Submit your work, meet writers and drop the ads. Become a member
kevin morris Jan 2014
This is a fictional account of the abuse suffered by a young boy. Any resemblance to persons either living or dead is purely coincidental.
Chapter 1

Lady Macbeth remarked “Tis the eye of childhood that fears a painted devil”. All children have their terrors. The bogeyman who lurks in dark corners patiently waiting to harm the unwary child. The ghost who haunts the attic where, even on a bright sunny day the child fears to go alone or some unspeakable terror, a horror with no name which lies just below the surface of every day life. In my case the ghoul who cast an all pervasive shadow over my childhood was Colin, a man small in stature but, to a child a monster of epic proportions.
I have, on occasions tried to comprehend why my abuser acted as he did. As a boy I had no desire to understand Colin. I hated him with an all consuming loathing. He was the devil incarnate who, if it had been in my power to do so I would have destroyed with as little compunction as a man would show when exterminating a rat. As an adult the hatred remains although now tempered with a desire to understand why Colin abused a small, defenceless child, physically and mentally over a prolonged period.
Was Colin abused by one (or both) of his parents? And, if so does this help to explain (but in no way excuse) why he took such great delight in inflicting pain on me? I met both of Colin’s parents and stayed with them on several occasions. At no time during those visits was I subjected to any kind of abuse. This does not of course prove that Colin’s mother and father where not abusers. It demonstrates that they did not abuse me, no more, no less. However, looking back at my visits to their home and, in particular the fact that neither of Colin’s parents abused me, I am inclined to believe that he was not ill treated by either of them. So what turned Colin into the monster who took delight in twisting my arm so hard behind my back that I thought it would break? The answer is, I have no idea. What turned apparently normal Germans into mass murderers in ******’s *****? The answer is the same, I don’t know. As with the concentration camp guards who committed mass ****** I can speculate that some where subjected to abuse as children and that this led to them becoming psychopathic killers. However not all of those abused in childhood go on to commit abuse, while many in the SS experienced apparently happy childhoods untroubled by abuse. Colin may have been abused by someone other than his parents but even if this is the case this does not explain or justify why he became an abuser.

Chapter 2

I was born on 7 February 1971 in the north of England. Soon after my birth it became apparent that all was not right with Donald Myers. I cried far more than any normal child ought to. In addition I banged my head against hard surfaces on a frequent basis which, obviously gave rise to concern. My mum, as any good mother would took me to the hospital only to be told that there was nothing amiss. However a mother’s instinct told her that something was terribly wrong with her son. She refused to leave the hospital and demanded a second opinion. This was provided by a Polish doctor who, having examined me diagnosed a blood clot on the brain. My distraught family was informed that I required an urgent operation and even if the blood clot was successfully removed I was likely to be severely mentaly disabled. Fortunately the blood clot was removed and I am not mentally deficient. The clot did, however leave me with very poor vision (I am registered blind and use a guide dog as a mobility aid although I possess useful vision which assists with orientation).

Chapter 3

As a young boy I spent a great deal of time with my grandfather. This was due to my sister, Janet being ill and my mum not being able to look after 2 young children simultaneously.
I have fond memories of playing in what I called “the patch”, a piece of the garden which my grandfather allowed me to do with as I chose. I recall making mud pies and coming into the house caked in mud literally from head to toe.
Being blind I relied on my grandfather to read to me. Most weekends found us in a book shop. Whenever I walk into W H Smiths the scent of books brings back happy memories of time spent with my grandfather, me sitting on his knee as he read to me.
My grandfather was a dear, kind gentle man. Had he known how Colin was abusing me he would, I am sure have gone straight to the nearest police station to report him. However he never knew and, being a small child I never confided in him.
I am amazed when I hear people ask “why didn’t so and so report the abuse?” As a small child I was terrified of Colin. Had I told anyone I was sure that he would deny everything and the abuse would intensify. I was not aware of the existence of the National Society For The Prevention Of Cruelty To Children (NSPCC) and even had I known of their existence I would, as a frightened little boy have lacked the courage to pick up the phone and call. Colin would, no doubt have accused me of lying and in the 1970’s and 1980’s children where rarely believed when making alegations of abuse.

Chapter 4

I used to dread leaving the safety of my grandfather’s home to spend time with Colin and my mother. My heart would sink when Colin or my mum came to collect me from my grandfather’s. On one occasion I deliberately dropped the car keys behind the kitchen worktop in the forlorn hope this would prevent my mum taking me to stay with her and Colin. Oh vain hope, the keys where discovered and I found myself in the lair of the abuser.
Colin took care never to abuse me in the presence of others. He was, however adept at tormenting me when my mum or other people where nearby but couldn’t see what he was doing. One incident is indelibly etched on my memory. I was sitting on the sofa, in the living room. The room opened straight out into the street and I was seated close to the front door. My mum called to me from outside asking whether I wanted to accompany her to the supermarket. I replied “yes” but before I could leave to join her Colin, who was sitting on the same sofa twisted my arm behind my back and whispered that I should tell my mum that I had changed my mind. I continued to attempt to leave but Colin increased the pressure saying that if I didn’t inform my mum that I had changed my mind he would break my arm. Naturally I called to my mum that I no longer wished to go with her and she left without me.
Being outside my mum did not see the abuse taking place a mere few feet from where she was standing.
On another occasion, while Colin and I where sitting in the living room, he forced a chipped mug into my lip which drew blood. Again my mum was present in the kitchen, which was located next to the living room but did not observe the abuse. On entering the living room and noticing the scar a few minutes later she enquired what had caused it. At this point in time I don’t recollect whether Colin put the lie into my mouth or whether I concocted the story in order to avoid further abuse. In any case I informed my mum that I had cut myself with a chipped mug, a version of events she accepted.  
At times I thought that I was going to die. No small boy likes washing but I used to dread bathing due to Colin’s own unique method of assisting me to wash. This consisted of holding my head under the water so that my nose and mouth filled and I felt as though I was going to die. I would emerge, terrified coughing and spluttering.
Colin obviously derived tremendous pleasure from half suffocating me. On numerous occasions he would place a cushion or pillow over my face and hold it there until I felt that I was about to die. Years later when I attended counselling with the mental health charity Mind, the counsellor asked me why I thought that Colin had not killed me? I replied that he probably derived more pleasure from having a living child to torment than he would have gained had he murdered me. Also, had he murdered me the prospect of detection and Colin spending a long period in prison would, I said have acted as a disincentive to  him taking my life. .  
Colin was a sadist. In adition to systematically abusing me he also abused my mum. I remember him hitting her on a regular basis and on at least one occasion pushing her down the stairs. He was (and is) a ******* of the first order.
Colin didn’t confine his cruelty to people. I recall him flinging the family cat at me. The poor animal stuck out it’s claws to gain purchase with the result that it scratched my face badly. Like all bullies Colin was, at bottom a coward. I never once saw him abuse the family dog. I am sure that this was not out of any affection for the animal, rather it stemmed from the fear that had he done so the dog would, quite naturally have bitten it’s tormentor in self defence. Oh how I wished that the dog had sunk his teeth into Colin.          

Chapter 5

We all have nightmares. As a young boy one of my recurring bad dreams concerned being chased by a hoover. To anyone unfamiliar with the abuse inflicted on me the relating of my dream will, no doubt result in mirth. However my nightmare was no laughing matter as to me the vacuum cleaner was a thing of terror. We owned an upright hoover which Colin would, periodically place on my head while the motor was running. I well recall the terror as the wheels of the machine ran across my head. Colin was nothing if not inventive as in addition to putting a working vacuum cleaner on my head he also made me hold the machine above my head. My arms would ache terribly but I dare not put the hoover down until ordered to do so by Colin. For many years following the ending of the abuse “the chasing hoover dream”, as I refered to it stubbornly refused to go away. While the nightmare no longer plagues my sleeping brain, whenever I use a vacuum cleaner the recollection of a terrified little child being tortured by a hoover comes back to me.
In another of my childhood nightmares I would enter the spare bedroom only to be grabbed by a clicking monster which wrapped it’s hands around my neck attempting to strangle me.
Colin choked me on numerous occasions. One incident remains vividly imprinted on my memory. It was evening and my mum, sister, Colin and I sat in the living room. All of the family accept for me where watching television. I was listening to a talking book about a footballer which contained many amusing stories. I laughed uproariously throughout much of the book. Later on that evening, following the departure of my mum and sister to bed Colin choked me telling me never to laugh like that again as I had “disturbed” people. As I recall Colin’s strangling of me the old terrors reassert themselves. At the time I felt that I had, perhaps done something wrong. However the logical part of my brain told me that I had done nothing whatever to justify Colin’s barbaric treatment of me. He ought to have gone to prison for that incident alone. He was (and remains) the personification of evil to me. To this day I can, on occasions feel self conscious about giving in to the natural desire to laugh at a great joke when in the company of friends. I can (and do) let myself go and laugh uproariously but Colin remains in the background, like Banquo’s ghost putting a dampener on the feast.

Chapter 6

Colin possessed considerable charm which is, perhaps how he came to entrap my mum into marrying him. I remember sitting around the dinner table with guests present and Colin holding forth on Charles Darwin amongst other topics. Although not university educated Colin was by no means unintelligent and could, if one was unfamiliar with his propensity to abuse, appear to be charm itself, a man whom it would be a pleasure to have over for dinner.      

Colin possessed the capacity to make people laugh which he used to devastating effect when making barbed comments at the expense of my mum. I hated him for his comments but laughed none the less which is proof of the idea that hostages frequently try to please their captors by forming some kind of relationship with them. I can not at this juncture in my life recall in detail how, precisely Colin undermined the confidence of my mum, I suspect that this inability on my part stems from the fact that I was, quite naturally concerned with my own suffering and the abuse perpetrated on my mum was of secondary concern. My own pain preoccupied me. I had little time for that of others.

Chapter 7

My counsellor and my dear friend, Barry have raised the issue as to whether my mum was aware of the abuse to which Colin was subjecting me. I have thought about this question long and hard and I still can not provide a categoric answer. I am sure that my mum never actually observed Colin in the act of abusing me. She was, as explained in the forgoing chapters, never in the same room when the abuse took place. The fact that her son showed a profound disinclination to be alone with Colin should though have caused alarm bells to start ringing. Colin was clever. The only time I can recollect when he caused me to bare a physical manifestation of abuse was the incident of the chipped cup related earlier. On all other occasions the marks where deep psychological wounds not visible to the casual observer.
I have tried discussing the abuse with my mum. Her reaction has osilated between stating that the abuse occurred a long time ago and that I ought to forgive and forget, to questioning whether it did, in fact take place. My gut feeling is that my mum does not doubt my veracity. The anger she manifested on discovering that I had informed my wife of the abuse perpetrated by Colin demonstrates that she does not doubt me.
Shortly prior to my wife and I separating we went to stay with my mum and sister. One morning my mum, my daughter and I went for a walk during the course of which my mum received a call from my sister. Janet said that my wife, Louise had told her that I had informed Louise of the abuse to which I had been subjected to by Colin. My mum rounded on me asking “why the hell I had told Louise about the abuse”. There ensued a blazing argument during which my mum hit me. On returning home the argument continued with Janet stating that I should talk to Colin about the situation. The fact that Janet did not defend Colin and state that he couldn’t, possibly have abused me indicates that she was, to some extent aware of the abuse.
I love my mum deeply and have no doubt that she loves me. Yet whenever we are together the elephant in the room (Colin) stands between us, seen by both but mentioned by neither. In my case I fear the eruption of a blazing argument. I have always shyed away from arguments which is, I suspect down to me having grown up in a family in which vilence and arguments where commonplace. As a small boy I developed strategies for minimising the likelyhood of being abused. My main strategy was to make myself as inconspicuous as possible. I became a master at sitting quietly, not speaking unless I was spoken to and doing everything in my power not to antagonise Colin. While I don’t fear being physically abused by my mum I shrink in terror at the prospect of a verbal tyraid eminating from her.
In my mum’s case she does, I believe feel guilty due to her not having protected her son from Colin. The fact that she refuses to discuss the abuse to which I was subjected shows her inability to acknowledge to me her own sense of culpability at her failure to prevent Colin’s behaviour. On at least one occasion my mum has told me that the abuse could not have taken place as, if it had she would have been aware of it. This is contradicted by her statement (refered to earlier) that it was a long time ago and I ought to “forgive and forget”. Both statements can not be correct and in her heart of hearts my mum knows that I am telling the truth, she lacks the courage to admit her own failings and apologise to me.      

Chapter 8

At this distance in time I can not pinpoint the precise point at which the physical abuse stopped. At some indeterminate point (I think during my early teens) I began to challenge Colin’s behaviour. I remember wishing to join a social club and Colin informing me that I could not do so. Full of fear and trepidation I said that I would join to
Jim Davis Apr 2017
In the last
three decades,
after we became one,
I touched
amazingly beautiful things,
horribly ugly things,  
unbelievably wondrous things

I touched nature's majesty;
hued walls of the Grand Canyon,              
crusty bark of the
Redwoods and Sequoias,
live corals of the
Great Barrier Reef,
dreamlike sandstone of the Wave

I touched magical and strange;
platypus, koalas and
kangaroos Down Under,
underwater alkali flies and
lacustrine tufa at Mono Lake,
astral glowing worms
in the Kawiti caves

I touched holy places;
Christianity's oldest churches,
the Pope's home in the Vatican,
Hindu and Sikh temples and
Moslem mosques in India,
Anasazi's kivas of Chaco canyon,
Aboriginal rocks of Uluru and Kata Tjuta

I touched glimmers of civilization;
uncovered roads of Pompeii,
fighting arenas of Rome,
terra cotta armies of Xian,
sharp stone points of the Apache,
pottery shards from the Navajo,
petroglyphs by the Jornada Mogollon

I touched fantastical things;
winds blowing on the
steppes of Patagonia,,
playas and craters of Death Valley,  
high peaks of the Continental Divide,
blazing white sands of the  
Land of Enchantment

I touched icons of liberty
and freedom;
the defended Alamo,
a fissured Liberty Bell,
an embracing Statue of Liberty,
the harbor of Checkpoints
Alpha, Bravo, and Charlie

I touched glorious things
made by man;
the monstrous Hoover Dam,
an exquisite Eiffel tower,
a soaring St Louis Arch,
an Art deco Empire State Building,
the sublime Golden Gate Bridge

I touched sparks from history;
the running path of an
Olympic flame just off Bourbon,
the last steps of Mohandas Ghandi
at Birla House before Godse,
******'s Eagle's nest and the
grounds over Der Führerbunker

I touched walls of power;
enclosed rings of the Pentagon,
steep steps of the
Great Wall of China,
untried bastions of
Peter and Paul's fortress,
fitted boulders of Machu Picchu

I touched strong hands;
of those conquering
Rommel's and ******'s hordes,
of cold warriors of
Chosin Reservoir,  
of forgotten soldiers of Vietnam,
of terrorist killers of today

I touched memories of war;
the somber Vietnam memorial,
the glorious Iwo Jima statue,
the cold slabs at Arlington,
the buried tomb of USS Arizonians,
Volgograd's Mother Russia  

I touched ugly things;
shreds of light in
Port Arthur's prison,
horrible smelly dust
in the streets from 9/11,
ash impregnated dirt
in the pits at Auschwitz

I touched oppressed freedom;
open ****** plazas
of Tiananmen Square,
smooth pipe and concrete
of the Berlin Wall,  
tall red brick walls
of the Moscow Kremlin

I touched constrained freedom;
heavy ankle and
wrist slave chains
in the South,
little windows
in Berlin's Stasi prison,
haunted cells in Alcatraz  

I touched remnants of madness;
wire and ovens of Auschwitz,
stacked chimneys and
wooden bunks of Birkenau,        
Ravensbruck, and Dachau,
the tomb of Lenin,
toppled Stalins

I touched hands of survivors;
of Leningrad's siege,
of German POWs and
of Russian fighters
of Stalingrad's battle,
of Cancer's scourges  

I touched grand things;
deep waters of the Pacific and Atlantic,
blue hills of Appalachia,
towering peaks of the Rockies,
high falls of Yosemite Valley,
bursting geysers of Yellowstone,
crashing glaciers of Antarctica and Alaska    

I touched times of adventure;
abseiling and zipping in Costa Rica,
packing Pecos wilds and Padre isles,
flying nap of earth Hueys to Meridian,
breaking arms in JRTC's box,
fighting Abu Sayyaf, and Jemaah
Islami in Zamboanga City

I touched through you;
wet sand beaches of  Mexico and Jamaica,
mysterious energy of the monoliths of Stonehenge,
rarefied air in front of the
Louvre's Mona Lisa,
ancient wonders of Giza,
Egypt's tombs and pyramids

We shared soft touches;
drifting in Bora Bora's
surreal waters,
joining hands camel trekking the
Outback's dry sands,
strolling along Tasmania's
eucalyptus forest trails

basking in swinging hammocks
under Fiji's bright sun,
scrambling in
Las Vegas' glittering and
red rock canyons,
kissing under the
Taj Mahal's symphony of arches

We shared touching deep waters;
propelled in gondolas
through the city of canals,
Drifting atop Uru cat boats on Lake Titticaca,
Swooping in jet boats
up a wild river in Talkeetna

Racing in speed boats
around Sydney's great harbour,
skimming in pangas in Puerto Ayora,
paddling the Kennebec for
East's best petroglyphs,
cruising Salzbergwerk's underwater lake

We touched scrumptious things;
Beignets and chicory coffee at DuMonde's in the Big Easy,
Hot *** with sesame sauce
in the walled city of Xian,
Peking duck, dimsum, scorpions,
snake and starfish on Wangfujing Snack Street

We touched delicious things
Crawfish heads and tails at JuJu's shack
and ten years at Jeanette's,
Langoustine at Poinciana's, Fjöruborðinus and Galapagos,
Cream cheese and loch bagels
at Ess-a' s in the Big Apple

I touched your hand riding;
hang loose waves of Waikiki,
a big green bus in Denali's awesomeness,
clip clopping carriages of Vienna, Paris,
Prague, New Orleans, Krakow,
Quebec City, and Zakopane,
the acapella sugar train of St Kitts

We shared touching on paths;
the highway 1 of Big Sur,
the Road of the Great Ocean,
the bahn to Buda and Pest,
the path to the North of Maine,
the trail of the Hoh rainforest,
and time after time, the way home

Yet,
I could spend
the next three decades,
in simple bliss,
having need for
touching nothing,
other than you!

©  2016 Jim Davis
A poem I wrote last year for my wife!  Posted now since it matches the HP' theme for today - "Places"
Poetic T Dec 2014
Little hoover* how you have grown
But  a lesson to be learned
Still needs to be told
Food is good in proportion
Fat,
Salt,
Sugar
Is Sweet things aren't always good,
For to be healthy we must eat well
"We are what we eat"
To roll, to spin, having fun
Exercise is the key to healthy living
"Little one"
One day you will be realise
What words are spoke,
For not eating correctly
Bags will be clogged
Filters a mess
But eat good through all
Your changes be it
Bags,
Filters,
Even
Hoses,
Knowing that you had eaten well
Treats can be had in proportion,
"Everyone deserves one or two or three"
But remember we are what we eat
"Little Hoover"
"You haven't hoovered your"
"Brown bread crusts"
Little one you wish to grow to be
Like your father,
"Eat healthy"
Choose wisely what you **** up.
little ones eat healthy
i bought my self an hoover sparkly and brand new
then i took it home with me to what it could do
i tried it on the rug then  gave a little slide
the suction was immense it ****** up inside.

then i tried the curtains it just pulled them down
i was getting mad and i began to frown
i turned the power down to get the suction low
hoover took no notice it didnt want to know.

maybe it was hungry and decided it would eat
my curtains and my rug was its tasty treat
i will use my brush like i did before
put the hoover in the cupboard not use it anymore
i bought my self an hoover sparkly and brand new
then i took it home with me to what it could do
i tried it on the rug then  gave a little slide
the suction was immense it ****** up inside
then i tried the curtains it just pulled them down
i was getting mad and i began to frown
i turned the power down to get the suction low
hoover took no notice it didnt want to know
maybe it was hungry and decided it would eat
my curtains and my rug was its tasty treat
i will use my brush like i did before
put the hoover in the cupboard not use it anymore
nathansolmeo Apr 2018
Isang karangalan ang pagiging *** laude para sa isang mag aaral. Karangalan na siyang hinahangad ng karamihan ngunit iilan lamang ang nagkakamit. Isa sa mga nagkamit nito ay si Hannah Isabelle D. Mendez. Ngunit sino nga ba si Hannah?Isang mag-aaral mula sa URSC na kumukuha ng kursong BSIT. Gusto mo bang mas kilalanin pa natin siya? Halina’t samahan mo ko.
Kanyang pinanggalingan...
Si Hannah ay ipinanganak noong Agosto 21, 1997. Bunsong anak sa dalawang magkakapatid nina Cristeo at Girlie Mendez. Simple lang ang naging buhay ni Hannah. Lumaking mabait, masipag at may takot sa Diyos kahit na mula siya sa isang 'broken family'. Naghiwalay ang kanyang mga magulang nang siya ay nasa ikatlong baitang. Masasabing hindi madali ito para sa kanya dahil nais niya ay buo at masayang pamilya ang makakasama niya ngunit sa pagsisikap at pagtitiyaga ng kanyang ina, naging matatag at matapang si Hannah.
Kanyang hilig…
Si Hannah ay mahilig magsulat, manuod ng mga pelikula at magbasa lalo na ang mga libro na akda ni Colleen Hoover. Ang pagbabasa ang naging pampalipas oras niya at nakakapagpasaya sa kanya. Maraming bagay ang kanyang natutunan bunga ng kanyang pagbabasa at isa ito sa naging dahilan ng kanyang mga kaalaman na nagdala sa kanya ngayon bilang *** laude.
Simula ng hamon bilang mag-aaral…
Noong bata pa si hannah, wala siyang interes sa pag-aaral. Tulad ng ibang kabataan, kasiyahan lang ang kanyang hinangad pero dahil sa kanyang naging **** noong elementarya, naging bukas ang kanyang isipan sa pag-aaral.
Nakapagtapos siya ng elementarya ng may medalya bilang ikalawang karangalang banggit, sumali sa iba't ibang kompetisyon tulad ng Nutri Quiz Bee - 4th place, Hekasi Quiz Bee -2nd place (Elementary, District level) at sa Highschool 15th place sa Sports Page (RSPC) 1st place Drama fest (School level) journalist at naging presidente ng isang organisasyon noong hayskul.
Sa pagtuntong ng kolehiyo, naipagpatuloy niya ang kanyang pagiging aktibo. Nahalal siya bilang kalihim (S.Y.2015-2016), pangalawang pangulo (S.Y. 2016-2017) at 4th year representative (S.Y. 2017-2018) ng BITS Organization. Naging miyembro din siya ng KASALI Organization taong 2014-2018.
Nang tanungin siya kung paano niya nagagawang pagsabayin school activities at academics, simple lang ang naging sagot niya, “Basta masaya ka sa ginagawa mo, magagawa mo lahat at naniniwala kase ako sa ibinigay sayo yung bagay na yun dahil kaya mo".
*** laude…
Hindi naging madali kay Hannah ang maabot kung anong mayroon siya ngayon. Dumating siya sa puntong hindi na niya alam kung ano ang uunahin. Nariyan ang school works, church duties, family problems at dagdag pa ang mga nagsasabing hindi niya kaya ang kursong IT pero kalaunan napamahal na siya dito. Goal na ni Hannah maging *** laude pero hindi niya ineexpect na makukuha niya ang karangalang ito.
“Sobrang saya dahil ipinagpanata ko ito sabi ko kung para po sa’ken ito, Kayo (Ama) na po ang bahala and then nung nalaman ko na isa ako sa *** laude, hindi ko alam gusto kong sumigaw sa galak, sobrang nakaka—overwhelm.”, wika niya.
Tanging inspirasyon niya ang kanyang pamilya para makapagtapos at maabot ang lahat ng kanyang pangarap.
"When the opportunity knocks on your door, always be willing to give it a chance, 'yan lagi nasa isip ko para wala akong pagsisisihan at always give your best shot sa lahat ng ginagawa mo", wika niya ng may halong ngiti sa kanyang labi.
Tunay ngang nakakagalak ang kanyang pagsusumikap upang makamit ang kanyang minimithi. Mula sa buong pamilya ng URSC, proud kami sa iyong pagdadala ng karangalan!
Bunhead17 Nov 2013
[Verse 1: Drake]
Versace, Versace, Medusa head on me like I'm 'Luminati
This is a gated community, please get the ******* the property
Rap must be changing cause I'm at the top and ain't no one on top of me
****** be wanting a verse for a verse, but man that's not a swap to me
Drowning in compliments, pool in the backyard that look like Metropolis
I think I'm sellin' a million first week, man I guess I'm a optimist
Born in Toronto but sometimes I feel like Atlanta adopted us
What the **** is you talkin' 'bout? Saw this **** comin' like I had binoculars
Boy, Versace, Versace, we stay at the mansion when we in Miami
The pillows' Versace, the sheets are Versace, I just won a Grammy
I've been so quiet, I got the world like "What the **** is he planning?"
Just make sure that you got a back up plan cause that **** might come in handy
Started a label, the album is comin' September, just wait on it
This year I'm eating your food and my table got so many plates on it
Hundred inch TV at my house, I sit back like "**** I look great on it"
I do not **** with your new ****, my *****, don't ask for my take on it
Speakin' in lingo, man this for my ***** that trap out the bando
This for my ****** that call up Fernando to move a piano
**** all your feelin's cause business is business, its strictly financial
I'm always the first one to get it, man that's how you lead by example
Versace, Versace, Versace, Versace, Versace, Versace
Word to New York cause the Dyckman and Heights girls are callin' me "Papi"
I'm all on the low, take a famous girl out where there's no paparazzi
I'm tryna give Halle Berry a baby and no one can stop me

[Verse 2: Meek Mill]
Versace, Versace
Its killers, real ****** that's all in my posse (shooters!)
I'm getting so rich that they making up rumors that I'm illuminati (rich!)
Just me and my ****** we killin' these *******, go body for body (murders!)
These suckers be hating, they praying to God that I don't cop a Bugatti
Hold up, drop the top on the rari
Pull in the club and I'm stopping the party
Hold up, got ******* on *******
They poppin' on molly's I'm prolly at Follies with PeeWee and Tip
Of course i went with Lou
I did everything that I said I would do
I really won't tell you that I'm better than you
But we're not on the same level as you
Cause the G55 got a hell of a view
Regular ****** make regular moves
With ya regular ***** and ya regular crew
And you ***** still smokin on regular too? Like word?!
What a shame, my *****
Louboutin blood like Game, my *****
Get left tryna aim, my *****
Like Saddam Hussein, my *****
I'm whippin' this brand new machine
100 bands in my jeans
Call yo ***** Barry Sanders
She done ran through the team
I got hoes out the D
They playing on the team
Do anything for me
I mix that xan with the lean
Hold up, let me get it back
Versace, Versace
I'm gettin' this money, I'm stackin' my broccoli (racks!)
I'm running my city
You might gotta pay me if you land on my property (tax!)
I bought the boardwalk and I parked on the ave
****, my life's like monopoly
You caught a new case and you got outta jail
Boy, you look like a cop to me
(Get out of jail free card?)

[Verse 3: Tyga]
Aughh! Versace, Versace, I brought that **** back, all these ****** they copy
Medusa head on me I'm at the hotel, Versace Palazzo
I rented the yacht for a week, but I bought the convertible Lambo
Six mill for the mansion
I see haters coming I need some more ammo
These ****** gay that's Elmo
So much green I turned camo
Some hoover ****** on flannels
Light light you up no candle
Grip on that handle Yosemite Sam ya, that ***** bang like a banjo
Told my arms dealer no need for a box, I don't read the instructions, I throw out the manual (WOO!)
Versace, Versace, my brother king Trell he in a Ferrari
I don't look the same, my camera the same, I made too much money (WOO!)
Paul Pierce is my neighbor, I told him he should of went to the Clippers
I got some crazy ideas for Versace, get them and tell'em my number
Versace, auggh Picasso, Basquiat I'm cocky
23, 15 mill I'm just getting started
Pop water my water
I walk around on my wallet
I don't **** with Saddam but, that's gold all in my toilet
Statues of Horus, and the annubis is polished
I don't got to, rap about, coke for you to enjoy it
I'm bout' to join the money team, just holla' to Floyd about it
Versace, Versace, I'm taking my money to the Cayman islands (WOO!) Versace Auggh!!

[Outro: Quavo]
Versace, Versace, Versace, Versace
Versace, Versace, Versace, Versace
Versace, Versace Versace, Versace Versace
Versace, Versace Versace, Versace Versace
I love this song!... lyrics to  "Versace" by: Migos ft Drake, Meek Mill, and Tyga ****. by:  Zaytoven.
Perig3e Feb 2012
The ultimate hoover,
a black hole,
(blkhole),
the event horizon,
the equator
of all things possible
delineating
an infinity of nought.
Max Neumann Jun 2021
1.) tizzop introduced gangsta poetry february 2021
     no man ever before created a poetry genre alike
     gangsta poetry, robust melting *** of languages
     and ethnicities, as it reflects the united states

2.) the idols of gangsta poetry are rooted in the
      underworld, blacks, hispanics, italo- and irish-
      americans, asians, arabs, germans, kurds,
      yugos, albanians, afghans, northern-africans...

3.) multilingual are the core, heart and soul of
     a gangsta poem: glockz, rubix cubies, 31er
     salam, jebeš igru, habibis, brüder, fo' sho':
     rapid months, frozen silverfruit, whole ones

4.) every letter of gangsta poetry becomes the
     side effects of our brand's real-life greed and fury
      mourning the end of beloved baby mommas
      deaths caused by strayed bullets that vamoose

5.) gangsta poetry aims to be published among
      all ethnic communities of the 50 united states
      deadline 08/16/21 stresses american willpower
      gangsta poetry scandalously hits us's curriculas

6.) each of the 194 remaining countries is urged
     to promote and govern gangsta poetry for
     the neglected, weighted with glacial contempt
     these males and females discover their kind in us

7.) tizzop established a saying: "treat every being  
     with an open mind, but fight back, baby, if anyone
     disrespects you, the gps, or our hangarounds"
     at war, we remember our families before we blast

8.) bar none, each gangsta poet is free to connect
      affiliate and distribute with and for the gp's
      brothas and sistas -- gps create examples of
      social diversity and historical dimensions

9.) female gangsta poets are a quarter of us
      some keep it gal, united sisterhood, astute flow
      in memory of leery leyla, chalondra, kateyy,
      mountainbird, ivanka cociç, ashima abraham

10.) genderfree, gangsta poets are chosen
        undertakings composed by thugs & artists
        the spirit of a few meets strife of hood speech
        gp evolved from a movement to an own identity

11.) restrictions do not apply for written creation
        strategic outgrowth and unshaken cash flow
        gp embraces brainy ones, and our soldiers
        narrators in conspiracy, art nouveau trips

12.) gangsta poetry admires the following people:
        jeezy, killa cam, toni der assi, iron sal, dmx
        anton chigurh, sigmund freud, rashid stoogie
        larry hoover, elliot york hp, kevin of allpoetry

13.) taktloss, luis fonsi, blockmonsta, all bolivian
        and peruvian farmers, te amamos, our brothers
        187 strassenbande, senion mogilevich, nirvana
        john murphy, dem dudes alpha hotel frankfurt

14.) much love to all global units, poets, thieves
        traffic architects, hackers, true skippos
        german bakeries, all-black betting shops
        jews from brighton beach, hispanic halos

15.) benny da bandit, tony tarantula, gambino, brate
        hamza al-mighty, fat **** frank, jens, das brain
        fred merciless, familia escorpio, ruben and levi
        ali firefists, kimbo slice, scarface, oleksiy, dejan

16.) daim, loomit, dns 1up, **** my **** crew
        berlin kreuzberg 36ers, playboys hannover
        yard bird 1955, taki 183 n.y.c., basquiat, level
        dbl ffm-skychildren, bomber, city mission
    
17.) gangsta poetry overwhelmingly shaped by
       our ancestors who boosted the poetry of ages
       train bombers, rappers, trappers, taggers, cutters
       we descent from them, honor their names

18.) gangsta poets die for poems that struck
        gps, fans and critics in a possessive way
        limits of real talk and boasting are in flux
        trance batters the face of reason, at dusk


                                          *


Once upon a time at March 22nd, 2021
Kreuzberg SO 36, Berlin, Germany...
Dedicated to all Gangsta Poets Worldwide

Heaven and hell yeah, disciples outpace seconds
Greetings from Wondaland, a.k.a. The Magic City
***  GANGSTAPOETRY  ***  
                      ***  48 SOULS  *** 
                        

                GANGSTAPOETS:

*  TIZZOP  *  FAMILIA ESCORPIO: SOLDADO ADELITA, ALEJANDRO, THE PROTECTOR & DIEGO, THE TEACHER  *  JEEZY  *  CHALONDRA  *  DMX  *  MOUNTAINBIRD  *  ECCO2K  *  IVANKA COCIÇ  *  KIMBO SLICE  *  LEVY & SOLOMON  *  JORDANOS  *
***  EDEN & NICHOLAS  ***         


               GANGSTAPOETS:


*  TAKTLOSS  *  ASHIMA ABRAHAM  *
*  MERCILESS FREDDY  *  OLEKSIY  *
*  STORMZY  *  LEERY LEYLA  *  ALI
FIREFISTS  *  SIGMUND FREUD  *  FALCO 
*  ANNE CLARK  *  DOMINIQUE NORTHSTAR  *  POOR / THCO  * 
*  1UP CREW  *  CITY MISSION  *  ZORIN  *
*  CHRIS R.



                  GANGSTAPOETS:

*  FREEMAN AND K-RHYME LE ROI  * 
*  FRUMPY  *  ASSI-TONI  **  LUDOVICO EINAUDI  *  HAMZA AL-MIGHTY  *  TONY
TARANTULA  *  KATEYY  *  LOOMIT  * 
*  FAT **** FRANK  **  ANTON CHIGURGH  *  ROSARIO DE LIMA  *  CELLAR FIREFLY  *  LARRY HOOVER  *
*  LUIS FONSI  *  JONATHAN HABESHA OF ALPHAHOTEL WONDALAND  *
Martin Narrod Feb 2014
The Checkout Line

I wish to speak with you
ten years from now, you'll be ten years behind.

The words and meanings you carry in your pants, the pick-pocket steals your hopes from time.
and the visions of empty trash receptacles
with their late evening drunken lovers' bouts, at restless end tables. And the bums with their ******* attitudes **** covered clothes, and soiled minds

the clarity of the curbside drunk, picking up shades of filtered cigarettes of twilight scandalous
pickup lovers in their evening best.

And to talk with you ten years from now, you'll be ten years behind.

They're Green Beret head ornaments
detailing the porcelain platforms of Delft
Lining up for one last line to carry them into another faded sunrise at dawn's forgotten memory of yester night
and they walk their gallows holding pride fully their flags of exalted countrymen.

The republic of teacups of literary proficiency.
Wearing the necklaces of paid tolls to an afterlife they find in the miniscule car crashes of engagement with a grinless driving mate in a neighboring car in its pass into the forethought of turned corners.
Where they befell the great disappointment of failure in the frosted eyes of their fathers' expectations.

Who carried the shame of their mother's incessant discontent through short skirts, and high heels.

Who disapproved of the **** whom wore the sneak-out-of-the-house-wear clothing line, and traveled by night over turbulent asphalt by way of sidecar through turn and turnabout hand-over-hand contracts of lover's affection, and slept in tall grasses of wet nightfall with views of San Francisco, and were trapped in the inescapable Alcatraz and Statesville of unconsenting parents and their curfews,

through trials and trails of Skittles leading to after school Doctor visits in the basement of a doting mother, whilst she sits quietly in her exclusive quilting parties with noble equities of partners in knowledge, listening to Edith Piaf and the like,

All the while condemned to time, trapped in the second hand, hand me downs of the 21st century, decades of decadent introverts with their table top unread notebooks, and old forgotten score cards, and the numbers of scholars of years past,

and to talk with you ten years from now will be my greatest pleasure, for you will be....ten year's behind.


They push the sterile elevator buttons, and descend upon the floor of scents flourishing from their crowded family rooms, only aware of distinctive flavors, in their middle eastern shades of desert gumbo,

Who speak ribbit and alfalfa until midnight of the afternoon, sharing fables of slaughtered giraffes and camels that walked from Kiev to Baghdad in a fortnight,

Who are aware the power is out, but continue to scour for candles in a dark room where candles once burned, where candle wax seals the drawers of where candles can be found. Where once sat gluttonous kings and queens in Sunday attire waiting for words of freedom from the North.

of Florence, Sochi,Shanghai
of Dempster, Foster, Lincoln
of Dodge, Ford, Shelby

Of concrete fortune tellers in 2nd story tenement blocks with hairy legs, and head lice, wearing beautiful sachets of India speaking ribbit and alfalfa.

On their unbirthdays they walk the fish tanks wearing their birthday suits to remind them who serves the food on the floors of the family room fish mongers tactics.

The old men wear gargoyles on their shoulders.

Lo! Fear has crept the glass marbles of their wisdom and fortune, blearing rocket ships and kazoos on the sidewalks of their Portuguese forefathers.

Where ancestry burns cigarette holes in the short-haired blue carpet, where Hoover breaks flood waters of insignificance across hard headed Evangelical trinities.

Who share construction techniques one early morning at four, where questions of Hammer and **** build intelligence in secondary faces of nameless twilight lovers, who possess bear blankets, and upheavals, finely wired bushes of ***** maturity. Eating *** and check, tongue and pen.

Where police caress emergency flame retardants over the fire between their legs, wielding the chauvinistic blade of comfort in the backseat of a Yellow faced driving patron.

With their innocent daughters with their nubile thighs, and malleable personalities, which require elite words and jewelry. Wearing wheat buns, Longfellow, and squire.

Holding postmarked cellular structure within their mobile anguish.

Who go curling in their showers, pushing afternoon naps and pretentious frou-frou hats over tainted friendships with their girlfriend's brothers with minimum paychecks'.

Through their narcissus and narcosis, their mirrored perceptions of medicinal scripture of Methamphetamine and elegant five-star meat.

Who amend their words with constitutional forgiveness, in their fascist cloth rampages through groves of learning strategies. And the closets, cupboards, and coins
with rubber hearts, steel *****, and gold *****,

Tall-tales of sock puppet hands with friendly sharing ******* techniques, dry with envy, colorful scabs, and coagulation of eccentric ****** endeavors, With their social lubricants and their tile feet wardrobes with B-quality Adidas and Reeboks gods of the souls of us. Who possess piceous syndromes of Ouiji boards in their parent’s basements.

When will fire burn another Bush? Spread the fire walls of Chicago, and part grocery store fields of food. Wrapping towels under the doors of smoke filled lungs, on the fingernails of a sleepover between business executives with the neoprene finish of their sons and daughters who attend finishing school, with resumes of oak furnishings,

And I long to talk with you ten years from now,
For you'll be talking ten years behind.

Who profligate their padded inventories breaking Mohammed and Hearst,
laying the pillows of cirrus minor
waiting for the rain to paint the eyes of the scriptures which waft through concrete corridors,
and scent the air with their exalted personas,

With the different channels of confusions, watching dimple past freckle, eating the palms of our tropical mental vocations to achieve purity from the indignation of those whom are contemptuous for lack of innocence in America,
this America, of lack of peace,
of America hold me,
Let me be.

Whom read the letters off music, blearing Sinatra and Krall, Manson where is your contempt?

Manson where is your manipulation of place settings?, you deserve fork and knife, the wounded commandments that regretfully fall like timber in an abandoned sanctuary of Yellowstone,
Manson, with your claws of the heart.
Manson, with your sheik vulgarity of **** cloaks exposing your ladies undercarriage,

Those who take their pets to walk the aisles of famished eyes,
allowing the dorsals of their backsides to wonder aimlessly through Vietnam and Chinaman,
holding peace of mind aware of their chemical leashes and fifteen calorie mental meals, holding hands, unaware of repercussion,

With their vivid recollections of sprinkler and slide, through dew and beyond,
Holding citrus drinks to themselves, apart from pleasure, trapped with excite from sunsets, and in-between.

Withholding reservation of tongue to lung.
Flowing ribbit and alfalfa, in the corridors of expected fragrance.

and to speak with you of ten years from now, will be a pleasure all my own, for you will be talking ten years behind.

They walked outside climbing over mountains of shrapnel, popped collars
and endless buffets of emotion,
driving Claremont all the way to art gallery premiers
and forever waited for plane crash landings
and the phone calls that never came

Glowing black and white cameras
giving modelesque perceptions to all-you-can-eat eyes
giving cigarettes endless chasms of light

Colored pavement trenches and divots
cliff note alibis
and surgery that lasted until the seamstress had gone into an
endless rest
and
empty cupboards

Classic stools painted with sleepless white smoke and bleached canvas rolling tobacco with the stained yellow window panes of feral tapestry and overindulgent vernacular

Like a satiated cheeseburger weeping smile simple emotion
on November the 18th celebrations
and Wisconsin out of business sales

Too much comfort, stealing switchboards from the the elderly, constantly putting gibberish into
effortless conversation.

Dormant doormats, with the greetings that never
reached as far as coffee table favelas,
arriving to homes of famished
furniture, awaiting temperate lifestyles and the window sill arguments from pedantic literacy

Silver shillings and corporate discovery clogged the persuasive
push and shove
to and from

Killing enterprise
loquacious attempt at too soon
much too soon
too soon for forever

Wall to wall post-card collages
happy reminders of the places never visited by drinks in the hands of
those received

Registered to the clouded skies of clip board artists
this arthritis of envy
of bathtub old age
wrinkled matted faces
logged with quick-fixes, anemia, and heart-break

disposed of off the streets
of youth, wheeling and wailing
rolling down striped stairs
of shock and arraignment
holding the hand rails of a wheelchair
suitcase
packed away in a life

Down I-37
into the ochre autumn fallen down leaves
and left memories behind
their green Syphilis eyeglasses

weeping tumuli
recalcitrant
mulish, furrow of beast and beyond

yelling, screaming, howling
at the prurient puerile tilling
of sheets

****** the voices of words
and vomiting the mind into the pockets of the turbulent perambulations
expelled from meat-packing
whispering condescension
and coercing adolescent obsessions
with fame, glamour, and *****

Creeping out into the naked
light of the Darger scale janitorial
closets, carrying the notorious gowns
of red wine spells, backpacks, and pins

henchmen, plaintiff, and youth

All the while
ripping at the incantations of the soul
whispering ribbit and alfalfa
in the guard-rail scars
of the dawns decadent forgotten
Writing for me is simple..
Lyrically ready to maximize my potential..
I have something to say I don't blow hot air like a inner tube...
Tell them liars they need to relax..
I am the type to push it to the max..
Switching gears and lanes until the governor snap ..
I cannot be contain..
Like the green hulk fighting the thing
I wish you could take a walk through my brain..
You would see different things depending on the time of day...
Like dead people, relatives that passed in my memories they live...
Times of my youth when I was a kid...
I didn't smile much.
I was a good kid I didn't wild much...
Pops sold crack so I styled much ...
Gun shots in Baltimore, my pops  died once...
In my mind I question a ****.  
Like are they always ready to ****
Or does life have them Close to the edge..
Of a cliff a jagged hill  
And they don't want to die in this dog eat dog world..
So they let blood spill..
I wonder if I was a G would I bang.
Red or blue claim a gang.  
Be like Larry Hoover...
A young shooter...
In and out of prison I maneuver
Run the block like a ruler...
Be part of the the trash like manure
Be a coke runner a drug mover..
Corrupting the body of drug users.  ..
Would I be known as a survivor
Escaping death more than MacGyver
Embrace the streets as truth knowing that's it a liar...
Nickname my gun human torch cause it fires
I wonder cause honestly I don't have a gun
This poetry is my weapon..
I am only gangsta through my lyrical aggression

Day 1 down...I am up to the challenge.
A poem a day ..to test my talent...
Father, this year's jinx rides us apart
where you followed our mother to her cold slumber;
a second shock boiling its stone to your heart,
leaving me here to shuffle and disencumber
you from the residence you could not afford:
a gold key, your half of a woolen mill,
twenty suits from Dunne's, an English Ford,
the love and legal verbiage of another will,
boxes of pictures of people I do not know.
I touch their cardboard faces. They must go.

But the eyes, as thick as wood in this album,
hold me. I stop here, where a small boy
waits in a ruffled dress for someone to come ...
for this soldier who holds his bugle like a toy
or for this velvet lady who cannot smile.
Is this your father's father, this commodore
in a mailman suit? My father, time meanwhile
has made it unimportant who you are looking for.
I'll never know what these faces are all about.
I lock them into their book and throw them out.

This is the yellow scrapbook that you began
the year I was born; as crackling now and wrinkly
as tobacco leaves: clippings where Hoover outran
the Democrats, wiggling his dry finger at me
and Prohibition; news where the Hindenburg went
down and recent years where you went flush
on war. This year, solvent but sick, you meant
to marry that pretty widow in a one-month rush.
But before you had that second chance, I cried
on your fat shoulder. Three days later you died.

These are the snapshots of marriage, stopped in places.
Side by side at the rail toward Nassau now;
here, with the winner's cup at the speedboat races,
here, in tails at the Cotillion, you take a bow,
here, by our kennel of dogs with their pink eyes,
running like show-bred pigs in their chain-link pen;
here, at the horseshow where my sister wins a prize;
and here, standing like a duke among groups of men.
Now I fold you down, my drunkard, my navigator,
my first lost keeper, to love or look at later.

I hold a five-year diary that my mother kept
for three years, telling all she does not say
of your alcoholic tendency. You overslept,
she writes. My God, father, each Christmas Day
with your blood, will I drink down your glass
of wine? The diary of your hurly-burly years
goes to my shelf to wait for my age to pass.
Only in this hoarded span will love persevere.
Whether you are pretty or not, I outlive you,
bend down my strange face to yours and forgive you.
Jamie Adams Aug 2016
As I ponder, perplexed by the possibility
Of a premature passing that may present itself to me
I consider and calculate
Though my conclusion may be crude
That the finest fix for my fear is a feasting of food
I munch on a morsel, my mouth making moisture
Overwhelmingly open to offal and oysters
I'd take them, temptation takes its toll
Curiosity for calories that I can't control
I'd have them, Hoover them, heck I'd hoard 'em
But by now I believe it's basically boredom
Not a necessity to nibble the nosh
It's late I ate a plate at eight, I can wait my gosh
No, I know there is no need
To slurp on soup or scoff some seeds
Only fatigue fuelling the feeling to feed
Got to get to grips with this gross and grotesque greed
Choking on choices, trembling in my chair
Do I punt for the pudding, the peach or the pear?
Selecting such seductive sweeties
Or dealing with death, diets and diabetes?
While I wonder and weep about what will win
My insatiable starvation stumbles on a sin
Not funny you'll find when you're finished and fat
'Cause in the kitchen on the counter there's a KitKat
Four fiendish fingers fascinate the feeling
So seductive, my senses soaring to the ceiling
Try to meet it, cheat it, beat it, defeat it
But what the hell, I don't care, I'll just ****** eat it.
Here are my eyes
my fried eggs
teal lily-pads floating
on white albumen.

Here are my elbows
like deformed peaches
my knuckles the peas
wrist corn on the cob.

Here are my teeth
my frosty Stonehenge
a ring of slabs
solid halibut.

Here are my ankles
four gobstoppers
cracking as rocks
under her size-five feet.

Here is my nose
fastened to my face
the garbage chute
meets hoover hybrid.

Here are my knees
two wrinkled potatoes
mashing in their sockets
as waves crumble on me.

Here is my hair
my straw candyfloss
unlike her buttered popcorn
curly-wurly waterfall.

Here are my tonsils
squashy strawberries
wedged at the back
of the cave I once made.

Here are my lips
azalea-pink sweets
flecked with salt
from our slice of sea.
Written: May 2014.
Explanation: A poem written in my own time that does (sort of) fall into my ongoing beach/sea series. Could've been stronger, but I am satisfied with the end product. Note 'size-five feet' refers to the UK measurement. The full-stops were a late addition, though I left out the commas.
Joe Bradley Jan 2014
The phone rings:
It doesn't work anymore.

Diazepam, Red wine, 6:30am, hip replacement,
Plunger, television, boxes of photos, carslberg, peroni,

The flush is broken on the toilet.
I've sat for 15 minutes.

Examination, xbox, unemployment, skunk,
Washing machine, dishwasher, dryer.

It's raining, Old towel and bucket
under the hole in the roof

Cat food, cod liver oil, mould, 8:45pm,
3pm, appointments, 12pm.
Laptop, silence, phone calls,
Toilet, bucket, bleach,
Oven cleaner, kitchen roll, dirt, carpet,
Television, Hoover,
Ben Jones Feb 2013
There's a fella you've all heard of
From a sandy foreign place
He was sent down by his daddy
From somewhere in outer space
He died and he came back again
Then he hit the dusty road
Now he's there for me with a helping hand
When I've almost dropped my load

Jesus is my barman
I munch his salty nuts
He fills me up with lovin'
Till it rumbles in my guts
He's my one almighty Hoover
He ***** off all my sin
To all my tricky crevices
He bravely enters in

He eases through my tightest spots
He's always got my back
He lubricates my passage
Down the narrow winding track
He tinkers with my plumbing
Removes my stubborn stains
Then with his holy implement
He firmly rods my drains

Jesus is my bell-boy
In his elevatin' craft
He pushes on my button
Then he takes me up the shaft
He's my fire fighting saviour
When flames begin to roar
He grabs his mighty helmet
And he breaks in my back door

He's captain of my ******
Commander of my boats
Don't worry if you're sinkin' fast
Cos Jesus always floats
If you're cold and need to light a fire
The lord is right and good
There's one thing he's remembered for
It’s always having wood

Jesus is my dentist
He drills me with his bit
He fills up all my cavities
Then I gargle and I spit
And one day when it’s legal
We'll end our secret fling
With his ring on my finger
And his finger in my ring
A country/western style song about loving Jesus...
Trenton Hartford Feb 2015
Goodnight pumpkin, I luv you. L-U-V U.
Dear mom,
Nothing ****** me off more than misspelling the word Love.
If you’re not willing to put two seconds into a text or even a letter
to spell it correctly, then you need a ******* dictionary.
The only time you looked into a dictionary was to find words big enough so they could fit through ears but not into my brain making it easier for lies to flow out of your mouth like it is second nature.
The only truth that ever spit out of your mouth like lemon juice, was when you told us, not all lives have happy endings.
But when you were still here, and I was only eight,
you let me watch disney movies so I could learn my own fate.
One of the movies taught me that if I said Ohana means family,
that you’d respond with,
family means no one gets left behind, or forgotten
But you left your kids to pursue Your happiness,
Now every time you leave to Pennsylvania another memory of us flies away from the airport you call a body just like the planes you get on,
Your lies create a tornado that destroys everything in it’s path,
and my life is a flat ground so this spiral of emotions won’t stop until you do.
You circled your yin-yang arms around me for the first time in the hospital, that was the same night people in white coats handed you a certificate with my name written on it, Now anytime my name is brought up in a subject you pull your hoodie over your head as a sign of embarrassment.
I want you to feel the pain you have been giving me for the last 2
years when you hear this poem.

I want you to realize that you’re the reason my feelings are
scribbled down to make a mess out on paper.

Every night I make a new river with my tears and when I realize you are
lying to me, it makes waves of depression
and those waves, are created by earthquakes of anger.
These waves are strong enough to break through any hoover dam
made up of antidepressants and pills that will only make me what
you want me to be which is “normal”?
If you tell someone you love them at least have the audacity to
mean it.
Be a the definition of a mom and care about us and our
feelings, and not just your own.
Mom, I-L-O-V-E-Y-O-U
Ohana means Family, but no one said family would last forever. But
you always will last forever, in my heart
A poem About my mom
Daniel James Sep 2011
A mess.
Squeeze past the bed
Drawers reluctant
A suitcase on the floor
Coming or going?
Not sure.

It’s a mess.
Perhaps if I clear it up?
But to clear the clothes off the floor
I’d have to open up those drawers
Reluctant to.
Where’s the hoover?
I found the vacuum.

Life’s a mess.
What with all that going on
Going on in the West
With the banks
And the robbers
They should sort their act out
Make some efficiencies
It’s just
Oh it makes me want to

My life’s a mess.
Life’s a mess.
My life?
A mess?
Life.
It’s a mess.
Messy.
It’s life.
Just can’t be
Bothered
To get a
GRIP
On it.

1. Is it my life?
2. Is it a mess?
3. If it is my life and it is a mess, does it follow that my life's a mess?
4.
Mateuš Conrad Jul 2016
the way i see it, the internet doesn't really exist for poets
of the 21st century: instant gratification in other realms does,
the digital free-love movement,
mobile internet - and the atypical human
behaviour of sorts;
counterclockwise there's another movement
happening - not based on a dozen social
media accounts - digital selection,
it's there - the komtur movement -
you use a sieve and you add the filter, without
even considering the deep web -
you imagine yourself in a Tron exercise -
you're basically saying: what should i
include in the virtual reinterpretation of
the high street - i haven't bothered going to
the high street / junk street for ages -
Oxford Street is like Jurassic Park for me -
herds of edible oxen daydreaming while
walking - poets always have the acid tongue,
better treat a woman with truth than
shelter 10 concubines and lie -
tss! (venomous spit sound) - where the big
boy'oh and his ******* Ferrari now?
on the next ***** - like i planned out prior -
there was a leather settee sitting in someone's
driveway, i had a beer and a cigarette and
felt the need for a breather - but it's in someone's
driveway... it would look odd, no?
around the corner a John the Baptist moment,
another settee sitting on the pavement -
you know how surreal it feels to sit on something
that's intended for the indoors when sitting outside?
i usually take rigid monk attention to postured
retirement from walking, but a settee on the pave
was like... sitting on a cloud - i joined
the feline traffic wardens for a while, 1, 2, 3, 4 cars
passed, i snorkelled two cigarettes and finished the
bear - the night... mm... is this surreal?
well... imagine that Brazilian billionaire and
his Olympic Games bid parking his car
in his living room... i parked my sofa on the
pavement - he's a butterfly incubator, i'm a tornado.
in poetry you have metaphors, puns...
i treat all psychiatric terms as equivalent to what
poetry uses - split-mind is both imagery and metaphor -
i'm already wearing a wedding ring -
allocated to the mediation of money, so she's
a ******* in heaven - i call her my pain in the ***
because she is a scorching sound in my left
hemisphere, it's this constant nagging -
or be like a Kantian bachelor - test your strength alone -
you'll have cognitive arguments with yourself,
you might do the whole schizophrenic episode -
or like me... hold keen on the stern and recover
with meteoric ambition to count the number
of peas in a glass like some autistic genius -
shame that science never had any romantic dimension -
Kierkegaard explored Faust - it ended up with Faust
being more the mythology that was intended -
he simply overpowered the love interest -
a love too diabolical - and unto hell we go, less
romantic and even more diabolical - some poets
write 20 poems a year, applause applause it's all great
because it's like taking a selfie of the poet on the toilet
seat - but my throne the throne of thrones,
Napoleon sat on a throne and the warring fields
were filled with **** - i sit on the throne of thrones
and the fields don't matter, i just **** on the throne
of the French Emperor; oi! listen, i'm trying to draw
return to the narrative linear, it's not easy when
you end up constantly stimulated by digression, digression,
it's hard enough to stop the river, let alone build a
Hoover dam or a bridge - o.k., now that i'm
less excited by subconscious stimulants of talk talk talk
(subconscious? yeah, read a few articles
about Layla, Harrison, No *** Please, Modern
reinventions of Arranged marriage with psychiatrists etc.)
i figured, i must write a 21st century poem...
i'm not much of a gamer, fair enough like any teenager
i played the Playstation - didn't get to no. 2,
that old grey block of plastic -
Tenchu and Final Fantasy Seven (with a walkthrough,
i was busy doing homework), and the Sims -
the wormhole spectacular - get the Sim to sit at the
computer... BOOM! cross-dimensional wormhole,
started freaking out... but the tablets are around
and i got speeding on Raving Fever -
PLAYER43588 - number of wins 1602 - mostly on the 2nd car
in the gallery - and mostly won on a 2,000 / 4km bet -
how? the physics - the nitro on max, the braking the handling
the acceleration and the speed on max -
but it's the physics! the ****** physics! most players
i go against are like robots... they press the nitro button
and quickly accelerate - i just sit back and either wait
for them to crash against the traffic, or when they don't,
after i have gained from the acceleration per se,
and having reached the max speed, then i nitro the ******...
it's like a Zeno paradox, i'm the tortoise and they're
Achilles - it's irrational to counter a good acceleration
with nitro - a schematic and less verbiage:

car A
nitro                    (143kmph)
                                               z. (~184kmph)
                                                                                    nitro
                                                                                    car B

z. denotes the zenith of speed - if these androids figured it
out properly, they wasted their nitro boost to reach the
maximum speed, i only wasted the acceleration potential
and got slightly delayed - once hitting the maximum
speed of 143kmph - i then press on the nitro and my zenith
is at ~184kmph - they're stuck on a plateau of maximum,
while i'm decreasing to their zenith of mutual maximum -
that's why i win so often, the frustrating thing for them
is that i always beat them on the last 100 metres or so.
basically i'm slowing down, while they're stuck on
stead speed, and by slowing down i'm beating them.
i guess scientists aren't ****, but neither is raising children,
who best knows the adventure of the mind?
and how to make boredom worth your while?
heidi Jun 2010
I am sick of words
that flow and tumble
randomly from my mind
Not making the right sound
or having the correct flow
My instinct is to **** them,
chop them up and discard them
Leave them
-like rare orchards
in the desert never to be seen
The man with the Hoover
will come tomorrow,
he' l put the tube through my ear
and **** the words out one by one.
Ill hear them swishing past as they go.
ill replace them with better words,
bigger words,
college words
with little connecting words in between
Ill make a chain of words
and use them up
before the Hoover man comes again
Ill be their savoir-
I may even become a poet
copyrite Heidi

— The End —