The modern recording machine records a falsely composed bed scene with a broken lens, set in reverse, with pseudo-manipulative movements. The derailed formula of movements and hasty grotesque situations is reflected in the cat-and-mouse fighting feats of effective plays. Both actors: each other's corrupt, pretentious, vile accomplice interpreters, simply because they want to captivate at any cost the vibrations of truly important moments in film history.
In the set room furnished with illusions, in addition to the arrogant, phlegmatic director and cinematographer, greedy, prowling eyes scan the prey-creating inspiration with vulture-eyes: how could they do their authentic-original work even better? Lumpy, ***-bellied bellies, athletically slim, navel-piercing bodies strain against each other while, with longing, playful instincts, both immerse themselves in the effective lies of the devilish flirting game, and if they're lucky, there's no need to repeat anything.
Between casual timers, money-laying hens and roosters nestle in tense restless uncertainty like the best blood professionals in the film industry. Suddenly, a clapper clicks loudly, and the director who got bloodshot stood up to everyone in Heureka mode: ,That's it! Thanks!" – The two characters are still standing, seemingly hesitant in their ecstatic indecision; there is, and certainly cannot be, anything to blame on them.
They shake hands and kiss each other on the cheek. "You were able to give so much of yourself! I think the recording turned out great!" - And the hypocritical version of congratulations, blabbered to the point of mutuality, rains succinctly and benevolently on their disbelieving heads. The World and its sensation-seeking, curious viewers were once again successfully and effectively beaten for one and a half to two hours, freed from their temporary, small-scale, pathetic problem.
