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Like a psychotic docent in the wilderness,
I will not speak in perfect Ciceronian cadences.
I draw my voice from a much deeper cistern,
Preferring the jittery synaptic archive,
So sublimely unfiltered, random and profane.
And though I am sequestered now,
Confined within the walls of a gated, golf-coursed,
Over-55 lunatic asylum (for Active Seniors I am told),
I remain oddly puerile,
Remarkably refreshed and unfettered.  
My institutionalization self-imposed,
Purposed for my own serenity, and also the safety of others.
Yet I abide, surprisingly emancipated and frisky.
I may not have found the peace I seek,
But the quiet has mercifully come at last.

The nexus of inner and outer space is context for my story.
I was born either in Brooklyn, New York or Shungopavi, Arizona,
More of intervention divine than census data.
Shungopavi: a designated place for tribal statistical purposes.
Shungopavi: an ovine abbatoir and shaman’s cloister.
The Hopi: my mother’s people, a state of mind and grace,
Deftly landlocked, so cunningly circumscribed,
By both interior and outer Navajo boundaries.
The Navajo: a coyote trickster people; a nation of sheep thieves,
Hornswoggled and landlocked themselves,
Subsumed within three of the so-called Four Corners:
A 3/4ths compromise and covenant,
Pickled in firewater, swaddled in fine print,
A veritable swindle concocted back when the USA
Had Manifest Destiny & mayhem on its mind.

The United States: once a pubescent synthesis of blood and thunder,
A bold caboodle of trooper spit and polish, unwashed brawlers, Scouts and      
Pathfinders, mountain men, numb-nut ne'er-do-wells,
Buffalo Bills & big-balled individualists, infected, insane with greed.
According to the Gospel of His Holiness Saint Zinn,
A People’s’ History of the United States: essentially state-sponsored terrorism,
A LAND RUSH grabocracy, orchestrated, blessed and anointed,
By a succession of Potomac sharks, Great White Fascist Fathers,
Far-Away-on-the Bay, the Bay we call The Chesapeake.
All demented national patriarchs craving lebensraum for God and country.
The USA: a 50-state Leviathan today, a nation jury-rigged,
Out of railroad ties, steel rails and baling wire,
Forged by a litany of lies, rapaciousness and ******,
And jaw-torn chunks of terra firma,
Bites both large and small out of our well-****** Native American ***.

Or culo, as in va’a fare in culo (literally "go do it in the ***")
Which Italian Americans pronounce as fongool.
The language center of my brain,
My sub-cortical Broca’s region,
So fraught with such semantic misfires,
And autonomic linguistic seizures,
Compel acknowledgement of a father’s contribution,
To both the gene pool and the genocide.
Columbus Day:  a conspicuously absent holiday out here in Indian Country.
No festivals or Fifth Avenue parades.
No excuse for ethnic hoopla. No guinea feast. No cannoli. No tarantella.
No excuse to not get drunk and not **** your sister-in-law.
Emphatically a day for prayer and contemplation,
A day of infamy like Pearl Harbor and 9/11,
October 12, 1492: not a discovery; an invasion.

Growing up in Brooklyn, things were always different for me,
Different in some sort of redskin/****/****--
Choose Your Favorite Ethnic Slur-sort of way.
The American Way: dehumanization for fun and profit.
Melting *** anonymity and denial of complicity with evil.
But this is no time to bring up America’s sordid past,
Or, a personal pet peeve: Indian Sovereignty.
For Uncle Sam and his minions, an ever-widening, conveniently flexible concept,
Not a commandment or law,
Not really a treaty or a compact,
Or even a business deal.  Let’s get real:
It was not even much in the way of a guideline.
Just some kind of an advisory, a bulletin or newsletter,
Could it merely have been a free-floating suggestion?
Yes, that’s it exactly: a suggestion.

Over and under halcyon American skies,
Over and around those majestic purple mountain peaks,
Those trapped in poetic amber waves of wheat and oats,
Corn and barley, wheat shredded and puffed,
Corn flaked and milled, Wheat Chex and Wheaties, oats that are little Os;
Kix and Trix, Fiber One, and Kashi-Go-Lean, Lucky Charms and matso *****,
Kreplach and kishka,
Polenta and risotto.
Our cantaloupe and squash patch,
Our fruited prairie plain, our delicate ecological Eden,
In balance and harmony with nature, as Chief Joseph of the Nez Perce instructs:
“These white devils are not going to,
Stop ****** and killing, cheating and eating us,
Until they have the whole ******* enchilada.
I’m talking about ‘from sea to shining sea.’”

“I fight no more forever,” Babaloo.
So I must steer this clunky keelboat of discovery,
Back to the main channel of my sad and starry demented river.
My warpath is personal but not historical.
It is my brain’s own convoluted cognitive process I cannot saavy.
Whatever biochemical or—as I suspect more each day—
Whatever bio-mechanical protocols govern my identity,
My weltanschauung: my world-view, as sprechen by proto-Nazis;
Putz philosophers of the 17th, 18th & 19th century.
The German intelligentsia: what a cavalcade of maniacal *******!
Why is this Jew unsurprised these Zarathustra-fueled Übermenschen . . .
Be it the Kaiser--Caesar in Deutsch--Bismarck, ******, or,
Even that Euro-*****,  Angela Merkel . . . Why am I not surprised these Huns,
Get global grab-*** on the sauerbraten cabeza every few generations?
To be, or not to be the ***** bullgoose loony: GOTT.

Biomechanical protocols govern my identity and are implanted while I sleep.
My brain--my weak and weary CPU--is replenished, my discs defragmented.
A suite of magnetic and optical white rooms, cleansed free of contaminants,
Gun mounts & lifeboat stations manned and ready,
Standing at attention and saluting British snap-style,
Snap-to and heel click, ramrod straight and cheerful: “Ready for duty, Sir.”
My mind is ravenous, lusting for something, anything to process.
Any memory or image, lyric or construct,
Be they short-term dailies or deeply imprinted.
Fixations archived one and all in deep storage time and space.
Memories, some subconscious, most vaporous;
Others--the scary ones—eidetic: frighteningly detailed and extraordinarily vivid.
Precise cognitive transcripts; recollected so richly rife and fresh.
Visual, auditory, tactile, gustatory, and olfactory reloads:
Queued up and increasingly re-experienced.

The bio-data of six decades: it’s all there.
People, countless, places and things cataloged.
Every event, joy and trauma enveloped from within or,
Accessed externally from biomechanical storage devices.
The random access memory of a lifetime,
Read and recollected from cerebral repositories and vaults,
All the while the entire greedy process overseen,
Over-driven by that all-subservient British bat-man,
Rummaging through the data in batches small and large,
Internal and external drives working in seamless syncopation,
Self-referential, at times paradoxical or infinitely looped.
“Cogito ergo sum."
Descartes stripped it down to the basics but there’s more to the story:
Thinking about thinking.
A curse and minefield for the cerebral:  metacognition.

No, it is not the fact that thought exists,
Or even the thoughts themselves.
But the information technology of thought that baffles me,
As adaptive and profound as any evolution posited by Darwin,
Beyond the wetware in my skull, an entirely new operating system.
My mental and cultural landscape are becoming one.
Machines are connecting the two.
It’s what I am and what I am becoming.
Once more for emphasis:
It is the information technology of who I am.
It is the operating system of my mental and cultural landscape.
It is the machinery connecting the two.
This is the central point of this narrative:
Metacognition--your superego’s yenta Cassandra,
Screaming, screaming in your psychic ear, your good ear:

“LISTEN:  The machines are taking over, taking you over.
Your identity and train of thought are repeatedly hijacked,
Switched off the main line onto spurs and tangents,
Only marginally connected or not at all.
(Incoming TEXT from my editor: “Lighten Up, Giuseppi!”)
Reminding me again that most in my audience,
Rarely get past the comic page. All righty then: think Calvin & Hobbes.
John Calvin, a precocious and adventurous six-year old boy,
Subject to flights of 16th Century French theological fancy.
Thomas Hobbes, a sardonic anthropomorphic tiger from 17th Century England,
Mumbling about life being “solitary, poor, nasty, brutish and short.”
Taken together--their antics and shenanigans--their relationship to each other,
Remind us of our dual nature; explore for us broad issues like public education;
The economy, environmentalism & the Global ****** Thermometer;
Not to mention the numerous flaws of opinion polls.



And again my editor TEXTS me, reminds me again: “LIGHTEN UP!”
Consoling me:  “Even Shakespeare had to play to the groundlings.”
The groundlings, AKA: The Rabble.
Yes. Even the ******* Bard, even Willie the Shake,
Had to contend with a decidedly lowbrow copse of carrion.
Oh yes, the groundlings, a carrion herd, a flying flock of carrion seagulls,
Carrion crow, carrion-feeders one and all,
And let’s throw Sheryl Crow into the mix while we’re at it:
“Hit it! This ain't no disco. And it ain't no country club either, this is L.A.”  

                  Send "All I Wanna Do" Ringtone to your Cell              

Once more, I digress.
The Rabble:  an amorphous, gelatinous Jabba the Hutt of commonality.
The Rabble: drunk, debauched & lawless.
Too *****-delicious to stop Bill & Hilary from thinking about tomorrow;
Too Paul McCartney My Love Does it Good to think twice.

The Roman Saturnalia: a weeklong **** fest.
The Saturnalia: originally a pagan kink-fest in honor of the deity Saturn.
Dovetailing nicely with the advent of the Christian era,
With a project started by Il Capo di Tutti Capi,
One of the early popes, co-opting the Roman calendar between 17 and 25 December,
Putting the finishing touches on the Jesus myth.
For Brooklyn Hopi-***-Jew baby boomers like me,
Saturnalia manifested itself as Disco Fever,
Unpleasant years of electrolysis, scrunched ***** in tight polyester
For Roman plebeians, for the great unwashed citizenry of Rome,
Saturnalia was just a great big Italian wedding:
A true family blowout and once-in-a-lifetime ego-trip for Dad,
The father of the bride, Vito Corleone, Don for A Day:
“Some think the world is made for fun and frolic,
And so do I! Funicula, Funiculi!”

America: love it or leave it; my country right or wrong.
Sure, we were citizens of Rome,
But any Joe Josephus spending the night under a Tiber bridge,
Or sleeping off a three day drunk some afternoon,
Up in the Coliseum bleachers, the cheap seats, out beyond the monuments,
The original three monuments in the old stadium,
Standing out in fair territory out in center field,
Those three stone slabs honoring Gehrig, Huggins, and Babe.
Yes, in the house that Ruth built--Home of the Bronx Bombers--***?
Any Joe Josephus knows:  Roman citizenship doesn’t do too much for you,
Except get you paxed, taxed & drafted into the Legion.
For us the Roman lifestyle was HIND-*** humble.
We plebeians drew our grandeur by association with Empire.
Very few Romans and certainly only those of the patrician class lived high,
High on the hog, enjoying a worldly extravaganza, like—whom do we both know?

Okay, let’s say Laurence Olivier as Crassus in Spartacus.
Come on, you saw Spartacus fifteen ******* times.
Remember Crassus?
Crassus: that ***** twisted **** trying to get his freak on with,
Tony Curtis in a sunken marble tub?
We plebes led lives of quiet *****-scratching desperation,
A bunch of would-be legionnaires, diseased half the time,
Paid in salt tablets or baccala, salted codfish soaked yellow in olive oil.
Stiffs we used to call them on New Year’s Eve in Brooklyn.
Let’s face it: we were hyenas eating someone else’s ****,
Stage-door jackals, Juvenal-come-late-lies, a mob of moronic mook boneheads
Bought off with bread & circuses and Reality TV.
Each night, dished up a wide variety of lowbrow Elizabethan-era entertainments.  
We contemplate an evening on the town, downtown—
(cue Petula Clark/Send "Downtown" Ringtone to your Cell)

On any given London night, to wit:  mummers, jugglers, bear & bull baiters.
How about dog & **** fighters, quoits & skittles, alehouses & brothels?
In short, somewhere, anywhere else,
Anywhere other than down along the Thames,
At Bankside in Southwark, down in the Globe Theater mosh pit,
Slugging it out with the groundlings whose only interest,
In the performance is the choreography of swordplay and stale ****** puns.
Meanwhile, Hugh Fennyman--probably a fellow Jew,
An English Renaissance Bugsy Siegel or Mickey Cohen—
Meanwhile Fennyman, the local mob boss is getting his ya-yas,
Roasting the feet of my text-messaging editor, Philip Henslowe.
Poor and pathetic Henslowe, works on commission, always scrounging,
But a true patron of my craft, a gentleman of infinite jest and patience,
Spiritual subsistence, and every now and then a good meal at some,
Sawdust joint with oyster shells, and a Prufrockian silk purse of T.S. Eliot gold.

Poor, pathetic Henslowe, trussed up by Fennyman,
His editorial feet in what looks like a Japanese hibachi.
Henslowe’s feet to the fire--feet to the fire—get it?
A catchy phrase whose derivation conjures up,
A grotesque yet vivid image of torture,
An exquisite insight into how such phrases ingress the idiom,
Not to mention a scene once witnessed at a secret Romanian CIA prison,
I’d been ordered to Bucharest not long after 9/11,
Handling the rendition and torture of Habib Ghazzawy,

An entirely innocent falafel maker from Steinway Street, Astoria, Queens.
Shock the Monkey: it’s what we do. GOTO:
Peter Gabriel - Shock the Monkey/
(HQ music video) - YouTube//
www.youtube.com/
Poor, pathetic, ******-on Henslowe.


Fennyman :  (his avarice is whet by something Philly screams out about a new script)  "A play takes time. Find actors; Rehearsals. Let's say open in three weeks. That's--what--five hundred groundlings at tuppence each, in addition four hundred groundlings tuppence each, in addition four hundred backsides at three pence--a penny extra for a cushion, call it two hundred cushions, say two performances for safety how much is that Mr. Frees?"
Jacobean Tweet, John (1580-1684) Webster:  “I saw him kissing her bubbies.”

It’s Geoffrey Rush, channeling Henslowe again,
My editor, a singed smoking madman now,
Feet in an ice bucket, instructing me once more:
“Lighten things up, you know . . .
Comedy, love and a bit with a dog.”
I digress again and return to Hopi Land, back to my shaman-monastic abattoir,
That Zen Center in downtown Shungopavi.
At the Tribal Enrolment Office I make my case for a Certificate of Indian Blood,
Called a CIB by the Natives and the U.S. Bureau of Indian Affairs.
The BIA:  representing gold & uranium miners, cattle and sheep ranchers,
Sodbusters & homesteaders; railroaders and dam builders since 1824.
Just in time for Andrew Jackson, another false friend of Native America,
Just before Old Hickory, one of many Democratic Party hypocrites and scoundrels,
Gives the FONGOOL, up the CULO go ahead.
Hey Andy, I’ve got your Jacksonian democracy: Hanging!
The Bureau of Indian Affairs (BIA) mission is to:   "… enhance the quality of life, to promote economic opportunity, and to carry out the responsibility to protect and improve the trust assets of American Indians, Indian tribes, and Alaska Natives. What’s that in the fine print?  Uncle Sammy holds “the trust assets of American Indians.”

Here’s a ******* tip, Geronimo: if he trusted you,
It would ALL belong to you.
To you and The People.
But it’s all fork-tongued white *******.
If true, Indian sovereignty would cease to be a sick one-liner,
Cease to be a blunt force punch line, more of,
King Leopold’s 19th Century stand-up comedy schtick,
Leo Presents: The **** of the Congo.
La Belgique mission civilisatrice—
That’s what French speakers called Uncle Leo’s imperial public policy,
Bringing the gift of civilization to central Africa.
Like Manifest Destiny in America, it had a nice colonial ring to it.
“Our manifest destiny [is] to overspread the continent,
Allotted by Providence for the free development,
Of our yearly multiplying millions.”  John L. O'Sullivan, 1845

Our civilizing mission or manifest destiny:
Either/or, a catchy turn of phrase;
Not unlike another ironic euphemism and semantic subterfuge:
The Pacification of the West; Pacification?
Hardly: decidedly not too peaceful for Cochise & Tonto.
Meanwhile, Madonna is cash rich but disrespected Evita poor,
To wit: A ****** on the Rocks (throwing in a byte or 2 of Da Vinci Code).
Meanwhile, Miss Ciccone denied her golden totem *****.
They snubbed that little guinea ****, didn’t they?
Snubbed her, robbed her rotten.
Evita, her magnum opus, right up there with . . .
Her SNL Wayne’s World skit:
“Get a load of the unit on that guy.”
Or, that infamous MTV Music Video Awards stunt,
That classic ***** Lip-Lock with Britney Spears.

How could I not see that Oscar snubola as prime evidence?
It was just another stunning case of American anti-Italian racial animus.
Anyone familiar with Noam Chomsky would see it,
Must view it in the same context as the Sacco & Vanzetti case,
Or, that arbitrary lynching of 9 Italian-Americans in New Orleans in 1891,
To cite just two instances of anti-Italian judicial reach & mob violence,
Much like what happened to my cousin Dominic,
Gang-***** by the Harlem Globetrotters, in their locker room during halftime,
While he working for Abe Saperstein back in 1952.
Dom was doing advance for Abe, supporting creation of The Washington Generals:
A permanent stable of hoop dream patsies and foils,
Named for the ever freewheeling, glad-handing, backslapping,
Supreme Commander Allied Expeditionary Force (SCAEF), himself,
Namely General Dwight D. Eisenhower, the man they liked,
And called IKE: quite possibly a crypto Jew from Abilene.

Of course, Harry Truman was my first Great White Fascist Father,
Back in 1946, when I first opened my eyes, hung up there,
High above, looking down from the adobe wall.
Surveying the entire circular kiva,
I had the best seat in the house.
Don’t let it be said my Spider Grandmother or Hopi Corn Mother,
Did not want me looking around at things,
Discovering what made me special.
Didn’t divine intervention play a significant part of my creation?
Knowing Mamma Mia and Nonna were Deities,
Gave me an edge later on the streets of Brooklyn.
The Cradleboard: was there ever a more divinely inspired gift to human curiosity? The Cradleboard: a perfect vantage point, an infant’s early grasp,
Of life harmonious, suspended between Mother Earth and Father Sky.
Simply put: the Hopi should be running our ******* public schools.

But it was IKE with whom I first associated,
Associated with the concept 1600 Pennsylvania Avenue.
I liked IKE. Who didn’t?
What was not to like?
He won the ******* war, didn’t he?
And he wasn’t one of those crazy **** John Birchers,
Way out there, on the far right lunatic Republican fringe,
Was he? (It seems odd and nearly impossible to believe in 2013,
That there was once a time in our Boomer lives,
When the extreme right wing of the Republican Party
Was viewed by the FBI as an actual threat to American democracy.)
Understand: it was at a time when The FBI,
Had little ideological baggage,
But a great appetite for secrets,
The insuppressible Jay Edgar doing his thang.

IKE: of whom we grew so, oh-so Fifties fond.
Good old reliable, Nathan Shaking IKE:
He’d been fixed, hadn’t he? Had had the psychic snip.
Snipped as a West Point cadet & parade ground martinet.
Which made IKE a good man to have in a pinch,
Especially when crucial policy direction was way above his pay grade.
Cousin Dom was Saperstein’s bagman, bribing out the opposition,
Which came mainly from religious and patriotic organizations,
Viewing the bogus white sports franchise as obscene.
The Washington Generals, Saperstein’s new team would have but one opponent,
And one sole mission: to serve as the **** of endless jokes and sight gags for—
Negroes.  To play the chronic fools of--
Negroes.  To be chronically humiliated and insulted by—
Negroes.  To run up and down the boards all night, being outran by—
Negroes.  Not to mention having to wear baggy silk shorts.



Meadowlark Lemon:  “Yeah, Charlie, we ***** that grease-ball Dominic; we shagged his guinea mouth and culo rotten.”  

(interviewed in his Scottsdale, AZ winter residence in 2003 by former ESPN commentator Charlie Steiner, Malverne High School, Class of ’67.)
                                                        
  ­                                                                 ­                 
IKE, briefed on the issue by higher-ups, quickly got behind the idea.
The Harlem Globetrotters were to exist, and continue to exist,
Are sustained financially by Illuminati sponsors,
For one reason and one reason only:
To serve elite interests that the ***** be kept down and subservient,
That the minstrel show be perpetuated,
A policy surviving the elaborate window dressing of the civil rights movement, Affirmative action, and our first Uncle Tom president.
Case in point:  Charles Barkley, Dennis Rodman & Metta World Peace Artest.
Cha-cha-cha changing again:  I am Robert Allen Zimmermann,
A whiny, skinny Jew, ****** and rolling in from Minnesota,
Arrested, obviously a vagrant, caught strolling around his tony Jersey enclave,
Having moved on up the list, the A-list, a special invitation-only,
Yom Kippur Passover Seder:  Next Year in Jerusalem, Babaloo!

I take ownership of all my autonomic and conditioned reflexes;
Each personal neural arc and pathway,
All shenanigans & shellackings,
Or blunt force cognitive traumas.
It’s all percolating nicely now, thank you,
In kitchen counter earthen crockery:
Random access memory: a slow-cook crockpot,
Bubbling through my psychic sieve.
My memories seem only remotely familiar,
Distant and vague, at times unreal:
An alien hybrid databank accessed accidently on purpose;
Flaky science sustains and monitors my nervous system.
And leads us to an overwhelming question:
Is it true that John Dillinger’s ******* is in the Smithsonian Museum?
Enquiring minds want to know, Kemosabe!

“Any last words, *******?” TWEETS Adam Smith.
Postmortem cyber-graffiti, an epitaph carved in space;
Last words, so singular and simple,
Across the universal great divide,
Frisbee-d, like a Pleistocene Kubrick bone,
Tossed randomly into space,
Morphing into a gyroscopic space station.
Mr. Smith, a calypso capitalist, and me,
Me, the Poet Laureate of the United States and Adam;
Who, I didn’t know from Adam.
But we tripped the light fantastic,
We boogied the Protestant Work Ethic,
To the tune of that old Scotch-Presbyterian favorite,
Variations of a 5-point Calvinist theme: Total Depravity; Election; Particular Redemption; Irresistible Grace; & Perseverance of the Saints.

Mr. Smith, the author of An Inquiry into the Nature
& Causes of the Wealth of Nations (1776),
One of the best-known, intellectual rationales for:
Free trade, capitalism, and libertarianism,
The latter term a euphemism for Social Darwinism.
Prior to 1764, Calvinists in France were called Huguenots,
A persecuted religious majority . . . is that possible?
A persecuted majority of Edict of Nantes repute.
Adam Smith, likely of French Huguenot Jewish ancestry himself,
Reminds me that it is my principal plus interest giving me my daily gluten.
And don’t think the irony escapes me now,
A realization that it has taken me nearly all my life to see again,
What I once saw so vividly as a child, way back when.
Before I put away childish things, including the following sentiment:
“All I need is the air that I breathe.”

  Send "The Air That I Breathe" Ringtone to your Cell  

The Hippies were right, of course.
The Hollies had it all figured out.
With the answer, as usual, right there in the lyrics.
But you were lucky if you were listening.
There was a time before I embraced,
The other “legendary” economists:
The inexorable Marx,
The savage society of Veblen,
The heresies we know so well of Keynes.
I was a child.
And when I was a child, I spake as a child—
Grazie mille, King James—
I understood as a child; I thought as a child.
But when I became a man I jumped on the bus with the band,
Hopped on the irresistible bandwagon of Adam Smith.

Smith:  “Any last words, *******?”
Okay, you were right: man is rationally self-interested.
Grazie tanto, Scotch Enlightenment,
An intellectual movement driven by,
An alliance of Calvinists and Illuminati,
Freemasons and Johnny Walker Black.
Talk about an irresistible bandwagon:
Smith, the gloomy Malthus, and David Ricardo,
Another Jew boy born in London, England,
Third of 17 children of a Sephardic family of Portuguese origin,
Who had recently relocated from the Dutch Republic.
******* Jews!
Like everything shrewd, sane and practical in this world,
WE also invented the concept:  FOLLOW THE MONEY.

The lyrics: if you were really listening, you’d get it:
Respiration keeps one sufficiently busy,
Just breathing free can be a full-time job,
Especially when--borrowing a phrase from British cricketers—,
One contemplates the sorry state of the wicket.
Now that I am gainfully superannuated,
Pensioned off the employment radar screen.
Oft I go there into the wild ebon yonder,
Wandering the brain cloud at will.
My journey indulges curiosity, creativity and deceit.
I free range the sticky wicket,
I have no particular place to go.
Snagging some random fact or factoid,
A stop & go rural postal route,
Jumping on and off the brain cloud.

Just sampling really,
But every now and then, gorging myself,
At some information super smorgasbord,
At a Good Samaritan Rest Stop,
I ponder my own frazzled neurology,
When I was a child—
Before I learned the grim economic facts of life and Judaism,
Before I learned Hebrew,
Before my laissez-faire Bar Mitzvah lessons,
Under the rabbinical tutelage of Rebbe Kahane--
I knew what every clever child knows about life:
The surfing itself is the destination.
Accessing RAM--random access memory—
On a strictly need to know basis.
RAM:  a pretty good name for consciousness these days.

If I were an Asimov or Sir Arthur (Sri Lankabhimanya) Clarke,
I’d get freaky now, riffing on Terminators, Time Travel and Cyborgs.
But this is truth not science fiction.
Nevertheless, someone had better,
Come up with another name for cyborg.
Some other name for a critter,
Composed of both biological and artificial parts?
Parts-is-parts--be they electronic, mechanical or robotic.
But after a lifetime of science fiction media,
After a steady media diet, rife with dystopian technology nightmares,
Is anyone likely to admit to being a cyborg?
Since I always give credit where credit is due,
I acknowledge that cyborg was a term coined in 1960,
By Manfred Clynes & Nathan S. Kline and,
Used to identify a self-regulating human-machine system in outer space.

Five years later D. S. Halacy's: Cyborg: Evolution of the Superman,
Featured an introduction, which spoke of:  “… a new frontier, that was not,
Merely space, but more profoundly, the relationship between inner space,
And outer space; a bridge, i.e., between mind and matter.”
So, by definition, a cyborg defined is an organism with,
Technology-enhanced abilities: an antenna array,
Replacing what was once sentient and human.
My glands, once in control of metabolism and emotions,
Have been replaced by several servomechanisms.
I am biomechanical and gluttonous.
Soaking up and breathing out the atmosphere,
My Baby Boom experience of six decades,
Homogenized and homespun, feedback looped,
Endlessly networked through predigested mass media,
Culture as demographically targeted content.

This must have something to do with my own metamorphosis.
I think of Gregor Samsa, a Kafkaesque character if there ever was one.
And though we share common traits,
My evolutionary progress surpasses and transcends his.
Samsa--Phylum and Class--was, after all, an insect.
Nonetheless, I remain a changeling.
Have I not seen many stages of growth?
Each a painful metamorphic cycle,
From exquisite first egg,
Through caterpillar’s appetite & squirm.
To phlegmatic bliss and pupa quietude,
I unfold my wings in a rush of Van Gogh palette,
Color, texture, movement and grace, lift off, flapping in flight.
My eyes have witnessed wondrous transformations,
My experience, nouveau riche and distinctly self-referential;
For the most part unspecific & longitudinally pedestrian.

Yes, something has happened to me along the way.
I am no longer certain of my identity as a human being.
Time and technology has altered my basic wiring diagram.
I suspect the sophisticated gadgets and tools,
I’ve been using to shape & make sense of my environment,
Have reared up and turned around on me.
My tools have reshaped my brain & central nervous system.
Remaking me as something simultaneously more and less human.
The electronic toys and tools I once so lovingly embraced,
Have turned unpredictable and rabid,
Their bite penetrating my skin and septic now, a cluster of implanted sensors,
Content: currency made increasingly more valuable as time passes,
Served up by and serving the interests of a pervasively predatory 1%.
And the rest of us: the so-called 99%?
No longer human; simply put by both Howards--Beale & Zinn--

Humanoid.
Robert Ronnow Aug 2015
5th Ave. was shoulder to shoulder with
hungry lunch-seeking business men
and women. Ricardo unpacked
his horn nervously and a foot cymbal.
Spring, early street season, too cold
for most musicians but he needed money.
His lips kissed the cold metal mouthpiece.

Carrying the saw and the pulaski.
Cutting brush for a fire line high up,
where raptors and ravens fly. No sound
but wind if you could subtract the crew
working and *****, joking during lunch.
A good year it had been sitting in the soil
feeling Ricardo's body on the mountainside.
Mountains moving as good a feeling.

Alone in his town, most neighbors at work,
housecleaning done, Ricardo settled down
with pen to write and ate lunch.
People = chickadees.
Clutch size, substrate, territory, gestation period.
Mating rituals. Use of alcohol and hallucinogens.
Forms of cancer, heart disease. Burial rites, memories.
Creation myths, beliefs for which there is no evidence.
Range: tundra to tropics.
www.ronnowpoetry.com
Steven Resteman Apr 2014
Ricardo KAKA is not just a soccer player. He is the sun shinning on the soccer field. When he smiles it fills everyone up with an enormous sense of joy. When he gets benched, it's like an avalanche after an earthquake just destroyed every building. But when he scores even the opponents' stadium has to clap. When he plays is the conducter of the syphany. Some say "Bend it like Beckam." but I say "Ball up like Kaka."
Daniel Dec 2017
Gusto ko ng panibagong balat.
Iyong maputi at makinis.
Mala porselana,
Na halos kuminang tuwing masisinagan ng araw.
Kabisado ko ang bilang ng araw,
Na ginugugol sa ilalim ng araw kakabanat.

Ngunit,
Ang panibagong balat,
Hindi nito ako kayang protektahan, alam ko.
Lilimitahan lamang nito ang mga nalalaman ko.
Ngunit,
Sa panibagong balat, nais ko magsimula.
Kilalanin at kalimutan ng halos magkasabay,
Ang imahe ng nakakadiri kong balat.

Bilang ang peklat.
Sukat ko kung gaano kalalim ito,
Noong sugat pa lamang.
Kaya ko gusto ng bagong balat para pagtakpan ito.
Baka sakaling iwasto ng bago kong balat,
Ang mga naimali ko.

Makikilala kaya ako ng ibang tao,
Sa bagong balat na suot ko?

Marahil hindi,
sana hindi,
panigurado hindi.

Nais kong magtago,
Sa paraan kung paano ako lulutang ng hubo't hubad.
Nang hindi ko na itatakip,
Ang aking palad sa aking dibdib,
Dahon sa ibaba ng puson.

Isisigaw ko ang salitang "PUTA!" ng napakalakas,
Halos magsisilabas
Ang mga putang mismong makakarinig,
At yayakapin ko sila.

Dahil bago ang balat ko, ito'y mainit.
Kumpara sa nahamugan kong balat kagabi.
Malinis,
Kumpara sa balat kong may dampi ng mabahong laway.
Mabango,
Kumpara sa mumurahing aficionado na nahaluan
Ng pawis ni Ricardo kagabi.

Bagong balat.
Ibebenta ko ang luma kong balat,
Sa gabing ito.
Bilhin mo ang aking balat.

May panibago bukas,
Pag-asa, hamon,
Mantikilya sa loob ng pandesal.

Gamit ang luma kong balat,
Makakabili pa ba ako ng bago?

Magkaiba ang bagong uri sa bagong palit.
Ang balat ko, nalaspag na.
Tulad ng puti kong damit,
Hindi na ito puti.

Marumi ang titig ko.
Marumihin ang aking naisuot.
Ang balat ko ay puno ng mantsa,
Ngunit bago ang aking suot ngayon, bagamat,
Iisa parin ng uri.

Balat na nakalaan para ulitin ang pagrumi at
Yurak sa puti kong suot.
Bagong balat, kulay puti.
Wala na akong maisuot.

Hubad na ang aking puri.
Hindi ko masuot ang salapi.
Magkano pera mo? Tara?
Nais mo bang makita ang aking balat?
Itong tulang ito ay patungkol sa prostitusyon. / This poem tackles prostitution.
Vanessa Gatley Feb 2015
DOn't call my name
   Don't call my name
        DOn't hurt me
   ABuse me ...
           No
   DOn't confuse me ...
       STab me...
    Ricardo
        Dont bring me down no non no no no no
       Why you'd change ?
daniela Apr 2016
on sunday, i sat in our kitchen with my dad as the pale april sunlight streamed in and we watched as the brasilian government held the vote over whether or not to impeach the president dilma rousseff.

my brother’s at college, my mom was at work; it was just me and my dad.
a family friend told me once that my dad loves his country more than anybody they'd ever met.

i remember, we ate apple slices as we watched the government vote on the fate of the country. i am 17 and my dad still slices my apples, cuts my grilled cheese sandwiches into triangles, calls me querida.

my dad gestures at the TV, we both talk with our hands a little too much, and tells me that you can tell which way the politicians are voting based of the color they’re wearing.

the worker’s party, partido dos trabalhadores, called the PT is wearing red. they're the ones that vote against impeachment, eu voto não.
my father marched for that party in the 70s, 80s. they were born of the opposition to the military dictatorship of his childhood. he glares at the TV screen, now, like he’s angry for the promises they broke.

the TV in the kitchen is practically a relic, a boxy fourteen inches, older than me. we have a satellite dish in the backyard so we can get globo, the biggest television network in brasil. neighbor kids accidentally chuck their ***** into it, hitting the dish and scrambling over the fence to collect their toys.

on the TV, ricardo barros walks up the microphone. he’s a congressman from my family’s home state of paraná. my dad says, “hey, i went to college with him!”

they both majored in civil engineering, went to university in maringá.  
i remember i laughed. my dad knows so many people that he can find acquaintances on the TV. i asked my dad if they were friends. he laughs a little, too, says it depends on how ricardo voted.

ricardo voted yes.

my father was 7 years old in 1964 when the military took over brasil’s government in a coup. sometimes i wonder if for him this whole thing feels sort of like de ja vu, history repeating with a new face.

i don’t ask.
So let us now place monetary value on information.
Let us return to the source,
Mining & prospecting that fertile intel seam.
To wit: WWII and G-2 shenanigans.
Wild Bill and OSS-capades,
Artificial disseminations.
Partial recriminations.
And PSYOPS:
A literary nightmare--
THE CYCLOPS from The Odyssey,
For example,
If you lack your own,
Your own personal Bogey Man.
Or men. For me:
Allen Dulles or Richard Helms.

The Intelligence Community:
It was a small tightly knit crew,
Less than battalion strength in 1942;
A few myopic soldiers,
Who, although could barely type,
Were still too cerebral to
Waste as infantry fodder.
It was a huge converted Army-green warehouse,
Space strategically partitioned,
Sectioned off into cubicle-like spaces,
By giant 4-drawer file cabinets
Standing tall like MPs,
Sentinels & Guardians,
Monuments to pre-electronic storage,
Data relatively comprehensive, and an
Archive secretive & intimidating.

Within the Army-green incunabula,
Scattered throughout the intel landscape,
Here and there a few commissioned officers,
A smattering of college psychology majors,
Personalities with predilections,
And penchants for mind games.
These self same WWII vets,
Would morph into Cold War Mad Men.
Stalwart, stouthearted men of Eisenhower,
And J. Walter Thompson,
De-mobbed, as they say in the UK.
Consumptive.
Self-indulgent,
Particularly when it came to the kids;
Children of the peace,
Called Baby-Boomers,
An entire generation enabled & destroyed.
Who would produce little of value
Except medical marijuana and
Coupons, clipped by that sober ruling class—
Fat interest-bearing college-loan portfolios
Held by that neo-Calvinist Elect: The 1%.
Fat cats one and all,
Loaded dice & canasta cronies--
In concert a stacked deck,
“Una mano lava l'altra.”
The words of my namesake--
My grandfather Giuseppe--
His vowels reverberating,
Rattling in my dreams.
Not friends, but
Fiends in high places, like
The Fed and dark liquid pools.
Thank you, Barack, for
Fooling us again.
For giving us
“Belief we can believe in.”

But I digress.
It was when the Government Secrecy Act,
In all its transnational incarnations,
Embraced capitalism in a big way,
Elevating the ideology to whole-Earth saturation,
Systemizing the ethos of Darwin,
Into one global Moby ****,
One solitary leviathan,
A multi-level marketing labyrinth,
Where wealth is the end game--
Greed: pure, unbridled & unrestrained.
Bond--James Bond—
Did his bit, supplying catchy
Slogans & tag-lines:
“For Your Eyes Only.”
“On a need to know basis.”
“Confidential Information.”
“Top & Ultra-Top Secret.”
“Hush, Hush & a Bag of Chips.”

The sealed letter sits in a locked drawer,
In that stout desk,
In the Oval Office
In The White House,
“To be opened by my VP in the event of my death.”
Another staggering work,
Of achy-achy-heart breaking genius,
The culture commoditized,
A disease containing its own cure,
Assayed, graded,
Portioned & packaged.
Priced accordingly,
To a logic that goes something like:
“Anything this tightly controlled,
Anything the government deems to be
This illegitimate and/or & secret
Must be really, really God-awesome,
Must really be Da ******* Bomb.”

Brother Coolidge was right:
“The Business of America is Business.”
And INFORMATION:
“The Most Valuable Commodity on Earth.”
So said Stanford Stuyvesant Whitehead III,
19th Century robber baron, and
Consummate Fat Cat.
Get the picture:
We were smoking cigars and sipping cognac,
Mighty comfortable in leather armchairs,
Muted billiard clicks,
Punctuating the atmosphere
In this spacious lounge,
His East Side
Downtown & private
Manhattan club.
I, his guest, had not the slightest idea
Why I was there.
"By God, man," he went on,
My eyes speared by his laser gaze,
His bushy eyebrows,
His monocle.
His bulbous nose;
His thick wet mustache.
And those EYES:  
Those crazy,
Insane eyes.

"I am talking about a profound change,” he continued.
“Back when the steamship
Gave way to electronic wireless radio."
He puffed smoke,
Removing the cigar from his mouth,
Holding it,
Examining it critically for a moment.
"I'm talking about communication,
Instant communication
With business associates, &
Cronies far away,
Way out there,
Far beyond the places we know well.
Picture it:
You're running a fleet of
Ramshackle Filipino banana boats,
Out of some nameless cove,
Indenting the south coast of Mindanao.
A cyclone comes out of nowhere.
Good God--there’s sixteen banana-packed
Coal burners lying on the bottom of the Celebes Sea.
Think about it:
You've got telegraph radio.
Everyone else has the post office.
Now, I ask you:
‘Who's going long,
Who’s getting rich on the
Caracas Banana Exchange?’
Good Lord, man, it would be
Like being omniscient!"
“This very conversation,” he went on,
“Could well be a verbatim transcription
Of a conversation right here in this very room,
Between people like: J. Pierpont Morgan
And some lesser Gilded Age nabob;
Some Astor, some Rockefeller,
A Gould or Vanderbilt,
Whitney or Duke,
Some Frick or Warburg--
To name just a few, old sport.”
He stopped suddenly.
He looked down at his hands,
As we both realized he had counted these names
Out on his fat curled fingers.
He looked at me and smiled.
I was afraid.
Why had I been invited to this meeting?
I smiled back at him,
Doing my best to mirror his
Carnivorous menace.

I knew it.
He knew it.
He knew I knew it.
Mr. Whitehead’s growling rabid jowls,
His slobbering canine smile held me steady.
“Okay. Touché. ‘Ya got me.”
He shook off the phony smile,
An absence, accentuating
His stare: lethal, carnal & rare.
“I never had much formal schooling.
I’ve been hungry.
Hungry enough to know for sure
That the correct fork,
Don’t mean ***** from shinola.
When I’m dining out, fancy-like,
Me manners is the least of me problems,
Far less important than
The dinner chit they
Hand me after I slake
My thirst & appetite.”
Again, he stopped suddenly,
Recognizing that, perhaps,
He’d revealed too much of his
Bedford-Stuyvesant pedigree.
He turned again and stared at me.
“None of that,” he said.
“None of that means squat to me, Boyo.
What matters now is I’m rich.
I’ve got mine, By God,
And ******* It!
Tough ***** on the rest of you losers;
The rest of you fecking whiners can go
**** yourselves over at Zuccotti Park.”
He pounded the armrest,
The padded armrest of the rich Corinthian leather—
( . . . ***, Ricardo?
Get your Montalbán
Mexicano ***, back in
Random Access Memory Land,
Where you belong.
**** ya’ Fantasy Island
Hospitality, Mr. Roarke,
Go be wrathful Khan Noon Singh,
Somewhere else.
Now is not the time, or,
Let me rephrase that:
This narrative will not allow your meme here . . .)    

Whitehead pounds the armrest again.
“My point is this:  
None of JP Morgan’s decidedly,
un-nattering lesser nabobs of negativity . . .”
BAM!  Again, he pounded the leather . . .

(Back in your ******* hole, Spiro!
Do you realize just how far back,
Just how far back
Maryland’s reputation
Has been set back by your venality?
Not to mention any shot at ethnic assimilation,
The rest of us grease ball non-Wasps
Have in this country?
You ******* Greek!)

I stopped thinking
When I realized Stanford Stuyvesant Whitehead III
Was reading my mind.
“So that’s what it’s really all about,” he said,
Rank smugness in his voice.
“So, I’m just a nouveau riche upstart,
A socially inept parvenu,
Yet they still let me
Join their tony clubs.
It chaps your ***, Boyo, don’t it?
I’m still Scotch-Irish, and
A WASP, Laddie.
Something your skinny
Greaser-Guinea-****-Spaghetti-*** ***,
Ain’t ever gonna be.”
But I digress, again.

So I joined one of Uncle Sam’s
Lesser-known clandestine services,
An assignment appropriate to my ethnic identity,
Namely GLADIO in Italy,
A NATO stay-behind operation &
Cold-War comedy.
I infiltrated the Brigate Rosse.
I drove the Aldo Moro kidnap vehicle.
I cooked minestrone for General Dozier.
I sliced off J. Paul Getty’s ear in Calabria.
Ironically, I lost my hearing during
The Stazione Bologna bombing.
I am consequently pensioned off,
Off both the radar and the payroll.
Years later now,
I live in one of those gated, golf-coursed,
Over-55, sunny southern California
Lunatic asylums.

Most days I am drunk at 9 AM.
I fill Bukowski mornings,
Conjuring up Jane Fonda,
Jazzercised in camo spandex.
She is high atop a Vietcong tank in Hanoi.
Or Daniel Ellsberg
Enjoying a second act in American politics,
Praising Snowden & Assange,
& Bradley Manning,
I summon up the ghosts of
Julius & Ethel,
Benedict Arnold,
Rose of Tokyo & Mata Hari—
And Ezra exiled at Rapallo,
And John Walker Lindh,
A Yankee Doodle Dandy,
Born in Washington,
District of Columbia,
By way of Afghanistan,
Taliban Americano,
Kangaroo-courted,
Presently residing at the
Federal Correctional Institution
At Terre Haute, Indiana.
Spies.
Traitors.
Saboteurs.
And Poets?
No longer capable of keeping secrets.
Desperate now to tell
The truth.
Es compañero Ricardo
tu novela campesina
tan nuestra, tan argentinas
como el ombú, como el cardo.
Epico aliento del bardo
resopla en ella profundo
nos ha descubierto un nundo
ahí no más, que nos asombra.
¡Que para segundo sombra
no haya de sombra un segundo!
My advice to fellow geezers?
Just say **** it!
“Roll up to the magical mystery tour!”
Just like John & Yoko!
Smoke a big fat doobie each morning.
Step out the Hogan door, just greet
The East and walk in beauty.
After a few weeks you just won’t
Give a **** anymore; just not give a ****
In general, no longer care about what’s
Not important: The Guv’ment.
Politics. The rate of unemployment.
Inflation. Even radical, freaking
Muslim Jihadist TERROR!
Yes.  Just light up, Babaloo,
Do one’s bit for the Decline &
Fall (dropped you, didn’t I?)
Let’s mourn the dying ***** goddess.
America: that shining city on a hill,
Colombia in all her senility, insolvency &
Not even D or I, just Lusions of grandeur.
Let us contemplate the decrepitude,
The crumbling, up-in-smoke spiritual infrastructure,
The USA: the United ****'s-Creek of America,
Going down, down, down . . . ALERT!
NEWS FLASH! It’s Rome & Great Britain,
It’s the update, the demise of Empire all over again.
I remember those sorry-***, pathetic Brits,
Met them all over while hitchhiking around
Europe, an intensive, closely observed tour of duty
Abroad: a gift to myself, in fact a scholarship,
I rigged for myself back in the early ‘70s.
Going abroad: once a reserved right of passage for certain,
Privileged children of the 1890s, lucky spawn from
Families known as the “Well-to-do.” And why not add:
Dubbed the “Mauve Decade" because William Henry Perkin’s
Aniline dye allowed widespread use of that color in fashion.
The "Gay Nineties,” referring to a time not of buggery, but
Merriment & optimism, & lest we forget, Twain’s “Gilded Age.”
Got the time, spare a dime, got the freaking time-frame, Mack?
It was a dark & stormy total eclipse of Jupiter.
Spiritually speaking, I was free-floating.
And what of those same-self, sad-assed &
Sorry, pathetic Brits?
Well, consider the specific years.
Experience in Europe in my early 20s,
Meant 1972, 1973 & 1974.
Surely, a time for English disillusionment,
What with the sun finally setting,
A vague, prismatic twilight time,
A virtual requiem for His or Her Majesty’s Empire,
“Rule, Britannia ... Britannia rule the waves.”
(Cue ruffles & flourishes, fifes & flugelhorns)
This was pre-North Sea Oil Bonanza days.
This was England before Mrs. Thatcher
Gave her good people a long overdue,
Richly deserved kick in the tuchas.
“The Iron Lady” they called her.
Stopped Orwell’s future, doornail dead, she did.
“Maggie’s Miracle” they called it.

Those Brits I met & knew back then,
Those “Used-to-be-Contender” types:
Self-deprecatory, apologetic & cynical,
Mocking the Union Jack,
Shedding salty tears for Lost Empire.
“This blessed plot, this earth,
This realm, this England.”
Ironic & bitter to a man,
“Gulping gin & bitters later,” observes
Current tenant occupier, 221B Baker Street,
Sherlock finding the word at last,
The definitive literary term,
That one precise mot juste, that says it all.
In a word? Sardonic.
The USA is going down, down down—
“And away goes trouble down the drain!”

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That’s right: $KA-CHING$!
An ad right in the middle of a ******* poem!
Always the sensible poet, I kept my day job.
But now in my 60’s finally figuring out:
HOW TO MAKE POETRY PAY?
Bow down to Adam Smith & Ricardo—
Not the ‘Splaine me, Cuban bandleader
Of that surname, but David, the classical economist,
The “Iron Law of Wages” guy
It’s time to make money.
Call in the Madmen.
Send in the clowns.

Mad Men – AMC - AMC.com www.amc.com/shows/mad-men Official site for AMC's award-winning series Mad Men: Games, making-of videos, plus episode & character guides.

$KA-CHING$! $KA-CHING$!

And Dan Draper: an alcoholic, chain-smoking,
***** magnet & Korean War ****-up, shifty
Name-changer, last seen at that Big Sur ashram,
The Esalen Retreat & Jingle Inspiration Center,
**** Whitman coming clean, at last:
Hovering a foot off the ground
In the lotus position, receiving **** *** from a
Coke bottle incarnation of Vishnu.

Search Results I'd Like to Teach the World to Sing (In Perfect Harmony ... https://en.wikipedia.org/I'dLiketoTeachtheWorld . . . Wikipedia "I'd Like to teach the World to Sing (In Perfect Harmony)" is a popular song that originated as the jingle "Buy the World a Coke" in the groundbreaking 1971 ... Writer(s)‎ ‎Jon Hamm AKA Dan Draper; ‎Label‎: Sterling Cooper Draper Pryce.

Money: FUNGIBLE GREEN.
$KA-CHING$!

Those once sardonic Brits,
Now have Brooklyn accents.
We’re going down the drain, Babaloo!
The barbarians are at the gates,
A horde of hunger, a ******* rabble,
Green-eyed monsters, envying America’s poor,
Craving what little Uncle Sam’s indigenous poor have left,
Ragtag migrants, short, dark compañeros,
Swarthy Huns & Visigoths,
Whitman's last yawp, the last gasp breath of
Work Ethos, be it Protestant or Papist,
A colossal mélange of famine, hope & prayer,
The usual suspects: “Your tired, your poor,
Your wretched refuse & solid waste,
Your huddled, yearning masses.”
My advice to Emma--Sephardic-Ashkenazi,
Proto-Zionist, years before Herzl:
Get yourself a nightclub act, Ms. Lazarus.

America: I am hidden in a high grass savannah,
I watch the hyenas pick your carcass clean.
Adam Smith: he displaced the term greed--
Smacking as it does of deadly sin baggage—
Replaced the term Greed with Self-Interest.
And the only invisible hand I know of is
Down my pants, jerking me off,
Mesmerized by slogans, divine metaphors, like:
“A rising tide lifts all boats,” a Big Lie, for example.
Today’s economists call it “The Multiplier Effect.”
You pay me and I pay him & he pays he or she,
Merry Goes Round, Goes Round & Round the Merry-Ground.
All is just so cool & groovy,
Life is just a copacetic bowl of copacetic until
Some self-interested ****-*** decides to export
Your ******* job right out of the country:
Casus belli? Most certainly. Class warfare,
Always our hitherto history.
It’s not like that fat slob Michael Moore never warned us.

**Roger & Me (1989) - IMDb www.imdb.com/title/tt0098213/ Internet Movie Database  Rating: 7.5/10 - ‎22,470 votes Director Michael Moore pursues GM CEO Roger Smith to confront him about the harm ... Roger & Me -- Michael Moore's controversial but popular film is a highly ... Plot Summary - ‎Quotes - ‎Trivia - ‎Awards
Donna Sheppard Dec 2012
Miss you when the sun shows up
Miss you when it's time to sup
Miss you when I take a walk
Miss you when I want to talk
Miss you all around the clock
Miss you when it's time to rock!

Miss your body in my bed
Miss you ******* with my head

Why is it, I keep asking . . . Why?
It's so dam hard to say good bye .  . .
Even just for 10 short days
Of missing movies, meals and plays . . .

Then The answer rings out clear
It's Christmas time; a time for cheer!
A time to sing; to share a beer,
A time to draw your loved one near.

And therein lies my problem dear
The answer ringing loud and clear

You're far away; at least a day
I wish you'd come; I wish you'd stay
But wishing isn't my forte

Cuz dreams are dreams
That cut the air
With tears and fears
That see their share

Of wanting things
That are not there
This began as a funny poem that quickly turned into a pity party of one
Azaria Dec 2021
your pre laughter
and pre ***
unsheathing you
in skin and light:
quirky
eternal
animated hair and
kind eyes
the love died quietly
and confidently in a past
life and was
reborn with
you
Azaria Jul 1
the sky submerged
in the perfect shade of canton
pink
i rush home to plug
into you
you give me sunlight
and cheek kisses
sleeping in sync
and waking up in character
a compilation of all
your states
i crave you like
long weekends
and leo season
Azaria Jun 15
odor remover
and soaked carpet
the memories are
harder to exstinguish
clinging to songs
and scents
i loved you more
last night
when i realized
that we grieve
the same way
it’s nice to know
it’s not just
me
Azaria Oct 2021
you came on the
lord’s day
gave birth to peace
with your hands
and infectious pre-laughter
i’m sorry that i underestimated
the nuiance of subtlety  
i have grown used to dark
storms and uncertainty
you sleep as peacefully as
you exist
i want the weight of your
head on mine on short
days and even longer
nights
Azaria Jul 1
you have loved me
in thick chunks,
gauzy *****, and
broken pieces
cauterizing my
inevitable chaos
and bleeding heart

//
on the cusp of laughter
the zietgiest of your
wet exuberance
and tranquility
settles the loud
parts
you’re all the good
that is lost on me
Strange as it seems,
November schemes,
For Isi bears the moonlight gleam.

For as I saw
This fluffy awe
Ricardo, memes, on me bestow!

She melts my heart,
This kitten-****
Propels me from the very start!

Yet, fill my soul!
And make me whole
Till I have reached the final goal.

You moonshine light,
That fills the night,
With lunar gleam and kitten blight.

And dear sweet cat,
I'll tell you that,
I'm fond of you, from sole to hat.

Of ears and tail,
I shall not fail
To feel your floof beyond the pale.

And they shall love
This morning dove
That's you, who's sent from up above.

Ah! Isi dear,
You make me steer
Towards your sight, your kitten-gear.

This kitten-gear!
So sweet and sheer
*******-knots dispel my fear.

*******-knots
And dazzling Goths
Victorian air, I breath a lot!

Sing high, my soul,
From pole to pole,
That you, my cat-girl, make me whole!
Jeffrey Pua Feb 2015
I look deeply at you.
I look at you deeply.
I touch the comet tails.
I witness Arided, Asmidiske
And the blessed Sun of Joshua.
I peel the galaxy off of stars.
I hear the lyric and the moon.
I feel the musings of your heart.
I light the crescents on your chest.
I harbor wolves from the snow.
I write like Neftali Ricardo Reyes Basoalto.
And I become distant, a sigh, a spirit.
I look at you deeply.
I look deeply at you.*

© 2015 J.S.P.
(Arided and Asmidiske are star names.)
Azaria Dec 2021
distinct and syrupy
we have been sleeping
on clouds and reveling
in the perfect storm
you say that shaping
my fro feels ******
spiritual like after
sunday dinner ***
and loving forms
of me quietly
and raw
like chicken
i crave you
admist the chaos
that is me
forever searching
i long for you
like the end of
growing pains and
a missing
member in the
cat band
¡Oh sombra vaga, oh sombra de mi primera novia!
Era como el convólvulo -la flor de los crepúsculos-,
y era como las teresitas: azul crepuscular.
Nuestro amor semejaba paloma de la aldea,
grato a todos los ojos y a todos familiar.
En aquel pueblo, olían las brisas a azahar.
Aún bañan, como a lampos, mi recuerdo:
su cabellera rubia en el balcón,
su linda hermana Julia,
mi melodía incierta... y un lirio que me dio...
y una noche de lágrimas...
y una noche de estrellas
fulgiendo en esas lágrimas en que moría yo...
Francisco, hermano de ellas, Juan-de-Dios y Ricardo
amaban con mi amor las músicas del río;
las noches blancas, ceñidas de luceros;
las noches negras, negras, ardidas de cocuyos;
el son de las guitarras,
y, entre quimeras blondas, el azahar volando...
Todos teníamos novia
y un lucero en el alba diáfana de las ideas.
La Muerte horrible -¡un tajo silencioso!-
tronchó la espiga en que granaba mi alegría:
¡murió mi madre!... La cabellera rubia de Teresa
me iluminaba el llanto.
Después... la vida... el tiempo... el mundo,
¡y al fin, mi amor desfalleció como un convólvulo!
No ha mucho, una mañana, trajéronme una carta.
¡Era de Juan-de-Dios! Un poco acerba,
ingenua, virilmente resignada:
refería querellas
del pueblo, de mi casa, de un amigo:
«Se casó; ya está viejo y con seis hijos...
La vida es triste y dura; sin embargo,
se va viviendo... Ha muerto mucha gente:
Don David... don Gregorio... Hay un colegio
y hay toda una generación nueva.
Como cuando te fuiste, hace veinte años,
en este pueblo aún huelen las brisas a azahar...»
¡Oh Amor! Tu emblema sea el convólvulo,
la flor de los crepúsculos!
marvin m brato Aug 2018
Regain your good health sir you must,
Invaluable is your role so recuperate fast.
Cast out all the stresses you feel within,
Actuate you energy on what you do best then.
Reach your goals in God's time as motivation;
Direct your drive for good intention with action.
On to your determination to institute work decorum.

All your efforts as a leader shall mark as a legacy,
Unique as you do it humbly and with utmost efficiency.
Decency is your mode of performance which is remarkable,
All have known you to be a dynamic forerunner and affable,
Never shall one forgets the good things you do for us SPMCians.

MB
Vanessa Gatley Feb 2016
Feeling
Extra
Beautiful
Ricardo
Ur
Appeal although you
Repudiated me request to become a item
Y ?
I woke this morning feeling good & ready to start my day
Washed up, got dressed, then got on my knees to pray
Asked God to look after everyone I love, to keep em safe
And to make today a great beautiful day
As I proceed with my daily activities, I start getting this bad feeling
Like something was about to occur, either a tragedy or another senseless killing
But as soon as I’m enjoying myself as always, something tells me to check my phone
I open Instagram only to see the saddest news, another King knocked from the throne
Jahseh Dwayne Ricardo Onfroy has been pronounced dead, gunned down in his car
As soon as I’m healed from depression, here comes another unexpected scar
A guidance to many, hated by many, but his message recognized by a large few
And the same ones who hated were now the ones showing love, what’s new?
Trapped in this cold world, you were the light that overshadowed the darkness
This world needed a new direction of guidance & you were the one to spark it
Lost your life in a senseless way but your music & message will live eternally
Only thing is that your bright side will now shine over the madness
Still an empty place in the hearts of the family that your music was the answer to their sadness
Long live a King on a mission to save himself as well as those who’ve followed his lead
Rest in Paradise & thank you for giving those such as myself the faith to believe

☆ Poetic Venxm ☆
neath the cradle of downy feathers
Princess Marie found the love poem
written by Prince Ricardo
I didn't understand back then
When
I was young kid on the block
Looking at the homies pushing rock
With the game on lock
But the cops always had to knock
Down the doors looking for drugs in store
Paused my Nintendo peeped out the window sirens soundin'
Souls was astoundin'
Didn't know what was going on
I kept hearing that sad song
Slavery still here G
Still under white supremacy
But it made a man out of me
by the time I hit adolescene
I seen the presence
Of the Most High telling me why
We all in a fry so many of us die
Cuz see the buzzards circlin the sky
Unwillingly and knowingly
That we was destined to be
Kings and Queens but it's all a dream
Like Martin King can't find a team
Cuz everybody out for self
**** man we need to break this ***** plan and lay out a master plan
But on the other hands
I wanted get money stretch it like rubberbands
But some of us might as well be in the ****
Drugs enforced and endorsed
On the streets as well as the music so don't abuse it or loose it
I know we all brothers sisters of different colors from.mothers no others
Got heart like I dangerous once I learned to catch vibration with my third eye
Controlled my soul on a stroll
To a good day good riddance to those who ain't in repentance
We paying for the wages of sin
But the curse slowly breaking away Feelin like Malcolm sittin by the window with an AK
47 how many suckas wanna go to heaven
And i wanna break leven
With my peeps though but it seems they all want to go to war
I tried to raise their conscious sick of the nonsense
Media and the press loved to keep us suppressed
Art of War strategy being played on us
But I loaded my mentality with wisdom and begin to bust
Shots at the stations
They treat it like a crime
whats wrong for unitin' with the black nation?
I'm tryna to get to Mt. Zion I ain't lyin'
Why they always tryna tie in
A brother into gang violence
Or drug case wheres our resistance  
Break the lien my past peers paid our dues
Just check the slavery views
Every few years they wanna see tears
Instill fear to keep us down here
In this concrete jungle hard to be humble
When everybody mean muggin'
Life jugglin' and strugglin'
To get over obstacles
Me a blackman  still alive it's a miracle
Almost satricial
Its comedy at it's best enemies up to put a test
On you black man black woman
Wake up cuz they want us acting up
Lets restack up get our weight up
Build blackwallstreet the way it was supposed to be
Along with the
Indians to Mexicans we came from the same boat different landing put down that cannon cuz them spirits channelin' standin'
Tough against the rain hitting my window pane
As thoughts began to ponder my brain
Its insane no more **** crack or *******
We got the power to make the change
And don't act strange
When I see you Just smile cuz I know you in the wild
No hoochies to pop coochies
Just Queens makin' love like Lucy and Ricky Ricardo I go all out for more
Even the score naw we takin soar
Like hawks in the night
No fright ready to fight when we show on site
White house white house ain't nothing but a plantation house
Playin a game of cat n mouse
We rising check the new apes movie
They subliminally showed us we been had the funk feelin' groovy
Stick with me n I'll stick with you
We gotta communicate better
When it's stormy weather endeavor
Wisdom is much more than silver and gold but ya rather take a toll
Down the valley of death row
And i know it's hard but don't worry I hear ya
Cuz we about the same problems so I feel ya yeah
Wk kortas Apr 2021
You’ve got to be kidding, she said,
Having moved past nonplussed to outright incredulous.
She was, at least in retrospect, not alone,
As we were there, just the two of us,
Having walked up Bootjack Hill
Past the derelict and defunct mills,
Past the equally moribund old middle school,
All the way to the old section of the cemetery
(Rarely mown and less rarely visited,
The markers and obelisks commemorating families
Who, though the names were vaguely familiar,
Had few branches of the familial tree in the area,
And those that remained were generally not of a mind
To see how relatively prosperous and glorious
Their clans had once been.)
She was not a slave
To the disingenuous and de rigueur demureness
Called for in that time and place,
Where a failure to register
A pro forma protest at a cupped breast
Brought suspicion among one’s peers,
And any attempt to navigate
Anywhere near or beneath ones *******
Required an ostentatious and woefully insincere passing out
So the next day could be greeted with beatific and virginal smiles.
She’d not kept faith with such notions, and so here it was
(The big It, the Holy Grail of Its) being offered up on a platter,
But I hesitated, hemmed and hawed, not so much from nerves
(Though they were there, understand,
My pulse ramped up it such a manner
That it played a Babalu which Ricky Ricardo would have envied)
Nor lack of preparation, as my wallet contained a ******
That was reasonably new-ish and theoretically dependable.
It just doesn’t seem right, I stammered in protest,
It’s just wrong somehow, disrepectful mebbe.
She’d looked at me, her face a mask of beyond disgust,
And though her eyes bespoke of soliloquies and angry sonnets,
She simply spat out And these poor **** stiffs got here how?
I’d said nothing in reply, stuck in some adolescent morass
Where I was neither flip nor fly.
At which point she’d fixed me with a look
Residing in some interval between disgust and pity,
And, having ascertained there was no hope for the likes of me,
Simply grunted Oh for chrissakes, just walk me home,
You ******* country-*** bumpkin
,
And we trundled unsteadily unsteadily back toward town,
Footsteps hesitant on the long, unkempt grass,
Dew-soaked now that the procession of dusk
Had reached the doorstep of night,
The quarter-lighted shadows making the stones indistinguishable
From snakes, rabbits, and other living things.

— The End —