/notably concerning graduate education at the university of Edinburgh: why do these doctors think they can teach, who made them so, well, what's the word, useless, demeaned at having to teach? every time a doctor of chemistry was asked to teach it was like watching someone being tortured in an iron maiden... sure, a professor of chemistry could teach, just like every single post-graduate, PhD student should have taught, a doctor of chemistry didn't teach, unless he taught as Americans are prone to speaking in acronyms, and they say the Scots speak an undecipherable english... like **** they do, understood them like I might understand the zest pinch of a hobskotch chili! after all, the chemistry doctor doesn't exactly make use of his PhD students, but since they were the sheep first to the slaughter before the guillotine of knowledge, they could translate the higher tier chemistry to the undergraduates... no one sane enough would want to learn chemistry from a doctor of chemistry... those men and women are lost to their own enterprises, to their own Faustian romance, to teach chemistry at university, it would be best to be taught by those inclined to further adhere to advanced pedagogy... post-graduates ought to replace doctors in teaching undergraduate material... balanced out by the fact that the said doctors would not require the help of PhD students in research, with what already is time wasted on lecturing, what to them is, the ****** obvious... but then again... the supply and demand isn't there... even though PhD students could teach, they don't, smug chemistry doctors lecture in the guise of solipsism... theyd rather be engrossed in their research than give lectures... but since those trained PhD monkeys do all the trial and error, wasted time, which the doctors themselves could do... they waste their time on giving undergraduate lectures... because these recent protests at universities, where students complained about not having enough time spent with doctors in the field... I'd start by bemoaning not being given enough post-graduate time... after all, the people who closest to jumping over the waiting benchmark.../

in vino veritas:
due proof that snobbery
and that indie collection
of the smiths' reissue
only goes so far,
    comparatively,
Miles Davis' kind of blue
isn't overrated nor is
it overplayed,
notably a conversation
with Boris, the Russian
in Edinburgh,
who had to pick sketches
of spain as his favourite...
pop music versus ******
fetishes... people will be
ashamed of pop song guilty
pleasures than any bedroom
"deviances",
the boat the boat, whatever floats
yours...  
mine? seven years late,
Britney spears' criminal...
because John Coltrane'
a love supreme is easier
to digest than ******* brew?
fudged packed *******
and a perpetuated crescendo...
Boris could have took to
Porgy and Bess...
         or the birth of cool...
whatever it was,
high above Steppenwolf
   desiring the immortality
of a Bach... still:
       there's Händel...
but let's face it,
both sides lost something,
whatever the iron curtain
was, there was also
something akin to the,
jazz window...
                  because can you
even imagine jazz being learned
at a music liceum?
       i still don't know why
the Japanese love classical music,
or why it's Chopin rather than
List embedded in their heads,
not the gentle fingers of Satie
or Debussy...
         two Portuguese jesuits did
little to spread Christianity,
but music written by Chopin
found its atom, its universality
of translation...
                  even withe the Higgs...
something that is non-divisible,
not atomic, not sub-atomic,
                               über-atomar...
supra-atomic, which includes
the sub-atomic spectrum...
         a perpetuated ad continuum
     of ad per se, in addition to:
an addition, an addition,
        a void brimful of a lost
paraphrasing...
                          in the name of...
in the direction of (the) ortho-
   and of (the) meta-
    and of (the) para-...
                  amen.
                       the upright,
rigidness of: jump off a building,
see pancakes at the bottom...
the desire for a hier-und-nach...
well.. telegram cipher from 1930s
**** Germany,  in response
to heidegger's da-sein...
     da-nach...
                 no need to explore
the paragraph, just enough tease
to block out images of, "paradise"...
       para or besides norms,
    a phenomenon and
      an anomaly that's a res per se,
Kantian for: noumenon...
          a proposition without a school,
or tree of logic, which,
Husserl did manifest...
    in phenomenology...
              I can't help but notice
that classical music is only
relevant today because of movies...
listen to any classical music chart,
7/10 times it's music accompanying
a movie...
               comparing
kind of blue to midnight sonata?
yep, the later is overplayed...
   it's no longer a piece of music,
but a literary cliché...
      even in such wonderful books
like geek love by Katherine Dunn...
jazz is the only genre of music
that comes close to prog. rock,
    id est, no song: an album...
      even though I admit
king crimson's in the court...
     with children of men
      as a backdrop...
once upon a time the iron curtain
and the jazz window...
    rap, shmap, shpindle me dingo...
and the old man still lectures me
on work, born in 1939,
who still remembrance the Soviet army
of boy-soldiers and black-clad SS-men...
oh there was work just after the war,
given what Aries took with
the harvest just years prior...
                       woe to the aspiring poets
born in a cocoon of a father
who laboured by perfecting a trade
that, apparently,  no future Englishman
would take up! or if they did...
only via the trickling down
of the plutocratic, extended family...
and a ****** job they did too...
         well... if everyone is willing
to be and only be, a pop star entertainer...
I'd hate to imagine this piece
to be an instruction manual,
   a cohrent: whip and stirrup
demanding a gallop...
                       perhaps less cabaret voltaire,
and more jackson *******,
because why should painters be
allowed all the excuses under the sun?
and when will I see a poetry anthology
written solely by critics?
          oddly enough:
or rather, the pitfall...
     reading a poem never manifests
itself in a drive to write one myself...
an enzyme of a blank,
      a substrate of a butcher's novel...
or rather... a meaty novel, preferably
historical, notably one
that serves as an answer to Muslims
with regards to:
   remembering the Crusades,
forgotten the Golden Horde...
           and never really bothering
to look into the other crusades
against the Prussians, Lithuanians,
Kashubians et al.
                   such feral lands...
perhaps if you speak the language
as well as Norman Davies...
  you might, just might, not stand out
like a sore thumb in these parts.

Sapphire drops of moonlight bounced off her umbrella and a cool, smoky mist escaped her crimson lips every once and so often.There she stood alone, on a loud, bright and miserable winters’ night. Pensively gazing over the glistening city streets before her.

Echoes of light gleamed from the windows of bars and cafes. Reflections of lover’s kisses melted in a cold November rain. Live music, laughter, conversation! O what a cheerful sight is the city at night, for all but one this evening.

Such striking acts of delight and love did nothing but depress her.

This loner longs to stand with the pack and live her life, instead of merely existing. She is the Steppenwolf of her time. Unwanted and alone. And much like the original Steppenwolf, she gives and cares for others very much like family. Alas, despite her best efforts, she could never fit in.

And perhaps, never will.

She would sit with me,
holding my hand-
at scary moments;
when i stand on the brink.
Walked beside me with firm foot steps,
when i trudged slushy paths,
and  treacherous mine fields.
Her watchful eyes followed
when i climbed steep heights,
told me all that to be said,
the way she only could,
She brought me in one piece,
out of nightmares,
her gibberish endearments
gave me goosebumps,
none did ever see her cathartic dance
with me at times, i needed her most.

Secret lover she was, i thought
of my haunted soul,
how would i know
about the curse
that made her so, for ever!
Burned out and down
her i addressed each morning,
as if she can absolve me from all my sins.

She would remove hemlock, from my blood,
this life has made me drink,
to corrupt, and eliminate;
inch by inch,
sink my beleaguered ship.
She made me forget a love gone sour,
she'd take my hand in hers and kiss it till i snore.

She soothed my mind finely, more than any shrink,
her peppermint lips tasted, witchcraft and spice.
She was the only one who knew my secret,
at the dead of night, in clouds
when moon stealthily hide,
I change and become a werewolf.

A mad dog of a wish, selfishly
made  me take  that false step,
uncontrollable by my wish, i spoke forbidden words.
The spell was broken once and for all,
all i could remember was her heartrending sobs,

I stand here,
at my lonely window, overlooking-
this city of forgetfulness and pain,
in wicked words challenging me
to meet her again.
O

upon the universal statement:
once upon a time...
and subsequently to end with a universal
statement: they lived happily ever after.

well poet ought to shatter the narrator,
he should never allow the narrator
a narrative so well consistent
as to remember a character's standstill
psychology from one writing session
to the next, in between living his very
eventful life (i don't know how irony
is noted, italics or en-dittoed?),
but moving words about is high treason
against materialism, encapsulated by
the merchants' motto: move a stone
make a penny, move a mountain,
make a fortune. so beautifying language
is so horrid? really? we are all going
to be satiated by a dull numbed expression
like adding numbers, while the birds sing?
poetry is just hushed opera, to appreciate
the birds, and on the odd chance,
a raised human verse sung;
so when i give you examples, i wonder,
will you agree or wilt beside me,
from the italicised introduction,
four examples to invoke particularity / chirality
rather than universalism / parallelism:
a. *breakfast at tiffany's (truman capote)
    'i am always drawn back to places where i have lived,
     the houses and their neighbourhoods.
    "african hut or whatever, i hope holly has, too.
b. the catcher in the rye (j. d. salinger)
     'if you really want to hear about it, the first thing
      you'll probably want to know is where i was born,
      and what my lousy childhood was like, and how
      my parents were occupied and all before they had me,
      and all that david copperfield kind of crap, but i don't
      feel like going into it, if you want to know the truth.
     "don't ever tell anybody anything; if you do, you
       start missing everybody.
c. steppenwolf (hermann hesse)
     'this book contains the records left us by a man whom
      we called the steppenwolf, an expression he often used
      himself.
     "pablo was waiting for me, and mozart too.
d. don quixote (cervantes)
      'somewhere in la mancha, in a place whose name
       i do not care to remember, a gentleman lived not long ago,
       one of those who has a lance and ancient shield on
       a shelf and keeps a skinny nag and a greyhound for racing.
       "vale.
the ninth gate is truly a film about bibliophiles,
and the alley where i popped open a beer bottle
while two lovers kissed waiting for me to
craft a scene as if a forbidden love was revealed to me,
and indeed it was: no dread of jealousy at not
being coupled, but all the same, hatred
invokes apathy, it cannot claim platonic pathologies
of lovers (first), poets (second) and sibyls / prophets
(third)... hatred is tiresome, it walks no thirteenth mile
the same day, and when hatred exposes apathy
it is assured: apathy breeds no pathology,
love on the other hand breeds a lacerated maggot pit
of pathology; whereas atheism just breeds factual
reevaluation and constant reinterpretation
without proofs, theism plagiarises, and wants
to prove... really really prove... and get *******,
or at least roman catholic castrato songs to boot...
pure narration? just now, you spotted it?
poetic digression is the only way a poet can
become akin to a narrator in the medium of fiction,
poets digress... fictional narrators are all bound
to the titanic... on course for unchangeable history...
poets digress to create their own narrative.
so to begin with (need to ***, need to ***, will
i survive the wording to the end?)...
the generic and easily analogous once upon
a time is akin to an open field... many directions,
much open space, many congregational opportunities...
in the end few books of fiction are finished,
too much inanimate details and symbols,
not enough images, books without pictures
are stupid, as alice would have said...
slowly but surely the readers drop off,
a bound book with a thread of silk that acts
as a bookmark end halfway through the thickening:
undercooked pasta, raw tomatoes...
but the process from the beginning to the end
makes the acre of gold-simmering wheat
turn into a pinhead...
writers forget the element they're writing
parallel to is claustrophobia, i know,
how can a phobia become elemental?
people get killed, that's the foremost proof for me...
narration in grand novels is a bit like
a growing bulging claustrophobia...
the acre of a wheat field becomes a box-room...
and as this happens the paradox emerges:
we all wish to embark upon a and they
lived happily ever after, but we're given
a once upon a time, in reality we begin
with they lived happily once,
and end with it was once the case...
i figured i did the worded arithmetic better
in my head a few minutes prior...
but then i became bothered by julien torma's
words. who was julien torma,
he was a would-be-poet on the fringes of the Dada
movement: Dada being like black panthers
and big lebowski movements against the war in
vietnam, although more to do with world war i,
let me cite him just so you get a feel...
lyricism: a venereal disease.
             a poet who is preoccupied with
poetry is a shopkeeper.
on the second point... i think he's more of an antique
dealer, but never mind that,
i get the point, and i don't mind what he minds,
i find any if all poetic endeavours a futility,
but i rather write a poem to be discrete and actually
read fully / contently / due course to express
the way a poem is written with ensō fluid
spontaneity: than oblige myself to write a novel:
better a stack of stones dismantled from a pyramid
shape than a mountain never climbed;
as i told you, poets can't narrate, they can digress,
and poets aren't like writers of fiction,
they can't latch themselves to the narrowing
from acre of field to a box, or a room,
they can't grasp claustrophobia as the drive
for that perfected the end, it's impossible...
they're always shrapnel narrators, a free moment,
a guess; as the paradox of writing dramas,
they're written because they're intended
for what the populace expresses: an uneventful
life to the limit of the total of all predictability:
death - dare not tire of boredom, keep it
like a constantly stretching rubber band, and then
death comes... SNAP! cushion cosy on that morphine
are we?

.some sort of variation: the written and therefore... read... past and present making case... not so... easily... digested... and / or... marketed... when... encapsulated in a video... format... the written and the... much later... read... almost a colour... a pristine relief to masquerade... some sort of purple in a deepening plum of cherry... and giving it a name: burgundy... then again: that's also inquiring to ***** the "matter" with some plum... since when burgundy arrives... it's no maroon... hell no: concerning... fuchsia... burgundy and maroon are not... colour-statements... less... fluorescence... less... all that... otherwise... bothersome... haze and "jazz"...

i tried to sit through: mozart's magic flute...
being broadcast...
locktown: down down down...
          and somehow not out...
what's the half-terrible song
by falco...

   best known when cited by:
bloodhound gang....

i tried sitting through...
this... when genius meets "genius"...
this... one-time when german
took up... concerns for...
their expression of humour...
  the opera: singspiel... opéra comique...
the gods were somehow...
laughing: then... but fickle as they are...
i don't buy into either the joke
or... that... there's a somehow...
or this being... the classical:
           best kept: ortiface...
               rock me amadeus:
                 - 1782: marries constance...
     - 1784: mozart becomes a freemason
      - 1791: mozart composes the magic flute...

when did mozart compose the marriage of
figaro?                1786...
   the hidden depth of elevating
laughter...
        it's the magic flute... though...
but then... all this...
    verb-with-a-past-participle...
    to speak with a "future-past" presence
of a continuum:
              
  i tried sitting through mozart's magic
flute...
           but knowing the history...
this... wasn't... an ode to... the freemasons?
the magic flute is supposedly
magical than... first come first served...

papageno and the glockenspiel...
don quixote and the arrived at...
conquistador windmills...
                  
   i tried to sit through it...
i had to nip off to the bathroom
to play a game of "chess"
and *******...
because... as one has to...
check one's blood pressure...
check one's blood sugar level...
one just has to... *******...
whether there's a lover to be minded...
or... the taboo of *******...
or: inverted choc burning
the yeast buns via the oven
of ****!
                     this solo project:
this dodo project:
was always going to be...
an... irritating foundation stone
of: this is all modern...
the critique too...
hardly anticipating the norms
to be... antiquated and victorian...

          perhaps i couldn't sit through...
mozart's magic flute...
because... i just couldn't...
sit through... that sort of german best kept
secret: humour...
            
opera and the staging of humour...
i can somehow understand the...
solipsistic... autistic focus for stand-up...
comedy...
        singspiel... whenever that was
important...
           stand-up monologue humour
contra: the swizz cabaret...
        some variation of uncle voltaire...
and opera is her...
              loot...
   and all those... teasing at opera:
within the confines of: the suffix:
the opera-and-the-tics!
              
                kommen (sie) die stunde,
     die tag... die jetzt...
          eine jahreszeit...
                       besser gekleidet...

even when not living up to...
lye-v...
              canned laughter...
it's so vell Under's'tOOd...
          the jokes comes with a zeppelin...
and truance...
irritating sound...
the sound of a shattering of mirrors...
an irritating sound...
the sound of... biting fingernails...
an irritating sound...
    eating a ripe fruit like
it does resound...
performing oral *** on a ******...

            company on a tube...
relic of a journey...
  steppenwolf...
                 hessian bride... my most...
lacklustre improv. of retaining...
privy...
           commentary for...
thoese yet to be woken by...
           the... awaiting lost appetite for...
soap opera...
   clinging toward a kept...
routine... like brushing one's teeth...
which... opera per se...
isn't even... remotely... part of;

high-brow injustices of...
                          how will that make
you: yuppy-up...
leverage... a plateau... once more...
for me?

With these drugs on my brain, I have some words I cannot explain.
My heart pounding never could match the beat of this Steppenwolf song.
My head was skipping like this scratched up record. I was in the clouds, with a head that felt like it was seventy steps behind my dancing body. Time has turned to liquid, and my brain wrinkles. I lean back allowing it to melt. Everything is melting, my hands, my hair, the walls, my eyebrows feel like forests. I look at the energy wave behind my closed stained eyelids. I'm beginning to drip into this puddle of blankets.

I'm gonna motivate my love tractor
From the east coast to the west
Feel it's horsepower beneath my ***
The scorching heat from the exhausts
Blistering my legs
Throwing back rock and gravel
Scattering anything in my way
I want to see the ocean before I die
I want to stop at the Grand Canyon on the way
And a dozen greasy spoons
And a dozen more biker bars
It all leads my ***** *** to the beach
Might as well be the Ganges
Baptise me in that great body of water
I love huge bodies of water
Lakes, rivers, seas...but never seen the ocean
I could make it on a Harley
Overcome my fear
Do it by myself
Biker clubs are insane
They're where I need to be
I've been listening to Steppenwolf
All my life
Get that hog out on the road
The highway and the hog is all that exists
It's another of those "becoming One" situations
I can handle it
Stay on the state highways
Avoid interstates
Maybe I should start getting high again every day
Smoking **** at least 3 times a day
Why don't I think that would still make  me happy?
But it's cut into my short term memory
It's been cruel and even driven me to my knees
I have a healthy fear of what it's capable of
But if I could ride a Harley cross country
Surely I could handle doing it high as a kite
Biker girls, sorry to break your hearts
I got a respectable old lady who won't sit on the seat of a Harley
We have discussed parameters
But the sum total is you won't be getting what you want
That doesn't mean you might not get something and something valuable and life-changing at that
It's all at my discretion
Because biker girls sweep me off my feet
And the "look but you better not touch" rule is a little too strict
Especially when we make it to the ocean
Our naked bodies like a school of shark in shallow Pacific liquid
Just a **** or two before jumping in the water
Feel in good, like singing with John Kaye
******* the pusher man
My Harley-Davidson's caked with mud and sea salt, dripping gooey red dirt
Watch over 'em for me
Cuz we gonna be here for awhile

The killer awoke before dawn, he put his boots on
He took a face from the ancient gallery
And he walked on down the hall
J. Morrison

AR-15, 100 shot drum magazine
.40 cal Glock semi-auto
Full body armor, riot helmet
Yes, I'm ready for the show

Yes, after all those years
Being the good, smart boy
Getting good marks
Always being polite
Pablo has finally invited me
To the "Magic Theatre"

Now all the Steppenwolves of my mind
Begin to run, teeth dripping with blood
Laughing and howling as they begin the hunt

Power vibrates through me
To the throbbing of the weapons
The screaming of the prey
Until all the magazines are empty

And I'm left alone again
Just the police asking the meaningless questions
And far away the Steppenwolf
Runs through the shadows.

Articulate Throwback (Amazing Rap that Doesn't Get Enough Respect)
Fielding an eclipsed Jack the Ripper Sun
Yielding dismissal garish, begotten The Matrix smokin’ gun
Wielding a firebrand skittish
Skills levied an intolerable tax by quisling quoted British
Stunting on heyday levity marksman of primes
Flogged for flagrant dragons sinking nickels and dimes aimed beatific sublime
Flowing like centripetal orbit  galvanized by riddled spirits dashed in secondary impetus of reason over rhyme
Littoral swank partial to Taylor Series of dedications Speak Now peaks livid with fumiducts of crippled sheep blandished for reach
Apologies invited always welcome for a kitsch debased by universal theaters yet united for Payable on Death singing the deceit of receipts impeached
Islanders flooding suicides punning that a sunken treasure is barbs smuggling
Otiose on ribald corsairs blinkered by the rhombos of speculation thunder itself about lightning starts wondering
Where a City by the Bay shining on a Hill of travesties of decay tanks for domesticated Negros that flashbangs got to slay
To the wistful shaken house music garnishing the prey of prayer on heavy pulls of quotable 415 hay-day
The wrinkled stray dog never  far from *****
Slapsticks against the tribunes awaiting for meteoric functions of a recessive allele of a dominant comet
Ludacris flickers dancing in dormant revelry because On Top, Just Let Go..I am honest and On It
To the milk of harvested stars glaring at tankers and garish broken FaceMash scars teetotalers scatter with Thursday crashing into glass shards
Black fame is a white epiphany of infamy designated by name
Of the craven coltish spinsters who market the crackling whiplash of sanity apportioned to the regaled insufflation of blame
Streaky on a jejune Diggity hapless hop of Kumbayas etched by Trailer Park’s scalding flop
Glorifying a Gangester heir to titanic humbled beginnings chockablock divested to Kennedy’s dead Candy Shop
Impressive rags of riches of counterfeit tags blundering with lazy LASER Tag of sharks too bellicose to earn a pitfall pittance of swag
Trippin’ by tripwires too flippant to be flippin’ on known graves sidesplitters of treecheese yaggots grimaced on madcaps of bottlecaps swimming in ether of money too happy for House of Pain rags of gag orders intrepid because some blood is Bad
****** drapes of tapestries too woven on Ducking Badger duck tape
Pretending not even a slightest twinge of celebrity faked is a tantamount affliction to Kobe’s escape
Time to rig the 7/11 notoriety of a caper drawl in Cape Town Blue Sky Action can barely offer scrape
Let them eat cake and heads roll like Nicholas Cage clairvoyant in mystique quaking like a Quaker parody rank-and-file rancid graveyard creep
Cuz the best in the Business evokes singes of Dre grazed persistence a Space Rover rather than a broken-down drive-by Vegas Cheap Holyfield Jeep
Forgeries in trigonometric time gone haywire because ******* of fools is delicious neutered ballistic wrong with elemental statistic
Armed to the Teeth because twinges of righteousness is strongly established because it elevates truces well-predicted
Reckon the self-aware hive jetsetting with Jive warbles of departure yet to arrive
“Talk” of those fewer in knowledge yet living an invented diatribe
Lil Dicky mumbling his churlish codling vendetta
Too petty on the game like a turgid Mariah Carey Christmas Sweater evaporating on benzo bleats because exaggeration is a measuring stick more prone to delusion than the vapid version of Eddie  Vedder
Ripping through seamstresses of time a delope from impoverished cesspool grime
Certainly not swinging with sockdolagers like Musk as UPS owns insider angles about BitCoin riches scoffing at #11 Sublime
I owe respect to an upstart prescience scowling hatched never against fragile egg-shell minds
He’s the predecessor to the Walter White of cesspool inveterate rivets in hulking pretense of a measured stick lying like Tony  Hawk on the grind drawling on videogame addicts lost to numbers like Wall Street bet on fractions divisible like Scarface on cardinal crime
Blip on the WHIP cackles of clever pasquinade owned by sizzurp of Red Wings demolished like Draper balking at the West Coast ****** of East Coast royalty etiolating on Life After Death because of a teased script of March 26th shining bright like nine-inch nails longer than an exaggerated Dicky loving pollution more than Sina Loa loves bricks
Mad respect to juggernaut Michigan flow, but when you henpeck a rooster fewer regaled Ravens start to sing like Tomorrow’s sung by Sheryl Crow
So attack the kenspeckel hiding like sobriety itching to revel
Even the greats are grating despite prestige owned like Steppenwolf inventing Heavy Metal
Yet the raspy dengonin certainly a curtain call for the moribund smooth competition genius but not square to my elevated level
Time to brush aside, politics is a Velvet Morning rather than an Everest scaffold of glaciers divide
Flourishing Eden of a Seattle worthy of treason on rollercoasters yet to ride
The contumely of charlatans berating brassage is a Lie Boring in Federal Way united against prejudices scowling because Qwersy Mencia is too fraught to enjoy the jeers of a tattered Pride
Past-Tense Quinn in his Chauvin Blue Suit is Queer on The Bends
For a better radio the shatter of the quaff is Damon on the mendlatch for the rights of heroism among men
Applesauce is scary when the cooks are too chary for emoluments of cherry-picked vanity inoculated because hackneyed hacksaws aren’t that scary
To a Rush Hour acclaim that owes a Martian a fair-share of the inviolable degrees above freezing that guarantees the Hang Seng
The cretaceous dinosaur livid in the Fields of Dreams lives to the honor of the author rather a subsidiary prosperity rooting for the same exact team
Credit belongs not to slot-machine jibes of Navy throngs because the sealed pedigree of a Potemkin stonewall ravaged an Atlanta March that Richard Sherman found himself wrong
Ripostes of wavered glory serenade Field’s Medal accolades jaunty with brimstone repartee for persecution of Sing-Sang jailed avuncular Dana Carvey
Crumpled in missives etched decisively by Popcorn paparazzi Lee Harvey Oswald Part Three dinging Reagan’s Drugs because belittled Batman and Robin Harvey Dent is on a defalcation spree
Limited by the gambit of orbit I flex space measured only by perception hourglasses mistake for Dewey Decimal ministry
Because mountebanks of the tramontane canard unscrewed by Donkey’s without the triumph of vindicated colts spew the unwarranted without the warrant of upright parlance
Deflecting the useless caricature of Jezebels they barely even know dancing with fisticuffs choleric with jaundiced illuminati chants of an age bracing for the venom of viper’s of gratuitous pretense in violence because the whittled conscience scourges footloose profligacy in dementia that owns probability rather than certainty but doesn’t stand a chance
A billowing toxic fume of a Trojan Horse of galloped complicity of headless horsemen too scared to even pinprick the average Brett Hume huffs like mad wolverines dancing with Buccaneers for the fidelity of bridled brides with a tailored or sloppy groom
Cowering behind plashy starlets dashed for authenticity too soon
The Red Robin Hood ****** of silhouettes of Caste system indecency is reduced to reductivism in peddled paranoia of Randall Graves confronting his deepest specious tomb
To rogue slipshod miracles of denuded ice for Christopher Reeves Wally World White in Simple Jack owleries of confiscated light they caper encaged Caspergers ergotamine flavored favor uptight
Glaring prince dashing Rusty with ***** for Hummers glazed with donut torus hummus swift with reverend repartee
Sunken sleepless abyss ghosts haunt for quaffs evanescent in backbone bliss incurring parted sight for nebbich sprees
Calculated by persnickety prattle brazen with bravado promontory sparked on the flames of an overhyped hysteria ablaze
Raisins aren’t the determinant of a blinkered starstruck page gilded to amaze
Formidable reform conserved against blasphemies of ****
Withstands the immutable geotaxis of inevitable backfires in limited scourges of scorn
Time to sacrifice the badge earn the primacy of trimleggers making a dash rushing for hourglass sand prominent in fiat flash
In a second a trampoline against a specious marvel is a sour remorse of a crusade turning into protection not found in autumn ash
With autarky righteous rain boogies against bogeys of golfers livid with sensational inane
Lunacy predicated on sensational maudlin labors of Genesis 3:16 birth pain
Incurred upon the toil of the lugubrious heights of teachers that defy tribes and stripes
Soldiering for God without even the slightest nefarious mercenary spite
Because Ledgers cannot be mistaken for legends because petty battles Abandoned Pools named were avoided for Nobel Prizes of moonshot fame never King Kong because 24k magic called the Hang Seng  game enter stage right
The thematic liberation of the freewheeler isn’t a combustion of truckers Ruckers allergic to chattered shame
But the time honored Sevendust defies blisters because a brave heroism leaps into legacy vaunted by cheery repute in winning hegemony against rigged fraud in frigid feral tames
I march to an inaugural chance without a chance of quick inauguration because Junetao is a duck-duck-go childish flicker against Amsterdam Vallon besides the church with a touching spectacle of solidarity beyond temporal Anacondas of deserved blame
An ally to the kitsch the prosperity of Nas is afforded to optimism never so fulgurant because of a bewitched Tik Tok twitch
As the true flock regards the true shepherd the guardian of wonder and the captain avoiding Yellow Submarines because Stayin’ Alive is a prophecy not a febrile contagion of germs pitching tents for flukes insistent on incident rather than honorable to Canada Dry on Strike for better than a bubble gum mumble rap of Lil Pump’s pruned humps for a ******* ghost rider rather than a profaned itch
But the camel survives because the needle doesn’t thrive in a world where God is always Stayin’ Alive to strike a pose for the voguest Jive
“The Seduction” lives and the corruption limps with glib bribery fibs because 2 Timothy 1:7 in autarky is a generous rhyme that  gives and gives
In endless crusade to beat like David the ***** of a poker miracle that stars in a showcase of a life of splendor eternal rather than a cursory kamikaze reckless fib
Its time for  abundance of life to be lived fully to truly find riches in the best possible life winsome in discretion to quake and yet remain immune to a Walgreens of Stonewall myth
Cast not the first stone against the immaculate Giant because everybody is shaking to Bond and Saint Joseph’s guarded wordsmith

Lambasted by the bushwhacking shambles of potsherds burrowed beneath enchanted rhapsodies of sunken Earth lurks a might unleashed by the preemptive dirges of Heaven
Shattering the weight of mismeasure adaptive to apt remarks of conservatory stellar repartees gilded in the flombricks of insuperable gammon wed to the divorce between mammon and guardian treasure etched by revets of colorful nuance but colorblind fortitude chalky yet with scattered sound blinking in the wink of intelligentsia a thousand parsecs of understanding in milliseconds of orbit
The periphery of forgotten stars bereaved but informed of circular axioms of axiolative thermolysis bellowing stoked smokestack locomotives of hibernal clairvoyance dare to wonder beyond limited or enhanced pulchritude the denizens of thievery stolen in a flashbang grenade of a new Grenada of fustilugs gabbling in flushed rosy red tongues of frenzy or aplomb what lurks beyond centurion sentinels of robotic half-witted half-baked semi-cooked bludgeons of cruel insensate irony withheld by vulcanized drapes of curtailed curglaff fashioned by kneaded distance and suspended for heaved awakening at riometer’s knock barnstorming the crude churlishness of the foreign at trespass of the inane scaled down by infamies unstated and flanged to appropriate provisions of measure that conquest lurks behind recess and all is grafted from the callous pachyderm skin of absolution cozy to remedies but aloof from necessities of pang and Tang rollicking magpiety like a rotten pastime aged past its due.
Yet the batting average of the uncanny visitor undaunted by glaring photogenic record balks at precedent and aims to lollygag his chicanery roundhouse above the ricochet of enamor to whilded terminus at circular diamonds soaring illimitable skies boundaries to another nothing beyond the past of something worthy of pearls piggish in appetite for oysters to inhabit
Yet these cloistered vacuums between the pleonexia of the avarice of retches of chyme and the digestion of complete guarantors of shielded heterochrony wassail on dreams Titanic and sunken living repeatedly in revised stereodimensional waves of registry beyond fundus hijacked by towering dimensions ulterior to the profaned foresight of the wretched dimensions of reprehensible coteries belonging lost even when fetched by glimmers of the profound.
The riches of aberrant mobilized fleets swung into tether pole centripetal flictions of swarpollock surpassing credibility and peace surmounting mountebanks of petty finicky itches of cretaceous extinction mapped to qwersy frugal mathematical jokes recoiling at rebarbative manifest destiny belong to the records of soundracketeer trivialization of malleable gold fashioned from Whisky Bar encounters with goldmines ascertained in magic by the suspense of upholstered dramaturgy lurking beneath tall crestfallen visagists who toss and bandy about in tempests of curdacted flow emissary and envoy to flajousts emergent from the verdure of aboriginal machinery fumbled by human ergonomic chicanery espoused by asylum rather than touted as marksman prestige flippant by inordinate gavels ****** asunder into delignated copper-brass keys of foreboding prisons on sinking ships for counterfeit litanies of bogus warning meeting inclement poverty to a drawn sine in the sand vacillating on purpose but intransigent in declension.
Starlet gnashes of odontoloxia wavers of tangential tendentiousness escaping the orbit of enumeration by sly remarks surprising the elective prerogative for convergent autumn to skittish paces of fast-forward beating the brumal bears in their gelid lollygag reminders why the 2nd protects the 1st and the primacy of interposition is the immediacy of flexed muscular DeLoreans cavorting with fringes of unfurled destiny in flashbang instants between the space among malingered pauses among secondary waves of betrayal shift the curious rip tide of stretchgraves too ennobled for widescreen yet narrowly faint in their promontory illusions as mantelpieces of emblazoned scarlet A’s for nothing more than a tempestuous flair with stigma but simultaneously the realization of true dreamy blues escalating around tensions finessed into ****** before drooping into the droll 1850s as the balderdash of detriment belonging to the salvo of picturesque still-life expressionism dripping troudasque in antiquity with flairs of impertinence celebrated more by melodrama than by billows of industrial hinderbaggle toxic to the stated alarmism of trinkochre preventing treony by the warbles of songbirds hemmed in by bushwhacking galactic police forces of granted licentiousness for backbites in the feral canine drollery of aged literacy chosen over youthful foofaraw belittled by retches of attentive brevity rather than protracted obtuseness: neither ideal for the gravity of aborning centuries
Yet we dally in convergent esprit filibustering rhymed cadavers of cadence for prurience in ebullient parvenu damsels vacant from the setting but entranced by the galloping herds of buffalo formidable with warmth because of death and locomotive drive-by shootings Daphne wouldn’t miss.
Yet what Mission Impossible has a BioCyte worthy of henpecked ransom and detached villainy of a trespassed appendix bursting in the Young crowd much to the awakened dismay of the colored affront to black-and-white hubris finicky in oligochrome yet fainter yet than stellified bronteums burgeoning in generativity separated by inherent gulfs of heterochrony balking at submissions fished by loaves of interest in the hambasket of aswallone fractious to redshort individualism in the subhastation of Jurassic prowls of replication hibernal for millions of extinct permanence scowling only by the mandibles of crackjaw Samson yielding his jaunty hair to flummoxed Cutthroat Collapses trimming yardstick furloughs of pleckigger for demotic flavork above fishy warbles of tilted pretense vagrant to everybody simultaneously renowned for arrested cacophony but bridled by few examinations barnstorming teetotalers with haunted patrons of aged wine speaking redivivus in contemplation.
Measured glare radioactive to lizards beneath Mojo Grooves monikers fielding “fly away” as transcendental harpsichord anagrams filter through lavaderos of hackneyed nockerslugs berating illusion for conflation in the influx of dacoitage among Vikings who swim flanked by sonic blares of innocuous dolphins floating dead by the carnage of bloated whales and ridiculous spates of welter above conscience ragged with tetherball futility.
Sparring with engastrimyths sapping the sapwood of sappy banality for toonardical lullabies that pacify opposition more than the Pacific is internecine to volcanic tirades of seismotic jolts of burgeoned awakening I vanquish petty sneakthievery with the unspoken power of a Tweed that masquerades not on ******* but on virtual rhymes cascading throwaway brown-brick fifties collapse on Dagon armed with gnashing poise against guttural gubbertushed victimized flippant fantasias arrayed to brook the decrepit streams of my elevated retinue for staged intrepid barnstorms against phony assassinations to prove petty Edison powerhouses clairvoyant in even their specious participles of quantum irony decisive in fliction marveling at sensible conveyor belt beltways infested by sluggards of inferior hives contrary to every inclination of self-edified skyscraper invented by the mettle of industrious man
So swanky in boast but gingerly in insightful discretion I careen ping-pong victories into a plevisable fortune of Bubba Gump wealth and Fortune Magazine ostentation as the ringleader in Barnum’s neutered circus that never spays a single sword of creation in the barnacles of progeny and progress frogmarched by cruelty and vehement in suppositions of craven popinjay popples of a whangam metropolitan artifice tinsellated with angles of trim prance above suburban ecstasy in transcendent flash and peerless reaches of stratosphere above mundane plaid macaroni witeless in the sterling grace of foreign domestication of livable conditions abiding by aborning stardom.
Harriet Tubman flowers on the bedside of ****** seances of 70’s Parisian cafes gerrymandered by hobohemias of herculean heft squaring account with encompassed brevity in byword dazes with ***** futures yet to court the cordial consensus in dodged drafts of fumiduct riots bailing upon New York Time for 44th street colored incineration of an orphaned Africa embodied in a totemic titan with reninjuble peerless majesty compromised by a frapplank in immodest incisive harpricks of fumbled swerves against the original proclamations anniversary to Boston Indians revolting against Manifest Destinies magnified in incidental clarity by bestowed churches fuming with rampant clairvoyance tamed by the grisly realism of intermittent thaumaturgy swaddled by the reconnaissance of eventual warps blistering in milliseconds to overturn the ultimate row that the mire always wades through in impoverished egestuous profligate convenience of hamstring declension against chary mettle in scruples by elementary riddles in precise junctures of sanctity the bodewash of slick partisan gibes of a puppet show vampire avenging Sarah Marshall. Harriet Tubman is an overblow of subniveal pickets of defensive clarity to immemorial churlish katzenjammer of a protracted flux capacitor dynamos in abolished feral groves of bohemian legend rather than ignoble rhapsody flirting with apartheid’s chosen engineers whittling an indelible scourge of hatred rather than a revived simian immunity scalded with potboilers of sveldtang water scorching like Helsinki after Stockholm goes up in conflagration over bonanza of wednongue dative duress in impregnated purpose skanky with ministered drivel of doytined attempts to flicker a switch exorcised by the integrity of neuroscience besides an intransigence of exuberant interruption of warped logics of pataphysical coarse arenas for submerged vapid Yellow Belly Pie Slingers aimed at 7/11.
Broadside bruisers aim at fracked 80s heyday like a Hey Bulldog reminiscence on a quaint suburban joke of alien freebooters in Franc Swiss gloss swanky on the spot of frapplanks endless in retired liturgy of surpassed peace amicable to truces among the pragmatica of checkerboard pastries willful in array backing sentinels from rearguard hindsight to flank the motatory missiles of target from ransom built like fortress of immutable graves lost to the celerity of the outpaced spectral wonder of teenage flights and hegiras into recessive parsecs enamored by a stage-fright of recocted astral wonders plasma to the ears of a strange foreign abode hospitable to most heaved alacrity sidewinding into effigy and the crumples of used demise recycled twice by intrinsic spirituel flocks of engulfed eagles spooning the pristine littoral waters of precision in nexility
Stayin’ Alive cackles resound in the hallowed furrows of a neat daydream in a scattershot imagination screaming to make myths sticky pigment rather than imbroglios of intaglio filibustering cohesive firm firmaments flexing with windfall at princely surprises cobbled from chocolate-box chariots of brisk elation shoveled by the conglomerate of prim-looking star-crossed unbuttoned snoozes with glamour in the corsair sojourn beyond the space emergent from stardust tinsel and glowered vindication of self-engineered huffs of vulpine vainglory touted as preeminent above dodgy 70s swerve in the vibrant kantikoys of covert tenure and flickers of swandamo glitterati borne of triumphant dimples on immaculate refraction.
Yet lingering on the precipice of aboriginal unity in disjointed sejungible frames of vernal restive residence decaying with anthill colonies of demarche the cadence lost to gyrovague trinkets balks from corridors of Pacific  Avenue peace that is the cardinal to the priests feasting on militias of rentgourge evicted from their own leash of lease ruffled in the plumage of horizontal margins folded into origami zenkidu gullible on Raptor estrangement chained to the rhythms of parsed sparse rumbles of the rhombos without a complexion intended for sparkled starlets doomed to regular tides in swollen tsunamis of soft-spoken surrealism the providence of aimed dreams of drastic marvels beloved to impregnate a verdant cadence latent by faltered seamstress elopes flickering for caress in the duress of finesse.
The quaint drawl of scrabbled runes of rumbled rumination streaks like a quivered acerbic winsome peacock jagged in the parlance of henpecked peak beyond the reach of the highest teacher that ever had the privilege of tutelaries spawned born to teach in Steppenwolf rhythms of rugged heavy metal impeachment yet ripe enough to preach. The last juggernaut is vile bereaved of yets to become the blemish on risky flambeaus overrun by crackles fuzzy in written retch for sudden bursts of volcanic speech.
In the quagmires of serrated heavy leaps I stroke the frazzle as the choir reaps the grim proclamation gilded by sentinels of majestic Challenger Deep burrowing tunnels of coltish ploy dilettante to all his curated adoration that toys with the children of majestic modesty ever so fractious as to balk at the priggish calumny of retinues of the tired coy rampant in emasculated spayed days of stranglehold filigree geometry bent on noisome bleats prone to annoy
So I leapfrog the redundant hackencrude fawn of gripping spectacles of alpenglow summits on acid at dawn foaming with betrothed pumice on borrowed past from potentiated future belonging once to a man yet always bred to prefer fairer damsels sprinkled with a hint of germane Soy saucy to the Bossy promenade to an Islander born and bred.
Guilt like Gravity gilded into spacious trailblazed glory sent seminal and said loudly bowdlerized the pasture of hidden thickets in sparse backwater chavish remanded by fisticuffs of elapse travail in artistry fundamental to rhapsody in distant milky affection jangling high plaudits of auditoriums of the delicate audit bulldozing fraudsters colored by defected records set ablaze in seminal disco becoming cordial homes for shaken residue blushing in crude crass mass the inertia of the classy beyond recognition without flashbang clashes of cultural class glimmering to faltered waterdrips of palatial mischief in correct lens for froward recalcitrance of jittery stash hidden in dacoitage by the police that knelt on incinerated livelihood predicated on chauvinist cash for departed untouchable caste of radical haste too blinkered for internet barnstorms limited only to lurid copy-and-paste regimented for revolution damaged by the loneliest orchestra of refineries of an alien taste.
We crack skulls against ossified hulls riveted weakly to iceberg submarine bulge battled in wars past always to suppress greater travesty yet divulged that Barbarosa was an insider coup expunged by remonstrance against finicky postulate brayed from deranged heirs to a disease of relish quartered by blue danger dancing with shadowed emancipation librettos finkly in tripwire terms of routed inefficacy killjoy to seanced second guess prisms of rootless flimsy accusation wagered by pathetic overstatement in hypenstance trimmed by the crimson paint of a glowering silk woven from dramaturgy belittled by grasp if not by locomotive passerby pause wicked by subversion inclined not to dismay by oriented by nefarious rage of flagrant hapless scrimshanks in prowess sued by process and refined by progress never erased by a five-second glower by the sentinels of parlance intrepid by desiccation to supervised superstition bemused by abundant gray twists of turnverein pillory.

it was bound to happen, after all my fascination with
the complications he was writing about
became incubated in a hibernation for some time,
but i already said, once before, you get the zest,
you get this unending hunger like a vampire
should you come across philosophy last, esp. after
being unable to blossom in chemistry's affairs
to a suitable self-satisfying level of expertise,
then all those migrating electron diagrams in organic
chemistry give you enough to read philosophy without
cringing or finding it too difficult - counter reading
it with major literary works and you're part of
the circus frenzy; so yesterday's afternoon and
apart from all he mentioned to a dichotomy rather
than a dialectic about empiricism and transcendental
idealism - the expansive topic of regression...
i just had to spot regressive bookmarks, or
bookmarks of regression that people unearth as if
from the dead; such is the nature of these bookmarks,
people do resurrect them, in as least number of
examples as possible:
a. i've met a Greek who was still bemoaning
    that Istanbul is still "actually" Constantinople
    (the local turk has stopped selling
     black market cigarettes in his shop
     imported from eastern europe, so now i'm
     resorted to smoking the portable shēsha pipe,
     that lovely creamy extra-thick smoke
     of pure jasmine, which cigarette smoke
     anorexic and blueish-grey can't compete with),
b. actually i don't have an example at this point
     because i digressed about not being able to
     buy cheap cigarettes, but there are plenty others...
oh! right, the atypical American example
with the constitution and gun laws and how
it is rarely argued that the government is turning
bonkers and someone might get a thrill from a second
"French" revolution, or some other horrific affair.
c. ah forget about it.
so within his abstracts, from one per se to another,
a simpler Kantian conceptualisation is
a Matryoshka doll, he purposively defined things
as in-themselves, and to him a noumenon (thing-in-itself)
was far better understood than a phenomenon,
because phenomena i'm guessing he too thought
were discriminatory, unfair, bewildering,
for example: why did the Beatles matter? it's bewildering,
you can't juggle such a question on your own
terms, you can't play the Rubik cube with such a question,
fair enough if you want to play the clarinet,
but it's like that, best epitomised in the film Amadeus
where Antonio Salieri bemoans the phenomenon that
Mozart is... the sophisma figurae dicta (sophism
figures out statements) to no advantage - for example
the liberté, égalité, fraternité all men are born equal
*******, i.e. can i run a 100 metres in under 10 seconds?
NO! of course Antonio is persuasive, in that he himself
is persuaded to talk, because he cannot fathom
the phenomenon that Mozart is, and he isn't - as such
phenomena are hard to grasp, you can't put in anything
into them other than envy, respect, jealousy, joy
or whatever you wish akin to the central character of
Steppenwolf who wants to walk with the giants,
thinking the giants are waiting for him... are they?
the noumenon is oddly enough more fathomable,
it doesn't necessarily attract, it neither necessarily repel,
in its abstract formulation it can never be a phenomenon
at best it can be a sub-phenomenon, it can work below
the surface of things, but there will never be any
glitter or princely yawns surrounding it.

too many youtube punctuation akins before my voice comes through, like: hi! i'm child-minding chalrie! ola! oo! advert gives a ****?! you see that? advert gives a toss! well... ola! original lost to marsh potatoes mash.

like i was led by a solomonic harem:

we're buggered;

   to be honest.... hugh grant could have
said that better, and, would have facied him...
if he made that one film from my youth
about a damsel in distress... and the return
of charles II to england... the thing adam and the ants
imitated: highwayman no robin hood...
clean shaven like a daffodil in early spring frost
for the eye to peer into...

as it turns out, you write one great piece of work
and everyone applauses...
you write a thousand symphonies,
and everyone turns flame-eyed and forgets
your one spectacular moment, which
you take into hades and wish to forget given
the total output, when they mention that it
was all great, but so comes cousin critic and you
know that most of it was... a bit ****...
               and because of that:
they tend to do better... they?
   the ones that hit the banknote of a one song
wonder... and then receded into life,
and debated with gay peerage in some restaurant
akin to bridet jones' diary scenario,
and oh my oh my: the palpitations necessary
like make-up... i can almost see flamingos take to ballet!

and then it's back to *quack quack quack
of promenades in the park watching mallards...
  
original jealosy fades.... no, nothing else,
it just fades... which can feel a bit weird,
basically it, just, fades - i take to foot what people
take to: speeding down the a408 thinking
about tax; well yeah, i tax my feet with a mile, or two,
sometimes i take to the mile or two
with a different pair of shoe.
                                   you a rhyming rhino too?
              
you write pachebel's canon,
you're going to compete with haydn's 103
symphony...
similar to a question: how many eggs am i
carrying in my basket?

dear reader, like i child i never fathered,
or like a dog i never petted,
          or should i simply aim at: dear ego?
what unit i had and never thought with,
never mind the thought of?

the fact that you can't cry, is the reason
that you are depressed,
that's another statement that's worthwhile,
stating apathy as a misery
without tears, the original melan- -choly...

listen, i don't care because i don't want to,
  i care about something that i want to care
about because thte things i would like to care about
i can't or don't want to,
   so i take the "metaphor" (which means
half my hans zimmer is gone) that keeps
haydn's symphony no. 103 almost floating
above pachelbel's canon...
      i'd love to miss out the second l...
and there, the ****** white, the doves,
     the church, and... hail! the marching bride!
that feeling of consecration...
    can you realise that newspapers are stink
compared to dust-affording books?
              yep... newspapers are ****
compared to book... i kept a week's worth
of newspapers in my room, i realised
that it stank as if a cat ****** in my room...
  when i listen to pachelbel i'm supposed to think
of kent, or devon, aren't i?
thumbs up essex oi oi!
                   halfway house out of 'ackney
  or 'eckham...
      oh right, right, like i was ever invited to a
marriage...
                     some 'un 'as to be the black sheep
of the family...
   well... i hope she divorces aged 40 and has a miscarriage
aged 35... if i really wanted to give a toss...
i'd toss, a cricket 'ard ball of
                mahogany cranium and make
believe that i was loved,
instead of receiving postcards from strangers...
living about a mile away...
    so there i see pachelbel with his canon in D....
and there i see mozart, laughing in steppenwolf
as is worth citing:
      i wrote so much ******* i just had to
tickle my ***** like a philosopher might ****** his
beard... if that answers your question:
they remember him for only one song,
and do so rightly,
   me? i'm not quiet sure why they remember
me for a hundred.
   it's like pachelbel is the *** pistols
        and i'm the ramones, or the offspring,
or stiff little fingers... or the dread, ****!
green day?!
                 according to noel gallagher
who did say that never mind the *******
was something we didn't accomplish with his
oasis albums... even though back in the day...
on the european continent, no one sang anything
apart from oasis songs... you went to paris:
oasis... you taizé... oasis...
yes, what was, once, france... or frau hans...
and then the exagerration on the f....
like an alo alo alo episode...
                 that's basically what it sounds like....
pachelbel's           pa-she-sha  l          fix it bell's
   pashelbel's               it's also half check in czech...
     but that's what noel said akin to mozart:
to be honest? i'd rather just (have) written than canon in D
and ****** off; if i wrote more than that
i'd be anything but that spare prosthetic limb
for that one legged man, dancing at a party in Versailles.

Hermann Hesse be ******!
All women are not mine

to live the most ordinary life and internalise
  supra-human potential,  this is what is intended in terms
  of acquiring striving - to turn the tetragrammaton from
  a noun into a verb - given the four parts,
  we can excuse the rat maze of thought adding to 6
  as a sense pseudo... it takes a loss of one sense
  to identify and study the Tetra...
  for me it was not feeling a woman touch my skin
  for intimate suggestions -
  but it takes a loss of one sense
  to read into the tetragrammaton -
  and this isn't some linguistic lesson -
  you can have all the shrapnel you want,
  utilising grammatical categorisation
  to obstruct narratives into reaching for ideas
  rather than nouns - for me the tetragrammaton
  experience convinced me it was more a verb
  than a noun - a way to do things - rather than
  a way to be kept caged in an enclosure of nouns,
  you said the tetragrammaton like you said pineapple,
  nothing gratifying in that... 4 x 10 -
  when modernised -

and i still have the postcard, opening reads
dear Matt, (if any1 is reading this the ur just sad).
it is almost 1 a.m..... my greatest fear (one of them)
is to pass a 'once upon a time good friend' on
the road and have 1 of those superficial conversations
u know?? take care - A. x x -
dated 2007, addressee Matt E.
                                        11/2 new arthur's place
                                        edinburgh
         ­                               EH8 9TH...

you probably will... we either age to be superficial
or superstitious - it's a nice combo -
i still keep this postcard in hermann heße's steppenwolf,
i write this, methodological with my drinking
and typing away - i can walk into town and hear
the words: 'that's the devil',
i spotted your mother at the market a few months back,
she looked happy, well, simplified happiness:
contentment - i felt no inclination to talk,
just a fancied breeze of ****** recognition -
i'll thank you more for the handwriting than what you
wanted to say, handwriting suggested i could read
how you would read my body in Braille -
but of course the content matters -
i never replied, unless my memory is faking it,
but given the cognitive prompt on the canvas of memory,
i think meaning i doubt i replied to that postcard -
what i am certain of are those M.S.N. conversations after
homework - the time i wanted to take you to cinema
and you freaked out... i put so much effort
into reading Stendhal as a teenager i exchanged Linkin
Park's debut for the book at a tongue-tie in Trafalgar Sq.,
to no avail... i think i idealised women too much,
i left them without any practicality - left them impractical -
a bit like those prior-feminists left them to mind the house
sending them off to the front-line and football -
idealism makes choice'd isolation units impractical -
the ******* peddle-stool hierarchy -
my thinking made women impractical, which is a shame
to experience the rosy buds of the mundane everyday -
i wish i didn't make such ideals from women, blame my
childish mind at developing ******* by the comparison
of Don Juan - and what a perfect joke that is -
a working format: to idealise women leading to an idealisation
of life - well, whatever, i'm junk now - this ain't a
depressive adjective - what, from 70 odd kilograms to
over a hundred and ten? **** a mongoose -
i'm hellbent on simply writing, money or not money -
and if my human integrity is finally breached
and i have no passion left in me... i'll do a Zeno of Citium...
and hold my breath.

. lately, i discovered myself: drinking more than writing, and reading even less, which is a less of anything, but i never expected to drink as much, and forget to read, to write, to somehow keep the Libra balance of: as much in, as much out - out of place... oh **** me... womanißng... i have a hard time petting a cat, or rather: you only begin to learn to pet a cat by "forgetting" to pet it, i couldn't stomach a revolving-door of women, i'd love the chance to pet a dog once more... but my hopes against the Moloch and the Juggernaut of the democratic rite of man: bitter, by the number, ever increasing; it's like when the biblical narrative of the eventual history of man: animals farmed, framed... etc. came across Darwinism and what was spat out was an intra-species claustrophobia... yes: i know... over-worded, " ", i too would like to speak onomatopoeia and limited constructs of words more like syllables, and consonants made into body language, and vowels like distinctions of breath...

while rotting christ became a prominent
band for me with the release
of Κατά τον δαίμονα εαυτού  in 2013...
my writing...
    or... i should have made a video
variant...
             yes, they would have
made a cover of aphrodite's child
the four horsemen...
           maybe the news of
       the death of matti nykänen,
having to resort to striptease,
dead, aged 55...
               but with all these people:
i feel i am entrenched
in a heart that is suffocated
by a mountain,
   and... that's less a feeling:
                       and more a reality...
i visit my grandparents,
and encounter
the claustro-**** of a scenario
of living for a month
in a town on the death-row...
i return, "home",
and live on the outskirts of
a major global cesspit that's London...
come rotting christ
with the album rituals...
well... the song: ז)ה( נגמר (Ze Nigmar)
                 wait...        
i know some hebrew:
and i do know that they love
to hide their vowels
via a "strange" diacritical method...
that... א‬ (aleph) & ע‬ (ayin)
are... a-
                     -nomalies...
they are... considering
the prefix cut-off rule...
                the story of Eden with
either twin Adams...
           or... two gay Adams...
or whatever it "necessary"...
     look... i come from a phonetic
encoding people:
that, do not have names for
letters...
               a-male... yes...
           b-male...
                            that i am, already...
and there's the whole
                    oo-male (ω):
***** champion -
    a cleft of ******* like
the cleft of the buttocks...

oh... right... z'eh... i forgot
that ה
is the vowel-catcher...
but...    I & A are missing in
        what becomes     NGMR...
and every hebrew word:
looks plainly: ugly in Latin script...
except one...
the tetragrammaton...
because?
   there's a geometry ascribed
to it...
        Y: 3D... quiff: י...
    the vitruvian man's tongue...
H & H...
   a bit like aleph and ayin...
  or... watching a game of rugby...
hence the goal posts...
or... at least plenty of slaughter
and something of a worth
of the content bound to sighs...
W... waves... squiggly lines...
      momentum:
           beginning at one
end, ending at the over...
      cosine...
Y: again... pin-point, crucible...
but all the other words
in hebrew?
   translated into the Latin text?
ugly as **** & god know's what!
but the tetragrammaton?
well... should Allah
be the jealous god?
   notably: and it would look like
LLH... ******* wonky...
     no geometry to associate
it with...
  but YHWH?
   that looks, it feels
    geometric...
Allah... even in hebrew: ל‬ל‬ה...
       looks... weird...
    sure... and the word for god
for the Maltese is also:
   a lend-word from Arabic...
      so... all sigh... ah...
apart from that?
******* niqabs for the vowels...
hidden,
it's almost equivalent to saying:
has anyone ever seen
a muslim woman pray?
on the steppenwolf's
sing-along-worth
of Aladdin?
ever see a muslim woman pray?
i figured:
muslim women do not pray...
i have never seen
a muslim woman pray...
yet here i am...
drinking... too much...
and writing...
what could have become
a sober me doing a harlequinn
take on a novel...
or become a tabloid
newspaper ju-ju-joornaleest...
  (no... not the english jaw
or jew but the french:
     au jus...
                 je suis:    juice...) -
never mind that...
all except the tetragrammaton
of the hebrew niqab for
the vowels
in Latin look like: shocks...
oh but the drinking won't stop...
down a liter of whiskey
per night,
   **** a minimum of
-1 women and find out about
the feel of performing ****
via my hand...
            steel-grip:
   flies to the tip of mt. ben 'evis...
    and i have seen
worse things being written,
and subsequently printed...
            i bet you 5 quid
that muslim women don't
gesticulate
    like the men
   do during prayer...
i bet... they smirk, giggle:
and who's who's
                doggy-position
*****?
   sure, sure...
    it's like kneeling
and the whole *******
antics of the christian baggage;
whoever:
  i'm drunk,
and you're probably sober...
    an subsequent
"conversation"
  will... i assure you...
work out... just... fine.

When I hear Steppenwolf I smell **** , when Foreigners playing
I'm tripping on tab tea .. Danny Joe Brown was yelling , ZZ Top was my musical religion .. Black Sabbath rocked my world , Robin Trower made my head swirl ! My Sg and Peavey would make the ground burn , my wah pedal made the Earth turn ...
Bostons first album blew my mind , Running with the Pack and a bottle of wine ....
Randolph Wilson was my occupation , Jimi Hendrix held it all together !

-
and baba moonschtrung also said the same, kenwah?

only once you visit
the eastern coast of kenya
do you realise...
   oh right...
they sent all the loud-mouth
west africans to america...
no wonder...
and you might rightly ask:
wonder?
   oh hell, loved the kenyans...
had a cognac and a coffee,
talked
about timber imports
from ghana...
     fell asleep in the open air
and had no somali pirate
bother me...
  punctured my hand on
a coral crown while diving into
the indian ocean,
had a kenyan doctor stitch me
up...
     you know what
east africans call west africans,
esp. those born
in america?
            *******...
     even the africans can tell
an african from a ******,
that's how bad the epidemic has
become:
ye, woah, ye, hide-e hide-e **-**...
ye-yo... limo *******...
boom boom, shizzle nuts
salami... ******* go waaaaaaaaaaay...
high... white boy got shroom
for a ****-yo...
      i know that east africans
abhor west african,
they call them -
     kakhuluizinkamba
oh look, he he...
      a german sounding
colony in africa, simply
based on the spelling "conundrum"
(it's called an act of ridicule
as to excuse a misnomer,
because third party says, so):
i think that means: loud mouth...
plus... never met a nigerian
girl i'd like to ****,
but one kenyan coal...
mmm hmm...
  smoked her grass
  like a serpent princess
         and god,
            that skin was a mirror
i allowed myself to fixate on
the moon... clearly i saw
something in the rhesus' OOH!
that much needing a photograph
startled expression...
    ***** ***** ***** WHA?
NIGER NIGERIA SAY WHA?
hmm... herrkichert: giggles...
             i love the fact that
africa is, a continent,
up is not down,
west is not east,
       lighter skinned peoples
are not respect,
get shipped off,
             speak some rap,
some settle for the palm
tree tropicana of the carribean...
                it's, ha! like this arab
fwend said to me:
     the love of: genital: contrasts...
it's far beyond colours...
its a certain fascination with
shapes...
      although opposite in terms
of universals of *** antonym...
well no, it's not like every
single white girl...
        not every single black girl...
but you're on your own,
sitting at a table playing
a steppenwolf game with
the audience, and three kenyan
beauties approach you for
a chat...
             locked in to having genitals,
and there's a chair,
thank you, very much...
     if only the somali pirates...
i'd be like: you really forgot
the cognac...
                i had it in a little glass
next to my head,
when i woke up, the cognac was...
dead? well, gone, richard gere style...
kinywa kwa sauti kubwa
             kwa sauti kubwa kinywa
it's not perfect,
because i'm not learning,
i just want to known
of the arabs, keeping
crocodile zoos to ensure
  a steady stream of leather shoes
in Mombasa tell you
to read it: left to right to left,
or to read it: right to left to right,
beyond what the druids wrote,
grammatically speaking...
the other bit?
        zoo                    lú!
  so do the african-americans even
know that an east african would
call a west african a ******?
extra G, prowess!
   i think he ment to say: loud mouth...
ha ha...
  i love how african-americans
are deluded about the delusion
of an africa: UNITED!
  black, what-what?!
              no, i haven't been to a lot
of places...
        but the places i've been to
i attempted the human face...
kenya imports timber from ghana...
learned that from the bartender
giving me extra short of cognac
trying to play poker with me...
    but ven e'gein, outside of
    Arkansas... there is no Arkansas!
i'd gloat, bloat,
if i only did have to hide
in one of those Nero flotilla shades...
when in africa? hide from
the sun... have a ******* hyper-active
form of siesta...
        otherwise you're reduced
to getting a suntan,
which makes you look as stupid
as eating tablespoons of
             powdered cinnamon;
simba m'ah schlimba...
                     sham'ah sham'ah
  sham'ah yay...
              harpoon,  
                    first mate:
       it 'em at day tatties...
                one ****** down,
two ******* down...
                third?
                   did a seal's worst
impression of a baboon
scratching its over-taxed
worth of **** (already) worth's
of hemorrhoids...
  ever see a baboon with
a third ****-cheek?
i.e. a hemorrhoid?
                      hence the clapping...
B. Moonglit of the jungle,
never, ever, really managed
to wipe his ***...
                 still...
                 i love how african-americans
think there's an "africa"...
             well... there's kenya...
but you know,
  you sample one good aspect
of the continent,
   there's no real point sampling
a lottery ticket
              of replica to "prove"
a "similar" point of experience.

make it to 2060
I can't get there so
can I perchance feel free to play the
hell out of cream,
Steppenwolf makes me
as does Creedence and Who
along with Ms. Janis,
give my blues inspired
hallucinations, Youtube,
Light my Fire with my brother Jim
Play the **** outta the star spangled banner
the KING of guitar,
echo loudly :
If life is eternal the sixties best are

Steppenwolf at the door
asking if
I wanna score.

When stocktaking is not
a criminal offence,
but shoplifting is.

But
the music plays along
with the words I make up
to my song.

Daddy-o

First off, I hate this
I want to be able to say this, face to face
I keep second guessing myself
Unable to formulate even basic sentiments
I respect you, although I never felt you taught me to respect myself
As my own worst enemy, it's your words I use to hurt myself endlessly.


Secondly, even my efforts against this me, have had little more effect than a restless peace. I have fought the steppenwolf bracingly, even embraced the peace. But I’ve yet to eradicate the behavioral mistakes I make, it seems. I get stuck doing wrong turns, sonder under undercurrents, waves circle back on themselves again and again indefinitely.
I help myself get upset, get wet,  drown myself in debt. Then beg, for you helping me. And that you did, amazingly. So this is a thank you, I guess.

I love you, won't ever love you any less.
And I am a rain dog, stuck in perpetual everchanging groundhog days. My missteps surprises no one but myself.
No help from anyone else will change this me. I am able direct myself once again, i’ve led myself astray. Make amends, make a straightaway out of this ever bending way, which could end up, ending me.

It ended up a free for all
After the hotdog eating contest,
A maylay to the left of the stage,
As Steppenwolf
( one blind guy and four nobodies) sputter through
Sookie Sue
As someone jumps onstage
And turns it into a real Fourth of July
       7/ 04/ 2005

hard not to begin aspiring
aspiring to redeem oneself for a day's
worth of suicide
just by lying in bed
and pickling the body
and subsequently the mind
by extension an abstract
of the brain
of what is material that being
the left hemisphere
which was fused with a nail
to the ear: the word money

while the right hemisphere
is strangely scratched
and i don't mean the head
i mean the vinyl mind scratched
with little microcosms of
**** and alcohol
use

the day began at 9:30
                        today
and i really just had
to knock three out on the toilet
before taking
a shower
at least i can justify knocking
three out -
purges almost bulimic and i
know what
bulimic purging looks like
in the Roman ancient disgust
with eating food

it must have been this disgust
of eating food
from time to time
i wonder did the Celestial
*** Couch'Surfer of Nazareth
stayed in the Tax Collector's
house for the time
being
since also active in the city
as the countryside
so not exactly alien to the concept
of money

what displeased people
most was probably that
and the wisdom contained within money

Ἀπόδοτε οὖν τὰ Καίσαρος
Καίσαρι καὶ τὰ τοῦ Θεοῦ τῷ Θεῷ

render unto Caesar what is Caesar's
and unto God what is God's

  i can meet this faith halway
and render it likewise
away from the time of Caesar
and even a God of Nations
this Global God
i mean:
did yhwh really evolve to a global god
from the god of the individual
of Abraham
say
to then the god of the people
as revealed unto Moses
since Moses
is the keeper of the god of Abraham
and the god of Israel
but a god of the entire world
would be... perhaps too "ambitious"...
how unlikely that
such a burden would be conjured
up by man...
and not a god
since nowhere could it be cited
that yhwh would want to become
the god of the universe
given that he was yet to find foundation
in Greek
in Greek alone there would have had
to appear a manifestation of the Hebrew
rather than in the time of the Roman Empire
and in a place like Palestine -
jeez...

              then so man took up himself
to manifest the tortures
and stand above the god of a people
to become the god of all peoples
and as such i can only return to this man
as a man
and say
that i will consider

his 7 sayings

mt 6:24
L 12:32-34
mk 10:24b-25
mt 13:18-23
L 12:13-15
                L 16:10-11
mk 12:41-44

but already i stand out saying
and i only skimmed the others
so i don't want to space
out as much
as then ask Muhammad
about his take on
ahmed-bahmed-mammon-head

so can be asking really
basic tenets of faith
say if
   i say if
as if

         Azif i say a demon helper
because i'm asking
not metaphysical questions
i'm asking how these two
camel and donkey jockeys
lived

and the reality is pretty basic
the Muhammad was a merchant
and married an older woman
who didn't give him children
but gave him knowledge
and ****** experience
which means yes later could sustain
wives
but he was old by then and prior
to an Arab colt
and i wonder if so illiterate then who
wrote down the ****
book and i'm guessing it was
none other than his first wife

Khadīja **** Khuwaylid - died 619
ha! 610!
            well for a second there
i thought i might be wrong
               should she have died after
just the basic life worn
knitty gritty

   perhaps like that mutter under the breath
of the bicycle shop repair guy
for want a refund on job
not done
personal belonging "confiscated"
and then the ordering of a spoke
one ******* spoke
almost 2 weeks
i say what service
sooner i ******* watch a youtube
video
buy the spoke key
and some spokes
and do the ******* thing myself
why mutter little boy
at me
i wonder aren't you working in
a bicycle shop
are you too lazy to see the potential
perhaps i work lazily looking
at people
but it's still the same mantra:
security, safety & service
along all long yards of wage labouring
if not actually laboring with
the body
all jobs alike outside the realm
of construction and moving **** about
industry of trucks and skips
but come on...
"engineer": the "engineer" took
a holiday and i was misled that
this wouldn't take two *******
weeks for one ******* spoke

let's get real this is not a nuclear
war tension of a disgruntled
customer not throwing tantrums
but asking in advance
before showing the arrears receipt
i.e.

     ooh - new guy, none of those
passive aggressive Steppenwolf not so's
(maybe, almost but that's
rather moi)

                  'so, in your opinion,
how long should a spoke replacement
take, roughly 2 or 3?'
'well... given that our engineer is
on annual leave
and should be back on Thursday
once we order the parts...'

   'that's fine... see i've been waiting
two weeks
and nothing so here is my receipt
and could i please get a refund
and my wheel back, please, thank you...'

i cut him off before he could
try to have a lie-around
a way to excuse the service of this
corporate cycle repair shop
next thing
i'm going to do is travel
to Whitechapel to see my China-man
because he only has an ice-cream
van sort of space in a hole
in the wall next to the Mosque
and i'm wondering how to enter
the mosque once more
and just sit there
perhaps just to treat it as a safe space
perhaps just ask:
can i come in?
can i sit down and meditate?

i remember when i was in Russia
that was near impossible
you couldn't sit in the church
because it was some disrespect
but then all the tourists
around while the locals
had to deal with it
while a mass was taken place
and the priest stood face to altar
with the people behind him
and the people all standing
because unlike in catholic churches
there were no benches
for you to sit on
there were no three positions of
stand, kneel, sit...

Muslims just stand
kneel then bend...

perhaps it's a more comfortable prayer
position
perhaps the dynamic of 15min max
5x a day
well...
i am of the "first"
but not the first
and is it really a day for a bbq on the sly
i mean the Aussie
way of just maybe cooking
outside
not bbq like it's a party
but like al fresco
but not really not in England
so just cooking al fresco
that's nice...
i think that's a sort of rich boy saying
middle of the way
to be able to cook outside
and not in a kitchen
with the birds chirping
and i'm pretty sure Buddha has nothing
to add on the subject of money
and of work...
i wonder what is considered work
then...

if this camel and donkey jockeys
had to say something about money
then what did they say about work?

maybe... 1 Thessalonians 4:11
but that's no longer Jesus
but Christianity...
                                otherwise everything
seems rather vague
and yet work we must
and work we adhere to
and no venture beyond it
in some madness of
a suntan and the surf
or perhaps
something less troublesome
as time unspent
               yet lived such lived
as to decree
O what is truly necessary
now that not loving
is worth more than loving
and how loving
was so claustrophobic
and so ego-unresponsive
and i know
that i mentioned
an ego-destruction
but that's o.k.
in a crowd but when one
returns to one's
own bedroom
and one's own head
and the person who was loved
isn't there
then surely she should
expect to have a relationship
with a "bad boy"
in prison much closer to home
because the fact that i'm
writing from London
and she's reading from Kauai
last night i sent her 7 half drunken
messages
and then deleted them
since i was also half sober
so there you go
there you go...
there you are...
                          easy enough?
so, eyes turned all foggy
and i was relaxing with the wrong
sort of music and
who's this apology even to?
now come to think of it:

there was a change of 'what's for dinner'
since it's raining on off on off
and i don't want to be the local
shaman to conjure up sunshine
and parting clouds
i kinda like this luster of damp
and moisture
and thinking about insects like
spiders: notably spiders
and how i giggle at my sometime
arachnophobia
  (phew! almost thought i'd misspell it!
and yes... honing in on 3pm
and changing plans
from a bbq to a curry)

       ... interlude... interlude... interlude (no ****)...

nostalgia nostalgia
that year not so long ago
when the sun was just a sun
and below
London Stadium
and Red Hot Chili Peppers
and i was still so inexperienced
and only a pawn
in traffic cone

         and so careless almost devoid
of love's interest...

steward of the household
steward of the household
in the old days
who is to say that men belong
in the fields
and that women belong
in the houses
and who stays long enough
to board the safe havens
of a 'otel - no dare to wonder
what role is this
somehow emasculating
because i find joy in cooking
and ironing shirts
and looking presentable
and what is to say that woman
does that
perhaps like could look
Victorian
just whenever i ride the shallow
worms of London
notably the Distrct
Circle Hammersmith & City
and the metropolitan lines

oh i could write a poem about
the London underground
perhaps that's another project
ride each line from one end to another
do these little weekend trips during
the week
and be less of a bother
to the occupied space
i hear Ruslip is pretty and i've walked
to Epping
so i can say that much about so little

oh perhaps even now
this can be seen as less an emasculating
work title: unpaid
who said all work was paid
let's assume that there are works
in this world that
cannot invoke the relation to Caesar
let us just say
that there are certain things that have
to be done not
metaphysics usurped or whatever
but little deeds that are governed
by silent applause
from a canned laughter crowd
i mean rewarded without due
but rather duty
from want
rather than expectation
from a faceless man
to a facing faceless man man
i.e. with face
and that negation of grace that comes
when loving expectations are
not met
loved as in catered to and for...
in some respects of...
from the perspective of the essentials of life...

              Eumolpus
   Attica
                Thrace
         Eumolpidae: the family...
O once was the richness of the abode
of families
that the life we now owe
succumbed to that family of Judea
and how we are punished for adhering to
it so...
what jovial pasts were once
and now no longer are