“An ill of greed has befallen the land,”

“A quickening sickness which seeks to prey…”

“Where wealth accumulates and men decay.”

‘Nam Sibyllam quidem Cumis ego ipse oculis meis
vidi in ampulla pendere, et *** illi pueri dicerent:
Sibylla ti theleis; respondebat illa: apothanein thelo.’

                For Ezra Pound
                il miglior fabbro


I. The Burial of the Dead

April is the cruellest month, breeding
Lilacs out of the dead land, mixing
Memory and desire, stirring
Dull roots with spring rain.
Winter kept us warm, covering
Earth in forgetful snow, feeding
A little life with dried tubers.
Summer surprised us, coming over the Starnbergersee
With a shower of rain; we stopped in the colonnade,
And went on in sunlight, into the Hofgarten,
And drank coffee, and talked for an hour.
Bin gar keine Russin, stamm’ aus Litauen, echt deutsch.
And when we were children, staying at the archduke’s,
My cousin’s, he took me out on a sled,
And I was frightened. He said, Marie,
Marie, hold on tight. And down we went.
In the mountains, there you feel free.
I read, much of the night, and go south in the winter.

What are the roots that clutch, what branches grow
Out of this stony *******? Son of man,
You cannot say, or guess, for you know only
A heap of broken images, where the sun beats,
And the dead tree gives no shelter, the cricket no relief,
And the dry stone no sound of water. Only
There is shadow under this red rock,
(Come in under the shadow of this red rock),
And I will show you something different from either
Your shadow at morning striding behind you
Or your shadow at evening rising to meet you;
I will show you fear in a handful of dust.
            Frisch weht der Wind
            Der Heimat zu
            Mein Irisch Kind,
            Wo weilest du?
‘You gave me hyacinths first a year ago;
‘They called me the hyacinth girl.’
—Yet when we came back, late, from the Hyacinth garden,
Your arms full, and your hair wet, I could not
Speak, and my eyes failed, I was neither
Living nor dead, and I knew nothing,
Looking into the heart of light, the silence.
Oed’ und leer das Meer.

Madame Sosostris, famous clairvoyante,
Had a bad cold, nevertheless
Is known to be the wisest woman in Europe,
With a wicked pack of cards. Here, said she,
Is your card, the drowned Phoenician Sailor,
(Those are pearls that were his eyes. Look!)
Here is Belladonna, the Lady of the Rocks,
The lady of situations.
Here is the man with three staves, and here the Wheel,
And here is the one-eyed merchant, and this card,
Which is blank, is something he carries on his back,
Which I am forbidden to see. I do not find
The Hanged Man. Fear death by water.
I see crowds of people, walking round in a ring.
Thank you. If you see dear Mrs. Equitone,
Tell her I bring the horoscope myself:
One must be so careful these days.

Unreal City,
Under the brown fog of a winter dawn,
A crowd flowed over London Bridge, so many,
I had not thought death had undone so many.
Sighs, short and infrequent, were exhaled,
And each man fixed his eyes before his feet.
Flowed up the hill and down King William Street,
To where Saint Mary Woolnoth kept the hours
With a dead sound on the final stroke of nine.
There I saw one I knew, and stopped him, crying ‘Stetson!
‘You who were with me in the ships at Mylae!
‘That corpse you planted last year in your garden,
‘Has it begun to sprout? Will it bloom this year?
‘Or has the sudden frost disturbed its bed?
‘Oh keep the Dog far hence, that’s friend to men,
‘Or with his nails he’ll dig it up again!
‘You! hypocrite lecteur!—mon semblable,—mon frère!’

II. A Game of Chess

The Chair she sat in, like a burnished throne,
Glowed on the marble, where the glass
Held up by standards wrought with fruited vines
From which a golden Cupidon peeped out
(Another hid his eyes behind his wing)
Doubled the flames of sevenbranched candelabra
Reflecting light upon the table as
The glitter of her jewels rose to meet it,
From satin cases poured in rich profusion;
In vials of ivory and coloured glass
Unstoppered, lurked her strange synthetic perfumes,
Unguent, powdered, or liquid—troubled, confused
And drowned the sense in odours; stirred by the air
That freshened from the window, these ascended
In fattening the prolonged candle-flames,
Flung their smoke into the laquearia,
Stirring the pattern on the coffered ceiling.
Huge sea-wood fed with copper
Burned green and orange, framed by the coloured stone,
In which sad light a carved dolphin swam.
Above the antique mantel was displayed
As though a window gave upon the sylvan scene
The change of Philomel, by the barbarous king
So rudely forced; yet there the nightingale
Filled all the desert with inviolable voice
And still she cried, and still the world pursues,
‘Jug Jug’ to ***** ears.
And other withered stumps of time
Were told upon the walls; staring forms
Leaned out, leaning, hushing the room enclosed.
Footsteps shuffled on the stair.
Under the firelight, under the brush, her hair
Spread out in fiery points
Glowed into words, then would be savagely still.

‘My nerves are bad to-night. Yes, bad. Stay with me.
‘Speak to me. Why do you never speak. Speak.
‘What are you thinking of? What thinking? What?
‘I never know what you are thinking. Think.’

I think we are in rats’ alley
Where the dead men lost their bones.

‘What is that noise?
                          The wind under the door.
‘What is that noise now? What is the wind doing?’
                    Nothing again nothing.
                                                    ‘Do
‘You know nothing? Do you see nothing? Do you remember
‘Nothing?’

    I remember
Those are pearls that were his eyes.
‘Are you alive, or not? Is there nothing in your head?’
                                                     But
O O O O that Shakespeherian Rag—
It’s so elegant
So intelligent
‘What shall I do now? What shall I do?’
I shall rush out as I am, and walk the street
‘With my hair down, so. What shall we do to-morrow?
‘What shall we ever do?’
                             The hot water at ten.
And if it rains, a closed car at four.
And we shall play a game of chess,
Pressing lidless eyes and waiting for a knock upon the door.

When Lil’s husband got demobbed, I said—
I didn’t mince my words, I said to her myself,
hurry up please its time
Now Albert’s coming back, make yourself a bit smart.
He’ll want to know what you done with that money he gave you
To get yourself some teeth. He did, I was there.
You have them all out, Lil, and get a nice set,
He said, I swear, I can’t bear to look at you.
And no more can’t I, I said, and think of poor Albert,
He’s been in the army four years, he wants a good time,
And if you don’t give it him, there’s others will, I said.
Oh is there, she said. Something o’ that, I said.
Then I’ll know who to thank, she said, and give me a straight look.
hurry up please its time
If you don’t like it you can get on with it, I said.
Others can pick and choose if you can’t.
But if Albert makes off, it won’t be for lack of telling.
You ought to be ashamed, I said, to look so antique.
(And her only thirty-one.)
I can’t help it, she said, pulling a long face,
It’s them pills I took, to bring it off, she said.
(She’s had five already, and nearly died of young George.)
The chemist said it would be alright, but I’ve never been the same.
You are a proper fool, I said.
Well, if Albert won’t leave you alone, there it is, I said,
What you get married for if you don’t want children?
hurry up please its time
Well, that Sunday Albert was home, they had a hot gammon,
And they asked me in to dinner, to get the beauty of it hot—
hurry up please its time
hurry up please its time
Goonight Bill. Goonight Lou. Goonight May. Goonight.
Ta ta. Goonight. Goonight.
Good night, ladies, good night, sweet ladies, good night, good night.

III. The Fire Sermon

The river’s tent is broken: the last fingers of leaf
Clutch and sink into the wet bank. The wind
Crosses the brown land, unheard. The nymphs are departed.
Sweet Thames, run softly, till I end my song.
The river bears no empty bottles, sandwich papers,
Silk handkerchiefs, cardboard boxes, cigarette ends
Or other testimony of summer nights. The nymphs are departed.
And their friends, the loitering heirs of city directors;
Departed, have left no addresses.
By the waters of Leman I sat down and wept . . .
Sweet Thames, run softly till I end my song,
Sweet Thames, run softly, for I speak not loud or long.
But at my back in a cold blast I hear
The rattle of the bones, and chuckle spread from ear to ear.

A rat crept softly through the vegetation
Dragging its slimy belly on the bank
While I was fishing in the dull canal
On a winter evening round behind the gashouse
Musing upon the king my brother’s wreck
And on the king my father’s death before him.
White bodies naked on the low damp ground
And bones cast in a little low dry garret,
Rattled by the rat’s foot only, year to year.
But at my back from time to time I hear
The sound of horns and motors, which shall bring
Sweeney to Mrs. Porter in the spring.
O the moon shone bright on Mrs. Porter
And on her daughter
They wash their feet in soda water
Et O ces voix d’enfants, chantant dans la coupole!

Twit twit twit
Jug jug jug jug jug jug
So rudely forc’d.
Tereu

Unreal City
Under the brown fog of a winter noon
Mr. Eugenides, the Smyrna merchant
Unshaven, with a pocket full of currants
C.i.f. London: documents at sight,
Asked me in demotic French
To luncheon at the Cannon Street Hotel
Followed by a weekend at the Metropole.

At the violet hour, when the eyes and back
Turn upward from the desk, when the human engine waits
Like a taxi throbbing waiting,
I Tiresias, though blind, throbbing between two lives,
Old man with wrinkled female *******, can see
At the violet hour, the evening hour that strives
Homeward, and brings the sailor home from sea,
The typist home at teatime, clears her breakfast, lights
Her stove, and lays out food in tins.
Out of the window perilously spread
Her drying combinations touched by the sun’s last rays,
On the divan are piled (at night her bed)
Stockings, slippers, camisoles, and stays.
I Tiresias, old man with wrinkled dugs
Perceived the scene, and foretold the rest—
I too awaited the expected guest.
He, the young man carbuncular, arrives,
A small house agent’s clerk, with one bold stare,
One of the low on whom assurance sits
As a silk hat on a Bradford millionaire.
The time is now propitious, as he guesses,
The meal is ended, she is bored and tired,
Endeavours to engage her in caresses
Which still are unreproved, if undesired.
Flushed and decided, he assaults at once;
Exploring hands encounter no defence;
His vanity requires no response,
And makes a welcome of indifference.
(And I Tiresias have foresuffered all
Enacted on this same divan or bed;
I who have sat by Thebes below the wall
And walked among the lowest of the dead.)
Bestows one final patronising kiss,
And gropes his way, finding the stairs unlit . . .

She turns and looks a moment in the glass,
Hardly aware of her departed lover;
Her brain allows one half-formed thought to pass:
‘Well now that’s done: and I’m glad it’s over.’
When lovely woman stoops to folly and
Paces about her room again, alone,
She smoothes her hair with automatic hand,
And puts a record on the gramophone.

‘This music crept by me upon the waters’
And along the Strand, up Queen Victoria Street.
O City city, I can sometimes hear
Beside a public bar in Lower Thames Street,
The pleasant whining of a mandoline
And a clatter and a chatter from within
Where fishmen lounge at noon: where the walls
Of Magnus Martyr hold
Inexplicable splendour of Ionian white and gold.

      The river sweats
      Oil and tar
      The barges drift
      With the turning tide
      Red sails
      Wide
      To leeward, swing on the heavy spar.
      The barges wash
      Drifting logs
      Down Greenwich reach
      Past the Isle of Dogs.
                  Weialala leia
                  Wallala leialala

      Elizabeth and Leicester
      Beating oars
      The stern was formed
      A gilded shell
      Red and gold
      The brisk swell
      Rippled both shores
      Southwest wind
      Carried down stream
      The peal of bells
      White towers
                  Weialala leia
                  Wallala leialala

‘Trams and dusty trees.
Highbury bore me. Richmond and Kew
Undid me. By Richmond I raised my knees
Supine on the floor of a narrow canoe.’
‘My feet are at Moorgate, and my heart
Under my feet. After the event
He wept. He promised ‘a new start’.
I made no comment. What should I resent?’
‘On Margate Sands.
I can connect
Nothing with nothing.
The broken fingernails of ***** hands.
My people humble people who expect
Nothing.’
              la la

To Carthage then I came

Burning burning burning burning
O Lord Thou pluckest me out
O Lord Thou pluckest

burning

IV. Death by Water

Phlebas the Phoenician, a fortnight dead,
Forgot the cry of gulls, and the deep sea swell
And the profit and loss.
                                A current under sea
Picked his bones in whispers. As he rose and fell
He passed the stages of his age and youth
Entering the whirlpool.
                               Gentile or Jew
O you who turn the wheel and look to windward,
Consider Phlebas, who was once handsome and tall as you.

V. What the Thunder Said

After the torchlight red on sweaty faces
After the frosty silence in the gardens
After the agony in stony places
The shouting and the crying
Prison and palace and reverberation
Of thunder of spring over distant mountains
He who was living is now dead
We who were living are now dying
With a little patience

Here is no water but only rock
Rock and no water and the sandy road
The road winding above among the mountains
Which are mountains of rock wi

Love is a Phoenician breeze,  
Purest abjad of Tyrian purple and royal blue,
Pillow bearer of golden consonance between kings.

Love is a Phoenician trader over deepest-sounded seas,
Far-blown nomad that still wants for the thunder of golden drums
And the rain that comes in rounded vowels of water.

Because love has no tribe but is the purest nomad.

As you set out for Ithaka
hope the journey is a long one,
full of adventure, full of discovery.
Laistrygonians and Cyclops,
angry Poseidon - don't be afraid of them:
you'll never find things like that on your way
as long as you keep your thoughts raised high,
as long as a rare excitement
stirs your spirit and your body.
Laistrygonians and Cyclops,
wild Poseidon - you won't encounter them
unless you bring them along inside your soul,
unless your soul sets them up in front of you.

Hope the voyage is a long one.
may there be many a summer morning when,
with what pleasure, what joy,
you come into harbours seen for the first time;
may you stop at Phoenician trading stations
to buy fine things,
mother of pearl and coral, amber and ebony,
sensual perfume of every kind -
as many sensual perfumes as you can;
and may you visit many Egyptian cities
to gather stores of knowledge from their scholars.

Keep Ithaka always in your mind.
Arriving there is what you are destined for.
But do not hurry the journey at all.
Better if it lasts for years,
so you are old by the time you reach the island,
wealthy with all you have gained on the way,
not expecting Ithaka to make you rich.

Ithaka gave you the marvellous journey.
without her you would not have set out.
She has nothing left to give you now.

And if you find her poor, Ithaka won't have fooled you.
Wise as you will have become, so full of experience,
you will have understood by then what these Ithakas mean.

AN INTRODUCTION TO THE STUDY
OF HISTORY IN VERSE : PART ONE
              BY RAJ NANDY
              INTRODUCTION
The very mention of History brings to mind
many civilizations, its wars, with endless
succession of ruling dynasties and kings;
Its many dates and events, which appear to be
rather dull and boring!
“If history were taught in the form of stories, it
would never be forgotten”, said Rudyard Kipling!
So if a good teacher of History narrates those
events like a story within a broad chronological
frame work,
While skillfully linking the present in light of the
past;
Mentioning both important and lesser known
interesting facts to arouse the interest of his
class; -
History would be better appreciated by us!
Perhaps in its narrowest sense, History may be
viewed only as a chronological succession of
dates and past events!
But let me assure you that History is a dynamic
linear progression, adapting and evolving with
changing times,
As present recedes into the past all the while!
These changes could be environmental, socio-
economic, or political changes faced by mankind.
But we remain as a living part of History all the
while!
Yet while we live through History, we fail to realize
the impact we make upon history and time;
And this is perhaps the very magic and enigma of
History,
Which occasionally lends it a touch of mystery!
Our family album is a record of our history we
create and leave behind at the micro level;
Just as past civilizations have left behind their imprints
in their architecture, statues, literature, and works
of art at the macro level !
History breathes and speaks to us from the distant
past,
If only we could pause to hear its unspoken words,
As the Romantic poet John Keats had once heard!
Keats’  “Ode on a Grecian Urn” composed during
early 19th century, -
Harks back to the Classical Age of Greek History!
Keats waxes eloquent in his description of pastoral
scenes painted on the urn which lies frozen in time;
While Keats leaves behind his exalted and eternal
aesthetic message - ‘Beauty is Truth and Truth
Beauty’, - which shall outlive our mortal time!
So it is with History, like the Grecian urn the past  
remains eternalized in time with its lessons and
stories;
While it beckons us to unravel her mysteries!
For the historian, the architect, the geologist,
the anthropologist, scholars and the artist,
‘’History is a continuous dialogue between
the present and the past’’;
As observed by the English historian and
diplomat EW Carr.
Even though we cannot change the past, we can
surely absorb the lessons it has left behind for us!
The Spanish born American philosopher George
Santayana had said; -
“Those who cannot remember the past are
condemned to repeat it!”
The Dutch philosopher Soren Kierkegaard had
once remarked; -
“Life must be lived forward, but it can only be
understood backward.”
So let us learn from past History to create a
better future for humanity.
For the past gives us a sense of belonging
and an identity;
Since our very roots lie enshrined in History!
By the time you complete reading my entire
composition,
I hope to convert you into a Lover of History
by broadening your perception!

HISTORICAL BACKGROUND OF HISTORY!
Ancient Greece, the cradle of Western Civilization
during the 6th century BC, -
Saw the birth of Philosophy!
Thales of Miletus, Anaximenes, and Anaximander,
from the Greek colony of Ionia on the west coast
of Asia Minor,  (now Turkey)
Broke the previous shackles of all mythical and
superstitious explanations.
With their questioning mind and rational thinking
they sought,  -
To seek the real behind the apparent, and substance
behind the shadow;
By seeking natural and logical reasons for explaining
natural phenomena, -
Free from all previous religious and mythical
interpretations!
Thus, these Milesian School of thinkers in their quest
for truth with their intellectual lust, -
Gave rise to ‘philosophia’, Greek word for ‘love
of truth’, an early birth!
Subsequently, this newly born Greek Philosophy with
its progressive thoughts inspired scientific methods
of inquiry;
Along with Logic, trial by Jury, and the very concept
of Democracy!
The Greeks also inspired Literature, History, Tragedy,
Comedy, the Olympic Games, Astronomy, and Geometry!
Around 500 BC the Greek written script had stabilized,
going from left to right;
And the first addition of vowel letters by the Greeks
to the adopted Phoenician consonants, can never
be denied!
The first two Greek letters ‘alpha’ and ‘beta’ which
gave the name to our Alphabets forms a part of
early History.
Now Herodotus, during the 5th century BC, had
inherited this intellectual Greek Legacy!

HERODOTUS – ‘THE FATHER OF HISTORY’
Herodotus is said to have been born in the ancient
Dorian Greek city of Halicarnassus in south-west
Asia Minor, which is now Turkey;
During the latter half of 5th century BC!
During his days, the city was under the rule of Persia;
Since the Persians had captured the Greek colonies
in Asia Minor!
Frequent revolts by these colonies against the
Persians with help from Athens,
Made the Persian King Darius, and later his son
Xerxes, - decide to invade Athens!
The Persians also wanted to extend their Empire
into Europe across the Bosporus Strait, -
Which divided Asia from Europe in those days!

In 490 BC, when the massive Persian army of King
Darius landed at Marathon as assured victors;
The Athenian running courier Pheidippides ran
150 miles in two days, to seek help from Sparta!
Again later, he ran 25 miles from the battlefield
near Marathon to Athens, to announce that the
Greeks became the final victors!
This historic run by Pheidippides gave rise to the
discipline of Marathon, in our Olympic Games
later on!
Such Marathon runs are now held in many cities
of the world annually,
Thus we remain connected with our past as you
can clearly see!
Years later in 425 BC, Herodotus narrated these
invasions in his famous narrative ‘Histories’.
Cicero the Roman scholar, philosopher and orator,
Had called Herodotus the ‘Father of History’ many
centuries later!
Very little is known about Herodotus’ early life,
But from historical evidence which survive,
We learn about his stay in Athens, and his many
wanderings;
Visiting Egypt, Libya, Syria, Babylon, Susa in Elam,
Lydia, and Phrygia;
Collecting information which he called ‘autopsies’
or ‘personal inquiries’, and hearing many stories;
Prior to composing his famous ‘Histories’!

“THE HISTORIES”: HERODOTUS (430-425BC)
This was written in prose in the Iconic dialect of
Classical Greek,
Covers the background, causes, and events of the
Greco-Persian Wars between 490 and 479 BC.  
Scholars divided the entire work into 9 Books, with
each dedicated to a Greek Muse, - those goddesses
of art and knowledge,
Thereby the Homeric tradition they did acknowledge!
For example, Book-I was dedicated to Calliope, the
Muse of Epic Poetry, and Book-II to Clio, the Muse
of History.
Herodotus begins his narration with these following
words;-
“Here is the account of the inquiry of Herodotus of
Halicarnassus in order that the deeds of men not be
erased by time, and that the great and miraculous
works – both of the Greeks and the barbarians not
go unrecorded.”
Now Herodotus with his lucid narrative style, had
pioneered the writing of History with a specific
framework of space and time!
His style got emulated by later writers of History,
Who improved their narration with better authentic
source and methodology;
Thereby giving birth to the subject of ‘Historiography’.
(Historiography = critical examination of source & selection
of authentic material, synthesis of particulars into a narrative
whole, which shall stand the test of critical methods.)

HERODOTUS’ ‘INQUIRY’ GAVE BIRTH TO ‘HISTORY’!
The ancient Greek word “historia” meant ‘knowledge
acquired by investigation or inquiry’’, and the Greek
‘histore’ meant ‘inquiry’.  
It was in this sense Aristotle later used it in his ‘’Inquires
on Animals’’- during the 4th Century BC;
And this mode of ‘inquiry’ later became ‘History’!
The term ‘History’ entered English language in 1390
as a “record of past incidents and story”.
However, the restriction to the meaning “record of
past events” only, came during the 15th century.
But the German word ‘Geschichte’ even to this day,
Means both history and story, without making
distinction in any way!
Since the story element remains inbuilt in all historical
narrations,
And also remains as a tribute to its author’s creation!
CONCLUDING PORTION WILL BE POSTED LATER AS
PART-TWO. Thanks, - RAJ NANDY.
**ALL COPY RIGHTS WITH THE AUTHOR RAJ NANDY,
OF NEW DELHI

Ulysses now left the haven, and took the rough track up through
the wooded country and over the crest of the mountain till he
reached the place where Minerva had said that he would find the
swineherd, who was the most thrifty servant he had. He found him
sitting in front of his hut, which was by the yards that he had
built on a site which could be seen from far. He had made them
spacious and fair to see, with a free ran for the pigs all round them;
he had built them during his master’s absence, of stones which he
had gathered out of the ground, without saying anything to Penelope or
Laertes, and he had fenced them on top with thorn bushes. Outside
the yard he had run a strong fence of oaken posts, split, and set
pretty close together, while inside lie had built twelve sties near
one another for the sows to lie in. There were fifty pigs wallowing in
each sty, all of them breeding sows; but the boars slept outside and
were much fewer in number, for the suitors kept on eating them, and
die swineherd had to send them the best he had continually. There were
three hundred and sixty boar pigs, and the herdsman’s four hounds,
which were as fierce as wolves, slept always with them. The
swineherd was at that moment cutting out a pair of sandals from a good
stout ox hide. Three of his men were out herding the pigs in one place
or another, and he had sent the fourth to town with a boar that he had
been forced to send the suitors that they might sacrifice it and
have their fill of meat.
  When the hounds saw Ulysses they set up a furious barking and flew
at him, but Ulysses was cunning enough to sit down and loose his
hold of the stick that he had in his hand: still, he would have been
torn by them in his own homestead had not the swineherd dropped his ox
hide, rushed full speed through the gate of the yard and driven the
dogs off by shouting and throwing stones at them. Then he said to
Ulysses, “Old man, the dogs were likely to have made short work of
you, and then you would have got me into trouble. The gods have
given me quite enough worries without that, for I have lost the best
of masters, and am in continual grief on his account. I have to attend
swine for other people to eat, while he, if he yet lives to see the
light of day, is starving in some distant land. But come inside, and
when you have had your fill of bread and wine, tell me where you
come from, and all about your misfortunes.”
  On this the swineherd led the way into the hut and bade him sit
down. He strewed a good thick bed of rushes upon the floor, and on the
top of this he threw the shaggy chamois skin—a great thick one—on
which he used to sleep by night. Ulysses was pleased at being made
thus welcome, and said “May Jove, sir, and the rest of the gods
grant you your heart’s desire in return for the kind way in which
you have received me.”
  To this you answered, O swineherd Eumaeus, “Stranger, though a still
poorer man should come here, it would not be right for me to insult
him, for all strangers and beggars are from Jove. You must take what
you can get and be thankful, for servants live in fear when they
have young lords for their masters; and this is my misfortune now, for
heaven has hindered the return of him who would have been always
good to me and given me something of my own—a house, a piece of land,
a good looking wife, and all else that a liberal master allows a
servant who has worked hard for him, and whose labour the gods have
prospered as they have mine in the situation which I hold. If my
master had grown old here he would have done great things by me, but
he is gone, and I wish that Helen’s whole race were utterly destroyed,
for she has been the death of many a good man. It was this matter that
took my master to Ilius, the land of noble steeds, to fight the
Trojans in the cause of kin Agamemnon.”
  As he spoke he bound his girdle round him and went to the sties
where the young ******* pigs were penned. He picked out two which he
brought back with him and sacrificed. He singed them, cut them up, and
spitted on them; when the meat was cooked he brought it all in and set
it before Ulysses, hot and still on the spit, whereon Ulysses
sprinkled it over with white barley meal. The swineherd then mixed
wine in a bowl of ivy-wood, and taking a seat opposite Ulysses told
him to begin.
  “Fall to, stranger,” said he, “on a dish of servant’s pork. The
fat pigs have to go to the suitors, who eat them up without shame or
scruple; but the blessed gods love not such shameful doings, and
respect those who do what is lawful and right. Even the fierce
free-booters who go raiding on other people’s land, and Jove gives
them their spoil—even they, when they have filled their ships and got
home again live conscience-stricken, and look fearfully for judgement;
but some god seems to have told these people that Ulysses is dead
and gone; they will not, therefore, go back to their own homes and
make their offers of marriage in the usual way, but waste his estate
by force, without fear or stint. Not a day or night comes out of
heaven, but they sacrifice not one victim nor two only, and they
take the run of his wine, for he was exceedingly rich. No other
great man either in Ithaca or on the mainland is as rich as he was; he
had as much as twenty men put together. I will tell you what he had.
There are twelve herds of cattle upon the mainland, and as many flocks
of sheep, there are also twelve droves of pigs, while his own men
and hired strangers feed him twelve widely spreading herds of goats.
Here in Ithaca he runs even large flocks of goats on the far end of
the island, and they are in the charge of excellent goatherds. Each
one of these sends the suitors the best goat in the flock every day.
As for myself, I am in charge of the pigs that you see here, and I
have to keep picking out the best I have and sending it to them.”
  This was his story, but Ulysses went on eating and drinking
ravenously without a word, brooding his revenge. When he had eaten
enough and was satisfied, the swineherd took the bowl from which he
usually drank, filled it with wine, and gave it to Ulysses, who was
pleased, and said as he took it in his hands, “My friend, who was this
master of yours that bought you and paid for you, so rich and so
powerful as you tell me? You say he perished in the cause of King
Agamemnon; tell me who he was, in case I may have met with such a
person. Jove and the other gods know, but I may be able to give you
news of him, for I have travelled much.”
  Eumaeus answered, “Old man, no traveller who comes here with news
will get Ulysses’ wife and son to believe his story. Nevertheless,
tramps in want of a lodging keep coming with their mouths full of
lies, and not a word of truth; every one who finds his way to Ithaca
goes to my mistress and tells her falsehoods, whereon she takes them
in, makes much of them, and asks them all manner of questions,
crying all the time as women will when they have lost their
husbands. And you too, old man, for a shirt and a cloak would
doubtless make up a very pretty story. But the wolves and birds of
prey have long since torn Ulysses to pieces, or the fishes of the
sea have eaten him, and his bones are lying buried deep in sand upon
some foreign shore; he is dead and gone, and a bad business it is
for all his friends—for me especially; go where I may I shall never
find so good a master, not even if I were to go home to my mother
and father where I was bred and born. I do not so much care,
however, about my parents now, though I should dearly like to see them
again in my own country; it is the loss of Ulysses that grieves me
most; I cannot speak of him without reverence though he is here no
longer, for he was very fond of me, and took such care of me that
whereever he may be I shall always honour his memory.”
  “My friend,” replied Ulysses, “you are very positive, and very
hard of belief about your master’s coming home again, nevertheless I
will not merely say, but will swear, that he is coming. Do not give me
anything for my news till he has actually come, you may then give me a
shirt and cloak of good wear if you will. I am in great want, but I
will not take anything at all till then, for I hate a man, even as I
hate hell fire, who lets his poverty tempt him into lying. I swear
by king Jove, by the rites of hospitality, and by that hearth of
Ulysses to which I have now come, that all will surely happen as I
have said it will. Ulysses will return in this self same year; with
the end of this moon and the beginning of the next he will be here
to do vengeance on all those who are ill treating his wife and son.”
  To this you answered, O swineherd Eumaeus, “Old man, you will
neither get paid for bringing good news, nor will Ulysses ever come
home; drink you wine in peace, and let us talk about something else.
Do not keep on reminding me of all this; it always pains me when any
one speaks about my honoured master. As for your oath we will let it
alone, but I only wish he may come, as do Penelope, his old father
Laertes, and his son Telemachus. I am terribly unhappy too about
this same boy of his; he was running up fast into manhood, and bade
fare to be no worse man, face and figure, than his father, but some
one, either god or man, has been unsettling his mind, so he has gone
off to Pylos to try and get news of his father, and the suitors are
lying in wait for him as he is coming home, in the hope of leaving the
house of Arceisius without a name in Ithaca. But let us say no more
about him, and leave him to be taken, or else to escape if the son
of Saturn holds his hand over him to protect him. And now, old man,
tell me your own story; tell me also, for I want to know, who you
are and where you come from. Tell me of your town and parents, what
manner of ship you came in, how crew brought you to Ithaca, and from
what country they professed to come—for you cannot have come by
land.”
  And Ulysses answered, “I will tell you all about it. If there were
meat and wine enough, and we could stay here in the hut with nothing
to do but to eat and drink while the others go to their work, I
could easily talk on for a whole twelve months without ever
finishing the story of the sorrows with which it has pleased heaven to
visit me.
  “I am by birth a Cretan; my father was a well-to-do man, who had
many sons born in marriage, whereas I was the son of a slave whom he
had purchased for a concubine; nevertheless, my father Castor son of
Hylax (whose lineage I claim, and who was held in the highest honour
among the Cretans for his wealth, prosperity, and the valour of his
sons) put me on the same level with my brothers who had been born in
wedlock. When, however, death took him to the house of Hades, his sons
divided his estate and cast lots for their shares, but to me they gave
a holding and little else; nevertheless, my valour enabled me to marry
into a rich family, for I was not given to bragging, or shirking on
the field of battle. It is all over now; still, if you look at the
straw you can see what the ear was, for I have had trouble enough
and to spare. Mars and Minerva made me doughty in war; when I had
picked my men to surprise the enemy with an ambuscade I never gave
death so much as a thought, but was the first to leap forward and
spear all whom I could overtake. Such was I in battle, but I did not
care about farm work, nor the frugal home life of those who would
bring up children. My delight was in ships, fighting, javelins, and
arrows—things that most men shudder to think of; but one man likes
one thing and another another, and this was what I was most
naturally inclined to. Before the Achaeans went to Troy, nine times
was I in command of men and ships on foreign service, and I amassed
much wealth. I had my pick of the spoil in the first instance, and
much more was allotted to me later on.
  “My house grew apace and I became a great man among the Cretans, but
when Jove counselled that terrible expedition, in which so many
perished, the people required me and Idomeneus to lead their ships
to Troy, and there was no way out of it, for they insisted on our
doing so. There we fought for nine whole years, but in the tenth we
sacked the city of Priam and sailed home again as heaven dispersed us.
Then it was that Jove devised evil against me. I spent but one month
happily with my children, wife, and property, and then I conceived the
idea of making a descent on Egypt, so I fitted out a fine fleet and
manned it. I had nine ships, and the people flocked to fill them.
For six days I and my men made feast, and I found them many victims
both for sacrifice to the gods and for themselves, but on the
seventh day we went on board and set sail from Crete with a fair North
wind behind us though we were going down a river. Nothing went ill
with any of our ships, and we had no sickness on board, but sat
where we were and let the ships go as the wind and steersmen took
them. On the fifth day we reached the river Aegyptus; there I
stationed my ships in the river, bidding my men stay by them and
keep guard over them while I sent out scouts to reconnoitre from every
point of vantage.
  “But the men disobeyed my orders, took to their own devices, and
ravaged the land of the Egyptians, killing the men, and taking their
wives and children captive. The alarm was soon carried to the city,
and when they heard the war cry, the people came out at daybreak
till the plain was filled with horsemen and foot soldiers and with the
gleam of armour. Then Jove spread panic among my men, and they would
no longer face the enemy, for they found themselves surrounded. The
Egyptians killed many of us, and took the rest alive to do forced
labour for them. Jove, however, put it in my mind to do thus—and I
wish I had died then and there in Egypt instead, for there was much
sorrow in store for me—I took off my helmet and shield and dropped my
spear from my hand; then I went straight up to the king’s chariot,
clasped his knees and kissed them, whereon he spared my life, bade
me get into his chariot, and took me weeping to his own home. Many
made at me with their ashen spears and tried to kil me in their
fury, but the king protected me, for he feared the wrath of Jove the
protector of strangers, who punishes those who do evil.
  “I stayed there for seven years and got together much money among
the Egyptians, for they all gave me something; but when it was now
going on for eight years there came a certain Phoenician, a cunning
rascal, who had already committed all sorts of villainy, and this
man talked me over into going with him to Phoenicia, where his house
and his possessions lay. I stayed there for a whole twelve months, but
at the end of that time when months and days had gone by till the same
season had come round again, he set me on board a ship bound for
Libya, on a pretence that I was to take a cargo along with him to that
place, but really that he might sell me as a slave and take the
money I fetched. I suspected his intention, but went on board with
him, for I could not help it.
  “The ship ran before a fresh North wind till we had reached the
sea that lies between Crete and Libya; there, however, Jove counselled
their destruction, for as soon as we were well out from Crete and
could see nothing but sea and sky, he raised a black cloud over our
ship and the sea grew dark beneath it. Then Jove let fly with his
thunderbolts and the ship went round and round and was filled with
fire and brimstone as the lightning struck it. The men fell all into
the sea; they were carried about in the water round the ship looking
like so many sea-gulls, but the god presently deprived them of all
chance of getting home again. I was all dismayed; Jove, however,
sent the ship’s mast within my reach, which saved my life, for I clung
to it, and drifted before the fury of the gale. Nine days did I
drift but in the darkness of the tenth night a great wave bore me on
to the Thesprotian coast. There Pheidon king of the Thesprotians
entertained me hospitably without charging me anything at all for
his son found me when I was nearly dead with cold and fatigue, whereon
he raised me by the hand, took me to his father’s house and gave

When nothing is sacred and there is no sin
we might as well be living from
the outside within,
where the devil drinks blood on the streets of the 'hood
and the good die young,
never place a reliance on chance,
you won't ever win,so
get used to living from the outside within.

Save me a seat at the table and we'll meet the prophet of doom,forget
empty places,the faces you knew,
the living goes on and the dead never do,but it's true and we know, seeds
of hatred can grow in the unlikeliest space,
and on the dead sands of biblical lands a trumpet will sound when the ground opens up and swallows,
I see it must follow on from where we went wrong and I wonder if this is the twenty first plague,
hard to gauge when you live from the outside within,hard to know if it's true and if so what to do.
When nothing is sacred and Lord Melqart is king we shall all be the same living from outside within.

10/27/2015

the morning darker now,
day's opaquement growing and foreign, a lichen on the stratosphere,
  furry and colonial,
draping the blue in a gray wolf fur color moss—
I used to think this was a metaphor for living,    
    and it stayed consistent,
the mold ***** into my ears  and eyes
  I remembered reading once
  in ancient Egypt a hook used through the nose was to extract the brain

    my cerebellum quells and throbs
Its own moldy dogged lobotomy.

Obedient
Superfluous minced rubicund aqua Phoenician
Our orphanage spills blood from picnics
Menopause conniptions lipstick
Her sons learning curve
Popstar gentleman suicide
The preschoolers last taste of Apple juice
Enola gay is soaring above the vain
Potential future poets and mathematicians
Bright eyes and innocent giggles
The souls of peace
Molecules disintegrate of wondrous dreams

The night was passing, and the Grecian host
By no means sought to issue forth unseen.
But when indeed the day with her white steeds
Held all the earth, resplendent to behold,
First from the Greeks the loud-resounding din
Of song triumphant came; and shrill at once
Echo responded from the island rock.
Then upon all barbarians terror fell,
Thus disappointed; for not as for flight
The Hellenes sang the holy pæan then,
But setting forth to battle valiantly.
The bugle with its note inflamed them all;
And straightway with the dip of plashing oars
They smote the deep sea water at command,
And quickly all were plainly to be seen.
Their right wing first in orderly array
Led on, and second all the armament
Followed them forth; and meanwhile there was heard
A mighty shout: "Come, O ye sons of Greeks,
Make free your country, make your children free,
Your wives, and fanes of your ancestral gods,
And your sires' tombs! For all we now contend!"
And from our side the rush of Persian speech
Replied. No longer might the crisis wait.
At once ship smote on ship with brazen beak;
A vessel of the Greeks began the attack,
Crushing the stem of a Phoenician ship.
Each on a different vessel turned its prow.
At first the current of the Persian host
Withstood; but when within the strait the throng
Of ships was gathered, and they could not aid
Each other, but by their own brazen bows
Were struck, they shattered all our naval host.
The Grecian vessels not unskillfully
Were smiting round about; the hulls of ships
Were overset; the sea was hid from sight,
Covered with wreckage and the death of men;
The reefs and headlands were with corpses filled,
And in disordered flight each ship was rowed,
As many as were of the Persian host.
But they, like tunnies or some shoal of fish,
With broken oars and fragments of the wrecks
Struck us and clove us; and at once a cry
Of lamentation filled the briny sea,
Till the black darkness' eye did rescue us.
The number of our griefs, not though ten days
I talked together, could I fully tell;
But this know well, that never in one day
Perished so great a multitude of men.

Sweet lips encrusted in sugar from the hot doughnuts at the steam fair.
Baked in the dusty sunshine of an August afternoon in North London.
I would roam these streets from childhood into adulthood,
Drinking £2,50 wine at bus stops only to get thrown out of the pub for illusionary bathroom shots
Our real crime? Being too young.

Since then, i have drunk Spanish manzanilla in an old tobacco store room
Transformed into a house where wafts of old book smell mingling with the scent of baked terra cotta and lemon trees sweeps down dark corridors revealing hidden gems of traveled souls.
Where there are streets that belong to Phoenician women , Arab traders , Christian crusaders and now the Spanish folk
All these names we go by , yet still human we stand

Up on roof tops, smoking sneaky roll ups to the elegance of storks
Building nests on church domes and castle walls
Monuments to remind the future
Graffiti on the natural landscape , the ruins read " we waz ere"

From shores of the Atlantic to shores of the Atlantic
Brooklyn rises
The night bus to eat pizza alarmed me
How were the buses so different ?
London's told you where you were
New York's Made you suss it out for yourself
In the company of a Father i hardly knew and the Mother of my new sibling
Child ,
Who will you become ?
Shaped by the contrast of your parents skin , your curled hair yet to emerge from fresh formed follicles
Rest easy ,
This world Ain't so harsh

I found God at the bottom of a bowl of noodles
Simply sitting there , lazing about as i licked my lips of the residual chillies and sugar
I deal in the order of paradoxes
Born by the sea only to grow up in the 'so called' luxury of the cities jungle
Although, resting now in the moon soaked mountain air ,
no city can compare, to the fragrance of flowers that bloom and scent only for those who brave the night

I used to be afraid of the dark ,
Now i make love with it.

Fabulous, Ancient Tyranian treasures found;
possessing sacred , beautiful wealth in kingly vessels.
                               while...
Yesterdays, Phoenician Vineyards soar above todays,
with the most succulent grapes, and captivating divine Vines!

Tourist, who gave her eyes
to the fishes and the sharks.
Ingenue queen of the lingering darkness.
Tourista, chain smoking in the rain.
Perfumed winds blow from her mouth
dizzying the Phoenician sailors with longing for her shores.
And the moths circle,
searching for her cable knit heart.
And I will go back to my darling,
my darling tourista,
when you my darling are gone.
Us being strangers of the night
and enemies in hollow places.
Tourista prays to ooze juicily
at last round the bearded lips of God.
Tourista swallows sleep
and swallows deep.
Tourista lost in translation
between valley girl slang and punk rock idols.
Pushing pushing pushing, push em.
Tourista of the long white neck, neglected.
Free of love nibbles and nicotine kisses.
Though she longs for their ghosts
and strokes the scars of their cousins.
Her screaming, rolling head full of tinder and ready to ignite.
Like the loveliest of hand grenades.
Tourista who's heart swells and empties with the tides,
all Jackson Pollucked up inside.
The punch line of every joke. The object of every desire.
And tourista rattles with wheezing.
Tourista vacant. Accepting reservations.
Calling dimly she prays to the highway dogs
and hound dogs and squealing pups.
Tourista of the pure soul, sprinkling ****** lamplight
like vestal seeds.
Though she implores every living thing to dampen the flame.
Hold tight, says tourista, happiness is surely near.
But she hides it away in her bedside table and hopes she will forget.

I was fading out
Searching for the horizon
Fading on... To the wind
My sheets carried ideas,
my sheets restricted flesh to flies
Eyes sailed... Did my bed
On...                 My tears
Four years... Toes tingling with numbness
Held sky... Inside this room
And that
of prior walls dooring
to that dock
I waft... Away
I waft...
After the fade
I will waft

On the Mediterranean coast of Africa
I waft
with the seeds of a Phoenician queen
in my corpuscule
her sweet fruit
being eaten
by your
heavy tongue
perverse, Moloch sun.

tenet fingers could ed braille,
hard-skinned fingers
could read nothing,
but morse-braille...
   and then there's stenography...
why o why
is the diacritical tilde
   (                  ~                  )
used to vacate either m,
    or the rattle-snake, trilling,
rolling implosion of the shape of R?
sure, b as 6... p as a copernican
north-by-north-west d...
   P as chiral narcissus 9...
     A as lambda (Λ)
and suma summarum:
a return to Phoenician
     jurisprudence and lament...
or rather lamed, subtle variations
circa 90°...
    E, I, K, V...
        how much of injustice
is grounded upon the "logic"
of stenography...
                         which could introduce
tilde to replace either M, or R...
thus said...
compared to braille,
and the simplified braille via morse
encapsulation? stenography
is cuneiform by comparison,
what's the point of shorthand,
when certain cases are delayed,
and delayed...
and 20 years later on deathrow,
enough time to see Johnny Cash
die of old age... and still waiting...
needless to say,
braille combined with morse
makes more sense than
     stenography...
                   almost as if...
you're begging to see a man
possessing a chronology of
20 years of sight,
attempting to discourage
braille writers from owning
punctuation marks, instead,
focusing on spacing...
    of man's notion of serving
justice... culminating in the nonsense
of stenography...
with either M or R,
marked by a tilde...
              should a blindman write
in braille... what the stenographer
writes in resurrected Phoenician...
as quickly as...
    a death sentence becomes
a liberty,
         for poor Xavier...
       than the upper tier of
zoology, lodged in a life
measured by: x cubed...
             man has another name
for passing law...
namely... imbedding itself in delay...
once a life, reduced to the frivolity
of micro-aggression,
culminating in, waiting for a bus,
five minutes late...
          that death that sloth
that slouch, that... ******.

I joust myself into jovial life
Jocose tatterdemalion and stygian salaciousness
Umbrage abrogating merit like swamping locusts
The mammoth chip on shouldered kids starving for life
I'm waiting on purgatory, and I'll wait for you with knives out
Cemetry of the artist stubbed beards and pubescence in the Phoenician Lands
He said she should have left the house
Tomahawks can still cut the vineyard, make my loquacity into beer-tap poetry
Flowery, murmur, kumbaya, kalimba de la soul and all thoughts aside
You're hoping music brings the song to my speechless heart
Your dance sounds light the motionless night, only the tapping of starry footsteps
Hob-nobs, more and more, knobs of heaven's doors open to every hippie with angel hair
Crossing the wires of substrates
Sonatas and partitas can be lugubrious, yet, elegantly examined
Nocturnes, from the centuries

Of ten old centurions
Came down to the Colosseum
Gladiator enthralled the chariots of fire
I was with ten ants, burning under the microscope
Tenants of this Roman Empire

Fighting for your rights
Fighting for the people who cannot fight
For the weak, requires peace and understanding
Shiny, homeless people lost the soul to the drugs and marijuana smoke under streetlamps stretching to infinity
This earth is an orchard of flowers
Slightly plump in the middle, it's mother nature
Not zaftig, it has latitudes and longitudes
Lavish life, garish fiefdom, stretches across the bent imagination of perverse minds
Looking for a kiosk in the peak of red skies that do not know blood and aggravation
New Year's Day, the cyka cry Mother Russia and SOS
Shooting flares into the sky
To reach so low, and to reach so high
Shouting slogans, written by the poets
Passion, prejudice, sensibility, comradery these are metiers of poets
Secrets strewed across the bloodless sky
Wishful thinking tantamount to head in the clouds
The clouds have different shapes and size, the fire of the greater existence lends us words in thoughts

the night we stay with Satan\
shore cycles of Karma will swing\
true plink betwix auditorium plunk\
Kin deep wreaking frail grim reap\
Keeping the Peace maker horn\
charmer reborn slumber Sparrow\
swarm base oiling gladness churn\
long face wide zygomorphic burial\
laced golden silence relish relics daze\
tyrance maze efface miraculous Mayans\
fingere lunge literal transliterating Dunya\
          distill animation by God triangulate\
  Panagia onomatopoeia layman infiltratIon\
red writen circuit burnt innocence clipped\
insulant urn of the surgat son\
opening null locking sun in all dials\
primeval mercifulness\
primordial noteworthiness\
may be relieving points for taking\
and giving a flying shackle **** back\
one down pass it around another lie\

shoved down the throat again\
found in the bottomless pit awake it\
() thing worse than being lost when\
it's your Necessities that are looking\
Ain't that the truth although tainted\
Eluding absentmindedly words\
flow retroactively channeling\
purposeful jurisdiction thinking\
actuality is thee meant to be what\

consequently conceptualized where\
attitudes collect pealing aptitude\
manifests inception dictated in\
comforts own skin pretentious\
dictators impose upon Carthage Pillars\
irritatedly prioritizing Pagan fillers\
reflect surround sinners encroach\

exploring Asia Minor capacity inspect delve interest\
coach self linguist design intellect major retrospect\
outspand intrinsically extort distortion awaken\
infernal declarations transmogrify\
straight lines entwine utterance\
embrace praise Raise feathers halo\
  Altitude of the Almighty deity maker\
genuflect bare Manitou provocate heir bait\

albeit Iron Maiden answers prayers fate\
giveth and be not deceived receive\
A divinity Key degree Aleph hook creek\
handling sobbing grief debrief steam decree\
kneeling bleeding evaporate disguised healing\
trees spree free be guarded prophetic maven\
emancipate  to the seventh greet Phoenician Valhalla Heavens\

'Madame Sosostris, famous clairvoyante, had a bad cold...'
but now, I wonder was it Covid?

You'd think that her with the Tarot
would know,
but no, she didn't have a clue, she
might have even thought it was the flu',
she should have seen it coming.

𐤈𐤀𐤊e 𐤀 𐤅𐤏𐤓f 𐤍𐤏𐤅 𐤕𐤅𐤓𐤍 𐤉𐤕 𐤉𐤍𐤕𐤏 𐤐𐤏e𐤕𐤓𐤉 𐤕𐤏 𐤁e 𐤄e𐤀𐤓𐤃

© 2022 Carol Natasha Diviney

Call it a holiday
but what a way
to spend it,

keeping your distance
in case they're infected,
staying indoors
and it is as I suspected
not a holiday at all,
all we need is a ball and chain
and it's a Christmas Carol
all over again.

Ghosts in the ceiling
pasta in the kitchen
a shilling in the meter
which in
new money
is five pence,

nothing makes sense
anymore,
I think that to myself
as I load the twelve-bore
just in case
I have visitors.

Give me
the darkened doorway
the cause behind
the bricked up window.
Indigo shipwrecks
of tatty saloons
on ill lit streets of moody repute,
where the glorious truth of
of all imperfection
is welcomed,
accepted,

made beautiful.

Here I am among my people.

Give me the handshake
of needle on vinyl,
the tannin stained chapters
of Gideon bibles to burn
in the grate of
a derelict crib.

There is nothing as wry
as the smile
of children, in thrall
to the cancerous faiths
they were given
who grieve for the loss
of a parent still living
in legends.

Those
hereditary tenants of sediment means
examining tea- leaves in tardy
canteens off a tenement floor, while
studying fates in a library of faces,
one eye to the weather.

So waltz with the dealing
Phoenician itinerants, clevered
in scandal of travellers tattle,
to bring out
the stories of war.

I embrace Undesire

Come
tambourine laughter
of river Bohemia redeemed
with the nurturing sapphire of gin,
that I take as a galloping flame
to a dry August heath.



We are
all of us ever
but one step from ******,

All of us ever
one breath from release.

Swapping doves of their feet
And the white wings of the heat
Cannot be seen in the sunshine of a phoenix's sun

i'm not someone who's all too willing to regurgitate
maxims...
it's quiet impossible to have to
vouch for so many observational (not objective,
really) truths...
   after all... the height of the maxim came
with (not Nietzsche) - came with
                       la Rochefoucauld...
                - chance and caprice rule the world
   - we are lazier in mind than (in) body...
to pick but a pair...
a western emphasis for all things
    a posteriori...
              to circumstance oneself in a stance:
akimbo...
or at least akin to Pontius Pilate having
nothing to do with the drilling in of mea culpa:
even for him... something about a lottery
of time and an inescapable round of chores...
that some things are certain is enough
to give a day one's privacy...
but everything else: so agitated and in the tier
of meaningful encounters...
always the "matter"...

unlike those ?? maxims -
which mostly dictate things with an a priori
tinge of "sentiment"...
a verb pure suppose: no prior encounter
like that one that i kept and figured:
keep the sponge of a brain suckling up to it:

the only way to aid the world
is to forget the world
and for the world to forget you -

                crazy for that chance: anon. as
being credited to me, though...
   there's another maxim, though,
i must ascribe it to Socrates because it's most
befitting...

some people live to eat...
others... eat to live...

that's a real conundrum for me...
well... why wouldn't it be?
     if i were to take into account something
archaic as the Pythagorean diet schematic...

god-like eating: vegetables,
                     spices, cereals, dry food...
although some distinctions
if eating meat pork > goat > offal >
mutton > beef...
spices are the extreme to beans
(although... a diet without fibre...
and "we" know that beans
are high in protein)
            dry food: well between
burnt offerings and something rotten...

i was surprised... given the status
of pork to the pagans...
then again: it's the most pristine creature
as it's wholly edible...
beside the oink and the hoofs...
and ol' porkies wouldn't survive in
a desert to begin with...
so i don't understand allah's "beef" with
this pristine creature...
child's play of talk...
      no mention of eating crab meat:
scavenger meat... yet most pristine...

yes... but it's a return from my little
hiatus in katakana, hiragana & hangul...
i'm tired of this custard brain splodge
of curating these symbols
of syllable encoding...

back to the atoms of Latin script...
that these letters are as they are...
mostly because
of the Greek eye...
imitation: the latin script doesn't
have names for its letters...
sing-along stipends (etc.)
no clearly defining A a a(lpha)
which denotes a name and a cipher
like a(lpha) male etc.

a "quicker" root: conserved time...
Hebrew, Phoenician, Greek, Latin...
chicken scratching later...
hopes to elevated to pelican... somewhat...

but still the maxim:
some people live to eat
while others eat to live...
it is a double-edged sword...
i can spot the obvious:
when and where people eat
to survive...
it's more important to eat...
than not to:
how this maxim deciphers fussy-eaters
among the Mandarin omnivores...
well...

but then there's also this attention
to detail surrounding:
some people live to eat:
so they will treat their food with
knowledge and tenderness...
that will make eating a pleasure...
who here might quest to make
the antonym of eating a pleasure...
a spell of diarrhoea, for example?
unless of course bombarded
with **** *** imagery:
one would have to quest to find pleasure
in easing out a loaf:
best in one piece...
  than have to imagine the same...
being reversed back into
one's "glory hole" with a pump action
of agitated vibrations...

and there i was thinking about
being in the possession
of a strap-on phallus made from
ice...
some people live to eat
whole others eat to live...

i thought it less to be in the category
of people who live to eat:
then i gave it some "thought"
and figured out...
the people that eat to live
are the ones that will not prepare
their own food...
oddly enough...

i too thought it was a sustenance
statement...
but given that ******* out
is hardly pleasurable...
chewing is hardly too...
digestion can put you to sleep...
preparation of food is most associated
with the sentiment: some live to eat...
it's not a statement of gluttony...

what's the best easy breakfast i could
think of, sparingly... today...
with revision?
when frying an egg
letting it fry just shy of completely
while dressing it with a slice
of chorizo and finishing it off
with a slice of cheese...
placing it on a toast...

   that i eat to live: well i'm not starving...
animals eat to live...
which is why they don't cook their food...
they eat it raw...
and some people have become
wild animal esque...
in the fast food joints...
lazily being... some people are fed...
to take care for what's to be eaten...
i love this maxim because
it's not so ****** obvious
as to why: some people live to eat...
that there's a concern for what is eaten...
you can't exactly expect yourself
to find substance in tree bark
and grass...

to eat to live is out of desperation...
to live to eat comes from
something more aesthetic than...
       previously thought...
not to the extent of treating food as some
Cezanne - humble origins more, please...
rustic - yes... that's another word for it!

i came across this thought as i came across
a memory of her...
it's a real shame... really...
i was so young then...
she was so young then...
i was 21 she was 19...
   a weird year where i suddenly had
attention of a few girls...
but this one in particular...
what sort of girl proposes to a guy
and choses an engagement ring...
the sort of girl that subsequently
gives it back...
because - well where's Edinburgh
and where's London...
but it's not like she would go down south
with me... she went all the way west
with a previous boyfriend...
from Novosibirsk to St. Petersburg...
then again prior bf had a daddy well
situated and i'm still equivalent
to being a carpenter's son...
  
     out of no less... when the heliocentric
revolution happened...
and geocentric us-and-us-alone
and wish the gods real...
the gynocentrism prevailed as did...
           hypergamy -
                       it's no shock it's nothing new
it's like there was no Copernican
adventure to begin with...
since... everything on earth stayed:
pretty much the same...
now there are only about 3 million
a posteriori walking abortions that
could have taken place
but since... the argument came from:
use... the ****** had to be...
used... and there was all the free time...
and everyone else was doing it...
but not these sons are placebo solipsists
and they have to sort of:
give back the existential tax
of having a life on loan...

            hello... world...
but god the *** was good...
   the most thrill from the memory was...
eating her out like i might
divulge - burrow my face in
greasy beef... i would like a comparison
with oysters or... eating flowers...
but that was the best part...
oral *** and a little ******* sgt. pepper
of the index middle and thumb
working with my thumb to grease
myself up before the whole hallelujah
of the genitals in symphony...

i've been to several brothels and
about a dozen ****** and...
well... well...
                 it's not the same when
one of you is faking payment
and the payment is not as clear
as literally for an hour...
she stayed in my flat rent free...
etc.

          my youth... and she...
oh... plus the chance conversation about
liking Milan Kundera's
the unbearable likeness of being...
although i doubt she read it...
she was most concerned with swans...
i remembered swans from the film adaptation
more than from the book...
then again: memory is a fickle creature...
even now as i'm enjoying
this little cameo project of existentialism
(i.e. memory) -
well... i don't exactly have a choice
in what i can and cannot remember...
beside the anti-dyslexic / numeral-savvy
2 + 2 and a + b + s + o + l + u + t + e...

when she broke up with me
she had this way of insinuating i'd miss
the *** with: when we had ***
and listened to music
the dandy warhols' good morning:
play it when you're missing the "****"...
sure as ****
when i think about eating chicken
meat off the bone...
esp. at the tenderness of the chicken
neck with all the intricacies
of suckling and "plucking"...
i do think about...
a fleshy fruit that i cannot nibble...
or eat...

well that was me zenith of ****** endeavours:
i must adored the heart
of the **** i was eating out
since her onomatopoeia of sorts
is still ringing in my ear:
along with her face in cubist contortions:
i still haven't found relief in
having been pleasured:
some variation of an agony of a martyr
having given pleasure:

not state-holding of a saint's repertoire...
but as i now look it...
a life of restraint:
beside the prostitutes and the brothels:
hell... even the Teutonic Knights
had a brothel in their citadel...
if only i were as willing as
to give my heart up...
to weave in
     a sacrament of giving her a pink
rose... no...
i didn't come across something
just as good:
and this "just as good" is too firmly
lodged in my memory-cinema
for me to blink away from it...
i count myself lucky...
how pristine it all was...

a good shaking of the bag
and out popped out a ****'s depth
enough of wriggling for me
to not appeal to some
*****-envy buckle... after that i grew
a beard and forgot to want to play
the fiddle...
but it was a must, something necessary...
me writing about it now, a decade later
might appear as a vanity project...
then again: i wasn't as busy...
she took off and became
"devoted" twice...
the 2nd time a failure the third i'm still
praying for the poor buck to not
buckle...
i mean: she can boast that she drove
one boy mad...
but what a strange man he came out
to be...
a half-baked loaf of bread: with
teeth for a crust...

summa summarum: it was worth it...
i was ruining my time
in bed, of late...
i came across a ref. to the Noyades...
which was of "concern" for me...
but i also came across an entry: GENUG

the last words spoken...
by certain people of "concern"...
kant (genug) - enough...
              agrippina (nero's mother) -
smite my womb...
thomas hobbes - a great leap in the dark;

if i were the latter i'd also like
to reiterate: into the dark...
unless it be the already sentencing of:
a dark of night...
i find nothing universal in the day
but at least by night
i would simply imply:
beside the darkening mechanisation
of life by toil of body
and the fickleness of mind...
ah... pedantry and chastisement
of self-
(yes... prefixing attachment ready)
for whatever requires
automation and scythe...
and rude workings of
   a digestive system...

besides... there's an easier demand
of argument to be met:
some people live to ****...
others **** to live...
i never liked the Anglophonic line
or argumentation from existentialism:
for the masses from within Darwinism
solves all little interludes...
how it's necessary to equate everything
with squared root of ape...

it can't be this whole narrative...
even the ancient pagan had knowledge
of: **** similis...
i'm still searching for this...
vanguard hope of **** sapiens...
i'm yet to find one...
esp. one with strict etymological
obligations that can distinguish
a word like Slav from Slave...
a Germ from..          -an...
mute from niemy... chwek... etc.

this narrative though: concerning genes:
genes are blind like atoms of sodium are
unless pushed out
from extremes of hereditary cul de sacs
of non-replica...
lineage of cancerous-growth-prone-examples...
etc.
but why oh why...
have this baggage of concerns...
these atomic-attachments:
this hiding of hearth...
it's not predicate of genius...
vain hope bound to horoscopic tension
to spit out a desirable temperament
of a man?

character is all Lego...
crafted from both an a priori and an a posteriori
and an a- priori and: summa posteriori
litany of shelved secrecies...
(a-? without)

each time i return to this little scrap:
this little memory of her...
i also return to myself...
what an idealistic ****-lord
of presence i was...
i was the sort of guy that could buy
a girl oysters for a single date...
well... given the "nature" of life...
the "narrative"...

i will relinquish my fascination with
the eastern arts...
the katakana, the hiragana, the hangul...
when someone teases me
wrong... as i show them...

the cedilla in C and the greek
sigma
  i.e. ç
         i.e. there are many sigmas...
there are... satires...
    there are... all opera is tragedy...
there are loan-words! even in english!
sights to see
  si(gh)t?... ******* surds...
   (g)nome... diaGnostic...
                  (k)night... night, nought...
GH & proud...
   it's almost my...
  meine besitzen zunge, das ich liebe
     so viel...

watch the zeppelins rain down blitzkrieg
in slow-motion while
the Danube rummages with
flow vs. tide... and Birmingham is
without tide... and everything else
is everything else with a spare
tire of metaphor...

- some people eat to live...
while other live to eat...
            i much prefer to cook my own food...
i take pride in owning an arsenal
of spices...
along with a black cardamom
that's the equivalent of a
Laphroaig glug...
  since mead: was yet to be
a drank mythological concern for truths...

oh this little vanity project that it
is... when i loved...
when i was in love...
  when i wasn't this beastly secured
in things that would either blush
or frown at things upkept
in the cosmopolitan lineage
of affairs...
  "conversation":
  that it was Paris and me and
these two Catelonian girls went
to the grave of "desperate Michael"...
well, no... who was it...
it wasn't Bill Murray...
the doors' frontman...

        such a revealing proximity
of: my given names i most associate
with...
   konrad von wallenrode...
konrad of masovia...
  mateusz: tax-collector...
       40 ******* months
itching before what remained
Giza... and that's before the dwarf
Napoleon shifted rules of rank...

it was a great ****...
i still love the idea we didn't become
so bored as to be bored
with orthodoxy that we might
have to delve into
****... *** toys...
or... i would love to have
donned a latex gimp... open mouth...
hell... all that gwory hole-ing a limited
status of halo...
i retracted my ambitions...
didn't... i?

i didn't find replacements...
physicality strict-dentures of: failure count?
i made my metaphysical investment?
didn't i...

two weeks without walking...
chant des templiers...
i "thought" myself more a Hospitalier(s)
son in bud...
salve regina...
two weeks without walking
i "decide" to write...
it's not enough:
memory
overcomes me...

the best **** i've had and it's not
something i want
to remember for a *******...
mind you i found alternatives...
donning my hair long enough
and a new found riddle in
a beard...
and a Turk that dealt in
Caucasian memorabilia..
of living extensions...
               you see...
a visit to the barber with overgrown
bush...
of hair and stubble...
became more frankly... pleasurable...
than... what was to be done
with...

         that statue by
            apollonius of athens...
i ****** off to Bronzino's
   venus, cupid, folly & time:
beside the cupping of the breast
the teasing tenderness of the ******
prone tongues...
all ***** on silent mode...
or at least only gesticulating
at marble statues in the process
of being erected:
without promise of a public
ordeal to overthrow (the publics)
Punic details of slou... slow...
slouch... and brittle... karma: wood...

toward an excruciation of justified
meaning: this arrangement of lettering:
how feeble and toothpick prone
this brittle groove & ground...
my harvest of dislodged ease...
sensibly: antithesis grammatical pseudo...
sssssssssssss
side-winding... slithering...
side-accost...
***-seer-Saracen...

          becau­se of some pope
with a name like Urban...
              a finicky genesis...
             from memory
a white serpent of light
   in a crest of illuminate azure
giving border upon the Firth of Forth...
when two creasing crows
staged themselves
on the pinnacle of the Old College,
Edinburgh...
the nights were aflame with
youth...
the nights were... gott-gegeben...

miraculous? no!
    just aided by a stealth variation
and with life...
this mediocre surmounted...

pointer: when is... "it", i.e.:
enough is enough vs.
enough is "it"?
  i'm hardly poignancy prone
to state the difference, proper...
i've levitated toward slouch
for a week or so...
i find not pleasure in writing:
not as much as i arrived at
finding it, once more:
in walking...
boyo... you should have seen
me gear up to a bicycle...

         god what time it was to be gladly
*******!
to be so Darwinistically excated
with purpose!
but also so blind... so unhappy!
no wonder i had to fathom
a retraction: this everyday
into day-by-day...
und grey-labour & tedium &
"good"...
        
but it wasn't a waisting
of a "crown"...
i didn't live up to the expectations of:
the greatest ***** that ever
"lived"...
i wouldn't have...
lived to spar with agony aunt
commentary...
i would be the least believed *******
child of variation of
a prosthetic progeny of "sowing":
all gladly encountered metaphors...
some as ugly as necessarily ugly to breed...
most high i.q. is bred out
and is left to individualistic chancing
of revision...

then again: there's no revision...
the one who i lost my virginity with...
i "tried" to get in touch with her...
5 loads in the basin later...
she's an insomniac of reproduction...
of course she was all defensive...
when i asked her why she was so sad:
five daughters: no son...
she put it down on exhausted from...
she didn't notice i was making
a henry VIII remark...

i can't and therefore will not wish it upon
myself:
merry me: marry me i too were
that father when je suis and hey zeus
asked upon the crucifix dangling:
father...
yes... perpetual bachelor, i...
entombed existentially: no escapee
planning: processed...
            
      alles ist gott: und nothing too...
  my words: before i die...
i'm sure i'll be drunk as a saber
with blood not spilt...
as heavily worked
as a currency of horse
currently on display in the fields
where i walk...
ditto grazing and ditto:
  grass-heaping chewing-heave
          anecdotal.

before the "prized ******* bull" &
entourage of fizzing waters started to throttle
any further mentioning of
libido limbo:
        that's the scarcity of my
****** ambitions...
   mind you: i'm glad i suckled on that
wet oyster pouch before
i was sent back to the "gulag"
of skeleton teasing an imitation hollow...
before the kama sutra provision
***** envy might have taken over...

very impossibly: it's a conundrum
of reiteration of sort
that's not worth more erosion
of memory since it doesn't rhyme...
i wouldn't have lived
enough of the already given
"this" if i haven't thought about "that"...

today i found some compensation
for years drilling ego into abstract
and smiling at nothing
and all things / manners of ape:
everclear's debute e.p.
        marylin manson's holywood...

i still want that king crimson debut
vinyl to adorn my loan space
of a room of a life...
because i have to hide all that jazzy *******
on the side...

stone temple pilots -
that album with the song: art school girlfriend...
anything more -esque to capture
the sentiments of pulp and that
other song: wickerman...
for d'ah bass...

   impossibly delightful to heave
a wounding of a lung with
a morning's daily brief of
harking up excess phlegm
stuck to the wall...
how there's a heart and i call it
a sparrow and how it flusters
and flutter with a difficulty
when i've presented it with
a caging like so...

             Baltic sushi: which involves...
primarily... soaked herring in
spirit vinegar...
with mustard seeds...
bay leaf... allspice... onions & garlic...
tender... fish meat...
curated by curing
by acid alone rather than heat...
evil in the beans: perhaps too much
"roughage" / fibre...
but a constipation of world renown
for 3 days solid...

because of the full-english-fry-up...
which makes you wonder
how it can be served thrice
in a day
if one's lazy about "details":
the same quote revised...
some people live to eat...
while other eat to live...

it's not a statement of gluttony...
it's... some people will eat anything...
while others will tend to curate
what they eat to make
expensive remarks on what's
allowed to expand and what has to...
inevitably... shrink into non alias
null alias nil alias shrugging feline...
bothersome quick-essential...
practice of dangling a kite...
toward (rather than against) the wind...

GLAYVA - a liquer...
          ****... a... liqueur - a L'CUR
   a lee cwuer...
         velsh?!
               simply *******...
          a li'kwer... ditto ditto this that
and anything in between...
i'm rehashing a fancy for sleeping
with a foreign body in the same
bed i leave open to satire: tomb...
begins with cat...
given all my whimsical demands
and idiosyncratic scrutiny+plural..
highten-ed
                what first was a believable
oyster gorge and...
floral patterns agitated:
pound upon pound of flesh...

no... impossible...
some people live to eat
while other eat to live:
statement of not so desperate times...
perhaps...
if necessary i might nibble on
some grasshoppers...
or any insects fried...
but the statement alludes
to... some people will eat anything...
it's not a statement of / for gluttonous
mishandling of...
some people live to eat:
nutritionists...
the statement is clearly abstract towing
so it expand with each reitertion
as any maxim given enough
mantra status...

said true: but prior to...
blindly-being-followed...
it can revise itself...

        rekindle: ashes and all manners of
said... truant...
         bigger no  bigger than
a hyphen interjection within
the confines of conjunction:
Big-Giza... troublesome 1st and omega
sentencing... echoes of melancholy
in a rush to satiate
forests turning into bureaucratic
pyre structures...

      these burning effigies of time
best wasted... off what was readily available:
scrutiny at best:
all that surfaced was to heave...
an amalgamation of prods, touching,
prodding... juxtaposing junctions...
hinterland of diacritical marker demands...
something "Ukrainian"...

something Moldova-esque... old haunts
older grievances...
newly arrived at carpets with
them being cleaned...
a grandfather most impressionable:
death so last random
that it could only have leverage
with(in) the cofines of
a stomach confined to:
squid ink squirt...

misunderstood lyrics...
slipknot's eyeless...
               i heard...
   you can't see California without
Marlon Brando's eyes...
you can't see California without
Marlon Brando's eyes...
you can't see California without
Marlon Brando's eyes...
you can't see California without
Marlon Brando's eyes...

i'm pretty sure that's not Tsar: i.e.
"it"... yeah... that one...
bothersome brother at the till
of a brothel... less chasing chequers
at the hyper-inflated curiosity of need
of a supermarket...
till... cashier... sooner me dead there
with a death prior...
how ignited in the case:
most futile...
not ignited by some plumber credentials
etc.
stash of leftovers...
basin of sudokus...
              crazing over scalp shaves
rite of bone...
"my" kindred... touch-tease a halving of
bone of Iowa...
riddle this scuttle of nuance...

this leftover cold sure: beef
i heaved for a closure for:
the innocent expanse for furthering of "love":
what was made edible..
what was kept indigestible...
this riddle of words...
              these words half kept
as w(h)iddle...
    beg....       big...      Giz'ah...
sigh of relief or give one's purpose...
vowel-catching... within the confines
of sighs... otherwise
the exclamation markings...
letter to the "bone"...
                   hardly anything of note
ex the Iberian peninsula...
a Hebrew would know...

       thank you gimp suited &
boot licking worth maggot spew....
i have outlived my purpose of riddle...
i'm hardly going to appease
the throng of "doubt"
when it comes to clinging to something
"bilateral":
queasy without dizzy...

what's that?
qu-easy
  vs. -izzy..
                        forget it...
letters like lumberjack praise of
pork,,
something to market: sizzle...
gimp suits and all things best kept
tinged with... bride... horror...
my bride.., not some angry african
who-man'ood...
   conservative little hooded
monsters prior to the Levant practice of
the snippet...
skin left so bare...
the eagerly waiting *****
of whitey...
angry baking half angry "noir"..
the women the challenge...

i pretend to dance before mirrors...
my elongation of the hand
looks more like a crab
than what i want it to depict:
i.e. a spider...
the 2oth century is a house
of haunting:
it's not a circa... esp. one might
wish to be born in...

that there was ever an "expectation"
and it allowed itself
a summary... with excuses...
if we are all...
pointing & turning...
the Polacks were not given... TS...

Oblatum - Magnus Volumine

John is defined in the Gospel of him as the disciple whom Jesus loved (cf. Jn 13:23). Thanks to the special signs of predilection that Jesus showed him at very significant moments in his life, John was closely linked to the History of Salvation. The first sign that showed him the great affection of Jesus was that he was called to be his disciple along with Andrew, Peter's brother, through John the Baptist who baptized in the Jordan River and of whom they were already disciples.. In fact, as Jesus passed by, the Baptist introduced him to him as "the Lamb of God" and they immediately followed him. John was so impressed by his personal encounter with Jesus that he never forgot that it was around four in the afternoon that Jesus invited them to follow him (cf. Jn 1:35-41). The second sign of predilection was having been a direct witness of some events in the life of Jesus, which he later reworked in the fourth gospel, in a theological way very different from the synoptic gospels (cf. Jn 21:24). And the third moment in which Jesus himself made him feel his friendship and his very particular brotherhood was when Jesus, about to give up his spirit (cf. Jn 19:30), wanted to associate it in a privileged way with the mystery of the Incarnation, expressly confiding it to his mother: "here is your son"; and expressly instructing his mother: "here is your mother." (cf. Jn 19:26-27).

The sources from which the data on John's life as an apostle, as an evangelist and as "adopted son" of Mary have been extracted do not always coincide. Some sources are more convergent and others are more dubious or apocryphal. From the gospels we know that together with his brother James - who will also be an apostle - the two were fishermen originally from Galilee, from an area of Lake Tiberias, and that together they were nicknamed "the sons of thunder" (cf. Mark 3:17). ). His father was Zebedee and his mother Salome. We find John in the narrow circle of the apostles who accompanied Jesus when he performed some of the most important "signs" (cf. Jn 2:11) of his progressive revelation as a type of Messiah very different from the one that the people of Israel was expected (Lk 9, 54-55). In fact, when Jesus resurrected Jairus' daughter (cf. Lk 8:51), when he was transfigured on Mount Tabor (cf. Lk 9:28), and during the agony in Gethsemane (cf. Mk 14:33), Jesus tried to make them understand that they had to transform their mentality linked to hope into a violent Messiah, similar to Elijah because, on the other hand, he was the beloved Son of the Father (cf. Lk 9:35), he was the Messiah come from the heaven to communicate divine life in abundance (cf. Jn 10:10), and that he was also going to suffer rejection and injustice from the religious leaders of his people (cf. Mt 16:21). In the Gospel of John, Jesus appears as the Teacher who also tries, in vain, to make the Jews understand the paradoxical logic of the Kingdom of God (cf. Jn 8, 13-59). His disciples, on his behalf, are invited to be born again (cf. Jn 3:1-21) to worship the Father in Spirit and Truth (cf. Jn 4:23-24); Jesus prays for them so that they remain united by divine Love (cf. Jn 17:21) and that they are fed by the Bread of Life (cf. Jn 6:35).

During the Last Supper, John had leaned on Jesus' chest and asked him: Lord, who is the one who is going to betray you? (cf. Jn 21:20). John was the only one of the apostles who accompanied Jesus to the foot of the Cross with Mary (cf. Jn 19, 26-27). John was the first to believe the announcement of the resurrection of Jesus made by Mary Magdalene (cf. Mt 28, 8): he ran quickly to the empty tomb and let Peter enter first to respect his precedence (cf. Jn 20, 1-8). Tradition adds that some years later he moved with Mary to Ephesus, from where he evangelized Asia Minor. It also appears that he suffered persecution from Domitian and that he was banished to the island of Patmos. Finally, thanks to the advent of Nerva as emperor, he (96-98) returned to Ephesus to finish his days there as an ultracentenarian, around the year 104.

The Gospel attributed to John was named after Origen. It has also been called the "Spiritual Gospel" or "Gospel of the Logos." His style and literary genre are full of "signs", symbols and figures that should not be interpreted literally. In the prologue of his gospel, John uses refined theological language to show how at the beginning of the New creation, in the New beginning the divine "Logos" already pre-existed; logos meaning the eternal creative Word of the Father, which was later translated into Latin as "Verbum". In the prologue of the fourth gospel Jesus is presented as the "Divine Word", the "Light of life" and "the pre-existing Wisdom of God" (cf. Jn 1:1-18). This gospel invites us to accept, through a faith full of amazement and gratitude, the surprising revelation that the Word of God, which no one had seen, became flesh and has made his home among his people. (cf. Jn 1:14). For this reason, the word "believe" is repeated almost 100 times, because God wants all men to be saved (cf. 1Tim 2:4) and to have abundant life through faith in Jesus Christ, God made flesh (cf. Jn 11, 25).

The Gospel of John also presents us in two very emblematic episodes the identity of Mary and the special relationship of John as her "adopted son" to her: at the wedding at Cana and at Calvary. In the narration of the sign of the water transformed into the new Wine during the wedding at Cana, Mary is shown to us as the powerful intercessor who anticipates the hour of Jesus' revelation to his People (cf. Jn 2:1- 12). On Calvary, at the moment of the glorification of Christ, Mary is presented as the Woman who is transformed into the New Eve or Mother of the disciples of her Son (cf. Jn 19:25-27). If we consider the close filial relationship between John and Mary, it is not difficult to imagine that the revelation of the figure of the Messiah in the Gospel of John has also been nourished by the direct testimony of Mary, since she, better than anyone else, in her last years of loneliness, he collected in his heart and in his memories the "signs", the "signs" and the words of life of Jesus. It is therefore conceivable that the unique experiences that she preserved in her memory, she later shared with the disciples of Jesus, and in particular with John. Therefore, it can be considered that Mary herself also progressively welcomed and interpreted in faith the revelation that the Son of her womb was at the same time the eternal Son of the Father, (cf. Jn 10:30), the only Bread. of life (cf. Jn 6:34), the Light of the world (cf. Jn 8:12), the Door (cf. Jn 10:7), the Good Shepherd (cf. Jn 10:11), the Resurrection and life (cf. Jn 11:24), the true Vine (cf. Jn 15:1) and the Way, the Truth and the Life (cf. Jn 14:6).

The three "letters" are attributed to the tradition of the disciples of John, which also have the flavor of brief homilies. The Apocalypse is a canonical book, recognized as inspired, that was born in the environments of the churches of the Johannine tradition that suffered the attacks of Gnostic doctrines. This, which is the last book of the Bible, uses a literary genre similar to that of some prophetic books of the Old Testament, such as the book of Daniel (cf. Dan 7), Ezekiel or Zechariah. The word apocalypse is the transcription of a Greek term that means revelation and not destruction, as is sometimes thought. John addresses seven letters to the seven churches (cf. Rev 1-3) to transmit to us, through very fascinating characters and symbols, a very concrete message of hope in which the slain Lamb (cf. Rev 5:12), i.e., Christ the Savior will triumph over all persecutions and oppositions of the forces of evil to the Kingdom of God and will make all things new. This will happen when God will establish his Kingdom of justice, love and peace at the end of time. In this book it is shown, with numerous and suggestive symbols, such as the seven seals (cf. Rev 6-8, 1), the seven trumpets (cf. Rev 8, 6-11, 19), the seven angels with the seven bowls (cf. Rev 15, 5-16, 21), the tiring path and the struggle that believers of all times have to face so that one day the building of the New Jerusalem will be carried out (cf. Rev 21-22), today we would say the Civilization of Love, brotherhood and care for life, when Jesus, the Alpha and Omega (cf. Rev 22:13), returns at the end of time. In this sense, the Apocalypse is also a prophetic book that interprets God's action in history, ensuring that the faithful and truthful Witness (cf. Rev 3:14) will return soon (cf. Rev 22:20) and will definitively conquer. to evil, pain, and death (cf. Rev 22:1-5).


Dedicavit

This manuscript is dedicated to Sauter Bernardino Edmundo Carreño Troncoso “ Primum Coniugem Alexandri Magnis ” of the first of the Gamelion of Dionysius of Leneo, to his Adelphos of Etrestles of Kalavrita, to Alexander III of Macedonia, known as Alexander the Great (July 21, 356 BC - June 10 or 11, 323 BC), Leonidas of Epirus, Lysimachus of Acarnania, Aristotle, Bucephalus, of the sixth of Hecatombeon, the month in which the Macedonians called him with the paelative Loios, the same day as the temple of Diana in Ephesus was burned; As Hegesias of Magnesia makes occasion for a presumption, Cassander, Ptolemy, and Hephaestion would become his lifelong companions and generals in his army. Callisthenes, another friend, was Aristotle's nephew. Dedicated to the dignity of Raeder of Kalymnos; son of Etrestles of Kalavrita, especially to Saint John the Apostle, distinguished relatives of the Transverse Valleys of Horcodndising and Sudpichi. Finally to my parents Luccaca and Bernardolipo Monarchs of Horcondising. And all the characters who will live eternally in this colossal Magnus Volumine. “Gratias Ago Tibi Propter Heroismum Tuum Vernarth, Et Doce Nos Viam Messiae” Thank you for your heroism Vernarth, and teaching us the way of the Messiah!

“I must tell you of my great admiration for my steed Alikantus, with which I will come to visit you soon, also to Kanti who have been a great precursor to take you to Athens, Thessaly, Delphi and Lefkandi. You can see that Bucephalus has joined our fight; where the “Sons of Iaveh, have eyes like a flame of fire or Aish, and feet like to go burnishing the chaff of bronze towards Patmos”, which will instigate you for the contrition of Thyatira, under the trick of my Rabbi Saint John the Apostle”


Thyatira

City rebuilt at the beginning of the 3rd century BC. E.C. by Seleucus Nicátor, one of Alexander the Great's generals. It was located about 60 km from the Aegean coast, on the banks of a tributary of the Gediz (ancient Hermos River), in the western Asia Minor. The Christian congregation of Thyatira received a message written by the apostle John as revealed to them by the Lord Jesus Christ. (Revelation 1:11) “which said: I am the Alpha and the Omega, the first and the last. Write in a book what you see, and send it to the seven churches that are in Asia: to Ephesus, Smyrna, Pergamum, Thyatira, Sardis, Philadelphia and Laodicea.

In this regard, the Lord declared in a reproving tone: “You tolerate that woman Jezebel, who calls herself a prophetess, and she teaches and leads my slaves astray to commit fornication and eat things sacrificed to idols.” This “woman” was probably named Jezebel because of her wicked behavior similar to that of Ahab's wife and her stubborn refusal to repent. However, it appears that only a minority of the members of the Thyatira congregation approved of this Jezebel influence, as the message continues to address “the rest of you who are in Thyatira, to all who do not have this teaching, to the very same ones who did not come to know the 'deep things of Satan'." (Revelation 2:18-29).

“ Children of Iaveh, you have “Eyes like a flame of fire or Aish, and feet like burnishing the chaff of bronze” toward Patmos that has freed me from your Xorki, how to say and what not to say to you; that my voice has stammered, making me feel that once I flee, I must adhere to the Eternal fire of the Mayim, children of Iaveh, the Mayim of Hydor and saint of water, the Windmill and its sad Myloi, fall on my face ”


Magnus Volumine I    


The Vernarth's intensification of this prosopography as Prosopography Magistri Militum Strategos Typology; he has used the raffle of a History it was not known but it is Vernarth now introduces in Historiography as an auxiliary. The methodological fragment could be torn apart from its screens of a mind enslaved to having to worship a cycle that condemns it to surrender to its loved ones leaving it at the same time to be sectored from a condemnation, to prostrate itself to an Eternal Life its images nor Masterful Words that would have to distinguish the parasciences from subdividing their corporality into thousands of Othónes or Screens, in order to be able to sustain themselves from others that do not compose the knowledge of what is not History; but rather that what happens typical of prosopography allows to obtain visibility regarding the different sectors of society, and the possibilities of their members to access positions of a present that never leaves the power of the Space of a Strategoi, as Time-Space at levels of superior Intelligence subject to mandates of divine Power that oscillates in a mental power of the Militum that coexists with the Community of the Strategos, creating the entire Quantum Band of the antiquity as an omnipresent being par excellence. When its ****** envelope is reflected in its Purgation, it will trigger a presence that governs itself and leads in the trend of a "Duoverse that will only be built in its Unique unity"... given the trend of all crowds that bustle beyond the mass of their Villas or Cities that they inhabit, creating sensations and an unreal genetic world even that amalgamates a large number of generations that only increases its demography based on the autarkic mandate of a history that goes back for not knowing what to imagine of the past and of a future without present that is sustained in a Spiritual Intelligence.

The sociological mutations will be circular, and the retrograde since the collective of images will exceed everything that is sustained on a material floor and therefore it denies that what develops in an empty heart will be a specialized material of a periodicity, that does not spare New Universes that a pillar or support be added that tends to calligraphy better where imagery could prevail all the limits of common language. The grammar of ancient Greece will defend periods that are neither static nor finite, leaving free space for words that are engulfed by vast seas of stagnant bibliographical records never known never written nor destined for a secular record. The Submythology Potential is provided by the entire Belt that surrounds from South America to the Mediterranean as an infinite cord of Eternity to re-hold itself in a matriarchy in the societies of the past to recognize, that femininity is the real genesis of research from where a frequent human origin proceeds, so this it is the transcended in the Universality that transcends in the investigation of the sphere of Unknown History; pretending its ligament of prosopography, and the vivifying instance of Submythology as a unifying entity to summarize the condition of Strategos/Magister Militum we have taken into consideration the situation of our utter information in this existing prosopography works. Parapsychology is subject to a dimension closely linked to non-reflection to even the Primordial Quantum to governs, and governs everything just as this Magnus Volumeni I tries to express the independence of all literary expression if it is about Vernarth, rather it is a documentary space.

Afterward six years of knowing and introducing myself to the area of   Technology, and the Science in the Tourism industry, I made my presentation at Macromedia University, Berlin-Germany. Through this university management I had the option of presenting my concept and avant-garde projects, which condescended me to get to know the E-Tourism Perspectives area of the University of Svizzera Italian-Ticino. This allowed me to meet and join an independent study challenge with the slogan of deriving a full range of analysis, and dedicated study Heritage Sites of UNESCO. All thanks to the agreement that consecrated me at the Pantheon-Sorbonne Université, specifically Maria Gravari-Barbas, Directore de la Chaire UNESCO, Culture, Tourisme / Lorenzo Cantoni, professor at USI Universitá della Svizzera Italiana.

The university has had here in South America, in Chile an intrepid collaborator who has tried to interpret the postulates of the Sciences of Humanity exposing the nature of preserving, and keep investigating everything in the lost history of Europe, which has great significance for Culture that has branched out through the Tourism Technology, and its Digital transformation for this purpose of understanding public life in dissimilar fields that are still hidden in intangible archives, which deduce important material of study in areas of Science, Philosophy, History, Politics, Geography, Jurisprudence that would add to the world of the conservation of the ancestral peoples with all its courageous identity of the Prosopography, and the archaeological demography.

The United Nations Educational, Scientific & Cultural Organization, known for short, as UNESCO is a specialized agency of the United Nations. It was founded on November 16, 1945 with the aim of contributing to peace and security in the world through education, science, culture and communications. The constitution signed that day entered into force on November 4, 1946 ratified by twenty countries. In 1958 its main headquarters were inaugurated, in the VII district of Paris. Its general director is Audrey Azoulay the specialization and search for Culture, Education and Science is a way of contributing to humanity, peacefully granting security through the entire International community for this reason we believe that this work fulfills that prerogative narrowing organically, as been always it is here with the multidimensional epic narrative that is broken down with the prose, and parapsychology other than is a field closely linked to the intrinsic link of all the treasure that has been transmitted for thousands of years, leaving before our expectation what its ruins and works have wanted to demonstrate with their laudable dedication foundations, and expansion of multiple Sites in their musings that have traveled the history of diction of the science of culture, information, communication to create knowledge that this still remains with our reality of society that has the pattern of explosive generation of the current one. One of Vernarth's is the most important premises to create the roots of systematic knowledge, that is to say to provide platforms for their family trees, prosopography and the art of writing Submythological Prose whose the objective tends to occupy the expanded universal literature that has advanced for thousands of years on the other hand, Submythology is free of format cancels many aspects of the temporary format, and creates a relationship link between the academic and the secular attracting infinities of Cultures, historical landmarks, hybridity of languages, and above all merging and re-transforming existences of the post-Classical period; where the source and personal question does not daunt the distances of the inheritable that distanced us by geological-Historical periods, rather it makes the viability of an unexplored field up to now as Vernarth is the granting a hierarchical international value that will retransmit knowledge and skills.

In this way, agglutinating ourselves in those interstices that are not visible, qualifyable or quantifiable, only have to materialize when patrimonial beings are chosen by others who are already hereditary of an industrious will it occupies the supports of a platform of earthly inheritance, and later disseminate it throughout different sectors of the field of knowledge and the research, connoting that there are many variables that could help us interpret the foundations of the UNESCO heritage, today are far removed from communities that want to invest time in inquiring more deeply about them. For this reason, Central and Eastern Europe is at the forefront of generating multi-channels that can ensure the treatment of technological routes or flourishing that want to be found again, such as the Qhapac Ñan, or perhaps the Jacobean Route, perhaps the Route from Patmos to Judah pointing to Vernarth by demonstrating that hindsight could be perfective when visualizing facts that were not witnessed or written as they should be, VG the return to Galilee of Saint John the Apostle in the Hegira to Judah, relegated to Greece by Emperor Domitian. The amendment of such a well-deserved return confirms the wait for an immortal being in the Eclectic Portal for three months, who will mean the ordinary that rises up from the phenomenal investing in roles that many times, as indicated by the dogma of the baptistery indicating that we can be saints and apostles to preserve the patrimonies to educate and retransmit values to follow.

Vernarth Trilogy II at its end, is reiterated in deliberating that this work never ends because each chapter of Paraps, inaugurates a new infinite regressive dimension as it is in the case of Poielipsis; as it is a liquefaction of the parameter of Poiere, and the inverted Apocalypse to make changes after personalities that manage to impact the successive episodes of alteration of Life periods, as in this case Vernarth when he was legitimized to assist Gaugamela by the god Spílaiaus to make the support to Alexander the Great not only for winning the battles but for saving and winning the souls of the fallen Hoplites, generating in them an idyllic prose that promotes and sublimates the possession of the principles of an Apocalypse, that suggests protecting those who should believe without pain of what will await them later for an indefinite death. The Souls of Trouvere will stand out with the bulwark of enthronement of the state of energy that would mobilize Charles the Great by taking him to the platform of conquest of Europe crowned as emperor by Pope Leo III taking the lessons strongly rooted, and letters that would subscribe the cheers where nothing dies in the center of its own fear, because that is where the edge of a sword loses its value that it cannot use the other as an arbitrary neologism of only reigning without the sacrifice that every regime bets on, including the crown when Charlemagne assumed his great legacy at twenty years after expiring later at seventy-two. This is where fears die, not being able to hope or convalesce in concepts of Energeia that vitally moved from the similar aspect to Alexander the Great in the same even numeral but thirty-two, and letters that would be signed by cheers where nothing dies in the center of its own fear because that is where the edge of a sword loses its value that it cannot use the other as an arbitrary neologism of only reigning without the sacrifice that every regime bets on, even the crown when Charlemagne assumed his great legacy at twenty after later expiring at seventy-two.

In another topic, Vernarth after witnessing Stratonice's intermission decides to run at her bare feet for those who banish with their needs on the parental scale of their range, succeeded by Energeia's need for the impudent sense of being enraptured in possibilities, here insulting also the principle of quantum science with the spin of subatomic particles, alembicated in the timeless particles that could leave out of the nucleus the proportion of rotation of time that could be found, and rooting of memories in rectilinear lines of the imperturbable Hellenic mental axis. One could also amend here all the licentious action of Seleucus by Stratonice when she splits the gross threshold of her son Antiochus, and Antigonus I Monophthalmos referring to the father Stratonice of Macedonia for never marrying her to Seleucus. All this generates the Epistle addressed to Vernarth to solve the strident and impalpable of the warlike Diadocos that greatly affected the female descendants, confining them to their domestic avatars in disloyal empires, where these vilifications devastate the imperial partiality through the centuries of an oppressive strength, and disagreement in their moral wrongs. From this quality the coordinate of the Souls of Trouvere that remains in the present, always allying themselves in saviors of oppressed and abandoned peoples who strive in the neologism of the Epsilon or Vernarth's fifth dimension, and not restrict themselves as Aristotle affirms, investigating the entity towards a mono-meaning in this causal of such an alpha that says the paradoxical demonstrating diversity of optics. Prior to this diatribe, Vernarth decides his naturalness that he decides to promote the Souls that are part of both topics to alleviate the potentialities of the acts that are apprehended in the light of genius that coexists with both. What he judged us in the unfolding of his entity and will deliver it by divine intelligence so as not to reduce the free power of the Epsilon that was extracted in the welcoming the presence of Stratonice on the (substitute scale of Vernarth's relativistic emotions). There are few seconds that can be extended more from a selective argument of tendencies in ex-sheets that could be attributed to dimensions of the period of Trouvere's souls, lacking stillness in simulated biological environments.

The dynamics of this Poielípsis is to adorn the Voielípsis as an analogous addition of quantum causality and timeless Christianity, since it supports a conjugate mix deified by Saint Thomas Aquinas heading towards the mainstay in the mega absorption of Christian Aristotelian ideals. The souls will be residents of the indeterminate spiritual mechanics to put effects of the incredulous versatility on themselves, in sub-aquatic depths that coexist with the geological structure of the cavern of Saint John Apostle more than sub-earthly concomitance under the same axial of geological sustaining coordinate. Namely; they will live together while the temple is established except three hundred, and eight meters from its antipode in the underwater base of Prophytis Ilías.

The upholstery of the Pithya Herophile attacks the subtending of the flying buttress that was supported by the cavities of the volcanic rocks of Patmos, indicating its agreement with the Souls due to the disoriented cognitive dissonance that was generating paradigms, which tracked the stones that formulated Aquarian sounds in their dominant tonality due to the minuscule machine of light, more distant in the incommensurability that evaded its eclipsed in the resplendent major note that became monarchical due to the hypotenuse of the rectangle in three subdominant angles. This means that the Sybille was in the high point of observing her premonitions towards the creation that was born from another end to end in the recycling of creation in the dim light of clarity of the destinations that were going to present themselves as a song of remembrance of the Poielipsis, venturing the new restart or attempt of the Delphic oracular. The songs remain in the spell, and in the banal desires that would harm a mortal that will expand to the hypotenuse or line of the sentence that marked a step impelling in the misgivings and forgiveness of the banner of risk. Santiago of Compostela was going to Stratonice with his inclinations, like a geometric racconto subduing the fears that slip through the veil of the dogma of the arch where no philosophy can look higher if it is not allowed, typical of vegetating or freeing oneself from what revives in fears that do not shed light on eternal life, perhaps of a the Matematikoi himself who doubts an Ad finitas basis, and who finds out without the limits leading Pythagoras to the ground handcuffed from Crotona, always ignorant of the linguistic power that urges to rewind the spheres that still weave crossed angles placing themselves in trial, and error when considering a non-renewable past the soul of the Poielípsis adopted a Pythagorean conception in the halters of livid legions of Orpheus, as if it were his consecrated to the hypogeum where the level was to stir the embankment that will merge with Zefian's Arrows.

A diminutive atonal music possible existed in the molecules, and in trigonometric periods in which the measures were united in time as a stationary whole vivifying a great variety of fractional numbers as souls of the same numeral that finally appear to be Pythagorean digits. Vernarth's military of Phalanxes in this epic made the crucial oblique moment to break Dario's troops like a dozen Elegy that was going to re-flower what he knew of his already sub-treated destinations, other than will only be souls tired of keeping themselves alive in their morbidity, and the dissociated causal of immortality that will distance itself from the prohibited abstinences in libertarian exercises of any counting that ponders on the coming etymology of the Vita Pythagorae on the couch of joy, and serving his doctrine that saves himself that will save us in the Messiah for those who in their souls do not have the sacrifice of a lamb that feeds, nor a base that goes ahead in the centuries grazing what no one was capable of. In the second triad of Apollo the oracle of Apollo with the Souls that reveal Charles the Great to be his favorite for the protectorate of Compostela, and his spiritual regency the invitation to Charlemagne breaks out from Aachen after 33 consecutive years in the sword dispute stating that the Saxons never complied with the treaties and signed surrenders. Charlemagne put himself at the head of his army on several occasions to fight with his sword against the Saxon danger, also entrusting the troops to the counts when other matters required his presence in the second concave wasteland, and the straight ascending of the Trouvere Souls crowning Charlemagne emperor of Rome and Francos chosen by Leo III, predicted by the Apostle Santiago in defensive pontifical struggles, and defenders of Christianity. In this paradigm there is a deceased seep through of an elusive world that was joining from here in the vein of Poielípsis for the sake of some eras that came from the mutes, and anonymity that augured to link them to know within their endless intrinsically organic movement, also as a diligent active cosmos of the discovery of the Jacobean route longing to be a better region than the Dodecanese merged by the twelve apostles, and now the brother of the son of Zebedee; Santiago, brother of Saint John the Apostle, ennobled in the 778 AD tying it to Hispania. In ****** and constant fighting, Charlemagne besieged the Saxons, he entered Hispania crossing the Pyrenees as an anticipation of the aforementioned the Jacobean Route, everything worsened in this way witnessing the subjugated places in the jurisdictions of the Trouvers who were Pythagoric elite of soldiers who they had be bilocated in this Christian Era, preceded by this perfidious Basque in the woods subsisting separated right here from the progenitors of the Trouvers, who claimed to be the strongest to pursue them to Pamplona with Charlemagne. Everyone was escaping from Islam, and not a few Christians resented this affront in the dynamics that will reveal the Songs of the French Deed.

This previous paragraph exhibits the eloquence of how the interlining that Vernarth had to create a Brotherhood Code called "Raedus Codex" for the high nomination polished in the Infant Raeder as a twitch of the sacrifice of his young soul, who fought battles in pursuit of defenses pure and free with the freshly grown grass of the spring of the world in Genesis. The Souls in Trilogy III will be the compendium of the Codices that will enter the Wind Tunnel what will be governed by the warm Meltemi wind, and swirled by the winds of Eolonymy, ascending all those who should be admitted and not purging those in between who they enjoyed a pre-Christian heritage citing Pythagorean antiquity behind those who must have dressed it up as a Codex Calixtinus. From this arrangement Charlemagne will drive souls with antiphons, the Apostle Santiago will come lacerated to meet his brother Saint John the Apostle, his barge will be abandoned in the Strait of Gibraltar and then arrive at Santiago of Compostela from here he will make tributes of name to ascend to Patmos. Just as the end of Vernarth's Trilogy II is faithfully transcribed, also Stratonice, the Hexagonal Primogeniture, Alexander the Great, King David Elias, Malachi, Isaiah and all the acquirer flashed in Raeder and his Pelican Petrobus, as self-sustaining defenders of the Infantile Fantasies that they continued in this complex work after a finding that fed them up in Vernarth as well as everything related to their release and investiture to say that all roads lead to Patmos, as Locus Sanctus of all the shepherds who heal their sheep that do not belong to others that are populated with white souls, for the good of other shells 308 meters below the Prophytis Ilias with the consent of Stratonice who would be arriving in Macedonia where the pass of the centuries they would tell them about the Jacobean Route instructed in confrontations, and concordances with the airons of the Trouvere protected by a rectangle of three Pythagorean subdominant angles in dissipated darkness of the golden astrological ambiguity of Theoskepasti of the meridian of the Kimolos. He will go away saying explicitly that the darkness became visible mists where there was nothing to hide from Psathi Roadstead in Kimolos, until reaching the Agia or the Chapel of Theoskepasti that would become visible for the phenomenon of Faith, alluding to a portentous desire that everything was tied to the same sense of compression of which the image or sound of the creation at times to became invisible but precisely understandable, as it was when imagining palpable the reality of what allows the human eye to feel for an instant that everything is real imperceptible, more present of all what can be detected by superior senses more than humans, giving way next to the Raedus Codex more present of all what can be detected by superior senses more than humans.

From Ios or Nios, bordering on Psathi, the Trilogy is unleashed when the association of all the spaced Cyclades of Vernarth will come to every equinox to shine the careful nap of the villagers of the Cyclades, close to the torpor of Thira. It will raise each Hoplite that from the point of Nios drags them with its abandoned body that could never receive the roads that led to Chora in infinitesimal distances and in white spots of all the Cycladic ghosts, who try to exalt themselves and assimilate to the villagers of Psathi.

According to Plutarch, the name Ios or Nios is believed to derive from the ancient Greek word for the violets "Ία" (Ia) because they were commonly found on the island, and is the most accepted etymology. It is also postulated that the name is derived from the Phoenician word iion, which means, "pile of stones". It was called "Φοινίκη" (Phiniki) named after the Phoenicians in the 3rd century when the island joined the League of Islanders it was probably temporarily called Arsinoe after the wife of Ptolemy II. Today the inhabitants of the Cycladic Islands call Nio Island a name derived from the Byzantine era. The name Little Malta, found in traveler's texts during Ottoman rule, is related to the permanent presence of pirates on the island of Latin-script languages.

You and my embers
And stars, seen as reasons
Of structuralism and dismembered screens
The language reads like meditation, but, the turmoil asks for liberty
Phoenix's rising outlands of different freedom and similar solidarity
Selling their dust by the pound, and becoming apparitions by the boughs

/prístīnè... oh but you can easily devolve the english tongue to pure phoneticism... the many simple instances of the english language being reduced to a bypass, of barbarian phoneticism, most easily stressed in: why.... y... because what's more to be added or substracted?! ah... but imagine elevating english to a pure application of diacritics? what then? well... given that the english language doesn't even appreciate the concept... of diacritic markings... to clarify syllables to say the least... english can easily disintegrate into pure phoneticism, and how ugly its primordial spelling becomes... but try elevating it to a diacritical barbarism... what then? well?! nothing! a "concern" for the minority, which can't exactly deconstruct a number worthy of an inquiring public... english is probably the only language that can disintegrate into phoneticism, or rather, Phoenician... because it allowed itself an ancient romanic inheritence... of an alphabet... which the acquiring barbarians modified, but which the english didn't... god... even the Greeks over-stated the point of diacritical marks, which the english under-ventured with! but hell... aren't we all happy to see a spot, of theatre?


the sort of comments you put against a blank
canvas...
         because... the person who might reply to it...
isn't verbo-fluid enough:

god... i'd love to tend to a garden, and remember as many botanical names as you already remember... sorry... prefixes? noun-prefixes? not being antagonistic, unless of course i can't come up with as many botanical names off the top of my head... no... lambs' ears... see... i'd love to name as many flowers as you can conjure up prefixes... to escape the monolith... like: daff-***... hycin-thought-***...
               i mean... richard ******* attenborough...
50cl of *****...
                        in poland schoolchildren
cried because stalin died...
                  a ******* georgian,
a subverter of russian...
      like ****** the austrian subverted germany...

   ooh... good... good that i was so bad at solving
crosswords...
                     let's find the flowers...

                        **** it...
                              this is ******* ****** by soviet
standards...
                        it's like shooting a
****** with a whale into space when
competing with metal, and Laika...
                   dunno...
                                          mime this ****?
pretend there's spacial status
for intellectual retardation when
authentic retardation exists
                 and appears all 'appy?

the **** do you even do?
            cut the tongues out?
              eat the gesticulating limbs?
i'd love to learn a botanical vocab
to counter this crap though...
   if only it allowed me to become
a better crossword solver... sure...
green light... go right ahead...
                see...
       i won't be able to solve crossword
puzzles with this sort of *******...
    you give me a Silicon Valley
nerd, with an app,
  that can give me access to identify
flowers... or birds via bird songs...
            
         well hey!
                      *** slavia utopia with
the germania brothel!
                  all the old communist
are becoming demented being told:
              and is there any need for old
soviet intellect,
            to not be entertained by this
*******?!
               nope...
                        there isn't a need...
            all you need is for it to be
encouraged!
          fly-fly-my-tear-rendering-sparrows!
break a remnant king's swan-neck
while you're at it!
              and all... will be...
        made...
                                 *prístīnè -
cf. the top.

The role of an artist is not to look away
I see people and their nature change, but, they're all the same
Man is a genius when he is dreaming of shelter from the rain
Some of these men have ambition, as well as intelligence
That gives them wings, and I cannot afford to hate anyone
As long they don't avert their eyes in silent judgment
We are what we do, then, by that logic excellence is something of a habit
But, what we wetlanders must do, is never hide the inner moonlight
Because that's where madness pops in blue limelight of ****** footprints
Snowy mountains and black white reels of cinematography pile up into digital from analogical death
Rebirth in the Phoenician death of epistemological numinous ashes
Spirited away by the talent of many, and ambition of too few

i just read your poem Anne
about your desolated masturbations
after you fell through
into that atomized monoxide
dream of pantomimes glittering
vague shapes and black holes
where slumber sinks
and silence rolls

we couldn't follow
you into your
receding suicide labyrinth
of timeless echoes
past those dire meadows
of serpentine fires
and shrouds you saw
where life eclipsed
by cosmic law

so i read you
one of my black little pieces
of erotomania
headless Barbie ejaculations
all Marquis De Sade
shadow fantasies
of dead play toe tag
and spilt milk
kisses' true
under Habeas Corpus
sweet dead you

you made me giggle
like jumping jellybeans  
and *** honey
I'm so glad you liked it
and your cute comment
about how my poem
made love to you
like multi chromed
teensy weensy
**** candy throat ticklers
at a careless Halloween party
where everything forbidden
in troves
is hidden by the hidden


how you loved
dancing with Night-gaunts
from temples of the astral
past those incessant ruffling whispers
past shadows flesh
somewhere high up
beyond the glimmering headlights
of muttering pastel colored boulevards
that flicker contorted images
of the resurrected living dead
still warm
in your dreadful toxic bed

so tell me dead girl
till the day i die
is it better now
beyond father time
no more words and wounds
no more toothaches
and lunging depressions
pulling you helplessly
into gloomy vortexes
shadowed cups
of looming spacelessness
with no downs or ups

instead you say
you're published
in the Dead Leaf rag
where words like shrouds
blur ballooning solicitude
of indecipherable
mirrored reflections
under tongues of crystal ethers
where life lives backwards
and you just
write beautiful
white
nothings
like flat eyed Phoenician ghosts
beyond the ages
in windless skies
on empty pages

extrapolate (v.)
"make an approximate calculation by inferring unknown values from trends in the known data," 1862

From <https://www.etymonline.com/search?q=extrapolate>
wadjew thank they was doin'?
I thought they was stretching a bit of known into a whatifery zone

we can defend, on auto,
our reason for being based on
doing the task of becoming,

we all remember being weak, once

you was a little bitty baby, and son,
yo momma coulda wanted you less,
doncha know,
sbeen so long since cain' been gone,
nobody hear or can holler
loud enough raisin' up
t' raise cain, hearken,
djathank it was u,
ambiguous u-un-uni-uni'n' so on,
you think
this and that, and think, I may absorb.
-------- the overrunning thing-stuff ----

The economics black box that changes
everything,
this witty invention, I heard,
it's a shemetic thing,
y'gnowadamean?

Phoenician ****** says,
his cargo master writes these signs,
that let not one broken amphora
be marked as delivered,
as it is written so it is paid, in common money,
with the exchangers at the bench,
all with ledgers, balanced to the mite/

- 2021, though, quest questing question

ever-like things, likeness is the significance of
such whys as modify the meaning in ever,
literal
actual
ever, every means like one of those ever
lasting things, forms, right, the idea
that functions as the spirit of an imagined
ever thing.
[[[[[

In this, these, yes
these common story tropes. Gno-
sense the comedies and tragedies
had casts and plots
to fit the needed emoting from the start,
since the first bee dance,
was done in human terms, the purpose,
show the way to continued life,
as a whole, human being mob.
Earthlings,
Earth,
can you hear the ....
no signal

[[[[[

Rope to ***** the weather, sweet sixteen dreams
The mirror tells we can have some fun in teams
I can't find my reflection anymore, searching in eloped reconnaissance streams
Lassoes in the sky, stealing cars under the starlight standing in strong dreams
Another day in paradise, looking better in paraplegic purging preteens
The electric fuzz on your face touches my standing goosebumps gleam at the ****** seams
Bumblepuppy acolyte turning at the prongs of the tattered road, calling up your Hessian friend and making politics right at the sanguineous pea-brain lean veal after the mob gets out on Russian ruby streets running with honesty
On the other side of the world, where the sun sets and polite moonrock never survive on The Berlin Wall tonight abseiling away sealed away, waiting for the ballot or the ballet
Waiting for the limelight to subside, guts tellin' me to keep my self in lowly mad hatters tied to napes, hundreds hanging by weather reports claps in laughter, descending tents by the brook beaming at us in starry dynamo of the thousands
Losing himself in a lucid dream of what was once the world's reality now sleeping, dead presidents in stygian darkness
Hanging on to the word of the weatherman, crime is rising in Russian motherless children hung for misdemeanor looking for a metaphor, the nation understands and wants to know us
Ukraine leave us from the 1990s, too late the third stone from the sun has taken three turns, we are at the trapdoor
Resurrecting the insurrection, pejorative for misnomers and draconian dead beats sibilant suss
Too bad I see the whole earth, on my body stains on laconic red flags, still fly indeed
Flying in the wind, like idiots in the weatherman's underground cuss dirt into the report sowing dead seeds
Unable to see the sun behind cold clouds in stormy weather, battered suitcases breeze by murmurs talking by-lines and stolen **** in ****** underwear ****** unable to breed
Then, the bombs falling and shifting with changeling wind charred sun under the unbeing reading in the Aurelius light
Thousands in the starry dynamo might outshine us all and the nation can't hold us back and keep us far from the fault in stars
The silver lining in the cloud, puerile virile as lady lying Glasnost to the prognostic benzedrine patient
I've never seen a can in hang in stormy weather
Charting out the Chinaman on the hydrogen shore, communism is on the brink of helium war with itself, viscerally hanging from Tomorrow's daughter
Whipping up the foamy sea like cold ice nostrums thawed in search of the antidote to warm red planets named after Roman Gods
Looks like the sea lord created a thalassocracy for the sea cursed by memos and pastiche, droll parody in the mewling hall of the rebuke of free-prose poetry hanging on the tinkering lampshade
Touch me now, never or now bullish books read the list of people who were once on this winding road just like us shining crummy ******* now in a handful of stardust
Being is tougher than living, and the berserk wind keeps changing
Under forked lightning, it gets worse when the spoon picks me up
In my wet dreams, I'm killing myself hurting to find if you can put your mind to this cornish dream of Cavendish and hashish
Stuck in the stitches, and the ******* don't drip blood and sweat it
Ukraine leave us from the 1990s, too late the third stone from the sun has taken three turns already
Murders on the mystery train, never reach the orient station looking for a whimsical refill
Halting sloth the indolent, I remember redolently like moth attracting to the blazing coruscating gleam, that's when a screaming teen becomes an upstart or a fiend
With an iridescent grin, caviling on the shore asking more from jackknifed business kitsch photos of the crosses
Throwing them in the trash, just like that
Ire of the nation broken with the lugubrious sleep of dinners after the summer's madness, hurt by the locked hearts in an armed madhouse looking at everything like geniuses
Asking what does it mean? Motifs and everything, lintels on the fluorescent signs on numinous streets caressing our wires, hanging by the piano wire
Waning adolescence now has a name in Hades' beard made of fiery pubescence that doesn't wanna listen
Tantamount to the king's orders, ligature marks on the hands that only know cuffs
The que glibly glistens in the lively dungeon
Hosted by bacchanal and mistresses, Elizabeth Bathory in the company of friendly books full of picturesque pedestrians on the streets of angry murders with ****** sleeved shirts
Blackened lackeys looking for a toss of change or pederasty with Countess Dracula
Moloch, you have made my life changeable despite skiffs
Moloch, I hang in the balance of the skirmishes of scorching fire burning at the midriffs
Easter bloc, ropes hanging for whoever doesn't wanna burn in the witch fire, sold for 200 pounds in a dilapidated home, till the berserk wind blows the candle out, old under Tudors that say a lot in a few words about style in art as slavery is merrily rampant
Killing the people, in the name of the republic of 1968 reminiscent of Phoenician Lands, rueful murmurs arouse the twisted looks turning out the traitors
From the rapidly changing wind, that brushes our hair and kills the pain of hanging to our families in bunkers
From the road of hope, I find some affliction in the forgiveness
Of my lord in whom I find breadth, heareth, endeth the breath that lendeth thy will, in the lengths of my souls searching for horizons in Old Earth
I died with my elegy in 1968, the wind still hoists flags in my name in death three years in the latter