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DJ Thomas May 2010
We each have a voice and life, it is how we use them not how we might!  

Stop glaciers melting
Huge population movements
Death of progeny


The small reductions in carbon emissions being targeted for 2020 or 2050 - are thought to little to late to slow global warming.  The melting polar ice and glaciers together with our changing weather patterns are now fact. The resulting loss of river systems and rising sea levels will mean the desertification or flooding of agricultural lands and famine, then the migration of populations - starting with the skilled and rich seeking safety, to escalate into the terror of armed bands
warring over water, food, women and land.

By 20 20
Lets hope for twenty twenty
A 20 20


There is now the thought that the huge physical change wrought by global warming can be charted by the escalation in earthquake and volcanic activity.  And that this may eventually trigger huge eruptions in the American and Asian continents,
destroying civilisations to create a planetary volcanic winter.

Again fire and cold
The cycle repeats itself
Destroying nature


Was there a civilisation in deep history before the flood, prior to and during the last ice-age?
This has been researched and written about in great detail during the last twenty years
and many now believe it already proven by scientific review of documents and
thousands of archaeological finds, also by scientists having used the exactness
in the astronomical alignments of ancient monuments
to recalculate there greater age.  

Dead sold souls herd us
Lost mindless finger puppets
Vapid witless words


Sadly, the majority put their reliance and faith in
the actions of lawyer-ed politicians, most of whom evidence
a fixation on their own welfare,  selfish self-glorification needs
and an unwillingness to rock-the-boat once in power*

Politicians thwart
Party politics deafen
Propaganda’s herd


Putting off all radical action required until after the next election.  
Many have gifted away the necessary legal control and power to take national radical action
to a political or trade grouping of nations - in effect retaining only national rights
to go to war, put up taxes, borrow and spend monies.

Please no rhetoric
Complete local transition
Forget politics


We each have a voice and life, it is how we use them not how we might!

Living we give voice
So one voice might yet be heard
All being, believe!


We are left holding our eco-inheritance and children’s future in the palm of our hand.
Please let our love and imagination drive us each forward to make change.


Biosphere a greenhouse 
Target the impossible
Please gift some life soon?


So, we each of us have hard personal choices to make, which will encompass both positive and negative
benefits in terms of our time, lifestyle, health and wealth.  I chose to base my choices solely on how it
might benefit the eco-system and the lives of our children.

My choices are grouped under five headings: transport, food, home, lifestyle and further action. They are:
-  

Transport: Rail; Bus; Coach; Bike;
(I pass woods in bud - a Red Kite hunting twisting, unhurried moments).  
To give up ownership of electric / motor vehicles
and to avoid air travel where possible.


Highly vaporous.
Emissions farting -
barrelling vipers
.

Food: To eat meat/fish only once a week at most;
(Slaughteramas greed - industrial carcase-ed meals. Sheep full of cancer)
To study fast methods of vegetarian cooking; buy local organic foodstuffs;
visit local farmers markets and farm shops; grow my own when possible
and help friends establish vegetable/herb gardens.
To not ever feed, cleave and eat!


Fat shopaholics,
a deadly consumerism.
Cancers meat to eat


Home:   A cottage sized for me, friends and neighbours,
overlooking a wooded valley and trout stream.
Like me a little untidy and basic
.

Crossing the shallows
trout fingerling feed at dawn
White dots steep hill path

Dusk - eight painted queue
river paired mare and foal
Foliage lined dark black


Well positioned to capture the morning sun, airy and light.  
Yet insulated to stay cool or warm. With easy access to mountain bike trails
and long distance bus routes, plus several end-of-line train stations
in energetic cycling distance over the mountains


A differing beat
Quickly fading doubled steps -
pulling separate


Life Style:* A thinking poet mountain biker, living organic
not part of the great noisious noxious ribbons of hurtling tired.

Pressured paced life -
impossible  commitments.
Organic living


Further Action: *I intend to give up meat not because of the terrible cruelty involved in ten billion or more animals
being slaughtered every year to feed the human race, but due to
: 1)  animal farming being a major factor in the burning of 50 million year old rainforests at a rate of one and half acres per second to generate huge volumes of greenhouse gases, destroying the richest habitats on Earth and a principal source of oxygen; and 2)  that these billions of farmed animals
are themselves a major source of greenhouse gases
.

Burning rainforests
Feeding to cleave open and eat
Subsistence farming


With ongoing intensive fishing, the world's fisheries already in crisis and climate change,
it could be that we will run out of wild-caught seafood much earlier than 2030!


Conserve energy -
and natural resources
Don’t waste foolishly


Each of us might have a different view of what globalisation is,
for some this word encapsulates the dangers of our global fast food culture, omnipresent brands,
popular culture, changing diets and the growing use of packaged processed foods
.

Freedom to act sought
Globalisation's curses
Octopus suckers!


For many it is the illegal international trade in endangered species of flora and fauna,  
second only in value to the $350 billion a year global drug trafficking trade that now services
perhaps more than 50 million regular users of ******, ******* and synthetic drugs
.

The label 'globalization' can cover the: spread and integration of different cultures;  
industry moving to low per capita income countries; sweatshops supplying this seasons branded goods
to retail outlets worldwide;  complex international interleaved financial trading instruments being developed
by banks and financial institutions to trade worldwide, create profits and pay huge bonuses, without risk to themselves
.

Globalisation -
orchestrated profiteers,
betting our losses


Many see globalisation as being the beneficial spread of free trade, liberty, democracy and capitalism,
involving the efficient allocation of resources and capital through the spread of technology.
Unelected international bodies and institutions such the World Bank actively promulgate globalisation,
a '‘world government’ promoting close economic ties between nations
.

Enculturation
Our sad indoctrination
Globalization
  

The anti-globalisation movements dislike the corporate and political nature of globalisation,
protesting the resultant harm done to the biosphere, a more rapid and extensive deterioration of the environment
and the unintended but very real consequences of globalisation: the erosion of traditional culture
resulting in social disintegration; a breakdown of democracy; the spread of new diseases;
changes in diet; increasing poverty.
.

I view globalisation and it's propagation as leading to the final destruction
of the world's cultures and civilisations by locked us into a
dogmatic world political doctrine secured through
trade and political alliances of states, institutions
and corporations that remain hell bent on
imposing this world governance. Such
that individual countries governments
cannot consider making substantive
radical change to avert the planet
being pushed into a natural cycle
that will end the human race
.

Caged in Fools World
The people hear heroic call  
Each one a hero
!

The peoples and cultures of the world need perhaps just one western country to
break the legal chains of globalisation and adopt a radical economic regeneration program
designed to make the total transition to a dynamic culture of localised
clean communities centred on the individual not competition*  

Only one tool
National taxation for -
economic change.


Here I begin discussing how global, regional and national economies might
be based on the growth of small organic local economies.
not the repeated foolishness involved in chasing lower cost base manufacture -
each time at great cost to the economy it has migrated from!
Then a further culture becoming totally reliant
on the transport of foodstuffs and goods -
I can here you saying
:

"Oh **** this guy is -
talking about change, changing -
the world we live in!"


Yes, I am and do we have a choice?  But such change will be organic and involve business
in the restructuring and regeneration of economies till we share green economies.  
In small part his is already happening slowly!


Unlock taxation,  
survivals powerful tool.  
Needed now for change!


This is why we need to consider doing something that many of today's
plutocrats, economists, bureaucrats and politicians, would dismiss out of hand or
discuss endlessly in terms of perfectly competitive markets, perverse economic incentives etc


Major solution
National taxation change
Human extinction



WORK in HAND

This haiku sequenced eco-haibun is an ongoing project being penned day-by-day by many that care and take action. Your reactions are all welcome, thank you


**Take back control now.  
Cease all squabbling, achieve act - decisively!

Globalisation's, global control cut away.
Diversity sought

Promote well being.  Act with imagination -
for ecology!

Creating employment -
with local utilities, local food and transport

Incentivise tax,  to create local benefits.
Gain prosperity

Income taxation -  value added tax, aged -
dangerous mistake

Local licensing.  Lead don't follow excuses.
Saviour taxation

Imaginative - energy, food and transport -
local licensing

An alternative - energetic strategy,
greening business

Organic foodstuffs - out compete processed food.
Life promoting health

Healthy government - a healthy population. 
Zero income tax!

Locally taxed - by distance it travelled -
and category

Products bar coded.  Point of agreed production -
and category

Local added tax, by distance it travelled -
and category

Local energy, initiatives supplant.  
Replacing at risk

User energy, capture and storage.  
Eco-dwelling plan

Local water works,  supplanting initiative.
Replace the at risk

User water need.  Capturing and storing half.
Securing supply

Communications, local initiatives.
Protecting our needs

Local healthy food, life saving initiative.
Planting guaranteed

Sort unemployment, local work available.
Agriculture base

Radical transport - initiatives needed.
Change made possible

Season’s colours blur - in ageing contemplation
chilling warm breezes

Ganges dried mud - dust
Armed hungry thirsty tide
Generations despair,  lost

Our politicians -
squabble condemn progeny.
Flee panic and die

HAIKU SEQUENCE FINISHED

HAIBUN PROSE BEING ADDED
Day by Day
This haiku sequenced eco-haibun needs prose and additional haiku added day by day.  Contributing comment and reactions considered for inclusion...

copyright©DJThomas@inbox.com 2010
Mateuš Conrad Nov 2016
before i pull this one out of my *** (again - listen, these words are not coming from either head or heart, it's best to pull them from the bowels, a gut-wrenching-feeling is more potent than that "something" that "something" delusional pulled from a clenched heart... as far as i know, the brain is incapable of emotions, it doesn't understand them, and since it doesn't understand them: it ridicules them)... which brings me to point:

(a) perhaps the idea of a soul is out-dated... why wouldn't it be, 21g worth of breath does not equal a soul... hence the autopsy of man, each detail studied seperately, the cardiologist knows the heart, the neurologist the brain etc., but some items work in a solipsistic mode... the heart is robotic, automaton pump queen (and not the kind of pump you'd get from Shveeden) - thump thump thump! come to think of it, most of our bodies are robotic, automated... lucky for me: i don't have to think about the heart doing what it does, it just per se does it... i'm not even sure i'm gifted with the a.i. brain functions... but there's an underlying principle that governs all of these items... some call it the self... i prefer: the Σ ultimatum... some would call it soul... but there has to be something akin to the Σ ultimatum that allows me to become detached from this body, while at the same time be bound to it: high blood pressure, heart attack on the horizon... take the high blood pressure pills... ****... what was (b)? oh... yes...

(b) i'm sorry, virginity doesn't cut it for me, lucky me that it was isabella of grenoble that allowed me to move aside from: god, prior to losing my virginity.... roxette: do you feel excited, you're still the one (shanaia twain), fade to black - metallica... i was such a romantic before i lost this dreaded curse... i was a romantic... 19th century style romanticism... but you really can see past this sort of romanticism unless you haven't ******... these days the right complains about cultural marxism: plenty of things to complain about... it makes as much sense as a pickle in a dollop of custard... or cooking with pale indian ale to make a stew: bad idea... wine, brandy, cider? fine... beer? terrible idea to cook with... but unless you haven't lost your virginity, you can't see what cultural marxism chose as its opponent: cultural darwinism... you know how little you hear about darwinism outside of the english speaking world? zero to none, yes, it's an accepted fact, but this fact does not permeate outside of the fact per se, the fact contains itself and the whole subsequent narrative because subconsciously stored... no other people than the people who found it ensure there are subplot proof statements of a reconfirmation of the validity... the whole social science bogus trap of rating people on looks... contradicting the meritocracy of that old Socratic saying: let me be as beautiful on the inside as on the outside... if you haven't ******: you're still the same old romantic i was at puberty... once you ****... well... cultural marxism dwarfs... yes yes it's there... so? but at the same time you can at least appreciate seeing the antithesis: cultural darwinism... the romantic needs to die the most carnal death via experience... all my ideals were shattered, this perfection of woman... i very much liked the idea / not even the ideal of a woman... but when the idea fizzled out and there was no ideal to begin with... i saw cultural darwinism for the very first time and... it was as ugly as cultural marxism so heavily criticized by the conservative right of the west... so... i decided to walk the middle ground, ignoring both sides (of the argument).

(c) i wouldn't have come up with a point see, unless my favorite square schematic didn't pop into my mind, Kantian, as ever: the best philosophy is the antithesis of English pragmatism and overt-politicisation, so it has to be German, ergo? i will not explain these terms, i figured: if i nail a decent example to fit each category, that's enough: since you can then visualize the concept via the example:

analytical a priori                           synthetic a priori
there's a need to throw                   learning
a ball at                                                to throw a ball
a target                                                 at a target once
                                                            ­  the need has been
                                                            ­  established...



synthetic a posteriori                    analytical a posteriori
there's a  need to                           perfecting to throw
      throw a ball at                               a ball at a target
a target, in order
to perfect this need...

                                            baseball..­. cricket...
at least: that's how i define knowledge of something
simple without having to use mathematics
that Kant used to explain... 2 + 2 = 4...
mathematics isn't exactly a man's best friend
at explaining philosophy...
you write philosophy that alligns itself
to mathematics... no wonder: moths in books...
yawns, unfinished works...
i found that sports work just as well
as mathematics... and you have the already
primitive objects to work with...
rather than pseudo-objects: i.e. numbers...
the abstracts of perception: i'm actually 6ft2...
not 6ft1... karolína plíšková is 6ft1...
       as noted when watching her today...

  i'll admit, i'm always a bit shaky when it comes
to this sqaure, whether it's over-simplified,
notably the top left corner: analytical a priori,
i'm always of a mindset that wants to associated
this definition with: analytical a- priori...
  i.e. borrowing from atheism:
    to analyse something without there
being a prior to example...
               analysis without a prior example...
i guess that's the mojo of science... the driving force...
back to sports... bow and arrow...
   tools: target...
       whether a bow and arrow and a deer
to begin with...
or a hand and ball and a wicket to end with...

there's a need to throw                  
a ball at a target...

            and cricket was the precursor of
baseball, but prior to cricket?
   there was archery...
              and prior to archery...
   there was forever a fundamental need,
e.g. to go from point X to point Z...
   see... as much as Kant wanted...
   numbers don't really solve the "problem"
of explaining something: algebra would be
better suited... x + y = z...
                    with numbers either hovering
above, or below (in the instance of chemistry's
subscript)...

talking of squares... sūdoku...
well, if at any time the french were to receive a hard-on
in terms of inventing something,
the english: rugby, cricket, football, tennis...
the french really did read some of the hebrew
qabbalah literature, as i am doing...
magic squares...
       the secular version of this puzzle
first appeared on july 6, 1895 (the modern version)...

it came to us from India and China...
again... why do western cultural darwinists
always tell our genesis from
the perspective of: "out of Africa"?
aren't there elephants in India?
            i will not believe i originated in Africa,
i'm not an "out of Africa" sorry state of
incompetence... i place my origins in
the sub-continent... at least that's where my
current language originates from...
the great migration across the Siberian tundra,
rather than some African savannah...
after all the Bangladeshi and the Sri Lankans
(the tear of India) resemble burnt cinnamon
in tone, some even as dark skinned as
east africans...
   if the germanic people want to stick to
the "out of Africa" narrative (notably the English):
let them have it... i place my origins in
India...

   never mind, now i'll write a name's dropping
history of how july 6th, 1895 happened...
the "magic" squares...

    from either India or China (chess from India)...
moschopulus of contantinople
  introduced them (the "magic" squares)
in the early 1400s... apparently ancient qabbalists
had knowledge of them
  (so... a trip well spent)...
                             rabbi joseph tzayah (1505 - 1573)
magnum opus: responsa...
             rabbi joseph castro: avkat rokhel...
tzayah in jerusalem wrote his major work
Evven HaShoham (the onyx stone) - 1538 -
   a year later the book: tzeror ha-chaim discussing
the Talmud: he never really bothered about
the Zohar...
               the hebrai word for "letters": otiot...
divided into two:
                         tav aleph (a line of aleph)
and tav yod (a line of yod)...
                   one is to never concentrate
upon the keter within the realm of the sefirot...
hence the matisyahu expression:
   king without a crown...
                         one example of a "magic" square
later dictated into a 9 x 9 newspaper puzzle?
      2     9     4
      7     5     3
      6     1     8     (up down across = 15...
my date of birth? 15th may 1986,
no coincidence, just stating an oblivion's
worth of a "point)... 15 x 3 = 45...
   and that's about as significant as any
                               insignificance can be...

album of choice?
    old horn tooth - from the ghost grey depths...

and without even associating the arabs
to the hebrai practice of gamatria,
i once inquired an old pakistani (who tried to convert me)
what: Alif, Lam, Meem
implied in the opening of the al-baqarah sutra
implied?
   he replied: god knew...
        so i thought, you don't know what
alif (letter) what lam (letter) and meem (also a letter)
means? you have to search for god
for the answers? good look making me into
a proselyte... mind you:
if the jews abhor proselytes,
while the muslims are so so oh so *******
welcoming... isn't that a tad bit suspicious?
how can a muslim convert me
when he can't explain to me what
alif lam and meem implies at the opening
of al-baqarah?!
            let's play some hijāʾī order game...
and the three letters...
       28 letters in total...
alif (28), lam (6), meem (5)...
    i'm not even going to go into the gamatria
mental gymnsastics related to any
"significance"...
   point was made upon the question being
asked... if a muslim tries to covert you...
and he can't explain to you
the significance of alif lam meem at the beginning
of al-baqarah... they're letters...
well... how is he going to explain to you
what's bothersome about those letters
to begin with? ALM... does that imply: zakat?!
to give alms? zakat being one of the pillars
of islam?
  **** me... i haven't even converted
and it would appear: i know more than the person
who tried to convert me!

.i. Yuri Gagarin and the yo-yo

if ever the potency of a "keyboard crusader"
existed, it's now -
   i can dangle a mouse above a bear-trap
and tell an elephant of a phobia concerning
mice any day of the week,
          when in fact i'm talking about
a mousetrap: nothing more.
     hence the exaggeration in the imagery
comparison:
        or it begins with a story told in the 20th
century:
             when women put down their mascara
brushes, men put down their swords:
never mind the voice in the wilderness:
       mind the voice in the crowd -
there's absolutely no reason to speculate
urbanity and tribal environments without
addressing, or regressing the crowd,
or as i like to call it: what Nietzsche said,
minus the Wake... but now inclusive of the wake
and the Bacchus cult of fun fun fun.
            the Wake in condor terms?
we congregate praying for something to die...
      i don't pretend to be whatever
that sachet of concrete-Cartesian labels entitles me
too:        for the most part
        people say 'i am' without a thought to
govern the rain shaman telling you what thought
is required to 'be', oh, a very old ontological
stipend: you need people to experience a collectivisation,
a herding, a "bound together" sort of mentality
before the critic arrives and says: well, that's not
what i'm really about.
                    a bit like the **** firs, mouth second
debacle...
                but what heart they had, our predecessors!
what heart!
             they'd wage war over a woman,
a Helen,
                  would you wage a war against
the feminist version of Helen these days?
would you pluck a Scottish thistle over an English rose?
      true: you might be a bishop
and of lesser rank... but would you wage a war
over the women of these days?
my **** is in a pickle jar anyway! we have become
a *** of a species unburdened by an obligation...
             finally! we can become eternal bachelors
sort of ******* that we're here, and hear less and less
of sayings about the "things that matter".
            you know what vile? really really vile?
oh i know my contemporaries when i bother to
hear them talk, oddly enough never bother when they
think, i'm quiet content with a Godot stage of
a park bench and an old man as my company,
      i know Douglas Murray,
               i know the wild-eyed Icke,
but a thing that concerns me is why: the safety room
parallel to the leftist thesis of offensive speech
was put in play when a discussion took off
concerning feminism, between milo yiannopoulus
and julie bindel - that's like saying:
ask a pederast to talk for a heterosexual man
with a woman safe-space...
                                no one wants to hear
the heterosexual side of the argument....
  you'll sooner see heterosexual intellects have their
marriages come undone then get paired with either
side of the argument...
     little richard is in the pickle jar anyway,
and he's not coming out...
                it's a bit like ****** for dummies....
       hence i have to succumb to violence without
the glory, tongue waggling blah blah
when i'd gladly take a weapon and shove it into
a shattered cranium bone: had i the ****** chance to
do so!
           no heterosexual is taken seriously:
and won't be:
    of a woman to be like a rosy cushion on which
i can lay my head after the darkly toils of
    roofing, or laying bricks, or excavating the sewers...
no! let the Chinese do that:
the basic argument of slavery, although imported
therefore ****** ******* fine.
                         cryogenic fathers,
      pickled *****:      where's the middle in all of this?
     a coconut just fell from the Boddhi tree:
money!           and those that defend it,
don't know squat about the tribalism of squatters!
but hey! they have the ****** stage!
         i have a bench when someone approaches me
and talk, doing the best thing possible:
               knitting opinions -
i don't want the truth of opinions: i want a sweater,
or a pair of socks! that's metaphor for something
different altogether.
  keyboard crusader? really? can i ask you for
directions to the high street, in every single town
across the country? i can't find one!
         no one hears a heterosexual argument
on the various topics: because there isn't one -
                     as of the end of the 20th century,
working classes in the west striving to ensure
there is something mundane to do during the day
and kick back with the family in the evening
are the "inferior" neanderthals: who
haven't jacked into discovering a 3D reality
of what's otherwise a 2D computer screen and
aren't hooked on #crack;
honestly, so much debating ought to be opera,
and so much opera ought to be debating -
    ah: that famous tingle of utopian paradoxes
never in duality, but always in dichotomy.
   keyboard crusader?
really? i thought people were always moaning
about how many emails they receive:
   and never a single postcard from, say,
someplace like Venice?
           it's still early days,
                   and already we're brewing enough
cliches to replace all known nouns in
    the surrogate mother that's the dictionary
of our completed version of a soul -
if ever to be experienced upon meeting the omni-vocabulary;
jigsaws, i know my idiosyncratic version
of events, he says photosynthesis within parameters
                            of photon deconstruction of hydrogen;
'cos' it's sub; d'uh! i say god i say this perfected
version of nearing telepathy - you say god i hope you
don't mean satan's clause - great anagram to frighten
children with: the Babushka surprise of a Pumpkin head
laughing it's way toward: how easy life would be
if we had all that time to think it through as being hard,
rather than that mortal fleetingness in both thought
and body.

ii. Macbeth

it really dawned on me, when i was watching the film
Macbeth (2015) -
            there was an eeriness to it, a near perfection
of Shakespeare on screen...
           honestly? i'd rather read Kant early on in life
while i have the vigour, and leave old age to Shakespeare...
but it truly was eerie all over the place.
      i do recall seeing Romeo + Juliet
          and reading the script, and imagining the fallacy
of word for word translation from theatre to cinema
of the script: the narrator a news channel anchor,
and everything said, word, for, word.
that film with DiCaprio as Romeo and Claire Danes
as Juliet - it just felt itchy, uncomfortable -
                            Shakespeare, word for word, on screen?!
     (surprise, then astonishment, not !? or astonishment,
   then the surprise, because: it didn't really work);
and it didn't! you can't adapt Shakespeare to the screen
and put everything in! i noticed it at that ******
generous scene in Macbeth concerning the battle
of Ellon... so i was like like... this isn't typescript...
(and thank **** it isn't) -
you can't depict Shakespeare word for word,
to be honest, Macbeth (2015) is the only worthy
translation of Macbeth (the text) into Macbeth (the movie);
all this scientific exactness in previous examples
like Romeo + Juliet, the Merchant of Venice
and a Midsummer's Night Dream don't work,
it's their precision making,
     a theatre cast can take it, but a cinema going crowd,
with all these cutting and copying and repasting
    succinct moments? it doesn't work!
maybe because there's no actual narrator in the staged
examples? narrator as a necessary character understudy:
surely Puck and the news anchor are there:
don't know about the Shylock scenario...
           but these screen adaptations didn't work for me,
too rigid, too formal... in the case of Macbeth?
finally! the long awaited piquant version of Shakespeare:
all that matters, and the rest is thrown into
poetic technique: imagery, metaphor,
                everything that's necessary can be given grammar
as image and not word!
       want an example? from the text...
the Royal Shakespeare
  from the text of Professor Delius
  and introduction by f. j. Furnivall, ll.d.
         vol. v (special edition)
Cassell & Company, Ltd.

        sure, it feels like a Roman Polanski moment
akin to the 9th Gate scenic affair of a bibliophile
fetishist, and it is:

     ... (the only enemy of enso poetry
is the bladder) ...

well the screen play first:

banquo: what are these?
macbeth: live you? or are you aught
                          that man may question?
       speak if you can - what are you?
1st witch: macbeth! hail to thee
                    thane of Glamis!
2nd witch: macbeth... hail to thee,
       thane of Cawdor!
3rd witch: all hail Macbeth! that shalt be king in-after.

but such disparity, such **** as if once
of Lucretia, then of the authority,
for i have before me the original composition:
which is not worth cinema -
nonetheless, a **** takes place:
an assortment for the abdication of a king:
or as ever suggested: the wrong footed path:
never was tossing a coin in a gamble
that of tossing a crown into the air
for a court jester to appear less amusing
and more scolding.

act i, scene iii: post the battle of ellon...
  if ever the refusal to give up Greek myth,
then Macbeth's witches
      and Perseus' Graeae -
                            or naturalise a myth:
like you might not naturalise a strengthened
economy.... canonise the nation
with Elgin Marbles - Elgin: less than
what's said to be the exfoliation of the Aegean -
a municipality somewhere in Scotland:
west of Aberdeen, on the Northern Sea's
battering of the coast...
but word for word? or how to write Shakespeare
into cinema?
                 herr zensor must come into play -
you have to bypass imagery in poetic tongue
and relay it with actual images, a direly needed
necessity:

just after the three witches arrive,
enter Macbeth and Bonquo...

   Macb. so foul and fair a day i have not seen.
Ban. how far is't call'd to Fores? - what are these,
     so wither'd and so wild in their attire,
that look not like th' inhabitants o' the earth,
   and yet are on 't?
             live you? or are you aught that man may
question?

                  (how word for word, but the words
waggle from a different tongue, namely that of
Macbeth, and not that of Banquo, hence
italicised).
                   continuing:
       you seem to understand me,
by each at once her choppy finger laying upon her
skinny lips: - you should be women, and yet your
beards forbid me to interpret that you are so.
Macb. speak, if you can - what are you?
         the witches. all hail, Macbeth!
     hail to thee, thane of Glamis!
         all hail, Macbeth! hail to thee, thane
of Cawdor!
         all hail, Macbeth! that shalt be king hereafter.
            
so does he really belong on the psychoanalytic
couch? is he really that necessarily wonton of talk?
  Cawdor v. Gondor - it's an ongoing narrative.
but is he in need of a couch?
                 what sort of talk is talk when
in fact the only talk that's need to be said is the talk
of man's sexualised naturalisation for strife,
and here: as if knocking on a door:
you want to simply hear the onomatopoeia of
the Kabbalah in a woman gasping for breath
while puny Jewish boys under strict rabbinical
studies study?

                mama, take this badge from  me,
i can't use it, anymore,
            it's getting dark, too dark to see,
feels like i'm knockin' on heaven's door -
      my big mouth and man as a piston
                                               Ferrari acrobat


(even the soundtrack is a shrill, a strangulation
variant of higher pitch of the bagpipes -
not that braveheart ****** of whisking out
a song like for the love of a princess addition to:
  and can i have a madonna to boot too?
it's piercing, a whale sonar above refrigerator
white noise hum for the new age Buddha -
and that's because all the poetry has been excavated
  to suit cinema: not theatre).

and this is the first adaptation of Shakespeare i actually
could stomach...
     the genius was in how Macbeth spoke the lines
of Bonqua - so the character didn't start smacking
the narrative ****** in terms of solipsism:
even Shakespeare can be attacked on this front...
        if in the movie Banqua said all that was in
the typescript: the film wouldn't have worked...
i don't know what the big deal is with Lady Macbeth:
i thought that in the olden days
Macbeth suggested to King Duncan that:
can i leave the warring if you **** my wife?
i can go on the contract that you **** my wife
and i stop serving you?
      first impressions: strange English.
well, i'm sure she's important as it might be said:
within the programme of Orthodoxy,
            but never catholic (metadoxy) tradition of
saying: way hey! ensnare the mare in a funfair!
       and play the game: pin the tale on the donkey!
heads or tails?      it looks pretty damnable
     in the first place: as all honesty hogs to pout and
***** a hoggish sneeze out of the story.

iii. shaken, not stirred

and indeed, how many a times
did not a neon blossom sprout,
thinking it might rattle an oratory
with an oak in autumn, and behold
a swarm of leaves descend -
not out of passing ease,
but out of wishful thinking
that some indentation might be made:
with whom the hands of will reside,
and yet: to no gratifying effect,
to whatever atomic-centralisation
dream, be that ego or be it hydrogen
(lending hands: so too
electric or thus negative, neutral and
thus proto) - shake foundation
and give a revising repertoire of
              the covering dust humanity
that once made famous: never
again to learn the humility of the start;
        to whatever centric dream that
does not waver in demands of orientation,
be it father (sun), son (shadow)
  or the holy spirit (night) -
  make them earn! be obscure!
            or simply say: in the community
of the stated congregation:
  i find all to be as night,
   and safer that plague the father:
  i am not akin to the shadow:
                   but the shadow in mirror.
so, a centric dream that does not
waver in demands for orientation,
has ever or will be enthroned in man's
heart as the stability of Sabbath's demands
       for less, oh so much less to agitate with!
as too, when the ancient appliances
were adorned by countless demands of
mimic, so too our modern
fibbles are to stage a usurping of
such things demanded and their mimic;
for with such disclosure does all fate
of anewed become burdened in what
history could be: shaken,
rather than simply a stirring of the void,
nothing more than the unburdening
of sweetening a cup of coffee, of that and
the layers: or bitter at the top, drank
through toward the sedimented sweetness -
and all that: hoping i could have retained
that silver spoon lodged in my ***
          when i first met her and thought about
consolidating marriage: so fresh, eager prune
of the flesh embodiment as first
    watered ash, then entombed in marble
and the eternal... ah
               but it was all just the faintest of dreams;
so lumberjack sleep ensued,
                      as did a kindred worth ethic:
we are a long way from Eden...
      there is but the idyll of the absurd fruition of
albreit macht frei... or a redefinement of
such stakes as: what occupies our days?
                    if not war, if not disease,
if not the Chinese... what does, occupy our days?
zebra Oct 2017
Here is a primer on the history of poetry

Features of Modernism

To varying extents, writing of the Modernist period exhibits these features:

1. experimentation

belief that previous writing was stereotyped and inadequate
ceaseless technical innovation, sometimes for its own sake
originality: deviation from the norm, or from usual reader expectations
ruthless rejection of the past, even iconoclasm

2. anti-realism

sacralisation of art, which must represent itself, not something beyond preference for allusion (often private) rather than description
world seen through the artist's inner feelings and mental states
themes and vantage points chosen to question the conventional view
use of myth and unconscious forces rather than motivations of conventional plot

3. individualism

promotion of the artist's viewpoint, at the expense of the communal
cultivation of an individual consciousness, which alone is the final arbiter
estrangement from religion, nature, science, economy or social mechanisms
maintenance of a wary intellectual independence
artists and not society should judge the arts: extreme self-consciousness
search for the primary image, devoid of comment: stream of consciousness
exclusiveness, an aristocracy of the avant-garde

4. intellectualism

writing more cerebral than emotional
work is tentative, analytical and fragmentary, more posing questions more than answering them
cool observation: viewpoints and characters detached and depersonalized
open-ended work, not finished, nor aiming at formal perfection
involuted: the subject is often act of writing itself and not the ostensible referent

............
Expressionism

Expressionism was a phase of twentieth-century writing that rejected naturalism and romanticism to express important inner truths. The style was generally declamatory or even apocalyptic, endeavoring to awaken the fears and aspirations that belong to all men, and which European civilization had rendered effete or inauthentic. The movement drew on Rimbaud and Nietzsche, and was best represented by German poetry of the 1910-20 period. Benn, Becher, Heym, Lasker-Schüler, Stadler, Stramm, Schnack and Werfel are its characteristic proponents, {1} though Trakl is the best known to English readers. {2} {3}

Like most movements, there was little of a manifesto, or consensus of beliefs and programmes. Many German poets were distrustful of contemporary society — particularly its commercial and capitalist attitudes — though others again saw technology as the escape from a perceived "crisis in the old order". Expressionism was very heterogeneous, touching base with Imagism, Vorticism, Futurism, Dadaism and early Surrealism, many of which crop up in English, French, Russian and Italian poetry of the period. Political attitudes tended to the revolutionary, and technique was overtly experimental. Nonetheless, for all the images of death and destruction, sometimes mixed with messianic utopianism, there was also a tone of resignation, a sadness of "the evening lands" as Spengler called them.

Expressionism also applies to painting, and here the characteristics are more illuminating. The label refers to painting that uses visual gestures to transmit emotions and emotionally charged messages. In the expressive work of Michelangelo and El Greco, for example, the content remains of first importance, but content is overshadowed by technique in such later artists as van Gogh, Ensor and Munch. By the mid twentieth-century even this attenuated content had been replaced by abstract painterly qualities — by the sheer scale and dimensions of the work, by colour and shape, by the verve of the brushwork and other effects.

Expressionism often coincided with rapid social change. Germany, after suffering the horrors of the First World War, and ineffectual governments afterwards, fragmented into violently opposed political movements, each with their antagonistic coteries and milieu. The painting of these groups was very variable, but often showed a mixture of aggression and naivety. Understandably unpopular with the establishment  — denounced as degenerate by the Nazis — the style also met with mixed reactions from the picture-buying public. It seemed to question what the middle classes stood for: convention, decency, professional expertise. A great sobbing child had been let loose in the artist's studio, and the results seemed elementally challenging. Perhaps German painting was returning to its Nordic roots, to small communities, apocalyptic visions, monotone starkness and anguished introspection.

What could poetry achieve in its turn? Could it use some equivalent to visual gestures, i.e. concentrate on aspects of the craft of poetry, and to the exclusion of content? Poetry can never be wholly abstract, a pure poetry bereft of content. But clearly there would be a rejection of naturalism. To represent anything faithfully requires considerable skill, and such skill was what the Expressionists were determined to avoid. That would call on traditions that were not Nordic, and that were not sufficiently opposed to bourgeois values for the writer's individuality to escape subversion. Raw power had to tap something deeper and more universal.

Hence the turn inward to private torments. Poets became the judges of poetry, since only they knew the value of originating emotions. Intensity was essential.  Artists had to believe passionately in their responses, and find ways of purifying and deepening those responses — through working practices, lifestyles, and philosophies. Freud was becoming popular, and his investigations into dreams, hallucinations and paranoia offered a rich field of exploration. Artists would have to glory in their isolation, moreover, and turn their anger and frustration at being overlooked into a belief in their own genius. Finally, there would be a need to pull down and start afresh, even though that contributed to a gradual breakdown in the social fabric and the apocalypse of the Second World War.

Expressionism is still with us. Commerce has invaded bohemia, and created an elaborate body of theory to justify, support and overtake what might otherwise appear infantile and irrational. And if traditional art cannot be pure emotional expression, then a new art would have to be forged. Such poetry would not be an intoxication of life (Nietzsche's phrase) and still less its sanctification.  Great strains on the creative process were inevitable, moreover, as they were in Georg Trakl's case, who committed suicide shortly after writing the haunting and beautiful piece given below

................
SYMBOLIST POETS
symbolism in poetry

Symbolism in literature was a complex movement that deliberately extended the evocative power of words to express the feelings, sensations and states of mind that lie beyond everyday awareness. The open-ended symbols created by Charles Baudelaire (1821-67) brought the invisible into being through the visible, and linked the invisible through other sensory perceptions, notably smell and sound. Stéphane Mallarmé (1842-98), the high priest of the French movement, theorized that symbols were of two types. One was created by the projection of inner feelings onto the world outside. The other existed as nascent words that slowly permeated the consciousness and expressed a state of mind initially unknown to their originator.

None of this came about without cultivation, and indeed dedication. Poets focused on the inner life. They explored strange cults and countries. They wrote in allusive, enigmatic, musical and ambiguous styles. Rimbaud deranged his senses and declared "Je est un autre". Von Hofmannstahl created his own language. Valéry retired from the world as a private secretary, before returning to a mastery of traditional French verse. Rilke renounced wife and human society to be attentive to the message when it came.

Not all were great theoreticians or technicians, but the two interests tended to go together, in Mallarmé most of all. He painstakingly developed his art of suggestion, what he called his "fictions". Rare words were introduced, syntactical intricacies, private associations and baffling images. Metonymy replaced metaphor as symbol, and was in turn replaced by single words which opened in imagination to multiple levels of signification. Time was suspended, and the usual supports of plot and narrative removed. Even the implied poet faded away, and there were then only objects, enigmatically introduced but somehow made right and necessary by verse skill. Music indeed was the condition to which poetry aspired, and Verlaine, Jimenez and Valéry were among many who concentrated efforts to that end.

So appeared a dichotomy between the inner and outer lives. In actuality, poets led humdrum existences, but what they described was rich and often illicit: the festering beauties of courtesans and dance-hall entertainers; far away countries and their native peoples; a world-weariness that came with drugs, isolation, alcohol and bought ***. Much was mixed up in this movement — decadence, aestheticism, romanticism, and the occult — but its isms had a rational purpose, which is still pertinent. In what way are these poets different from our own sixties generation? Or from the young today: clubbing, experimenting with relationships and drugs, backpacking to distant parts? And was the mixing of sensory perceptions so very novel or irrational? Synaesthesia was used by the Greek poets, and indeed has a properly documented basis in brain physiology.

What of the intellectual bases, which are not commonly presented as matters that should engage the contemporary mind, still less the writing poet? Symbolism was built on nebulous and somewhat dubious notions: it inspired beautiful and historically important work: it is now dead: that might be the blunt summary. But Symbolist poetry was not empty of content, indeed expressed matters of great interest to continental philosophers, then and now. The contents of consciousness were the concern of Edmund Husserl (1859-1938), and he developed a terminology later employed by Heidegger (1889-1976), the Existentialists and hermeneutics. Current theories on metaphor and brain functioning extend these concepts, and offer a rapprochement between impersonal science and irrational literary theory.

So why has the Symbolism legacy dwindled into its current narrow concepts? Denied influence in the everyday world, poets turned inward, to private thoughts, associations and the unconscious. Like good Marxist intellectuals they policed the area they arrogated to themselves, and sought to correct and purify the language that would evoke its powers. Syntax was rearranged by Mallarmé. Rhythm, rhyme and stanza patterning were loosened or rejected. Words were purged of past associations (Modernism), of non-visual associations (Imagism), of histories of usage (Futurism), of social restraint (Dadaism) and of practical purpose (Surrealism). By a sort of belated Romanticism, poetry was returned to the exploration of the inner lands of the irrational. Even Postmodernism, with its bric-a-brac of received media images and current vulgarisms, ensures that gaps are left for the emerging unconscious to engage our interest

......................

.
IMAGIST POETRY
imagist poetry

Even by twentieth-century standards, Imagism was soon over. In 1912 Ezra Pound published the Complete Poetical Works of its founder, T.E. Hulme (five short poems) and by 1917 the movement, then overseen by Amy Lowell, had run its course. {1} {2} {3} {4} {5} The output in all amounted to a few score poems, and none of these captured the public's heart. Why the importance?

First there are the personalities involved — notably Ezra Pound, James Joyce, William Carlos Williams {6} {7} {8} {9} — who became famous later. If ever the (continuing) importance to poets of networking, of being involved in movements from their inception, is attested, it is in these early days of post-Victorian revolt.

Then there are the manifestos of the movement, which became the cornerstones of Modernism, responsible for a much taught in universities until recently, and for the difficulties poets still find themselves in. The Imagists stressed clarity, exactness and concreteness of detail. Their aims, briefly set out, were that:

1. Content should be presented directly, through specific images where possible.
2. Every word should be functional, with nothing included that was not essential to the effect intended.
3. Rhythm should be composed by the musical phrase rather than the metronome.

Also understood — if not spelled out, or perhaps fully recognized at the time — was the hope that poems could intensify a sense of objective reality through the immediacy of images.

Imagism itself gave rise to fairly negligible lines like:

You crash over the trees,
You crack the live branch…  (Storm by H.D.)

Nonetheless, the reliance on images provided poets with these types of freedom:

1. Poems could dispense with classical rhetoric, emotion being generated much more directly through what Eliot called an objective correlate: "The only way of expressing emotion in the form of art is by finding an 'objective correlative'; in other words, a set of objects, a situation, a chain of events which shall be the formula of that particular emotion; such that when the external facts, which must terminate in sensory experience, are given, the emotion is immediately evoked." {10}

2. By being shorn of context or supporting argument, images could appear with fresh interest and power.

3. Thoughts could be treated as images, i.e. as non-discursive elements that added emotional colouring without issues of truth or relevance intruding too mu
...............
PROSE BASED POETRY
prose based poetry

When free verse lacks rhythmic patterning, appearing as a lineated prose stripped of unnecessary ornament and rhetoric, it becomes the staple of much contemporary work. The focus is on what the words are being used to say, and their authenticity. The language is not heightened, and the poem differs from prose only by being more self-aware, innovative and/or cogent in its exposition.

Nonetheless, what looks normal at first becomes challenging on closer reading — thwarting expectations, and turning back on itself to make us think more deeply about the seemingly innocuous words used. And from there we are compelled to look at the world with sharper eyes, unprotected by commonplace phrases or easy assumptions. Often an awkward and fighting poetry, therefore, not indulging in ceremony or outmoded traditions.
What is Prose?

If we say that contemporary free verse is often built from what was once regarded as mere prose, then we shall have to distinguish prose from poetry, which is not so easy now. Prose was once the lesser vehicle, the medium of everyday thought and conversation, what we used to express facts, opinions, humour, arguments, feelings and the like. And while the better writers developed individual styles, and styles varied according to their purpose and social occasion, prose of some sort could be written by anyone. Beauty was not a requirement, and prose articles could be rephrased without great loss in meaning or effectiveness.

Poetry, though, had grander aims. William Lyon Phelps on Thomas Hardy's work: {1}

"The greatest poetry always transports us, and although I read and reread the Wessex poet with never-lagging attention — I find even the drawings in "Wessex Poems" so fascinating that I wish he had illustrated all his books — I am always conscious of the time and the place. I never get the unmistakable spinal chill. He has too thorough a command of his thoughts; they never possess him, and they never soar away with him. Prose may be controlled, but poetry is a possession. Mr. Hardy is too keenly aware of what he is about. In spite of the fact that he has written verse all his life, he seldom writes unwrinkled song. He is, in the last analysis, a master of prose who has learned the technique of verse, and who now chooses to express his thoughts and his observations in rime and rhythm."

.............
OPEN FORMS IN POETRY
open forms in poetry

Poets who write in open forms usually insist on the form growing out of the writing process, i.e. the poems follow what the words and phrase suggest during the composition
Ayad Gharbawi Jan 2010
PASSION PLAY

Ayad Gharbawi




Location: Desert Shore, Bitterly Cold Night, next to strong waves from the ocean.
Characters: Man ((M) and his Lover, a Woman (W).

----------------------------------------


W: “Search as I forever do, in manifold ways unknown, I seek but to love thee, and the meagre goodness from Life, with steely ardour - my armour faithful.”
M: “Alone I may be, and still, yes I love thee; these days heavy are and beset I am by burdensome trivialities, but I remain trusting, though my corner so narrow remain.”
W: “My Love! Your speech I hear aloud and thine lips I live within and yet, my Love, all Solitude I am. Man! I am unaided! In this journey of sinful thorns, my love, in this unforgiving journey, this blurred odyssey, I stand alone”.
M: “This trial you speak of, but I do know of it well; so, listen then: within the strength of trusted togetherness we can plough on, though everlasting harm shall do its spiteful tricks, warm to our united truth shall we remain.”
W: (Surprised) “O! My love! This thought I cannot hear! My life, my destiny, is but mine. And all have their own solitary roads of jagged rocks to embrace, like it we or not. We heartbreaking earthly sad beasts, either fiercely clutch at integrity, or we do let it go to perish away.”
M: (Confused) “My Love! I do hear, I do hear. But when Times decide on burdening us, what then can we achieve? To face Reality within the frail arms of solitude is to ignore, to refuse the severe threats of repulsive grins.”
(Silence)
M: (Passionately) “O! My sweet! Only in us, can we envelope, through joined, clasped warmth can we be as one united! The screams that so truly are meant to slice us off, only we, our Unity, can destroy. For mine eyes can only find sleep in your ears, and it is so - for otherwise nothing and no one can be.”
W: (Angry) “My Passion too is bubbling for thine bewildered ears. Am I not your soul? Do we not suffer as one? Do we not reflect as one? Am I not your lover true? Is not our warmth not weighty to our fickle bones?”
(Silence)
W: (Passionate) “But, Lover, this much ought I to formally declare unto thee: For our eyes, and all eyes, envision unequally at one another. Till eternity, in its casual, indifferent flicker, snatches at us all wretched mortals, the gazes from lords to paupers remain veritably mismatched. O my passion! My woeful heart! These words I thunder forth defines love unfeigned, and what mine eyes do pour out unto thine ears is authenticity true.
(Silence)
W: (Passionately) “What joined mem’ries you choose to caress may possess thee, but your exactness for what love is to you, doth not dwell in mine mind. What tears, what weepings you do, fall stormily upon thine own soul’s wildernesses. You choose to be chained by changing visions and indefinite sentiments of light weight – though so poignant at the moment they veritably are?”
M: (Inquiring) “My love! I cherish thee; where hast thou been in thine mind, for now ye talk of that truth you relate to in your heart. Your pronouncements, what depths I do feel! Can it perchance be that my passion has strayed our winds far from me?”
W: “No, my love! Why is anger, I feel, lush on thine tongue?”
M: (Surprised and Frightened) “Anger! I am too distant from that affliction! But yes, I feel my words make only for unstable murmurs in my breath.”
W: (Quietly) “Then, do tell me, lover, who do your murmurs betray - myself or yourself then?”
M: (Quietly) “Perhaps so, perhaps so. But my anxiety wilfully demands of me to eradicate your vision.”
W: (Firmly) “You answer naught from my undemanding question. Or, are mine meanings too violent for you? What aches thee?”
M: (Passionately) “My sweet! In so many moments, I created mysterious planets for thee! Bizarre worlds of contrasts and opposites and musical words of antiquity and sensual ravines. My love! I, my soul, my life, my inner deepest breath, tempted as I am by Fates’ inscrutable cruelties to ashamedly yield, I have yet always expressed to mine eyes’ heart, though they be in bleak darkness, to faithfully fight without pause all shades of vice and still yet - with loving integrity; I have stood with arms of righteousness and love for thee up and never down! Yes, sincere good and venal ill remain joined in life for all to feel, but you knew it was not for me to disentangle them. And so, I pronounce unto thee, still, and yet ever and ever more, my love for thee, though still beholding a thousand mountains before me, I remain sturdy for thee; I remain undisturbed by burly laws, and by exotic dictums, I stand fierce and unhurt, save in your absence.”
W: (With Sadness) “My beloved, your vivid voice stabs the falsehoods for thee, and I say unto thee, unto thee your excessive and unreasonable chains, and for myself my unreasonable and extreme chains remain.”
M: (Shocked) “But I burden thee with no steely chains, nor verbal fetters! For naught I produce for thee save grace, passion and freedom to love for us both to be in Unity Sacred! Dost thou embrace my visions as ‘shackles’, then ‘tis better we agree to class that which we are as but madness! Hear me, for my tears now must truly change their colours!”
W: (Determined) “Your feverish hands clutch only upon mine erratic wings!”
M: (Anger) “Never! Never! For I clutch only to destroy all malevolence; as for thee, Lady of the purest, untouched, guarded, secluded Ponds, I seek to unshackle for you the scattered, scared shadows that yearn for thine sovereignty. And what is this ‘sovereignty’ but our Sacred Union? What curse deemest you I impose? Do you equal my purest passions with atrocities? Murmur unto mine ears, your clearest love for me.”
W: “Ah! You enquire of me my ‘sincerity’ for thee? What demands!”
(Silence)
M: “I see naught but heaving forests of love betwixt us, and yet, you discover my words being ‘demanding’?”
W: (Drily) “Perchance, your visions are indistinct and ever more blurred, through these years cannot be ignored.”
M: (Begging) “My love! All mine life, though it be lengthy, I fought most venal tyranny, and for this moment, you question my righteousness?”
W: (Indignantly) “I have been plunged into seas hostile and I have plunged in a thousand miles of inert minds troubled beyond conceivable comprehension and I have yet to have my Right for my own greedy, ravenous flesh to be vigorously and forcefully embraced by sensuality and serenity. Yes, I do love thee, and yet in our union, as in all unions, I have been adorned with naught, save snickering, gossiping scenes of festive *****, games, chatter and farewells, themselves festooned within silly and sincerely stupid smiles and frowns, and shallow tears and never ending ludicrous chatter unworthy of monkeys conversing. I have met programmed rows of pats, respect and all other so-called decent intents and gestures, but, where, lover that you are of mine, where does my personal heart, throb and manically vibrate, save in your heavenly imaginations?”
(Silence)
W: (Quietly but Determinedly) “My love! I truly thee love and with passions, I tell you, of proportions of precise exactitudes; in your eyes I have witnessed symphonies of exquisiteness; and, I of thee ask: where dwelleth your own love for myself in thine body?”
(Silence)
W: (Passionate) “Do you recognise the changing structures that form this, that I name ‘My Love’? In my solitude eternal, I do evermore and always do pause, and be pensive, and be thinking of questions, such as ‘where’, ‘why’, ‘when’ ‘how’, and ‘which’ should be my path; I am forever and ever more searching, seeking the heavens of every corner, and the irritable tempests, within my changing self as they themselves do try to seek me, and we forever, through inconceivable murkiness, do try to assemble the everlasting entirety of these disorganized puzzles into some measure of comprehensible cohesion that ‘I’ am. That is how the ‘I’ you love is forever changing and thereby formulating itself, and within all these meandering passions, and endless errors, where am I to feel thee? Where? And where do you seek me? In which land? In which forest? You trivialise my beingness as you focus upon my lands as being that which so effortless to find, and yet, you are much too distant from an understanding of my conflicting, emerging civilisations.”
(Silence)
W: (Passionate) If the utterance ‘Never’ is pathetic for thee, then allow me to introduce you to my latest heart: for it screams out that single, protracted utterance! Never! My love, these winds of raging wraths, both within and outside by flesh, must and can only be annihilated by mine own sincerities – were I not to play against my own self. My uncontrolled desires and, yes, thirsty manic passions can only be tempered and thoroughly satiated to the utter brim, by mine own loving, sources of pleasure, my own uncontrollable ecstasies. As for the rest of ****** pleasures, my own erroneous words, speeches and utterances can only be severed and sliced by my tranquillity.”
M: (Resigned) “I hear thine words. Do not abandon me. Do not destroy our civilisation of justice.”
W: “What we share, the bonds, are enjoyment. Listen though to mine lips: enjoyment is what - when it is to be compared with convulsive ecstatic quivers of satisfaction?”
M: (Puzzled) “And what of all our journeys to attain that unity? For all that, is it to be of mere insignificance? And if that be your truth, for what then did we toil and labour for unity of minds and bodies?”
W: (Laughing) “Did you understand from Life itself, that here it was, grandly to proclaim its furtive faces unto thine own awaiting face?! “
M: (Baffled) “It was so far too plain and vastly clear unto me these sceneries we faced before our loving bodies.”
W: “Yes, and I too, did see them with thee. Our four eyes, did see unity for that flicker of time. How true you speak! But, time clocked on, I saw you as you stood there, moving nowhere, unawares that it was your duty to squash onwards whatever vile breaths faced us.”
M: (Desperate) “And did I not? Did I abandon thee in these crushing paths?”
W: (Accusing) “No, you did not. Never, once did you abandon me. I ask of thee; for what sense do we feel a need for a continuation of these gruelling marches? For unity? For love? Or, is love unity? Was that and is this our reason for us to carry on with these shackles?”
M: “For assuredly, yes, and more yes, I tell thee! Toil and gruelling dawns, and unbearable evenings and the whitest of nights are all for the sacred attainment of that heavenly summit of joy I name as blessed ‘Love’.”
W: (Assured) “And, Sire, what if my nerves, blood and ****** hunger tell thee in truth that we, all of us, need no longer, and need never in truth, to undertake these paths, for we find naught that nourishes us at the blessed summit of your definition of what ‘Love’ is?”
M: (Confused & Sad) “So, I falter here and now upon understanding your speech; do I reason from thee that our loving days in unity are frivolously bygone now?”
W: (Calmly & Gracefully) “Do the wandering birds, and do the blind bats, and do the reckless storms, and do the blindly, raging waves and do the supremely arrogant oceans eternally march on in but one direction only with the savage passage of time within their particular lives? You did pronounce that you built planets for our unity; well then, did you not view how planets endlessly revolve along the same path?”
(Pause)
W: (Calmly & with Dignity) “For, Sire, I am not as a Planet - could you not feel that throughout our journeys? You endlessly query and question ‘who’ it is that ‘I’ am? Well, I speak this much on myself; I am as the birds, and the bats, and the storms and the waves and the oceans.”  
M: (Angry) “Woman! I can only then tell of thee that you are naught but feuding clutter and violent disarray!”
W: (Unconcerned) “Those are your words. Not mine. Speak for what you wish, Sire.”
M: (Angry) “And I stand here, before thee, in anger – nay, more, more! In fury!”
W: (Laughing) “For what? For the deeds that created but sticky, and grimy grains of sand for the undoubted pleasure our eyes?”
M: “And so you label our truths, our love so much! Fair indeed, you speak, Woman of Justice.”
W: (Arrogantly) “Man! Express your delights for your own delights. And, alas, there the circle and reality ends – and it ends only for you. That is one morsel of truth for you to ponder. What we ‘created’ and what we ‘loved’ was never and never, ever be the same for you as it is for me. Are you a sincere believer that your personal vision is the same sight all other seeing creatures envision?”
M: (Angry) “Woman, you enrage me! Your arrogance is drenching thine rags.”
W: (Sarcastic) “Tis the Man with no reason who allows his breath and words to be a veritable cesspool of fuming stenches!”
M: “But I, that I am, no longer can define your contours?”
W: (Pointedly) “Precisely, Man, precisely. Perhaps, now you have come closer to the vulnerable shores of reality!”
M: (Confused) “Do you express that you are ever varying and so for that reason there is not a one unified you?”
W: (Calmly) “For we are all ‘varying’, to borrow your word – if you do so allow me, Sire. There was never ‘unity’ of soul, nor mind, nor self, nor of any one personality. This, I desire, that you may understand.”
M: (Aghast) “Then if that be your truth and then, are we naught but multitudes of ever changing confusions, Lady of the Desert?”
W: (Calmly) “Yes and no! For those who are muscular and full of fertile vigour in their flesh, and in their intellects, and those that are severely and strictly scholastic, then they do need and they can succeed in time, in their never ending struggle to bring together the mutually antagonistic factions of that which constitutes our beingness. And, as for the dense brained soulless beings, then, it is equally veritably true that, a descent into madness can be rapidly produced, since from their erratic constituents, they cannot attract together these antagonistic and mutually-hating emotions in some vision of cohesion, and thus mayhem can be fashioned.”
(Silence)
M: (Calmly) “So, pray do tell me, where does Love and Justice and Truth and Morality stand in your universe?”
W: (Serenely) “That has been mine desire to hear the words being produced from your lips, Man!”
(Pause)
W: “So, now perhaps, your sight may be getting clearer, for your question is certainly apt. Foremost, we pathetic mortals, we the be are forever slimy specks of sand that  crumbles, must necessarily seek to survive and flourish within whatever forest, desert, meadow we find ourselves cast upon.”
M: (Startled) “At what cost, Woman? At the expense of Morality?”
W: (Rapidly) “Yes and no.”
M: (Shocked) “Horrendous! How can you spout out such filth?”
W: (Quietly) “Restrain your stupidities, and give more room to your intelligence, Sire.”
(Silence)
W: (Gracefully) “In times of trouble, what can Man do when he be forced to embrace evil, even though he finds the act of the embrace loathsome, but he does what he does for the truth of his vital existence to continue. Only when he need never embrace vile, and then allows himself to commit the act, then he is for certainty to incur the everlasting wrath of God. Evil is thus never one truth to be utterly rejected, perchance you may now see. ”
M: (Calm but Tired) “I follow your words and their ideas therein.”
W: (Gracefully) “When you talk to me on Man and everlasting, conflicting changes within that self-same creature, I tell you with all the earnestness that I possess, of what God has scattered and endowed upon me; for this beast, we all call in unity Man, this creature has far too many a numberless number of mutually self-contradicting, distrusting, loving, hating, inspiring and a never ending number of feelings and emotions that are in constant flow and change – as in any rapid river descending unto its eventual destination, which in its case, is the sea, while in our case, it is Death itself for sure.”
M: (Despair) “And how can this beast ‘love’ anyone within this welter of confusion?”
W: (Rapidly) “He cannot!”
M: (Rapidly, Begging) “But Man and Woman do love with bristling passions! Do you deny that, Woman?!”
W: (Calmly, eyes downwards looking) “Yes, and no. Since the beast has needs, based on his vastly intricate constituents, to ‘love’ his fellow beast, he imagines and believes
Ayad Gharbawi Jan 2010
PASSION PLAY

Ayad Gharbawi




Location: Desert Shore, Bitterly Cold Night, next to strong waves from the ocean.
Characters: Man ((M) and his Lover, a Woman (W).

----------------------------------------



W: “Search as I forever do, in manifold ways unknown, I seek but to love thee, and the meagre goodness from Life, with steely ardour - my armour faithful.”
M: “Alone I may be, and still, yes I love thee; these days heavy are and beset I am by burdensome trivialities, but I remain trusting, though my corner so narrow remain.”
W: “My Love! Your speech I hear aloud and thine lips I live within and yet, my Love, all Solitude I am. Man! I am unaided! In this journey of sinful thorns, my love, in this unforgiving journey, this blurred odyssey, I stand alone”.
M: “This trial you speak of, but I do know of it well; so, listen then: within the strength of trusted togetherness we can plough on, though everlasting harm shall do its spiteful tricks, warm to our united truth shall we remain.”
W: (Surprised) “O! My love! This thought I cannot hear! My life, my destiny, is but mine. And all have their own solitary roads of jagged rocks to embrace, like it we or not. We heartbreaking earthly sad beasts, either fiercely clutch at integrity, or we do let it go to perish away.”
M: (Confused) “My Love! I do hear, I do hear. But when Times decide on burdening us, what then can we achieve? To face Reality within the frail arms of solitude is to ignore, to refuse the severe threats of repulsive grins.”
(Silence)
M: (Passionately) “O! My sweet! Only in us, can we envelope, through joined, clasped warmth can we be as one united! The screams that so truly are meant to slice us off, only we, our Unity, can destroy. For mine eyes can only find sleep in your ears, and it is so - for otherwise nothing and no one can be.”
W: (Angry) “My Passion too is bubbling for thine bewildered ears. Am I not your soul? Do we not suffer as one? Do we not reflect as one? Am I not your lover true? Is not our warmth not weighty to our fickle bones?”
(Silence)
W: (Passionate) “But, Lover, this much ought I to formally declare unto thee: For our eyes, and all eyes, envision unequally at one another. Till eternity, in its casual, indifferent flicker, snatches at us all wretched mortals, the gazes from lords to paupers remain veritably mismatched. O my passion! My woeful heart! These words I thunder forth defines love unfeigned, and what mine eyes do pour out unto thine ears is authenticity true.
(Silence)
W: (Passionately) “What joined mem’ries you choose to caress may possess thee, but your exactness for what love is to you, doth not dwell in mine mind. What tears, what weepings you do, fall stormily upon thine own soul’s wildernesses. You choose to be chained by changing visions and indefinite sentiments of light weight – though so poignant at the moment they veritably are?”
M: (Inquiring) “My love! I cherish thee; where hast thou been in thine mind, for now ye talk of that truth you relate to in your heart. Your pronouncements, what depths I do feel! Can it perchance be that my passion has strayed our winds far from me?”
W: “No, my love! Why is anger, I feel, lush on thine tongue?”
M: (Surprised and Frightened) “Anger! I am too distant from that affliction! But yes, I feel my words make only for unstable murmurs in my breath.”
W: (Quietly) “Then, do tell me, lover, who do your murmurs betray - myself or yourself then?”
M: (Quietly) “Perhaps so, perhaps so. But my anxiety wilfully demands of me to eradicate your vision.”
W: (Firmly) “You answer naught from my undemanding question. Or, are mine meanings too violent for you? What aches thee?”
M: (Passionately) “My sweet! In so many moments, I created mysterious planets for thee! Bizarre worlds of contrasts and opposites and musical words of antiquity and sensual ravines. My love! I, my soul, my life, my inner deepest breath, tempted as I am by Fates’ inscrutable cruelties to ashamedly yield, I have yet always expressed to mine eyes’ heart, though they be in bleak darkness, to faithfully fight without pause all shades of vice and still yet - with loving integrity; I have stood with arms of righteousness and love for thee up and never down! Yes, sincere good and venal ill remain joined in life for all to feel, but you knew it was not for me to disentangle them. And so, I pronounce unto thee, still, and yet ever and ever more, my love for thee, though still beholding a thousand mountains before me, I remain sturdy for thee; I remain undisturbed by burly laws, and by exotic dictums, I stand fierce and unhurt, save in your absence.”
W: (With Sadness) “My beloved, your vivid voice stabs the falsehoods for thee, and I say unto thee, unto thee your excessive and unreasonable chains, and for myself my unreasonable and extreme chains remain.”
M: (Shocked) “But I burden thee with no steely chains, nor verbal fetters! For naught I produce for thee save grace, passion and freedom to love for us both to be in Unity Sacred! Dost thou embrace my visions as ‘shackles’, then ‘tis better we agree to class that which we are as but madness! Hear me, for my tears now must truly change their colours!”
W: (Determined) “Your feverish hands clutch only upon mine erratic wings!”
M: (Anger) “Never! Never! For I clutch only to destroy all malevolence; as for thee, Lady of the purest, untouched, guarded, secluded Ponds, I seek to unshackle for you the scattered, scared shadows that yearn for thine sovereignty. And what is this ‘sovereignty’ but our Sacred Union? What curse deemest you I impose? Do you equal my purest passions with atrocities? Murmur unto mine ears, your clearest love for me.”
W: “Ah! You enquire of me my ‘sincerity’ for thee? What demands!”
(Silence)
M: “I see naught but heaving forests of love betwixt us, and yet, you discover my words being ‘demanding’?”
W: (Drily) “Perchance, your visions are indistinct and ever more blurred, through these years cannot be ignored.”
M: (Begging) “My love! All mine life, though it be lengthy, I fought most venal tyranny, and for this moment, you question my righteousness?”
W: (Indignantly) “I have been plunged into seas hostile and I have plunged in a thousand miles of inert minds troubled beyond conceivable comprehension and I have yet to have my Right for my own greedy, ravenous flesh to be vigorously and forcefully embraced by sensuality and serenity. Yes, I do love thee, and yet in our union, as in all unions, I have been adorned with naught, save snickering, gossiping scenes of festive *****, games, chatter and farewells, themselves festooned within silly and sincerely stupid smiles and frowns, and shallow tears and never ending ludicrous chatter unworthy of monkeys conversing. I have met programmed rows of pats, respect and all other so-called decent intents and gestures, but, where, lover that you are of mine, where does my personal heart, throb and manically vibrate, save in your heavenly imaginations?”
(Silence)
W: (Quietly but Determinedly) “My love! I truly thee love and with passions, I tell you, of proportions of precise exactitudes; in your eyes I have witnessed symphonies of exquisiteness; and, I of thee ask: where dwelleth your own love for myself in thine body?”
(Silence)
W: (Passionate) “Do you recognise the changing structures that form this, that I name ‘My Love’? In my solitude eternal, I do evermore and always do pause, and be pensive, and be thinking of questions, such as ‘where’, ‘why’, ‘when’ ‘how’, and ‘which’ should be my path; I am forever and ever more searching, seeking the heavens of every corner, and the irritable tempests, within my changing self as they themselves do try to seek me, and we forever, through inconceivable murkiness, do try to assemble the everlasting entirety of these disorganized puzzles into some measure of comprehensible cohesion that ‘I’ am. That is how the ‘I’ you love is forever changing and thereby formulating itself, and within all these meandering passions, and endless errors, where am I to feel thee? Where? And where do you seek me? In which land? In which forest? You trivialise my beingness as you focus upon my lands as being that which so effortless to find, and yet, you are much too distant from an understanding of my conflicting, emerging civilisations.”
(Silence)
W: (Passionate) If the utterance ‘Never’ is pathetic for thee, then allow me to introduce you to my latest heart: for it screams out that single, protracted utterance! Never! My love, these winds of raging wraths, both within and outside by flesh, must and can only be annihilated by mine own sincerities – were I not to play against my own self. My uncontrolled desires and, yes, thirsty manic passions can only be tempered and thoroughly satiated to the utter brim, by mine own loving, sources of pleasure, my own uncontrollable ecstasies. As for the rest of ****** pleasures, my own erroneous words, speeches and utterances can only be severed and sliced by my tranquillity.”
M: (Resigned) “I hear thine words. Do not abandon me. Do not destroy our civilisation of justice.”
W: “What we share, the bonds, are enjoyment. Listen though to mine lips: enjoyment is what - when it is to be compared with convulsive ecstatic quivers of satisfaction?”
M: (Puzzled) “And what of all our journeys to attain that unity? For all that, is it to be of mere insignificance? And if that be your truth, for what then did we toil and labour for unity of minds and bodies?”
W: (Laughing) “Did you understand from Life itself, that here it was, grandly to proclaim its furtive faces unto thine own awaiting face?! “
M: (Baffled) “It was so far too plain and vastly clear unto me these sceneries we faced before our loving bodies.”
W: “Yes, and I too, did see them with thee. Our four eyes, did see unity for that flicker of time. How true you speak! But, time clocked on, I saw you as you stood there, moving nowhere, unawares that it was your duty to squash onwards whatever vile breaths faced us.”
M: (Desperate) “And did I not? Did I abandon thee in these crushing paths?”
W: (Accusing) “No, you did not. Never, once did you abandon me. I ask of thee; for what sense do we feel a need for a continuation of these gruelling marches? For unity? For love? Or, is love unity? Was that and is this our reason for us to carry on with these shackles?”
M: “For assuredly, yes, and more yes, I tell thee! Toil and gruelling dawns, and unbearable evenings and the whitest of nights are all for the sacred attainment of that heavenly summit of joy I name as blessed ‘Love’.”
W: (Assured) “And, Sire, what if my nerves, blood and ****** hunger tell thee in truth that we, all of us, need no longer, and need never in truth, to undertake these paths, for we find naught that nourishes us at the blessed summit of your definition of what ‘Love’ is?”
M: (Confused & Sad) “So, I falter here and now upon understanding your speech; do I reason from thee that our loving days in unity are frivolously bygone now?”
W: (Calmly & Gracefully) “Do the wandering birds, and do the blind bats, and do the reckless storms, and do the blindly, raging waves and do the supremely arrogant oceans eternally march on in but one direction only with the savage passage of time within their particular lives? You did pronounce that you built planets for our unity; well then, did you not view how planets endlessly revolve along the same path?”
(Pause)
W: (Calmly & with Dignity) “For, Sire, I am not as a Planet - could you not feel that throughout our journeys? You endlessly query and question ‘who’ it is that ‘I’ am? Well, I speak this much on myself; I am as the birds, and the bats, and the storms and the waves and the oceans.”  
M: (Angry) “Woman! I can only then tell of thee that you are naught but feuding clutter and violent disarray!”
W: (Unconcerned) “Those are your words. Not mine. Speak for what you wish, Sire.”
M: (Angry) “And I stand here, before thee, in anger – nay, more, more! In fury!”
W: (Laughing) “For what? For the deeds that created but sticky, and grimy grains of sand for the undoubted pleasure our eyes?”
M: “And so you label our truths, our love so much! Fair indeed, you speak, Woman of Justice.”
W: (Arrogantly) “Man! Express your delights for your own delights. And, alas, there the circle and reality ends – and it ends only for you. That is one morsel of truth for you to ponder. What we ‘created’ and what we ‘loved’ was never and never, ever be the same for you as it is for me. Are you a sincere believer that your personal vision is the same sight all other seeing creatures envision?”
M: (Angry) “Woman, you enrage me! Your arrogance is drenching thine rags.”
W: (Sarcastic) “Tis the Man with no reason who allows his breath and words to be a veritable cesspool of fuming stenches!”
M: “But I, that I am, no longer can define your contours?”
W: (Pointedly) “Precisely, Man, precisely. Perhaps, now you have come closer to the vulnerable shores of reality!”
M: (Confused) “Do you express that you are ever varying and so for that reason there is not a one unified you?”
W: (Calmly) “For we are all ‘varying’, to borrow your word – if you do so allow me, Sire. There was never ‘unity’ of soul, nor mind, nor self, nor of any one personality. This, I desire, that you may understand.”
M: (Aghast) “Then if that be your truth and then, are we naught but multitudes of ever changing confusions, Lady of the Desert?”
W: (Calmly) “Yes and no! For those who are muscular and full of fertile vigour in their flesh, and in their intellects, and those that are severely and strictly scholastic, then they do need and they can succeed in time, in their never ending struggle to bring together the mutually antagonistic factions of that which constitutes our beingness. And, as for the dense brained soulless beings, then, it is equally veritably true that, a descent into madness can be rapidly produced, since from their erratic constituents, they cannot attract together these antagonistic and mutually-hating emotions in some vision of cohesion, and thus mayhem can be fashioned.”
(Silence)
M: (Calmly) “So, pray do tell me, where does Love and Justice and Truth and Morality stand in your universe?”
W: (Serenely) “That has been mine desire to hear the words being produced from your lips, Man!”
(Pause)
W: “So, now perhaps, your sight may be getting clearer, for your question is certainly apt. Foremost, we pathetic mortals, we the be are forever slimy specks of sand that  crumbles, must necessarily seek to survive and flourish within whatever forest, desert, meadow we find ourselves cast upon.”
M: (Startled) “At what cost, Woman? At the expense of Morality?”
W: (Rapidly) “Yes and no.”
M: (Shocked) “Horrendous! How can you spout out such filth?”
W: (Quietly) “Restrain your stupidities, and give more room to your intelligence, Sire.”
(Silence)
W: (Gracefully) “In times of trouble, what can Man do when he be forced to embrace evil, even though he finds the act of the embrace loathsome, but he does what he does for the truth of his vital existence to continue. Only when he need never embrace vile, and then allows himself to commit the act, then he is for certainty to incur the everlasting wrath of God. Evil is thus never one truth to be utterly rejected, perchance you may now see. ”
M: (Calm but Tired) “I follow your words and their ideas therein.”
W: (Gracefully) “When you talk to me on Man and everlasting, conflicting changes within that self-same creature, I tell you with all the earnestness that I possess, of what God has scattered and endowed upon me; for this beast, we all call in unity Man, this creature has far too many a numberless number of mutually self-contradicting, distrusting, loving, hating, inspiring and a never ending number of feelings and emotions that are in constant flow and change – as in any rapid river descending unto its eventual destination, which in its case, is the sea, while in our case, it is Death itself for sure.”
M: (Despair) “And how can this beast ‘love’ anyone within this welter of confusion?”
W: (Rapidly) “He cannot!”
M: (Rapidly, Begging) “But Man and Woman do love with bristling passions! Do you deny that, Woman?!”
W: (Calmly, eyes downwards looking) “Yes, and no. Since the beast has needs, based on his vastly intricate constituents, to ‘love’ his fellow beast, he imagines and believes
Titanic-Lover Aug 2013
If you didn't know my story,but saw me in a book,
You'd read my name and wonder,then take a second look.
A shadow of my former beauty,I've been ruined by many years,
The things that have happened to me always bring on many tears.
I do not hide my sadness,for it is fresh and always there,
As I wait here so very lonely in my sunless Atlantic lair.
My poor,proud body is rotting away,there is nothing I can do,
Except hope maybe one day,equality will be given me too.
I recall a sadness filled day within my lonely dark,
When a plastic cup came floating down,and on my tomb left a mark.
That was one of many times I would give up and cry,
For human cruelness hurt me so,I got this rather than 'good-bye'.
I do not hardly recognize myself anymore,I say it not to be vain,
I say it with truth and exactness,to my heart welled up with pain.
Some people truly love me,for them I'm truly greatful,
Others regard me as a rusty ship with eyes that bespeak hateful.
I cannot help what happened to me,they just don't understand,
I once had a heart adventurous that would lead a career grand.
My hopeful life was ended in the year of 1912,
And my dreams,visions and pride-filled youth to the bottom delved.
I was told that youth and beauty would get me far in life,
And with these assets I proudly boasted,I knew nonesuch called 'strife'.
Throughout the tumble and crash of waves rode my lean body's length,
I reveled many times over in my satisfying,thrilling strength!
****
On the evening tide of the 14th,I saw the iceberg  true,
A handsome,glittering,ethreal prince,what was a lonely girl to do?
I rushed as fast as could be allowed to greet this glacier born one,
Eager to introduce myself and rid forlornness akin to a ton.
But when I came up closer,my heart he did stab,
With that glittering,icy spellbinding look,'twas my start of being sad.
He tore into my body,bringing unsurmountable pain,
What was the purpose of such cruelty,what could he possibly gain?
And on the night my life ended,I travelled my beloved sea no longer,
Death so young,in such a way,could life be any wronger?
I hoped so much I would not perish in a life that did just start,
Yet hopes were banished by the truths of a rapidly weakening heart.
I tried to wait as long as I could to save my passengers dear,
But the ending for so many of us was soon becoming near.
I didn't want to say farewell to the things I did love so,
And yet time was running short,and I wanted them to know:

Olympic,my lovely sister,I hope your life is a promise true,
Of many voyeurs across oceans wide,a charmer you are too.
Treasure the sun's bounty that warms the evening's chill,
And know throughout your entire life,my love is with you still.
Enjoy the satisfaction of your beauty and strength even when in dock you sit,
For a day may come anytime,and a single moment end it.
Show the Captain you are bold-bold,lovely and free,
But do not toss caution in the spray thrown off the sea.
I trust you not to be lonely in travels near and far,
For my ghost is always with you,just look up at a star.
When days come to you and a disconsolate thought you may think,
Remember the unconditioning love of a sister who'd "Never Sink".
Remember my love at morning,remember it at night,
Remember it these coming days I will no longer be in your sight.
I love you,Fair Olympic,in wordless,heartfelt ways,
Your memory I shall treasure in my saddened,sunless days.

I rest on a sandy sea bottom,amongst accoutrements of life,
From an unforgettable day when I learned the meaning of strife.
The earth has covered the stab the iceberg in my side did maim,
But despite that all,the hurt in my heart did stain.
I relive in over and over,wishing it were just a dream,
Yet awaken to the truths to know,my broken funnels have no more steam.
The way I landed in this grave,I look like I shall sail ahead,
But,that is all a fantasy,my once-strong body is dead.
It will not go anywhere,today or ever again,
I am helpless to the trash that falls upon me from heartless men.
The ship that sail above me hold people bright and gay,
Who do not know the sorrows that were on a 15th of April day.
They sail on to their destination,thinking nothing of me,
Who haunts the very waves they ride on my beloved Atlantic sea.
They dream of their days ahead,cheerful and free of plight,
Disregarding any notion of a nightmarish Hadean night.
They dance,they revel and throw trash over the side,
Where it floats down eventually onto the Ocean's Queen who has died.
They do not know of an iceberg with a sinister,laughing gaze,
And who pleasured in so knowing he ended my happy days.
They do not know of terror,of the ocean flooding ones' heart,
They do not know suffering for a ship breaking apart.
They do not know the agony of bading goodbye,
To the sunshine and a beloved sister who would never,ever lie.
They stand aboard a breezy bow,above the white waves foam,
Knowing soon,within a few days,they will be going home.
They seem to forget I belonged somewhere once too,
My home wasn't supposed to be an ocean floor,far from the sky's blue.
They do not know I've loved,they do not know I've cared,
They do not know the pain in my heart,that in scrapping,my sister wasn't spared.
They are the people who have this phrase float off their lips:
"Olympic and Titanic ,they are little more than ships!"
You humans claim you hold a bond to those you love so dear,
How different is it for me,I ask,with my sister built so near?
There is so much out there for those to remember me,
But my poor,sweet sister is forgotten,plunged into ocean history.
When you recall me,try to think of her too,
Bring her alive within your heart,I leave it up to you.
Years have passed,times have changed,though down here it's the same,
I am still the great Titanic,though my bow no longer says my name.
Some people who have discovered me have been respecting and kind,
I shall never give up my secrets,but their visits I don't mind.
Then,there are others,who ravage me to know,
They steal my finery,what is rightly mine;how can they hurt me so?
Although I do not mind some visits,I am now accustomed to the dark,
For the lights they shine upon me are so horribly bold and stark.
I am now part of this sea for one-hundred and one years strong,
All stemming from an April night when the most horrible went wrong.
The rust that drapes off me,some people say are like tears,
And,partially they are,my dearest friend,of the sorrows of many years.
The ocean floor is somber,the ocean floor is cold,
All the more unpleasant for a girl who's growing old.
My song it is of truth,to show that life is not a game,
But,treasure it every minute you can,all the very same.
It may be pleasant,it may be sorrow,
But,hold close the day you live in,think not heavily of a 'morrow.
I thought I'd have a tomorrow too,as I sit here in my grave,
I had a tomorrow,yes indeed,but not in a life-filled way.
I rest under these bitter waves,a melancholy heart is mine,
A shadow of my former beauty,a ghost of the White Star Line.
In the Aprils of today,on the dancing surf above,
My soul rises up to haunt the sea I love.
My soul is not marred by tears,fright and rust,
Whole and in perfection,before my death it's just.
At the latitude and longitude of that long ago day,
I have stopped many a vessel,so,remember me that may.
The scrapping of my sister,the sinking of me,
Life ended none too kind for both Queens of the Sea.
Remember us,gay vacationers,as you gaze up at a cloud,
For Titanic and Olympic,death 'twas not proud.....

I rest under these bitter waves,
A melancholy heart is mine,
We are remnants of our former beauty,
We are the ghosts of the
WHITE STAR LINE...
This poem is dedicated to my beloved Royal Mail Steamship 'Titanic',and her more forgotten,yet beautiful sister,Olympic. Never shall the sea be host to two finer ocean liners.
Mateuš Conrad Nov 2015
so there on the window sill
i sat perpetrating my crime,
one had outside the window denoting the mentally ill
and the other inside the compartment of
a room denoting terrorists,
then i switched hands and opinions...
and then two bright objects of fire appeared
on the skyline... then another two... a perfect rhombus that
traversed the night sky.

i mingled *r.d. laing
with the saint benaiah ben yehoiada today...
what a miracle of the slow approach,
i was so desperate for paper i even wrote on a sunday times news review page,
god help me, i feel the need to speak over people in writing.
testament to modern *******: the modern trans-gender phenomenon
is primarily found in st. thomas’ gospel
as entrée of r.d. laing’s **** of paradise artistic spontaneity
away from rigid theory so numerous in the exampled situation
of the lisp acquired on the psychoanalytic couch...
it speaks of turning left to right... up to down... man to woman...
a bit like a sat nav giving directions... you end up in a kingdom
that’s a ditch and the king is adorned not in crimson cardinal
or purple bishop... but pain... this is 1967... no wonder the hippies
died off after people started to dot dot dot post-1967
with the excavatio in translatio to remould western, christian, societies.
that text, says it all! david bowie and alice cooper and marc bolan
with the lipstick and 8 o’clock eye-socket shadows...
but things are picking up / getting serious...
the young ones are on it... post-colonial details i might have you add...
it was bound to happen... vietnam and the daddy longlegs starving man of africa...
built in processor 5.6GB of memory and an iphone...
what?! i’m translating my slavic soul... we fed the mongrels and mongolians
with crusader ***** in the baltic... we disappeared for a few centuries
and came back... blackmailing the airlines for an unsafe crash landing
somewhere in belarus, with the state banquet officiated, of course.
you see.. i’m the silent eager satyr from such paintings by matejko
like hołd pruski and stańczyk... expression beaming with: yes... go on...
spur me on... i’ll gallop to status of stallion with laughter!
all the catholic canonical saints are for people who prefer images
to words.
so there’s laing in 1967 allowed the ancient deciphering of
quasi-egyptian text... and then all hell breaks loose in the now, present...
i’ve got two left hands and two right feet... i think i’ll transverse
in walking like a crab... sidewise... out of here...
you go along with your daily “historical” bullying...
i like my place... outside the post-colonial continuum...
so much so that i even have a theory for the experience:
HE WASN’T THINKING IN HIS MOTHER TONGUE,
THE NATIVITY OF THE SOUL TOOK FORM FROM THE POLLEN
OF THE BODY, MANY IRANIANS AND EGYPTIANS...
HE THOUGHT COLONIAL, HE ACTED COLONIAL...
PREVIOUSLY HE MENTIONED POLAND LENDING AEROPLANES
TO EGYPT... HE ACTED LIKE AN ENGLISHMAN TO A ******...
NOW I SEE HIM LIKE A PENGUIN WITH CHEETAH FUR...
A WORD OF LISP I GATHER...
I WAS THINKING STUPID TRUST... WHILE
A SINGLE WORD OF THE MOTHERTONGUE RESONATED
TO PURSUE CREATIVITY THUS EXPRESSED
UNABLE TO FIND THE 0,0 COORDINATE IN THE
NORTHERN TRANS-EUROPEAN MILITARY COMPLEX.
this is how integration happens in europe: acquire the native tongue
acquire native psychology... don’t acquire the latter
define the former with exactness of body...
conclusion? i did stupid via trust... he did stupid via a blood-thirst
and a michael jackson trick of bleaching the soul
but leaving the body oddly mongrel-like... not so complete
like africans from the caribbean losing the tongue
due to jamaica’s great weather, then moving to england
and starting reggae rap... god knows how those two fitted for a size 12
perfect matching: quick-slow, quick-slow...
slow-quick rat ah rat ah regina duck in dumplings... bewildering
that i didn’t turn grey but turned ginger over the years.
you see this theory? it makes the mongol horse pale in comparison;
dad said: a jew did it! a jew did it! a ******* mid-******* just said: you
(double emphasis, the colon and italics... well i was there,
and this poem is proof that i was there, with her).
then this poem in the background with added photogenic approach...
titled: on ******* who create art.
ahem... napkin for the torero and rare steak to suite:
there they are the geniuses and the mediocre,
sitting in abodes of aspirational peace of the living -
half-dead many of them almost to the core of rotten apples,
with arsenic in apple seeds the last remaining life -
a poisonous mechanisation of activity on the breeding continuum
curtailed (is that implying cut-short?),
horrible ******* to live with,
they sitting knitting words together that make no cardigan fit,
or they’re making 2d rooms with the odd splash of colour
that will never obey the cube but the rectangular canvas,
no use of a poet’s pen in the solace of a quiet pension spaced,
the usurpers of peace among the living among the twins of sabbath,
these ronin of the fountain of solace found in t.v. and slippers...
who let them in?! can you hear poetry with a hammer?
can you hear it on a construction site, or an art gallery or a library?
so there they are, the *******, choosing the most importune of places
to do their craft... in the living spaces of plumbers and electricians...
hardly the place to craft their art when there’s no pulpit to
exercise their crafty practice with the end remark.
why then the plumber the safeguard and incubator nest of home,
and why the cold chill of aqueduct syringe at home for poet?
does no friendliness reside in stressing or not stressing certain words anymore?
perhaps the coalminers will tell me?
they say i am in a coal-mine by the sheer whiteness of disposable white
of canvas... and only among them in solidarity of a brotherhood
by excavating with them the coal that’s their amber burnt at home
and my solitary ink expressed in the library of their darkness of having
bulged forearm forceps of the bicep and no patience for reading... but digging,
i’ll know my orientation in those mines once more...
where the safe and understood route has has not yet been written...
and all that is seen... is the whitened darkness of the blank canvas of
what i peer into stumbling with the inverse... the flashlight of words
against the darkness of the canvas... me and my blind horse.
god i hate live editing... but then again... it keeps me
drunk and soberly paranoid to scrabble in revisions before i doze till morn.
Nat Lipstadt Jul 2015
"There is a stillness that floods the moment"
                                                        ­       a sky full of stars
~~~
for you, poet, you
~~~


there is a stillness that floods
that exact moment,
the cutting chord moment,
that oddly has no
resounding chords
~
a stillness
that, simultaneous,
happily, sadly, accepted, lost,
all immediately,
by its very knowing
released acceptance,
for that is when
depression and joy,
a 1-2 punch of  
raging quietude floods
the exactness of that moment
~
this shock of the calmness,
albeit brief,
jolt of kind,
jolt that slow mo's
pulsing prior air gasping
~
it comes when thinking

done,

it is done, yes done and I am undone,
having surgically cutting off
a limb, never bloodless, but
still relief waters flush the wound,
a granted, gifted joy floods,
permitting its escape tween the sutures,
in exhilarating exhalations
~
throw it down,
your extracted best,
lift up,
the fleshed out silhouette,
present it to the court and corps,
a farewell glance push,
finger caressing the send button
with ****** anticipation
for the lovely loving,
a vintage of the pre-regret
of completion
~
the poem is done, gone, ****** eliminated,
the light of eyes so peculiar to that moment,
when you have birthed a new born poem,
an acknowledgement of the stillness of a
closing loss,
the parting, the coming,
of a
peace of you
must too, be noted,
all deserving of equal rights

~~~

July 12, 2015

*NML
443

I tie my Hat—I crease my Shawl—
Life’s little duties do—precisely—
As the very least
Were infinite—to me—

I put new Blossoms in the Glass—
And throw the old—away—
I push a petal from my gown
That anchored there—I weigh
The time ’twill be till six o’clock
I have so much to do—
And yet—Existence—some way back—
Stopped—struck—my tickling—through—
We cannot put Ourself away
As a completed Man
Or Woman—When the Errand’s done
We came to Flesh—upon—
There may be—Miles on Miles of Nought—
Of Action—sicker far—
To simulate—is stinging work—
To cover what we are
From Science—and from Surgery—
Too Telescopic Eyes
To bear on us unshaded—
For their—sake—not for Ours—
’Twould start them—
We—could tremble—
But since we got a Bomb—
And held it in our *****—
Nay—Hold it—it is calm—

Therefore—we do life’s labor—
Though life’s Reward—be done—
With scrupulous exactness—
To hold our Senses—on—
Nigel Morgan Aug 2013
In the night it had been so dark he had been unable to see across the room. The uncurtained window was a thought, a remembrance. He had to feel his way across the room from the warm bed, and across the wooden floor his feet felt one of the two small rugs he knew were there. Finding the windowsill he looked out into sheer darkness, but then a glimmer of light flashed far away across the valley, and yes there was just the faintest trace of dawn, and it was so still. He opened the window and could hear a faint breath of wind moving the trees surrounding this estate house, a house empty but for him. Somewhere quiet, unpopulated by this pulsing, vibrant, unreal community he had joined the previous afternoon.

There was an owl distant, and he immediately thought of the poem Owl written just a few hundred yards away by a poet who had once lived on the estate. He imagined her writing it in a half hour captured from being a mother of small children, and of being a gardener and wife. Maybe she had her worktable in her bedroom, a small space wholly hers where she could form her thoughts into these jewels of words.

Owl

Last night at the joint of dawn,
an owl’s call opened the darkness

miles away, more than a world beyond this room
and immediately I was in the woods again,

poised, seeing my eyes seen,
hearing my listening heard
under a huge tree improvised by fear

dead brush falling then a star
straight through to God
founded and fixed the wood

then out, until it touched the town’s lights,
an owl elsewhere swelled and questioned
twice, like you light lean and strike
two matches in the wind.


He returned to bed and as he lay down to gather a little sleep before the early morning light summoned him to his desk, he thought about ‘the joint of dawn’. Only a poet could have found that word ‘joint’, the exactness and rightness of it. It gave him a sudden and prolonged moment of joy. That’s what the creative mind sought, the right word, a word that summoned up not just images – he knew exactly what the joint of dawn was as an image – but also a very particular emotional and experiential state, for him a whole history of early mornings sitting quietly with a cup of tea between his hands, looking out; or sometimes being out, in winter before dawn, walking to his studio, the old walk through the industrial estate, over the river, into that vast silent building, up the three flights of stairs by feel and long practice – the metal rims on each stair step a guard against a long fall – then to his room, and before turning on the light at his drawing board he would stand by the long windows whose sills held his shells and stones, a vase of flowers, a small collection of old (and blue) bottles, a framed photograph of his children, he would stand and see the joint of dawn begin as a crack in the sky and then open like a lid on a box, a box that held a faint morning light, a pre sun, a grey glimmering.

As he lay awake, but with eyes closed, he thought of a conversation they had had recently, he and the woman he loved, the woman who warmed his heart and whose image in so many different forms floated continually in his consciousness. The feel of her under his body pulling herself to the compass points of his passion, and in such a moment when time had become suspended, had found this release, this overflowingness that gave him now, alone in this dark bedroom, a joy he could barely contain, that it could be so and to which his own body now expressed in its own vivid and physical way.

This conversation – he sought to remember the circumstances. Maybe it was over the telephone. Many of their conversations had to be so. They lived apart, and even when they lived together for short periods they were not truly together. There was often the intervention of work, of present children, of heads full of lists of things to do.  This conversation was about a short story he had written and sent to her to read – she had supplied the title, curiously, and he had accepted it, the title, as a challenge. She said ‘I’m often unsettled by your stories, by not knowing what is ‘real’ and what is invented. I find it difficult to read what you write as fiction because I’m aware that some of what you write is based on memory, people you have known perhaps, and I have not’. He could tell from the examples she gave (that were really questions) that there was, perhaps, a particular unease when it came to women he had portrayed. He felt a little sad and uncomfortable that his answers did not seem to help, and he thought quietly for some time after about this problem. Of course, authors did this, they trawled their memories, and often and usually ‘characters’ (he had read) were composites. The character in question, a poet in her sixties called Sally, was one such, a composite. He had invented her he thought, but to her, his questioner, his loved one, she had assumed a reality. It was those intimate details he had supplied, those small things that (he felt) drew a fictional character to a reader. Had he known a Sally? How intimately had he known a Sally? Was this the sort of woman he would like to know, perhaps even fantasied about knowing? A woman who handled words well, poetically, that was plain, but unmarked by her age, though had large feet and moved without grace.

He loved to write letters to her, his loved one. He wanted, this morning, to write to her, but he didn’t want his letter to be another list of ‘I did this, then this, and I saw this, and this made me think of this poem (and here it is), or this picture, and I heard this music (and there attempt a description). He was selfish really. He didn’t want the letter skimmed through and discarded. He has written, he loves me, he is thinking about me so he writes knowing I like letters, but that’s it, and his letter, because they come so frequently, is just another mark on the drawing that will be the day; it carries little permanence with it. And sadly, he will occasionally (although he is improving) allow these little intimacies to fall into words, and that I find difficult, embarrassing. I suppose I want letters anyone could read, that I could leave about on the kitchen table.

So, just occasionally he would place himself in a story, and this is what he began to prepare as he lay in bed and the dawn lit this bare room, so minimally furnished, in this quiet and beautiful place where a ten-minute walk would bring him to the bank one of Tarka’s rivers, where from the kitchen window, looking north, he could see the Moor and even one of its signifying and majestic Tors.'
The poem Owl is by Alice Oswald
Robert Ronnow Aug 2015
All conflicts are resolved via coercion, implied or applied,
of the dominant party over the denied (Niebuhr).
Not news at the 2nd St. jail. But the Constitution
provides for moderation, persuasion and elections
as way stations, stopgaps, safe havens before the decision's taken
to go to war. Civil war, daily low intensity warfare is unavoidable
      when
chambers of commerce and large corporations wrestle naked
and who are the 1% controlling 25% of the wealth, name names,
hold a french revolution over it. This space I write from's
safe, comfortable but what about a Taco Bell cashier with 4 kids x 3
      men
who came and went when they found how human her bleeding and
      complaining was, how voluble, not faked.

This obtains when you consider Niebuhr: "That the limitations of the human imagination, the easy subservience of reason to prejudice and passion, and the consequent persistence of irrational egoism, particularly in group behavior, make social conflict an inevitability in human history, probably to its very end." (emphasis mine)

                         respiratory tract infection, hunger pains

Popper drops by: "Their story that democracy is not to last forever is as true, and as little to the point, as the assertion that human reason is not to last forever, since only democracy provides an institutional framework that permits reform without violence, and so the use of reason in political matters. It is clear that this attitude must lead to a rejection of the applicability of science or of reason to the problems of social life - and ultimately to a doctrine of power, of ******* and submission."

                                           split lip, fever blister

Cynical nihilist Niebuhr: "Educators who emphasize the pliability of human nature, social and psychological scientists who dream of 'socializing' man and religious idealists who strive to increase the sense of moral responsibility, can serve a very useful function in society in humanizing individuals within an established social system and in purging the relations of individuals of as much egoism as possible. In dealing with the problems and necessities of radical social change they are almost invariably confusing in their counsels because they are not conscious of the limitations in human nature which finally frustrate their efforts. So persistent are the moralistic illusions about politics in the middle-class world, that any emphasis upon the second point will probably impress the average reader as unduly cynical. In America our contemporary culture is still pretty firmly enmeshed in the illusions and sentimentalities of the Age of Reason."

                                            terror, runny nose

An apoplectic Popper: "And being a typical historicist, he accepts the judgment of history as a moral one; for [Heraclitus] holds that the outcome of war is always just: 'War is the father and king of all things. It proves some to be gods and others to be mere men, turning these into slaves and the former into masters . . . One must know that war is universal, and that justice -- the lawsuit -- is strife, and that all things develop through strife and by necessity.'"

                                 lonely physics, national purpose

Poppa Popper proceeds: "Sweeping historical prophecies are entirely beyond the scope of scientific method. The future depends on ourselves, and we do not depend on any historical necessity. This prophetic wisdom is harmful, the metaphysics of history impede the application of the piecemeal methods of science to the problems of social reform. We may become the makers of our fate when we have ceased to pose as its prophets."

                                    fatal heart attack, fatty acids

Reinhold, while drinking orange juice: "Conflict is inevitable, and in this conflict power must be challenged by power. Since political conflict, at least in times when controversies have not reached the point of crisis, is carried on by the threat, rather than the actual use, of force, it is always easy for the casual or superficial observer to overestimate the moral and rational factors, and to remain oblivious to the covert types of coercion and force which are used in the conflict."

                                          alphabugs, antibiotics

Doc Wheeler runs the 2nd St. jail keeping the High School Dropout
      Prevention Program
breathing. The Sheriff's Dept. provides guards, a metal detector, one
      man with a gun (encased),
door buzzer (in out), sign in sheet, breakfast and lunch. None too
      clean, not too tidy.

Niebuhr goes nuts: "All social cooperation on a larger scale than the most intimate social group requires a measure of coercion. While no state can maintain its unity purely by coercion neither can it preserve itself without coercion. The inability of human beings to transcend their own interests sufficiently to envisage the interests of their fellow men as clearly as they do their own makes force an inevitable part of the process of social cohesion."

                                 3 hots and a cot, circle with a dot

Popper replies: "Instead of aiming and finding what a thing 'really' is, and defining its 'true nature,' science aims at describing how a thing behaves in various circumstances and especially whether there are any regularities in its behavior. It sees in our language, and especially in those of its rules which distinguish properly constructed sentences and inferences from a mere heap of words, the great instrument of scientific description, not as names of essences. To those philosophers who tell him that before having answered the 'what is' question he cannot hope to give an exact answer to any of the 'how' questions, the scientist will reply, if at all, by pointing out that he prefers that modest degree of exactness which he can achieve by his methods to the pretentious muddle which they have achieved by theirs."

            "when making an axe handle, the pattern is not far off"

Niebuhr nods: "The problem which society faces is clearly one of reducing force by increasing the factors which make for a moral and rational adjustment of life to life; of bringing such force as is still necessary under responsibility of the whole of society; of destroying the kind of power which cannot be made socially responsible; and of bringing forces of moral self-restraint to bear upon types of power which can never be brought completely under social control."

       Popper and Niebuhr were married yesterday at the 2nd St. jail
                      under the federal Freedom of Marriage Act
"Conflict is inevitable and coercion's vital for resolving it".  --Reinhold Niebuhr

--Niebuhr, Reinhold, Moral Man and Immoral Society, Charles Scribner's Sons, 1932
--Popper, Karl, The Open Society and Its Enemies, Princeton University Press, 1962

www.ronnowpoetry.com
barnoahMike Dec 2010
Glad to see you,  the ORANGE hatted man said to the YELLOW shirted Person seated in the FULL Reclining Chair,  WHICH By the *way,  was *ONLY in the Half Back Position.   Being in the Half-Back Position allowed the YELLOW  shirted Person to respond in Just a Slightly UPLIFTED EYE ANGLE !!    And,  the ORANGE Hatted man, Peering Down,  with Head *****,  Gave EACH of them an EQUAL Opposition Eye Angle of 22 Degrees EXACT ! !    Now,  to Verify the fact of Equal Opposition, the PROTRACTOR MAN arrived promptly on the scene to Evaluate the Situation..    He (protractor-man) Had , for the Very FIRST-TIME,  been especially Called for this HISTORIC Moment .   YES,,YES,,  For the very "FIRST-TIME"  Equal Opposition between an ORANGE hatted man and a YELLOW  shirted person,  USING the Measurement of "ALL-MEANING",  THAT IS::   "The Protractor of Life"...  This Historic moment would forever be Relished by Another Member of THE SOCIETY ,  BUT it was up to the Assigned Protractor Man to Assure all Interested Parties,  That the ANGLE of Exactness was * C O R R E C T ! !    OR....it wouldn't COUNT !   OH DEAR GOD,,"THOUGHT"  the assigned Protractor man,  Let my Measurements be CORRECT ! !   The ORANGE  Hatted man continued to Patiently Peer at the YELLOW shirted person seated in the :HALF-BACK  * Position in the Full Reclining Chair..  A Trumpet Blast form a BRONZE  Bassoon,, announced the arrival of  a  SPECIAL LADY ;Fully Gowned in STARTLING PINK  AND Glimmering WHITE PEARLS , adorning Her Neck and SUN-KISSED" DIAMONDS flashed from her Fingers.    In her Right hand  she firmly grasped an envelope.  She Careful in her opening  ,as if  it were a SEVEN-SEALED SCROLL *  Pulled out the  PURPLE with GOLD INLAY INSCRIPTION  ,"CERTIFICATE  OF APPROVAL "  FOR THE   Magnificent  level of ACHIEVEMENT  by the  ORANGE hatted  and YELLOW shirted man ,VERIFIED   BY AN  "UN-COLORED " PROTRACTOR-MAN"   "HEAVENLY" PRAISES AND ACCOLADES  FILLED THE AIR**          AND A "BOOMING-THUNDERING VOICED"  "NOT-EVERYTHING WILL BE IN......."B L A C K & W H I T E " ! !
copyright 2010    barnoahMike           Mike Ham
Mateuš Conrad Nov 2016
or how to make the eclectic concentrated,
how to make a zemstwa potion (revenge
potion) - long are the days of educated
Germans citing Grecian words -
my bilingualism gives me a patriotism
to use a language foreign to me,
and still embrace importing Church Slavonic:
                 but what a simple word
zemstwa is: less revenge and more retribution.

karakan: a ****** / dwarf -
but in an inoffensive sentence.
    people in the anglo realm always say
the phrases: where're are you from, originally?
and... how do you say it, properly?
        you first employ a knowledge of
syllable butchery: prophets of the surgical
procedure -
                 macron and umlaut both
akin in arithmetics -
                                  for what's later a comma.
Sartre plagiarised Joyce with *iron in the soul
,
     left out all forms of punctuation,
akin to the English language leaving out all
forms of syllable punctuation in reverse -
      which goes against Socrates doing the
Kabbalistic methodology of sounds as atoms,
cut up?      so-  -crat- -es.
                                 Dr. Satan said: it's so.
        i already said that language is the most volatile
substance known to man...
             and that the only people who get to write
books in the west: are people who are asked to write
books in the first place.
      there's me, in a darkened corner:
a coroner's phrase -
                i would be a true idle drunk had i no
tenacity to write and drink...
   by now i'm halfway through a bottle of *** -
Bacardi - or Bacardí - acute iota to get a stress /
prolonging into an ee         - because
you rarely hear someone say Afrikaan: or
   Afrikān - they taught you punctuation of words /
compounds - but they didn't teach you
how diacritical marks are also incisors
    stating that there are two hydrogen atoms and
an oxygen bound to in a reaction with potassium -
or such guises lost or forgotten.
                    it's aesthetic in the informal sense,
in the formal sense: power.
                 no one wants a flower-power hippy cuddle
moment these days, it's true:
                   they want fierce knowing -
people want glasses -
                to possess the Galilean power struggle
stated with cyclops Jupiter being noticed
and saintly Saturn -
                      a different spirit rummages through me
and hence the differential vibration of
the hushed lynx: named Larry.
                     in flames: metaphor -
well, you know, you begin the night with
a change of tone: former barley murky gods' ****
                    amber - to Caribbean clarity -
you're bound to find a difference in shaky "the shadow"
stevens of your hands - i'm way past
the absinthe romanticism - sugar cubes alight
are like latex gimp masks: you start yearning for
the countryside hiatus of forever:
    David Attenborough-esque narrated *** scenes,
birds and the bees, and storks.
                       as sure as Moonday in a
monocle i say: the world events shouldn't drag you
into their narrative - avoid them - avoid them at all
costs: you're not a power broker in their final
summit - you can't change them, turn your attention
elsewhere, into niche topography of interest:
with a very minor demographic of shared coagulation
to express it... back when fame was less of a harrowing:
back when there was no personality cult activation:
a banker said to me once, randomly on a walk:
Newton, what a load of *******!
        and hence the ballistic missiles and that thing
about global warming: for every action there's an
equal and opposite reaction (3rd law) -
     Descartes thought would be part of the
conspiracy theorist columnal dogma reiteration -
doubt is wrong (albeit good faith)
         and negation is right (albeit bad faith,
as Sartre already said) -
     so in turn the tongue: the doubters turn the tongue
into the four limbs with boxing gloves included -
  waggle all you want, the pessimism is already
there - the deniers? they had clothes for their tongue
to make the most spectacular claims about
being naked, when actually dressed at Harrods
in that cheap **** that says: all pharaoh cool, cool.
i'll find more pearls in the reflection of the moon
upon an ocean than i'll ever see donned by pearl
necklace ladies at a fashion week goose-step stomping
anorexics show in London - and that's the truth.
     i'm not a biblical literalist - but **** me!
we were given a poisoned fruit, and told we would
be able to tell apart good & evil, but never from
the two divergent stances, hence the bundled up salad
of like for like -
                     this is Moses as poet, rather than
a general - before telling me he didn't exist
and was mere fiction: tell me he was a cunning poet
before being a cunnin general -
                  in a hundred years' time: you too will
be a myth, that's logically applied history after
being ignored for too long it cannot attract
september the 1st, 1939 - because mythology is
a form of history that detests exactness of dating
and hindsight - it happened: people didn't
really give a **** when it did, done!
     we really do not have a capacity to censor
*******...  not in life, on the street, on t.v., or in a courtroom,
           we don't!
                                   i treat it as a puzzle
rather than a fruit though, otherwise, to be stark-naked
honest: we'd be ****** gorilla boring and that would
be the end of our self-projection as questioning
the void we're in: it would have been blindly
nodded to - and ours': such a pivotal and yet also
pathetic rebellion -
                                 yet again, the world is going
into the shredder - looks elsewhere:
i'm looking at a poem by jack spicer -
he's not a great poet, meaning? he has a decency to
be one... which means he's not oratory
therefore he's implosive, therefore he's part of
the magnetic-enzyme strand of writing:
he attracts people to write -
                    he's not a Bukowski or a Ginsberg -
god no...
                  the seemingly mediocre is there
because of the paparazzi sentiment toe-ward
the greats (on purpose) -
                    you end up feeling:
i need to say something - instead of feeling:
a heckler! shut, the, ****, up!
      that's being perceived as mediocre goes:
it's a fatality of what not to adopt and improve;
like that line about the doubter's tongue being
dressed in fists and knees -
   and the denier's tongue being dressed in Gucci
and Dolce to look the part and
         hardly spread a cup of sweated over panic.
      pro-me-thee-us
      pro-me-thee-us
      five years
      the song singing from its black throat (Jack)
  sure... but it's pro-me-fee-oose - right?
this goes back to not having "punctuation"
flint sharpenings on atoms of lingua -
                 sure, have them between compounds,
but never ascribe them to letters?
  bound to be trouble....
             d'eh very point of fought over is to be
count, unawares: thinking.
then i picked up a very ancient text,
ibn sina / abū alī al-husayn ibn sīnā:
variation, properly?
i'd put a macron over y in al-husaȳn -
     otherwise it's almost like a question of
practising punctuation: which is a variation of
constructing from syllables, rather than
alphabetical beginnings - now let's look
at the variation "how do you pronounce it?"
         e-bin   c-n'ah       ah-boo       a'h-lee
              who-sane         e-bin         see-n'ah

this is how English looks like when undressed
from its lack of applying diacritical marks -
god it's ugly,
               get that Texan gunslinger drawl with
it too: like i'll ever be a cowboy: pff!
yes, there are people out there who enjoy
t.v. shows and look at them fish-eyed glassy -
then there are those that like football games -
but then the few of us look at something like the
following as means for transcendental mind-games
above crosswording:
(Kantian 0 = negation,                1 must therefore
                    mean affirmation, and 2 doubt:
as in: being of two minds)
   ibn Sana (tome of wisdom) -

            R  H
A  0  0  0  0  0  0  B
C  0  0  0  0  0  0  D­
            T  G
                                     this diagram is so idiosyncratic
it would well be a diaphragm -
                                   it's a scematic:
but it's certainly not a need to make language
trivia, in a sense trivial:
             it is a metaphysical translation of a pearl -
the same triviality can be applied to it
as our bewilderment ascribed toward the
analogous translation of it via avaricious people
and precious gems -
             it's not even a Xeno's paradox type of
looky-looky -
                 it's a sort of complete human being type
of scenario: an X marks the spot where you
     grow dumb with: does it matter?
      well: logic that's not restrained (on holiday)
produces such things -
                 such schematics:
   they are artefacts of a way to forget the daily
function of language between people:
as way to suggest: there is a way to get things done
by not getting them done.
                   i could have replaced the original
with a higher tier abstract, namely using less meaningful
encoding symbols, given that 0 - 9 are incompetent
of the 26 variabilities, and the why & i
            yumper and jumper,
   cat and kilogram                    cue, q, kappa -
skewers -     which makes it less than 26,
or the said: ∞      and a - z variation limit from
aardvark                    and   zyzzogeton -
zoo... in between.
                            i don't know what ibn is
trivialising / doing an original antidote to a crossword,
but i can say, given that i found the punctuation
scalpel in non-applied punctuation within letters
in the End-leash language - what i found stark
naked: by the way - the reason that philosophers
never applied grammatically categorising words
in their systems, is why we have that sort of
momentum of applicability in the field of robotics:
to categorise words by their noun or verb
is a reason why philosophy books never applied
such words in their reasoning - therefore the need
to write a book with such words being relevant
as translated into their precise irrelevance
and the relevance of the field of robotics.
never mind, i could have written
          
                     <  ≥
£           .   .   .   .   .   .  ≠ (÷)
= (x)     .   .   .   .   .   .  $
                     ≤  >                        thus the denial
of all plausible conversation on the matter:
and Herr Grinch and the rags to riches
fairytale - and the lottery, and the otherwise
grim simga of the yawning grey plateau;
did i get something wrong?
                 this is an example of an alter-crossword,
and the reason that mathematicians aren't
good at mental arithmetic is because
they have to learn mathematical shorthand
for their arguments, they become kindred spirits
of courtroom stenographers.
Mateuš Conrad Aug 2022
now that i'm relistening to this track, i remember the sole reason why i worked that dead-end night club job: to earn enough money to buy myself a mandolin... which i did: i entrusted myself to earn the money than to pocket the money out of my student loan... never mind picking up ****-filled bottles from the bathroom: being sexually assaulted by some ****** who thought that long hair was something akin to women and not to old-school metal-heads: which i was back then... you know: getting groped by the *** by some man who later thrusts himself at you while you're picking up ****-filled bottles of beer... oh sure: with retrospect he would have said fellow to my forehead... how times change... well yeah, i worked that job to buy myself a mandolin... which i did... for the sole purpose of learning the mandolin part of Rod Stewart's Maggie May... which i learned and played it for Fiona beneath her kitchen window in the student flats... she giggles blah blah... but... Maggie May soon turned into that other favorite song of mine: And One... Military Fashion Show... perhaps the music is sort of Disco Polo... but the lyrics?

cutest girl behind my door
everybody's hiding in love from war
the beauty broke down their chains somehow
who's gonna living on my body now?

a growing pain within my pop divine
will I ever regret the line?
switching on the light
i will not reassign
girlfriend's girlfriends never could be mine

drop her white pants wide open warm
now she's slipping on her uniform
and every second would become so mis-defined
girlfriend's girlfriends never could be mine

nope, i never had any luck with women, maybe i should have picked up gambling: but then again i don't like testing luck when it comes to being lucky with bus times... i like waiting for a bus for a minute... but with women, i sometimes observe my parents and then realise: ah... that's why i'm not married... makes perfect sense... the idea is lovely: i can never get over the idea of loving a woman, but then i realise a woman also has an idea what it implies to love, hardly a man, hardly a semi-automated thing, something that's offensively useful, from time to time activated but altogether sterile... hell: if it didn't take me playing the mandolin to a girl outside her window: Romeo is ****** as hell... Romeo is gone gone gone... the only luck i've ever had with women were with prostitutes, that realm of evidence where the transactional is up-front... there's no looping of paying for meals for cinema for celebratory self-congratulatory pieces of doodle / jewelry... there's just the up-front "rent" of a body... job done... let's get other aspects of "plumbing" worked on... i'm not even bitter... i'm just sort of: on a snooze button mentality, sort of sleepy... sort of disappointed... that? the men who wrote about love from the 19th century are antiques in the 21st century: not even 19th century folk: antique: pre-historic mentalities of the current zeitgeist of insomnia and over-burdening libido being frozen in a frenzy of self-doubts and self-appeasement of pleasures not met... by the other... i just feel disappointed by having invested so much time in Stendhal in Kundera... seems rather pointless...


i finally picked up my Trek mountain bicycle today
from the repair shop...
i came in talked all giggly and bubbly with
the owners... ah... Hemmingway got it spot on
in that novella of his of short stories:
men without women...
play cards, drink, tell terrible jokes...
make loads of oaths sparingly beginning
with the letter F...
i was told £75... but the guy comes to me and says:
the cassette has been worn down?
your advice? what's to be improved, how will
this affect my cycling?
blah blah this blah blah that... o.k. i know you're
trying to milk me... milk me but don't waste my time...
if it needs changing just tell me...
'oh, but we don't have the parts'...
o.k. ask your supervisor blah blah blah...
he comes back to me and says: oh he have the parts:
SUDDENLY... no no... not suddenly:
the customer, i.e. i... am willing to pay...
how much and how long?
£35... 15 minutes... great! do it! i'll go for a coffee:
which was a lie... i went for a pint
of Guinness and sat by myself like
some ******* portrait of an absinthe drinker
by Degas... they should do one of a Guinness drinker...
a person who sits alone and drinks a pint
of Guinness watching a table of about 5 men
and 1 ****-ugly woman drinking merrily enjoying
each other's company...
with the solo drinker lighting up a cigarette
and lighting up a smile on his face thinking:
oh thank **** i'm alone...
i used to drink with "friends": with people...
i soon realised... they're as much things as much as
i am a thing: sure... dehumanizing...
but so much of philosophy and of medicine
is infuriatingly dehumanizing in achieving
the pinnacle of objective-reason, no?
tell me, am i wrong?
            
i can tell you my favorite quote of mine:
i don't hate people... i just hate things...
it's not my problem that some people behave like
things rather than as people...
reality simply states: some people, simply have not
depth to them, or around them,
they are worse than thespians and thespians
are the worst: since thespians are the most eloquent
of thieves... they steal people's shadows...
they steal other people's soul... essence...
i hate actors with the same passion i abhor
the sceptics... add that to my list:
given these two strands of being and thinking
are the most popular in the current zeitgeist...

so i drank my pint of Guinness and walked back
to the cycling repair shop... picked up my Trek...
listen: i've been cycling for the past year solely on my Viking
road bicycle... neat handlebars...
i used about 4 maybe 5 gears to climb
elevations... or cycle harder: faster...
but neat handlebars... trim... a sense of a tuxedo smart...
neat: for moving between traffic... like all road bicycles...
he gives me my old Trek mountain bicycle back...
**** me!
i was riding a Lamborghini for a year...
now? i'm given a ******* SUV... Royals Royce!
my god... it's a Behemoth!
the handlebars are wide... the brakes? so easily accessible!
**** me for ****'s  sake...
too many gears... i must have been trigger-happy
when it came to gears... must have changed them
about 30 times... three gears by the peddles
and 7 at the rear... wheels... don't get me started on those...
with a road bicycle you have a width of about 23cm...
these ******* where thrice if not more at that...
so wide that they made a sound akin to
me thinking: where's the train? they made this weird
sound i couldn't possibly express with letters
to combat an imaginary words...
the closest approximate is a SHOOM / WHIZZ....
what does a thick rubber tyre make on
a pavement, rotating, that's not insulated
by a frame of a car? what?! exactly...
then add the elevation of the wind...
i simply can't write an onomatopoeia for that sound...
it's not as easy as meow or woof... or bark...
or howl... or coo... or the crackling grr of crow...
gurgling of a crow...
impossible...

tyres one aspect handlebars another...
hands out-stretched... which means? too much
availability of a manoeuvre...
that's what happens when the handlebars
are less restrictive... wide...
you have too much manoeuvrability potential...
you're like that guy inside a London black cab...
you can practically do a 180-turn...
become a dog chasing its own tail...
i used to love mountain bicycles... now?
i ******* hate them... i don't know why i spent
£500 on this piece of junk...
unless... i try it out on some dirt road...
fair enough then... but compared to a road bicycle...
a... kolarzówka... (road bicycle in ******)
no... not going to happen...
i though i was going to be happy to own two bicycles
and change from one to the other...
it's such a beast to ride... sure... it's aesthetically
pleasing to look at... even when school was out
and the boys were coming out of school:
one spontaneously announced thinking-aloud:
that's a nice bike...
yeah... nice to look at... yeah... sure thing mate...
great to look at... but a ***** to ride it...
compared to...                              exhibit (a)
a cheap £125 road bicycle with the right sort of
handlebars... mountain bicycle handlebars are
all wrong too wide...
you just can't handle such a beast on a long stretch
of road... you require something more
gravity driven / prone...
at least with a road bicycle you get to steer
with slight details of force going towards
the intended direction...
i think you must learn on a mountain bicycle...
to then explore the road bicycle...
but let me tell you... one you have mastered
the road bicycle... going back to a mountain bicycle
make-up it like going from Einstein to ******...
i was becoming queasy with too much maneuverability
in my hands and not centered in / with
my entire body and bicycle attached...
i know i'll think differently when i take
this beast into its proper environment...
i know that's what will happen...
but mountain bicycles don't belong in traffic...

aha... right... i almost forgot... just before i picked up
the beast from the repair shop...
i has in the supermarket picking up a bottle of cider
to keep up my stamina of: not bored...
no no... i'm not bored...  

onomatopoeias... i'm sure as a supervisor i told
some of the stewards that i'm only doing this job
for good reference: for references that might me
apply for a job as a chemistry teacher:
since familial ties of references will not allow you
to apply for the position...
last shift at Wembley some pink haired freak
of a beached whale of a male started to mouth-me-off
about jumping the queue...
i retorted like for like: you ******* see a queue
in front of me? i'm standing in the same *******
place! you ******* fearful of being called
a racist: you silly little thing of an anti-racist?!
you ******* HOG of what could have been
a woman... you afraid of insulating the Somalis?!
we know that they're like... that's how African
queues work... people jump the queue...
they huddle... Africans are not a Mongolian horde:
they're huddling people...
they stress themselves by the numbers
they're allowed / are given...
all the Europeans follows some details of
the aesthetic of queuing... the Africans?
**** me... they just inverted the bottle-neck...
if bottles were to be invented in Africa...
they wouldn't have a neck: they'd have an entire
******* torso... and be slim at the base...
that's how Africans behave ergo: think...
that's not racist: that's a ******* anthropologist tactic....
on the last shift this one Indian looking chap
said the following lines:

'don't think me of being racist...
but what do you think of these blacks?'

ha ha... one curiosity after another...
  i love mingling with people: you never know what
you're (n)ever going to get!
i'm working with this one "creature" who's super
clingy to me... adamant that he's anti-racist...
but... oops... slip... he's actually homophobic...
just because Brighton has a "reputation"...
but a staunch anti-racist.... yet a homophobe....
me? i hate *******...
esp. if you're collecting glasses in a night club
and you're getting groped by... some ******...
come on: a man with long hair is no excuse to
fiddle with my *** while i'm picking up bottles
filled with ****... ******* ******!

about blacks? well... what do i care if i already stereotyped
the Somalis as useless idiots... not even useful idiots
of Communist propaganda...
they're like the Irish... you simply psychoanalyse them...
they're so detached from reality that
they might as well be called Moonpeople...
Somalia best be called Moonland...
no, seriously: not as a racist (although i'd love to be one)
but as an anthropologist (these days?
an ethic apologist, if?!)
they are just that... devoid of reality sort of,
sort of... sort of... a sort of "people"...
a sort of "reality" is attached to them...

never mind that... i was in the supermarket buying a bottle
of cider... a woman with two young girls was making
her shopping... some BLEEP emerged from
the cashier's desk... some... BLEEP some BOOP...
hmm... we're talking primary school aged children...
children... completely un-fuckable... although as loveable
as dogs... perhaps even more:
since? you can't exactly mould a dog...
you can't mould a little Frankenstein of your own
with a dog... a dog is kept ontologically within
the archetypical exactness of what a dog is supposed
to be: what a dog is...
but man? oh... that's a completely different barrel of
laughs!
i stood behind the trio... and listened...

onomatopoeias... once those infernal instruments
made those sounds... the two girls mimicked...
imitated the sounds ...
i would be a terrible father... or perhaps the best...
i like the cognitive-focus on the negative:
maybe that's why i adore the cynics...
i adore the cynics and abhor the sceptics...
i like negative-thinking...
i once assured myself that negative-thinking
attracts... positive-being...
magnets... blah blah...

with i have on my heart's "conscience":
something so innocent... the cure's: a short term effect
from the album *******...
no... woman! no!
that trio of curiosity...
i was going to do an in-depth Kantian analogy
of the origins of the onomotopoeia...
it just so happened that i was walking behind them...
i'm pretty good at lip-readings...
too much exposure to headphones...
NEUROTIC BEASTS OF **** UN-******...
the ugliest women imaginable:
busy-body women.... UGLY *****...
MOTH-FRENZY-MOTH-*****....
i'm good at lip-reading...
oh look... a ******* is the area...

no... is just so happened that the trio bough
more goods that me at the store...
silly ******* agony aunt!
no! i was just going to ask
the two girls...that you spoke an onomatopoeia
without knowledge of what an onomatopoeia
actually is!
an onomatopoeia in the mouth of a child
is not actually a word...
it can't be... there's no rigid Apollonian "humour"...
when a child imitates a sound made by a
machine...
it doesn't imitate the sound with an allocation
of ascribing letters to them...
i could be the best father:
and perhaps the worst...
    i'd become too curios... i'd become a naturally
born scientist...
the mother? just ignored them...
but this **** of a THINFG threw empty accusations
into the air as if it were breathing...

i learned one valuable lesson on my own...
there are people... and there are THINGS...
me, what?
you ******* THING! remain INANIMATE!
sure... move... but remain without character!
did these girls have knowledge
of the "onomatopoeia" of an ONOPATOEIA?
too many ******* vowels..

that's Greek for you...
i'm a what? it just so happened that it's suburbia
and i'm walking behind a giddy trio....
i'm suddenly, what?! HIDE! HIDE... you neurotic *****!
you soothsayer you Satan's last **** available!
you mediocre human being!

how would they know... they're already exploring
onomatopoeias without knowledge of onomatopoeias ...
these creatures mimic... in fact: an onomatopoeia
is something that's to be exacted by being written...
these children... they are yet aware of letters...
letters beside nouns... nouns beside the concepts
of verbs pronouns and the like...

first i'll ask politely... secondly i'll ask less politely:
thirdly: don't tread on me..
fourthly: enough is enough...
but that's how life happens...
you exit the mind-set of... it's not jurisprudence...
etymological hell-havoc...
              ah! pedagogy!
and then the reality of all that's around you...

neurotic old women who think you're: an project
you're a predator;... ******* ****-less *****!
i just wanted to hear what her onomatopoeia went to...
you objectionable UGLY CUT of ****!
she was uttering her first onomatopoeia without
a rubric of letters! as a man who's not going
to be a father: i thought that rather: inquisitive...
i know you women are ******* boors and boredoms...
the more you age the uglier you become
in spirit: let alone in physical appearances...
******* hyenas start looking pretty are a while
once you peak!
no! that's the point! i'm being serious!

it only takes one false accusation: lip-read to demand
a crazy momentum of reaction...
oh no no... it's not going to stop!
best ***** assured this ******* momentum
is not going to stop! now i'm grizzly bear tooth worn
on smiling...

now... i have encountered men who encounter violence
of man against man...
i have yet to encounter men who encounter violence
of woman against man...
let's just say... it's more complicated...
i love children... some women love themselves
to the point of willingly perform... what's that name?
oh.... right... has he risen too?
the deity that's Moloch... the deity of infanticide?!
has he? so... i'm not alone...
there must be more of me...
gents! we're being redeemed!  we're going back
to a singing status of existence in the ***** of our
dearest "Abraham" of Ha-Shem!
let's put on a proper, decent, show!

then again... i might: i just might be...
a solo trick-of-treat... bellowing into the depths of well...
after all... as i looked at the whole affair from
the antithesis of Darwinism...
the strong and the smart don't really reproduce:
en masse...
the idiots do...
mammals like insects...
the ill-fated reproduce: that's why they bemoan
their fate of being ill-stocked in genes...
smart people are exploratory...
i'm exploratory...
i'm not saying i'm smart but i'm certainly not dumb enough
to have children in order for them to suffer
unnecessarily... for a per se reason
that's somehow supposed to be self-explanatory:
without... an accountable self!

there's no chance in hell these two girls imitated those
sounds in the supermarket with...
a knowledge of an onomatopoeia!
no chance! speak to me an "onomatopoeia":
onomatopeia!

     ono-m'ah-t'oh-p'-ah!

   they wouldn't even catch the vowel catches of Hs
in the plural sense without the apostrophe...
no...

write me a poem using linguistic notations:
i.e. onomatopoeia: knock knock: woof woof: .
details of some book... frankly? no book...
journalism rules...
/ˌɒnə(ʊ)matəˈpiːə/
   /nɒk,nɒk/
        /wʊf/ /wʊf/:
      /ˈdiːteɪl/ some
/sʌm,s(ə)m/
                       /bʊk/
  
yeah: that's what i like... linguistic graduates...
graffitti artists with a TAG..
children and onomatopoeias...
you want to play more and more games?
aren't we living in the most circus prone times?!

hey! in current environment of events:
hello herr besondere!
drop qords not bombs!

= +- / ha;f and half...
Mateuš Conrad Feb 2017
aged six, got hit by a swing,
                                 rushed to hospital,
                      now have a kippah-scar
     when the monk resides...

it just gets boring after a while, when too many people try
to **** you, and there's no Golgotha  theatre to make
all the necessary requests for kneeling worshippers...
   well...
you soon realise that you sometimes
get to worship a god by drinking
a glass of water...
   and with that argument: ex nihil...
i thought that black holes were nothing,
but apparently they're not
nothing after all...
i have no concept of nothing,
i see too many things...
  nothing is harder to conceptualise than
a deity,
      but this is the boring bit,
i mean: religiousness has to involve
a group of people,
a communal meaning...
being given this multi-diadem lottery
ticket and then asking the right question
is not really the only approach,
    i guess walking past a few evergreen shrubs
   and sticking your nose into them
(i wish i stashed my entire head in them)
     to get the scent...
  atmosphere, and how there's a need for
scent,
    lavendar, evergreen shrubs...
     and it has been valentine's day, right?
all the urban people must have been busy
under the guise of the cupid called cliché...
in local news:
   passing an indian restaurant with five beers
i spotted only 2 couples... only *2
couples
celebrating the whole point of having
anniversaries and days that could be considered
   worth having...
i'd feel happier if Hemingway didn't commit
suicide...
          but i'm happy that he invented
the cocktail: death in the afternoon...
a shot of absinthe in a champagne flute...
    tried it once, knocked me out straight...
   but there is something, really bugging me,
i'd love to have had an honest relationship
with women, i.e. the honesty concerning money...
just talking about it...
           it's no wonder we were given
toys as children and sometimes having to share
them...
             i never had an honest conversation
with a woman about money,
count prostitutes out of it...
no money at the beginning of a conversation:
no honey...
       maybe that's why it is so complicated
about talking about money,
how it: suddenly "kills" the romance...
  i can think of better ways of killing
a romance... e.g. reading heidegger's
"aphorism" no. 159...
   that's really killing it...
                money and romance...
no money and a familial affair of tribalism...
     i'd like to meet a few Aztec
and ask them why they kept so much
useless mineral resource until
the European Smaug came...
  and settled...
   and why the schizophrenia of the american
content is english up north, spanish down south...
ok... "exactness": a bit of french land and english
up north, a large chunk of portugese and spanish
down south...
    i left the house today hearing
the most amazing conversation between a man
and a woman... they were talking about money...
and how they'd juggle the accounts
  and pay for the roof...
               it was so nice hearing a man and a woman
talking about money without either
pretending to be a thief, and the other a king
or queen...
             when two people meet god is hardly
the difficulty to be managed,
    people can enter relationships from a variety
of backgrounds, one kneels periodically every
sunday, the other jokes about it...
  but money is the hardest obstacle to synchronise
between two people...
   it would have been nice to have written that
sort of symphony with someone...
     but when you're in a relationship with a woman
and there's a money "issue"?
    that's harder than keeping a dialectical argument
solo about god...
     from an early age i was told that money
was the root of all evil, that it displaced people,
that it transvaluated all values...
   well... it sorta did,
let's try toi engage atheists in talking about
the concept of money, past all economic theories
like past all theological theories...
  it would be easier to talk to them
about that thing that never seems to disappear
then about a deity...
question is: at what point will the argument
become considered too "infantile"?
   when we consider money to be a concept
that could be translated as an element akin to earth
and the earthquake of the great depression in the 1930s
that no one could prevent?
  or the Amazonian offshoots of the last remaining
tribes without the concept walking
into a house?
     and i thought: when was the last time people
used hard cash, and didn't buy on credit
and didn't turn gold in plastic?
            fervently, i believe that money had a real
place in the world, i honestly do,
even though i abhorred wearing rings
or necklaces, and that i didn't have the capacity
in me to not say: red is red, blue is blue...
     a chicken is worth more to me than a slab of gold...
   and this ties in with the ancient pagan practice
of paying the ferryman across the Styx,
  χαρoν / καρoν - (depending how you like to say it,
****! a choice! quick! make it!)
       how they placed two coins on the burial body,
nowhere else than on the eyes,
    not in their hands... on their eyes...
i just think there's more to it than the myth of the Styx,
even though i like the myth, i like the storytelling
aspect of it... something we could have engaged with,
in those days, when people reached old age,
they discovered philosophy, and mythology,
that's what they gave us,
   now... oh! it hurts!
           just talk of ailments...
  most people living to old age would have made more
sense having lived in ancient times,
when the really strong lived to old age
and could invent philosophy and a timescale
anti, completely anti-scientific, i.e. mythological...
   and that's the sad truth...
it's almost as if the young these days have to take
to the reins, and utter some very unfathomable stances...
so if they didn't place the coins for χαρoν in their hands
(as money is usually passed that way) - why
place them on the eyes, if not merely to state:
    let us see beyond the concept of money
in the afterlife...
                i can't see a reason for it...
                            that's what the ancients said,
when the concept of money was precious,
akin to diamonds, gold...
                        i think the concept is exhausting itself...
why do so many people fall into dept,
         they're hardly dealing with hard-money,
in urban areas i mean, at the high-end of society...
gone is the joke: how was copper wire invented?
two scots pulling a penny apart...
       at what point does this all become: delusional?
infantile?
              even as Ezra pointed out: usury...
or the fake exponential quality of being lent this
abstract thing that later translates into
concrete things like: a baker provides bread
in a supermarket... a butcher some meat...
  the apple farmer apples... and civilisation is built...
nothing familial being established...
and how the concept of family is now abhorred...
and how we only created money to give no
better idea of procreation... but the objective-unconscious
focus on mere numbers... being as they are...
     without money there would be no
sad story... but there wouldn't be this number
of us...
      i don't know at what precise point
i'm going to feed the seven pages of civiliation
(they were once called the cardinal sins) -
   how can i feel pride for this fact? how can i drop
into a cest pit of gluttony?
     oddly enough: drinking excessive is by comparison
a virtue... but it can rarely involve a lot
of people... oh look... here comes the pompous cannabis
crowd... the the m.d.m.a. freaks...
    poncy buggers...
        i have for that matter,
an experience of driving in a fiat 126 P,
and a ford mondeo, and a fiat cinquecento,
one of them would fit into a cadillac, no problem,
there! yonder! america and its size-complex!
just hearing a man and woman talking about
money so frankly, ah...
  romeo and juliet and *******...
            if you can be honest about money,
you sorta never have this desire to be dishonest
in the emotional life...
            and cheat, e.g.,
money isn't exactly a nice topic on the ground,
in the trenches of life... it's hardly an economic theory
for the highbrow talks at university...
   but at least both parties are agreed that
money is real, and like a philosopher's stone,
   it turns all subjects into a tapeworm of needs...
  take a penny and with your index and thumb press
it against every single thing in the whole wide world...
   like a magic wand, it changes every single thing
into, that common motto: beauty is in the eye of the beholder,
or a flea market: one man's clutter, another's treasure trove.
nietzsche didn't write the transvaluation of all values
because it would have been
   a book, with only one word in it:
                                                         money.
i know he's dead and there are many biographies,
but all of them are wrong,
  it wasn't the end of his relantionship with
   lou salomé, how she ran off after the mengage troi
ended with Rée... she ran off with Rilke after that,
and god knows who else...
    it just so happens that i'll state his motto:
poets act shamelessly toward their experiences...
they exploit them...
    he did see a *******, and so did i...
eventually prostitutes are like dentists or doctors...
dealing with the heart bit...
          what broke Nietzsche was the book title...
and the one word answer -
all the rest of it is *******...
                    yes: because it's such an infantile
   consideration to understand the basics of our lives.

so considering the beginning that's completely
unrelated to the end...
    people started, really, really boring me...
               in that they made so many attempts to get
rid off me... and that i'm still here...
  and within the groundwork of the only
pragmatism left in me... laughing at them.
Mateuš Conrad Jul 2016
the devil in hell is constant, reminding as a tombstone -
each and every knock-knock - my imagination resides
in this hellish equivalent of life lived elsewhere -
for the devil in hell is merely a tombstone with
a living inscription that's a clock rather than epitaph and
insignificant dates given Darwinism
and the Big Bag - i.e. 1779 and August
and the 7th makes little difference - or none at all -
oh how welcome buried to be imprinted within
minding anonymous - hell and the tombstone -
an enlarging of life not lived -
or heaven, well, even Dante described Hell
with prefrontal cortex exactness -
Dante's inferno dealt with more detail -
the paradise left to abstracts;
and so the netherworld spoke toward
mortal interests incubated as apt resource
for expression in what aerodynamic was to be
in a lepidopteris catching magritte umbrellas
with accented whirls - like pebble skipping
on the shattering of the Narcissus mirror
to hold sway of reality, worded: how you aged,
while the lake remained standstill intact -
whenever the philosopher inspected you even
more frequently than Sisyphus;
many climbed the highest peak
to only watch the Sisyphus boulder roll with their
bravery downhill -
but so few sat like stones about to be thrown
across the pristine mirage of the awaited
plagiarism of your first inkling into the shallow
depths - for indeed demigod assured -
embryo of thought, missing artist,
missing a self-portrait - what say you
to claim near-role of Poseidon?
i expect you'd only quack van Gogh -
and feel less inclined to imbue thought of mirror
as thought of beauty as self-worth and
the mind preserving it - rather than a mind
inclined to translate the stillness of the lake
into compressed aluminium and chewed sand for
the seen-through; a paradoxical world:
so much worth ascribed to so little -
and so little worth ascribed to so much -
this world is not worth a human zenith -
nor the nadir of insect savagery -
not the curtail phantom of scientific theatrical excavations,
nor the complaint of humanism attached similarly to
the same theatre -
mine assured the Chinese fairy-tale of a poet-drinker -
restless in metabolism, but when auburn comes named
Autumn, or spring and the Japanese cherry trees
of hanami - the low-caste infuriates mindful spectacles
of how to cross a busy urban crossroad of traffic
and look less at app. with additions for a minute's
silence among 15 minutes of modern crave of holy grail fame,
long lost among the objective success no
individual can profess - but specie kindred ha-yah,
ohayō - manga sigh you - conning chihuahua -
they **** and the English limit of theology, pronoun
debacle he v. she - V-she - mate, an E! an E! if theology
is to be so debated no longer the existence is to be debased
and atheism acquired - albeit not Oriental atheism of
Jackie Chew kangaroo karate - more like
addicts in a gym with fast-food exercises joining the
granny club of arthritis and bad joints;
'cos you're a bunch of wankers and that's that -
you smoke those opiates! you do! never was a Pole
more vocal than with the European Union -
embark on inviting the Turk! the coup is over!
invite the Turk! invite the Albanian! invite the Serb!
the Brit is leaving! hello Scootland!
SøułSurvivør Aug 2017
"Though the mills
Of God grind slowly;
Yet they grind exceeding small;
Though with patience
He stands waiting,
With exactness grinds He all."

Henry Wadsworth Longfellow.

The Mill

The grueling weight
of happenstance,
A millstone for to grind,
It deflates the ego
And shows us
Where we're blind,
It renders flesh a ruin
Obliterates the mind,
We leave our idols desolate
Leave the ties that bind.

Under painful hardship
We release the very things
Which put us in the circumstance
And caused the suffering
We leave behind our craving
For wealth and diamond rings
Everything exalted
All exalted above God...

That means
EVERYTHING

Whatever you adore
On this temporal earth
Whatever gives you pleasure
In which you find worth

These very things will shackle you!
You'll find out they're not free.
They are just the Golden Calf
Of base idolatry.

But the millstone slowly purges
Turning hour by hour
Turning the wheat kernels
Into useful flour.

And so I am refined
As I surely must
Put to naught my flesh
Make powder all my lusts
For I am as ashes

for I am as dust.*


SS  (C) 8/23/2017
I have troubles right now. God is putting me through the mill. I'm now almost completely bedridden. My father is in great pain and suffering. My mom is extremely upset due to all this. The entire family is in turmoil. We are ALL affected.

I'm not saying my problems are any worse than yours. We each have a cross to bear. It's simply how we HANDLE IT that matters! Are we going to get bitter? Or BETTER?!!!

I've been feeling very sorry for myself. And, due to my reaction to the stress, I hurt a friend. I can't tell you how badly this shook me! I (self-righteously) thought I was far beyond this sort of behavior! But the pressure grinds & shows us our idols & faults. I've decided to let go of a LOT of besetting iniquity. And it's HARD.

I haven't been on site much. I just want to pray and read my Bible. Study. This will help me heal. Please forgive my absence. I appreciate your support and understanding. I include all of you in my prayers...


♡ Catherine
Hal Loyd Denton Apr 2013
It was just ordinary colors in my wife’s clothing but it was similar and it was the effect of
Touching another item that I had purchased for her when our lives first began together it was
soft plaid again like when they say earth tones but this was light purple pink and green it was a
Pant suit and with her white turtleneck blouse she was a knockout in this single memory a life is
Flipped through pains joys indescribable happiness how she made me feel as she stood there in
That mall for some reason white always brought a special glow to her skin transfixing the heart
Not speaking registered adorable there are grand moments of romance but there to is the most
Precious visitations through the simplest means everything stands still and lets her stand
Out and shine God saw it first when he created the majestic pine then underlay it with brown
Soil the exactness of perfection I already wrote about how she looked on the back side of Oahu
Again the shade in the foreground white sand the carpet the preferment the palms created
Overhead and then out to the water’s edge the bright sunlight the turquoise surf edged in
White she strolled barefoot letting the waves roll in and splash over her feet and she had on
These bright red shorts and a white shirt with a red emblem on the front she was stunning
What a blend of paradise and the embodiment of love post card picture perfect a touching
Breeze caused her hair to flow out and away my heart rode on this dream wave truly Venus the
Goddess of love was in attendance again my heart was applauding without outward expression
It was in private conversation with my soul the swells in my heart rose as high as those rich
Green sea side cliffs it was renewal it was remembrance why I loved her so then at the country
Club back home in California at Christmas she wore this sheer black dress we had our picture
Taken in front of this great tree that was flocked she wore her hair in a perm perfection beamed
From her face she stole the show the dazzle of Christmas lights my heart rode the chilled cold
Night wind when we waited for them to bring our car it was the feeling of waiting for a carriage
Over head the stars twinkled in the crisp winter night air I just included you in a short journey of
How it feels to love my wife why because we all need to find our way back to the central and
Most important place in our life it happened for me just by the sight of a familiar color this also
Pertains to the immeasurable treasure that we have here in our homeland what can prompt us
To revisit and appreciate all that we have in marriage in God and country this truth is and will be
Told in different forms of sacred memories just open your heart and mind and enjoy yours
Skylar May 2015
The human being is an inherently contentious creature.

Seven billion rock-wall eyes;
Eyes staring belligerently down seven billion sharp noses;
Noses affixed to seven billion faces;
Faces covered in creases and scars,
Framed in unruly hair
And outlined in stark exactness
By the flames cowering in bipedal shadows.

Into the human heart is chiseled "inexorable".
We are an incongruence:
We row up the rapids,
Scale the waterfall
And taunt the oily heavens from atop Devil's Tower.

We will always get what we want,
Whether it involves killing the albatross
Or playing Gondorff's chess.
Whether we wrest it from Gaia's grasp
Or that of our more miserly peers.

Robert C. crystalised our resolve.

The riot gear-clad Blue and Green with timers in their throats
Stand abreast.
Chanting "Listen to Mother. Mother knows best.",
They begin the forward press.

When an impish grenade leaps our way,
We fling it back between mouthfuls of chips.

The barricades erected
By Mother and ourselves alike
Are many and implacable and incessant,
But they will be broken and overtaken.

They will be broken and overtaken by us,
The humans,
Because we are.
Nat Lipstadt Aug 2013
Grace Before Meals
Sunday afternoon, a year ago.

Early but late afternoon, end of July sun still high enough
to provide a loving and kind warmth through fractus clouds,
But doing double duty and
Supplying continuous eye candy via
riots of razzle-dazzles glistenings upon the prima facie of
my friend, my boon companion,
my bay.

Sitting on a weathered Adirondack chair,
grayed like me, a solitary outpost,
our third Musketeer,
it so belongs where I find it, in the corner of the yard,
hard by a white picket fence and footed by
an out cropping,    
a patch of wild grass uncarpeted, we are aligned,
the chair and I, in so many ways,
we accompany each other
beach-facing, one unit,
designed by man but
nature-made of, and signed by her in a cursive, gentle script as follows:

Quiet, please, for this is
a place of our mutual
quiet contemplation.


These regal chairs are tinged with green moss stains,
as I am tinged with silver streaks
so we laugh at each other
and we laugh together,
delighted to share
the grandeur of the pleasure of
the exactness of this precise moment.

The bay claps its waves
in honor of the symmetry
of the trinity of man, wood and water,
a more perfect union

My woman calls to me,
supper is ready and
I smell the onions and the raisins
and the love that singes our shared salted air

With deep regrets and promises solemn,
Adieu, Adieu my friends, bay and chair, sunlight extraordinaire,
wait for me!
This poem but my R.S.V.P.
an oath of return sworn,
for I am man, placed here only
to sing the praises of my earthly delights,
my truest friends,
I sing of thy grace,
Grace Before A Meal
Mateuš Conrad Sep 2015
a conscious translation of the ego into the id is only automated thinking; that’s the content of the id, pluralism of thinking, it’s all automation, the id is the ego although plural due to automation understood easier because the id is the unconscious ego thought about, hence the excess of psychological theorisation; the freudian stance simple says of the cartesian inquiry: it thinks. the limbo of lost identity! the queueing of card shuffles and the bigger fear other than death in man, the fear of crow and pigeon conformity to repeat inanimate exactness for the narcissus to embody himself; for consciously we say ‘i think,’ there’s identity in that, unconsciously we say ‘it thinks’ ending up a statement of technicality never realised. pluralism and automation is the order in a reckless dream of a charles manson given the neon and example to refer to or imitate. the gods don’t give oral ***, hence their pristine vocabulary that’s less vulture like less and less unlike man’s.*

i don’t have a lot to say, feeling wise? a lot,
hence i write more words than take photographs;
it’s the ultimate antidote to seeing tree, stone, pavement,
when i get to use r and e to write about yellowish sunsets.
because using letter on blanks nurtured me
to stress less of seeing contorting threes with
the face that gaped a silent shout teary eyed to craft chaos.
i was about to be shakespeare but
the my regina interrupted,
i was going to say things like:
animals and children like me,
i gave my pinky away to a toddler
on a bench before i put on sweet sixteen’s heart-shaped lenses
to allow the sun its 3pm in autumn,
i gave a toddler my pinky.
cats are content while dogs are just happy,
i gave my pinky away
like michelangelo painting the two indexes touching
in the ghetto crib of two ******* brawling hello for the revised modern.
toddler took it with an apple in the other hand.
i almost said that the best song of rage against the machine
wasn’t: born of a broken man.
i’m vietnam in the american vanity!
hollywood considered abduction and retirement
with my statement.
you’re a good man when animals and children like  you
but women dislike you,
but with christ the children loved him too much and he said so
touchy feely with the armageddon kids behind a priest’s collar
leashing *******;
the animals? the animals were too eager on the donkey to architecture golgotha.
i’m less irish and even less catholic it would seem,
but when i write and weep, articulate the satanic:
tell one lie and learn many truths -
i'm almost satisfied to join a pilgrimage like a moth
attracted to a lightbulb from the shadows of knees.
Mateuš Conrad Oct 2016
so i have this book my Steφan, and here the
unpredictability: Steven?            even elevens?
                       Stephen
Steven          Stephan? no matter, the joke
comes with the diacritics         in the surname...
      they wrote /ˈʊmlaʊt/
when the diacritical marks weren't investigated:
  is that Körner as in ariθmetic
     Koorner?
       or is the poncy
    Kœrner - which is
softer and therefore almost Kerner?
the book? fundamental questions
of philosophy
-
hence the dialectical applicability
of diacritics: archeology in vivo:
oh no glass chandeliers darling:
            butchery rather than anatomy:
chop
        chop
                chop
                 ­         (oh looky looky, Jacob's ladder).
y = id est.
                  w? haven't figured it out,
looks like trigonometry to me,
all that sine and cosine jazz.
         you know that mystery of lawlessness?
English, plain and simple,
the English language: good that we had the Scandinavians
and the Dutch learn it better than the natives,
mind you, also the Belgians,
they speak a foreign tongue better than
the ****** natives:
the natives? they speak some urban slang
profanity: diabolical verse;
                                        putrid ****:
sulphuring smoke, astounding.
              reverse dead Latin / living -
was that comma necessary?
  or should i have written astounding sulphuring
smoke?
             or Sartre: existence (quantity)
     precedes essence (quality) -
         qua qua either way, a mode of being,
   duck here, duck there.
          oh me, right? *******, maddened,
i was hanging in the trenches and had a drink:
now i'm really mad, bursting like a tense
   soap bubble: (a bit of nostalgia to cool the nerves)
i come from a generation that listened to
mortiis - and we actually bought the silverware
(c.d.) rather than the liquorice (vinyl),
               and we were the ones that translated hardware
into software (mp3) -
         but as a thoughtful suggestion:
scratched c.ds,
                   right, you have a c.d. and you try
to encode it into mp3... right...
    why is it that scratched compact disks can completely
**** up an iPod? i.e. why can't iPods encode
scratched compact disks?

            cheaper mp3 players can do it,
no problem, you have a scratched c.d.
and translate it into mp3: boom, the whole iPod
shuts down... try a cheaper mp3 player
and the whole thing still works...
          well, it's just a curiosity...
the bigger ones comes from:
i'm probably one of the last dinosaurs to have
actually bought a ******* magazine
from a newsagent,
     the glamour model type,
nothing **** included,
               and feel the agonising shame of
predicating a ******* session -
                  bony **** of the hand -
            looking for soft pouch kangaroos and all,
but how many people these days buy this ****?
       in Belgium i bought one and the woman
was so not condescending that i thought i was buying
penny sweets...
                      there's this culture of ****** shaming
in England that surprasses me in engaging
in relationships, i don't know what these slags
are on, but it's certainly not tango in stilettos
on cobblestones.
                    of course i'm mad,
i tried to rebel against Christianity and got
****** into practising it, i actually forgave my
enemy, a jealous **** who almost killed me,
       and as Nietzsche said: a Christian is a
sick domesticated animal -
              i could have been still rooted to the longship
roofs while roofing, or metrosexual lumberjack
     in an office, concerning paper rather than
blocks of wood.
     but good to know that all of Europe is known
as the bloc, rather than the eastern fringes,
god i love English arrogance, which = ignorance,
now wave bye bye to the Galactic Empire:
******* engraved Latin without barbaric diacritical
marks and had a shot at world *******...
  **** me! even the Greeks are applying refinement,
no wonder the digital sprechen dragged
English into the dark ages if not the caveman
        chant Darwinism! chant Darwinism! hoot, hoot hoot!
rarely do i desecrate books,
                 but i had to write on something,
i have a copy, of Kant's critique,
and in it my macabre Dionysian zenith fury
statement:
                       power is never a cul de sac,
                         for a king to don a crown,
                         a peasant must pocket a penny,
                         if a peasant doesn't pocket
                         a penny, a king doesn't don
                         a crown
      (note, colon and italics
translate as bold inscript, double emphasis) -
this isn't cryptic, it's ****** obvious,
       it goes way back in suggesting
we're either smart or naive -
           or playing the adult version of hide & seek
                                    doubt & negation interplay,
so when Charlie Chuckles the Third comes to
power i'll be thinking of Charles the First:
as i told one homeless woman i sat down with
for a cigarette under a bridge and told her
of the Henry VIII likening in terms of the
decapitated wives...
                                    she got up and ran screaming
down the street. true story.
                 only in America a humming sensation
and a deliberate ploy to create a monarchy...
              call it what you like:
you appease the illiteracy of people with only
one book, and have people speak about it
without pontiff or priestly attire: you're bound
to breed a viral infection desiring a king.
         is this the second Elisabeth-ian age? might be,
well, it's nearing an end, anyway...
                        still, English is a lawless language
that transcends all tact of French flawlessness -
                  those nasal harking buggers know all too
well the covert aesthetic they write
      and the counter they speak -
                  leave the exactness of spoken and written
to the Poles, and spaghetti chemistry to the German
excess of compounds hydrocarbon etc.,
                    di-proxy-blah-blah in hyphen-centric
Essex.
            well, because if we can't have proper discussions
about our beliefs, we might are well apply
diacritical investigation into diacritical markings,
  or how long you hold your breath between
.                ,                     ;              -              
                  because that's what i'm suggesting:
invariably this suggestion is pulverising -
                             or how that famous category
of universals (metric)
                          is usurped by particulars (imperial) -
within the bracketed suggestion: units,
                   Francophile centimetre
      Darth Vader inch....
                                                Charles de Gaulle kilometre
                              a Heathrow mile.
if this was a chemistry experiment, which it is,
               i'd suddenly realise it's over,
                                                      and it is
because i feel a sudden rush of radiant cooling down
     from what charged this outburst in the first place.
Mateuš Conrad Sep 2016
as almost every man is born into a pentagonal womb of experiencing the world, a few are born into a hexagonal womb.

to exact Aristotelian logic is to
construct sentences in accordance
with some form of agreement
or disagreement -
               which also concerns the already
stated example above: talk of
sharpening the knife - *as almost every man
-
also knows as: attempts to brush of
details under the rug -
   and as Nietzsche said, although
alternatively: beyond universals and particulars -
because who has enough spare time
to think up measuring that ****** concern
for exactness? no one...
unless you're doing the greatest philosophical
feat, as in exacting solipsism
         toward the most adulterous
translation of images into words,
  and backing up words into images (or
copyrights of noun-images) - after all...
wasn't the crucifixion the most excruciating
experiment in proving the point of solipsism?
exactly that: the god-man status as sheltered
by solipsism... so he basically ignored the
poor ******* and said: i'll reach Adam
or god-like status and get myself crucified...
the crucifixion as a spectacle is a form
extracting solipsism...
  Judas ***** off and the thief on the left...
somehow the thief on the right is redeemed...
nonetheless, what a mighty gesture...
instead of the forgiveness of sin,
we get the basics of what solipsism invites...
not a **** on an over-crowded train
but a crucifixion... **** on me...
given it's the 21st century, this wouldn't
pass if the Vatican had any power,
or the orthodox publishing industry...
**** the money, i'm just glad it's out...
but isn't it? he crucified himself in order
to be the supreme soloist...
                    it was only him and everyone else
was.. according to the Islamic calendar lunar
year and doctrine: a phantom...
which Islam borrowed from the original
phantom theory in Gnostics' heresy...
         my my... what a long way toward Arabia...
you have you Arabian Shakespeare with
the Merchant of Mecca and all...
i just think he was a selfish *******...
read the theory? god ***** a ******,
god marries the ******... not even the Greeks
kept up...
                               but still the glottal
juice stream out one name: Malachi's mistake...
Malachi's mistake.... Malachi's mistake...
a god in fractions.... reincarnation from
polytheism adapted to monotheism means
god's in fraction, not a non-divisible number,
whether 1, 2 or 3...
                              yes, i'll be obnoxious enough
to reiterate this point...
             no, my revision of Aristotelian
logic is not based on words, but akin to mathematics
based upon units of sound, not units of meaning:
  i.e. if you can write 1 + 1 = 2
              and you can write a + b + l + e = able
and understand that word... you're a logician
like anyone...
                                 obviously the higher tier
of logic is identifying the word able as an
adjective - but even i don't do that...
                     nor do i press matters into arithmetic
of juxtaposing words into a coherent sentence:
if it feels good... it's right.
so there's me... farting in a crowded train
solipsism... and there's he: getting crucified on
Golgotha... we're both proving the same point...
my proof is peppered with diffusion...
          his proof is peppered with infusion...
he needs the sacredness of icon...
                  done in a shady alley in Jerusalem
and the news wouldn't even spread beyond Lebanon...
              strange... being antisemitic when only
damning one individual...
                               feels much like any thrill seeking
event might...              only because he's so
sacred... when in fact only selfishly seeking the ultimate
god-like solipsism -
                                   easier for people to
bend their knees if you're hanging than sitting
comfortably on a throne...
                  always was... always will be.
but more to the point - i see dead people -
the star of david phrase - not content
  with being pentagon farmers readied for
a completely fluency in the sensual world...
women, wine and song... and sweat...
         a few of us reach the potential of the hexagon...
a sixth inkling concerning the world...
          but, mind you, the sixth limb is a coagulation
of all the faculties available to us...
          a total of the fractions taken from us
to experience a total pentagon immersion in the world:
    a quarter of our heart went into it,
a fifth of our thought went into it,
                         an eighth of our imagination went into it,
and so an so forth...
                            i too wish i had the capacity to
never experience the hexagon...
              and be a fully-hot-blooded-mammal pentagon
worth a rare stake of fancies...
                    eager hollering boxing matches,
crying at football matches... i wish...
                    i wish... i really do...
but then i'm the person who tells you:
               crucifixion, or the adamant need to
stage a solipsistic exit and drag Europe into the dark ages.
SøułSurvivør Nov 2015
though the mills of God grind slowly
yet they grind exceeding small
though with patience
he stands waiting
with exactness grinds he all.

Henry Wadsworth Longfellow


for the wicked there's comeuppance
yes, for plagiarist and troll
it may not be in present tense
but evil has its toll

for the greedy human tyrant
for the fat politico
the rich are as a vagrant
trudging through the snow

******, Pol ***, Stalin
Napoleon's Waterloo
in disgrace and fallen
into hell's external stew

the world is a millstone
it grinds fine, or so it's said
born here crying and alone
finally we're dead

don't envy the deceiver
or those who perpetrate
they'll be the receiver
meet poetic Fate

God has a sense of humor
those who blot society
may end up with a tumor
in the end will not be free

those who think they're "first"?
pity the poor fools
they're actually cursed
to be the *devil's
tools

there's no skating through this life
they will all be doomed
the scepter is a poison knife
the coffer is a TOMB.


SoulSurvivor
(C) 11/23/2015
"Vengence is mine, sayeth the Lord.
I will repay."

---
Hal Loyd Denton Dec 2012
Old story man goes to work woman stays at home sounds like a downer for the woman it can’t be
Further from the truth and women are as great in the work place but man can’t or at least be as
Successful in the home he is an initiator she fulfills only woman can tilt her head and smile its radiant a
Guy would look goofy he is the essential steel but for feel the greatest need of human kind the woman
Delivers her voice is power it addresses in the most cogent she is natural man will have to work hard and
Then still possibly blow his top the woman knows the courses that are obvious and all so the subtle
Those that disarm gain with a style that everyone appreciates a taste a flair that is winsome you free fall
Into luxuriant grace that lifts you both to a place of nobility it’s all natural she possess riches that are
Uncommon but they pass without notice because she presents simple promise uncomplicated available
An open what is there to resist you’re in her natural element no wonder they have been called blessed
They use the blessed to maneuver their the most gifted creature for the fact of completing man that
Enriches herself to build others where they fall short what greatness dwells there in simple acts she can
Be breath taking just by kicking off her shoes putting on a man’s shirt how stunning again you see the
Flow she is given power of exactness don’t believe let a woman walk by se what I mean they carry
Unspoken magic that can’t be duplicated you can only say thank you Heavenly Father where would
I be and how incomplete I would be without her in my life well that’s my ode to the wonderfulness
Of womanhood so many abuse cheapen and disallow the greatest gift man was ever given
Mateuš Conrad Nov 2015
i think you should start to consider the memory bank, before endeavouring to write about essentials that are from idealism, given that the only ideal is that we exist, and is paradoxically judged by us as non-essential. (remember the pronoun vectors mingle easiest when contemplated with article usage... the double articulation of definiteness and the double articulation of indefiniteness... let alone the non-identifiable vectors grappling the interchangeable usage of articulation, e.g.? ‘the point of the conversation...’ ‘the point of a conversation...’ ‘a point of the conversation...’ ‘a point of a conversation...’ my... i’m in muddles!)*

i usually play candy crush saga
in the night,
when my neighbours’ windows still revel in light
and i move the bulky blocks about...
like i do with words...
those things that will never become images
and are subtitles of photographs never taken
that give more to aeons than to seconds
in terms allowable usage...
or like the contradictory verbose
language usage of philosophers
that testify their concern with nouns
when they’re doing very little...
why are they stuck in the runt that’s aristotelian
in terms of concerning yourself with nouns?
by the time you figure it out...
a noun takes about 5 extra dictionary meanings
and about 4 misnomers and about 9 synonyms...
i’m guessing the key relevance in all of this
is tinged with kantian inspection...
the contradictory a priori concept and the noumenon (
opposite of a phenomenon),
phenomena are easily accessed... imagine the hippy
revolution of the 1960s in western europe...
there no need to look back... we have access to it...
through the nostalgia spoken of by the people
now retired and grey-white talking about it
with the benefit of nostalgia...
but this whole a priori (from the earlier)
and noumenon (something that can never be known)
is the inherent problem philosophers grapple with...
the whole: i’ll never have casanova’s subjectivity...
whether through the experience of sensual philanthropy
or nostalgic sensuality of “the achieved.”
i know that the definition of a priori is given its orthodox
calibre of the dictionary in terms of proper usage...
but deviating... noumenon? well d’uh! obviously there’s
a spectre of physical jealousy when this one non-sense
exactness of functioning enters the realm of both the senses
and the lineage of curtains... it’s an oddity...
thought enters the realm of time in a present-past relevance
and is fed jealousy... even though the senses, if
placed in a present-actual relevance would feed something else
thought it fed jealousy, even thought direct contact with
events have something of a digital pornographic voyeurism
about it... like watching your parents ****...
odd... isn’t it? so how did i tackle the a priori concept?
if the definition of a priori is: a given event / proposition is knowable
if it can be known independent of any experience
other than the experience of learning the language of use...
well then... i’m all for prepositions and without any given event...
and i put my knowledge on a constancy of continually learning
a language... given my mother tongue is polish
and i started to learn english aged 8... it makes sense to
never give into a lexicon completion;
but then
there's cyco miko's coming back / dog eat dog's one day
to listen to in the dark... looking out for idiocy
in familiar faces taming my use of language...
as a bowl of noodles...
with them having ambitions to write
having only read their postcard addresses with
their postcodes missing: angling the phrase 'wish
you were here,'
yeah, i wish that too;
this is england under marxist inspection...
totally ****** in the industrious sequence
as in the sequence of youths' health...
england... ha ha... only worth problems in ireland
it calls above scotland... and degrading health
of the non-existent attachment of cool atheism of
missing god missing soul to
a sort of quasi-marxism... for ***** sake... stop *******
with our vocabulary to necessitate censorship that's
unnecessary; stop calling it the logistics
of having a soul you tamed to mean
lubricated prefix and suffix of psychology...
and the non-existence of a god that could
as well translate a person into personality...
i'm not worth the complexities of the sciences
from all the life's interest to decide
a centimetre in theory proved a millimetre in practice...
need patience and simplicity...
i don't need the aqueducts of credentials for
the waterfall inspected...
and i don't need to look the part of an argument never had,
i can't fathom the mirage without the actual want
to see what might salvage me from thirst...
but then the conveyor belt of slacked and missing thirst...
i sometimes wish for a fata morgana.
Hal Loyd Denton Sep 2012
Woman Completes


Old story man goes to work woman stays at home sounds like a downer for the woman it can’t be
Further from the truth and women are as great in the work place but man can’t or at least be as
Successful in the home he is an initiator she fulfills only woman can tilt her head and smile its radiant a
Guy would look goofy he is the essential steel but for feel the greatest need of human kind the woman
Delivers her voice is power it addresses in the most cogent she is natural man will have to work hard and
Then still possibly blow his top the woman knows the courses that are obvious and all so the subtle
Those that disarm gain with a style that everyone appreciates a taste a flair that is winsome you free fall
Into luxuriant grace that lifts you both to a place of nobility it’s all natural she possess riches that are
Uncommon but they pass without notice because she presents simple promise uncomplicated available
An open what is there to resist you’re in her natural element no wonder they have been called blessed
They use the blessed to maneuver their the most gifted creature for the fact of completing man that
Enriches herself to build others where they fall short what greatness dwells there in simple acts she can
Be breath taking just by kicking off her shoes putting on a man’s shirt how stunning again you see the
Flow she is given power of exactness don’t believe let a woman walk by se what I mean they carry
Unspoken magic that can’t be duplicated you can only say thank you Heavenly Father where would
I be and how incomplete I would be without her in my life well that’s my ode to the wonderfulness
Of womanhood so many abuse cheapen and disallow the greatest gift man was ever given
Turquoise Mist Feb 2014
Deep green
Brown, blue, gold flecks
Explode from inside the green
The flecks, they lay immersed in the green
Floating, dancing
These green eyes,
Her eyes,
They stand open
Wide
Huge on a tiny, precious face
They stare
Then they dart
Taking in the room
Watching
Questioning

Long, dark eyelashes outline
These deep green eyes
And they flicker
Down
Up
Down
Up

Her delicate curls are pulled back
Carefully, lovingly
Into two messy pigtails

Her lips
Full, pink, soft
Slightly parted
They lie silent
Thoughts begin to flood her brain
Words begin to overflow into the depths of her mouth
Soon they reach her tongue
Sliding, slipping
Begging to be free
But no sound escapes
Quickly, her lips close
Tight
And these lips
They hold off the wave
Yes, her lips are
Still
Pushed together
Firmly, determined

Her hands
So small, so fragile
These hands
Grasp at the edges of her shirt and
Slowly, gently,
Peel it off her skinny torso
Leaving her chest exposed and
Cold
Deliberately, her fingers undo the button
On her tie dye jean shorts
And her shorts, they
Fall
Cascading down
Landing in a pile at her ankles
And her hands
Those tiny, fragile hands

They clench into fists

And those lips
Those full, pink, soft lips
They press together
Harder
And those pigtails
Those carefully, lovingly placed pigtails
Are violently ripped out
By the hands of a monster
And now
Her curls
Her delicate curls
They plummet down the sides of her face
Settling against her cheeks
Shadowing her eyes
Those deep green eyes
That squeeze shut
As the voice of the monster cuts through the air
And on her command
His fingers
With painstaking exactness
Burn their way up her calf
To the inside of her thigh
And still
Up
Farther
They go

Yes, she closes her eyes
Her deep green eyes
And her small hands
They unclench
And then reach up
And cover her ears

Just like that
Her world turns dark
And silent
Mateuš Conrad Feb 2016
babe, i've got the grid, you've got the grit; i had relationships with wet-dream pairing felines, and each time i never took the money... i guess money for these girls is like owning something that's neither a piano, nor a violin, nor a technique of anti-medicine prescription ultra effectiveness of alcohol and sleeping pops... money is like wanting to own a violin, ending up owning one... but only scratching a deafening symphony of some composer who wrote one jerking off; or as mr. turner did, spitting on the canvas to ease the mingling of colours into perched insomnia hazy sleepless after 48 hours; she's got the dough, but can't get the bread without the baker, if she only learnt the trade, she could have both... but i guess being served cappuccino hands free is a bit like having multiple sclerosis... i guess all billionaires are like multiple sclerosis victims... a compost heap of professions dumped into a kaleidoscope of cafes, operas, and other such places; i'll wipe my own ****, thank you.*

i'm not going to moralise the gods,
i think for the most part
they're humbled enough in awe at what they
were told to inherit,
the crucifixion only proved the point,
the crucified one twinned to
the most audacious introvert,
the jealous one, would never provision
the onslaught to come, the conquerors
of judea weren't the invaders from
the north or the eastern steppes.
i'm not going to moralise the gods
in favour of demoralising myself,
true horror begot the main role
overpowering the narrator as true horror
as a woman,
across two garden lengths of garden
a woman checks if all pythagorean
angles are 90 degrees untrue in
the poly grid of 6°: spelling out 666
with two other attributes of a bbc radio 4 discussion..
woman is a beauty i dare not fathom,
i rather fathom my own dirges and depths
for a beauty i do not see in myself, so there...
flowers are bettered hue more of seasonal
thermometers in them... i'll stick to them...
i can't simply exhaust myself on a woman,
it's pointless, the woman disappears anyway
once she has children, and thus the zoological
safety enters to pedigree man: children
are like iron bars for a woman to enter her purpose...
elsewhere it's a rich old **** and a youngling
donning leather fishnet stockings and ruby lips
and corsets that make the ***** twice the original...
my world is my safety, and to make my world safe
i have to encounter a "holocaust" / i'm not into
brooding exactness, 2nd 3rd or 4th meanings of words /
let's keep the river flowing, ditto a word and that's that...
a human expression of ehyeh asher ehyeh...
moses being the usher boy, the inverse version
of a subverter akin to ****** or stalin,
he didn't turn on the egyptians to explode even further,
he turned on the egyptians to implode,
****** the swiss moustache austrian exploded with
germany, so did stalin being a georgian,
germany and russia exploded, egypt imploded...
why cite the 40 year wandering when you talked
to someone who could be reduced you talking
with your hand like robinsoe crusoe (technically
a fleshy entry point of circumcised phallus warring)
with such impunity? i'm a subverted myself,
the 2nd degenerate classification akin to moses,
great britain my donkey... for all the ailments
i finally plucked the cherry an compared it with
moses' apple and said: yep, seems about right.
well if the only law of the land is reserved for the rich,
and the generic aren't allowed a generic sustenance
of the cubic with provided for electric and gas heating...
what are you going to get?
a sloth anarchy, people bewildered by a collective
unconscious movement with two idiots playing chess
thinking it's chequers...
but it also comes with the rich 1% (esp. women)
saying: so not being on papa's pay-cheque
feels like this, it feels like i can't love anyone i want?
yes darling... touch on wood, you're never allowed
such a gesture.
Jade Aug 2019
⚠️Trigger Warning: The following poem contains subject matter pertaining to self-harm, suicide, and involuntary psychiatric hospitalization⚠️

Over the duration of high school,
there is one fear that eclipses
the daily rumination of my thoughts.

Behind sepulchred eyelids,
burn the imaginings

of wasp-needled syringes

straitjackets curling around bodies
with noose-like exactness

a padded room
absorbing brain-curdling screams
into its pink insulation.

At the time,
I was petrified that my newly-discovered
flirtation with self-harm
would land me a permanent stay in an asylum.

The rational part of me knew
that they don't call them
asylums anymore.

The rational part of me knew
there would be no syringes
or straitjackets
or pink, padded rooms.

It was the principle

If it was decided that I was
"an immediate risk to myself"--
a decision that would
incorporate the voices
of the people who barely knew me
but deny me my own voice--
I would be admitted
to a psychiatric ward,
and it would be against my will.

It wouldn't matter
if it was at the Children's Hospital or not--
It wouldn't matter if the walls
were coated with those
sickeningly bright colours
or if there was an Xbox
in the common area.

You can dress up a prison cell
as vibrant as you'd like.
But, by principle,
it's still a prison cell.

When they strip you
of your clothes,
and force you into
their bleak hospital gowns,
they also strip you
of your independence.

(You aren't even allowed
to wear your school cardigan,
the one whose soft, green fabric
you nestle against your fingertips
when you need comforting.

What makes you think
you can leave when you want to?)

See,
doc keeps ya locked up
until he's snuffed the
crazy outta you.

They don't like using
the word
crazy
anymore, either.

So,
like the prison cell,
they play dress up
with your "crazy",
draping it in euphemisms like

unstable.

erratic.

incapacitated.

suicidal--

Once this word is used to label you,
you are never quite able to
abandon its connotation of
madness--
a reputation of inferiority.

And everyone believes
that they are only doing what's best for you,
that hospitalization is the only thing
that will save you from yourself,
when, in fact, it's the ultimatums
and the countless visits to the ER
and the way you are treated--
like a poor ***** lying in wait
to be put down--
that destroys you.

The memories still
bleed fresh most nights.

I seethe at
the mistreatment and
the betrayal and
the destruction
like an army of bees
whose hive has been kicked in,
a snow-globe convulsing
between careless hands.

I was kinder
before they stole away
the last moon-slivers of hope
I held between heart and ribs,
between lips and flower petals.

The nectar has been
exorcised from my soul,
leaving only infestation behind.


(and there is no escaping this swarm)
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SøułSurvivør Mar 2022
"Though the mills
Of God grind slowly;
Yet they grind exceeding small;
Though with patience
He stands waiting,
With exactness grinds He all."

Henry Wadsworth Longfellow.

The Mill

The grueling weight
of happenstance,
A millstone for to grind,
It deflates the ego
And shows us
Where we're blind,
It renders flesh a ruin
Obliterates the mind,
We leave our idols desolate
Leave the ties that bind.

Under painful hardship
We release the very things
Which put us in the circumstance
And caused the suffering
We leave behind our craving
For wealth and diamond rings
Everything exalted
All exalted above God...

That means EVERYTHING

Whatever you adore
On this temporal earth
Whatever gives you pleasure
In which you find worth

These very things will shackle you!
You'll find out they're not free.
They are just the Golden Calf
Of base idolatry.

But the millstone slowly purges
Turning hour by hour
Turning the wheat kernels
Into useful flour.

And so I am refined
As I surely must
Put to naught my flesh
Make powder all my lusts
For I am as ashes

for I am as dust.


Write of Passage aka
SoulSurvivor
8/23/2017
Hal Loyd Denton Mar 2013
The petals lay on the marble table top in the garden patio droplets of rain bejewel the petals
Moist as the mourner’s eye she now immortal is beyond my knowing it as if you write with a
Lead pencil of strains of gold the steerage of a great ship slipped beyond earth’s earth bound
Harbor the lights are dim these peeping tiny wonders contain the exactness of the richest soul
The voice was textured velvet it spoke and then lingered longest on the heart’s ear where it
Reverberated gently down the corridors of the soul in quietude she can still be heard it’s heart
Felt there is no agony just pleasantries assuage with tiny burst of light that vanquish the dark
You can feel the softness of her soft free flowing hair you stop in amazement and realize you
Don’t have a care there is nothing to compare it with love bows down it pulls earth and sky low
You feel yourself slowing to accept these bestowing gifts the tangle of nature so rare leaves you
Left staring this uncommon daring life proceeds beyond the vale the void immerses you in
Liquid joy the window rattles in the wind blown storm and you find comfort in this uncommon
Character you spill out the door and follow the wondering wind her essence imbibes your
Conscious and unconscious knowing you have found the spring of everlasting water it gently
Flows from Heaven above and she rides its crest intact in the total entirety of being and
Thought the wasteland dissolves as paradise further advances at each place it touches magical
Electric vibrant and alive all you have to do is walk to the table and with mortal fingers pick up
And tenderly handle the petals and the cage of death will open its dark closed door will
Immediately brighten with the soul immortal you will stand at the threshold of glory there you
Can commune with lost love
Triggersappie May 2020
I shrieked into this world
With a thousand teeth.
A plunder of gardenia,
Gripe water. How night threads
The throats of felons. Whispers spectre
Into their airs. No longer slowness 
Of summer. This — 
The exactness of blades.
I suffer you as gladly as palm fruit.
Chung Dynasties Jul 2015
Ever so defined, ever so perfect.
The epitome of exactness,
The symbol of creed,
The measurer that keeps
Everything in place.
Now, the real question comes into mind:
Am I speaking of
A mortal man
Or
A transcendent piece of definition?
Mateuš Conrad Aug 2016
obviously chappy has a different connotation
(slang meaning for the orthodoxy resumed
in dictionary, i.e. bow-tie synonyousness)
in English language, etymology to no other
borrowed word from South African...
chappy just means a pigeon-walk of groove
when listening to Brit-Pop, or cheeky post-punk,
a bit like imagining a bowler hat on your head
while walking down Oxford St., so that's that
chappy; pigeons are naturally gifted in head-banging;
you're a chappy if you donned Ben Sherman shirts
without a belt, wearing jeans, styled on
an Oasis hit single... premature Quadrophenia
attainment to fit it... that how i define a chappy...
the zenith of Brit Pop, Ben Sherman shirts loose
over the waistline of jeans and sport sneakers,
and an Oasis single as the baseline for the heart to thump bu boom...
a real life chappy was this kid in primary school,
Tom... the exactness of what later became a metrosexual...
prior to that they were called chappies,
Ben Sherman shirts not tucked into a stiff pair of jeans...
you never could imagine an Englishman so under-dressed,
he must have come from Manchester
as was the obvious answer back then.
Mateuš Conrad Mar 2016
and indeed poetry, the science of abandonment, and contentment with such feats, the science of unabashed conquests, and very little regrets.*

at least a grave is not as depressing
as a digital biographic article
on a page - at least then no
leisurely time to attach to the orbit,
at least then no voyeurism of sorts,
i too think posthumous fame to be
the perfect escape, although at a great
cost; what a strange life we lead,
periphery or not periphery, silent
squabbles over who presides over the
throne and who presides over the
peddle stool; what a strange life,
it's not so much about regurgitating the
exactness of facts, but about how we feel
concerning them - strangers - those defendants
of the facts as a necessary rigid upkeep -
the ones of phobia uprooting vines and
weeds, to clear the way for the pristine -
or as one man said: 'it's so beautiful,
but it's so ****** up!' true that, very true
to be sure - oh at least read with the same ease if writing,
with the same ease - do not make it missing -
but why make adamant the up-keeping of
facts, mistranslating emotional content of experience
with superstition - for fear that the stronghold of
facts will crumble should one impose a straight
line on the Pisan tower? indeed i finally
met my tedium in reading Ezra Pound's cantos,
pages 488 - 489, indeed there i met Sisyphus,
one night, one tiresome night i met Sisyphus rolling
up a hill of blank an inkwell, but i have an excuse,
i said, i assure you! these pages are denoted among
all other pisan cantos, the man was in prison,
i gave up faith with him giving up faith,
i too in prison, divorced from my library,
given only abstracts and cold things,
but given pen & paper, remember: given pen & paper!
i gave up hope finishing the **** book damning
all fellow countrymen on those pages,
the stint at the asylum was like a holiday
in comparison - fellow caged budgies attested likewise;
i'm waiting for the right shade of pink in the sunset
to rekindle hope, and walk with him to the end
like dante holding hands with virgil in the inferno...
i need time, i need a sip of water, a crumb or two of
bread and rest... after all, seeing what's to come,
i see him airing, opening windows to his house
of poetry, venturing into blank space, open spaces,
conquering his agoraphobia but inverting it (somehow)
and writing more scarce, more scarce, perfectly, scarcely...
long gone the complication of phonetic encoding,
and hence the firm belief in the chinese pictogram
method of saying, something like: good day, good morning,
goodnight...
but here i am, strapped with him in the Pisan ghetto
of iron bars, exhausted, having favoured the winds
for so long and eager, exhausted,
as the sails are rolled up, and the oars have to be taken
up by hands to row; when will that time come
when the sails can be unrolled? i dare not know.
I have seen such suffering,
I have lived such sorrow,
raining down like ash
to smother tiny voices
and small bird wings.
I ask why, but the answer
is never clear --
revelation is not my
   epiphany.
How can this happen?
Why does this happen?
Such pain --excruciating
   in exactness --
unrelenting in its
unwanted gifts.
I have seen such suffering,
I have lived such sorrow,
   raining down...
There’s a need for severe repetition
And when objects are out of position
A ritual practice
Restores the exactness:
Obsessive compulsive condition
I spent hours meticulously reworking the syllables on this one. And still, it feels unfinished.
Mateuš Conrad Mar 2016
they want to read you and not think, so too they want to read you and  not see, they hardly care for punctuation necessarily used, so who's out there to please? n'ah really, i was onto something, i meant that if the Kantian thing-in-itself was applied to the cartesian expression, either thinking-in-itself or being-in-itself is jested at, then we can explain the freedoms of disobedience and obedience, truthfulness and falsehood, and the parody of paradoxes, as highest claimants the claimants: (singular plural) choice - whereas will (plural adjective congregating into singular) is always a butterfly fluctuation of measuring an exactness akin to dating and remembering 1066 the battle of Hastings.

mingle Kant with Descartes and you get thought as the
per se* existence - splitting into either fact of coining
phrases or robbing someone: no doubt (existential
good faith) and certainly no denial (existential
bad faith) - mingle Kant with Descartes
and you get the twins
cogito ergo sum mingling with noumenon,
and thus somewhere along the line
you get to see the membrane of the zygote,
like the thought behind a criminal life
where the life is unexplained because the thought
of such a life is "easily" accessed,
so too in reverse, i.e. being a councillor
or a clerk makes such thinking easily explained
for the prop of the life lived "easily" justified via
the person trading tomatoes or lamb shanks
to keep you unthinking in a bureaucratic role.
Mark R Prime Nov 2010
The old man asked if air weighed more than gold,
if truth held sway over deceit, the last time I knew who I was,
recognized myself for me, not as a tool of greed,
but who I am; my truth, my love, my hope, my laughter.

I considered my obligations as a warrior,
a father, a brother, a son and a man… judge, jury
and executioner… Lift my spirit in laughter and love,
bring me to my knees beneath heaven’s beam;

I’m weighing my answers like a ******,
one eye upon the scope, the other, my motive.
Man and mankind, far from home, carrying out plans,
half duty, half flesh, standing bone-deep to my waist,
the exactness of a worship I cannot recognize as good.

In the bony sand, the original cradle embracing me,
kissing my eyes with wet lips, my ears with truth,
my body, with the throbbing of a most private flesh;
a forlorn inhalation stains my finest hour.

The old man extends his arms for me to enter...
or shatter. The choice is mine.
© 2010 by mark prime
Mark R Prime Mar 2012
The wind, the wind, the wind; a bugle for the hours of our darkness puffing the moon to radiant madness like bloodshed leaking upon the soil.

We detect the method in our folly, but douse truth like a candle flame. We rigidly seek out bereavement to the tempest’s howling shame.

The wind, the wind, the wind weeping a blanket for such coldness, a mantle for our threadbare shoulders, its agony holding in our disgrace.

Costumes litter our doorways year round; masks of suffering to cover the mourning in our eyes, as phantoms to fold over our speech.

The wind, the wind, the wind; the sign language of exactness blowing from hand to fist, from our breath to bereavement.


© 2010 by mark prime

— The End —