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Kara Rose Trojan Dec 2014
What’s the difference between hate and love
When they are two sides of the same blade.

Sharpened brandished waving wildly in ghost columns
against the disfigured, burning-white face of abrasion.
Then,
march home with square, taut shoulders – slightly bony –
Body swelled and puffed with
the blood-red energy of something desperate to naked pairs
ramming themselves against each other in an effort to
release.
These colorless concepts, abstract words
that hang in the air the same as
smoke-rings – ghost columns.

Could it give You a religion;
a belief that there is some guiding force in the universe
binding the two of you together by
touch, smell, scratching, grinding --
And he and You quelled
each other’s pleading prayers within
the folds of each muscles
the steeple of each elbow,
the hollow of each throat.

Some spiritualists call this the Kundalini – feel this world through a material base
A Love religion – fixing body and body together
because it’s the one thing that seems to make sense in this crude moment
when the ashes settled to fossilize inside
His and Yours brains.

“My God. His chest, his belly,
the riding and the falling, the moans.
How he clung to me, how he struggled --
Life and death! Life and death!”

The circle of arms is the gateway
to some emotional dry-heave:
the swelling, purging, and crashing
of grief, rage, love, and comfort
those same abstract, colorless concepts
teetering on the edge of a beaten-down slave gospel.

We can give our vegetables a gender:
Female onions. Peel only when ripe then
ferment in a closed plastic bottle.
Color sensations that can only pass between illuminated palms on an
angry evening.
Shakespeare’s Gloucester could only see this world feelingly, woman:
How will you cope after being blinded by his tears?
And when the ream is spent, write a poem on the back.

After your limbs searched for each other after years gone, searched underneath the covers for a comforting hand that could save the loneliness from shaking your souls out of your bodies?
When limbs stretched forward to hold both bodies together,
the backbones that ****** you both pressed against the skin --
The very skin that ****** you, too.
That dream baby bearing the handprint of his ghost --
his skin on your skin on baby skin
Against undifferentiated dark, it may glow beneath the cradle’s mobile.
“Another illegitimate black baby.” Let’s call it Smoke and Mirrors for maybe just a second.
Don’t pay attention to the swerve of small-town eyes.
Then, we can see the light through the parenthesis.
Call it the ghost of his Love. The ghost of meat love. Delirious brilliance.

Ghost of mouth-on-the-screen-door Love.
The same taste of nickels, of iron, of blood --
Leave the porchlight on if you want him to find his way back.
Hang the water-filled jar from the tree to ward away the evil ghosts.
Light it, love it, leave it. Light it, love it, leave it.
Who’s going to guide the insect-feelers
to the light
on the nights
When words split, scatter, and sift
into labor-streaked pyramids between these fingers?

Now do you know where you are? We see a little farther now, a little farther still.
Staked in fury, can we recognize red ants on a red ant hill, now?
Shrouded in a glory-cloud, at least you knew you fit somewhere.

As Women, We know the gospel well. A little farther now and a little farther still.
The maddening dances around *** and Song – it is possible for the rest of Us to understand
and know how You’ve been bleeding.
*The quotations applied in the poem are drawn from James Baldwin's play Blues for Mister Charlie in order to expound on the ambiguously defined struggle that Juanita, one of the Black students, encounters after Richard Henry leaves the bedroom in Act 2 and during the courtroom proceedings in Act 3. Faced with Richard Henry's impending doom, she mulls over how the lives of all the characters begin to intertwine and, ultimately, demonstrate the lyrical quality of grief individuals voiced during during and after the ****** of Emmett Till -- each with its own score, tone, and measure.

Blues for Mister Charlie is James Baldwin’s second play, a tragedy in three acts. It was first produced and published in 1964. It is dedicated to the memory of Medgar Evers, and his widow and his children, and to the memory of the dead children of Birmingham.“ The play is loosely based on the Emmett Till ****** that occurred in Money, Mississippi, before the Civil Rights Movement began.

While they’re out and dancing, Richard confides in Juanita about his time up North and how he became a ****** after encountering the jazz scene. Juanita and Richard share an intimate moment full of innocent nostalgia for their romantic history and cathartic awakening to the tumultuous circumstances for Black individuals in society.

After Richard is killed, Juanita testifies to Richard’s character in court. However, since Juanita has been to jail (for non-violent protest) and has had *** before marriage (with someone she loves), the racist white townspeople defending Lyle suggest her testimony is of no importance.
brian carlin Dec 2009
The decaying mansions of English language
Rot and recede
into teenage grasses
with each unspoken year

The hired help have left their hair unmown and surrendered their uniform dress
Content with the neglect of nature
taking its timely course

When the architects and master masons of linguistics
Survey their forgotten plans in the heaven of English literature
They are not dismayed
but patiently sit and sit

The pristine edifices of the classics
Once grand and clad in deferential brick
Stand scaffolded and unread
The doors unlocked, ajar and hopelessly inviting
Into the library of the English canon
The dusty cloak on the carpets of grammar
Sheets thrown over the disused armchairs of archaic words
Echoing the plink of the out-of-tune pianoforte of the perfectly crafted short story
Bathrooms of formal poetry
With the rusty plumbing of metre and rhyme

Whereas the temporary outhouses,
hastily arranged huts of slang and idiom
are adorned by the living grasses of new forms,
creepers  of half remembered dreams
mulching leaves of half formed thoughts
forests of half forgotten loves
writhing in living incompleteness
Which will in turn harden and fossilize

And we can then rue the passing of our once organic lingo
Dre G Sep 2011
when my faith is tested
i recoil into the lurid nest
by moonlight, by the sound of a lyre
whose blood whispers dank currents
into the low hillside.

and over the hillside
pour screaming maenads
who pluck from the damp ground
snakes for their altars.

a timid peak out of my grotto reveals
a crawling sailor scattered on the rocks.
Apollo’s choir releases hymns
from underneath dark sediment.

i am secure inside the den
the man writhes on the shore for help

but even if i let him in,
i will consume his rooted soul,
so he dies one way
or another.

foot
steps

does he really wish to
become absorbed by this
dark cloak? where he will kick
and drool and never again
see rain stretch over the Aegean?
as i have not seen past this
constant haze of lead,
an infinite bang on a finite drum i
played long ago into infinity?

and the swirls
of infinity
shedding outward like the
tresses of a fire haired fae.
a sprinting sugar fae,
the wind inside the hair
outside her head,
blowing behind her.

she dashes through the wood
until her feet fossilize
within the rock below.
one day several naturalists will find
the slabs of granite
and make a map of elegant
collarbone etched into hardened stone.

all the while i will guard this cave, alone.
and if my foes send winds as
messengers, i will saunter in
amusement, with an olive
on my tongue

the wind cannot destroy
the seashore,
the moon and sun
command the tides.
Teo Mar 2017
Lately I've been stating the obvious
Textbook cop outs of conversation
Clearly "it is what it is," but if I asked "how are you?"
And you say that you've had better days
"It is what it is," is not valuable input
"Brilliant observation, Mr. Holmes"
Or as I prefer to say, no ****, sherlock
You'll either stand there or walk away
And in near perfect silence the clock will tick tock
Time and regret moving in rivulets that make up the day
Words flow from my mouth and into the bay of awkward
Silences and "keep your chin up"s
Let me you ask you, when was that ever enough?
Clearly I'm still above water, trying not to sink
But I can't even use my brain hard enough to think of a response other than
"It is what it is"

Because I wish it was what it isn't
And that I didn't have this dirt in my eyes
Cause it rolls down my nose and it's grown quite annoying
See, we were on a journey to the ocean
But devotion also drips down, down
Like condensation on the side of a glass of water left out in the sun
I kept on toying with this sharp tongue just to end up slashing our tires and sails
I never cease nor fail to amaze myself with my expertise on sabotage
This feeling can be no mere mirage considering how much it hurts
I made this bed out of dirt and also have nothing else to eat
Stranded in this desert heat of my own insecurity
I ****** up so thoroughly you'd think I did this on purpose
There's no such thing as above while you're under the surface
It is what it is? No, it's not what it's not
I used to mean a lot to her, till one day I just didn't
Now the better days are hidden over mountains that are seeming farther away than they ever have before
Because no more can I look in her eyes and call those deep oceans mine, full of treasures I will never know
I couldn't hold on, and that's how she goes

Honestly, it's strange how serene I've been lately
And something seems gravely odd about this scene
I see this canyon in dreams and think it's amazing
The relativity of it all, it takes rivers and glaciers eons
To carve out their existence on nature, but I built something even more beautiful inside of my mind in the blink of an eye
A mere hiccup compared to the amount of time that it takes in order to create and behold the majesty of something so grand
And yet it's so hard to believe that what I tried to make last was so utterly temporary
Honestly, it's pretty scary when you lose someone so quickly you feel like you never had a place or even mean anything
I still want forever, but can't even make it till spring
So I watch as better times chase their head spaces flowing down
Down
Down
Down the ravines between us, carved out by my jealousy
Yet I still see you and we can only watch the same stars
That must have given us incompatible charts, no we can't navigate like this
So I waste my time and miss you as I lie back and start
Accepting what is, connecting the dots with bored eyes
Trying to trace out some image of god with the sky
Hiding somewhere up there in the unforgiving dark
The one that gave us these incompatible hearts

See, we were once like a river, of course I already forgive her
Though it was my fault we got stranded here, that she doesn't want to be near the wrath of my landslides
Water flows and divides along the path of least resistance after all
As it should, if only I could be as fluid as her
But I am the distance of earth and the meters per second
The matter that beckons every object to fall with its gravity
The bricks in each wall that people build to ignore whatever it is that they can't stand to see
But unlike geological ages, I turn the pages and it saddens me how short our time was and how much you are missed
Like some kind of freak continental drift separated our currents, the very face of this world will never be the same as long as you walk upon it
And trying to carve out your name on my side of this canyon is proving to be impossibly difficult
The very earth shook each time that I smiled and you wouldn't look
I tapped out Morse code with boulders, but too forcefully the wind vibrated her shoulders and hair
My smoke signals were lost in the cold morning air where your absence is most definitely noted
There is no glare on your binoculars, you're not looking my way, but in between the spaces where night turns into day
You're more focused on horizons that I can't see from where I stand
I'm stuck on this side with no feasible plan to escape
Guess I'll just wait in this land that time seems to have lost
To become one more man that you simply forgot
And how could I forget that I know you've got many more things still to do, more important people to love
It is what it is, and it was what it was
But I still see your fire sometimes across the gap that's eroding
The silence between us swells as the ice cap is going from up north and down
Down
Down
Down to the ocean that we were supposed to become
So I'll watch you underneath the indifferent sun as you move along with the current, farther away from where I stay slumped
While I'm aging one million years in a month because I'm like the earth and you're more like the sea
And you should know that even if you never miss me, your motions through space, my hands on your waist, that heartbreaking face
Whatever it was that we were is imprinted in the sediment of my very being, I hope you are happy with the world you're out there seeing
And if you even sometimes think of me then maybe sometimes I'll also be able to sleep through the eons and try to figure this out
But I reserve doubts because nothing will ever hurt more than the truth
I'd rather take a dinosaur tooth to the chest, I'm way too depressed to do anything but survive, yeah I'm still alive
Still stuck here, still useless, tears keep pathetically leaking down
When I think of you, but prophetically speaking
Maybe someday there'll exist a new age, intrepid paleontologist that will be able to sift through and find
On the floor of our ocean, in the muck and the grime
These fossils the snowmelt carried down to the sea
Proof that I love you... and you once loved me
Mike Arms May 2012
I am Ether
and it's hard luck these days
with nobody making you famous

There is a lead cloud pregnant
with memories worse than burns
raining like errant artillery

I have to bite with my best teeth
to rewind pleasure and fossilize
painful reputations

You put murderers tattoos on my
social membrane by a diseased loop
Obviously I run like a rabbit and

backflip and rip in half the sky
Anonymity boils
Jarry shoots his ephemeral pistol

outside the theatre at fictional
Paris of your half dream
these ghosts circle your nerves

bleeding christmas sugar
gasping kerosene charisma
atop the peak of repute
Del Maximo Jan 2010
dropped hard to the floor
the crumpled sound of dead weight
his cracked skull oozing
lifeless body releases
blood, ***** and seepage run

the stench of death fades
bones gnawed clean by sated rats
start to fossilize
just another new entry
in his basement collection


Del Maximo
© September 18, 2009
betterdays Jun 2014
espy me now,
vivify me now,
beautify me now,
satisfy me now,
gratify me now,
tumefy me now,
mollify me  now,
clarify me now,
classify me now,
sanctify me now,
immortalize me now,
deify me now,
rubify me now,
crucify me now,
mummify me now,
reify me now,
codify me now,
ratify me now,
glorify me now,
magnify me now,
mystify me now,
minify me now,
justify me now,
stultify me now,
stupefy me now,
falsify me now,
nullify me now,
villify me now,
vitrify me now,
calcify me now,
ossify me now,
fossilize me,
forget me
and
walk away.
ethyreal Aug 2013
Inside my body is a garden.
a piercing wound is closed by
Vines curling around the chasm
Pulling the two folds of skin ever closer.
And as it heals
A red rose blossoms, like a pink scar, otherwise.

This garden breathes
Its gills are a dewy’d, petal’d wonderland
Veins stretch like roots
Tendrils that ever entwine my flesh-soil
And bones like coal
Fossilize.
Into the depths of the earth they
Lay and wait.
The dark that keeps the cogs turning.

But what the eye cannot see,
it cannot truly hold beauty.
No beauty such as the blossoms
Sprouting from my wounds.
Lydia Mar 2018
I'm so sick of metaphors about sunsets
We took the scenic route to fall in love
A sunset was just the beginning
We saw the sunset in our rearview mirror and kept right on going
We fell asleep at a motel before the sun set again the next day

And love wasn't having something to talk about every minute of that three day road trip with the radio broken
Love was going to the bathroom, the only privacy we could find, and still wanting to walk back to the car
Love was hidden somewhere between that last stop for a large fry and not caring if you took your shoes off

So I don't love you like a sunset
I don't love you like love is on a timer that's going to run out
I love you like a tree that is going to grow for hundreds of years, and then fossilize
I love you like a mountain being ground on every day by the wind and still standing
I love you like the ashes of a fire, all the bits left over, someone you have to come home to
I don't usually write love poems, but every once in awhile...
Please comment :)
Michael May 2018
Fossilize my heart
in a sticky Southern summer
Shiver and sweat an uncertain future
103 degrees (With heat index?)

I can’t tell if it’s my fever
or if the hills are undulating
Freeing themselves of wrinkles
like hanging bedsheets

As they sway, I brace myself
Close my eyes to the dance
Still each painful breath,
seal every beat in amber
Joanna Oz Mar 2015
baby i crave rose-petaled
cigarette romance,
let the smoke rise from my lungs
and curl through your canals
caress you in dark alleys and
lead your lips to embrace hushed defeat
reflected in the moon-lit puddles at your feet.

baby i desire the electric plume
of your poisonous touch,
every meeting of our skin causes volcanoes to erupt
spewing lava from my eyes but
my phoenix feathers will keep us
from plummeting asunder.

baby i get lost in the technicolor
pictures playing in slow-motion-reverse,
where sugar coats the screen
from the edges inward, building mountains of
sticky residue for my memories to fossilize into.

baby i chase after loud-mouthed contradictions
with pupils the size of dimes,
i fall in love with vagabonds
and flippant lost causes
who commit heartfelt crimes.

baby i'll track down every demon in you
and take them all out to lunch,
i'll piece together your black hole tar soul
collage of a universe waiting to burst forth,
and i'll hold onto the remnants of whispered secrets
until my museum of you turns back into a live exhibit.
Ephraim Feb 2021
Elohim decay
feathers fossilize
spinal columns scream
porcupine trees and pulverized spleen
a runaway stallion ***** ******
burning all trace of his steps
tetralogy of sun and steel
satyrs and samurai plunge swords and members
into quivering bowels and nymphs
chrysanthemum petals turn to snow in May
dusting the mask you wore to confession
where the abbott sank a gluttony fist in your robe;
you coughed,
leaving a mist of golden ***** all over the door
of Kyoko's crumbling house.

Izanami-no-Mikoto passes over
leaving the lovers to rot
where they hang.

The sound of waves blur our view
modern aesthetic is not enough
falling sand
a psoriatic kiss
beauty and youth
withered blossoms
on trees bearing only cherry stones
Shōgatsu begins
with mochi deaths
Kimitake's ghost wanders the palace
loinclothed
head in one hand
sword in the other.
Written with thoughts of Mishima.
Poetic T Feb 2017
My tears never decay into another form of empathy,
instead they fossilize into lacerations sketching
upon my parchment and my regret is unspoken.

Words were meant to sooth upon reflections but mine
are putrefied, lingering in stagnation upon where they
feel on the floor, outlines of deceased vocalizations hushed.

All feelings now feel uninhabited like an empty room
with but a window looking out to nothing. I'm realizing
that I was never really here only in musing that is fading.
elh Dec 2019
late sunday morning
dining chair, scratched and antique
fossilize the past.
Mike Adam May 9
Toe-nail clippings fossilize
As they fall

Stone-set by rise and
Evaporation of a
Million Seas
SCHEDAR Feb 2023
She is panning for forgiveness
through the darkest sands of time
minerals from charred bone
fill the silt, left far behind
Remnants of tarnished memories
let guilt fossilize the years
how she longs to melt those frozen crystals, back into her own tears

Cry for the silence
Cry for the screams
Cry for the freedom
that forgiveness finds
in dreams
c rogan Jun 2
on his birthday, a trick of the eye
a chime, lime green glimmering dark
slowly, a harp being plucked.  another chord - a melody unfolds.
buoyant hum -- the first of seasons, the first of firsts.

climbing the rocky, root-laddered hill, Sylvia's blackberrying echoes on my breath.  she frames the bakery courtyard, the home hill (an old couple planted daffodils under them, every year we cut some for our mother), and the bushes next to our apartment.  my foot arches around the curve of a root, and an oriole beams last rays of sunset as he darts into the dark.  cinnamon, caramel, and chocolate waft off my clothes.  they dance with the open, earthy, and full scent of her, encompassing.

intertwined, woven in the basket that held my mother's ribbons, our gratitude, and the elementary playground (we climbed the fence behind the basketball hoops, stretching to reach and shake the pale purple, sweet berries).  coils of gold, glitter, silk, satin, the handprint leaves, the gradient of small white to full purple bumpy pockets of sun.  such of tangible happiness I could hold it - twist it in my hands... even braid it into my daughter's long blonde hair.

we watch the mother and her three fawns, so close.  I can be happy anywhere if I see my friends.  rabbits, deer, lightning bugs, blackberries, dawn redwoods, and birds at dusk.  If I close my eyes I feel the earth, the prickly grass, and ants' expedition across my legs.  I remember.  like the first time, being called home for dinner.  overturn a rock, mesmerized by the traffic of roots, bugs, the city underground.  every day is something to cherish, to fill, to love, to share, to learn, to explore.

we are reborn in art. where the forest swallows the city horizon, a cocoon of peace.  I am always transforming.  a cool stream carved the valleys of Pittsburgh, beyond the plateau of the meadow hill and through the winding trails.  sisyphus's stone is a pile sand; the rocks are smooth as I turn them over in my hands, no jagged edges in my pocket.  my footprints fossilize, collaged with clover, fern, daisy.  a resonance that opens your heart - bathing in belonging.  the sounds, textures, smells, colors, and creatures welcome you here.

the museum of outside.  it was one woman who wanted it.  now it is everything.  the pictures in the gallery sit still - i tell my children that we can play pretend.  jump in the painting.  take a deep breath.  what do you smell?  flowers, pine trees.  what do you hear?  rushing water, birds, wind, frogs ribbiting.  what can you feel?  splash the cold, clear water - woo!   can a museum be a place of joy, exuberance, noise?  can we see everyone represented in it - even the smallest of creatures?  why have we done so much to be 'industrialized', 'civilized', 'developed', if we have sterilized, destroyed, polluted, and erased culture - intrinsically related to land?  

I say thank you to all the beings.  I say it out loud.  Sometimes I whisper.  Sometimes I am too awestruck to do anything but gaze.
I wonder if my presence transforms them, too.  I teach in the museum the next day, waiting to surrender back to the blanket of green.  from marble floors, satin walls, glittering crystal, and hand-painted ceilings, to holding hands.  playing.  running.  being wild.  whispering I love you to all.

the lightning bugs love the tree - they almost seem to follow our path home.  

𓆣 · 𓆨 · 𓆤 · 𓆦 · 𓆑 · 𖦹 ·
Sophia Granada Jul 2021
You get hoarse and forget how to speak now
lightning struck your throat and left a cold opal there
all milk white and cornflower blue
riot fire noise trapped in a chunk of ice
the veins of it scraping the throat raw
and reaching down to fossilize the heart
the whole of the innards becoming included in the matrix
until it is all stone
until it is calcified chunks connected like a maze
waiting for some craftsman to pour resin over it
make a conversation piece, a coffee table
But you?
You will never speak again.
Borb Nov 2018
Call the rains to wash me away.
Every drop dissolves substance from the bone.
Leave my sins where I stood, a frame against the torrent.
Let the rains wash me away.
Sweep me back through the timeless sands to my ancestors who did not know light from darkness.
Take me to the cold ocean. Leave my name cast in the shore to fossilize.
Wash me away.
Fish feel no pain.
Wash me far away from the sulfurous sun so it cannot see my shameful scales.

— The End —