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ESSAYS ON
LEADERSHIP FRONTIERS OF AFRICAN LITERATURE
By
Alexander   k   Opicho




Alexander K Opicho
(Eldoret, Kenya; aopicho@yahoo.com)

TABLE OF CONTENTS
Contents                                                                                                                Page
TABAN MAKITIYONG RENEKET LO LIYONG AND PREFECTURE OF AFRICAN LITERATURE 4
THE CURRENT EAST AFRICA IS NOT A LITERARY DESERT 27
AFRICAN WRITERS HAVE CULTURAL RIGHTS TO FORMULATE AND CREATE ENGLISH WORDS 31
LIKE PUSHKIN, AFRICAN WRITERS MUST CREATE THEIR OWN PROFFESSION OF LITERATURE 35
THERE IS POWER IN THE NAME ‘ALEXANDER’ 40
KENYAN COURTS AND PARLIAMENT ARE BETRAYERS OF HUMANE GOVERNANCE 47
AFRO-CHRISTIAN RESPONSE TO RADICAL LITERATURE IS GOOD AND SWAGGERISH 50
YUNUS’S SOCIAL BANKING IS A GOOD BENCHCMARK FOR THIRD WORLD ENTREPRENEURS 54
HEROISM IS NOT GREATNESS BUT HUMILITY IN SERVICE TO HUMANITY 57
KENYAN STUDENTS; YOUR MOBILE INTERNET CULTURE IS ANTI- ACADEMICS 61
WHAT IS THE MAGIC IN THE WORD ‘DRINKARD’ OF AMOS TUTUOLA 63
SOCIETIES IN AFRICA HAVE TO MENTOR BUT NOT CONDEMN THE LIKES OF JULIUS MALEMA 66
AMERICA WILL NOT WIN THE WAR ON GLOBAL TERRORISM 69
AFRICA CAN OVERCOME A MENACE OF **** IN EVERY 30 MINUTES 71
COMPARATIVE ROLES OF AFRICAN-BRAZILIAN LITERATURE IN THE POLITICS OF RACIAL AND GENDER DEMOCRACY 76
NEO-COLONIALISM IS NOT THE MAIN VICE TO THE GAMBIAN POLITICS 85
RELATIVE MEDIA OBJECTIVITY IS ACHIEVEABLE IN AFRICA AGAINST POWER CULTURE AND TYRANNIES OF TASTE 89
READING CULTURE IS GOOD FOR BOTH THE POOR AND THE RICH 96
VIOLENT DEATH IS THE BANE OF AFRICAN WRITERS AND ARTISTS 100
AFRICAN WRITTERS AND ARTISTS MUST ASPIRE BEYOND A NOBEL PRIZE 104
WHAT ARE CULTURAL RIGHTS OF AFRICAN ENGLISH SPEAKERS? 109
WHY IMPRISONMENT OF WRITERS CONTRIBUTED MOST TO AFRICAN LITERATURE 113
DORIS LESSING: A FEMINIST, POET, NOVELIST, WHITE-AFRICANIST AND NOBELITE UN-TIMELY PASSES ON 121
Amilcar Cabral: Beacon of revolutionary literature and social democracy 127
How the State of Israel is brutally dealing with African refugees 131
Historical glimpses of language dilemma in Afro-Arabic literature 146
THIS YEAR 2013; IS THE YEAR OF GREAT DEATHS 153
AFRICAN LITERATURE WITHOUT POETRY IS LIKE LOVE WITHOUT VAGINAL *** 156



















PROLOGOMENA
BARRACK OBAMA READS MOBY ****
Barrack Obama is reading Moby ****
American president is reading Moby ****
Ja-kogello is reading Moby ****
Ja-siaya is reading Moby ****
Ja-merica is reading Moby ****
Jadello is reading Moby ****
Ja-buonji is reading Moby ****
His lovely Oeuvre of Melville Herman
And what are you reading?

Barrack Obama is reading Moby ****
Because untimely death took his father
Barrack Obama is reading Moby ****
Because untimely death took his mother
Barrack Obama is reading Moby ****
Because untimely death to his brother
Barrack Obama is reading Moby ****
Because untimely death took the grannies
His lovely Oeuvre of Melville Herman  
And what are you reading?

Barrack Obama is reading Moby ****
Baba Michelle is reading Moby ****
Baba Sasha is reading Moby ****
Baba Malia is reading Moby ****
Baba nya-dhin is reading Moby ****
Sarah’s sire is reading Moby ****
Ja-sharia is reading Moby ****
The ****** is reading Moby ****
His lovely Oeuvre of Melville Herman
And what are you reading?

Barrack Obama is reading Moby ****
Because here ekes audacity of hope
Barrack Obama is reading Moby ****
Because here ekes dreams of fathers
Barrack Obama is reading Moby ****
Because here ekes yes we can
Barrack Obama is reading Moby ****
Because here ekes American dream
His lovely Oeuvre of Melville Herman
And what are you readings?

Barrack Obama is reading Moby ****
Because American president is like whale hunting
Barrack Obama is reading Moby ****
Because Obama is a money making animal
Barrack Obama is reading Moby ****
Because hunting Osama is whale riding
Barrack Obama is reading Moby ****
Because hunting Gaddaffi is whale riding
Barrack Obama is reading Moby ****
Because coming to Kenya is whale riding
Barrack Obama is reading Moby ****
Because Guantanamo prison is a bay of whales
Barrack Obama is reading Moby ****
Because Snowden is a Russian whale
Because launching drones is whale riding
His lovely Oeuvre of Melville Herman
And what are you reading, Moby ****?














CHAPTER ONE
TABAN MAKITIYONG RENEKET LO LIYONG AND PREFECTURE OF AFRICAN LITERATURE

I am writing this article from Kenya on this day of 23 September 2013 when the Al shabab, an Arabo-Islamic arm of the global terrorist group the Al gaeda have lynched siege on the shopping mall in Nairobi known as the West Gate where an average of forty people have been killed and a hundreds are held hostage. The media is full of horrendous and terrifying images. They have made me to hate this day. I hate terrorism, I hate American foreign policy on Arabs, I hate philosophy behind formation of the state of Israel and I equally hate religious fundamentalism. Also on this date, all the media and public talks in Kenya are full of intellectual and literary tearing of one Kenyan by another plus a retort in the equal measure as a result of the ripples in the African literature pool whose epicenter is the Professor Taban Lo Liyong .He is an epicenter because he had initially decried literary mediocrity among the African scholars and University professors, Wherein under the same juncture he also quipped that Kenya’s doyen of literature Ngugi wa Thiong’o never deserved a Nobel prize. Liyong’s stand has provoked intellectual reasons and offalities to fly like fireworks in the East African literary atmosphere among which the most glittering is Chris Wanjala’s contrasting position that; who made Liyong the prefect and ombudsman of African literature? This calls for answers. Both good answers and controversial responses. Digging deeper into the flesh of literature as often displayed by Lo Liyong.
Liyong is not a fresher in the realm of literary witticism. He is a seasoned hand .Especially when contributions of Liyong to east African literary journal during his student days in the fifties of the last century during which he declared east Africa a literary desert. In addition to his fantastic titles; Another ****** Dead and The Un-even Rips of Frantz Fanon, Professor Taban Lo Liyong also humorously called Amos Tutuola the son of Zinjathropus, what a farcical literary joke? I also want to appreciate this Liyong’s artfulness of language in this capacity and identify him in a literary sense as Taban Matiyong Lo   Liyong the son of Eshu. He is an ideological and literature descended of the great West African Eshu. Eshu the god of trouble which was dramatized by Obutunde Ijimere in the imprisonment of Obadala and also recounted by Achebe in the classical essays; Morning Yet of Creation Day. I call him Eshu because of his intellectual and literary ability to trigger the East and West Africans into active altercation of literary, cultural and political exchanges every other time he visits these regions. Whether in Lagos, Accra or Nairobi.
Now, in relation to Ngugi and intellectual quality of Kenyan University literature professors was Liyong right or wrong?  Does Liyong’s stand-point on Ngugi’s incompetence for Nobel recognition and mediocrity in literary scholarship among Kenyan Universities hold water. Are Liyong’s accusations of East Africa in these perspectives factually watertight and devoid of a fallacy of self-aggrandizement to African literary prefecture as Professor Chris Wanjala laments. Active literary involvement by anyone would obviously uncover that ;It is not Liyong Alone who has this intellectual bent towards East Africa, any literary common sense can easily ask a question that; Does Ngugi’s literary work really deserve or merit for Nobel recognition or not ? The answers are both yes and no. There are very many of those in Kenya who will readily cow from the debate to say yes. Like especially the community of alumni of the University of Nairobi who were Ngugi’s students in the department of English in which Ngugi was a Faculty during the mid of the last century. Also the general Kenyan masses who have been conditioned by warped political culture which always and obviously confine the Kenyan poor into a cocoonery of chauvinistic thought that Ngugi should or must win because he is one of us or Obama must win because he is one of us or Kemboi must win because he is the son of the Kenyan soil. These must also be the emotional tid-bits upon which the Kenyan Media has been based to be catapulted into Publicity feat that Ngugi will win the Nobel Prize without reporting to the same Kenyan populace the actual truths about other likely winners in the quarters from the overseas. I am in that Kenyan school thought comprising of those who genuinely argue that Ngugi’s literary work does not befit, nor merit, nor deserve recognition of Nobel Prize for literature. This position is eked on global status of the Nobel Prize in relation to Ngugi’s Kikuyu literary and writing philosophy. It is a universal truth that any and all prizes are awarded on the basis of Particular efforts displayed with peculiarity. Nobel Prize for literature is similarly awarded in recognition of unique literary effort displayed by the winner. It is not an exception when it comes to the question of formidability in a particular effort. However, the most basic literary virtue to be displayed as an overture of the writer is conversion of theory into practice. This was called by Karl Marx, Hegel, Antonio Gramsci and Paulo Freire, especially in Freire’s  pedagogy of the oppressed as praxis.History of literature and politics in their respective homogenous and comparative capacities has it that ;There has been eminent level of praxis by previous Nobelites.Right away from Rabitranathe Tagore to Wole Soyinka, From Dorriss Lessing to Wangari Mathai.Similar to JM Coatze ,Gao Tziaping,Alexander Vasleyvitch Solzhenystisn and Baraka Obama.This ideological stand of praxis is the one that made Alfred Nobel himself to to stick to his gun of intellectual  values and deny Leo Tolstoy the prize in 1907 because there was no clear connection between rudimentary Tolstoy in the nihilism and Feasible Tolstoy in the possible manner  of the times .In a similar stretch Ngugi wa Thiongo’s literary works and his ideological choices are full of ideological theory but devoid of ideological praxis. Evidence for justification in relation to this position is found back in the 70’s and 80’s of the last century, When Ngugi was an active communist theoretician of Kenya. His stature as a Kenyan communist ideologue could only get a parallel in the likes of Leon Trotsky and Gramsci. This ideological stature was displayed in Ngugi’s adoration of the North Korean communism under the auspice of the Korean leader Kim Yun Sung. This is so bare when you read Ngugi’s writers in politics, a communist pamphlet he published with the African red family. By that time this pamphlet was treated equally as Mao tse Tung’s collected works by the Kenya government which means that they were both illegal publications and if in any case you were found with them you would obviously serve nine months in prison. And of course when the late Brigadier Augustine Odongo was found with them he was jailed for nine months at Kodhiak maximum prison in Kisumu ,Kenya .O.K, the story of Odongo is preserved for another day. But remember that, this was Ngugi only at his rudimentary stage. But when Ngugi got an opportunity to get an ideological asylum, he did not go to Russia, nor East Germany, Nor Tanzania, nor China but instead he went to the USA , a country whose ideological civilization is in sharp contradiction with communism; a religion which Ngugi proffessess.In relation to this choices of Ngugi one can easily share with me these reflections; is one intellectually  honest if he argues that he is a socialist revolutionary when his or her employer is an American institution like the university of California in Irvine ?
Ngugi was not the only endangered communist ideologue of the time. There were also several others. Both in Kenya and without Kenya. They were the likes of; Raila Odinga, George Moset Anyona, ***** Mutunga and very many others from Kenya. But in Africa some to be mentioned were Walter Rodney, Yoweri Museven,Isa Shivji,Jacob Tzuma ,Robert Mugabe and others. The difference between Ngugi and all of these socialist contemporaries of him is that; Ngugi went to America and began accumulating private property just like any other capitalist. But these others remained in Africa both in freedom and detention to ensure that powers of political darkness which had bedeviled Africa during the last century must go. And indeed the powers somehow went. Raila has  been in Kenya most of the times,Anyona died in Kenya while in the struggle for second liberation of Kenyan people from the devilish fangs of Moi’s dark reign of terror and tyrany.Walter Rodney worked in Tanzania at Dare salaam University where he wrote his land mark book; How Europe underdeveloped Africa. Later on he went back to his country of birth in Africa, Guyana where he was assassinated while in the revolutionary struggle for political good of the Guyanese people. Yoweri Museven practically implemented socialism by fighting politics of sham and nonsense out of Uganda of which as per today Uganda is somehow admirable. Isa Shivji has ever remained in Dare salaam University, inspite of poverty. He is now the chair of Mwalimu Julius Nyerere school of Pan African studies. Jacob Tsuma and Robert Mugabe they are current presidents of South Africa and Zimbabwe respectively. The gist of this reference to African socialist revolutionaries as contemporaries to Ngugi wa Thiong’o is that a socialist revolutionary must and should not run away from the oppressor in to a zone of comfort. But instead must remain and relentlessly fight, just like in the words of Fidel Castro; fight and die in the battle field as long as it is a struggle against the enemy of the revolution. This view by Castro is pertinent as it’s a Revolutionary praxis which actually is redolent of practice of an ideology that has to be held for ever above ideological cosmentics.Ngugi scores badly on this. So if the Nobel academy looks at Ngugi in terms of defending human rights then it must be reminded that Ngugi have no marks on the same because he only ran away from the practical struggle. Anyway, Politics and ideology has its own fate. But let us now come back to literature. Ngugi and his books. As at  this time of writing this essay  Ngugi has published the following works; Weep not Child, The River Between, A Grain of Wheat, Black Hermit, Petals of Blood, Devils on the Cross,Matigari,Homecoming,Decolonizing the Mind, Writers in Politics, Ngugi Detained, Pen Points and Gun Points, Wizard of the Crow,Globalectics,Remeembering Africa, Dreams in Times of War and I Will Marry When I Want as well as the Trial of Dedan Kimathi which he wrote along with Micere Githae Mugo.Out of this list the only works with literary depth that call for intellectualized attention are ;A Grain of wheat, Wizard of the crow and Globalectics. The Grain of wheat is simply a post colonial reflection of Kenyan politics. Its themes, plot, lessons and entire synechedoche is also found in Wole Soyinka’s Season of Anomie as well as Achebe’s Anthills of the savannah. My argument dove-tails with those of Liyong’s stand that rewarding Ngugi’s Grain of wheat and forgetting Achebe’s Anthills of the Savannah and A man of the people would be a literary ceremony devoid of literary justice. Wizard of the Crow is indeed a magnum opus. I am ready to call it Ngugi’s oeuv
For all of them, greatness ekes not on goodness,
but on mysterious and spectacular humility,
semitism  cradled from epileptic Tehra,
Hebrewism from Abrahamic despair,
Jewry from shrewd Israel of Isaac,
Christianity from lame footed jesus,
Islam from an epileptic desert oat;Muhammed,
Africanism from warped emotionalism,
Hinduism a mere avatar of godly imaginations
all these calls for a pious dejavu
The landscape sleeps in mist from morn till noon;
And, if the sun looks through, ’tis with a face
Beamless and pale and round, as if the moon,
When done the journey of her nightly race,
Had found him sleeping, and supplied his place.
For days the shepherds in the fields may be,
Nor mark a patch of sky—blindfold they trace,
The plains, that seem without a bush or tree,
Whistling aloud by guess, to flocks they cannot see.

The timid hare seems half its fears to lose,
Crouching and sleeping ’neath its grassy lair,
And scarcely startles, tho’ the shepherd goes
Close by its home, and dogs are barking there;
The wild colt only turns around to stare
At passer by, then knaps his hide again;
And moody crows beside the road forbear
To fly, tho’ pelted by the passing swain;
Thus day seems turn’d to night, and tries to wake in vain.

The owlet leaves her hiding-place at noon,
And ***** her grey wings in the doubling light;
The hoarse jay screams to see her out so soon,
And small birds chirp and startle with affright;
Much doth it scare the superstitious wight,
Who dreams of sorry luck, and sore dismay;
While cow-boys think the day a dream of night,
And oft grow fearful on their lonely way,
Fancying that ghosts may wake, and leave their graves by day.

Yet but awhile the slumbering weather flings
Its murky prison round—then winds wake loud;
With sudden stir the startled forest sings
Winter’s returning song—cloud races cloud,
And the horizon throws away its shroud,
Sweeping a stretching circle from the eye;
Storms upon storms in quick succession crowd,
And o’er the sameness of the purple sky
Heaven paints, with hurried hand, wild hues of every dye.

At length it comes along the forest oaks,
With sobbing ebbs, and uproar gathering high;
The scared, hoarse raven on its cradle croaks,
And stockdove-flocks in hurried terrors fly,
While the blue hawk hangs o’er them in the sky.—
The hedger hastens from the storm begun,
To seek a shelter that may keep him dry;
And foresters low bent, the wind to shun,
Scarce hear amid the strife the poacher’s muttering gun.

The ploughman hears its humming rage begin,
And hies for shelter from his naked toil;
Buttoning his doublet closer to his chin,
He bends and scampers o’er the elting soil,
While clouds above him in wild fury boil,
And winds drive heavily the beating rain;
He turns his back to catch his breath awhile,
Then ekes his speed and faces it again,
To seek the shepherd’s hut beside the rushy plain.

The boy, that scareth from the spiry wheat
The melancholy crow—in hurry weaves,
Beneath an ivied tree, his sheltering seat,
Of rushy flags and sedges tied in sheaves,
Or from the field a shock of stubble thieves.
There he doth dithering sit, and entertain
His eyes with marking the storm-driven leaves;
Oft spying nests where he spring eggs had ta’en,
And wishing in his heart ’twas summer-time again.

Thus wears the month along, in checker’d moods,
Sunshine and shadows, tempests loud, and calms;
One hour dies silent o’er the sleepy woods,
The next wakes loud with unexpected storms;
A dreary nakedness the field deforms—
Yet many a rural sound, and rural sight,
Lives in the village still about the farms,
Where toil’s rude uproar hums from morn till night
Noises, in which the ears of Industry delight.

At length the stir of rural labour’s still,
And Industry her care awhile forgoes;
When Winter comes in earnest to fulfil
His yearly task, at bleak November’s close,
And stops the plough, and hides the field in snows;
When frost locks up the stream in chill delay,
And mellows on the hedge the jetty sloes,
For little birds—then Toil hath time for play,
And nought but threshers’ flails awake the dreary day.
Graff1980 Jan 2015
The latest issues of Tales of Horror, is perfectly positioned in my bible. My eyes gleam with satisfaction as I read how a werewolf ekes out just deserts to a mass ******. A small chuckle slips through my lips. Barely perceptible but in church my mom has eagle ears. With swiftness that would leave the wolfman in awe the comic is swiped from my bible, and I take a smack to the back of my head.


My eyes get heavy. I lose the will to stay awake. Elbow safely secured on the pew, I lean forward as if I am enraptured by what the preacher has to say. Then let go, so close to sleep, a way to get away from the doldrums. The old man drones on in a monotone. Suddenly, he raises his voice. My arms collapses causing my forehead cracks against the pews. A red mark starts to form inching its way across my face like a mutant birthmark. Now I am awake. Eyes glaring forward.

     The brown baptismal curtain reminds me of nutty buddies. My mouth waters with the fantasy of devouring the whole curtain, like some giant trucker. A swelling stomach riding over my cliché buckle, until my fat explodes into some sort of creepy communion wafers and wine. It splatters my fellow church goers in some sick form of salvation. The pale parishioners panic then succumb to some unknown hunger feasting upon the remnant of me like a bunch zombies.  Freed from the need to be rational they rage on. Dead men and women begin to leave the church ready to infect the world with their form of living death.

A hand smacks the back of my head. Mother glowers, the intensity of her gaze is meant to put the fear of god into me, ironically.  The preacher carries on. Some **** about the armor of gods and the denizens of hell oozes out of his dry voice.


My ears ***** up. The sound of mighty warriors ring through the church. Savage blows bounce off the shields of saints. Angels scream, as demons pluck their feathers, plunging them into the furnace that is hell. Smoke fills the pews with the noxious fumes of burning flesh. The **** moan for mercy. Fingers try to rise from perdition only to be chopped off by the razor sharp wings of the Archangels.

“Back to hell you vermin.” The Angels scream.

The recently and expensively redone floors now wear a masses of ****** bodies, some corpses are demons, some are angels. However, all bodies bleed the same color.

Satan’s sinister grin fills the stain glass windows. A fury of wind shatters each pane, causing shards of glass to rain down upon the parishioners. My fellow church goers scream and run away. Their flesh is marred by bleeding scratches. Beneath their feet other parishioners are trampled. Moans of agony rise from the ground, followed by the rising white ash. Puffs of dark smoke swirl around and….

and my mother smacks me in the back of the head again.
“Pay attention.” She growls.

Looking at the clock, I smile devilishly.  It is time for the last prayer. The preacher passes it on to one of the deacons. A small stout figure brushes back his black thinning and greasy hair, and begins to pray.  

“What a relief.” I think.

Fifteen minutes later the deacon is still praying. He has cycled back to the same **** over and over. I swear sometimes the deacons think it’s a contest. They are trying to see who can pray the best.

A hand slams down from the heavens smashing through the ceiling and crushing the Deacon. His obese frame is flattened causing it to explode like a popped pimple. Red juices and slippery viscera paint the aisles.  

A heavenly voice scolds, “knock it off. People have things to do.”
A laugh pierces the pew.

I get another smack to the back of my head. My mother scowls.
“That is it you’re grounded.”
“Awe ****.” I moan and take another smack to the back of my head.
Shadowing entities protrude towards your bed from yonder windows hazed light. Crying is no option for fear that this may stir something lurking out there in the darkness. Shrugging beds cover upward to protect your face and hands, well inside lest they be gripped by the night.

Foetal position, curled with hands wrapped around knees, eyes gripped tightly pining for sleep to transport you away to safer ground. Sought after sleep that will never arrive lest you forget to think.

Temples pound a beating drum. slightest sound ekes disaster like a thunderous gun blasting through your brain. finest breeze now a gale, the cold wind causing hair to stand upright stirring tingling pebbled skin. shivering at every inhale of breath, whilst sweat finds its flowing course.

Creaking noises of a living structure ponder audibly throughout the stillness as imaginary movement is conceived, sensed objects move delicately as this flurry of the underworld works its way into an already over worn mind.  

Suddenly the lamenting cries of night torn animal carry up the stair from the darkness below, feline hissing following that same tread to your so sensitive hearing.

Each waft of air an heckling of wandering soul abound to walk freely this hallowed eve, touching the rigidity of young tender body. Mindful of stories told that very night and curses aimed toward the teller of such.

Blasts of light contain certain blindness and panic as you fight to avoid this incarnation that rips away bedding from young skin.


“Wakey Wakey rise and shine.”
2012
I lost my tooth brush two days ago,
But I didn’t trace where it went,
But now I am standing at the patio
On the edge of the open balcony,
Beholding another wonder of the world;
My dog, which I named Jimmy James,
Is holding my yellow tooth brush in its forepaws
The Colgate toothpaste frothing its mandibles
It has inserted the brush into its jaws,
Brushing its teeth with earnest of man,
Brushing in and out, all its teeth
From incisors to canine, premolars to molars
As it artfully spit out the bloodied froth of paste,
It has now walked to the water tub, and ****** loose
The tub lock to open , water is now pouring out in a curve
My dog is tapping the water into its bucal cavity,
Behold it gurgles water in its mouth repeatedly
It spits out trash and repeats the humanly act,
It now hides my brush by stuffing it below the loose sand,
As it opens its mouth to flag and wag its long tongue
Breathing in a tremor to my sight of its teeth,
that are now milk white without a spot,
the success it only ekes on the thievish move
against my toothbrush and dear toothpaste.
Ann Beaver Mar 2013
You changed your name
I lost you that day
I turned to tell you something

But you had already left
And I stood
Surrounded on six sides
By the sick, sloppy snakes
No knife in-hand
No skin on my bones.

Bared, ready
to be received, held
a blanket of frost
a spike in my tongue
My eyes overflowed

Spilling a sulfur
Ensnaring the snakes
Circling their fangs
Collecting their cacophony.

Till life ekes out.
Dissipating like screams
Into a full ***** bathtub
and the soul escapes.
Derek Darling wrote the bold. I wrote the regular.
PK Wakefield Dec 2012
to count you amongst numberless heavings
(smally colliding) of human voice thousands
screaming all dimly numb voices into dumb
voices numbly dimming(stars like innumerably
dying flicker less fast into darkness but still do)

would be a lie more truthful than living is truth

for though dying flicker: you burn

(and i whisper into you a very tiny spark;love
which ekes through your cheeks black wine
freshly distilled instantly drunken beautiful;flesh)

hanging on a petal of deeply sepaled night
(pearling dew) a sigh escapes across fields
of mute flowers up tumbling mountains reaches
stupid immortal silence and fear nothing hands
for falling though stars, silence, mountains, muted flowers, human voices:


YOU
PK Wakefield Apr 2013
when feels driven by some impulsed curing
of day into swift clumsy night i

am flung by silence

into the only mystery of love a spangle
tinly which ekes from splendor
slowly tumbling over end over
between the ******* of thing girls


           A finger of light

(cooing)i


                      a breath shake



                                       from



lips hotly tight in coiled something
furstroked and lurid with my lips
part (destroying)


and bruise into white

a fist of painful.      

                                    Uncurling
Banele May 2020
May God show me the way
for I  fled to the edge where I lost my way,
where I am surrounded with logs.

come and rescue me
among the mist of my heart
where they call I have to listen.

does it really talk?
Does it talk with it palpation,
maybe the bathing of blood?

come and rescue me
from the secrets of my heart
as I burn from the high volts of my heart.

come and rescue me
where I needed you I discarded you
I chose my ways away from you.

your etiquette I left alone with biting cold
where grass leeches every page
of your scripture.

I am tamed a sinner as I failed
to tame my tongue as your etiquette
stated .

come and rescue me
for my heart ekes me out.
Annie Apr 2018
It starts with a stare
Not calling back -pretending at first
Then actually never care

Walk a thousand streets,
But that bridge is burning -I can see
And I'm not the one scorching in heat

Smile so much that it hurts
Not to please you this time
Glad I learnt to put myself first

This beautiful, dazzling night
Just to spend alone -be on my own
Relieved -I've got nothing to fight

Shook hands with "kind",
Cleansed up my head -a new person there is
And now I can speak of my mind

This -the art of hate
Squeezing my brain -till all ekes out
I'm learning ,hope I'm not too late?
betterdays Apr 2014
mopoke

the mournful call

                                      mopoke
of the boobook owl

as she ekes out
an existence
for her and her chick

                                      mopoke
fair warning to,
house mouse and field
you have entered my fiefdom.
now are you prey
to feed my fledgling fold

                                      mopoke  
               mo..poke..mo...poke

from my aerie
                                      mopoke
my eerie calls,
defray my diminutive size, my too cute name.
my chocolate feathers
and startled gaze.

                                      mopoke
i am owl warrior queen  

                                    MOPOKE
boobook owl
small owl eastern australia
has a distinctive call
Mgboafor, my mothers name.
Names of seasons to live and love
Her mate Nkwo the market
Recognizable had no fight for Eke
As Oye lies around the corner.
Season, season and seasons

Seasons of exchange and banter
Exchange to cherish and savour
What is Eke for Afor musses
As Nkwo do no reject entreaties
And Oye mingles with joy
What Afor, Nkwo and Eke shares and offeres.

Mgboafor, Mgboafor Mgbafor
Your mate Nkwo has long gone
As it never done on us
Her sayings and fears lingers:
Monday has replaced her
And Tuesday supplanted Eke
Oye weeps its exit for Wednesday
As Thursday has usurp Afor.

Your children mourns and groans
In the weight of Friday
To celebrate your exist
And  Saturday swallowed  up
Your caked frozen body to
Mother earth, Thanking God on Sunday
As another Monday hovers around.
Exchange in rounds and rounds
Movements in circles and circles in rounds.

Afor, left without notice
To join Nkwo her mate
Turning deaf hear to Ekes entreaties
And Oye exists in  oblivion
Completing   defiance and disappearance
Of ego and a people’s prides
Voiding recognitions for your children.
Who have traveled far and away

They sojourned in lands and places
You only heard and dream of Yesterday.  
Today the children toiled and labor
In ways you never imagined.
The years pass by the days rolls in
Seasons craws in and out
Your children labors in pain and tremor
In fashions and factions  
They toiled in torn cloths
Crowded by not just the people from faraway land
But contents and ideas never known and sold in our market.
They are crowded with wears Eke, Oye, Nkwo and Afor
Never sold and will never sale.

Mgbo-afor, Mgbo-oye, Mgbo-eke and Mgbo-nkwo
The celebrated names of our markets
Depicts our seasons of beauty and time
The beauty of our women and their wares
Admirable wares that flaunts and flatters the men
Wares that puts us on our toes and gaggles our inside:

Okafor,Okoye,Okonkwo and Okeke
Your male version who clogs around
Peeping your substance dreaming
Making joy of  your swinging buttocks as you walk pass
Farting and panting from the labour the night before.
Celebrating their exploits and conquest
Taking pride you belong to them only.


Okonkwo keeps his name not your ideal
For Mgbonkwo long lost her ordeal.
Okafor strives without its full form - Mgboafor.
Speed has overtaken Mgboeke as Okeke now wears torn cloths
Working and walking in torn ideas and concepts.
Mgboye long lost the arguments to Okoye
A mirage of our time
Living life abridge ideas like carcass.

Our men…..?
They no longer have strengths that
Gaggles Mgboafor’s likes and climes.
As no Virtues chides and glitters the face of  Mgbeke
No Tickles to defines Mgboye’s and Mgbonkwo's personalities.
For we now live in season of pity and regrets
Rounds and rounds in formless circles
No fashionable logic in today’s changing sphere.
The truth of  our logicday
Poetemkin May 2021
Awakened and
Awash with life, a soul
Abandoned amid artificial
Sophistication;

Blinded by beauty best beheld
Beneath bold bastions of
Blazing silence. Craze
Rules;

Cacophonies collide and
Congeal, coagulate and
Cluster—melting, not unlike
Neapolitan ice cream.

Durst the dwindling
Darkness dance its
Deathly defenstration? Ought it
To belay its night?

Evening ekes ever closer,
Edging; even seeking most to
Elevate eternity to its
End. Out with it. Time
Is not your pet!

Forward, faithful fowls of
Fancy: feast on flesh
For which you came!
Find a farewell fully
Sanctioned.

Get a grip on grime
Galore! Go, you gawdy
Grateful gyre; gone is all
Glory and rhyme. Now to
Exculpate a *****:

He's the hero herewith, and
Helping hide his horrid
Histr'y is the hill you have to
Climb.

I, interloping idiot, I
Itch to irk some innocent
Ilk. I, the

**** ****** jankly onward
Just to justify juiced minds.
Jury, you must spew a verdict!
Judge you must sentence
This crime.

Klaxons blare that kegs are
Key to this
Kiss, but not to fool
Keen kind of
Folk

Limitations let me
Lie here looking like
Life left me lame.
Lots of lazy lack of
Praising

Made my music
Mainly maim. Most
Men motion more for
Glory:

No one needs to
Name their cause;
Nothing will. Notice now,
What is northward,

Only our obliging airs
Often offered on the
Order of the oligarchic
Thains.

Prosper we, politely posting?
Positing our prescient claim?
Passing not the prophet's muster,
Put we not ourselves to
Shame?

Quickly! Question who is
Questing quietly beyond the pale:
Quoth the raven quixotic chaos
Quite outside the
normal

Range? Really, rouse the
Raspy rooster, rising sun a
Ruse too rare:
Rafting in on rising
Currents

Stallions stride the earth
So bare. Sing the song,
Six pence so-called,
Still the cost of
Love riebald.

Touch the tangled
Truths which dangle
Tantalizingly close to there;
Take the taudry lesson
Home.

Unleash hell upon the masses,
Unsuspecting users will delight,
Until all the unlit gases
Usher forth into our
sight.

Valor vests its
Vanquished victims with
Vociferous applause. Asking
Very little of them—just a life for a
Just cause!

War will wake the
wasting weapons wildly
Whet with wonderous
Rage.

X, the spot is marked e-
xactly where was this
X-human
unmade.

Yesterday young warriors
Yelled out yearning for
Years they have lost
Yeeting sinners into
Their graves.

Zoom! At Zion
Zealot's rage is launching—
Zero zest for living love—
Zoo-like, all the world is watching; all the world,
And that above.
Blue moons true, are rare
Lending to volcanic times
Under dusty skies

Ekes bad luck through glass
Maiden's growth, wisdom, knowledge
Over women's life's

Once in a blue moon
Now simply, two moons, one month
Seemingly less rare

by Jemia

— The End —