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ConnectHook Feb 2016
by John Greenleaf Whittier  (1807 – 1892)

“As the Spirits of Darkness be stronger in the dark, so Good Spirits which be Angels of Light are augmented not only by the Divine Light of the Sun, but also by our common Wood fire: and as the celestial Fire drives away dark spirits, so also this our Fire of Wood doth the same.”

        COR. AGRIPPA,
           Occult Philosophy, Book I. chap. v.


Announced by all the trumpets of the sky,
Arrives the snow; and, driving o’er the fields,
Seems nowhere to alight; the whited air
Hides hills and woods, the river and the heaven,
And veils the farm-house at the garden’s end.
The sled and traveller stopped, the courier’s feet
Delayed, all friends shut out, the housemates sit
Around the radiant fireplace, enclosed
In a tumultuous privacy of storm.


                                       EMERSON

The sun that brief December day
Rose cheerless over hills of gray,
And, darkly circled, gave at noon
A sadder light than waning moon.
Slow tracing down the thickening sky
Its mute and ominous prophecy,
A portent seeming less than threat,
It sank from sight before it set.
A chill no coat, however stout,
Of homespun stuff could quite shut out,
A hard, dull bitterness of cold,
That checked, mid-vein, the circling race
Of life-blood in the sharpened face,
The coming of the snow-storm told.
The wind blew east; we heard the roar
Of Ocean on his wintry shore,
And felt the strong pulse throbbing there
Beat with low rhythm our inland air.

Meanwhile we did our nightly chores, —
Brought in the wood from out of doors,
Littered the stalls, and from the mows
Raked down the herd’s-grass for the cows;
Heard the horse whinnying for his corn;
And, sharply clashing horn on horn,
Impatient down the stanchion rows
The cattle shake their walnut bows;
While, peering from his early perch
Upon the scaffold’s pole of birch,
The **** his crested helmet bent
And down his querulous challenge sent.

Unwarmed by any sunset light
The gray day darkened into night,
A night made hoary with the swarm
And whirl-dance of the blinding storm,
As zigzag, wavering to and fro,
Crossed and recrossed the wingàd snow:
And ere the early bedtime came
The white drift piled the window-frame,
And through the glass the clothes-line posts
Looked in like tall and sheeted ghosts.

So all night long the storm roared on:
The morning broke without a sun;
In tiny spherule traced with lines
Of Nature’s geometric signs,
And, when the second morning shone,
We looked upon a world unknown,
On nothing we could call our own.
Around the glistening wonder bent
The blue walls of the firmament,
No cloud above, no earth below, —
A universe of sky and snow!
The old familiar sights of ours
Took marvellous shapes; strange domes and towers
Rose up where sty or corn-crib stood,
Or garden-wall, or belt of wood;
A smooth white mound the brush-pile showed,
A fenceless drift what once was road;
The bridle-post an old man sat
With loose-flung coat and high cocked hat;
The well-curb had a Chinese roof;
And even the long sweep, high aloof,
In its slant spendor, seemed to tell
Of Pisa’s leaning miracle.

A prompt, decisive man, no breath
Our father wasted: “Boys, a path!”
Well pleased, (for when did farmer boy
Count such a summons less than joy?)
Our buskins on our feet we drew;
With mittened hands, and caps drawn low,
To guard our necks and ears from snow,
We cut the solid whiteness through.
And, where the drift was deepest, made
A tunnel walled and overlaid
With dazzling crystal: we had read
Of rare Aladdin’s wondrous cave,
And to our own his name we gave,
With many a wish the luck were ours
To test his lamp’s supernal powers.
We reached the barn with merry din,
And roused the prisoned brutes within.
The old horse ****** his long head out,
And grave with wonder gazed about;
The **** his ***** greeting said,
And forth his speckled harem led;
The oxen lashed their tails, and hooked,
And mild reproach of hunger looked;
The hornëd patriarch of the sheep,
Like Egypt’s Amun roused from sleep,
Shook his sage head with gesture mute,
And emphasized with stamp of foot.

All day the gusty north-wind bore
The loosening drift its breath before;
Low circling round its southern zone,
The sun through dazzling snow-mist shone.
No church-bell lent its Christian tone
To the savage air, no social smoke
Curled over woods of snow-hung oak.
A solitude made more intense
By dreary-voicëd elements,
The shrieking of the mindless wind,
The moaning tree-boughs swaying blind,
And on the glass the unmeaning beat
Of ghostly finger-tips of sleet.
Beyond the circle of our hearth
No welcome sound of toil or mirth
Unbound the spell, and testified
Of human life and thought outside.
We minded that the sharpest ear
The buried brooklet could not hear,
The music of whose liquid lip
Had been to us companionship,
And, in our lonely life, had grown
To have an almost human tone.

As night drew on, and, from the crest
Of wooded knolls that ridged the west,
The sun, a snow-blown traveller, sank
From sight beneath the smothering bank,
We piled, with care, our nightly stack
Of wood against the chimney-back, —
The oaken log, green, huge, and thick,
And on its top the stout back-stick;
The knotty forestick laid apart,
And filled between with curious art

The ragged brush; then, hovering near,
We watched the first red blaze appear,
Heard the sharp crackle, caught the gleam
On whitewashed wall and sagging beam,
Until the old, rude-furnished room
Burst, flower-like, into rosy bloom;
While radiant with a mimic flame
Outside the sparkling drift became,
And through the bare-boughed lilac-tree
Our own warm hearth seemed blazing free.
The crane and pendent trammels showed,
The Turks’ heads on the andirons glowed;
While childish fancy, prompt to tell
The meaning of the miracle,
Whispered the old rhyme: “Under the tree,
When fire outdoors burns merrily,
There the witches are making tea.”

The moon above the eastern wood
Shone at its full; the hill-range stood
Transfigured in the silver flood,
Its blown snows flashing cold and keen,
Dead white, save where some sharp ravine
Took shadow, or the sombre green
Of hemlocks turned to pitchy black
Against the whiteness at their back.
For such a world and such a night
Most fitting that unwarming light,
Which only seemed where’er it fell
To make the coldness visible.

Shut in from all the world without,
We sat the clean-winged hearth about,
Content to let the north-wind roar
In baffled rage at pane and door,
While the red logs before us beat
The frost-line back with tropic heat;
And ever, when a louder blast
Shook beam and rafter as it passed,
The merrier up its roaring draught
The great throat of the chimney laughed;
The house-dog on his paws outspread
Laid to the fire his drowsy head,
The cat’s dark silhouette on the wall
A couchant tiger’s seemed to fall;
And, for the winter fireside meet,
Between the andirons’ straddling feet,
The mug of cider simmered slow,
The apples sputtered in a row,
And, close at hand, the basket stood
With nuts from brown October’s wood.

What matter how the night behaved?
What matter how the north-wind raved?
Blow high, blow low, not all its snow
Could quench our hearth-fire’s ruddy glow.
O Time and Change! — with hair as gray
As was my sire’s that winter day,
How strange it seems, with so much gone
Of life and love, to still live on!
Ah, brother! only I and thou
Are left of all that circle now, —
The dear home faces whereupon
That fitful firelight paled and shone.
Henceforward, listen as we will,
The voices of that hearth are still;
Look where we may, the wide earth o’er,
Those lighted faces smile no more.

We tread the paths their feet have worn,
We sit beneath their orchard trees,
We hear, like them, the hum of bees
And rustle of the bladed corn;
We turn the pages that they read,
Their written words we linger o’er,
But in the sun they cast no shade,
No voice is heard, no sign is made,
No step is on the conscious floor!
Yet Love will dream, and Faith will trust,
(Since He who knows our need is just,)
That somehow, somewhere, meet we must.
Alas for him who never sees
The stars shine through his cypress-trees!
Who, hopeless, lays his dead away,
Nor looks to see the breaking day
Across the mournful marbles play!
Who hath not learned, in hours of faith,
The truth to flesh and sense unknown,
That Life is ever lord of Death,
And Love can never lose its own!

We sped the time with stories old,
Wrought puzzles out, and riddles told,
Or stammered from our school-book lore
“The Chief of Gambia’s golden shore.”
How often since, when all the land
Was clay in Slavery’s shaping hand,
As if a far-blown trumpet stirred
Dame Mercy Warren’s rousing word:
“Does not the voice of reason cry,
Claim the first right which Nature gave,
From the red scourge of ******* to fly,
Nor deign to live a burdened slave!”
Our father rode again his ride
On Memphremagog’s wooded side;
Sat down again to moose and samp
In trapper’s hut and Indian camp;
Lived o’er the old idyllic ease
Beneath St. François’ hemlock-trees;
Again for him the moonlight shone
On Norman cap and bodiced zone;
Again he heard the violin play
Which led the village dance away.
And mingled in its merry whirl
The grandam and the laughing girl.
Or, nearer home, our steps he led
Where Salisbury’s level marshes spread
Mile-wide as flies the laden bee;
Where merry mowers, hale and strong,
Swept, scythe on scythe, their swaths along
The low green prairies of the sea.
We shared the fishing off Boar’s Head,
And round the rocky Isles of Shoals
The hake-broil on the drift-wood coals;
The chowder on the sand-beach made,
Dipped by the hungry, steaming hot,
With spoons of clam-shell from the ***.
We heard the tales of witchcraft old,
And dream and sign and marvel told
To sleepy listeners as they lay
Stretched idly on the salted hay,
Adrift along the winding shores,
When favoring breezes deigned to blow
The square sail of the gundelow
And idle lay the useless oars.

Our mother, while she turned her wheel
Or run the new-knit stocking-heel,
Told how the Indian hordes came down
At midnight on Concheco town,
And how her own great-uncle bore
His cruel scalp-mark to fourscore.
Recalling, in her fitting phrase,
So rich and picturesque and free
(The common unrhymed poetry
Of simple life and country ways,)
The story of her early days, —
She made us welcome to her home;
Old hearths grew wide to give us room;
We stole with her a frightened look
At the gray wizard’s conjuring-book,
The fame whereof went far and wide
Through all the simple country side;
We heard the hawks at twilight play,
The boat-horn on Piscataqua,
The loon’s weird laughter far away;
We fished her little trout-brook, knew
What flowers in wood and meadow grew,
What sunny hillsides autumn-brown
She climbed to shake the ripe nuts down,
Saw where in sheltered cove and bay,
The ducks’ black squadron anchored lay,
And heard the wild-geese calling loud
Beneath the gray November cloud.
Then, haply, with a look more grave,
And soberer tone, some tale she gave
From painful Sewel’s ancient tome,
Beloved in every Quaker home,
Of faith fire-winged by martyrdom,
Or Chalkley’s Journal, old and quaint, —
Gentlest of skippers, rare sea-saint! —
Who, when the dreary calms prevailed,
And water-**** and bread-cask failed,
And cruel, hungry eyes pursued
His portly presence mad for food,
With dark hints muttered under breath
Of casting lots for life or death,

Offered, if Heaven withheld supplies,
To be himself the sacrifice.
Then, suddenly, as if to save
The good man from his living grave,
A ripple on the water grew,
A school of porpoise flashed in view.
“Take, eat,” he said, “and be content;
These fishes in my stead are sent
By Him who gave the tangled ram
To spare the child of Abraham.”
Our uncle, innocent of books,
Was rich in lore of fields and brooks,
The ancient teachers never dumb
Of Nature’s unhoused lyceum.
In moons and tides and weather wise,
He read the clouds as prophecies,
And foul or fair could well divine,
By many an occult hint and sign,
Holding the cunning-warded keys
To all the woodcraft mysteries;
Himself to Nature’s heart so near
v That all her voices in his ear
Of beast or bird had meanings clear,
Like Apollonius of old,
Who knew the tales the sparrows told,
Or Hermes, who interpreted
What the sage cranes of Nilus said;
A simple, guileless, childlike man,
Content to live where life began;
Strong only on his native grounds,
The little world of sights and sounds
Whose girdle was the parish bounds,
Whereof his fondly partial pride
The common features magnified,
As Surrey hills to mountains grew
In White of Selborne’s loving view, —
He told how teal and loon he shot,
And how the eagle’s eggs he got,
The feats on pond and river done,
The prodigies of rod and gun;
Till, warming with the tales he told,
Forgotten was the outside cold,
The bitter wind unheeded blew,
From ripening corn the pigeons flew,
The partridge drummed i’ the wood, the mink
Went fishing down the river-brink.
In fields with bean or clover gay,
The woodchuck, like a hermit gray,
Peered from the doorway of his cell;
The muskrat plied the mason’s trade,
And tier by tier his mud-walls laid;
And from the shagbark overhead
The grizzled squirrel dropped his shell.

Next, the dear aunt, whose smile of cheer
And voice in dreams I see and hear, —
The sweetest woman ever Fate
Perverse denied a household mate,
Who, lonely, homeless, not the less
Found peace in love’s unselfishness,
And welcome wheresoe’er she went,
A calm and gracious element,
Whose presence seemed the sweet income
And womanly atmosphere of home, —
Called up her girlhood memories,
The huskings and the apple-bees,
The sleigh-rides and the summer sails,
Weaving through all the poor details
And homespun warp of circumstance
A golden woof-thread of romance.
For well she kept her genial mood
And simple faith of maidenhood;
Before her still a cloud-land lay,
The mirage loomed across her way;
The morning dew, that dries so soon
With others, glistened at her noon;
Through years of toil and soil and care,
From glossy tress to thin gray hair,
All unprofaned she held apart
The ****** fancies of the heart.
Be shame to him of woman born
Who hath for such but thought of scorn.
There, too, our elder sister plied
Her evening task the stand beside;
A full, rich nature, free to trust,
Truthful and almost sternly just,
Impulsive, earnest, prompt to act,
And make her generous thought a fact,
Keeping with many a light disguise
The secret of self-sacrifice.

O heart sore-tried! thou hast the best
That Heaven itself could give thee, — rest,
Rest from all bitter thoughts and things!
How many a poor one’s blessing went
With thee beneath the low green tent
Whose curtain never outward swings!

As one who held herself a part
Of all she saw, and let her heart
Against the household ***** lean,
Upon the motley-braided mat
Our youngest and our dearest sat,
Lifting her large, sweet, asking eyes,
Now bathed in the unfading green
And holy peace of Paradise.
Oh, looking from some heavenly hill,
Or from the shade of saintly palms,
Or silver reach of river calms,
Do those large eyes behold me still?
With me one little year ago: —
The chill weight of the winter snow
For months upon her grave has lain;
And now, when summer south-winds blow
And brier and harebell bloom again,
I tread the pleasant paths we trod,
I see the violet-sprinkled sod
Whereon she leaned, too frail and weak
The hillside flowers she loved to seek,
Yet following me where’er I went
With dark eyes full of love’s content.
The birds are glad; the brier-rose fills
The air with sweetness; all the hills
Stretch green to June’s unclouded sky;
But still I wait with ear and eye
For something gone which should be nigh,
A loss in all familiar things,
In flower that blooms, and bird that sings.
And yet, dear heart! remembering thee,
Am I not richer than of old?
Safe in thy immortality,
What change can reach the wealth I hold?
What chance can mar the pearl and gold
Thy love hath left in trust with me?
And while in life’s late afternoon,
Where cool and long the shadows grow,
I walk to meet the night that soon
Shall shape and shadow overflow,
I cannot feel that thou art far,
Since near at need the angels are;
And when the sunset gates unbar,
Shall I not see thee waiting stand,
And, white against the evening star,
The welcome of thy beckoning hand?

Brisk wielder of the birch and rule,
The master of the district school
Held at the fire his favored place,
Its warm glow lit a laughing face
Fresh-hued and fair, where scarce appeared
The uncertain prophecy of beard.
He teased the mitten-blinded cat,
Played cross-pins on my uncle’s hat,
Sang songs, and told us what befalls
In classic Dartmouth’s college halls.
Born the wild Northern hills among,
From whence his yeoman father wrung
By patient toil subsistence scant,
Not competence and yet not want,
He early gained the power to pay
His cheerful, self-reliant way;
Could doff at ease his scholar’s gown
To peddle wares from town to town;
Or through the long vacation’s reach
In lonely lowland districts teach,
Where all the droll experience found
At stranger hearths in boarding round,
The moonlit skater’s keen delight,
The sleigh-drive through the frosty night,
The rustic party, with its rough
Accompaniment of blind-man’s-buff,
And whirling-plate, and forfeits paid,
His winter task a pastime made.
Happy the snow-locked homes wherein
He tuned his merry violin,

Or played the athlete in the barn,
Or held the good dame’s winding-yarn,
Or mirth-provoking versions told
Of classic legends rare and old,
Wherein the scenes of Greece and Rome
Had all the commonplace of home,
And little seemed at best the odds
‘Twixt Yankee pedlers and old gods;
Where Pindus-born Arachthus took
The guise of any grist-mill brook,
And dread Olympus at his will
Became a huckleberry hill.

A careless boy that night he seemed;
But at his desk he had the look
And air of one who wisely schemed,
And hostage from the future took
In trainëd thought and lore of book.
Large-brained, clear-eyed, of such as he
Shall Freedom’s young apostles be,
Who, following in War’s ****** trail,
Shall every lingering wrong assail;
All chains from limb and spirit strike,
Uplift the black and white alike;
Scatter before their swift advance
The darkness and the ignorance,
The pride, the lust, the squalid sloth,
Which nurtured Treason’s monstrous growth,
Made ****** pastime, and the hell
Of prison-torture possible;
The cruel lie of caste refute,
Old forms remould, and substitute
For Slavery’s lash the freeman’s will,
For blind routine, wise-handed skill;
A school-house plant on every hill,
Stretching in radiate nerve-lines thence
The quick wires of intelligence;
Till North and South together brought
Shall own the same electric thought,
In peace a common flag salute,
And, side by side in labor’s free
And unresentful rivalry,
Harvest the fields wherein they fought.

Another guest that winter night
Flashed back from lustrous eyes the light.
Unmarked by time, and yet not young,
The honeyed music of her tongue
And words of meekness scarcely told
A nature passionate and bold,

Strong, self-concentred, spurning guide,
Its milder features dwarfed beside
Her unbent will’s majestic pride.
She sat among us, at the best,
A not unfeared, half-welcome guest,
Rebuking with her cultured phrase
Our homeliness of words and ways.
A certain pard-like, treacherous grace
Swayed the lithe limbs and drooped the lash,
Lent the white teeth their dazzling flash;
And under low brows, black with night,
Rayed out at times a dangerous light;
The sharp heat-lightnings of her face
Presaging ill to him whom Fate
Condemned to share her love or hate.
A woman tropical, intense
In thought and act, in soul and sense,
She blended in a like degree
The ***** and the devotee,
Revealing with each freak or feint
The temper of Petruchio’s Kate,
The raptures of Siena’s saint.
Her tapering hand and rounded wrist
Had facile power to form a fist;
The warm, dark languish of her eyes
Was never safe from wrath’s surprise.
Brows saintly calm and lips devout
Knew every change of scowl and pout;
And the sweet voice had notes more high
And shrill for social battle-cry.

Since then what old cathedral town
Has missed her pilgrim staff and gown,
What convent-gate has held its lock
Against the challenge of her knock!
Through Smyrna’s plague-hushed thoroughfares,
Up sea-set Malta’s rocky stairs,
Gray olive slopes of hills that hem
Thy tombs and shrines, Jerusalem,
Or startling on her desert throne
The crazy Queen of Lebanon
With claims fantastic as her own,
Her tireless feet have held their way;
And still, unrestful, bowed, and gray,
She watches under Eastern skies,
With hope each day renewed and fresh,
The Lord’s quick coming in the flesh,
Whereof she dreams and prophesies!
Where’er her troubled path may be,
The Lord’s sweet pity with her go!
The outward wayward life we see,
The hidden springs we may not know.
Nor is it given us to discern
What threads the fatal sisters spun,
Through what ancestral years has run
The sorrow with the woman born,
What forged her cruel chain of moods,
What set her feet in solitudes,
And held the love within her mute,
What mingled madness in the blood,
A life-long discord and annoy,
Water of tears with oil of joy,
And hid within the folded bud
Perversities of flower and fruit.
It is not ours to separate
The tangled skein of will and fate,
To show what metes and bounds should stand
Upon the soul’s debatable land,
And between choice and Providence
Divide the circle of events;
But He who knows our frame is just,
Merciful and compassionate,
And full of sweet assurances
And hope for all the language is,
That He remembereth we are dust!

At last the great logs, crumbling low,
Sent out a dull and duller glow,
The bull’s-eye watch that hung in view,
Ticking its weary circuit through,
Pointed with mutely warning sign
Its black hand to the hour of nine.
That sign the pleasant circle broke:
My uncle ceased his pipe to smoke,
Knocked from its bowl the refuse gray,
And laid it tenderly away;
Then roused himself to safely cover
The dull red brands with ashes over.
And while, with care, our mother laid
The work aside, her steps she stayed
One moment, seeking to express
Her grateful sense of happiness
For food and shelter, warmth and health,
And love’s contentment more than wealth,
With simple wishes (not the weak,
Vain prayers which no fulfilment seek,
But such as warm the generous heart,
O’er-prompt to do with Heaven its part)
That none might lack, that bitter night,
For bread and clothing, warmth and light.

Within our beds awhile we heard
The wind that round the gables roared,
With now and then a ruder shock,
Which made our very bedsteads rock.
We heard the loosened clapboards tost,
The board-nails snapping in the frost;
And on us, through the unplastered wall,
Felt the light sifted snow-flakes fall.
But sleep stole on, as sleep will do
When hearts are light and life is new;
Faint and more faint the murmurs grew,
Till in the summer-land of dreams
They softened to the sound of streams,
Low stir of leaves, and dip of oars,
And lapsing waves on quiet shores.
Of merry voices high and clear;
And saw the teamsters drawing near
To break the drifted highways out.
Down the long hillside treading slow
We saw the half-buried oxen go,
Shaking the snow from heads uptost,
Their straining nostrils white with frost.
Before our door the straggling train
Drew up, an added team to gain.
The elders threshed their hands a-cold,
Passed, with the cider-mug, their jokes
From lip to lip; the younger folks
Down the loose snow-banks, wrestling, rolled,
Then toiled again the cavalcade
O’er windy hill, through clogged ravine,
And woodland paths that wound between
Low drooping pine-boughs winter-weighed.
From every barn a team afoot,
At every house a new recruit,
Where, drawn by Nature’s subtlest law,
Haply the watchful young men saw
Sweet doorway pictures of the curls
And curious eyes of merry girls,
Lifting their hands in mock defence
Against the snow-ball’s compliments,
And reading in each missive tost
The charm with Eden never lost.
We heard once more the sleigh-bells’ sound;
And, following where the teamsters led,
The wise old Doctor went his round,
Just pausing at our door to say,
In the brief autocratic way
Of one who, prompt at Duty’s call,
Was free to urge her claim on all,
That some poor neighbor sick abed
At night our mother’s aid would need.
For, one in generous thought and deed,
What mattered in the sufferer’s sight
The Quaker matron’s inward light,
The Doctor’s mail of Calvin’s creed?
All hearts confess the saints elect
Who, twain in faith, in love agree,
And melt not in an acid sect
The Christian pearl of charity!

So days went on: a week had passed
Since the great world was heard from last.
The Almanac we studied o’er,
Read and reread our little store
Of books and pamphlets, scarce a score;
One harmless novel, mostly hid
From younger eyes, a book forbid,
And poetry, (or good or bad,
A single book was all we had,)
Where Ellwood’s meek, drab-skirted Muse,
A stranger to the heathen Nine,
Sang, with a somewhat nasal whine,
The wars of David and the Jews.
At last the floundering carrier bore
The village paper to our door.
Lo! broadening outward as we read,
To warmer zones the horizon spread
In panoramic length unrolled
We saw the marvels that it told.
Before us passed the painted Creeks,
A   nd daft McGregor on his raids
In Costa Rica’s everglades.
And up Taygetos winding slow
Rode Ypsilanti’s Mainote Greeks,
A Turk’s head at each saddle-bow!
Welcome to us its week-old news,
Its corner for the rustic Muse,
Its monthly gauge of snow and rain,
Its record, mingling in a breath
The wedding bell and dirge of death:
Jest, anecdote, and love-lorn tale,
The latest culprit sent to jail;
Its hue and cry of stolen and lost,
Its vendue sales and goods at cost,
And traffic calling loud for gain.
We felt the stir of hall and street,
The pulse of life that round us beat;
The chill embargo of the snow
Was melted in the genial glow;
Wide swung again our ice-locked door,
And all the world was ours once more!

Clasp, Angel of the backword look
And folded wings of ashen gray
And voice of echoes far away,
The brazen covers of thy book;
The weird palimpsest old and vast,
Wherein thou hid’st the spectral past;
Where, closely mingling, pale and glow
The characters of joy and woe;
The monographs of outlived years,
Or smile-illumed or dim with tears,
Green hills of life that ***** to death,
And haunts of home, whose vistaed trees
Shade off to mournful cypresses
With the white amaranths underneath.
Even while I look, I can but heed
The restless sands’ incessant fall,
Importunate hours that hours succeed,
Each clamorous with its own sharp need,
And duty keeping pace with all.
Shut down and clasp with heavy lids;
I hear again the voice that bids
The dreamer leave his dream midway
For larger hopes and graver fears:
Life greatens in these later years,
The century’s aloe flowers to-day!

Yet, haply, in some lull of life,
Some Truce of God which breaks its strife,
The worldling’s eyes shall gather dew,
Dreaming in throngful city ways
Of winter joys his boyhood knew;
And dear and early friends — the few
Who yet remain — shall pause to view
These Flemish pictures of old days;
Sit with me by the homestead hearth,
And stretch the hands of memory forth
To warm them at the wood-fire’s blaze!
And thanks untraced to lips unknown
Shall greet me like the odors blown
From unseen meadows newly mown,
Wood-fringed, the wayside gaze beyond;
The traveller owns the grateful sense
Of sweetness near, he knows not whence,
And, pausing, takes with forehead bare
The benediction of the air.

Written in  1865
In its day, 'twas a best-seller and earned significant income for Whittier

https://youtu.be/vVOQ54YQ73A

BLM activists are so stupid that they defaced a statue of Whittier  unaware that he was an ardent abolitionist 🤣
Mateuš Conrad Nov 2015
so there on the window sill
i sat perpetrating my crime,
one had outside the window denoting the mentally ill
and the other inside the compartment of
a room denoting terrorists,
then i switched hands and opinions...
and then two bright objects of fire appeared
on the skyline... then another two... a perfect rhombus that
traversed the night sky.

i mingled *r.d. laing
with the saint benaiah ben yehoiada today...
what a miracle of the slow approach,
i was so desperate for paper i even wrote on a sunday times news review page,
god help me, i feel the need to speak over people in writing.
testament to modern *******: the modern trans-gender phenomenon
is primarily found in st. thomas’ gospel
as entrée of r.d. laing’s **** of paradise artistic spontaneity
away from rigid theory so numerous in the exampled situation
of the lisp acquired on the psychoanalytic couch...
it speaks of turning left to right... up to down... man to woman...
a bit like a sat nav giving directions... you end up in a kingdom
that’s a ditch and the king is adorned not in crimson cardinal
or purple bishop... but pain... this is 1967... no wonder the hippies
died off after people started to dot dot dot post-1967
with the excavatio in translatio to remould western, christian, societies.
that text, says it all! david bowie and alice cooper and marc bolan
with the lipstick and 8 o’clock eye-socket shadows...
but things are picking up / getting serious...
the young ones are on it... post-colonial details i might have you add...
it was bound to happen... vietnam and the daddy longlegs starving man of africa...
built in processor 5.6GB of memory and an iphone...
what?! i’m translating my slavic soul... we fed the mongrels and mongolians
with crusader ***** in the baltic... we disappeared for a few centuries
and came back... blackmailing the airlines for an unsafe crash landing
somewhere in belarus, with the state banquet officiated, of course.
you see.. i’m the silent eager satyr from such paintings by matejko
like hołd pruski and stańczyk... expression beaming with: yes... go on...
spur me on... i’ll gallop to status of stallion with laughter!
all the catholic canonical saints are for people who prefer images
to words.
so there’s laing in 1967 allowed the ancient deciphering of
quasi-egyptian text... and then all hell breaks loose in the now, present...
i’ve got two left hands and two right feet... i think i’ll transverse
in walking like a crab... sidewise... out of here...
you go along with your daily “historical” bullying...
i like my place... outside the post-colonial continuum...
so much so that i even have a theory for the experience:
HE WASN’T THINKING IN HIS MOTHER TONGUE,
THE NATIVITY OF THE SOUL TOOK FORM FROM THE POLLEN
OF THE BODY, MANY IRANIANS AND EGYPTIANS...
HE THOUGHT COLONIAL, HE ACTED COLONIAL...
PREVIOUSLY HE MENTIONED POLAND LENDING AEROPLANES
TO EGYPT... HE ACTED LIKE AN ENGLISHMAN TO A ******...
NOW I SEE HIM LIKE A PENGUIN WITH CHEETAH FUR...
A WORD OF LISP I GATHER...
I WAS THINKING STUPID TRUST... WHILE
A SINGLE WORD OF THE MOTHERTONGUE RESONATED
TO PURSUE CREATIVITY THUS EXPRESSED
UNABLE TO FIND THE 0,0 COORDINATE IN THE
NORTHERN TRANS-EUROPEAN MILITARY COMPLEX.
this is how integration happens in europe: acquire the native tongue
acquire native psychology... don’t acquire the latter
define the former with exactness of body...
conclusion? i did stupid via trust... he did stupid via a blood-thirst
and a michael jackson trick of bleaching the soul
but leaving the body oddly mongrel-like... not so complete
like africans from the caribbean losing the tongue
due to jamaica’s great weather, then moving to england
and starting reggae rap... god knows how those two fitted for a size 12
perfect matching: quick-slow, quick-slow...
slow-quick rat ah rat ah regina duck in dumplings... bewildering
that i didn’t turn grey but turned ginger over the years.
you see this theory? it makes the mongol horse pale in comparison;
dad said: a jew did it! a jew did it! a ******* mid-******* just said: you
(double emphasis, the colon and italics... well i was there,
and this poem is proof that i was there, with her).
then this poem in the background with added photogenic approach...
titled: on ******* who create art.
ahem... napkin for the torero and rare steak to suite:
there they are the geniuses and the mediocre,
sitting in abodes of aspirational peace of the living -
half-dead many of them almost to the core of rotten apples,
with arsenic in apple seeds the last remaining life -
a poisonous mechanisation of activity on the breeding continuum
curtailed (is that implying cut-short?),
horrible ******* to live with,
they sitting knitting words together that make no cardigan fit,
or they’re making 2d rooms with the odd splash of colour
that will never obey the cube but the rectangular canvas,
no use of a poet’s pen in the solace of a quiet pension spaced,
the usurpers of peace among the living among the twins of sabbath,
these ronin of the fountain of solace found in t.v. and slippers...
who let them in?! can you hear poetry with a hammer?
can you hear it on a construction site, or an art gallery or a library?
so there they are, the *******, choosing the most importune of places
to do their craft... in the living spaces of plumbers and electricians...
hardly the place to craft their art when there’s no pulpit to
exercise their crafty practice with the end remark.
why then the plumber the safeguard and incubator nest of home,
and why the cold chill of aqueduct syringe at home for poet?
does no friendliness reside in stressing or not stressing certain words anymore?
perhaps the coalminers will tell me?
they say i am in a coal-mine by the sheer whiteness of disposable white
of canvas... and only among them in solidarity of a brotherhood
by excavating with them the coal that’s their amber burnt at home
and my solitary ink expressed in the library of their darkness of having
bulged forearm forceps of the bicep and no patience for reading... but digging,
i’ll know my orientation in those mines once more...
where the safe and understood route has has not yet been written...
and all that is seen... is the whitened darkness of the blank canvas of
what i peer into stumbling with the inverse... the flashlight of words
against the darkness of the canvas... me and my blind horse.
god i hate live editing... but then again... it keeps me
drunk and soberly paranoid to scrabble in revisions before i doze till morn.
Ovi-Odiete Aug 2016
Angel Come
Angel Come; Come with a Whisper,
With tongues of Mysta
Come in the Night,
And bring us the Light
Come unto Mystery,
To elude our Misery
Angel Come- Angel Go

Angel Come
Come Like a River
To Inhale this Fever
Overshadow me with Shivers,
To see me thus Thither
Like a river Glorious,
In a secret Joyous
Angel Come; Angel Go


Angel Come
Remould my emotions,
To fit my Devotions
Come into the Dark;
And get rid of the Black
Encamp me in your Palms,
To wrap me in your Arms
Angel Come- Angel Go

Angel Come
Come into my Subconscious;
Awaken my Unconscious
Come like an arrowing Rain,
Invade my narrowest Pain
Let me hide my face in You;
For I seek a space in You
Angel Come: Angel Go


Ovi Odiete©
Angel come, Angel Go
From my imaginative diary....
Originally written 2014
I have no wit, no words, no tears;
My heart within me like a stone
Is numbed too much for hopes or fears.
Look right, look left, I dwell alone;
I lift mine eyes, but dimmed with grief
No everlasting hills I see;
My life is in the falling leaf:
O Jesus, quicken me.

My life is like a faded leaf,
My harvest dwindled to a husk:
Truly my life is void and brief
And tedious in the barren dusk;
My life is like a frozen thing,
No bud nor greenness can I see:
Yet rise it shall--the sap of spring;
O Jesus, rise in me.

My life is like a broken bowl,
A broken bowl that cannot hold
One drop of water for my soul
Or cordial in the searching cold;
Cast in the fire the perished thing;
Melt and remould it, till it be
A royal cup for Him, my King:
O Jesus, drink of me.
I have no wit, no words, no tears;
My heart within me like a stone
Is numb'd too much for hopes or fears;
Look right, look left, I dwell alone;
I lift mine eyes, but dimm'd with grief
No everlasting hills I see;
My life is in the falling leaf:
O Jesus, quicken me.
My life is like a faded leaf,
My harvest dwindled to a husk:
Truly my life is void and brief
And tedious in the barren dusk;
My life is like a frozen thing,
No bud nor greenness can I see:
Yet rise it shall--the sap of Spring;
O Jesus, rise in me.

My life is like a broken bowl,
A broken bowl that cannot hold
One drop of water for my soul
Or cordial in the searching cold;
Cast in the fire the perish'd thing;
Melt and remould it, till it be
A royal cup for Him, my King:
O Jesus, drink of me.
He that will the world
remould
should first himself recast.
We're being faked out,taken out,shaken down, by skulduggery so rife in London town,and we wait for it,salivate for it,cant get enough of it, we even pray for it.

Lubricated,down the pan and flushed away by 'the man',ending up or bending down,it's all the same to London town.

Don't try to tell me,that this is right,or we should bite the bullet and accept our lot,it's a dot on the card when life is so hard that we have to stand and fight.

The 'establishment' might not like us
but those ******* in their close knit groups,storm troop us every day and take away our pride,chide us,ride us,grind us down,remould us,reminding us how cold it is when we can't afford to pay for heat
don't let them beat you,defeat you,cheat you 'cause we'll get through
and do them down.
Life is like that,
London town,it's krap
It's going to snap
to fall apart
the streets will rise,the building's fall and down at Mansion house they'll call us ****,
well, that don't hurt a bit
Let them **** on caviar and sip sauvignon at the trough, while poor men cough their lungs up,
brung up,wrung out,strung up and finally thrown down,
why would anyone want to live and try,have children who die in
London town?
Debanjana Saha Mar 2017
And its spring
with birds chirping,
high or low but you would be smiling
with the force that unfolds smelling so wonderful
beauty all around you
and you see only the wounds!
why? why do you do that to yourself?
I know You no longer jump with joy as the seasons reshape.
But someday you might recall that the beauty within yourself
and let the blooming takes place from inside out.
Let seasons remould  you,
let all the past fall away,
and the buds bloom throughout your way
with no validation to sway.
Just you within you blooming with the butterflies turned on nearby.
Let seasons reshape you.
And seasons give you the power to bloom you!
Julia Oct 2014
when one removes oneself from stillness
undoes the smooth, glossed over wake
and in a sense cannon-***** backwards; out
returning to an unknown, though more known than not
with a queer sort of deja vu; uncertainty
uncertainty in every sense
of intelligence, of humanity, of self
to be stripped of ones right to engage
or better said,
to strip oneself; for what?
why endure such purgatory
only to relearn something otherwise perfected
to expand? to give? to learn a slight suffering?
or perhaps not so slight
as losing ones voice is arguably worse than ones limb
you have a spare arm, as well, two legs
but one soul to share
or is it to grow, to remould oneself
retrofitted to suit the now
a more capable, attentive being
who, upon the next disturbance of the surface,
will choke on fewer salty drops,
will tense her muscles somewhat less,
will not be afraid to open her eyes
to the new,
to the scary,
to the unknown,
to herself
written in class in my first month in switzerland. decided to keep the original title
Olivia Kent Dec 2014
Today is the first day of the rest of my life.
I'm nobody's lover and I'm nobody's wife.
I'm smiling inside and I'm crying without.
The cruel wind dries my tears,
and my ******* are going south.
I smile as I think of you.
How, once upon, forever ago, the two of us we flew.

Now I want a gentleman.
One who's  maybe made of clay.
I can roll him up and discard him,
should I not want to play.

Or better still,
remould him,
to one who fits the bill.
I'd make him tall,
with thick black hair,
Shiny eyes, and manly thighs,
but, it wouldn't matter how well endowed he was,
because, I'd only want him him for his brain,
quality conversation,
nothing more, nothing less.

No emotional attachment.
In any shape or form.
(C) LIVVI
Had enough of Christmas writes today x
Incorporated identity or that's what the corporates are telling me, easy like a.b.c if you believe in hypocrisy or the right of a ruling class to pass on human rights.
Some nights I don't sleep, I am weary but keeping a diary to confide in, to take some pride in something is better than nothing and nothing is nothing at all.
Perhaps I'm the oddball or the cue on the eight ball, they'd take me, remake me, remould me, I told you but you didn't believe me and now they've got you,
incarcerated
and they'll incorporate you, bring you into the fold and indoctrinate you, use you up and discard what's left of you, when hope goes down the pan it's the 'man' who flushes it,
I believe it and I think we're all doomed, one room apartments, high rents and the rich bent with the weight of the cash that they carry, carry on, all in a day, all for the fray and the lions are hungry.
Surbhi Dadhich Nov 2017
Bully! Look Stars are creeping with dotted veils
The Moon is hopping like waves of amusment
The clouds have forgotten their destination
The butterflies are adoring the fields
After their confinement
Pearls are embellishing the beautiful petunias
Green-blooded creatures are singing
The songs of petals scent
The whirling wind is yawning
To remould the attire of heaven
The stones are melting
With the soul of soil
The Sun is late today
The Moon is on time
The Ants are celebrating their gallantry
I'm astonished by the Nature's fallacy..
Inspired by someone.....
Tolani Akinola Oct 2018
Our love has grown cold
The feeling has grown old
I'm sorry cannot remould
Cos there's no more will to uphold

It's gonna take another lifetime
To bring back the old good times
Distressful it is this very time
We'll get over the feeling with time

It is so painful
We had to be apart
But I'm still grateful
A lot we did impart

This is not just a bye-bye
But a heartfelt goodbye
I wouldn't attempt to stop by
Even if there'll be a pass by

You've been one of the best
But then came the pest
Sadly we couldn't face the test
Our love got laid to rest

But you should never forget
We were without a regret
Never get crowned with the beret
That'll you'll then live to regret..
#akinspoetry
a boy is a battle.
he is full of fight with many foes...

within his eyes
are the fierce frights that has built a heaviness upon his lips.
of how Madam Monica modeled him into the giant pillar
that holds up many spouses,
and flood them with springs of satisfaction.

one stroke...
two strokes...
three strokes...
and a boy begins to choke
till he becomes a monster
made to feed on the groaning of a moaning girl.

another boy,
was a regular audience of a boxing match,
between his father and his mother.
and his soul has found failings
in forsaking the way he was trained to grow.
still he strives to melt his heart,
and remould it beneath his boulder.

and even I,
was a boy,
who was barely saved from a severe shatter.
for she drew my sword and it stood *****,
ready to ****.
and but for the timely thunder that rose to my aid,
I may just have been another lightning
that flashes by without a voice to bare me open.

but whom do we tell this tale to?

all because a boy must be a warrior,
he must stand strong till trauma look him in the face and flee.
for he must cover himself with steel,
and learn to camp his fear and withhold his horror.

a boy is a battle.
he is full of fights with many foes.
but the biggest of them all,
are the silent stabs swept underneath,
which no one is ever raring to hear,
nor bitter to believe.

#El_Magnifico™
For the boy child.
Kanishka May 2019
In fear lies disgrace.
Never be afraid to fall.
Pick yourself up from the dirt.
Remould,rebuild and rekindle.
Live on.
Reform yourself into the person you always thought you could be.
Mateuš Conrad Oct 2017
i treat writing as my drinking.

the point being: fluidity.
language, if properly expressed,
properly founded
is far from conspiring to write
a novel, my novel is already
the idle chit-chat of purchasing
goods (funny how haggling
is still allowed, even though
we know the fixed price
ending of .99).
      language is not a rigid base,
it's not a raw piece of stone
waiting for a rodin-esque
sculptor to make something out
of it, and it's certainly not a
meditation on a dictionary /
thesaurus...
       i am aquarius, the language
i am providing is what two hands
held together make of water being
poured into them is,
it's the fluidity, it's what i find
by finding that the only "thing"
i can find is: fluidity...
you can't take language and serve
a mountain's stubbornness -
you have to allow the sea to
infuriate the blank page of serenity...
i never allow language to be
rigid in small-talk: hello how are you?
crap...
          language needs to be water,
needs to be fire,
it can never reside in char,
charcoal or anything and everything
unmoveable, sisyphus would
concede this fact...
   there is no effort, there is no attempt:
there either is, or there isn't;
don't try, trying brings failure,
do, and do, even if it's a "failure".
you can't expect me to remould
a dictionary, the arrangements are
already too varied, and you can't
expect me to leave a trace of a
protruding signature of a thesaurus...
sure, i write poetry:
   every poet dreams of writing a novel...
but i don't write a novel
because in between this "scarcity"
i live a novel...
        the mundane interludes of a novel
bother me enough to think my
writing as: enough.
            then again i treat writing
as water, or fire,
   and never airy fairy south eastern
english, or a raw sculpture canvas -
language is already a wriggling can
of worms...
       with that being said:
no one takes the afterlife seriously is
because: so much is alive, well,
delirious in sensual anticipation,
   too much of life, bring little topic
of a "realistic" most-mortem realism,
'cos' there isn't any!
            so please, don't give me
this stale inanimate crap,
              don't treat language as a
labrador on a leash with you the blind-man
at the end of it...
language is not rock, it's not air,
it's the fluidity i'm interested in...
    write me a poem as if a dam is about
to burst, give me tsunami language...
give me traces of spontaneity...
  you give me a piece of writing as
rigid as a wheelchair marathon "runner"
i'll give my honest opinion...
     you should overflow with
the ultimate freedom of what the god of gob
said: blah blah blah...
           i don't deal in cute,
i don't deal in pretty,
carnations i can mind...
          but the sort of poetics that is
insulated in: requires a metaphor,
requires a metaphor... who's identifying who?
with that sort of poem, the poem
ends up asking the poet: you sure you're
not a plumber?
   there's but one technique:
       stick to the narrative, forget the rest;
there's only one "technique" in poetry:
the narrative;
write as if impotent, suddenly getting
a hard-on, never imagining to turn
to a ******-boost of the congestion of
spotting a genre, from a "genre";
there's no point writing with this transmutation
of the categorical "imperative" -
             there's only water...
or there's the zenith of
   *s. t. coleridge
- water water, everywhere,
nor any drop to drink.
point being: write fluid,
         and make your reader thirsty.
writing has a lot to do with the newly
emergent art of: cuisine;
have you noticed the emergence
of the art of culinary antics?
               cooking is the new painting;
seems that painting has become shoo
****, that the chefs had to intervene
(minus the sean connery).
two alternate titles:
1. Gander seeking goose that laid the golden egg
2. Incorrigible lottery dreamer
linkedin with previous poem I wrote
though modesty deters
crafty, lofty, nifty, thrifty... wordsmith
and Perkiomen Valley poet
i.e. yours truly quietly to gloat.

If lady luck smiles on me denote
big plans to relocate self and spouse
to some tropical island paradise
by the dashboard light
(the above line credited
to musician named Meatloaf)
upon arrival of my steamer
rather Ferry large boat.

A fool's errand finds me
emptying out billfold,
especially as the winnings
increase ...fivefold, sixfold,
sevenfold, eightfold, ninefold, tenfold...
ample resources to remould
living nonestablishmentarian existence
surrounded courtesy webbed, wide wold.

Paradise visage and eyes
a bulge with dollar signs
whets imagination with
Mega Millions ticket bought
for potential wealth
overtakes rational self
with delusions of grandeur caught
allow, enable and provide flirtation
with fate to experience rich draught
envision emancipation proclamation
from penury a distant battle fought

expect the usual outcome
after next drawing
to yield monetary naught
temptation for instant
mega millions eagerly sought
human foible to reach
until life lesson taut
for elusive *** of riches
streak of universal desire
and tacked clear of shoals,
where hard scrapple existence wrought.

This poor man's pipe dream
nsync with the milkmaid and her pail
where fanciful notions pluck me out
being day late and dollar short
essentially pennilessness in the extreme
story of mein kampf fortune teller
also known as Zoltar speaks machine
said contraption did foredeem
substantiated, kickstarted, corroborated...
courtesy an archenemy Joaquim
(fiend nixed) and his tall sidekick Kareem
both rogues could shine
figuratively impregnable longerbeam
and discern mine ill fate.

Meanwhile creative endeavors
and linguistic pleasure
thru the literary attempt
suitably with poetic third eye blind
palliative, yet less rewarding versus
garnering large sum of money
would be a dog send
allowing, enabling, and providing
arrogant stance where proletariats deigned
delivered by one blessed angel in disguise
redemption and salvation
considered thankful find
with challenges or commiserate

courtesy  poverty that doth grind
and complement via words of positive kind
feeble attempt where words synchronize
readers may espy hidden puns
(and divine inspiration - ha)
within this rhyme lined
to pry poem or prose from mind
deliberate semblance to communicate
and extract idea from cranial rind
analogous how stitcher doth tightly wind
a tapestry of rich and royal hue
while twittering and tweeting
“better luck next time.”
Sanya Feb 2020
Two may come,
two may go
Promising the silver
snatching the gold
Hours and hours spending at the door
They urged for a pie,you freaked them
They theft for a loaf,you beat them
They theft for a penny,you leashed them
Striving for a single drop to drink
Who are they?
They are the beggars or the poor,
lying on footpath
Filled with the anger
of all the fake promises
Filled with the anger
Of all the thugs and bullies
They tried to bring in a fire in the country
They urged to remould the lost arbitrary
For every fair they do
They were put behind the bars
For every truth they speak
They had to pay hard
They were born as a gods grace
But they died as culprit alas!
Leaving behind them the martyr with blister
These victims never thought
They were the culprit,
Behind those traitors.
Ryan O'Leary Oct 2018
Imagine for a minute which
figure represents nothing.
It is nought, in mathematical
script O.
What does or dare I say, what
can one add to zero that makes
it different?
It, for example could become a
p or a d, in which case a POD.
If one opens the shell we find
Peas, all in a row, all the same
size, all the same colour, so in
effect, nothing changed.

The illusion of change is created
by words, such as, Alter, Differ,
Turn, Amend, Improve, Modify,
Convert, Revise, Recast, Reform,
Reshape, Refashion, Redesign,
Restyle, Revamp, Rework, Remake,
Remodel, Remould, Redo, Reconstruct,
Reorganize, Reorder, Refine, Reorient,
Vary, Transform, Transfigure, Transmute,
Metamorphose, Undergo, Permute, Exchange,
Interchange, Switch, Convert, Replace, Rotate, Substitute,
or Vote.

Antonyms : Stay the same, Keep, Preserve.

Which is why there is no difference between
a Politician and a Magician.

It is always the same, either a Rabbit or a Pigeon.

Democracy gives one two choices.

No different than putting two shovels
against a wall and asking a builders
labourer to take his PICK.
Mateuš Conrad Jun 2021
the allure of cheap whiskey...
it's not like i enjoy drinking it...
i drink it for the plotline
of: well... it does what a hammer ought
to: what hammer-nail-coupling
ought to... do... or perhaps even be...

almost that "thing" with prostitutes...
on a dry run of circa 3 years...
and then...
for the tenderness...
eyes in romanian: ochi...
in ******: oczy...
how many ayes of eyes?

     at least the prostitutes are swimming
with the sharks...
with jack the ripper types...
because...
all that solo-projects of hand-*****
and guillotined whittle richards
of rubber-slapping ******...

but i'm there...
give me an hour with a woman
and i'll return to speaking
with my demon...

it just, makes... sense...
a 3 year dry-run... and then...
i was reimagining touching her body
like a Rodin might figure out
clay...
vide cor meum: see my heart...

in a "democracy": where...
dialectics isn't really a "thing"...
from gloom through to glum through
to a low rank of bloat:
somehow properly teasing
an honesty of blue...

three kingfisher: what shall we bore?
no... exactly: not bear:
bore...
i could never have a child...
fathering a child implies...
creating a ******* Frankenstein monster...
as much as i'd love
to spar with a woman
over a child...
i'd be held back by daydreams
of lady ******...
or... mr. tend bundy type of offspring...

i'd speak this tongue to them:
added: but if i were to... breed with her...
she wouldn't be expected
to allow my child to speak
her father's tongue back at it...
somehow... it would all become
proto-Ha-Glee...
i wouldn't be speaking my:
mother tongue to the child...

no... that's not going to happen...
however... fair... and honest...
the English tongue is...
you're not going to "uproot" my ******* hair!
take your Pakis eagerly learning your tongue:
eagerly unlearning their mother's tongue...
pretend new England: now...
come...

           i love women so, so much... oh so much...
i will not be told to love them
to confine myself to a security of a mortgage....
give me 72 rottweilers...
give me 72 prostitutes...
give me 72 kilograms of Arabian sand...
give me... 72 hours of... proper... time!

give me a body of a woman
that i might want to remould
into a sculpture!
give me the agonies of scent...
her hair teasing the perfumery of soap...
now let me... grovel like a pig...
in her armpit...
i don't want to be a boy
left-over... in a playground...
give me the spares!
now!

give me your leftovers!
now!
jetzt! jetzt! hier! hier!
                besuchen!
         jetzt-hier: achtung!
              it's almost like some people...
never understand anything
unless it might have to be....
insinuated within the focus of:
werkzeug.
Mohd Arshad Jan 2019
It's January's fog mirroring all but a murky city;
The sparkling splendour of the day is at rest,
And a dove, lonesome, writhes in the hot gelidity.

The leaves are papers in a file on the glass;
Its plummage shake them, but they remould;
For an asylum it steals under the bench alas!

Who knows it's the poorest in the glacial garden,
And survival is a fierce combat for such haggard
Birds, and solitude, too, stacks sadness, and broken

Morale melts, and a wish for an early death is said;
Oh, I can't serve it with blanket-help, it would skim away,
And sympathy is cipher until fear of harm is dead.

— The End —