Every lone Hillside
Might open upon Elf-Land.  Every Stalk
That curled about a Bean-stick was of the breed
Of that live ladder by whose delicate rungs
You climbed beyond the clouds, and found
The Farm-House where the Ogre, gorged
And drowsy, from his great oak chair,
Among the flitches and pewters at the fire,
Called for his Faery Harp.  And in it flew,
And, perching on the kitchen table, sang
Jocund and jubilant, with a sound
Of those gay, golden-vowered madrigals
The shy thrush at mid-May
Flutes from wet orchards flushed with the triumphing dawn;
Or blackbirds rioting as they listened still,
In old-world woodlands rapt with an old-world spring,
For Pan's own whistle, savage and rich and lewd,
And mocked him call for call!

I could not pass
The half-door where the cobbler sat in view
Nor figure me the wizen Leprechaun,
In square-cut, faded reds and buckle-shoes,
Bent at his work in the hedge-side, and know
Just how he tapped his brogue, and twitched
His wax-end this and that way, both with wrists
And elbows.  In the rich June fields,
Where the ripe clover drew the bees,
And the tall quakers trembled, and the West Wind
Lolled his half-holiday away
Beside me lolling and lounging through my own,
'Twas good to follow the Miller's Youngest Son
On his white horse along the leafy lanes;
For at his stirrup linked and ran,
Not cynical and trapesing, as he loped
From wall to wall above the espaliers,
But in the bravest tops
That market-town, a town of tops, could show:
Bold, subtle, adventurous, his tail
A banner flaunted in disdain
Of human stratagems and shifts:
King over All the Catlands, present and past
And future, that moustached
Artificer of fortunes, ****-in-Boots!
Or Bluebeard's Closet, with its plenishing
Of meat-hooks, sawdust, blood,
And wives that hung like fresh-dressed carcases--
Odd-fangled, most a butcher's, part
A faery chamber hazily seen
And hazily figured--on dark afternoons
And windy nights was visiting of the best.
Then, too, the pelt of hoofs
Out in the roaring darkness told
Of Herne the Hunter in his antlered helm
Galloping, as with despatches from the Pit,
Between his hell-born Hounds.
And Rip Van Winkle . . . often I lurked to hear,
Outside the long, low timbered, tarry wall,
The mutter and rumble of the trolling bowls
Down the lean plank, before they fluttered the pins;
For, listening, I could help him play
His wonderful game,
In those blue, booming hills, with Mariners
Refreshed from kegs not coopered in this our world.

But what were these so near,
So neighbourly fancies to the spell that brought
The run of Ali Baba's Cave
Just for the saying 'Open Sesame,'
With gold to measure, peck by peck,
In round, brown wooden stoups
You borrowed at the chandler's? . . . Or one time
Made you Aladdin's friend at school,
Free of his Garden of Jewels, Ring and Lamp
In perfect trim? . . . Or Ladies, fair
For all the embrowning scars in their white *******
Went labouring under some dread ordinance,
Which made them whip, and bitterly cry the while,
Strange Curs that cried as they,
Till there was never a Black ***** of all
Your consorting but might have gone
Spell-driven miserably for crimes
Done in the pride of womanhood and desire . . .
Or at the ghostliest altitudes of night,
While you lay wondering and acold,
Your sense was fearfully purged; and soon
Queen Labe, abominable and dear,
Rose from your side, opened the Box of Doom,
Scattered the yellow powder (which I saw
Like sulphur at the Docks in bulk),
And muttered certain words you could not hear;
And there! a living stream,
The brook you bathed in, with its weeds and flags
And cresses, glittered and sang
Out of the hearthrug over the nakedness,
Fair-scrubbed and decent, of your bedroom floor! . . .

I was--how many a time!--
That Second Calendar, Son of a King,
On whom 'twas vehemently enjoined,
Pausing at one mysterious door,
To pry no closer, but content his soul
With his kind Forty.  Yet I could not rest
For idleness and ungovernable Fate.
And the Black Horse, which fed on sesame
(That wonder-working word!),
Vouchsafed his back to me, and spread his vans,
And soaring, soaring on
From air to air, came charging to the ground
Sheer, like a lark from the midsummer clouds,
And, shaking me out of the saddle, where I sprawled
Flicked at me with his tail,
And left me blinded, miserable, distraught
(Even as I was in deed,
When doctors came, and odious things were done
On my poor tortured eyes
With lancets; or some evil acid stung
And wrung them like hot sand,
And desperately from room to room
Fumble I must my dark, disconsolate way),
To get to Bagdad how I might.  But there
I met with Merry Ladies.  O you three--
Safie, Amine, Zobeide--when my heart
Forgets you all shall be forgot!
And so we supped, we and the rest,
On wine and roasted lamb, rose-water, dates,
Almonds, pistachios, citrons.  And Haroun
Laughed out of his lordly beard
On Giaffar and Mesrour (I knew the Three
For all their Mossoul habits).  And outside
The Tigris, flowing swift
Like Severn bend for bend, twinkled and gleamed
With broken and wavering shapes of stranger stars;
The vast, blue night
Was murmurous with peris' plumes
And the leathern wings of genies; words of power
Were whispering; and old fishermen,
Casting their nets with prayer, might draw to shore
Dead loveliness:  or a prodigy in scales
Worth in the Caliph's Kitchen pieces of gold:
Or copper vessels, stopped with lead,
Wherein some Squire of Eblis watched and railed,
In durance under potent charactry
Graven by the seal of Solomon the King . . .

Then, as the Book was glassed
In Life as in some olden mirror's quaint,
Bewildering angles, so would Life
Flash light on light back on the Book; and both
Were changed.  Once in a house decayed
From better days, harbouring an errant show
(For all its stories of dry-rot
Were filled with gruesome visitants in wax,
Inhuman, hushed, ghastly with Painted Eyes),
I wandered; and no living soul
Was nearer than the pay-box; and I stared
Upon them staring--staring.  Till at last,
Three sets of rafters from the streets,
I strayed upon a mildewed, rat-run room,
With the two Dancers, horrible and obscene,
Guarding the door:  and there, in a bedroom-set,
Behind a fence of faded crimson cords,
With an aspect of frills
And dimities and dishonoured privacy
That made you hanker and hesitate to look,
A Woman with her litter of Babes--all slain,
All in their nightgowns, all with Painted Eyes
Staring--still staring; so that I turned and ran
As for my neck, but in the street
Took breath.  The same, it seemed,
And yet not all the same, I was to find,
As I went up!  For afterwards,
Whenas I went my round alone--
All day alone--in long, stern, silent streets,
Where I might stretch my hand and take
Whatever I would:  still there were Shapes of Stone,
Motionless, lifelike, frightening--for the Wrath
Had smitten them; but they watched,
This by her melons and figs, that by his rings
And chains and watches, with the hideous gaze,
The Painted Eyes insufferable,
Now, of those grisly images; and I
Pursued my best-beloved quest,
Thrilled with a novel and delicious fear.
So the night fell--with never a lamplighter;
And through the Palace of the King
I groped among the echoes, and I felt
That they were there,
Dreadfully there, the Painted staring Eyes,
Hall after hall . . . Till lo! from far
A Voice!  And in a little while
Two tapers burning!  And the Voice,
Heard in the wondrous Word of God, was--whose?
Whose but Zobeide's,
The lady of my heart, like me
A True Believer, and like me
An outcast thousands of leagues beyond the pale! . . .

Or, sailing to the Isles
Of Khaledan, I spied one evenfall
A black blotch in the sunset; and it grew
Swiftly . . . and grew.  Tearing their beards,
The sailors wept and prayed; but the grave ship,
Deep laden with spiceries and pearls, went mad,
Wrenched the long tiller out of the steersman's hand,
And, turning broadside on,
As the most iron would, was haled and ******
Nearer, and nearer yet;
And, all awash, with horrible lurching leaps
Rushed at that Portent, casting a shadow now
That swallowed sea and sky; and then,
Anchors and nails and bolts
Flew screaming out of her, and with clang on clang,
A noise of fifty stithies, caught at the sides
Of the Magnetic Mountain; and she lay,
A broken bundle of firewood, strown piecemeal
About the waters; and her crew
Passed shrieking, one by one; and I was left
To drown.  All the long night I swam;
But in the morning, O, the smiling coast
Tufted with date-trees, meadowlike,
Skirted with shelving sands!  And a great wave
Cast me ashore; and I was saved alive.
So, giving thanks to God, I dried my clothes,
And, faring inland, in a desert place
I stumbled on an iron ring--
The fellow of fifty built into the Quays:
When, scenting a trap-door,
I dug, and dug; until my biggest blade
Stuck into wood.  And then,
The flight of smooth-hewn, easy-falling stairs,
Sunk in the naked rock!  The cool, clean vault,
So neat with niche on niche it might have been
Our beer-cellar but for the rows
Of brazen urns (like monstrous chemist's jars)
Full to the wide, squat throats
With gold-dust, but a-top
A layer of pickled-walnut-looking things
I knew for olives!  And far, O, far away,
The Princess of China languished!  Far away
Was marriage, with a Vizier and a Chief
Of Eunuchs and the privilege
Of going out at night
To play--unkenned, majestical, secure--
Where the old, brown, friendly river shaped
Like Tigris shore for shore!  Haply a Ghoul
Sat in the churchyard under a frightened moon,
A thighbone in his fist, and glared
At supper with a Lady:  she who took
Her rice with tweezers grain by grain.
Or you might stumble--there by the iron gates
Of the Pump Room--underneath the limes--
Upon Bedreddin in his shirt and drawers,
Just as the civil Genie laid him down.
Or those red-curtained panes,
Whence a tame cornet tenored it throatily
Of beer-pots and spittoons and new long pipes,
Might turn a caravansery's, wherein
You found Noureddin Ali, loftily drunk,
And that fair Persian, bathed in tears,
You'd not have given away
For all the diamonds in the Vale Perilous
You had that dark and disleaved afternoon
Escaped on a roc's claw,
Disguised like Sindbad--but in Christmas beef!
And all the blissful while
The schoolboy satchel at your hip
Was such a bulse of gems as should amaze
Grey-whiskered chapmen drawn
From over Caspian:  yea, the Chief Jewellers
Of Tartary and the bazaars,
Seething with traffic, of enormous Ind.--

Thus cried, thus called aloud, to the child heart
The magian East:  thus the child eyes
Spelled out the wizard message by the light
Of the sober, workaday hours
They saw, week in week out, pass, and still pass
In the sleepy Minster City, folded kind
In ancient Severn's arm,
Amongst her water-meadows and her docks,
Whose floating populace of ships--
Galliots and luggers, light-heeled brigantines,
Bluff barques and rake-hell fore-and-afters--brought
To her very doorsteps and geraniums
The scents of the World's End; the calls
That may not be gainsaid to rise and ride
Like fire on some high errand of the race;
The irresistible appeals
For comradeship that sound
Steadily from the irresistible sea.
Thus the East laughed and whispered, and the tale,
Telling itself anew
In terms of living, labouring life,
Took on the colours, busked it in the wear
Of life that lived and laboured; and Romance,
The Angel-Playmate, raining down
His golden influences
On all I saw, and all I dreamed and did,
Walked with me arm in arm,
Or left me, as one bediademed with straws
And bits of glass, to gladden at my heart
Who had the gift to seek and feel and find
His fiery-hearted presence everywhere.
Even so dear Hesper, bringer of all good things,
Sends the same silver dews
Of happiness down her dim, delighted skies
On some poor collier-hamlet--(mound on mound
Of sifted squalor; here a soot-throated stalk
Sullenly smoking over a row
Of flat-faced hovels; black in the gritty air
A web of rails and wheels and beams; with strings
Of hurtling, tipping trams)--
As on the amorous nightingales
And roses of Shiraz, or the walls and towers
Of Samarcand--the Ineffable--whence you espy
The splendour of Ginnistan's embattled spears,
Like listed lightnings.
Samarcand!
That name of names!  That star-vaned belvedere
Builded against the Chambers of the South!
That outpost on the Infinite!
And behold!
Questing therefrom, you knew not what wild tide
Might overtake you:  for one fringe,
One suburb, is stablished on firm earth; but one
Floats founded vague
In lubberlands delectable--isles of palm
And lotus, fortunate mains, far-shimmering seas,
The promise of wistful hills--
The shining, shifting Sovranties of Dream.
Janette Sep 2012
Hush, my heart, for something is done...




Watch for the night
to lay our vows
over the wild parable of gardens
and over the wet lessons of the moon,
that give us prophecy in whispers
of dream, elope, and leave,
the absence of still rooms,
soothing, the svelte lips
descending upon my neck
in the seance of evening,
you soak calla lilies
of our red earth oils
and ***,
and with them
draw me a nuptial bath,

unbind the taupe soles
I have kept with the grace
of a concubine, sold
into the dark alcoves,
beyond the value of reticence,
you find me in rainstorms,
and wrap me in the flesh

and fabric of your hands,
behind silk walls,
with the ardour of Rapunzel's deliverance,
let down over the clavicles,
as fists unclench
in their exhaustion,

baby roses quiver this night, I keep
in pecan skin and votive eyes,
dip the Fahrenheit of your glance,
as it strays over my lips, your tongue
whips of mustard weeds,
seed your voice, sinks
into the garden's cleavage

as its lit pink tapers
spill their desperate midnights
and abandoned mornings,

ache under the arthritic, thick cedar
addictions to the milkflower
of a presence painted in clay glyphs,
stay the sinew and ******
of my body, a madrigal
upon our Indian Summer bed,

bled in a chorus of cicadas....

let the hymn be heard
over all these broken vows
and shattered pledges, speak
from the ruined marriage of flesh,
as I kneel in our earth,
in the sere, and seek in myself
that measure of peace, I know
is not there, without you,

to writhe in the throes
of exquisite anguish,

I give

my mouth in dream,
between your thighs
where the river runs fierce,
under the lithe sapling root
of my tongue, as it runs
the swift currents
and golden eddies
of inebriate skin, puckers
over the Inulin of the ****
and begins its swelling,
down the trellis of bones,
and the ******* of limbs
beneath the black monsoon
of the soul, as it perishes

in the engorged maw
of the split body, blades
of shoulders, soaked in the myrrh
of our rapture, fading
lifelines engraved on the back
of the hand you hold soft,
against me,

as my throat buries its moan
swallowed by your own, for solely
in you is it silenced, quelled
by the swells of song
you reign in the jugular
and soothe, a balm
for all my body, burning

its defiance, taken
to the limits of this,
our savage garden,
in the pilgrimage
to such lavish boundaries,
held abeyant, the cadence
of candles and solemn vows
sound the rhythm of our slow deaths,
writ in the lush psalm of the handsome earth,

our love, engulfed
in the wells of a sole desire,
I give you this,
my body's silkwhite harvest of faith,
driven fast with nails

into the exquisite wrists of the Christflesh,
shivering under the furtive delirium
of these, our fevers,
severed from body to body: twain,
that is now one ardent sorrow of flesh,
this is my body,
this is my blood,

I have given,
vows to bind our words, my love,
to the vigilance of night, that lives
and dies with the fall and rise of you breath,
one muslin depth,
relinquished to the white earth,
over an eternity of deliverance...
(PIANO DI SORRENTO.)

Fortu, Frotu, my beloved one,
Sit here by my side,
On my knees put up both little feet!
I was sure, if I tried,
I could make you laugh spite of Scirocco;
Now, open your eyes—
Let me keep you amused till he vanish
In black from the skies,
With telling my memories over
As you tell your beads;
All the memories plucked at Sorrento
—The flowers, or the weeds,
Time for rain! for your long hot dry Autumn
Had net-worked with brown
The white skin of each grape on the bunches,
Marked like a quail’s crown,
Those creatures you make such account of,
Whose heads,—specked with white
Over brown like a great spider’s back,
As I told you last night,—
Your mother bites off for her supper;
Red-ripe as could be.
Pomegranates were chapping and splitting
In halves on the tree:
And betwixt the loose walls of great flintstone,
Or in the thick dust
On the path, or straight out of the rock side,
Wherever could ******
Some burnt sprig of bold hardy rock-flower
Its yellow face up,
For the prize were great butterflies fighting,
Some five for one cup.
So, I guessed, ere I got up this morning,
What change was in store,
By the quick rustle-down of the quail-nets
Which woke me before
I could open my shutter, made fast
With a bough and a stone,
And look through the twisted dead vine-twigs,
Sole lattice that’s known!
Quick and sharp rang the rings down the net-poles,
While, busy beneath,
Your priest and his brother tugged at them,
The rain in their teeth:
And out upon all the flat house-roofs
Where split figs lay drying,
The girls took the frails under cover:
Nor use seemed in trying
To get out the boats and go fishing,
For, under the cliff,
Fierce the black water frothed o’er the blind-rock
No seeing our skiff
Arrive about noon from Amalfi,
—Our fisher arrive,
And pitch down his basket before us,
All trembling alive
With pink and grey jellies, your sea-fruit,
—You touch the strange lumps,
And mouths gape there, eyes open, all manner
Of horns and of humps.
Which only the fisher looks grave at,
While round him like imps
Cling screaming the children as naked
And brown as his shrimps;
Himself too as bare to the middle—
—You see round his neck
The string and its brass coin suspended,
That saves him from wreck.
But today not a boat reached Salerno,
So back to a man
Came our friends, with whose help in the vineyards
Grape-harvest began:
In the vat, half-way up in our house-side,
Like blood the juice spins,
While your brother all bare-legged is dancing
Till breathless he grins
Dead-beaten, in effort on effort
To keep the grapes under,
Since still when he seems all but master,
In pours the fresh plunder
From girls who keep coming and going
With basket on shoulder,
And eyes shut against the rain’s driving,
Your girls that are older,—
For under the hedges of aloe,
And where, on its bed
Of the orchard’s black mould, the love-apple
Lies pulpy and red,
All the young ones are kneeling and filling
Their laps with the snails
Tempted out by this first rainy weather,—
Your best of regales,
As tonight will be proved to my sorrow,
When, supping in state,
We shall feast our grape-gleaners (two dozen,
Three over one plate)
With lasagne so tempting to swallow
In slippery ropes,
And gourds fried in great purple slices,
That colour of popes.
Meantime, see the grape-bunch they’ve brought you,—
The rain-water slips
O’er the heavy blue bloom on each globe
Which the wasp to your lips
Still follows with fretful persistence—
Nay, taste, while awake,
This half of a curd-white smooth cheese-ball,
That peels, flake by flake,
Like an onion’s, each smoother and whiter;
Next, sip this weak wine
From the thin green glass flask, with its stopper,
A leaf of the vine,—
And end with the prickly-pear’s red flesh
That leaves through its juice
The stony black seeds on your pearl-teeth
…Scirocco is loose!
Hark! the quick, whistling pelt of the olives
Which, thick in one’s track,
Tempt the stranger to pick up and bite them,
Though not yet half black!
How the old twisted olive trunks shudder!
The medlars let fall
Their hard fruit, and the brittle great fig-trees
Snap off, figs and all,—
For here comes the whole of the tempest
No refuge, but creep
Back again to my side and my shoulder,
And listen or sleep.

O how will your country show next week
When all the vine-boughs
Have been stripped of their foliage to pasture
The mules and the cows?
Last eve, I rode over the mountains;
Your brother, my guide,
Soon left me, to feast on the myrtles
That offered, each side,
Their fruit-*****, black, glossy and luscious,—
Or strip from the sorbs
A treasure, so rosy and wondrous,
Of hairy gold orbs!
But my mule picked his sure, sober path out,
Just stopping to neigh
When he recognized down in the valley
His mates on their way
With the *******, and barrels of water;
And soon we emerged
From the plain, where the woods could scarce follow
And still as we urged
Our way, the woods wondered, and left us,
As up still we trudged
Though the wild path grew wilder each instant,
And place was e’en grudged
’Mid the rock-chasms, and piles of loose stones
(Like the loose broken teeth
Of some monster, which climbed there to die
From the ocean beneath)
Place was grudged to the silver-grey fume-****
That clung to the path,
And dark rosemary, ever a-dying,
That, ’spite the wind’s wrath,
So loves the salt rock’s face to seaward,—
And lentisks as staunch
To the stone where they root and bear berries,—
And… what shows a branch
Coral-coloured, transparent, with circlets
Of pale seagreen leaves—
Over all trod my mule with the caution
Of gleaners o’er sheaves,
Still, foot after foot like a lady—
So, round after round,
He climbed to the top of Calvano,
And God’s own profound
Was above me, and round me the mountains,
And under, the sea,
And within me, my heart to bear witness
What was and shall be!
Oh Heaven, and the terrible crystal!
No rampart excludes
Your eye from the life to be lived
In the blue solitudes!
Oh, those mountains, their infinite movement!
Still moving with you—
For, ever some new head and breast of them
Thrusts into view
To observe the intruder—you see it
If quickly you turn
And, before they escape you, surprise them—
They grudge you should learn
How the soft plains they look on, lean over,
And love (they pretend)
-Cower beneath them; the flat sea-pine crouches
The wild fruit-trees bend,
E’en the myrtle-leaves curl, shrink and shut—
All is silent and grave—
’Tis a sensual and timorous beauty—
How fair, but a slave!
So, I turned to the sea,—and there slumbered
As greenly as ever
Those isles of the siren, your Galli;
No ages can sever
The Three, nor enable their sister
To join them,—half-way
On the voyage, she looked at Ulysses—
No farther today;
Though the small one, just launched in the wave,
Watches breast-high and steady
From under the rock, her bold sister
Swum half-way already.
Fortu, shall we sail there together
And see from the sides
Quite new rocks show their faces—new haunts
Where the siren abides?
Shall we sail round and round them, close over
The rocks, though unseen,
That ruffle the grey glassy water
To glorious green?
Then scramble from splinter to splinter,
Reach land and explore,
On the largest, the strange square black turret
With never a door,
Just a loop to admit the quick lizards;
Then, stand there and hear
The birds’ quiet singing, that tells us
What life is, so clear!
The secret they sang to Ulysses,
When, ages ago,
He heard and he knew this life’s secret,
I hear and I know!

Ah, see! The sun breaks o’er Calvano—
He strikes the great gloom
And flutters it o’er the mount’s summit
In airy gold fume!
All is over! Look out, see the gipsy,
Our tinker and smith,
Has arrived, set up bellows and forge,
And down-squatted forthwith
To his hammering, under the wall there;
One eye keeps aloof
The urchins that itch to be putting
His jews’-harps to proof,
While the other, through locks of curled wire,
Is watching how sleek
Shines the hog, come to share in the windfalls
—An abbot’s own cheek!
All is over! Wake up and come out now,
And down let us go,
And see the fine things got in order
At Church for the show
Of the Sacrament, set forth this evening;
Tomorrow’s the Feast
Of the Rosary’s ******, by no means
Of Virgins the least—
As you’ll hear in the off-hand discourse
Which (all nature, no art)
The Dominican brother, these three weeks,
Was getting by heart.
Not a post nor a pillar but’s dizened
With red and blue papers;
All the roof waves with ribbons, each altar
A-blaze with long tapers;
But the great masterpiece is the scaffold
Rigged glorious to hold
All the fiddlers and fifers and drummers
And trumpeters bold,
Not afraid of Bellini nor Auber,
Who, when the priest’s hoarse,
Will strike us up something that’s brisk
For the feast’s second course.
And then will the flaxen-wigged Image
Be carried in pomp
Through the plain, while in gallant procession
The priests mean to stomp.
And all round the glad church lie old bottles
With gunpowder stopped,
Which will be, when the Image re-enters,
Religiously popped.
And at night from the crest of Calvano
Great bonfires will hang,
On the plain will the trumpets join chorus,
And more poppers bang!
At all events, come—to the garden,
As far as the wall,
See me tap with a *** on the plaster
Till out there shall fall
A scorpion with wide angry nippers!

…”Such trifles”—you say?
Fortu, in my England at home,
Men meet gravely today
And debate, if abolishing Corn-laws
Is righteous and wise
—If ’tis proper, Scirocco should vanish
In black from the skies!
in a dark of frenzy it boils up inside
until summarily and inexplicably
see the colour between brown and blue
more than see it, immerse myself in it
swimming slowly in its clouds
see the colour between brown and blue
everywhere votive candles light
the colour between brown and blue
with slender tapers that touch a life
any life, your life
casting strange shadows, loose shadows
between the colour of brown and blue
children swarm, children with bright white
starvation hair, children with hands
like small worn mittens
who raise red swarms in hot worn out
death laden dust
dust that cauterizes the nostrils
with the stench of penurious insanity
the colour between brown and blue
that inveigles a purchase of flies
bottle blue, black blue, green blue,
swarming blue, swirling whirling blue
a black and blue confetti of flies
then the sudden zero of the
colour between brown and blue
hair raising, command faith
willed, willing, mumbling, murmuring
the excitement of writing between
the colour of brown and blue
trees shake and tremble
words regurgitate themselves like hot
food, the bark, write
now fully electrically charged
seized by the colour between brown and blue
forget everything else, write, write more, more, write
trembling with sudden shudders of merciless
vowels, madness penurious pencil
moves across, demanding paper
pushing worn words, worthy words whittled by use
words not yet written, words of wonder
oh what words
beautiful, baffling,baleful, words
with beastly beatitudes, words that conjure the mind
words between brown and blue
that leave you skinny like a stray dog
words so demanding leave you shut up in an
airless abattoir of high energy and low residue
the colour between brown and blue
where everywhere is everywhere else
touched by the flames of the colour between brown and blue
Daniel Magner Feb 2013
My earlobes are stretched
so the words the world yells
go right through.
Each size increase
hurts just the right amount,
pain is weakness that
acrylic slowly helps me lose.
But the skin heals
without fail,
filling in micro tears.
As long as they have enough time
they get better.

I am just like my
ears.
© Daniel Magner 2013
Caety Lanel Jan 2013
I know a place
Far from this time 
That has gray skies 
Yet never rains 

I know a place 
That has just one city 
Glass windows broken 
Vines and plants smothering 
The gray cement 

I know a place 
Where there are only 
Fallen skyscrapers 
Cracked streets 

I know a place 
Where people are scared 
And huddle in the city 
To threatened to move 
Imagine it 
Mankinds whole population 
In one city 
They are Violent 
Because war reins 

I know a place 
Where gun ships replace 
Rain 
Where bombs replace 
Trees 
Where starvation replaces
Animals i once knew by name 
That are no longer 
Where food is to be fought for 
And sides to be chosen 

Yes I know this place 
I visited it in a dream 
I was on the opposing side 
In this silly game 
A member of their convenient war council 
Yet I do not know what we were called, what we fought for 
I was here in this mourning city 
By accident 
And I saw a boy that I knew 
Flying one of those gunships 
Our eyes locked, and 
Next thing I knew 
I was holding his face in my hands 
Crying, for war was indestructible 
Whispering to him, "I know you" 
And he looked at me with frightened eyes 
And said, "I wish I did" 

Yes, I know a place 
Of despair 
Of toil
Of misguided hatred for our brothers 
Our sisters
Of loss 
Of agony 
Of people so crude, so violent and twisted by fear and loss
Huddled in the Mourning City 
Where even hope isn't among their prized possessions 
Did you know 
That some don't know what the sun is? 

Yes I stay away from that place 
The Mourning City 
I wonder which is really the evil side
And travel down a hill 
Covered in grass 
Shining, lustrous, long blades of it 
Braided together in clumps 
Sand showing between them 
I sit on this hill 
And look out at an ocean 
Reflecting the gray of the sky 
But somehow transforming the gray 
Into the finest silver 
It is an ocean, yes 
But it has no waves to ruffle it 
Even the wind has fled  

 It is the only beautiful place left 
Where grass cranes float in the sky 
It used to be called origami
Borne by a wind made just for them 
I do not make these grass cranes 
Nobody does 
But the grass sitting in clumps on the hillside 
Bends and twists and folds 
Giving up it's life in the ground
To go sailing in the gray sky  
By some miracle offering up true beauty 
If only people would come and see it 

This is the place where I am truly happy 
Joyful to the point of tears 
As a crane floats down to me  
I catch it and hold it gently, this miracle the grass has folded itself into 
It reminds me of the paper cranes I played with as a child 
With a smooth, long, straigt body 
With a long tail sloping up in the back 
Pointed upwards to the sky, it's final destination 
The neck is long and slender 
The head perched atop of the neck furrowed down 
In the greatest majesty 
The wings 
Smooth and unbroken 
Wide pieces of blades melded together 
About the length of my hand 
The end adjoining the body the widest part
And blooms and tapers slowly to a point 
Like the petals in a flower 

It is beautiful and graceful, this grass crane 
I throw it back up in the air 
Watch it soar with it's comrades 
As I lay on my back 
Go to sleep 
And awake in my house 
Clinging to the memory of 
a place where I was  happy 
The place of the Grass Cranes
To Jenny came a gentle youth
   From inland leazes lone;
His love was fresh as apple-blooth
   By Parrett, Yeo, or Tone.
And duly he entreated her
To be his tender minister,
   And call him aye her own.

Fair Jenny’s life had hardly been
   A life of modesty;
At Casterbridge experience keen
   Of many loves had she
From scarcely sixteen years above:
Among them sundry troopers of
   The King’s-Own Cavalry.

But each with charger, sword, and gun,
   Had bluffed the Biscay wave;
And Jenny prized her gentle one
   For all the love he gave.
She vowed to be, if they were wed,
His honest wife in heart and head
   From bride-ale hour to grave.

Wedded they were. Her husband’s trust
   In Jenny knew no bound,
And Jenny kept her pure and just,
   Till even malice found
No sin or sign of ill to be
In one who walked so decently
   The duteous helpmate’s round.

Two sons were born, and bloomed to men,
   And roamed, and were as not:
Alone was Jenny left again
   As ere her mind had sought
A solace in domestic joys,
And ere the vanished pair of boys
   Were sent to sun her cot.

She numbered near on sixty years,
   And passed as elderly,
When, in the street, with flush of fears,
   On day discovered she,
From shine of swords and thump of drum,
Her early loves from war had come,
   The King’s Own Cavalry.

She turned aside, and bowed her head
   Anigh Saint Peter’s door;
“Alas for chastened thoughts!” she said;
   “I’m faded now, and ****,
And yet those notes—they thrill me through,
And those gay forms move me anew
   As in the years of yore!”…

—’Twas Christmas, and the Phoenix Inn
   Was lit with tapers tall,
For thirty of the trooper men
   Had vowed to give a ball
As “Theirs” had done (fame handed down)
When lying in the self-same town
   Ere Buonaparté’s fall.

That night the throbbing “Soldier’s Joy,”
   The measured tread and sway
Of “Fancy-Lad” and “Maiden Coy,”
   Reached Jenny as she lay
Beside her spouse; till springtide blood
Seemed scouring through her like a flood
   That whisked the years away.

She rose, and rayed, and decked her head
   To hide her ringlets thin;
Upon her cap two bows of red
   She fixed with hasty pin;
Unheard descending to the street,
She trod the flags with tune-led feet,
   And stood before the Inn.

Save for the dancers’, not a sound
   Disturbed the icy air;
No watchman on his midnight round
   Or traveller was there;
But over All-Saints’, high and bright,
Pulsed to the music Sirius white,
   The Wain by Bullstake Square.

She knocked, but found her further stride
   Checked by a sergeant tall:
“Gay Granny, whence come you?” he cried;
   “This is a private ball.”
—”No one has more right here than me!
Ere you were born, man,” answered she,
   “I knew the regiment all!”

“Take not the lady’s visit ill!”
   Upspoke the steward free;
“We lack sufficient partners still,
   So, prithee let her be!”
They seized and whirled her ’mid the maze,
And Jenny felt as in the days
   Of her immodesty.

Hour chased each hour, and night advanced;
   She sped as shod with wings;
Each time and every time she danced—
   Reels, jigs, poussettes, and flings:
They cheered her as she soared and swooped
(She’d learnt ere art in dancing drooped
   From hops to slothful swings).

The favorite Quick-step “Speed the Plough”—
   (Cross hands, cast off, and wheel)—
“The Triumph,” “Sylph,” “The Row-dow dow,”
   Famed “Major Malley’s Reel,”
“The Duke of York’s,” “The Fairy Dance,”
“The Bridge of Lodi” (brought from France),
   She beat out, toe and heel.

The “Fall of Paris” clanged its close,
   And Peter’s chime told four,
When Jenny, *****-beating, rose
   To seek her silent door.
They tiptoed in escorting her,
Lest stroke of heel or ***** of spur
   Should break her goodman’s snore.

The fire that late had burnt fell slack
   When lone at last stood she;
Her nine-and-fifty years came back;
   She sank upon her knee
Beside the durn, and like a dart
A something arrowed through her heart
   In shoots of agony.

Their footsteps died as she leant there,
   Lit by the morning star
Hanging above the moorland, where
   The aged elm-rows are;
And, as o’ernight, from Pummery Ridge
To Maembury Ring and Standfast Bridge
   No life stirred, near or far.

Though inner mischief worked amain,
   She reached her husband’s side;
Where, toil-weary, as he had lain
   Beneath the patchwork pied
When yestereve she’d forthward crept,
And as unwitting, still he slept
   Who did in her confide.

A tear sprang as she turned and viewed
   His features free from guile;
She kissed him long, as when, just wooed.
   She chose his domicile.
Death menaced now; yet less for life
She wished than that she were the wife
   That she had been erstwhile.

Time wore to six. Her husband rose
   And struck the steel and stone;
He glanced at Jenny, whose repose
   Seemed deeper than his own.
With dumb dismay, on closer sight,
He gathered sense that in the night,
   Or morn, her soul had flown.

When told that some too mighty strain
   For one so many-yeared
Had burst her *****’s master-vein,
   His doubts remained unstirred.
His Jenny had not left his side
Betwixt the eve and morning-tide:
   —The King’s said not a word.

Well! times are not as times were then,
   Nor fair ones half so free;
And truly they were martial men,
   The King’s-Own Cavalry.
And when they went from Casterbridge
And vanished over Mellstock Ridge,
   ’Twas saddest morn to see.
In the hour of my distress,
When temptations me oppress,
And when I my sins confess,
      Sweet Spirit, comfort me!

When I lie within my bed,
Sick in heart and sick in head,
And with doubts discomforted,
      Sweet Spirit, comfort me!

When the house doth sigh and weep,
And the world is drown’d in sleep,
Yet mine eyes the watch do keep,
      Sweet Spirit, comfort me!

When the passing bell doth toll,
And the Furies in a shoal
Come to fright a parting soul,
      Sweet Spirit, comfort me!

When the tapers now burn blue,
And the comforters are few,
And that number more than true,
      Sweet Spirit, comfort me!

When the priest his last hath pray’d,
And I nod to what is said,
‘Cause my speech is now decay’d,
      Sweet Spirit, comfort me!

When, God knows, I’m toss’d about
Either with despair or doubt;
Yet before the glass be out,
      Sweet Spirit, comfort me!

When the tempter me pursu’th
With the sins of all my youth,
And half damns me with untruth,
      Sweet Spirit, comfort me!

When the flames and hellish cries
Fright mine ears and fright mine eyes,
And all terrors me surprise,
      Sweet Spirit, comfort me!

When the Judgment is reveal’d,
And that open’d which was seal’d,
When to Thee I have appeal’d,
      Sweet Spirit, comfort me!
Now, man of croziers, shadows called our names
And then away, away, like whirling flames;
And now fled by, mist-covered, without sound,
The youth and lady and the deer and hound;
'Gaze no more on the phantoms,' Niamh said,
And kissed my eyes, and, swaying her bright head
And her bright body, sang of faery and man
Before God was or my old line began;
Wars shadowy, vast, exultant; faeries of old
Who wedded men with rings of Druid gold;
And how those lovers never turn their eyes
Upon the life that fades and flickers and dies,
Yet love and kiss on dim shores far away
Rolled round with music of the sighing spray:
Yet sang no more as when, like a brown bee
That has drunk full, she crossed the misty sea
With me in her white arms a hundred years
Before this day; for now the fall of tears
Troubled her song.

                   I do not know if days
Or hours passed by, yet hold the morning rays
Shone many times among the glimmering flowers
Woven into her hair, before dark towers
Rose in the darkness, and the white surf gleamed
About them; and the horse of Faery screamed
And shivered, knowing the Isle of Many Fears,
Nor ceased until white Niamh stroked his ears
And named him by sweet names.

                              A foaming tide
Whitened afar with surge, fan-formed and wide,
Burst from a great door matred by many a blow
From mace and sword and pole-axe, long ago
When gods and giants warred.  We rode between
The seaweed-covered pillars; and the green
And surging phosphorus alone gave light
On our dark pathway, till a countless flight
Of moonlit steps glimmered; and left and right
Dark statues glimmered over the pale tide
Upon dark thrones.  Between the lids of one
The imaged meteors had flashed and run
And had disported in the stilly jet,
And the fixed stars had dawned and shone and set,
Since God made Time and Death and Sleep:  the other
Stretched his long arm to where, a misty smother,
The stream churned, churned, and churned - his lips apart,
As though he told his never-slumbering heart
Of every foamdrop on its misty way.
Tying the horse to his vast foot that lay
Half in the unvesselled sea, we climbed the stair
And climbed so long, I thought the last steps were
Hung from the morning star; when these mild words
Fanned the delighted air like wings of birds:
'My brothers spring out of their beds at morn,
A-murmur like young partridge:  with loud horn
They chase the noontide deer;
And when the dew-drowned stars hang in the air
Look to long fishing-lines, or point and pare
An ashen hunting spear.
O sigh, O fluttering sigh, be kind to me;
Flutter along the froth lips of the sea,
And shores the froth lips wet:
And stay a little while, and bid them weep:
Ah, touch their blue-veined eyelids if they sleep,
And shake their coverlet.
When you have told how I weep endlessly,
Flutter along the froth lips of the sea
And home to me again,
And in the shadow of my hair lie hid,
And tell me that you found a man unbid,
The saddest of all men.'

A lady with soft eyes like funeral tapers,
And face that seemed wrought out of moonlit vapours,
And a sad mouth, that fear made tremulous
As any ruddy moth, looked down on us;
And she with a wave-rusted chain was tied
To two old eagles, full of ancient pride,
That with dim eyeballs stood on either side.
Few feathers were on their dishevelled wings,
For their dim minds were with the ancient things.

'I bring deliverance,' pearl-pale Niamh said.

'Neither the living, nor the unlabouring dead,
Nor the high gods who never lived, may fight
My enemy and hope; demons for fright
Jabber and scream about him in the night;
For he is strong and crafty as the seas
That sprang under the Seven Hazel Trees,
And I must needs endure and hate and weep,
Until the gods and demons drop asleep,
Hearing Acdh touch thc mournful strings of gold.'

'Is he so dreadful?'
                     'Be not over-bold,
But fly while still you may.'
                              And thereon I:
'This demon shall be battered till he die,
And his loose bulk be thrown in the loud tide.'
'Flee from him,' pearl-pale Niamh weeping cried,
'For all men flee the demons'; but moved not
My angry king-remembering soul one jot.
There was no mightier soul of Heber's line;
Now it is old and mouse-like.  For a sign
I burst the chain:  still earless, neNeless, blind,
Wrapped in the things of the unhuman mind,
In some dim memory or ancient mood,
Still earless, netveless, blind, the eagles stood.

And then we climbed the stair to a high door;
A hundred horsemen on the basalt floor
Beneath had paced content:  we held our way
And stood within:  clothed in a misty ray
I saw a foam-white seagull drift and float
Under the roof, and with a straining throat
Shouted, and hailed him:  he hung there a star,
For no man's cry shall ever mount so far;
Not even your God could have thrown down that hall;
Stabling His unloosed lightnings in their stall,
He had sat down and sighed with cumbered heart,
As though His hour were come.

                              We sought the part
That was most distant from the door; green slime
Made the way slippery, and time on time
Showed prints of sea-born scales, while down through it
The captive's journeys to and fro were writ
Like a small river, and where feet touched came
A momentary gleam of phosphorus flame.
Under the deepest shadows of the hall
That woman found a ring hung on the wall,
And in the ring a torch, and with its flare
Making a world about her in the air,
Passed under the dim doorway, out of sight,
And came again, holding a second light
Burning between her fingers, and in mine
Laid it and sighed:  I held a sword whose shine
No centuries could dim, and a word ran
Thereon in Ogham letters, 'Manannan';
That sea-god's name, who in a deep content
Sprang dripping, and, with captive demons sent
Out of the sevenfold seas, built the dark hall
Rooted in foam and clouds, and cried to all
The mightier masters of a mightier race;
And at his cry there came no milk-pale face
Under a crown of thorns and dark with blood,
But only exultant faces.

                         Niamh stood
With bowed head, trembling when the white blade shone,
But she whose hours of tenderness were gone
Had neither hope nor fear.  I bade them hide
Under the shadowS till the tumults died
Of the loud-crashing and earth-shaking fight,
Lest they should look upon some dreadful sight;
And ****** the torch between the slimy flags.
A dome made out of endless carven jags,
Where shadowy face flowed into shadowy face,
Looked down on me; and in the self-same place
I waited hour by hour, and the high dome,
Windowless, pillarless, multitudinous home
Of faces, waited; and the leisured gaze
Was loaded with the memory of days
Buried and mighty.  When through the great door
The dawn came in, and glimmered on the floor
With a pale light, I journeyed round the hall
And found a door deep sunken in the wall,
The least of doors; beyond on a dim plain
A little mnnel made a bubbling strain,
And on the runnel's stony and bare edge
A dusky demon dry as a withered sedge
Swayed, crooning to himself an unknown tongue:
In a sad revelry he sang and swung
Bacchant and mournful, passing to and fro
His hand along the runnel's side, as though
The flowers still grew there:  far on the sea's waste
Shaking and waving, vapour vapour chased,
While high frail cloudlets, fed with a green light,
Like drifts of leaves, immovable and bright,
Hung in the passionate dawn.  He slowly turned:
A demon's leisure:  eyes, first white, now burned
Like wings of kingfishers; and he arose
Barking.  We trampled up and down with blows
Of sword and brazen battle-axe, while day
Gave to high noon and noon to night gave way;
And when he knew the sword of Manannan
Amid the shades of night, he changed and ran
Through many shapes; I lunged at the smooth throat
Of a great eel; it changed, and I but smote
A fir-tree roaring in its leafless top;
And thereupon I drew the livid chop
Of a drowned dripping body to my breast;
Horror from horror grew; but when the west
Had surged up in a plumy fire, I drave
Through heart and spine; and cast him in the wave
Lest Niamh shudder.

                    Full of hope and dread
Those two came carrying wine and meat and bread,
And healed my wounds with unguents out of flowers
That feed white moths by some De Danaan shrine;
Then in that hall, lit by the dim sea-shine,
We lay on skins of otters, and drank wine,
Brewed by the sea-gods, from huge cups that lay
Upon the lips of sea-gods in their day;
And then on heaped-up skins of otters slept.
And when the sun once more in saffron stept,
Rolling his flagrant wheel out of the deep,
We sang the loves and angers without sleep,
And all the exultant labours of the strong.
But now the lying clerics ****** song
With barren words and flatteries of the weak.
In what land do the powerless turn the beak
Of ravening Sorrow, or the hand of Wrath?
For all your croziers, they have left the path
And wander in the storms and clinging snows,
Hopeless for ever:  ancient Oisin knows,
For he is weak and poor and blind, and lies
On the anvil of the world.

S.  Patrick.        Be still:  the skies
Are choked with thunder, lightning, and fierce wind,
For God has heard, and speaks His angry mind;
Go cast your body on the stones and pray,
For He has wrought midnight and dawn and day.

Oisin. Saint, do you weep? I hear amid the thunder
The ****** horses; atmour torn asunder;
Laughter and cries.  The armies clash and shock,
And now the daylight-darkening ravens flock.
Cease, cease, O mournful, laughing ****** horn!

We feasted for three days.  On the fourth morn
I found, dropping sea-foam on the wide stair,
And hung with slime, and whispering in his hair,
That demon dull and unsubduable;
And once more to a day-long battle fell,
And at the sundown threw him in the surge,
To lie until the fourth morn saw emerge
His new-healed shape; and for a hundred years
So watred, so feasted, with nor dreams nor fears,
Nor languor nor fatigue:  an endless feast,
An endless war.

                The hundred years had ceased;
I stood upon the stair:  the surges bore
A beech-bough to me, and my heart grew sore,
Remembering how I had stood by white-haired Finn
Under a beech at Almhuin and heard the thin
Outcry of bats.

                And then young Niamh came
Holding that horse, and sadly called my name;
I mounted, and we passed over the lone
And drifting greyness, while this monotone,
Surly and distant, mixed inseparably
Into the clangour of the wind and sea.

'I hear my soul drop down into decay,
And Mananna's dark tower, stone after stone.
Gather sea-slime and fall the seaward way,
And the moon goad the waters night and day,
That all be overthrown.

'But till the moon has taken all, I wage
War on the mightiest men under the skies,
And they have fallen or fled, age after age.
Light is man's love, and lighter is man's rage;
His purpose drifts and dies.'

And then lost Niamh murmured, 'Love, we go
To the Island of Forgetfulness, for lo!
The Islands of Dancing and of Victories
Are empty of all power.'

                         'And which of these
Is the Island of Content?'

                           'None know,' she said;
And on my ***** laid her weeping head.
Blow, blow your trumpets till they crack,
Ye little men of little souls!
And bid them huddle at your back -
Gold-******* leeches, shoals on shoals!

Fill all the air with hungry wails -
"Reward us, ere we think or write!
Without your Gold mere Knowledge fails
To sate the swinish appetite!"

And, where great Plato paced serene,
Or Newton paused with wistful eye,
Rush to the chace with hoofs unclean
And Babel-clamour of the sty

Be yours the pay: be theirs the praise:
We will not rob them of their due,
Nor vex the ghosts of other days
By naming them along with you.

They sought and found undying fame:
They toiled not for reward nor thanks:
Their cheeks are hot with honest shame
For you, the modern mountebanks!

Who preach of Justice - plead with tears
That Love and Mercy should abound -
While marking with complacent ears
The moaning of some tortured hound:

Who prate of Wisdom - nay, forbear,
Lest Wisdom turn on you in wrath,
Trampling, with heel that will not spare,
The vermin that beset her path!

Go, throng each other's drawing-rooms,
Ye idols of a petty clique:
Strut your brief hour in borrowed plumes,
And make your penny-trumpets squeak.

Deck your dull talk with pilfered shreds
Of learning from a nobler time,
And oil each other's little heads
With mutual Flattery's golden slime:

And when the topmost height ye gain,
And stand in Glory's ether clear,
And grasp the prize of all your pain -
So many hundred pounds a year -

Then let Fame's banner be unfurled!
Sing Paeans for a victory won!
Ye tapers, that would light the world,
And cast a shadow on the Sun -

Who still shall pour His rays sublime,
One crystal flood, from East to West,
When YE have burned your little time
And feebly flickered into rest!
Lora Lee Jul 2016
Under this canopy
of dark
gleaming stars
I now sit
allow my body
to take residence
in the aura
of my own
glowing
      let thoughts
             of reason
         slowly unravel
until they
become
one
     long
           thread
connecting my
mind but
releasing it
to the air
Molecules, like
the tiniest of crystals,
gently whir
energetically
             about me
in almost
invisible stirrings
letting the power
of energy centers
take over:
Red,
    for my root
            for I am
               tethered
          to this earth
       Orange, for
the passion
so strong
                and truly knowing
         my own worth
Yellow, for
            my gut,
                instincts open
              and a-light
       expanding into
universes, broadening
my sight
Then my heart
washed through and through
in shades of green
its own incandescence
filled with verdant,
                     fiery sheens
It beats a lantern
of vitality
in this ocean of pain
sending a beacon in
the darkness
helping to break old,
patterns
prompt them to
         snap like rusty chains
Here it pumps in growth of
leafy, budding  light
Guiding my spirit
      in ripeness full and bright

I rise up
into the
indigo-turquoise
of my throat
as words burst forth
                        in surges,
in the salty froth
of ocean spirals
             they float,
get pulled by
mysterious urges
Like waterfall mist
just kissing
the tips of eyelash
                 flickers
these words that
have the power
                 to calm
or make my blood
                 run quicker
And then:
the deep purple
of my crown
that tapers into
a shimmering white
          and I know
I can now
receive myself,
calm, in queenly
presence of mind
of spirit
in my highest
                  form of
                             light
I went out last evening and sat under the stars
centered myself
in a kind of meditation
and this poem was born

Yes, imagery of seven chakras, or energy centers, each represented by a color,  are present within it
It was the Winter wilde,
While the Heav’n-born-childe,
  All meanly wrapt in the rude manger lies;
Nature in aw to him
Had doff’t her gawdy trim,
  With her great Master so to sympathize:
It was no season then for her
To wanton with the Sun her ***** Paramour.

Only with speeches fair
She woo’s the gentle Air
  To hide her guilty front with innocent Snow,
And on her naked shame,
Pollute with sinfull blame,
  The Saintly Vail of Maiden white to throw,
Confounded, that her Makers eyes
Should look so neer upon her foul deformities.

But he her fears to cease,
Sent down the meek-eyd Peace,
  She crown’d with Olive green, came softly sliding
Down through the turning sphear
His ready Harbinger,
  With Turtle wing the amorous clouds dividing,
And waving wide her mirtle wand,
She strikes a universall Peace through Sea and Land.

No War, or Battails sound
Was heard the World around,
  The idle spear and shield were high up hung;
The hookèd Chariot stood
Unstain’d with hostile blood,
  The Trumpet spake not to the armèd throng,
And Kings sate still with awfull eye,
As if they surely knew their sovran Lord was by.

But peacefull was the night
Wherin the Prince of light
  His raign of peace upon the earth began:
The Windes with wonder whist,
Smoothly the waters kist,
  Whispering new joyes to the milde Ocean,
Who now hath quite forgot to rave,
While Birds of Calm sit brooding on the charmeèd wave.

The Stars with deep amaze
Stand fixt in stedfast gaze,
  Bending one way their pretious influence,
And will not take their flight,
For all the morning light,
  Or Lucifer that often warn’d them thence;
But in their glimmering Orbs did glow,
Untill their Lord himself bespake, and bid them go.

And though the shady gloom
Had given day her room,
  The Sun himself with-held his wonted speed,
And hid his head for shame,
As his inferiour flame,
  The new enlightn’d world no more should need;
He saw a greater Sun appear
Then his bright Throne, or burning Axletree could bear.

The Shepherds on the Lawn,
Or ere the point of dawn,
  Sate simply chatting in a rustick row;
Full little thought they than,
That the mighty Pan
  Was kindly com to live with them below;
Perhaps their loves, or els their sheep,
Was all that did their silly thoughts so busie keep.

When such musick sweet
Their hearts and ears did greet,
  As never was by mortall finger strook,
Divinely-warbled voice
Answering the stringèd noise,
  As all their souls in blisfull rapture took
The Air such pleasure loth to lose,
With thousand echo’s still prolongs each heav’nly close.

Nature that heard such sound
Beneath the hollow round
  Of Cynthia’s seat, the Airy region thrilling,
Now was almost won
To think her part was don,
  And that her raign had here its last fulfilling;
She knew such harmony alone
Could hold all Heav’n and Earth in happier union.

At last surrounds their sight
A Globe of circular light,
  That with long beams the shame-fac’t night array’d,
The helmèd Cherubim
And sworded Seraphim,
  Are seen in glittering ranks with wings displaid,
Harping in loud and solemn quire,
With unexpressive notes to Heav’ns new-born Heir.

Such musick (as ’tis said)
Before was never made,
  But when of old the sons of morning sung,
While the Creator Great
His constellations set,
  And the well-ballanc’t world on hinges hung,
And cast the dark foundations deep,
And bid the weltring waves their oozy channel keep.

Ring out ye Crystall sphears,
Once bless our human ears,
  (If ye have power to touch our senses so)
And let your silver chime
Move in melodious time;
  And let the Base of Heav’ns deep ***** blow
And with your ninefold harmony
Make up full consort to th’Angelike symphony.

For if such holy Song
Enwrap our fancy long,
  Time will run back, and fetch the age of gold,
And speckl’d vanity
Will sicken soon and die,
  And leprous sin will melt from earthly mould,
And Hell it self will pass away,
And leave her dolorous mansions to the peering day.

Yea Truth, and Justice then
Will down return to men,
  Th’enameld Arras of the Rain-bow wearing,
And Mercy set between,
Thron’d in Celestiall sheen,
  With radiant feet the tissued clouds down stearing,
And Heav’n as at som festivall,
Will open wide the Gates of her high Palace Hall.

But wisest Fate sayes no,
This must not yet be so,
  The Babe lies yet in smiling Infancy,
That on the bitter cross
Must redeem our loss;
  So both himself and us to glorifie:
Yet first to those ychain’d in sleep,
The wakefull trump of doom must thunder through the deep,

With such a horrid clang
As on mount Sinai rang
  While the red fire, and smouldring clouds out brake:
The agèd Earth agast
With terrour of that blast,
  Shall from the surface to the center shake;
When at the worlds last session,
The dreadfull Judge in middle Air shall spread his throne.

And then at last our bliss
Full and perfect is,
  But now begins; for from this happy day
Th’old Dragon under ground
In straiter limits bound,
  Not half so far casts his usurpèd sway,
And wrath to see his Kingdom fail,
Swindges the scaly Horrour of his foulded tail.

The Oracles are dumm,
No voice or hideous humm
  Runs through the archèd roof in words deceiving.
Apollo from his shrine
Can no more divine,
  With hollow shreik the steep of Delphos leaving.
No nightly trance, or breathèd spell,
Inspire’s the pale-ey’d Priest from the prophetic cell.

The lonely mountains o’re,
And the resounding shore,
  A voice of weeping heard, and loud lament;
From haunted spring, and dale
Edg’d with poplar pale,
  The parting Genius is with sighing sent,
With flowre-inwov’n tresses torn
The Nimphs in twilight shade of tangled thickets mourn.

In consecrated Earth,
And on the holy Hearth,
  The Lars, and Lemures moan with midnight plaint,
In Urns, and Altars round,
A drear, and dying sound
  Affrights the Flamins at their service quaint;
And the chill Marble seems to sweat,
While each peculiar power forgoes his wonted seat

Peor, and Baalim,
Forsake their Temples dim,
  With that twise-batter’d god of Palestine,
And moonèd Ashtaroth,
Heav’ns Queen and Mother both,
  Now sits not girt with Tapers holy shine,
The Libyc Hammon shrinks his horn,
In vain the Tyrian Maids their wounded Thamuz mourn.

And sullen Moloch fled,
Hath left in shadows dred,
  His burning Idol all of blackest hue,
In vain with Cymbals ring,
They call the grisly king,
  In dismall dance about the furnace blue;
The brutish gods of Nile as fast,
Isis and Orus, and the Dog Anubis hast.

Nor is Osiris seen
In Memphian Grove, or Green,
  Trampling the unshowr’d Grasse with lowings loud:
Nor can he be at rest
Within his sacred chest,
  Naught but profoundest Hell can be his shroud,
In vain with Timbrel’d Anthems dark
The sable-stolèd Sorcerers bear his worshipt Ark.

He feels from Juda’s Land
The dredded Infants hand,
  The rayes of Bethlehem blind his dusky eyn;
Nor all the gods beside,
Longer dare abide,
  Not Typhon huge ending in snaky twine:
Our Babe to shew his Godhead true,
Can in his swadling bands controul the damnèd crew.

So when the Sun in bed,
Curtain’d with cloudy red,
  Pillows his chin upon an Orient wave,
The flocking shadows pale,
Troop to th’infernall jail,
  Each fetter’d Ghost slips to his severall grave,
And the yellow-skirted Fayes,
Fly after the Night-steeds, leaving their Moon-lov’d maze.

But see the ****** blest,
Hath laid her Babe to rest.
  Time is our tedious Song should here have ending,
Heav’ns youngest teemèd Star,
Hath fixt her polisht Car,
  Her sleeping Lord with Handmaid Lamp attending:
And all about the Courtly Stable,
Bright-harnest Angels sit in order serviceable.
I

It was the Winter wilde,
While the Heav’n-born-childe,
All meanly wrapt in the rude manger lies;
Nature in aw to him
Had doff’t her gawdy trim,
With her great Master so to sympathize:
It was no season then for her
To wanton with the Sun her ***** Paramour.

II

Only with speeches fair
She woo’d the gentle Air
To hide her guilty front with innocent Snow,
And on her naked shame,
Pollute with sinfull blame,
The Saintly Vail of Maiden white to throw,
Confounded, that her Makers eyes
Should look so near upon her foul deformities.

III

But he her fears to cease,
Sent down the meek-eyd Peace,
She crown’d with Olive green, came softly sliding
Down through the turning sphear
His ready Harbinger,
With Turtle wing the amorous clouds dividing,
And waving wide her mirtle wand,
She strikes a universall Peace through Sea and Land.

IV

No War, or Battails sound
Was heard the World around,
The idle spear and shield were high up hung;
The hooked Chariot stood
Unstain’d with hostile blood,
The Trumpet spake not to the armed throng,
And Kings sate still with awfull eye,
As if they surely knew their sovran Lord was by.

V

But peacefull was the night
Wherin the Prince of light
His raign of peace upon the earth began:
The Windes with wonder whist,
Smoothly the waters kist,
Whispering new joyes to the milde Ocean,
Who now hath quite forgot to rave,
While Birds of Calm sit brooding on the charmed wave.

VI

The Stars with deep amaze
Stand fit in steadfast gaze,
Bending one way their pretious influence,
And will not take their flight,
For all the morning light,
Or Lucifer that often warned them thence;
But in their glimmering Orbs did glow,
Until their Lord himself bespake, and bid them go.

VII

And though the shady gloom
Had given day her room,
The Sun himself with-held his wonted speed,
And hid his head for shame,
As his inferior flame,
The new enlightened world no more should need;
He saw a greater Sun appear
Then his bright Throne, or burning Axletree could bear.

VIII

The Shepherds on the Lawn,
Or ere the point of dawn,
Sate simply chatting in a rustic row;
Full little thought they than,
That the mighty Pan
Was kindly com to live with them below;
Perhaps their loves, or els their sheep,
Was all that did their silly thoughts so busie keep.

IX

When such Musick sweet
Their hearts and ears did greet,
As never was by mortal finger strook,
Divinely-warbled voice
Answering the stringed noise,
As all their souls in blisfull rapture took:
The Air such pleasure loth to lose,
With  thousand echo’s still prolongs each heav’nly close.

X

Nature that heard such  sound
Beneath  the hollow round
of Cynthia’s seat the Airy region thrilling,
Now was almost won
To think her part was don
And that her raign had here its last fulfilling;
She knew such harmony alone
Could hold all Heav’n and Earth in happier union.

XI

At last surrounds their sight
A globe of circular light,
That with long beams the shame faced night arrayed
The helmed Cherubim
And sworded Seraphim,
Are seen in glittering ranks with wings displaid,
Harping in loud and solemn quire,
With unexpressive notes to Heav’ns new-born Heir.

XII

Such Musick (as ’tis said)
Before was never made,
But when of old the sons of morning sung,
While the Creator Great
His constellations set,
And the well-ballanc’t world on hinges hung,
And cast the dark foundations deep,
And bid the weltring waves their oozy channel keep.

XIII

Ring out ye Crystall sphears,
Once bless our human ears,
(If ye have power to touch our senses so)
And let your silver chime
Move in melodious time;
And let the Base of Heav’ns deep ***** blow,
And with your ninefold harmony
Make up full consort to th’Angelike symphony.

XIV

For if such holy Song
Enwrap our fancy long,
Time will run back, and fetch the age of gold,
And speckl’d vanity
Will sicken soon and die,
And leprous sin will melt from earthly mould,
And Hell it self will pass away
And leave her dolorous mansions to the peering day.

XV

Yea Truth, and Justice then
Will down return to men,
Th’enameld Arras of the Rain-bow wearing,
And Mercy set between
Thron’d in Celestiall sheen,
With radiant feet the tissued clouds down stearing,
And Heav’n as at som festivall,
Will open wide the gates of her high Palace Hall.

XVI

But wisest Fate sayes  no,
This must not yet be so,
The Babe lies yet in smiling Infancy,
That on the bitter cross
Must redeem our loss;
So both himself and us to glorifie:
Yet first to those ychain’d in sleep,
The Wakeful trump of doom must thunder through the deep,

XVII

With such a horrid clang
As on Mount Sinai rang
While the red fire, and smouldring clouds out brake:
The aged Earth agast
With terrour of that blast,
Shall from the surface to the center shake;
When at the worlds last session,
The dreadfull Judge in middle Air shall spread his throne.

XVIII

And then at last  our bliss
Full and perfect is,
But now begins; for from this happy day
Th’old Dragon under ground
In straiter limits bound,
Not half so far casts his usurped sway,
And wrath to see his Kingdom fail,
Swindges the scaly Horrour of his foulded tail.

XIX

The Oracles are dumm,
No voice or hideous humm
Runs through the arched roof in words deceiving.
Apollo from his shrine
Can no more divine,
With hollow shreik the steep of Delphos leaving.
No nightly trance, or breathed spell,
Inspire’s the pale-ey’d Priest from the prophetic cell.

**

The lonely mountains o’re,
And the resounding shore,
A voice of weeping heard, and loud lament;
From haunted spring, and dale
Edg’d with poplar pale
The parting Genius is with sighing sent,
With flowre-inwov’n tresses torn
The Nimphs in twilight shade of tangled thickets mourn.

XXI

In consecrated Earth,
And on the holy Hearth,
The Lars, and Lemures moan with midnight plaint,
In Urns, and Altars round,
A drear, and dying sound
Affrights the Flamins at their service quaint;
And the chill Marble seems to sweat,
While each peculiar power forgoes his wonted seat.

XXII

Peor, and Baalim,
Forsake their Temples dim,
With that twise-batter’d god of Palestine,
And mooned Ashtaroth,
Heav’ns Queen and Mother both,
Now sits not girt with Tapers holy shine,
The Libyc Hammon shrinks his horn,
In vain the Tyrian Maids their wounded Thamuz mourn.

XXIII

And sullen Moloch fled,
Hath left in shadows dred,
His burning Idol all of blackest hue,
In vain with Cymbals ring,
They call the grisly king,
In dismall dance about the furnace Blue;
And Brutish gods of Nile as fast,
lsis and Orus, and the Dog Anubis hast.
Hannah Christina Jun 2018
I don't mean to only express myself
Let's turn our gaze outward to something else
Because really, we're nothing
reflections and vapors
our lives seem so long to us then as time tapers
down to the end
it's
getting faster again
and it's time that, my friend
in this time that you spend
looking out for yourself realize your wealth and your life and your thoughts they are
just
so
small.
I'm nothing at all but a freckle of dust
but looking around there are millions of us
there's a picture out there taking shape so we must
have courage and dare to strip off all our lust for
our own affirmation
our self-presentation
must find a foundation in something much bigger than us.
As you cry to be heard pause and listen to hear
for when long you have listened the Light will draw near
and you'll find all the words that you cannot deserve
so please gather the nerve discontent to preserve
And climb outside and point out to the stars over hills
and from you the joy and the knowledge will spill
For expression is best when it's not just for you
My confession is this, let it always be true.
I think this one is best read as spoken word/ slam.  If there are parts where the rhythm feels off let me know!
Her eyes the glow-worm lend thee,
The shooting stars attend thee;
And the elves also,
Whose little eyes glow
Like the sparks of fire, befriend thee.

No Will-o’-th’-Wisp mislight thee,
Nor snake or slow-worm bite thee;
But on, on thy way,
Not making a stay,
Since ghost there’s none to affright thee.

Let not the dark thee cumber:
What though the moon does slumber?
The stars of the night
Will lend thee their light
Like tapers clear without number.

Then, Julia, let me woo thee,
Thus, thus to come unto me;
And when I shall meet
Thy silv’ry feet
My soul I’ll pour into thee.
Angelica Renee Aug 2013
Before last night, I'd only seen the forbidden-fruit curves and
ripples
rendering my skin unbeautiful.
But in the fluorescent indifference of a drugstore
I caught sight of my legs through eyes not my own,
new tapers and bulges swathed in black spandex
even too flimsy for the $15 price tag,
and wondered why words like "small" and "gap"
were heaven to my ears,
while "quadriceps" and "endurance"
have their own quaint ring,
a lovely taste on the tip of a tongue
which has spent too much time
wallowing in self-hatred.

Strength isn't a virtue in women,
we who learn from birth to take up
as little space as possible.
Our shapes always need shaping,
guiding,
sometimes our own voices telling ourselves
we deserve the pain of fatigue
after one mile too long spent running
up the avenue,
forcing ourselves to faint
for a glimpse of thinner thighs,
we deserve to be dehumanized
if we don't inch our way into
the body laid out for us by
Mother Society.

Where is the place for the girl who
hobbles home, skin bruised purple
but flushed with the accomplishment of stopping
every single shot in practice?
Or for the boy whose gentle hands provide
the perfect perch for a butterfly to land upon?

My strength is not an imperfection.
There is beauty in it, and discipline.
These legs can take me for miles if I
take off the iron vest that keeps me
anchored to a Hollywood version
of myself.

Without it, I can fly.
Send out the singers—let the room be still;
They have not eased my pain nor brought me sleep.
Close out the sun, for I would have it dark
That I may feel how black the grave will be.
The sun is setting, for the light is red,
And you are outlined in a golden fire,
Like Ursula upon an altar-screen.
Come, leave the light and sit beside my bed,
For I have had enough of saints and prayers.
Strange broken thoughts are beating in my brain,
They come and vanish and again they come.
It is the fever driving out my soul,
And Death stands waiting by the arras there.

Ornella, I will speak, for soon my lips
Shall keep a silence till the end of time.
You have a mouth for loving—listen then:
Keep tryst with Love before Death comes to tryst;
For I, who die, could wish that I had lived
A little closer to the world of men,
Not watching always thro’ the blazoned panes
That show the world in chilly greens and blues
And grudge the sunshine that would enter in.
I was no part of all the troubled crowd
That moved beneath the palace windows here,
And yet sometimes a knight in shining steel
Would pass and catch the gleaming of my hair,
And wave a mailed hand and smile at me,
Whereat I made no sign and turned away,
Affrighted and yet glad and full of dreams.
Ah, dreams and dreams that asked no answering!
I should have wrought to make my dreams come true,
But all my life was like an autumn day,
Full of gray quiet and a hazy peace.

What was I saying?  All is gone again.
It seemed but now I was the little child
Who played within a garden long ago.
Beyond the walls the festal trumpets blared.
Perhaps they carried some Madonna by
With tossing ensigns in a sea of flowers,
A painted ****** with a painted Child,
Who saw for once the sweetness of the sun
Before they shut her in an altar-niche
Where tapers smoke against the windy gloom.
I gathered roses redder than my gown
And played that I was Saint Elizabeth,
Whose wine had turned to roses in her hands.
And as I played, a child came thro’ the gate,
A boy who looked at me without a word,
As tho’ he saw stretch far behind my head
Long lines of radiant angels, row on row.
That day we spoke a little, timidly,
And after that I never heard the voice
That sang so many songs for love of me.
He was content to stand and watch me pass,
To seek for me at matins every day,
Where I could feel his eyes the while I prayed.
I think if he had stretched his hands to me,
Or moved his lips to say a single word,
I might have loved him—he had wondrous eyes.

Ornella, are you there?  I cannot see—
Is every one so lonely when he dies?

The room is filled with lights—with waving lights—
Who are the men and women ’round the bed?
What have I said, Ornella?  Have they heard?
There was no evil hidden in my life,
And yet, and yet, I would not have them know—

Am I not floating in a mist of light?
O lift me up and I shall reach the sun!
I

Oft have I seen at some cathedral door
  A laborer, pausing in the dust and heat,
  Lay down his burden, and with reverent feet
  Enter, and cross himself, and on the floor
Kneel to repeat his paternoster o’er;
  Far off the noises of the world retreat;
  The loud vociferations of the street
  Become an undistinguishable roar.
So, as I enter here from day to day,
  And leave my burden at this minster gate,
  Kneeling in prayer, and not ashamed to pray,
The tumult of the time disconsolate
  To inarticulate murmurs dies away,
  While the eternal ages watch and wait.

II

How strange the sculptures that adorn these towers!
  This crowd of statues, in whose folded sleeves
  Birds build their nests; while canopied with leaves
  Parvis and portal bloom like trellised bowers,
And the vast minster seems a cross of flowers!
  But fiends and dragons on the gargoyled eaves
  Watch the dead Christ between the living thieves,
  And, underneath, the traitor Judas lowers!
Ah! from what agonies of heart and brain,
  What exultations trampling on despair,
  What tenderness, what tears, what hate of wrong,
What passionate outcry of a soul in pain,
  Uprose this poem of the earth and air,
  This mediæval miracle of song!

III

I enter, and I see thee in the gloom
  Of the long aisles, O poet saturnine!
  And strive to make my steps keep pace with thine.
  The air is filled with some unknown perfume;
The congregation of the dead make room
  For thee to pass; the votive tapers shine;
  Like rooks that haunt Ravenna’s groves of pine
  The hovering echoes fly from tomb to tomb.
From the confessionals I hear arise
  Rehearsals of forgotten tragedies,
  And lamentations from the crypts below;
And then a voice celestial that begins
  With the pathetic words, “Although your sins
  As scarlet be,” and ends with “as the snow.”

IV

With snow-white veil and garments as of flame,
  She stands before thee, who so long ago
  Filled thy young heart with passion and the woe
  From which thy song and all its splendors came;
And while with stern rebuke she speaks thy name,
  The ice about thy heart melts as the snow
  On mountain heights, and in swift overflow
  Comes gushing from thy lips in sobs of shame.
Thou makest full confession; and a gleam,
  As of the dawn on some dark forest cast,
  Seems on thy lifted forehead to increase;
Lethe and Eunoë—the remembered dream
  And the forgotten sorrow—bring at last
  That perfect pardon which is perfect peace.

V

I lift mine eyes, and all the windows blaze
  With forms of Saints and holy men who died,
  Here martyred and hereafter glorified;
  And the great Rose upon its leaves displays
Christ’s Triumph, and the angelic roundelays,
  With splendor upon splendor multiplied;
  And Beatrice again at Dante’s side
  No more rebukes, but smiles her words of praise.
And then the ***** sounds, and unseen choirs
  Sing the old Latin hymns of peace and love
  And benedictions of the Holy Ghost;
And the melodious bells among the spires
  O’er all the house-tops and through heaven above
  Proclaim the elevation of the Host!

VI

O star of morning and of liberty!
  O bringer of the light, whose splendor shines
  Above the darkness of the Apennines,
  Forerunner of the day that is to be!
The voices of the city and the sea,
  The voices of the mountains and the pines,
  Repeat thy song, till the familiar lines
  Are footpaths for the thought of Italy!
Thy fame is blown abroad from all the heights,
  Through all the nations, and a sound is heard,
  As of a mighty wind, and men devout,
Strangers of Rome, and the new proselytes,
  In their own language hear thy wondrous word,
  And many are amazed and many doubt.
For God’s sake hold your tongue, and let me love,
Or chide my palsy, or my gout,
My five grey hairs, or ruin’d fortune flout,
With wealth your state, your mind with arts improve,
Take you a course, get you a place,
Observe his Honour, or his Grace,
Or the King’s real, or his stamped face
Contemplate, what you will, approve,
So you will let me love.

Alas, alas, who’s injur’d by my love?
What merchant’s ships have my sighs drown’d?
Who says my tears have overflow’d his ground?
When did my colds a forward spring remove?
When did the heats which my veins fill
Add one more to the plaguy bill?
Soldiers find wars, and lawyers find out still
Litigious men, which quarrels move,
Though she and I do love.

Call us what you will, we are made such by love;
Call her one, me another fly,
We’are tapers too, and at our own cost die,
And we in us find the’eagle and the dove.
The phoenix riddle hath more wit
By us; we two being one, are it.
So, to one neutral thing both sexes fit,
We die and rise the same, and prove
Mysterious by this love.

We can die by it, if not live by love,
And if unfit for tombs and hearse
Our legend be, it will be fit for verse;
And if no piece of chronicle we prove,
We’ll build in sonnets pretty rooms;
As well a well-wrought urn becomes
The greatest ashes, as half-acre tombs,
And by these hymns all shall approve
Us canoniz’d for love;

And thus invoke us: “You, whom reverend love
Made one another’s hermitage;
You, to whom love was peace, that now is rage;
Who did the whole world’s soul contract, and drove
Into the glasses of your eyes
(So made such mirrors, and such spies,
That they did all to you epitomize)
Countries, towns, courts: beg from above
A pattern of your love!”
By night we linger'd on the lawn,
For underfoot the herb was dry;
And genial warmth; and o'er the sky
The silvery haze of summer drawn;

And calm that let the tapers burn
Unwavering: not a cricket chirr'd:
The brook alone far-off was heard,
And on the board the fluttering urn:

And bats went round in fragrant skies,
And wheel'd or lit the filmy shapes
That haunt the dusk, with ermine capes
And woolly ******* and beaded eyes;

While now we sang old songs that peal'd
From knoll to knoll, where, couch'd at ease,
The white kine glimmer'd, and the trees
Laid their dark arms about the field.

But when those others, one by one,
Withdrew themselves from me and night,
And in the house light after light
Went out, and I was all alone,

A hunger seized my heart; I read
Of that glad year which once had been,
In those fall'n leaves which kept their green,
The noble letters of the dead:

And strangely on the silence broke
The silent-speaking words, and strange
Was love's dumb cry defying change
To test his worth; and strangely spoke

The faith, the vigour, bold to dwell
On doubts that drive the coward back,
And keen thro' wordy snares to track
Suggestion to her inmost cell.

So word by word, and line by line,
The dead man touch'd me from the past,
And all at once it seem'd at last
The living soul was flash'd on mine,

And mine in this was wound, and whirl'd
About empyreal heights of thought,
And came on that which is, and caught
The deep pulsations of the world,

aeonian music measuring out
The steps of Time--the shocks of Chance--
The blows of Death. At length my trance
Was cancell'd, stricken thro' with doubt.

Vague words! but ah, how hard to frame
In matter-moulded forms of speech,
Thro' memory that which I became:

Till now the doubtful dusk reveal'd
The knolls once more where, couch'd at ease,
The white kine glimmer'd, and the trees
Laid their dark arms about the field:

And ****'d from out the distant gloom
A breeze began to tremble o'er
The large leaves of the sycamore,
And fluctuate all the still perfume,

And gathering freshlier overhead,
Rock'd the full-foliaged elms, and swung
The heavy-folded rose, and flung
The lilies to and fro, and said

"The dawn, the dawn," and died away;
And East and West, without a breath,
Mixt their dim lights, like life and death,
To broaden into boundless day.
Andrea Schmidt Oct 2016
Smiling, she glances in the mirror
her skirts falling gently into place.
There are her feminine riches,
simple in their daily splendor;
waving from the settling lace.

They, it doesn’t matter who,
could search the endless layers
and never truly see her;
though she hides within the bluish
fabric’s seams and tender tapers

Like legs or lips, she’ll never
part from her sweet sanities
for any sort of ‘gentleman’.
So rich she stays in clever
garbs, seen only in her vanity
A woman is so much more than what she wears... usually.
A Mareship Sep 2013
The back of my head
Is looked at more times
Than I dare to dream,
On buses,
or
Before the lights go
Out on the cinema screen.

That’s the first
Place I want you to touch


Where my hair tapers
In wisps,
With your thumb
In the dip of my brain,
Touching across the centuries -
Go on
Push a fingerprint
into the prehistoric
Me.

Mould your hands into
the backs of my knees,
Hold them
like shields,
And fight all of
My body's wars with me.
The trembling there
is love,
my love,
and not
a
tremor.

Nudge the wild treasure
under my arms
like an animal
with your wet nose,
go searching for
the smell of gold,
buried
in the black sand,

take my hands
and love my blue veins
like little ribbons,
follow them like rivers
to the sea,
to my mouth,
to the mouth of the sea,

spread out my sails,
my shoulder blades,
and swim
with your fingers
to kiss
under my ear,
that bit
where
chandelier earrings
hit girls,

and find the
backs of my thighs
and paddle
there,
as hard or as soft
as you like,
just enough
to keep me
floating,

then up up
an inch or so,

a little circle,
as though
you're rubbing
spilled tea
into a wooden tabletop,
a circle
a little 'oh'
my head pressing
swearwords
to my pillow.
inspired by this article in The Guardian this morning: http://www.theguardian.com/science/2013/sep/07/neuroscientists-***-brain
Tasha Gill Sep 2013
There’s so much wrong with me
That it’s frightening
The way my hips curve out too far
Or how swollen my bottom lip seems
There’s so many small things
To panic about
To fear
To prevent
To accept
There’s so much wrong with me
That there are days when I
Can’t see what’s right
The way my waist tapers in
The way my eyes light up
When I smile
There are days when all that
Is hidden from me
I’m drowning in disappointment
Why can’t I look like she does?
I’m weighed down
My imperfect body
Can barely move under
This heavy head
Full of reasons
Why I’ll never be perfect
There are days when all of this
Is too much.
But there are days
When my flaws are merely
A feather on my shoulder
When my hair cascades just right
When my hips aren't big
Just lovely
When I look in the mirror
And all I see is gorgeous
Staring back at me
When my feet needn't touch
The earth
For I’m weightless.
Lily Gabrielle Mar 2013
red
feet on the desk,
pen on the paper,
deep in thought?
sincerity tapers.
quick to falter,
ignore deceit,
back between foreign sheets.

wondering;
was it wine or blood that filled her head,
when burgundy stained the paper red?
image fading,
done persuading,
*did you kiss the wrong boy again?
Shanijua Mar 2015
Faith is a fragile thing; it
wavers here and it tapers off there. Yet,
it is the most valuable object one can have.
Metaphorically, giving up your faith
is ending your own life. I can feel my
faith swelling up inside me, deep inside
until it bubbles up inside my eyes.
My faith will save me. My mind
sometimes fools me into forgetting this, but
keeping my faith means an everlasting life
with Him, everything I could ever want.
God is my everything and
everything is God.
Jonathan Witte Nov 2016
Some nights it
is alarmingly
imperceptible:
an exoskeleton ascends
on iron rivets and steel;
unseen scaffolding tapers
to a steady pulsing point
of phosphorescence—
a mechanical heart
circulating red light
into leaden clouds.

Some nights the air thickens
with cordite, grief, and snow.

Tonight with winter here
we can see the tower’s
beacon blinking through
a tangled scrim of trees
half a mile across town,
and yet even with our
bodies squeezed together
like radio dials in the dark
we are unable to tune it in—
the signal that would calibrate
our estranged transistor hearts.
By night we linger'd on the lawn,
  For underfoot the herb was dry;
  And genial warmth; and o'er the sky
The silvery haze of summer drawn;

And calm that let the tapers burn
  Unwavering: not a cricket chirr'd:
  The brook alone far-off was heard,
And on the board the fluttering urn:

And bats went round in fragrant skies,
  And wheel'd or lit the filmy shapes
  That haunt the dusk, with ermine capes
And woolly ******* and beaded eyes;

While now we sang old songs that peal'd
  From knoll to knoll, where, couch'd at ease,
  The white kine glimmer'd, and the trees
Laid their dark arms about the field.

But when those others, one by one,
  Withdrew themselves from me and night,
  And in the house light after light
Went out, and I was all alone,

A hunger seized my heart; I read
  Of that glad year which once had been,
  In those fall'n leaves which kept their green,
The noble letters of the dead:

And strangely on the silence broke
  The silent-speaking words, and strange
  Was love's dumb cry defying change
To test his worth; and strangely spoke

The faith, the vigour, bold to dwell
  On doubts that drive the coward back,
  And keen thro' wordy snares to track
Suggestion to her inmost cell.

So word by word, and line by line,
  The dead man touch'd me from the past,
  And all at once it seem'd at last
The living soul was flash'd on mine,

And mine in this was wound, and whirl'd
  About empyreal heights of thought,
  And came on that which is, and caught
The deep pulsations of the world,

AEonian music measuring out
  The steps of Time--the shocks of Chance--
  The blows of Death. At length my trance
Was cancell'd, stricken thro' with doubt.

Vague words! but ah, how hard to frame
  In matter-moulded forms of speech,
  Or ev'n for intellect to reach
Thro' memory that which I became:

Till now the doubtful dusk reveal'd
  The knolls once more where, couch'd at ease,
  The white kine glimmer'd, and the trees
Laid their dark arms about the field:

And ****'d from out the distant gloom
  A breeze began to tremble o'er
  The large leaves of the sycamore,
And fluctuate all the still perfume,

And gathering freshlier overhead,
  Rock'd the full-foliaged elms, and swung
  The heavy-folded rose, and flung
The lilies to and fro, and said

'The dawn, the dawn,' and died away;
  And East and West, without a breath,
  Mixt their dim lights, like life and death,
To broaden into boundless day.
Kuzhur Wilson Nov 2013
It was
One of our
Childhood habits
To crumple
The wax  melting in front of St.Antony
And make new candles.

The tapers of
Thresya whose house got mortgaged, and
Selina whose wedding never got fixed, and
Anthappan who mourned his lack of offspring, and
Thankamma whose chickens died of infectious bronchitis
Stood and liquefied for us in those days.

Math test, pimple,
Cancer, wedding,
Death, visa, love,
Lost hundred rupee note,
Why, even missed periods,
Hair graying too early,
All these daily deliquesced for us
Day after day.

What did the new candle
We lighted in those days
Melt for?

We cannot see a thing
In its light now!
Translation : Anitha Varma
Steele Feb 2015
My ears are stopped with tapers, so I'll hear no more
of this ****** farce you and he have going.
Every time you ask for more
abuse, I realize I'm better off not knowing.
But my playlist is full of sadness,
and the rest is a bore.
So your screams are my melody
and I'll listen as your blood keeps on flowing.

They say fools rush in, and more the fool you.
More the fool me too, to listen to
your pained cries for more pain,
as your skin is red glowing,
The bruise slowly growing,
as you exult in the sick high you get from his backhand;
as I listen to Red Jumpsuit Apparatus ask him
if he feels like a man.

There's no pain more complete tonight
Than the ringing in my tear soaked budded ears
when he says "**** my ****, *****"
with those lips so sweet... "and tight."
And you oblige, because you're too used to it to fear,
and it makes you feel beautiful,
because only angels weep, right?

That's the sad lesson heard here.
I bid my sad playlist goodnight.

— The End —