Hotrod
Verse I

Wrenches clanging, knuckles banging
A drop of blood the young man spilt
A new part here, and old part… there
A hotrod had been built!
A patchwork, mechanical, quilt

Feeling good.  Head under a raised hood, hands occupied, the job nearing completion.  Sometimes the good feelings would dissipate though, as quickly as they came, as he cursed himself for stripping a bolt, or cursed someone else for selling him the wrong part, or the engineer whose design goals obviously did not consider “remove and replace”.
He cursed the “gorilla” that never heard of a torque-wrench, the glowing particle of **** that popped on to the top of his head as he welded, the metal chip he flushed from his eye, and even himself for the burn he received by impatiently touching something too soon after grinding. 
 He, and his type, cursed a lot, but mostly to their selves as they battled-on with things oily, hot, bolted, welded, and rusty – in cramped spaces. One day it was choice words for an “easy-out” that broke off next to a broken drill bit that had broken off in a broken bolt, that was being drilled for an easy-out. 
  Despite the swearing, the good and special feelings would always return, generally of a magnitude that exceeded the physical pain and mental frustration of the day, by a large margin.  
Certifiably obsessive, the young man continued to toil dutifully, soulfully, occasionally gleefully, sometimes even expertly, in his most loved and familiar place, his sanctuary, laboratory… the family garage.

And tomorrow would be the day.
With hard learned, hard earned expertise and confidence - in this special small place, a supremely happy and excited young man commanded his creation to life.

Threw a toggle, pressed a switch
Woke up the neighbors with that *******

The heart of his machine was a stroked Chevy engine that everyone had just grown sick hearing about.  Even the local machine shop to which the boy nervously entrusted his most prized possession had had enough.  “Sir, I don’t want to seem disrespectful, but from what I’ve read in Hot Rod Magazine, you might be suggesting a clearance too tight for forged pistons…” then it would be something else the next day.  
One must always speak politely to the machinist, and even though he always had, the usual allotment of contradictions and arguments afforded to each customer had long run out – and although the shop owner took a special liking to the boy because, as he liked to say, “he reminds me of me”, well, that man was done too.  But in the end, the mill was dead-on.  Of course from the start, the shop knew it would be; that’s almost always the case; it’s how they stay in business - simply doing good work.  Bad shops fall out quickly, but this place had the look of times gone by.  Good times. 
 Old porcelain signs, here and there were to be found, all original to the shop and revered by the older workers in honored nostalgia.  The younger workers get it too; they can tell from the co-workers they respect and learn from, there is something special about this past.  One sign advertises Carter Carburetors and the artwork depicts “three deuces”, model 97’s, sitting proudly atop a flathead engine, all speeding along in a red, open roadster.  Its occupants, a blond haired boy with slight freckles (driver), and a brunette girl passenger, bright white blouse, full and buttoned low. They are in the wind-blown cool, their excited expressions proclaim… "we have escaped and are free!" (and all you need is a Carter, or three).  How uniquely American.

The seasoned old engine block the boy entrusted to the shop cost him $120-even from the boneyard.  Not a bad deal for a good high-nickel content block that had never had its first 0.030”overbore.  In the shop, it was cleaned, checked for cracks by "magnafluxing", measured and re-measured, inspected and re-inspected.  It was shaped and cut in a special way that would allow the stroker crankshaft, that was to be the special part of this build, to have all the clearance it would need.  The engine block was fitted with temporary stress plates that mimic the presence of cylinder heads,  then the cylinders were bored to “first oversize”,  providing fresh metal for new piston rings to work against.  New bearings were installed everywhere bearings are required.  Parts were smoothed here and there.  Some surfaces were roughened just so, to allow new parts to “work-into each other” when things are finally brought together.  All of this was done with a level of precision and attention far, far greater than the old “4- bolt” had ever received at the factory on its way to a life of labor in the ¾ ton work van from which it came, and for which it had served so dutifully.  They called this painstaking dedication to precision measurement and fit, to hitting all specifications on the mark, “blueprinting”, and it would continue throughout the entire build of this engine.  The boy remained worried, but the shop had done it a million times.

After machining, the block was filled with new and strong parts that cost the young man everything he had.   Parts selected with the greatest of effort, decision, and debate.   You can compromise on paint and live with some rust,  he would say, wait for good tires, but never scrimp on the engine.  Right on.  Someone taught the boy right, regardless of whether or not he fully understood the importance of the words he parroted.  His accurate proclamation  also provided ample excuse for the rough, unfinished, underfunded look of the rest of his machine.  But it was just a look, his car was, in fact, “right”.   And its power plant?  Well the machine shop had talked their customer into letting them do the final engine assembly - even cut their price to do it.  To make that go down easy, they asked to have two of their shop decals affixed to the rod on race-days.  The young man thought that was a fair deal, but the shop was really just looking out for the boy, with their herring of sorts.  
The mill in its final form was the proper balance of performance and durability; and with its camshaft so carefully selected, the engine's “personality” was perfectly matched to the work at hand.   It would produce adequate torque in the low RPM range to get whole rig moving quickly, yet deliver enough horsepower near and at red-line to pile on the MPH, fast.  No longer a polite-natured workhorse, this engine, this engine is impatient now.  High compression, a rapid, choppy idle - it seems to be biting at the bit to be released.  On command, it gulps its mixture and screams angrily, and often those standing around have a reflexive jump - the louder, the better - the more angry, the better.  If it hurts your ears, that’s a good feeling.  If its bark startles, that’s a good startle.  A cacophony?  No, the “music” of controlled explosions, capable of thrusting everything and everyone attached, forward, impolitely, on a rapid run to the freedom so well depicted in the ad.  

This is the addictive sound and feel that has appealed to a certain type of person since engines replaced horses, and why?  A surrogate voice for those who are otherwise quiet?  A visceral celebration of accomplishment?    Who cares.  Shift once, then again - speed quickly makes its appearance.  It appears as a loud, rushing wind and a visually striking, unnatural view of the surrounding scenery.  At some point, in the sane, it triggers a natural response - better slow down.    

He uncorked the headers, bought gasoline, dropped her in gear, tore off to the scene
Camaros and Mustangs, an old ‘55
Obediently lined-up, to get skinned alive!

Verse II (1st person)

I drove past the banner that said “Welcome race fans” took a new route, behind the grandstands
And through my chipped window, I thought I could see
Some of the racers were laughing at me

I guess rust and primer are not to their taste
But I put my bucks mister in the right place

I chugged/popped past cars that dealers had sold
Swung into a spot, next to something old

Emerging with interest from under his hood
My neighbor said two words, he said, “sounds good”

The Nova I parked next to was “classic rodding” in its outward appearance.  The much overused “primer paint job”.  The hood and front fenders a fiberglass clamshell, pinned affair.  Dice hanging from the mirror paid homage to days its driver never knew, but wished he had.  He removed them before he drove, always.

If you know how to peel the onion, secrets are revealed.  Wilwood brake calipers can be a dead giveaway. Someone needs serious stopping power - maybe.  Generally, owners who have sprung the bucks for this type gear let the calipers show off in bright red, to make a statement, and sometimes, these days, it’s just a fashion statement.  Expensive calipers, as eye candy, seem to be all the rage.  What is true, however, is very few guys spend big money on brakes only to render them inglorious and seemingly common with a shot of silver paint from a rattle can - and the owner of this half fiberglass racer that poses as a street car had done just that.  I'll glean two things from this observation. One, he needs those heavy brakes because he’s fast, and two, hiding them fits his style.  
Really, the message to be found in the silver paint, so cleverly applied to make your eyes simply slide across on their way to more interesting things, was “sleeper”.   And sleeper really means, he’s one of those guys with a score to settle - with everyone perhaps.   The list of “real parts” grew, if you knew where to look.  Looking was something I had unofficial permission to do since my rod was undergoing a similar scrutiny.  
“Stroked?”, I asked.  That’s something you can’t see from the outside. “ No”, my racer friend replied.  
“Hundred shot?”  (If engines have their language, so do the people who love them).   Despite the owner’s great efforts to conceal braided fuel and nitrous lines, electrical solenoids and switches, I spied his system.  The chunks of aluminum posing as ordinary spacers under his two Holly's were anything but.   “No”, was his one-word reply to my 100- shot question.  I tried again; “Your nitrous system is cleanly installed, how much are you spraying?”  “Two hundred fifty” in two stages, he said.  That’s more like it, I thought, and I then figured, he too had budgeted well for the machine shop – if not, he was gambling in a game that if lost, would soon fly parts in all directions.   Based on the overall neat work on display, I believed his build was up to the punishment planned. 
  I knew exactly what this tight-lipped guy was about, seeing someone very familiar in him as it were, and that made the “sounds good” complement I received upon my arrival all the more valuable.  I liked my neighbor.  And I liked the fact of our scratch-built rods having found each other - and I looked forward to us both dusting off the factory jobs.  It was going to be a good day.

The voice on the loudspeaker tells us we’re up.

Pre-staged, staged, then given the green
The line becomes blurred between man and machine

Bones become linkage
Muscle, spring
Fear, excitement

Time distorts ….
Color disappears …
Vision narrows…
Noise ---  becomes music
Speed, satisfaction

End

The line didn't move, though there were not
many people in it. In a half-hearted light
the lone agent dealt patiently, noiselessly, endlessly
with a large dazed family ranging
from twin toddlers in strollers to an old lady
in a bent wheelchair. Their baggage
was all in cardboard boxes. The plane was delayed,
the rumor went through the line. We shrugged,
in our hopeless overcoats. Aviation
had never seemed a very natural idea.

Bored children floated with faces drained of blood.
The girls in the tax-free shops stood frozen
amid promises of a beautiful life abroad.
Louis Armstrong sang in some upper corner,
a trickle of ignored joy.
Outside, in an unintelligible darkness
that stretched to include the rubies of strip malls,
winged behemoths prowled looking for the gates
where they could bury their koala-bear noses
and **** our dimming dynamos dry.

Boys in floppy sweatshirts and backward hats
slapped their feet ostentatiously
while security attendants giggled
and the voice of a misplaced angel melodiously
parroted FAA regulations. Women in saris
and kimonos dragged, as their penance, behind them
toddlers clutching Occidental teddy bears,
and chair legs screeched in the food court
while ill-paid wraiths mopped circles of night
into the motionless floor.

It was their first time, their first time ever. Of course neither would admit to it, and neither knew, about the other that is, that they had never done this before. Life had sheltered them, and they had sheltered from life.

Their biographies put them in their sixties. Never mind the Guardian magazine proclaiming sixty to be the new fifty. Albert and Sally were resolutely sixty – ish. To be fair, neither looked their age, but then they had led such sheltered lives, hadn’t they. He had a mother, she had a father, and that pretty much wrapped it up. They had spent respective lives being their parents’ companions, then carers, and now, suddenly this. This intimacy, and it being their first time.

When their contemporaries were befriending and marrying and procreating, and home-making and care-giving and child-minding, and developing their first career, being forced to start a second, overseeing teenagers and suddenly being parents again, but grandparents this time – with evenings and some weekends allowed – Albert and Sally had spent their time writing. They wrote poetry in their respective spaces, at respective tables, in almost solitude, Sally against the onslaught of TV noise as her father became deaf. Albert had the refuge of his childhood bedroom and the table he’d studied at – O levels, A levels, a degree and a further degree, and a little later on that PhD. Poetry had been his friend, his constant companion, rarely fickle, always there when needed. If Albert met a nice-looking woman in the library and lost his heart to her, he would write verse to quench not so much desire of a physical nature, but a desire to meet and to know and to love, and to live the dream of being a published poet.

Oh Sally, such a treasure; a kind heart, a sweet nature, a lovely disposition. Confused at just seventeen when suddenly she seemed to mature, properly, when school friends had been through all that at thirteen. She was passed over, and then suddenly, her body became something she could hardly deal with, and shyness enveloped her because her mother would say such things . . . but, but she had her bookshelf, her grandfather’s, and his books (Keats and Wordsworth saved from the skip) and then her books. Ted Hughes, Dylan Thomas (oh to have been Kaitlin, so wild and free and uninhibited and whose mother didn’t care), Stevie Smith, U.E. Fanthorpe, and then, having taken her OU degree, the lure of the small presses and the feminist canon, the subversive and the down-right weird.

Albert and Sally knew the comfort of settling ageing parents for the night and opening (and firmly closing) the respective doors of their own rooms, in Albert’s case his bedroom, with Sally, a box room in which her mother had once kept her sewing machine. Sally resolutely did not sew, nor did she knit. She wrote, constantly, in notebook after notebook, in old diaries, on discarded paper from the office of the charity she worked for. Always in conversation with herself as she moulded the poem, draft after draft after draft. And then? She went once to writers’ workshop at the local library, but never again. Who were these strange people who wrote only about themselves? Confessional poets. And she? Did she never write about herself? Well, occasionally, out of frustration sometimes, to remind herself she was a woman, who had not married, had not borne children, had only her father’s friends (who tried to force their unmarried sons on her). She did write a long sequence of poems (in bouts-rimés) about the man she imagined she would meet one day and how life might be, and of course would never be. No, Sally, mostly wrote about things, the mystery and beauty and wonder of things you could touch, see or hear, not imagine or feel for. She wrote about poppies in a field, penguins in a painting (Birmingham Art Gallery), the seashore (one glorious week in North Norfolk twenty years ago – and she could still close her eyes and be there on Holkham beach).  Publication? Her first collection went the rounds and was returned, or not, as is the wont of publishers. There was one comment: keep writing. She had kept writing.

Tide Marks

The sea had given its all to the land
and retreated to a far distant curve.
I stand where the waves once broke.

Only the marks remain of its coming,
its going. The underlying sand at my feet
is a desert of dunes seen from the air.

Beyond the wet strand lies, a vast mirror
to a sky laundered full of haze, full of blue,
rinsed distances and shining clouds.


When Albert entered his bedroom he drew the curtains, even on a summer’s evening when still light. He turned on his CD player choosing Mozart, or Bach, sometimes Debussy. Those three masters of the piano were his favoured companions in the act of writing. He would and did listen to other music, but he had to listen with attention, not have music ‘on’ as a background. That Mozart Rondo in A minor K511, usually the first piece he would listen to, was a recording of Andras Schiff from a concert at the Edinburgh Festival. You could hear the atmosphere of a capacity audience, such a quietness that the music seemed to feed and enter and then surround and become wondrous.

He’d had a history teacher in his VI form years who allowed him the run of his LP collection. It had been revelation after revelation, and that had been when the poetry began. They had listened to Tristan & Isolde into the early hours. It was late June, A levels over, a small celebration with Wagner, a bottle of champagne and a bowl of cherries. As the final disc ended they had sat in silence for – he could not remember how long, only from his deeply comfortable chair he had watched the sky turn and turn lighter over the tall pine trees outside. And then, his dear teacher, his one true friend, a young man only a few years out of Cambridge, rose and went to his record collection and chose The Third Symphony by Vaughan-Williams, his Pastoral Symphony, his farewell to those fallen in the Great War  – so many friends and music-makers. As the second movement began Albert wept, and left abruptly, without the thanks his teacher deserved. He went home, to the fury of his father who imagined Albert had been propositioned and assaulted by his kind teacher – and would personally see to it that he would never teach again. Albert was so shocked at this declaration he barely ever spoke to his father again. By eight o’clock that June morning he was a poet.

For Ralph

A sea voyage in the arms of Iseult
and now the bowl of cherries
is empty and the Perrier Jouet
just a stain on the glass.

Dawn is a mottled sky
resting above the dark pines.
Late June and roses glimmer
in a deep sea of green.

In the still near darkness,
and with the volume low,
we listen to an afterword:
a Pastoral Symphony for the fallen.

From its opening I know I belong
to this music and it belongs to me.
Wholly. It whelms me over
and my face is wet with tears.


There is so much to a name, Sally thought, Albert, a name from the Victorian era. In the 1950s whoever named their first born Albert? Now Sally, that was very fifties, comfortably post-war. It was a bright and breezy, summer holiday kind of name. Saying it made you smile (try it). But Light-foot (with a hyphen) she could do without, and had hoped to be without it one day. She was not light-footed despite being slim and well proportioned. Her feet were too big and she did not move gracefully. Clothes had always been such a nuisance; an indicator of uncertainty, of indecision. Clothes said who you were, and she was? a tallish woman who hid her still firm shape and good legs in loose tops and not quite right linen trousers (from M & S). Hair? Still a colour, not yet grey, she was a shale blond with grey eyes. She had felt Albert’s ‘look’ when they met in The Barton, when they had been gathered together like show dogs by the wonderful, bubbly (I know exactly what to wear – and say) Annabel. They had arrived at Totnes by the same train and had not given each other a second glance on the platform. Too apprehensive, scared really, of what was to come. But now, like show dogs, they looked each other over.

‘This is an experiment for us,’ said the festival director, ‘New voices, but from a generation so seldom represented here as ‘emerging’, don’t you think?’

You mean, thought Albert, it’s all a bit quaint this being published and winning prizes for the first time – in your sixties. Sally was somewhere else altogether, wondering if she really could bring off the vocal character of a Palestinian woman she was to give voice to in her poem about Ramallah.

Incredibly, Albert or Sally had never read their poems to an audience, and here they were, about to enter Dartington’s Great Hall, with its banners and vast fireplace, to read their work to ‘a capacity audience’ (according to Annabel – all the tickets went weeks ago). What were Carcanet thinking about asking them to be ‘visible’ at this seriously serious event? Annabel parroted on and on about who’d stood on this stage before them in previous years, and there was such interest in their work, both winning prizes The Forward and The Eliot. Yet these fledgling authors had remained stoically silent as approaches from literary journalists took them almost daily by surprise. Wanting to know their backstory. Why so long a wait for recognition? Neither had sought it. Neither had wanted it. Or rather they’d stopped hoping for it until . . . well that was a story all of its own, and not to be told here.

Curiosity had beckoned both of them to read each other’s work. Sally remembered Taking Heart arriving in its Amazon envelope. She brought it to her writing desk and carefully opened it.  On the back cover it said Albert Loosestrife is a lecturer in History at the University of Northumberland. Inside, there was a life, and Sally had learnt to read between the lines. Albert had seen Sally’s slim volume Surface and Depth in Blackwell’s. It seemed so slight, the poems so short, but when he got on the Metro to Whitesands Bay and opened the bag he read and became mesmerised.  Instead of going home he had walked down to the front, to his favourite bench with the lighthouse on his left and read it through, twice.

Standing in the dark hallway ready to be summoned to read Albert took out his running order from his jacket pocket, flawlessly typed on his Elite portable typewriter (a 21st birthday present from his mother). He saw the titles and wondered if his voice could give voice to these intensely personal poems: the horror of his mother’s illness and demise, his loneliness, his fear of being gay, the nastiness and bullying experienced in his minor university post, his observations of acquaintances and complete strangers, train rides to distant cities to ‘gather’ material, visit to galleries and museums, homages to authors, artists and composers he loved. His voice echoed in his head. Could he manage the microphone? Would the after-reading discussion be bearable? He looked at Sally thinking for a moment he could not be in better company. Her very name cheered him. Somehow names could do that. He imagined her walking on a beach with him, in conversation. Yes, he’d like that, and right now. He reckoned they might have much to share with each other, after they’d discussed poetry of course. He felt a warm glow and smiled his best smile as she in astonishing synchronicity smiled at him. The door opened and applause beckoned.

she sits - eyes darting side to side,
eating the atmosphere, chewing carefully,
rosebud mouth moist, lips open a space,
hands fidgeting in her shallow concaved lap ..
woman leans forward to stroke wayward
tendril from wide forehead - a sign of excellence

to some just that, to others smart phrenology;
tendril defies maternal meaning to spring
like a diver from top board thrill
to fall once more upon laughing brow,
how young child loves the tickling touch
she never receives from mother -

she who urges piano practice, eight to ten,
dancing lessons, eleven to one,
geography, history and Latin tutelage
with woman ancient her and morbid more,
afternoon alternate curriculum and oboe,
catechism, times-tables, spellings parroted..  

when night calls child to sleep,
she curls her softness into a knot, tight
and unforgiving, ******* tears from
sea blue eyes so they weep 'pon Egyptian
cotton sheets to dilute the ***** drips of
progidy’s day by day nightmare..

child needs, child yearns for what she
does not know, kettle drum heart throbbing..
longs to run in meadows mossy bright,
longs to see dirt under sweetheart nails;
in dreams she rides ponies *******
and soars sky, dances clouds, kisses moon..

but then, morning vivid with sane insanity
she wakes in an open cage, in a different room..
rebelled, she did, small fragile six year old;
today, today, today her mind is empty,
hands fluttering butterflies, eyes bright, innocence
faded, but  laughing..laughing..laughing, free.

Put past
The pretence of protection.
Propagandising
her preciousness
is prohibited -
proprietorial
preparation
for *******.
Parents paw
the pretty pretty
Pa approves the partner
partner plucks the petals,
proclaiming
‘She pleases me,
pleases me not’ -
matters not one jot.
Pet and preen
her perilous perfection
a prophylactic
precaution,
in place
of progression,
promotion,
professional appreciation.
Proud paternalistic patter
imprisons.
Presidents pronounce
on *****,
parroted by ******
and pissheads.
Petty, pathetic
and petrified
of power,
placing people
in parentheses
participating
in playground politics.

I’m sick
that this
paralysis
persists.
Past to present,
passed down
passed over
passed off
as perfectly
practical, natural,
a place for everyone
everyone
in place.
Please.

Parade our pride
in pyrotechnic protest
in partnership perpetual,
productive, progressive
people
as people
as people,

powerful
and equal.

I can recognize that sound,
The aching whispers that bubble out of a million starving souls
As their bodies wilt back into the earth.

Can you hear it,
The parroted anguish of these once-bright spirits?

It could appear that our generation is lost,
Caught up in the romantic notions of wanderlust and self,
Distancing ourselves as we cry out and clutch the echoes.

Will you listen as they confess their sins,
Drawn kicking and screaming from their throats?

I look at my friend,
and sadness drops an anchor on that heart,
I'm sure it's hoping to port here,
as tears well in her eyes again,
I ask "are you alright lady?"
an you probably,
know the answer was NO.

( My fur baby,
or as I believe-
a spirit animal,
my familiar -
but not for dark witchcraft,
ha, no,
this is just...a ....story ....yeah, a story,
about my Tanley cat )


Cooking dinner oh boy, meatloaf-
chorizo sausage, pork an beef,
and I am distracted in every way,
I refuse to make something that's not,
delicious an with the right ingredients,
anything is possible,
now exhasted and sipping wine-
why he just climbed right up my leg!
"Ouch guy!" as I pull him off my jeans,
looking over at her,
still emotional,
while trying not to seem rude,
"he's so strange"  I chuckle warmly,
I pat his sweet furry head,
and shake my finger at him-
no no darling kitty,
go wait there in your bed.

She forces some kind of smile,
then I look at his eyes,
and he just looks -confused.

I pat his sweet little head again,
rub his chin and pick him up,
I'm just too busy with nightly chores,
to listen to his heart-
at present,
so I walk over to Melissa,
and rub a feeling hand over her back,
trying any words of reason,
but reasoning with a tumultuous heart,
is sometimes impossible,
I know, from experience sigh
I know little Tanley cat
you want to help and I'm sure we will,
I feel her an his angst.

A half hour later, or so-
as my routine feet amble across,
the old an quite cold hardwood floor,
over to a chair against the wall,
where Melissa and the roommate Tom sits
at the bar still playing cards,
a pleasantly surprising game of rummy
though she still can't see in that tunnel,
I make my way,
over to a chair and sit -
at looooong last,

Ahhhhhh....a very deep breath
as eyes close fractionally,
and I sigh deeply for,
taking a well deserved pause,
as my latest invention bubbles,
eagerly in the oven -
as I have still to feed everyone,
Lil Tanley comes to my feet with an offer,
I look down and nod for him,
to come up
and he gladly obliges.

Now I love animals,
I always have,
but I've had few in my adult life,
mostly as a child or teenager as,
my living pods didn't allow,
for such wonderful critters,
smiles

I have always thought myself,
to be- somewhat at least,
awake to my life maybe,
but I suppose,
awake doesn't always,
equate to being aware,
and awareness is the thing,
that taught my heart to share.

While life being such as it is,
I didn't have many,
opportunities to learn
much worldly wisdom
other than what we knew-  
these little furry spiritual souls
are already enlightened,
gratitude is what I think they hope to earn,
soft and sweet sometimes,
always independent,
little tiny furry sentient beings maybe,
well sounds crazy, I dig,
but I think so anyway-
an here's only part of why.

Tanley had been waiting,
an meanwhile-
we had considered adoption,
somewhat early,
for what we thought,
so shortly after the death of Spanky,
my first really close spirit animal,
the others I hadn't allowed
for time or space,
some touched my heart- but Tantan?
he's the manman,
he knows his special place,
he is a pure heart-
that I know well,
he attached himself with a needle
and thread to mine,
maybe an ancient spell was cast,
not a bad one,
if so- this is all good,
I have a warm relationship with my spirit guides these days-
didn't always understand
that part to well,
I'm not "psychic" -
maybe sensitive and very easily tuned in-
my empathetic antennas going off,

An let me again stress,
this cat is very special,
chosen for us,
I am certain of it,
and he is just so unique-
an I know I know,
like every mom says,
and it's not completely -
understood either,
by anyone -
well he is cute and soft,
but everyone,
an I mean EV-er-Y-OnE,
comments on his "beauty"
- drawn in moth to flame like,
I have seen many adult lost-
totally mesmerized
four at once for over an hour,
all participating in his fun.

He is like a newborn gift,
just weeks young he came-
not now but 5 months old,
infusing all our hearts with simple joy,
he helped us bear the Winter's cold,
from the amazing connection,
we ALL so obviously share,
an Lil Tanley he so wants to care,

Now my Tanley cat looked at me again,
then her, though this time -
persistent like,
in parroted movements,
repeating his message
though I am still resistant, apparently,
until the emergency emotional bulletin,
comes through and BINGO-

Oh, now I get it boy!
Then suddenly I realized,
he wants to comfort and to help her!

Alright go ahead I hearten his request,
as he is hesitating though not wavering,
patiently, and sweetly waiting,
for her soon acknowledgement,
I say to them all-
" He wants to help, just look"
and I pat him again,
"go on now" he looks again,
at all parties, inquisitively,
she looks at him
all her insecurities prominent,
but softly her heart eases -
he stretches from my knee,
to her upper arm,
her comfort means he pleases,
outstretching paw like feelers of hope.

She smiles a teary thanks,
silently in her head,.
I can hear it with my heart,
and **** it all to hell sometimes,
that hearing -
some parts of a heart
you rather not know,
but his I listen to gladly,
and I see him rock,
back and forth like an,
Olympian runner trying to save,
someone and maybe who knows,
perhaps we lived in another life,
together I wonder,

Maybe somewhere in beautiful,
and ancient Greece together,
as he always does this just before,
he jumps, one, two - up we go,
onto her left shoulder and finally,
he finds his warm perch.

Ever since first night we got him,
just 8 new weeks old -
too soon I know -
but my poor heart wanted him,
to be with his family which is us,
he desperately needed to find his home,
still big for his age and not sad,
well adjusted was this furry strange,
and wonderful little misfit,
the one the other lady didn't want
and not suffering his momma's loss,
too awful bad at least.

Tanley cat went straight to his employment,
taking very seriously his task,
with such concerted effort,
it's not as if I ask,
as he willingly and unselfishly performs,
a dazzling balancing act
- a feat of his desperation to stop,
sadness and his ugly friend depression,
as he is purring,  
and trying to groom her lovely hair.

He burrows his head into her hair,
bunting her sweetly,
showing he's in love,
giving it his best effort,
looking at me for approval,
he has every bit of it,
and all of the attention,

A warm smile finally breaks the spell,
my heart feels that anchor weight lift
in all our amusement,
as  he burrows into her neck,
looking for some small reward,
for that solace gifted,
as she gratefully giggles a tiny bit.
and a wee little light seeps in,
through a teenie hopeful crack,
in sweet tired dark sad eyes
I see a glimmer of hope.

Ma Cherie © 2017

They called us names on the playground.

We were small. Cherubim-faced terrors with bruised knees and perpetually greasy hair.

We dreamed of our lives after college. After our first cars. Our first houses. Our first jobs. Imaginary model wives and spoiled children. The All-American Daydream.

We didn't know what college was. We could barely see over the dashboard on Auntie's old Cadillac.

We grew up.

You became a man. Good-looking, strong, covered in tattoos. Scars on your chest and scars in your head because they called us names on the playground and those curses stuck with you.

Through every needle, every pill and every doctor's visit.

It was worth the pain, you said.

You'd do it all again, you said.

Live through the taunts. Live through the nights spent screaming up at the sky and asking God why He made you that way. Why He didn't make you a he and gave you ******* and hips instead.

They called you names on the playground. They called you something that you never were and never wanted to be.

Now we've outgrown the passing fancies of shiny trucks and four-bedroom houses in quiet suburbia.

Given up a life of apple pie to live between paychecks in a ****** Brooklyn apartment.

You're happy, now.

Happier than you ever were when they called you girl as if that were an insult.

As if they didn't understand the contempt they parroted; spat, hate.

They called you a name.

Then you changed it.

Became it.

Then your name set you free.

this morning, i could not get one breath in edgewise
as she stuck her nose in the air and told me condescendingly
how parroted prayer and mass-market worship got her closer to god

and i had to clench my teeth
to refrain from telling her
i prefer the nine inch nails version of
that.

Vicki Acquah :
"Shallow Thinkers" do not think past what they have been told- "Deep Thinkers" think past what they feel" and have been told- "Free Thinkers" research what they've been told- compare it to what they feel - And weigh the universal truth's against their personal truths;Against customs and beliefs. The outcomes of such behaviors objective is "Deriving at truth in its finality". The overall and final truth is “like death”.. the cause may be different the out-come the same." You will surely die". This Is the absolute truth: The only need for "absolute truth" is to be a better human while you live. If Any human being deliberately- collectively, singly; Directly or indirectly interfere with another human's right to pursue happiness,by way of religious strong arming,war,greed,****, ******, They shall be held accountable. And will pay the "ultimate fatal penalty.
Do not force your parroted non-researched hearsay down another human's throat,Causing them to stumble. Bottom line is... Do no harm ...While living in these testing grounds on earth,
“be the best in your flesh” and your spirit will go innocent and Uncondemned. © Vicki Acquah

Long ago before the world was round
before it grew blue and sprung green
there was no song
no music
and words were flat
with sharp edges and holes
with nothing to fill them.

That was until the hummingbird hummed
and the song-thrush found its voice
and the humans,
who prospered by copying the best ideas,
lied and mimicked and parroted
until something like song
smoothed the edges
and filled the holes
until the world was full
and it's edges round
and music began

the words that flow from my fingers
when had they turned into other's?
as i sit and type
mindlessly staring into space as
letters materialize on the black keys
i realize that these words
are being parroted
i am like a megaphone
taking someone else's voice
and projecting it further
spreading the idea
but never speaking by myself

music flows through
tangled earbuds
at 2am
glazed over eyes
trying not to think of
tomorrow

Haunted by words
unsaid hope and fear unite
The future is not written
All but hidden in plain sight

Innocence welcomes winds of change
The calm before the storm
Reform, recourse, reaction
Everywhere
Uniform

New threat
New law
New normal
What's done now shall it remain?
Digital connection
Parroted refrain

Solutions from the experts
Make haste, emergency!
Only time can answer...
For the love of philanthropy

Close
Disclose
We distance
All for our safety
Report
Resort to witness
The price?
Sweet liberty

Oh! Mighty saviour on high
Prophetic Algorithmic eye
Who will prosper
Who will perish
Freedom
to live or die

Can it be that all around us
Greed and power tighten grip?
The band played on
Lest we forget
Down with the unsinkable ship

Mother earth how she is plundered
Controlled consumption now ensues
Vested interest
Turn a profit
Are you tempted to abuse?

Future still remains uncertain
So much joy in every day
Rite of passage
Right of movement
Withdraw
Stay home
Stay

Stronger now
For there are answers
To the questions you may seek
The truth
It won't come easy
Too weak
Too meek
To speak

words of reason
Oh so grateful
For the seeds lovingly sown
We know not what lies before us
Though examples clearly shown

Finding purpose in a passion
Create intention with an art
We all stand in time together
And we each will play our part

I'm in love
with a lie
that is older than me,

and a hope
that is younger
than
the most recent spring;

Not a parroted dream
but a queen
of deep schemes
that parses out wisdom
and better poems
than me.

I'm in love
with a drug
that I create
everyday,
not pill
that some take
but the thoughts
that make
my mind great,

and the shadows
that I see
make me want
to believe
there is something
greater out there
that is in love with me.

Parroted anger pain
                             caged body and soul
repetition repetition
                                mime me mock me
stamp your feet your
                               perch your pedestal
vent your fury biting
                                bars of confinement
sharpen your claws
                               on the sand papered
beach ring your own
                                  bell town crier of a
story everyone heard
                                  before or have you
forgotten lifes a *****
                             and you are just extra.