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Hilda Nov 2012
You must wake and call me early, call me early, mother dear;
To-morrow 'ill be the happiest time of all the glad New-year;
Of all the glad New-year, mother, the maddest merriest day;
For I'm to be Queen o' the May, mother, I'm to be Queen o' the May.

There's many a black, black eye, they say, but none so bright as mine;
There's Margaret and Mary, there's Kate and Caroline:
But none so fair as little Alice in all the land they say,
So I'm to be Queen o' the May, mother, I'm to be Queen o' the May.

I sleep so sound all night, mother, that I shall never wake,
If you do not call me loud when the day begins to break:
But I must gather knots of flowers, and buds and garlands gay,
For I'm to be Queen o' the May, mother, I'm to be Queen o' the May.

As I came up the valley whom think ye should I see,
But Robin leaning on the bridge beneath the hazel-tree?
He thought of that sharp look, mother, I gave him yesterday,--
But I'm to be Queen o' the May, mother, I'm to be Queen o' the May.

He thought I was a ghost, mother, for I was all in white,
And I ran by him without speaking, like a flash of light.
They call me cruel-hearted, but I care not what they say,
For I'm to be Queen o' the May, mother, I'm to be Queen o' the May.

They say he's dying all for love, but that can never be:
They say his heart is breaking, mother--what is that to me?
There's many a bolder lad 'ill woo me any summer day,
And I'm to be Queen o' the May, mother, I'm to be Queen o' the May.

Little Effie shall go with me to-morrow to the green,
And you'll be there, too, mother, to see me made the Queen;
For the shepherd lads on every side 'ill come from far away,
And I'm to be Queen o' the May, mother, I'm to be Queen o' the May.

The honeysuckle round the porch has wov'n its wavy bowers,
And by the meadow-trenches blow the faint sweet cuckoo-flowers;
And the wild marsh-marigold shines like fire in swamps and hollows gray,
And I'm to be Queen o' the May, mother, I'm to be Queen o' the May.

The night-winds come and go, mother, upon the meadow-grass,
And the happy stars above them seem to brighten as they pass;
There will not be a drop of rain the whole of the live-long day,
And I'm to be Queen o' the May, mother, I'm to be Queen o' the May.

All the valley, mother, 'ill be fresh and green and still,
And the cowslip and the crowfoot are over all the hill,
And the rivulet in the flowery dale 'ill merrily glance and play,
For I'm to be Queen o' the May, mother, I'm to be Queen o' the May.

So you must wake and call me early, call me early, mother dear,
To-morrow 'ill be the happiest time of all the glad New-year:
To-morrow 'ill be of all the year the maddest merriest day,
For I'm to be Queen o' the May, mother, I'm to be Queen o' the May.

New Year's Eve

If you're waking, call me early, call me early, mother dear,
For I would see the sun rise upon the glad new-year.
It is the last new-year that I shall ever see,—
Then you may lay me low i' the mold, and think no more of me.

To-night I saw the sun set,—he set and left behind
The good old year, the dear old time, and all my peace of mind;
And the new-year's coming, mother; but I shall never see
The blossom on the blackthorn, the leaf upon the tree.

Last May we made a crown of flowers; we had a merry day,—
Beneath the hawthorn on the green they made me Queen of May;
And we danced about the May-pole and in the hazel copse,
Till Charles's Wain came out above the tall white chimney-tops.

There's not a flower on all the hills,—the frost is on the pane;
I only wish to live till the snowdrops come again.
I wish wish the snow would melt and the sun come out on high,—
I long to see a flower so before the day I die.

The building-rook'll caw from the windy tall elm-tree,
And the tufted plover pipe along the fallow lea,
And the swallow'll come back again with summer o'er wave,
But I shall lie alone, mother, within the mouldering grave.

Upon the chancel casement, and upon that grave of mine,
In the early morning the summer sun'll shine,
Before the red **** crows from the farm upon the hill,—
When you are warm-asleep, mother, and all the world is still.

When the flowers come again, mother, beneath the waning light
You'll never see me more in the long grey fields at night;
When from the dry dark wold the summer airs blow cool
On the oat-grass and the sword-grass, and the bullrush in the pool.

You'll bury me, my mother, just beneath the hawthorn shade,
And you'll come sometimes and see me where I am lowly laid.
I shall not forget you, mother; I shall hear you when you pass,
With your feet above my head in the long and pleasant grass.

I have been wild and wayward, but you'll forgive me now;
You'll kiss me, my own mother, upon my cheek and brow;
Nay, nay, you must no weep, nor let your grief be wild;
You should not fret for me, mother—you have another child.

If I can, I'll come again, mother, from out my resting-place;
Though you'll not see me, mother, I shall look upon your face;
Though I cannot speak a word, I shall harken what you say,
And be often, often with you when you think I'm far away.

Good night! good night! when I have said good night forevermore,
And you see me carried out from the threshold of the door,
Don't let Effie come to see me till my grave be growing green,—
She'll be a better child to you then ever I have been.

She'll find my garden tools upon the granary floor.
Let her take 'em—they are hers; I shall never garden more.
But tell her, when I'm gone, to train the rosebush that I set
About the parlour window and box of mignonette.

Good night, sweet-mother! Call me before the day is born.
All night I lie awake, but I fall asleep at morn;
But I would see the sun rise upon the glad new-year,—
So, if you're waking, call me, call me early, mother dear.

Conclusion.

I thought to pass away before, and yet alive I am;
And in the fields all around I hear the bleating of the lamb.
How sadly, I remember, rose the morning of the year!
To die before the snowdrop came, and now the violet's here.

O, sweet is the new violet, that comes beneath the skies;
And sweeter is the young lamb's voice to me that cannot rise;
And sweet is all the land about, and all the flowers that blow;
And sweeter far is death than life, to me that long to go.

I seemed so hard at first, mother, to leave the blessed sun,
And now it seems as hard to stay; and yet, His will be done!
But still I think it can't be long before I find release;
And that good man, the clergyman, has told me words of peace.

O, blessings on his kindly voice, and on his silver hair,
And blessings on his whole life long, until he meet me there!
O, blessings on his kindly heart and on his silver head!
A thousand times I blest him, as he knelt beside my bed.

He taught me all the mercy for he showed me all the sin;
Now, though my lamp was lighted late, there's One will let me in.
Nor would I now be well, mother, again, if that could be;
For my desire is but to pass to Him that died for me.

I did not hear the dog howl, mother, or the death-watch beat,—
There came a sweeter token when the night and morning meet;
But sit beside my bed, mother, and put your hand in mine,
And Effie on the other side, and I will tell the sign.

All in the wild March-morning I heard the angels call,—
It was when the moon was setting, and the dark was over all;
The trees began to whisper, and the wind began to roll,
And in the wild March-morning I heard them call my soul.

For, lying broad awake, I thought of you and Effie dear;
I saw you sitting in the house, and I no longer here;
With all my strength I prayed for both—and so I felt resigned,
And up the valley came a swell of music on the wind.

I thought that is was fancy, and I listened in my bed;
And then did something speak to me,—I know not what was said;
For great delight and shuddering took hold of all my mind,
And up the valley came again the music on the wind.

But you were sleeping; and I said, "It's not for them,—it's mine;"
And if it comes three times, I thought, I take it for a sign.
And once again it came, and close beside the window-bars;
Then seemed to go right up to heaven and die among the stars.

So now I think my time is near; I trust it is. I know
The blessèd music went that way my soul will have to go.
And for myself, indeed, I care not if I go to-day;
But Effie, you must comfort her when I am past away.

And say to Robin a kind word, and tell him not to fret;
There's many a worthier than I, would make him happy yet.
If I had lived—I cannot tell—I might have been his wife;
But all these things have ceased to be, with my desire of life.

O, look! the sun begins to rise! the heavens are in a glow;
He shines upon a hundred fields, and all of them I know.
And there I move no longer now, and there his light may shine,—
Wild flowers in the valley for other hands than mine.

O, sweet and strange it seems to me, that ere this day is done
The voice that now is speaking may be beyond the sun,—
Forever and forever with those just souls and true,—
And what is life, that we should moan? why make we such ado?

Forever and forever, all in a blessèd home,—
And there to wait a little while till you and Effie come,—
To lie within light of God, as I lie upon your breast,—
And the wicked cease from troubling, and weary are at rest.

**~By Alfred Lord Tennyson 1809—1892~
I whistle for the Scarecrow to lead the way right after Neur decided to leave. It begins to form a black mist/smoke like essence in the middle of where I stand then it unifies and creates a Scarecrow with red eyes and it makes noise and flies slowly in front of me. Finally it lands in a mysterious cave where I stand in awe as I see ...there the Scarecrow stands on top of a crystalline rock emanating from the entrance of the cave itself. I walk in and I feel an eerie feeling go down my gut...something tells me to look immediately to the right. So when I do there it is the mystical impenetrable rock Aziel was talking about. Then just then I feel a sense of ease and Aziel says telepathically..."So my not what are you waiting for destroy the rock and retrieve the relic." So all the sudden I feel a sudden deepening defining feeling in my chest and I acquire the powers of Darkness for the first time in my quest for revenge is paying off. I command my whole arm to become a sledgehammer and hit the rock directly and it cracks in a half...there stands a beautiful glowing base with a fancy top on it ...made out of red diamonds and showered in Gold. Then I am relieved. "I got it" I tell Aziel telepathically. Then Aziel responds worried ... "Come as quickly as you can because I believe the Goddess is onto you...plus I cannot sustain you with the power of Darkness only 45 more minutes. Therefore,  come friend for you will be handsomely rewarded. " As I am getting out of the cave I hear galloping coming up the path I came. Then to my bewilderment Boom there stood a huge 32 ft tall ElderGloomTree It looked at me and it had a sweet berry like strawberry like scent in the Air it smelled beautifully nice.
The middle of the tree there was a mouth like sideways and it opened inside it slowly took out it's tongue and there was a small what looked like a mustard seed with rainbow like colors all over. There that little seed grew before my very eyes in the matter of split seconds and formed the shape of a beautiful glowing young woman with beautiful green skin and black hair with blue red and white stripes on the hair color. She spoke to me kindly and softly her breath smelled like fresh mint...I was astounded. Frank: "Yyyoouu...mmuusstt....bbb..e..." I stuttered... Nabyah: "Yes Young Mortal I am Nabyah many call me the Goddess Of The Forest Of Whispers. What are you doing here...what is that your carrying and oh one last question...I heard from Neur you was seeking me." Frank: "Indeed I am Frank Deltoro and I am here to request something from you...in return I'll do something you want done. If it's under my power and will to do so I will aid you." Nabyah: " I want to aid my tribe of centaurs and the remote Cyclop  village of Vlakazamuk & Chalekathan *
  We want to stop the killing of Centaurs and the human captures from capturing Cyclops and making them work enslaving all Cyclop population or sometimes brutally **** them and practice known as
Davalkaj Shamanism.

You humans and your inventions to destroy our home-world and natural habitat. Tell me what makes you think I'm going to help You? Should I **** you for trespassing my forest?" Frank: "Well... I didn't come to fight but if i must we can clash but I would rather we handle the situation like 2 Grown up adults here well you for one am sure have lived thousands of years now but hey...help me and I will do my best to remove the curse." Nabyah: " Fine but do come ...come close to me I will kiss you in the lips once and you shall have my blessing..." Aziel shouts telepathically: "Use the power of the Dark to see if she is giving you a curse or a blessing...if you take the kiss and become enchanted well since the power of Darkness is in you it will be removed. But if it's a curse I shall take it and renew your power by some. So either way it's safe go ahead kiddo...I know you want those lips. Get em" I just nod. Then wow I kiss the Goddess and it's by far the most romantic thing that's ever happened to me in my 25 yrs of living. I felt a holy power showering over me then the power of the Dark was immediately removed.
Then all the sudden she makes a beautiful hymn comes out of her mouth and a fairy about 3ft tall with 6 wings flying in mid air hands Nabyah a gorgeous engraved Vial of blood. "Here is what you seek warrior; proceed carefully not only benevolent souls and entities linger here. I leave the area as soon as she hands me the vial of blood. I get about 50 ft away from the area and the power of Darkness consumes me I transform to a Giant Bat and head back to Aziel.
In the Castle am greeted with pleasure and I hand him the vial of Goddesses blood. There and then he drinks the elixir of blood and before my very eyes he regains his youth and full power. Then there stands 5'7 Sharp look young man about 20 to 21 years of age. He disappears and reappears behind me tapping me on the shoulder. Aziel: "Frank I am in complete debt with you for only and even though we do not agree nor do I love him any but thanks the Lord...you helped me regain my full vampiric power. Ahhh it feels amazing. Hahaha  he embraces me in a warm hug.  Now what do you desire my mortal friend?
I think deeply..."I want to help the Goddess remove the curse from the forest." Aziel: "I usually don't meddle in human affairs but I am making an exception I'll help you as long as your willing to help me destroy the Order " Frank: "Does this mean I must look for the Relics Neur Blackthorn asked me to get ...since I got the vial I don't really need to do it no more right?" Aziel: " I'll let you borrow the power of Darkness for 6.5 more hrs till morning comes" Frank: "Thanks Aziel once again for letting me gain more power and knowledge."

~ *Meanwhile


At a very remote location deep in the heart of the Forest Of Whispers lived Bethilda Wood. She has lived in a old ruined cabin for 700+ yrs also she is known as The Elder Witch *Empress Of Darkness
known to bestow powerful spells and hexes but also with the gift of healing and releasing souls back to the Almighty One. A young Wiccan woman comes up young in age her skin tan/white heading toward the old rugged cabin...then pauses whistles a delightful melody and a staff appears.  Having been trained in the field of magic this young witch is been taken under Bethilda's wing. Bethilda:  Adrianna  darling come I have a surprise for you. Follow me to the pond of *Greater Enchantment. Adrianna: So... I heard you became the High Dark Empress 1200 years ago. Bethilda: Yes that is true I been a Witch for the past 1600 years or so. I survived the middle ages the dark ages and the years of enlightenment.  It's something I been willing to be all my life for I meet the man who carries my heart a young man known as The Count Of the Night. Dracula! We fell in love and I bore 3 of his children who so I have heard inherited the gift of becoming a vampire and they inevitably became vampires, more like the 3 princes of the night. Vladimir my first born Aziel my middle child and Uriel the youngest of the three. I been on the quest of finding Jesus Tears a small opaque flower the color of silver to complete my spell and relinquish Vladimir's soul to the mortal realm fit it into a red diamond and transfer it's soul essence into a freshly dead human body. With that he will come back to the World of the living and redeem himself and take revenge on the Order. Adrianna: I will help you. I will find this flower you'll see. So then they practiced spells from there on out.

~ Meanwhile

Its 1 a.m. and Frank heads out to seek the Ancient Relic. With the complete power of Darkness at his disposal he sends out 3  scarecrows to look for areas of interest in the Forest Of Whispers. Two of the  scarecrows come back one doesn't so that last one got killed by someone's power. Frank communicates telepathically to Aziel. Frank: I think someone is onto us Aziel guard the Castle it might be the Order. Aziel: already got it covered buddy. Then Frank feels a very strong power slowly emanating from the Southeast part of the Forest Of Whispers.  Frank transforms to a bat and heads there. As he gets there the small village of Chalekathan...
He who has been destroyed there stood a mysterious figure in the middle of the havoc a mysterious strong power could be felt from him. Mysterious Man: Hello adventurer my name is Navarro Castle-worth I am the Warlock of the *Tower Of Frejoird
where I was trained to use magic and rituals to summon strong deities into this plane of existence.  I got here too late someone had destroyed the village before I got here. Frank: Right ...my name is Frank Deltoro and how do I know your not the one who destroyed the village? Why should I trust you? Navarro: Young friend...I do not desire battle but if it's necessary I will satiate your thirst for battle...Navarro Summons his staff and says some words and a Huge Nightmarish Creature that looks like a dog with a fog of Darkness surrounds the Creature. Frank summons the power of Darkness and since its 1:33 a.m he gains the *Wings Of the Desolate Count which makes his power two fold. There Frank stood looking at Navarro in the eyes and him looking at Frank with perspicacity. All the sudden a trembling can be felt and a Huge Cyclop comes out of the Wilderness. Mysterious Cyclop: Hold one moment ...this man is telling you the truth young Mortal. Frank: Woah a Cyclop what how did you get here? Frank loses his fighting stance and so does Navarro...My name is *Jhino Velvermount I am from the Tribe Of Chalekathan* known Village Of the Largest Cyclop population. "Come I show you what the Witch Of the Tavern Of Doom Dragons* done her name is ...whispers Bethilda N. Lement. Raised originally in Sweden in the small farming town of Wrellender* learned Martial Arts Of Taijutsu and Ninjutsu. Able to control Lighting/Air/Water/Fire/Metallic energies. Coming from a family that practiced Zetzou Buddhism. Who are thought at a very young age to control the Chi* Energies of the body how to practice Re-Vitalizing and Re-Energizing the Chi to be able to stay in a meditative/active blending of consciousness with the subconscious to make Ninjutsu possible. She is known to have rested 1322-1555 A.C. about 250 not been too active but her Great Grandmother. Nayya M. Element who was born 1119 A.C. in the same village one of the co-founders of it who placed the curse on the Forest Of Whispers and it's being sustained by her Great Granddaughter Mrs. Lement. Now me and Navarro follow Jhino to the Village. We go thru extensive difficult paths that leave me tired for an excruciating 5 hrs of walking. Finally arrive at the village... and there is about 30-40 Thousand Cyclops gathered around the Village to hear Gromm ElderLord of the Village Of Chalekathan. Gromm: My stance stands I am here to protect my people from the evil that has left this village wrecked record in the past 300 years. I will NOT allow Bethilda to wreak havoc here no longer. There Me and Navarro and Jhino stand behind the large crowd waiting for the speech to end. The speech finally ends and strong Cyclop incense is burn to allow other high ranking tribe members to know the Elders speech ended. <br>
<br>
~Meanwhile in Aziel's Castle~
"Hello" a young woman with Long Red Hair that hits the ground as she walks White Pearl Eyes with Black Pupils and with a Long  *Black Ceremonial Dress known as Akashaic Black Tunic Of the Dark Empress from the Land Of Necromancers.
There appeared in a Dark WindAziel Governale in a White Taxedo like Suit Welcome Home... Iris Senteno ...Oracle Of the Shadows Of the most powerful Magicians from the Tower Of Frejoird. I have seen your prodigal human who's name is Frank Deltoro...handsome young man who encountered Navarro in The Forest Of Whispers. Will he be trouble? Or shall I eliminate his presence?"
Aziel: No he is working for me...you shall have him without delay at the end.

                         ~To Be Continued
Work in progress.
DJ Thomas Jul 2010
Lying there
never so comfortable

The smoking girls
walking towards the car

Holding my left arm
way above my head

I rolled out of the hedge
looking up at long legs

"There's petrol"
I told their thighs

Limping arm aloft, the beetle
also ended wrong-way up.

A wheel span, I dragged
the driver and his girl out

Through window and petrol
to stagger arm aloft to heaven

Those long legged girls
talked me out of my hedge

Again at there feet
paying homage

Operated on,  I am
in a bed without thorns

At night the young nurse
tells me of her Indian life

Girls, now friends visit
telling me about another

They want ***, their
friends want ***

Nightly, a new life
is put-in-hand.

Recovered, whole
I don't make love

Dreaming of thorns
not of girls thighs

There is only ***
with long legged girls
copyright©DJThomas@inbox.com 2010
As I am exiting the Abandoned Castle to retrieve what Aziel asked me to get for him a thought comes to mind.. - I wonder what he is going reward me with- I follow a short trail that quickly leads me to the Forest of Whispers suddenly I hear Aziel's voice echo in my head. Aziel: "Frank follow the Trail of Tears Northwest about 12 miles from where you stand there you will find yourself in front of a small creek follow it to the end and to your left there will be a small cave and to your immediate right there will be a huge stone that's been there for thousands of years it's practically impenetrable. However, I will land you my power to pass thru it but first you must enter the small cave and retrieve a sacred relic from it. Good luck my Mortal friend." Frank: Aziel what if I get lost? What about this relic and what do you mean you'll lend me your power?" Aziel: "Don't worry I will explain everything in full detail once your at the site and don't worry about getting lost...A raven will follow you from now on and if you get lost just whistle as loud as you can it will fly ahead of you to show you what route to take" Frank: " Thank you Aziel I will keep all that in mind." As I press on deeper and deeper into the Forest I am fascinated with its Beautiful scenery.

It's 11pm and I class start to get weary so I sit down in the midst of the woods in the Forest. Suddenly I hear a weak gallop like some sort of horse coming closer and closer to where am sitting...so I get up hesitant and finally I see a figure come out of the wilderness and to my surprise it's a creature half man half horse and I whisper to myself "Whoa it's a centaur...." The centaur gets closer to me and it speaks to me in a cold voice....
"What are you doing here in the middle of the Forest almost at midnight human...don't you know it's dangerous to be out here?" I look at the mighty centaur his lower part of the body is indeed a horse with furs at it's feet and the color of his full fur is golden yellowish. I examine his human half and he is covered by battle scars and he seems quite strong in his upper body. I also notice he has green eyes the color of emerald and what seems like 3 claw like scars in his face. I sit quietly for a moment then reply ... Frank: " I made a promise to retrieve something for someone and I am here to fulfill my task." He smiles at me and proceeds to talk. Centaur: " My name is Neur Blackthorn I am the Leader of the Golden Centaurs protectors of the Forest of Whispers. You see am looking for a sacred relic known as Ghruthemtox it's a breast plate made out of the skull of a Cyclop known as Mathalam who lived 3000 years ago here in this very forest and was the Creator and protector of this very place known now as The Forest Of Whispers. Legend tells that whoever finds all the pieces of the breast plate and wears it will be granted 1000 years added to his life span and tremendous magical power. I want this relic in my possession. I heard there are 5 pieces to the breastplate all scattered in this very Forest. If you are able to come across the relic itself it will guide you to all five remaining pieces so legend foretold. It's some sort of magical map the relic itself...but I heard it can only be touched by human hands because if it's touched by anything else the creature or being itself will perish immediately." -Neur looks at me attentively- Frank: - " So let me get this straight...you want me to get this relic for you? Am I right?" Neur: " That's right...in return I shall grant you what you seek from the forest. So tell me what is it that you want to retrieve?" Frank: " I want a vial of her blood from the Goddess of the Forest...Nabyah." Neur: " I will talk to her in your behalf...but I cannot guarantee the blood itself." -I look at Neur with some disgust and disappointment- Neur: " Fine Mortal I will do my very best to retrieve this for you as long as you can find me the relic..." -All the sudden I hear Aziel telepathically communicates to me and he says "Frank what are you doing meddling with Centaurs you cannot trust them...It's a dangerous task he asks of you plus he might **** you after retrieving this relic I advice you play it safe and tell him you will do what he says but with your own mission." Frank: -I speak to Aziel telepathically and I can do this due to the fact he lands me his power to do so...in order for both to speak to each other without no one else knowing...- "Right don't worry I am going to pretend to aid him then do my own thing..." Aziel: " Smart young lad ...don't worry he won't know nothing and by the way I advice you try to stay away from this Centaurs I think they might be linked to the Goddess herself...somewhat." Frank: " Right...now I will proceed..."

All the sudden Neur looks at me with curiosity...Neur: " You look like you where day dreaming for a while...fine I will leave you alone, but please find this I will reward you with what you seek I promise. Now get some rest I will come back to you at midnight" -He dashes towards the darkness of the Forest and disappears in the wilderness...-

--->TO BE CONTINUED

KEY


Trail Of Tears the path where many knights from the Order have shed blood sweat and tears. Many of them have never made it out alive.  Golden Centaurs Protectors of the Forest of Whispers who settled in the Forest 1000's of years ago. Accursed by a Powerful Witch they where once human but no longer have retained their humanity. Now creatures of the forest some of them seek to lift up the curse.
Ghruthemtox An ancient relic worn by a Cyclop Shaman Creator/Protector of the Forest Of Whispers that gave him strong magical prowess.
Protectors Forest Of Whispers ...they where those should work something out. Thanks man.
Mayday: two came to field in such wise :
'A daisied mead', each said to each,
So were they one; so sought they couch,
Across barbed stile, through flocked brown cows.

'No pitchforked farmer, please,' she said;
'May cockcrow guard us safe,' said he;
By blackthorn thicket, flower spray
They pitched their coats, come to green bed.

Below: a fen where water stood;
Aslant: their hill of stinging nettle;
Then, honor-bound, mute grazing cattle;
Above: leaf-wraithed white air, white cloud.

All afternoon these lovers lay
Until the sun turned pale from warm,
Until sweet wind changed tune, blew harm :
Cruel nettles stung her angles raw.

Rueful, most vexed, that tender skin
Should accept so fell a wound,
He stamped and cracked stalks to the ground
Which had caused his dear girl pain.

Now he goes from his rightful road
And, under honor, will depart;
While she stands burning, venom-girt,
In wait for sharper smart to fade.
On this sweet bank your head thrice sweet and dear
I lay, and spread your hair on either side,
And see the newborn wood flowers bashful-eyed
Look through the golden tresses here and there.
On these debatable borders of the year
Spring’s foot half falters; scarce she yet may know
The leafless blackthorn-blossom from the snow;
And through her bowers the wind’s way still is clear.

But April’s sun strikes down the glades to-day;
So shut your eyes upturned, and feel my kiss
Creep, as the Spring now thrills through every spray,
Up your warm throat to your warm lips: for this
Is even the hour of Love’s sworn suitservice,
With whom cold hearts are counted castaway.
Tim Knight Jan 2013
Hooked and hung to the chair,
tethered by a strap-
colour akin to your hair-
you sat and stared
at another essay to be handed in
by three pm, next-week-Wednesday.

A-future-whatever is another
lustful thought, failed and
let down by little taught.
Again! Why a wife is so hard to find
in brambled streets or box hedged
squares, rectangular and receipt like?

Give up and give in,
walk drunk drinking sloe gin.
That way love is but blackthorn berries
the controversial, speechless adversaries.
www.coffeeshoppoems.com/
scar Jun 2015
If the Tiber floods and the Nile fails to
If the overflowing mouth of Tamesis runs dry
If the weeping willow withers as the blackthorn breaks
And the regal golden eagle fails to climb in the sky

If the dried-up land yields a drought so parching
That the overarching urge is to drink yourself drowed
If the Dead Sea waters lose their saline flotation
And the carrion-grabbing vultures wheel in from miles around

Then Gethsemane's gates will crack open just a little
And the flowers of the garden will give off a sour scent
As their brazen roots recall the night when they were fed with blood
Dripping softly on the hallowed ground of dying man's lament

If the water rises slowly and yet still without abating
If it swallows up the chariots of sun and man and steed
If the kings step out and stumble to the grave, their destination
Will be broken, bold and cheerless: will be harrowing indeed.
Nigel Morgan Mar 2017
I

Curled
a snake of a road
uplifted on a bank
of mud falling
to a welter of mud
glistening gleaming
in the afternoon light

Underfoot
on the rough road
a green mossy
water-**** alive
out in the air
waits to be swept
over and again
by the evening tide


II

Let me stand still
from this relentless
passaging looking
attentive always
investigating the possibilities
of all the eye can see
within a footstep’s distance
an arm’s reach
a hand’s touch

Let me stand still
on this low **** wall
between estuary water
and a channel in the marsh
One - a lively blue
waved and winded
every which way
The other - a muddy brown
rippling in one direction
in slow procession

Let me stand still
but turn slowly
to mark the edges
of the sky’s horizon
turning clockwise
from the north
and return -
a whole sky seen

Let me stand in wonder
as flock and skein
a sky-squadron of geese
high-flying over head
southward out of a pool
of midday estuary light
to disappear beyond
the mainland shore


III

The boat keels over
so the line of her
below-water body
reveals a womanly self
that roundness
that beamyness
so rightly feminine
and now holding to herself
a heeling hull
full-breasted sails
taut in wind and water

IV

A drawing makes the ordinary important
It is a text that forgetting words for once
spells out the body's role in fashioning
our creative thought

Its contours no longer
mark the edge
of what you’ve seen
but what you might become
- each mark a stepping stone
to cross a subject as if a river
and put it then - behind you


V

Soon to be sloed
but wait a while . . .
its lovely flowers
must form first
on this shrub we call
Prunus Spinosa
the Blackthorn

Flowering against
the sky’s blue morning
as if it were -
a cloud of whiteness
a masking of lacework
spread on stiff branches

Yet here
in the garden below
this towered room
in which I write
the shrub has clothed
the end of the garden’s
marsh-facing wall
above and across
and on either side
spreading to newly-cut grass
falling on the pasture beyond
holding itself
purposefully against
the prevailing wind

VI

Silvery in gun-metal greyness
this evergreen edible shrub
(the Sea Purslane)
with mealy leaves
and star-shaped flowers
form a natural border
twixt shoreline path
and salt-sea strand

A hiding place
for ***** its leaves
hold fronds that take
a reddish hue
a delicate shade
welcome-colouring
in this marshness of mud
and brown water

VII

How fitting are the words
correctly scribed on the bench
by the wall in the orchard
next the pond on this fine
sunny day Certainly
‘The time has come, ‘
the Walrus said,
‘To speak of many things:
of shoes and ships
and sealing wax - of cabbages
and kings’.

Yes - this gentle morning
blessed by softest breeze
and shadow-playing light
has formed a place of peace
to summon thoughts
that hold no sense
except to scan so rightly
for the writer’s pen
the reader’s voice

Such random objects
fuel imagination’s play
this sunny day upon
the bench beside the wall
within the orchard
next the pond

VIII

By dancing shadows on the wall
a plaque records his gift:
orchard - pond - and all within
two garden walls
a rough masonry
variously gathered
rich in colour
mark and fissure

Four Italianate hives
cylindrically domed
precariously tiled
set at ends and in between
on fifty yards of facing walls
- as cotes for doves perhaps?
to coo and coo . .
when shadows
move and flicker
on the wall
to and fro to and fro

because he loved this island
so - he wished his memories
might live here and now

IX

Together on the sea wall
she said look
an owl on that fence
over there
Short-eared she said

and so silent
(with surreptitious step)
we advanced - it stirred
and lifting its broad-winged
body flowed into flight
with slow strong strokes
beating hard towards the sea

but changing its mind
(and poising on the wind)
returned to quarter
the field below
where we stood standing
rapt by its silent purpose
as it turned and tumbled
to get a better view
of whatever poor creature
lay beneath its
telescopic sight

X

Here to seek a stillness
I don’t own but claim
I do  - so here and now
in this quiet corner
(my back to that rough-hewn wall
fluid with its dance of shadows)
I wait to hear to listen
and to know . . .

Seated on this bench inscribed
with Lewis Carol’s words
there is an invitation made
to take the time
to talk of many things
(if only to oneself)
Insignificant actions
Graceful words of love
Admiration and respect
for friends and simple pleasures -
We are so blest in all such things . . .
*believing always
a greater Providence
that (so to speak)
waits ahead of us
Here are ten poems written over a weekend in the former home of Norman Angell on Northey Island in the Blackwater Estuary, UK. The island is 60 acres of pasture and salt marsh joined to the mainland by a tidal causeway. These poems are my ‘marks’, drawings made in words, taking something from two matchless spring days surrounded by water and good company. Text in italics is taken variously from John Berger and Marilynne Robinson. See http://www.alicefox.co.uk/?p=2862
Jack L Martin Sep 2018
There once was a man named Rick
Who carried a red blackthorn stick
He flailed it blatantly
that ancient shillelagh
The bataireacht fighter was quick!
John F McCullagh Sep 2016
They briefly loved who sheltered here; the beautiful Sarah and her cousin Will.
They fled the City to this place in England’s north wild rolling hills.
Her husband had neglected her, visiting stables and not her bed.
By that wild summer of Sixty- eight their estrangement had come to a head.
To this old country house she fled; to linger in her Lover’s arms.
Their close sanguinity proved no bar; she gladly yielded to his charms.
They summered here and oft were seen, together, on the Lover’s walk.
A place where blackthorn trees entwine; but you know how people love to talk.
He left her then, alone, with child, as coloured leaves began to fall.
Divorced, disgraced, abandoned thus; She sheltered in another’s home.
This famous beauty with Stuart blood there would raise her child alone.

Such is the history of this place; their romance played out in these halls.
Their scandalous adultery was consummated within these walls.
Modern beauties visit still and stroll with beaus the Lover’s walk-
A place where blackthorn trees entwine and old ghosts whisper in the dark.
A tale of Lady Sarah Lennox, her first Cousin William Gordon and their scandalous adulterous affair in the summer of 1768
cheryl love May 2014
Tread Carefully
Tread carefully through the tulips
Rush through the bluebells.
The tulips are perfume free
And the bluebells have smells.
You’d get pollen on your fingers
And powder on your toes
If you dawdled through the daffodils
And sat beneath the rose.
Sitting for more than an hour
Under the lilac tree.
Finally you would disappear
I know believe me.
Wandering past the lanes
On a dark Autumn night
If you get caught by a blackthorn bush
It would put up a fight.
Wandering through a strawberry field.
Being here would be a dream
Don’t forget your spoon and dish
And *** of rich double cream.
cheryl love Jun 2013
In its velvet skin
Hidden below
Sits the Fairy
Of the sloe.
A sprinkling of dust
Surrounds a bitter taste
The blackthorn, as it’s known
The fairies make haste
The rush of the traffic
In the Autumn haze
A steady sour drip
On sunny cool days.
As the sugar sweetens
The dark romantic skin
To enrich the tables at Christmas
With rich sloe gin.
martin Apr 2013
Hedges snowy white
East wind blows up trouser leg
Blackthorn winter's here
The blackthorn bush is so named because it has a very dark bark, and when it grows in thickets, as is its habit, it creates a dense, dark and almost impenetrable thorny scrub layer.  But when it flowers, as it is at the moment, the blossom is an amazing bright white.  The hedges look as if they have been snowed upon, and the blackthorns really stand out.  It always seems to be cold at this time, so we say that we should not think we are into the better weather until the Blackthorn winter is over.  In Autumn this is the bush that gives us sloes for the Winter warmer, sloe gin.
Around the Altar, the roses lay,
Blood red pedals and black of night,
A black stone Altar, absorbing light,
Dark stone tower, a hollow cave,
Upon the Altar, they laid me down,
In black, black robes my hands are tied,
Head laid back, stretched out flat,
Two coins are placed upon my eyes,
Beneath the gold, in shadows black,
The Twins they dance and in my laugh,
She stands above me, her robes jet black,
Her veil of red so loosely hangs,
A dagger black she raises high,
Blackthorn rod it passes forth,
Down and down comes the blade,
My life it passed but was long long gone,
Upon the Altar where they had me lie,
Among the roses both black and red.
cheryl love Sep 2014
Of all the fairy poems I have written, this has to be my favourite and I am dedicating it to Marian.  This is just for you Marian.  I hope you enjoy it.
The Fairy of the Sloe
In its velvet skin
Hidden below
Sits the Fairy
Of the sloe.
A sprinkling of dust
Surrounds a bitter taste
The blackthorn, as it’s known
The fairies make haste
The rush of the traffic
In the Autumn haze
A steady sour drip
On sunny cool days.
As the sugar sweetens
The dark romantic skin
To enrich the tables at Christmas
With rich sloe gin.
Nigel Morgan Sep 2013
I

They have a dusty coating
You can rub away with a finger’s pad
Leaving a small inky-skinned
Plum, wild, of dark blue hue
Found in hedgerows where
The blackthorn grows:
The sloe.

Pick in September
October even,
Its colour seemingly so at odds
With Autumn’s trends
Of brown and orange, red and gold
This prunus spinosa (or so it goes):
The sloe.

II

How this photo’s colours
spell autumn this dull
rain-threatening day we walked
almost empty fields so I could
crunch the stubbled wheat

and you might pocket sloes
to halt you said
that earnest kiss
or passion-promising
hug against the gate.
John F McCullagh Sep 2017
They briefly loved who sheltered here; the beautiful Sarah and her cousin Will.
They fled the City to this place in England’s north wild rolling hills.
Her husband had neglected her, visiting stables and not her bed.
By that wild summer of Sixty- eight their estrangement had come to a head.
To this old country house she fled; to linger in her Lover’s arms.
Their close sanguinity proved no bar; she gladly yielded to his charms.
They summered here and oft were seen, together, on the Lover’s walk.
A place where blackthorn trees entwine; but you know how people love to talk.
He left her then, alone, with child, as coloured leaves began to fall.
Divorced, disgraced, abandoned thus; She sheltered in another’s home.
This famous beauty with Stuart blood there would raise her child alone.

Such is the history of this place; their romance played out in these halls.
Their scandalous adultery was consummated within these walls.
Modern beauties visit still and stroll with beaus the Lover’s walk-
A place where blackthorn trees entwine and old ghosts whisper in the dark.
A tale of Lady Sarah Lennox, her first Cousin William Gordon and their scandalous adulterous affair in the summer of 1768
Callum Davies Mar 2015
My sweetheart like venus,
she's lovely and light,
she's fairer then blackthorn,
she's slim and she's white,
there is no one like her,
for far or from near,
it's the truth i am telling for all men to hear,
Her from has the splendor of straight-growing trees,
her hair like ripe corn that is stirr'd in the breeze,
her eyebrows like grossmear that hangs by the door,
if only she'd love me i'd ask nothing more.

My sweetheart she loves like a shower of rain,
now clouded, now weeping, now smiling again,
but she who loves many is left without one,
true lovers has one love to run.
L T Winter Sep 2014
Hessian chains unbind--

Us.

And we lay
Coating names
On clouds.

Tilting titles with
Rainbow scents.

I leaf blackthorn-
Mythology to
Fungi tears; weeping moss
From stone.

Though skies smudge--

Empty.



She shows me the softness
Of bramble.
As we hold a song of siren sighs-
Silhouettes pulse art.

And I tingle lightly
In caring flames.
Although almost never speaking.
She forms white-wishes

Inbetween my heart; my head.
Life,
I'd like some of that

ten percent would be a decent amount
any more and I'd have to take off my shoes and count on my toes

but if really means dream my dreams on
I'd like some.


It shows me how shallow that living's  become
I'm just a minnow in the minutiae of the third eye.

I trample through blackthorn wondering if this is a life
why the hell was I born?

the other end looks peaceful, enough to send me to sleep and I dream on.

Lead soldiers line up in bright coloured lines
these are dangerous times for an army to be

clockwork trains whistle at me
and that's all I am likely to get.

' ask and you shall receive'

a message if you believe
from the great deceiver?

But it's all water that flows and time that flies
I'm in the middle counting the why's and what for?  

a groove on my gravestone
a line read in prayer
a tap dance to heaven
and will this get me there?
NIGEL Apr 2016
The Summer Pledge

Come walk with me this fragrant summer day,
We’ll wind our way to where the water gleams,
Where gentle winds in wistful willows play
And love’s cup holds the elixir of our dreams.

We’ll weave paths through a milky thistle maze
And amble on an alder avenue,
Then watch the sun’s bronze blaze raise
Through river mist his rainbow retinue.

And when his shafts of silken light will lance
The lofty boughs that court mid morning’s haze,
He’ll smile to see his sunbeams’ dappled dance
On joyful faces gilded by his rays.

Close by the honeysuckle crested hedge,
Where bitter blackthorn’s vicious fingers thread,
I’ll turn to read your eyes and hear your pledge
Windward whispered on lips of cherry red.

And as the blithe and languid meadow grass
With swaying grace plays host to consummation,
we’ll know before this fateful day  shall pass
Our lives entwined will build on love’s foundation.
Isabel May 2019
My friend Sara
Feeds eggs to crows
She mothers turkeys, dogs, and bees
And fine young men

She walks like a goddess amongst the wild things
Crying over otters
And bewitching hares

Guardian of sharp implements
Roaming cattle and wandering cats
She flies along hedgerows
Laying them with strength and tenderness
And avoiding tall trees
In deference to songbirds

Inside she is all soft nesty warmth
Like a dormouse
Which just occasionally unfurls
To show fangs and claws

My friend Sara
Reminds me of blackthorn
Fiercely protective wild creature home
Soul that shines like blossom
John F McCullagh Jul 2018
The old man grabbed his knee with his hand
and held it stable to allow him to stand.
He reached for his blackthorn stick that served as his cane
and stared out in despair at the down pouring rain.
For weeks it’s been like this; his crops now would fail.
That’s life in the North Hills outside of the Pale.
Once he’d been young, handsome and strong;
Now he walked Stooped over and his sons all were gone;
to England and Canada, some  to the States.
He had infrequent letters to keep track of their fates.
Well, the cash from the quarry had not all been spent
And he owned this place clear; he owed no landlord rent.
It’s just him and his second wife, several pigs and a cow,
All the children had left them long before now.
“There’s no future for me here!” one son had enlisted
That boy died on the Somme and his Father still missed him.
He thought, too, of his favorite, his daughter Kathleen,
Who died of the Flu back in nineteen- nineteen
He reached for his fiddle and rosined his bow;
He sat for a bit, played a tune sad and slow.
This old place was his life, in the hills near Strabane
He had so longed to travel when he’d been a young man;
But those days are long gone, over and done
You are only permitted to dream when you’re young.
A poem about my Grandfather, James McCullagh,  in August 1942. He would pass on the next year from Pneumonia at age 88. He had a fine tenor voice and played the violin
it is a long time since the sun shone in long and low like that.   does this mean it is spring soon?



i did not know you, yet when  i saw that you were gone too,                                            i felt sadly.



i stood and looked at the blackthorn trees.



black bird sings early, the same bird calls late .                                                      drown darkness.



&





small things shelter.                                       there is much to research, decide to believe or not.

there are so many stories, re-enacted with a hyphen.                       there are watermarks left.



the lime kilns are empty now, yet the mass remains, the wonder at the shape.       ( spring



will.)







sbm.
James Mason Dec 2017
The gravel path has led me through the wood
where moonlight whispers down between the trees;
I tighten frosted scarf and snowy hood
as trickling woodland brooks begin to freeze.

No music left from any songbird throat;
there's no trace of the starling or the thrush.
Sharp, piercing wind comes lashing at my coat
while hawthorn hedges twist with blackthorn bush.

The oaks have rampant ivy taking hold as frigid breaths remain the only sound;
a screeching owl disturbs the silent cold
which brings the ice that coats the barren ground.

With sodden gloves I brush flakes from my sleeve,
and with a glance towards the sky, I leave.
Al Drood Feb 2018
Bleak and windswept, my errant ramblings
led me to some time-forgotten vale
wherein a desolate mansion stood; its mullioned windows pale
against the ebbing day, yet from within illumin’d,
as by dancing fiends at play.
Fram’d by gloomy trees, stone pinnacles leaned awry,
and, through o’ergrown gardens,  
that flanked a ****-strewn pathway to its rotting door,
a sleet-cold wind keened for lost souls in torment
‘cross the desolate and cloud-wracked moor.
With dying Phoebus now a blood-red smear upon the western hills
I so resolved to shelter here out of the coming chill.
Foreboding dragged my every step and
cawing rooks mocked overhead as if to say:
"Go, stranger, for you'll find no welcome here!"
Along the gravelled path I trod and beat the door with blackthorn rod;
it opened slowly; in I walked with beating heart and ne'er a thought
for all the world I'd left behind, as rain and sleet and howling wind
blew shut the door with crack of doom,
and left me peering through the gloom!
Around a table there they sat 'midst putrid food and cobwebbed vats
of mouldering wine; their bony mouths gaped vacant
as they grinned and laughed through time.  
I swayed and swooned as in a trance, my own existence thrown by chance
into that hellish company, who revelled, foul decay’d gentry!
And then a fearful thunderclap's reverberations
brought me back to sanity, I screamed and fled
to where the hillsides cried and bled;  
with staring eye and hair turn’d white,
I ran into the raving night.
One for EAP
Ryan O'Leary Nov 2019
Black Widow          Snow White
Black Sabbath         White Christmas
Black & Tan            White Wine
Black Knell             White Noise
Black Satin              White Collar
Blackout                  White Lightening
Black Hills               Mt Blanc ^
Black Watch            White Army                                      
Black Adder            White Blood Count
Black Shoes             White Socks
Black Sin                  White Lie.
Blackboard              Whiteboard        
Blackthorn       ­        White Oaks
Black Book               White Pages
Blacksmith               White ******
Black Spot                White Line
Black Death             White Nursery
Black Tie                  White Shirt
Black Hole               White House
Black Plague            White Health
Black ***                 White Bottom
Blackmail                 White Envelope
it is a long time since the sun shone in bright  like that.   does this mean it is spring now?



i did not know you, yet when i saw that you were gone too,                                         i felt sadly.

i stood and looked at the blackthorn trees.



small bird sings early, the same bird calls late                                                    drown darkness.





small things shelter.                                       there is much to research, decide to believe or not.

there are so many stories, re-enacted with a hyphen.                       there are watermarks left.



here.
Al Drood Oct 2019
Bleak and windswept, my errant ramblings led me to some time-forgotten vale wherein a desolate mansion stood; its mullioned windows pale against the ebbing day, yet from within illumin’d, as by dancing fiends at play.  Fram’d by gaunt trees, stone pinnacles leaned awry, and, through o’ergrown gardens that flanked a ****-strewn pathway to its rotting door, a sleet-cold wind keened for lost souls in torment ‘cross the desolate and cloud-wracked moor.
With dying Phoebus now a blood-red smear upon the western hills, I so resolved to shelter here out of the coming chill.  Foreboding dragged my every step and cawing rooks mocked overhead as if to say: "Go, stranger, for you'll find no welcome here!"  Along the gravelled path I trod and beat the door with blackthorn rod; it opened slowly - in I walked with beating heart and ne'er a thought for all the world I'd left behind, as rain and sleet and howling wind blew shut the door with crack of doom, and left me peering through the gloom.
Around a table there they sat 'midst putrid food and cobwebbed vats of mouldering wine; their bony mouths gaped vacant as they grinned and laughed through time.  I swayed and swooned as in a trance, my own existence thrown by chance into that hellish company, who revelled, foul, Decay’d Gentry!  And then a fearful thunderclap's reverberations brought me back to sanity, I screamed and fled to where the hillsides cried and bled; with staring eye and hair turn’d white, I ran into the raving night.

— The End —