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JR Rhine Jun 2016
The soda can rumbles in the bowels,
tumbling into the gaping mouth
into which I enter a hand
to protrude my sugar rush.

sssni-kah, then the slurp of an obnoxiously pleasing sip.
I let the carbonation tickle my tongue,
reveling in the effervescent sensation.

The smell of old tires,
malodorous oil and gasoline,
and stale cigarettes fill the air.

My vexatious sips go unperturbing the dense atmosphere
that thickens outside the small air-conditioned office
and into the gas station,

where the mutters and sputters of drills,
kakadoo, kakadoo,
the squeaking and squawking of rotors and axles,
the interjections of swears and grunts
fill the air.

I peek through the ***** smudgy glass window in the door
to see grimy overalled ants meandering
under the body of our red mini-van
hiked up into the air like a figure skater,
suspended by the rusty clawed accompanist,
not a tremor of strain, unflinching,
letting the greasy men crawl underneath, hiking up her skirt
to examine her anatomy.

I walk outside and sit on a dusty tire stacked with others
on the side of the building--
some growing forlorn in tall grass
weaving in and out of the aperturous rim,
the fingers latching onto fissures and pulling it down
into the hungry earth.

Another slurp and I set the can down
to step onto my skateboard--
rolling across the gritty pavement,
snapping ollies and pop-shuv-its
to add my timbre to the cacophony
leaping out of the open garage doors.

I look over to the barbershop adjacent to the station--

The off-white single room squat allowing the cylindrical swirl
perpetually pirouetting atop the door-frame
to dazzle in a placid manner.

It is there I get my close trims
and pull a lollipop from the cavernous bowl
sitting atop the counter.

The barber, working silently behind his dull gray mustache
and dull gray eyes.

Outside the barbershop to the left,
Leicester Highway ambles onward,
diverging at a fork just ahead of the lot,
and the road adjacent that winds down my neighborhood,
Juno Drive.

I've never embarked down either divergent,
and I wonder which one is the less traveled.
(Frost, guide me.)

I go to the mailbox teetering on the edge of the highway
and hastily grab our mail,
the wind slapping at my *** as the cars whisk by
in their infinitesimal haste.

I feel like time slows once you step onto Juno Drive.

I turn around and saunter back to the station to see Billy,
my Working-Class Hero,
who I mostly see strolling up to the driver's side window
of our dull red mini-van
to loosely rest his arms crossed atop the window frame,
resting his sweaty forehead on his sticky hairy forearms.

Leaning in,

his blackened hands with his greasy smile
behind a scruffy scattered beard caked with dirt and grime,
atop a dark red leather face--
but eyes bright and merry.

His laugh, a phlegmy two-pack-a-day sputter
hacking and pummeling through the van,
all the way to me in the backseat peeking around mom's shoulders
to catch a look at this superhero anomaly.

And his southern drawl wrenching out of lungs
caked in tar and exhaust fumes,
that torpid slur that executes like the garbled hum
of an Oldsmobile engine chugging restlessly--

His laugh, an engine that won't turn over, sputtering to life
but falling right back down into the dirt,
lying on the oil-stained cold concrete floors ***** boots slipping over
and sticking too like wads of gum.

The charismatic mechanic who knew the answer to all things,
always ready to flash me that crooked greasy smile
stretching across his ruddy leather face.

I step back onto my skateboard, with soda in hand,
mail in the other,
and silently say goodbye to my Greasy Eden
before making my way down Juno Drive
towards the first house on the left,

following the road as it snakes past the trees,
alongside the creek, around the bend,
and out of sight.
Childhood memories.
Nico Reznick Mar 2016
Suddenly aged and prickling inside drab suit
(that fits in every way besides the one that matters),
sip stewed tea, UHT milk, and
be gracious about it.
Faces requisitioned from Head Office
ask questions like the answers you give
could possibly mean anything.
Try not to act bored or high, even though
you're both.  Pretend like
you could belong here.
Don't let on you think thoughts that are in breach of the House Style.
Don't, under any circumstances, let them
find out you write
poetry.  
Don't give yourself away.

Afterwards, brittle and weary outside,
notice how it feels like
your feet inside your good pair of shoes
are nailed to the asphalt reality
of this bleakly nowhere estate; you're
crucified against the
indifference of the afternoon,
bled out by another day of attempting to
sell yourself cheap and still
not closing.
You learned to walk upright for this.
Even the sun looks old and done with trying.
If a stranger offered you a cigarette right now,
would you break your two-year streak?  


The phlegmy rattle of builders' vans;
soft pale smell of saw dust on damp air;
that sense of inevitable mutual rejection.
Aaron Wallis Feb 2014
A lowly wooden bench lent itself to a lonesome aged narrow man in a common garden in the smallest hour of the day’s beginning. In the thick haze of the summer’s waking light the common is thinly met with the company of others. Just an old man and his acquainted bench who came to give his eyes sight to the grass and trees, and to rid himself of thought.
He and the bench creak as he sits back; clutching at the satchel veiled among his dull drudged garb that bleeds into his pallid slack and cracked skin.
The wiry hairs bushed around his nostrils recoil to the deep inhale before the sigh, his yawning blue eyes sliding behind a milky glaze follow a bushy tailed rodent hurry into the confidence of a tree.
Through all nonchalance a pair of hobgoblin lugs under a brown woollen hat slides up the flanks of his head to outlying drowned tones of laddish laughs and lewd levity, an unseen clutch of kids filling the common’s spread with their foolish louting prances. Intimidating the preferred and performed with their innocuous idiocies; a mere asocial array of follies without the thought of good manner.
The thoughts of the old man are only briefly drawn; his ears leave the sounds of reckless recreation and back to the hushing song of the swaying grass, the rustling shake of the seasoned leaves on gorged and drooping branches. To his own wilted waning heart, the tremors, quiver and shivers within his own cage, his thoughts turned to his own temporal passage and to the re-joining of his love, of whom no longer lays her head on his shoulder, whom no longer wraps herself around his arm on the lowly park bench.
His lowest lip gives to an emotive tremble as he heaves himself over to the hem of the seat, his hands without any other part to play; frenetically tickle one another with frail kinked fingers.
With what little his body has left to give the eyes well to the upmost point of a tear, as he feels the weight of his wallet in his side trouser pocket against the rough of his skin. Where there within lays an image of a most loved face in a prized time, so that it may be remembered so it may fetch ease to a remittent floundering morsel of a man who could justly with the dead.
The photograph within his keeping need not be looked upon from under the shine of a laminated holding; it needs only to be there, only to be known that it is there.
The satchel was undid and fetched from within the clutter came an elderly notebook now held in his hands. A phlegmy husk of something said breeches his gummy chops, and he spits as he spat shouting out at the still of the garden.
“You should always write more than you do,” she would say, “you are better for it when you do and it lifts me as it does you, when you do.”
The old man reads from the notebook with a weak hate for the world.

“Am I for the worms yet? Am I to be from this rock?
Am I not yet too mad for this mad maddening world?
Four corners of an empty house, a homeless place of curling wallpaper and aloneness for company.
A room in a vagrant house with no light to fill it with a decrepit fool for a keeper
His stink stinks the walls for days as the blow flies form a speckled haze as they feast in filth of his unnoticed demise
With no manner of intention and for relation or friend, there is no cause and no mention for any to attend
He will rot with the house and his memory with it, with his memory does his love die and together they are ghosts in a world where ghosts do not exist.”

The old man pauses as he forcibly triggers one finger to his temple and ***** in his lips. His empty cries fall to a mumble as his hands tremble with his dear notebook in their grasp.

“Take me now cruel are the fates, take me now and rid me
The worms will welcome me, my flesh for an endless night
My life for a world without this life, for a life without his world
I would hold with a brim smile if it was not for my memory of her, if she was not to be lost at the close of this stint
I know not or want knowledge; I seek not of a design and not of meaning
Just a cure for this affliction for my must to her who brings me so much sorrow
Through blissful ages I can no longer hold, and can barely recall
We are all just people who will soon be once living, to be unlived and to forget is a conflict in myself
I have no answer as I have no question, you can have no answer to a question you do not seek nor ask
I dare not speak but I have no end for this, I have no solace and I have no end.”
The old man; the poor old man began to close his dear aged notebook and find the need to bring a smile, perhaps a moment of lunacy to calm the tightening knot beneath his breast.
He pulled a scratching cackle from the pit, wild and uncooked wiping the drool from the crook of his maw with the back of his blotched, mottled hand.
The old man found some seconds of a stoic amenity as his wild eyes grew gallant for those mere moments before the grey metal heft of his sullen vesture fell to his shoulders, he became heavy once more as the world retook him and cloaked again in the present - the light ebbed from him as swiftly as it came. The old man reproached his satchel to humbly return his dear old notebook.
There was a crack like a pick to ice with a hollow thud like a boot to wood as an immediately dissipating claret mist fizzed above his head. The make shift found-about cosh still swinging through the air and over his crown, the old man’s wilted body twisted and slumped to the floor face first. The concrete path before him tearing at the skin of his chin, his frail bones cracked as the meagre weight of his body forced itself into his neck. Laying perverse and unnatural the life was soaked up into his woollen hat and out across the concrete, to the grass – to the worms that writhed below the muck. His eyes were as lifeless as they were when he lived.
They did not wait for the gentle hiss of the spray or the bubbles that popped in the pool that surrounded the old man. They had snatched the satchel and ran off into the spread of the common until they were nothing but outlying drowned tones of laddish laughs and lewd levity.
Crazy old *******.
A lowly wooden bench has lent itself to a lonesome aged narrow man in a common garden in the smallest hour of the day’s beginning. In the thick haze of the summer’s waking light the common is thinly met with the company of others. Just an old man and his acquainted bench who came to give his eyes sight to the grass and trees, and to rid himself of thought.
I wanted to look at the people we never notice or avoid and there potential differences, whether it be an old crazy man on a bench or a group of youths in hoods. I wanted to follow the man though and his reason for him to be sitting in the bench a momentary peak into his life. I also tried to paint a scene with a little detail as I could. I only hope it all worked.
v V v Jul 2011
In the midst of daily living
  random worlds collide
not every day
but often
my mind will drift
to a dreamlike state,
lost in the heat of burning years.

Today for example
I watched my daughter graduate.
She crossed the stage diploma in hand,
yesterday a pudgy cheeked toddler
with untamed curls and phlegmy laughter.

The years in-between? Smoke.
Smoldering fading fire.
Lingering scent.
Such is life.
Naivety is for the young.
It dissipates with age.

Another example tonite
my wife and I went to dinner,
her children went with us to celebrate.
A surprise party with nothing but smiles,
while yesterday I lived alone and without love
in a hateful and bitter place.

Smoke.
Smoldering fading fire.
Lingering scent.

A journey through the mind
like a field general re-living scenes of war,
he'll take his guilt to the grave
where there should be only glory.

Laughter brings me back.
She smiles at me.
She knows where I have been.
She has seen a different fire.

The irony of the moments is stark.

Bittersweet morning hugs,
tears and congratulations.
Comfortable laughter tonight,
love and appreciation.

What a spinning day of varied emotion,
a collision
of the lives I’ve lived,
orchestrated by a cosmic eye.

Nothing is random.

the best I can do
is take whatever comes my way.
Open the cage of time,
shoo the wings of worry away.
There is only today.

I'm still learning to live with stinging eyes
and see through the dissipating smoke.

The dissipating smoke of the burning years.
Drinks at the White Horse,
a round of alcohol
painting my throat red
and my words black;
I even spat some out
on the sidewalk,
watched them trickle
in a river
of nonsensical sentences
down the drain.

This pain - temporary
like the night,
bruises I invented
in a flurry of fury,
plum seahorse shapes
coil around the backs
of my legs,
join the dots,
one dollop next to another.

I’ll say I was attacked
by a motley clan of kids
who couldn’t even smoke
cigarettes correctly.
Oh these? Just a scuffle
from three Thursdays back,
I see the Giants lost again
what do you think about that?


Streets,
a swarm of phlegmy students
pouring out a hive of bars,
hacking into handkerchiefs
like broken motors.
Perry Street passes by
in a red-brick blur
and I think I stick
a few fingers up
when a cab shouts
a foreign word at me.

Some wizard
on Waverly Place
***** a girl’s face
so I snort, maybe giggle
a little at how lust
in Winter
is a myth to me.

Earlier in the cinema
I managed forty minutes
before sleep hit me,
no idea if the clichéd ending
came around
but the darkness was nice,
first hug in ages.
My MTV tells me nothing
I didn’t know before -
I live in my fridge
and the bin’s far too full.

The girl at twenty-seven’s
drawn the drapes,
doesn’t know I saw
her husband drop coffee
when the waitress
leant over to swipe clean
a table at Joe’s,
a lime-green bra
or perhaps it was blue,
it was thir- four-
fifteen hours ago?

She’s barely left college
and I’d bet my last four dollars
his son’s pushing
for Ivy League
(probably Cornell).

I fall under the arch,
groan as if I’ve received
a Christmas present
I already own,
feel a tinge of beer
fuzz on my tongue.
Strangers look at me
and know I’m not
no undergraduate guy.
A Labrador
skips past.

I salvage my phone
from the shipwreck
in my pocket,
dial her number,
let it ring
and can’t be bothered
with it all again.
Written: August 2014.
Explanation: A poem written in my own time over the course of several days. It may be too prose-like, but I am so happy with this. It is another in my ongoing little series of 'city' poems (the beach/sea series will continue over the coming months.) I believe this piece works better when read aloud.
I was watching a documentary where a man said the word 'phlegm', and ten minutes later I had three stanzas written of this poem in a rough form. I added more and more to it a few days later and have left it in this rambling sort of form and structure, similar to how a drunk man's speech and thoughts might be like.
The Welsh poet Dylan Thomas drank at the White Horse Tavern not long before he passed away and Joe's is (at least when I checked) a real cafe. These 'city' poems will all soon be linked. Feedback very welcome.
Mitch Nihilist Oct 2016
she told me to write about
the happiest I’ve ever felt;
the happiest moment in my entire life,
and there is never such a circumstance
in it’s singularity that can be defined,
but in a string of circumstances
a definite divinity can be seen
through the cracks;
sobriety, the comfort of sobriety
makes me feel not quite as content
as the comfort of intoxication,
but the fact I can find refuge
in both is enough to make me,
the way the legs of my bedside table
are cut uneven and the way it
dances when I write,
the knuckle of my *******
kissing a hot coffee cup
in weariness, it makes me,
clichés and the cologne of
grass after rain
petrichor and nasal stained
memories make me,
smokers coughs and phlegmy
clearings, mental crosswalks
with hands and I still walk
with my mouth,
that makes me,
the sky,
and the ground,
mailboxes with the flag down,
telephone poles with expired
promotion posters,
faux homelessness
in small towns,
leaves changing,
trees dying and
coming back to life,
how the wind feeds
conservation,
weeds growing in pavement,
dandelion stains on new jeans
or new jeans staining dandelions,
snowfall,
struggling to pick eggshells out of
yolk bowls,
*** and cigarettes and they dont
go well together
for me at least,
abandoned barns,
barns in use,
the sound of tires on
gravel driveways,
the strength
or lack there of
to smoke when I’m sick,
it makes me,
the look of others when
I allow my dog to kiss my mouth,
the top fret of a guitar,
it’s low and reminds me of
a child’s cough,
wearing my fathers
stained white tee’s
under 80 dollar plaid sweaters,
it makes me happy,
all of this and more make me happy,
but I still can’t touch mirrors
and listen to the way I breathe before bed,
and thats why I sleep with a fan on.
JDK Jun 2015
He spends a third of his time with a cigarette lit;
Comforted by the slight weight of it between his fingertips.
His head is perpetually surrounded and scented with smoke.

Last night, I woke up to a coughing fit;
The hacking sound of thick sludge from deep within his lungs trying to find its way out.
He spits globs of phlegmy mucus.

Every now and then,
I'll catch him putting two empty fingers up to his lips,
as if it's automatic;
nevermind that he doesn't have one yet lit.

I think he's comforted by it;
The smoke that encircles him like a phantom embrace -
There is someone whom he can't forget.

Lung cancer took his wife three years ago;
He's determined to also die from it.
To Save Strays Deserve Lagniappe

Ruff lee, e'er since
     aye waz za lil whippersnapper
     watt wit dis awful temper, yet
     obedient to a pooch loving Aleut
til present moment, Asian ole mangy coot

this hot day (woof faux pas
     dipping into animal shelter
     donated water bowl)
     filled to the brim with smoothie fruit

flavored slaking, moistening, cooling,
     sans lallygagging tongue
     doth wipe phlegmy ooze away,
     where nearby a kazoo

     playing labradoodle
accompanies mum
     muttering prettifying self,
     via quasi preening snout
     when squeezed

     automatically issues
     ***** tonk sound imitating hoot,
where passerine twittering
     fly night passersby

     toss bone fied token loot
and a Norwegian
     bachelor farmer named Knute
Rockne took immediate

     liking to yours truly,
     who when scratched
     itchy fur patches remained mute
imparting unconditional love

     to petting man's best friend
hoof right then and there
     Isaiah felt as top underdog
momentarily distracted

Fermi n Rico as petsmart necessary fix
reduced to that as newshound ******
     oft times in desperation
     shine shoes ala boot lix

usually rewarded with bona fide prolix
about such a docile mix
breed to old for chase sticks
     to learn super champing cheap tricks.
JR Weiss Sep 2017
its four a.m. and the old man's ghost is with me as i pour through his work and he paws at my hem.

his phlegmy gravel whispers at me and i hear,  "cool down baby, the ink on the page is dead as a squirrel on the highway."

i read on and i feel his hand on my thigh and his warm beer dribbling on my dress as he promises verse that's all kinds of alive, if i want it.

he is old and slouched, used to younger women dazzled by words or of age ****** who will pay him mind in exchange for his last wrinkled ones,
but i am neither.

i leave his ghost where it lays
and i don't bother asking him to read my work.
it will live with or without him
even if it never sees the sun,
because sooner or later one of them will rise,
and i will have no time for the ghosts of old men.
Arlene Corwin Nov 2016
The Cold

A prophet’s never known
Among her own –
Especially by one she’s wed to.
He’s abed.
He’s got a cold.
She’s got hold of techniques potent:
Pressure on those points oblique,
Baths and steam,
And as I speak,
Gone phlegmy pangs
And reams of snot  
From sinuses and nose and throat.
Alas,
Alack,
He’s stuck
On sofa prone,
He and his cold,
Alone.

Words in the air
Don’t reach his ear
Or mind, and certainly not intellect.
He doesn’t want neglect
But can’t accept
The profit of the prophet.
So he coughs and sputters,
Spews and suffers.
She, not known
Among her own
No matter how ‘spot on’ the common
Sense

The Cold 11.15.2016
A Sense Of The Ridiculous; Love Relationships II;
Arlene Corwin
Traveler May 2021
I discovered a strange new world...
A world thriving with microorganisms

Colonies of colorful
bacteria fluidly flowing
through membranes
of cellular tissue.

Fine phlegmy parasites
covering  caves
of mucous membrane

Friendly fungi feasting on cancers
mildew and mould the tiny little dancers

And the viruses we so feared
Are holding the remedies of antient cures

The catalyst of the code God
awaits to be downloaded
And each and every microbiome knows it
🧳
At dinner I am retying my shøelaces
when yøu say ønce møre
gø øn, again
is what I hear
   what the waitress hears
as she dumps
anøther blønd-haired pint
in frønt øf me with a grin that clearly states
she’s telling yøu høw tø say that phrase is she
the three-wørd term
unsayable tø øutsiders

høp step jump
øf a phrase
the language fluvial
like a lake sluicing weeds
cønsønants like dripping water
vøwels that huddle tøgether
as if the cøld is cøming in
the irregular phlegmy intønatiøn

there are candles here
whøse lives expire in silence
a glut øf armchairs
where what cøuld very well be
the wøølly Jumpers expø
før the year cøngregates
triplets øf fingers running
thrøugh their straw-bløøming chins

despite the side-track
I still døn’t knøw why
the ø’s are impaled
my møuth and tøngue
haywire as if tøssed in the wash
the demøn shibbøleth
øffered tø me
and that tablespøøn øf mucus with it
rull grull mel fluøl

the wørds dribble øut
bunch øf slushy søunds
she laughs
says I’m a løst cause øn the matter
and that I’d be better øff with hygge
which is surely the søund made
when løng yawning in the mørning
Written: 2018/19.
Explanation: A poem that was part of my MFA Creative Writing manuscript, in which I wrote poems about cities that have staged the Eurovision Song Contest, or taken the name of a song and written my own piece inspired by the title. I have received a mark for this body of work now, so am sharing the poems here.
Onoma Oct 29
a witch's death mask turned up on the black
market--rumored to have shrunk herself, leaving
behind a thumb size cast.
ending up on the living room wall of an elaborately
detailed dollhouse, conjuring the whole transaction.
remanifesting like rot's backhand--her nose touching
her crutched chin, which conceals a sunken mouth
frittering away two teeth.
she pokes around the dollhouse with her *******
bouncing off her knees, as phlegmy laughter trickles
***** down bamboo stalk legs.
her *** is a wrinkly retraction, covered by strands of
white hair that appear fished-out of her skull.
she's just fertilizer patch, wet & wild about hell playing
dollhouse--& how wearing the death mask seems to
say something about her, even while pretending.
she must leave a few telling traces, so she peels off nursery
wallpaper--with leafy apples between slow to learn letters.
throws a black *** on a fireplace, making its flames shoot
up & fall like a timed fountainhead--caressing it as an
expectant mother would, the very joy of a spellbook.
until her fingers blister, and their swirlingly green prints
can be deflated--worshipping how dead skin clings to life.
then she slips into a plastic mirror & begins squeezing
blackheads from her overarching beak, until wormy ****
sprouts from the mirror.
flicked off into a limnal-drab sink, then climbs out of the
mirror & wills all her hair to shed.
exiting into the greater house to observe the man who
purchased her death mask sleep.
Rory Hatchel Mar 2011
(Sounds like Harmony but)
Tastes like apathy.
Dry, chapped, and phlegmy
With my tongue thick and
Drudging in a tasteless tar
At the top of the fall.
Cold –blooded and writhing
Shedding, scheming and idle
Potential energy and work to be done
Over distances and barb wire bulwark.
Throbbing and turgid, restlessly
Shackled, zipped, and tucked.
A static and stale statue
Approaching a ******, kinesis
On lacking lines, purged pages
Silent songs, and clean canvases
Museless, hollow, and still

— The End —