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A Tale

“Of Brownyis and of Bogilis full is this Buke.”
                              —Gawin Douglas.

When chapman billies leave the street,
And drouthy neebors neebors meet,
As market-days are wearing late,
An’ folk begin to tak’ the gate;
While we sit bousing at the *****,
An’ getting fou and unco happy,
We think na on the lang Scots miles,
The mosses, waters, slaps, and stiles,
That lie between us and our hame,
Whare sits our sulky, sullen dame,
Gathering her brows like gathering storm,
Nursing her wrath to keep it warm.

This truth fand honest Tam o’Shanter,
As he frae Ayr ae night did canter,
(Auld Ayr, wham ne’er a town surpasses,
For honest men and bonie lasses).

O Tam! hadst thou but been sae wise,
As ta’en thy ain wife Kate’s advice!
She tauld thee weel thou was a skellum,
A blethering, blustering, drunken blellum,
That frae November till October,
Ae market-day thou was nae sober;
That ilka melder, wi’ the miller,
Thou sat as lang as thou had siller;
That ev’ry naig was ca’d a shoe on,
The smith and thee gat roarin fou on;
That at the Lord’s house, ev’n on Sunday,
Thou drank wi’ Kirkton Jean till Monday.
She prophesied that, late or soon,
Thou would be found deep drowned in Doon;
Or catched wi’ warlocks in the mirk,
By Alloway’s auld haunted kirk.

Ah, gentle dames! it gars me greet,
To think how mony counsels sweet,
How mony lengthened sage advices,
The husband frae the wife despises!

But to our tale: Ae market-night,
Tam had got planted unco right;
Fast by an ingle, bleezing finely,
Wi’ reaming swats, that drank divinely;
And at his elbow, Souter Johnny,
His ancient, trusty, drouthy crony;
Tam lo’ed him like a vera brither;
They had been fou for weeks thegither.
The night drave on wi’ sangs an’ clatter;
And aye the ale was growing better:
The landlady and Tam grew gracious,
Wi’ favours, secret, sweet, and precious:
The Souter tauld his queerest stories;
The landlord’s laugh was ready chorus:
The storm without might rair and rustle,
Tam did na mind the storm a whistle.

Care, mad to see a man sae happy,
E’en drowned himself amang the *****;
As bees flee hame wi’ lades o’ treasure,
The minutes winged their way wi’ pleasure:
Kings may be blest, but Tam was glorious,
O’er a’ the ills o’ life victorious!

But pleasures are like poppies spread,
You seize the flow’r, its bloom is shed;
Or like the snow falls in the river,
A moment white—then melts for ever;
Or like the borealis race,
That flit ere you can point their place;
Or like the rainbow’s lovely form
Evanishing amid the storm.—
Nae man can tether time or tide;
The hour approaches Tam maun ride;
That hour, o’ night’s black arch the key-stane,
That dreary hour he mounts his beast in;
And sic a night he tak’s the road in,
As ne’er poor sinner was abroad in.

The wind blew as ‘twad blawn its last;
The rattling showers rose on the blast;
The speedy gleams the darkness swallowed;
Loud, deep, and lang the thunder bellowed:
That night, a child might understand,
The De’il had business on his hand.

Weel mounted on his grey mare, Meg,
A better never lifted leg,
Tam skelpit on thro’ dub and mire,
Despising wind, and rain, and fire;
Whiles holding fast his gude blue bonnet;
Whiles crooning o’er some auld Scots sonnet;
Whiles glow’rin round wi’ prudent cares,
Lest bogles catch him unawares;
Kirk-Alloway was drawing nigh,
Whare ghaists and houlets nightly cry.

By this time he was cross the ford,
Whare in the snaw the chapman smoored;
And past the birks and meikle stane,
Whare drunken Charlie brak’s neck-bane;
And thro’ the whins, and by the cairn,
Whare hunters fand the murdered bairn;
And near the thorn, aboon the well,
Whare Mungo’s mither hanged hersel’.
Before him Doon pours all his floods;
The doubling storm roars thro’ the woods;
The lightnings flash from pole to pole;
Near and more near the thunders roll;
When, glimmering thro’ the groaning trees,
Kirk-Alloway seemed in a bleeze;
Thro’ ilka bore the beams were glancing;
And loud resounded mirth and dancing.

Inspiring bold John Barleycorn!
What dangers thou canst mak’ us scorn!
Wi’ tippenny, we fear nae evil;
Wi’ usquabae, we’ll face the devil!
The swats sae reamed in Tammie’s noddle,
Fair play, he cared na deils a boddle.
But Maggie stood right sair astonished,
Till, by the heel and hand admonished,
She ventured forward on the light;
And, wow! Tam saw an unco sight!
Warlocks and witches in a dance;
Nae cotillion, brent new frae France,
But hornpipes, jigs, strathspeys, and reels,
Put life and mettle in their heels.
A winnock-bunker in the east,
There sat auld Nick, in shape o’ beast;
A towzie tyke, black, grim, and large,
To gie them music was his charge:
He ******* the pipes and gart them skirl,
Till roof and rafters a’ did dirl.—
Coffins stood round, like open presses,
That shawed the Dead in their last dresses;
And by some devilish cantraip sleight
Each in its cauld hand held a light,
By which heroic Tam was able
To note upon the haly table,
A murderer’s banes in gibbet-airns;
Twa span-lang, wee, unchristened bairns;
A thief, new-cutted frae a ****,
Wi’ his last gasp his gab did gape;
Five tomahawks, wi’ blude red-rusted;
Five scimitars, wi’ ****** crusted;
A garter, which a babe had strangled;
A knife, a father’s throat had mangled,
Whom his ain son o’ life bereft,
The grey hairs yet stack to the heft;
Wi’ mair of horrible and awfu’,
Which even to name *** be unlawfu’.

As Tammie glowered, amazed and curious,
The mirth and fun grew fast and furious:
The Piper loud and louder blew;
The dancers quick and quicker flew;
They reeled, they set, they crossed, they cleekit,
Till ilka carlin swat and reekit,
And coost her duddies to the wark,
And linket at it in her sark!

Now Tam, O Tam! had they been queans,
A’ plump and strapping in their teens;
Their sarks, instead o’ creeshie flainen,
Been snaw-white seventeen hunder linen!—
Thir breeks o’ mine, my only pair,
That ance were plush, o’ gude blue hair,
I *** hae gi’en them off my hurdies,
For ae blink o’ the bonie burdies!

But withered beldams, auld and droll,
Rigwoodie hags *** spean a foal,
Lowping and flinging on a crummock,
I wonder didna turn thy stomach.

But Tam kenned what was what fu’ brawlie:
‘There was ae winsome ***** and waulie’,
That night enlisted in the core
(Lang after kenned on Carrick shore;
For mony a beast to dead she shot,
And perished mony a bonie boat,
And shook baith meikle corn and bear,
And kept the country-side in fear);
Her cutty sark, o’ Paisley harn,
That while a lassie she had worn,
In longitude tho’ sorely scanty,
It was her best, and she was vauntie.
Ah! little kenned thy reverend grannie,
That sark she coft for her wee Nannie,
Wi’ twa pund Scots (’twas a’ her riches),
*** ever graced a dance of witches!

But here my Muse her wing maun cour,
Sic flights are far beyond her power;
To sing how Nannie lap and flang,
(A souple jade she was and strang),
And how Tam stood, like ane bewitched,
And thought his very een enriched;
Even Satan glowered, and fidged fu’ fain,
And hotched and blew wi’ might and main:
Till first ae caper, syne anither,
Tam tint his reason a’ thegither,
And roars out, “Weel done, Cutty-sark!”
And in an instant all was dark:
And scarcely had he Maggie rallied,
When out the hellish legion sallied.

As bees bizz out wi’ angry fyke,
When plundering herds assail their byke;
As open pussie’s mortal foes,
When, pop! she starts before their nose;
As eager runs the market-crowd,
When “Catch the thief!” resounds aloud;
So Maggie runs, the witches follow,
Wi’ mony an eldritch screech and hollow.

Ah, Tam! ah, Tam! thou’ll get thy fairin!
In hell they’ll roast thee like a herrin!
In vain thy Kate awaits thy comin!
Kate soon will be a woefu’ woman!
Now, do thy speedy utmost, Meg,
And win the key-stane of the brig;
There at them thou thy tail may toss,
A running stream they dare na cross.
But ere the key-stane she could make,
The fient a tail she had to shake!
For Nannie, far before the rest,
Hard upon noble Maggie prest,
And flew at Tam wi’ furious ettle;
But little wist she Maggie’s mettle—
Ae spring brought off her master hale,
But left behind her ain grey tail:
The carlin claught her by the ****,
And left poor Maggie scarce a stump.

Now, wha this tale o’ truth shall read,
Ilk man and mother’s son, take heed:
Whene’er to drink you are inclined,
Or cutty-sarks run in your mind,
Think, ye may buy the joys o’er dear,
Remember Tam o’Shanter’s mare.
Ae fond kiss, and then we sever;
Ae fareweel, and then for ever!
Deep in heart-wrung tears I’ll pledge thee,
Warring sighs and groans I’ll wage thee.

Who shall say that Fortune grieves him
While the star of hope she leaves him?
Me, nae cheerful twinkle lights me,
Dark despair around benights me.

I’ll ne’er blame my partial fancy;
Naething could resist my Nancy;
But to see her was to love her,
Love but her, and love for ever.

Had we never loved sae kindly,
Had we never loved sae blindly,
Never met—or never parted,
We had ne’er been broken-hearted.

Fare thee weel, thou first and fairest!
Fare thee weel, thou best and dearest!
Thine be ilka joy and treasure,
Peace, enjoyment, love, and pleasure!

Ae fond kiss, and then we sever;
Ae fareweel, alas, for ever!
Deep in heart-wrung tears I’ll pledge thee,
Warring sighs and groans I’ll wage thee.
Ae Fond Kiss
Ae fond kiss,and then we sever!
Ae farewell,and then forever!
Deep in heart-wrung tears I'll pledge thee,
Warring sighs and groans I'll wage thee,
Who shall say that fortune grieves him,
While the Star of hope she leaves him?
Me nae cheerfu' twinkle lights me,
Dark despair around benights me.
Robert Burns (1759-1796)
--------------------------------------
That gathers amidst the torrid rain
The heavy skies laden e'er with grief
Here empties to the tears that flow.
I remember yesterday's dream
the swinging clarity that surrounded this love
and drawn whole together- We
Aye! We dreamed and dared a future
Gathering our love like a guilt around us
keeping the warmth of every thought embraced -alive
Fleeing every adversary, we pledged
Eternal the Love strings our Soul's played.
Time tithers visions and goals
Hearts drift to dialogs of thought
and somewhere in between the you and the I
We faded to past glories, Aye! The dreams.
I saw the towered structures fall
felt the Earth shudder to the sigh
that here warred within this heart
and battled forth errands of seek and destroy
Till left empty, alone, We cry
For every silent memory of what was
and with those cold Northern winds
We kissed and said goodbye.
I still sit on such howling nights
Where heavy clouds drift and fall
Hearing in my silence, again your voice
and all the promises that now chaotic lay
Of all that once, truly once was
Aye! How well I grieve, I cry.
Reflections carry upon the rain
that which still scares this my Soul
and the strangest Images crafted there
Tis not the joyful and happy times
But that final touch, that last kiss goodbye.

Alisdaire O'Caoimph
AO Baghi Mar 2018
Ankhian tu digan hanju, dil di sada ae
Rab kadi kise nu pere din na wikhaye
Ankhian tu digan hanju, dil di sada ae
Rab kadi kise nu v phuka na sulaye
Digan hanju ankhian tu // gham dunia ch sadian tu
darr dil ch basean kyun par // nafrat sab tu wada masla kyun
Zaalim dunia, jaali zamana // nava dor par hakim purana
jetan da laban bahana // haran da na karan samna!
Ankhian tu digan hanju, dil di sada ae
maran tu pehla jeena, zindagi dua ay
Ankhian tu digan hanju, dil di sada ae
Rab kadi kise nu pere din na wikhaye
here's I write some of my thoughts in Punjabi. I hope you like it.
Ankit Dubey May 2019
jindagi na jane kis mod pe khadi hai,
na rasta dikh raha hai,
na manjil hi dikh rahi hai,
dikhta nahi najara ,
na hi koi aas dikh rahi hai,
hai jindagi tumhari,
ise apna tum bana lo,
jindagi na jane kis mod pe khadi hai......
na tum dikh rahi **,
na tumhara aksh dikh raha hai,
besudh hua ja raha hu,
yaad aa rahi hai,
chirag dil ka jala bhi loo to,
ankhen hai nam itni,
k roshni bhi bujh rahi hai,
jindagi na jane kis mod pe khadi hai.....
na sath chootta hai,
na sabra tootata hai,
na aate ** tum kareeb hi,
na doori hi kargar hai,
na yaad teri jaati,
na bandish hi choot pati,
ab aur na rulao,
k aanso b ro rahe hai,
jindagi na jane kis mod pe khadi hai....
tera yakeen bhi hai,
fir b hai dard footta ,
tu hi to rahnuma hai,
tujhme hi alam-ae-tasavvur,
na ji sakunga tum bin,
hai kar diya muqarrar,
mere kareeb aao,
dard badhta hi ja raha hai
jindagi na jane kis mod pe khadi hai.....
ab mujhme fanaa ** jao,
mera vajood tera ,
tera har wakayah hai mera,
tu hi to ishk-ae-rangat,
hai khuda ki tu inayat,
jo likhi hai usne aayat,
tujhme hai rooh meri ,
meri har aarjoo hai tu hi,
bas karo hajoor mere,
meri saanso ko rok lo tum,
sath chootta hi ja raha hai,
jindagi na jane kis mod pe khadi hai.....
ab rah gayi na himmat,
k ji sakun tere bina,
aao kareeb aao mujhko tum bacha lo,
mai ** gaya hu farkat,
kisi aur ki wajh se,
na husn ki hai chahat,
na ****-o-sangmarmar se dillagi hai,
tujhme hai rab mera,
bas tujhko hi chahta hu ,
tujhko hi mangta hu,
rooh se rooh tum mila do,
kuj aur na mangunga,
meri jindagi me aao,,
rag rag me sama jao,
tere bin nahi hai jina,
maut kareeb aa rahi hai,
jindagi na jane kis mod pe khadi hai.....
hai akhiri ibadat,
deedar-ae- rahnuma mai kar loo,
vo usko ek pal k liye chod de,
mai sirf apna bana k bahon me unko bhar loo,
jindagi hui khush,
bas god me aankhen band ** jaye,
saanse bhi ruk jaye,
har pal k liye tere kareeb aa jaun,
bas tujhse lipat jaun,
har pal k liye so jaun,
jindagi na jane kis mod pe khadi hai....
koi shikwa nahi rahega ,
tera kisi ka hona,
kisi aur ki fitrat,
kisi aur ki amanat,
ab himmat nahi hai mujhme,
k tumhe kisi aur ki banau,
chala jaunga mai ek din,
bas shant jindagi me,
ek nayi hi hogi duniya,
bas tum aur mai honge,
na koi aur hi rahega,
na koi hak kisi ka hoga,
bas mujhme bhi tu hoga,
aur tujhme bhi mai rahunga.......
Aryan Sam Jun 2018
Ni zindagi'ch aaja fer ni
Zindagi'ch aaja fer ni
Sathon russ gayi ae peed marjaani
Zakhman nu fer chhil jaa
Beh ja ankhiyan'ch ban ke paani
Zindagi'ch aaja fer ni

Vekh mere bul'chandre
Fer hansde ne dard bhula ke
Haaseya naal pawe aadiyan
Dil honkeya ton ankh ji bacha ke haaye
Fer mere muhre khad jaa
Taza hoje koyi yaad ni purani

Zindagi'ch aaja fer ni
Sathon russ gayi ae peed marjaani
Zakhman nu fer chhil jaa
Peh ja ankhiyan'ch ban ke paani
Zindagi'ch aaja fer ni

Langh ja ni rooh vich di
Agg fer ni lahu nu lag jaave
Hathaan utte kar totka
Meri zindagi di leek mitt jave haaye

Ankhiyan'ch neend radke
Ankhiyan'ch neend radke
Langhe chees koyi haddan de thaa ni

Zindagi'ch aaja fer ni
Saathon russ gayi ae peed marjaani
Zakhman nu fer chhil jaa
Peh ja ankhiyan'ch ban ke paani
Zindagi'ch aaja fer ni
JAMIL HUSSAIN Nov 2016
Khanjar Hain Teri Aankhein
Talwaar Hain Teri Aankhein
Zinda Na Rehne Dengi
Ae Yaar Teri Aankhein

Your eyes are like a dagger
Your eyes are like a sword
They will not let me live
O' beloved eyes of yours

Ae Nargis-e-Mastaana
Allah Tujhe Rakhe
Rehti Hain Tasavvur Mein
Har Baar Teri Aankhein

O' possessor of drunk eyes
God keep you in His preserve
Enduring within my imaginations
O’ forever are eyes of yours

Yeh Bolti Aankhein
Bhi Afsaane Sunaati Hain
Rakhti Hain Zuban Jaise
Ae Yar Teri Aankhein

These talkative eyes
Speak of many tales
As if, they have a voice of their own
O' beloved eyes of yours

Humne Teri Aankoon Mein
Allah Ko Dekha Hai
Iss Par Teri Aankein
Uss Par Teri Aankein

Within your eyes
I have seen the Lord
In every direction
O’ are eyes of yours

Chehre Pe To Ghussa Hai
Aankhoon Mein Muhabbat Hai
Karti Hain Mere Dilbar
Iqraar Teri Aankhein*

On the face anger is exposed
But love is within the eyes of yours
Revealing O’ sweetheart
Unity, are eyes of yours

— Translated by Jamil Hussain, Sung by Nusrat Fateh Ali Khan
Abutorab dyer Aug 2020
Ae zindagi kya hassin naam tera
Hazaaron Mein Hai chehra tera
Aj beparda hai husno jamal tera
Sabhi ko hoti hai chinta teri
Kya ** agar na ** chinta teri
Chalo jite hai tuje aaj mein
Chohd chinta kal ki teri
Sochta *** kya hai zindagi
Fir dehk kar paani Ganga ka
Sabhi jawab milgae
Jese Ganga aati hai or
Samundar mai miljaati hai
Fir se baarish ke roop Mein wo
Himalaya me chali jaati hai
Ae zindagi tubhi waise lagti mujhe
Haasti hai rulati hai or kabhi udas
Kar jati hai tu
Fir es aatma ko us ek se ja milati hai
Ae zindagi maaza tera maut Mein Bhi aata hai
Ae zindagi kya hassin naam tera
Hazaaron Mein Hai chehra tera
Hazaaron Mein Hai chehra tera
                                

                                          By Abutorab dyer
Sky Jan 2018
A hostel, somewhere in Gangnam.

It was around 10, possibly 11
hot chicken in a box, and a man holding it.

A small man
thin shouldered, narrow faced
chicken *****
He wore a light green vest or
rather, it wore him.

And each leg being 10 kilograms
each wing, about 8
and upon later inspection, there were
5 legs and 3 wings thus
74 kilograms, plus the box, then
76 kilograms and that
that
was the weight of his world, which he carried.

...

Her name is Soo-Ae, he said.

She is in the first grade and
can tie her shoelaces,
all
by herself

Ding,
the elevator.

The chicken stepped inside, and
so did the man.

Her name is Min-Ju, he said.

She graduated 3 years later,
but I waited.
For her, I could’ve waited
3 hundred.



(Room 3 hundred three, right?)
(Yes.)

3 hundred,
3 hundred one,
two, and
three.

...

But sometimes,
just sometimes, you see,
shoelaces can tangle badly
like umbilical cords

I’m sorry,
Doctor Lee had said as he
held her hands, shaking
hands shaking hands, shaking

Poor Min-Ju, he said.

Poor Soo-han, he said.



(Beer?)

(Uhm. Any green stuff?)

(Yes.)

(Thank you.)

(Here, I’ll

pour you.)

(Thank you.)



Most of the time,
Soo-Ae unties them herself,
or asks me like,
like
Appa?

swig
(one.)

but did you know, he asked

that the moment that a father gets depressed
is not the moment that he realizes
he cannot do it,
but is the moment that he realizes he must tell his
daughter
that he cannot do it,
and watch, helpless, as half the lights in her eyes
flicker and
die out.

swig
(two.)

Poor Soo-Ae, he said.

Poor Min-Ju, he said.

Poor Soo-han, he said.

(Pour me.
yes
that’s good.)



And
and when your hands start shaking,
like, like
shaking,
they become hard to untie,
those knots.

and everything.

Soo-Ae is no longer in the first grade,
and no longer wears ribbons in her hair.
Sometimes coming home very. late.

Where were you?
*******, you drunk.

Poor Soo-Ae.

Min-Ju is no longer three years younger,
And stays in bed, staring years.
Sometimes waking screaming sobbing.

Where is Soo-Han?
I hear him crying, where is he?

Poor Min-Ju.




Sometimes, big knots become
smaller, and smaller
and that’s when you know your life is over,
or that it’s time to get
new glasses, at least.

and
the liquor
stopped.

...

Do you know
what happens when a knot
cannot be untied?
he asked

My bleary eyes
went from liquor,
to cup.

And finally,
to my father’s hand.



You cut it?

...

No, he said.

...

You keep on trying, whether it takes
three hundred years, or
three hundred and one, or
three hundred and two, or
three hundred and
three.

You keep on
trying.

swig
(three.)

...

And that night, at a hostel
somewhere in Gangnam

my father.

thin shouldered, narrow faced
chicken *****,

wore a sad expression,
or rather,
it wore him. my father.

...

My poor,
poor father.
about a chicken delivery man
JJ Hutton Jun 2011
Cindy Used-to-be-Wilks-Now-Prine-Again
pulled a hammer from the intersection
of *** crack and belt line,
and proceeded to air out
the passenger-side window
of her in-laws Suburban.

She dropped the parcel in the
captain chair and ran back up the
driveway to the soundtrack of a
whiny car alarm.

By the time the master bedroom's light lit,
she was turning the car's ignition.

She made a beeline for the Children's Funhouse,
just under the skirt of Oklahoma City.
Blanketed by a dense tree line, the red and yellow
chipped, wooden building was thought
by most interstate nomads as an ancient eyesore.

She parked at McGowan's Store, bought a 30-pack of 'Stones and
a pack of red 100s.
Cindy ran across the lulling interstate to the Children's Funhouse.

Walked in the backdoor beaming,
"Hello ladies! Anybody want a drink?" she said to the room
full of workers.

The women of Children's Funhouse sported an image
that anyone could guess, as long as they knew
the place to be a middle-classy truck stop brothel.

After a chorus of I-do, I-do's, Cindy began tossing beers
to freckled ladies, decked in frilly skirts, saddle shoes, bobby socks,
and more often than not--pigtails.

Chung-Ae Phun, the madame, walked up behind Cindy,
tapped her on the shoulder and the two embraced warmly.
"Hey Mama," Cindy said.

"Oh, Cindy Lilly, it's so good to see you!
You picked a wonderful night to make your
prodigal return. Looks like a lot of business tonight."

"I could certainly use the money."

"Is four okay?"

"I'll take as many as you can send my way."

"That's the spirit darling. I want you to take
the Candy Corn Suite."

"I'd be honored, Mama."

Chung-Ae Phun established a fine business.
On Mondays she treated the local law enforcement,
on Sundays the district judge, and every other day
weary truckers came in to find solace.
Only special guests were treated to "special" girls
in the Candy Corn Suite.
The orange and white checkered carpet, the yellow walls,
radiated an eerie invitation.

"Let me get your outfit ready,
if you'd like you can wait in the room" Phun said.

Cindy Prine moved the stuffed bunnies and bears,
and planted on the bed.
Freedom rang like the Liberty Bell in her small skull.
Few of God's creatures ever held as much original
joy in their bones as Cindy Prine.
She could turn tundra to beachfront with a smile.

Chung-Ae Phun knocked on the door and entered,
setting a white and pink polka dot dress on the edge of
the bed.

"Your first client is a friend of a friend. Terrible gut,
smells like an ocean of whiskey, but seems nice enough."

"What's his name," Cindy asked.

"Hank."

"Send him in."

Cindy slid into the dress,
quickly pounded a beer,
heard a rapid, eager knock on the door.

"C'mon" Cindy chimed.

"Well, gawd ****, baby girl. Looks like you've been real bad."

Cindy rolled her eyes.

"I sure have. I can't find my ******* anywhere.
Will you help me look, Hank?"
© 2011 by J.J. Hutton
Ankit Dubey May 2019
Chand ko dekhkar yaad tumhari aati hai,
Chand ki chandni b sath rahkar door hojati hai,
Chand ne auron ko to khush rakhti hai chandni apne ujale se,
Par chand se poocho jara k vo usk paas kab aati hai ?,
Raat bhar jagkar jo duniya ko roshan karta hai,
Andar hi andar vo bhi judai ki aag me jalta hai,
** kar rahe ae mere khushiyon k maalik tum bhi kuch aisa,
Mai dhoondhta rahta hu tumko paas apne,
Aur tum kahiin door nikal jate **,
Fir bhi na jane kyun chand ko dekhkar tum yaad aate **,
Kyun khataye meri tumhe har baar dikh jati hai,
Kabhi paas aakar to dekho mai kitna gunahgaar hu,
Tum to ruswa ** jate ** bewajah mujhse,
Aur na ki hui khata ki saja mujhe de jate **,
Fir bhi na jane kyun chand ko dekhkar tum yaad aate **,
Choot jate hai jo judai ki maar se mai vo dil ka saudagar nahi,
Tum to bas kuch pal bitakar sath me fir se meri duniya ko banjar bana jate **,
Kabhi tum bhi mujhe aaajma kar dekho kareeb se,
Kyun door rahkar mujhe doori ka ehsaas kara jate **,
** tum hi sirf meri jindagi me jise chaha dil ki har khwahish se,
Aur tum ** k gairon ko mera batakar rooth jate **,
Fir bhi na jane kyun chand ko dekhkar tum yaad aate **,
Mai nai hu vo jise duniya dil parast kahti hai,
Mai to deewana hu tumhari har baat ka,
Fir bhi na jane ku roothkar tapadne k liye chod jate **,
Ban jaun ttera har pal ka sathi,
Kyun aisi koi saja nahi,
Jindagi bhar rone k liye,
Har baar kyun tanha kar k chale jate **,
Fir bhi na jane kyun chand ko dekhkar tum yaad aate **,
Kyun bhool jate ** k mai bhi hu tumhari raah me,
Khada hi aankhen band kark tumhe paane ki chah me,
Akhir aisa bhi kya k mere rone  se bhi tum rooth jate **,
Mujhe apna banakar pal bhar me paraya ban jate **,
Fir bhi na jaane ku chaand ko dekhkar yum yaad aate **....

i love you alot. N you are my only wish, need n reason. Trust me i love you n only you. Please my sweet heart marry me.
I cant live widout you n our baby.
Callin' all yer men, me heart, yer anger
E'er joy in wee darkest nights ye linger
Once yer heart broken, ye sought fer sorrow.
Deep in yer ol' man's den tae burrow

Alas! Me eyes nae tae look yer path
Sae fragile yet deep in wrath
Kind love before the moon we long fer
Weep i, hidden feelings we shared.

Yer love sweet yet cold i taste
Wantin' more ae far away hope ye chase
Kissin' pine-breath, sae true and fair
Nae willin', an ol' pledge tae sever

True path tae tak' tears ye kindly resist
Wee man o' this land, sigh i waitin'
Ne'er hope tae seek fer joy in life
Ye waitin o'er the ocean, ae storm sae rife

Waitin' i, ye will walk me way
Mild man ye tae tak' me heart sae
Longin' and lovin', good heart o deep
Fond ye still ae pledge i keep
Kumari Shivangi Dec 2020
Mera pyaar bhi such me kamaal ka h
Pure din baat ** ya na **,
Lekin gn gm msg na aane par dard hota hai.

Mera pyaar bhi such me kamaal ka h
Bas subah ek ankh khol k wish krna
aur tere kehne p uth jati hu

Mera pyaar bhi such me kamaal ka h
Missing you , Love you
kehne se me apne dil k shabd naap leti hu
Pyaar jahir krti ni par fir bhi pyaar krti hu

Mera pyaar bhi such me kamaal ka h
Nahi babu thoda late ** gya
Sun ke man me gussa lekin
chehre pe sirf muskurahat hoti hai

Mera pyaar bhi such me kamaal ka h
Man daba Kar bhi tujhe sula deti hu
tujhe dard me kehrata dekh ni dekh pati hu
Vo sukoon ki neend tujhe ae uski dua krti hu

Mera pyaar bhi such me kamaal ka h
Gussa tera seh kr bhi tujhe manane m lagi rehti hu
aur khud gussa hone p shant bethi rehti hu
Jhagda hone p khtm hone aur tere mesg ane ka wait krti hu

Mera pyaar bhi such me kamaal ka h
Tera paas hone ka sukoon rehta h
aur vo shikayato ki lambi chaudi list bhi
tujhe dekhte he bhul jati hu

Mera pyaar bhi such me kamaal ka h
Pas na hone p bhi pas rehti hu
aur har cheez ka hisab rkhti hu
Baat na maanane p datati bhi hu

Mera pyaar bhi such me kamaal ka h
Teri wo smile dekhne k lie na jane kya kya krti hu
Aur agr kahi ruk jae to hath pakad leti hu
Dua me tera dard mang leti hu
teri salamati k lie hazaro darbar jaati hu
-KUMARI SHIVANGI
Roj wahi uthate he subah sabse pehle dimag m uska khyal aur nok jhok hone p 1 ghnate baad wapas aa jana... Dur hone p love you and missing you text s apni feeling bayaan karna aur uske pareshaan hone p mera pareshan ** jana... uska gussa chup s jhelna kyunki pata h ki baad m iske lie sorry bhi bol dete h aur uski ek hasi k lie hazaro pantia karna... Roj late hone p daantna aur thak jane p jabarjasti sula dena... Mera pyar bhi kamaal ka h... Na chah kr bhi beshumar h...
John Jack Jun 2018
Harpooned a droonin’ raccoon
Couldnae huv ‘im talkin’
ae paced away fae ma hoose
Gawked me oot ma wheelchair joggin’

Bolted efter ‘im doon the lake
Chased that snake stalking
ae tried tae make like steak
Sizzling along nae-longer walkin’

Caught up wae ‘im et boulders cabin
Stitch stopped the grass in ‘is tracks
Promisin’ ae wullnae go gabbin’
Dinnae I know that fur a fact

Flexed a boot aff raccoon chist
Ae splashed in the wat’r pantin’
Harpoon - trigger, flick o’ the wrist
The meat was ******' outstandin'.
Dedication

Inscribed to a dear Child:
in memory of golden summer hours
and whispers of a summer sea.

Girt with a boyish garb for boyish task,
   Eager she wields her *****; yet loves as well
Rest on a friendly knee, intent to ask
   The tale he loves to tell.

Rude spirits of the seething outer strife,
   Unmeet to read her pure and simple spright,
Deem, if you list, such hours a waste of life,
   Empty of all delight!

Chat on, sweet Maid, and rescue from annoy
   Hearts that by wiser talk are unbeguiled.
Ah, happy he who owns that tenderest joy,
   The heart-love of a child!

Away, fond thoughts, and vex my soul no more!
   Work claims my wakeful nights, my busy days--
Albeit bright memories of that sunlit shore
   Yet haunt my dreaming gaze!

PREFACE

If--and the thing is wildly possible--the charge of writing nonsense were ever brought against the author of this brief but instructive poem, it would be based, I feel convinced, on the line (in p.18)

"Then the bowsprit got mixed with the rudder sometimes."

In view of this painful possibility, I will not (as I might) appeal indignantly to my other writings as a proof that I am incapable of such a deed: I will not (as I might) point to the strong moral purpose of this poem itself, to the arithmetical principles so cautiously inculcated in it, or to its noble teachings in Natural History--I will take the more prosaic course of simply explaining how it happened.

The Bellman, who was almost morbidly sensitive about appearances, used to have the bowsprit unshipped once or twice a week to be revarnished, and it more than once happened, when the time came for replacing it, that no one on board could remember which end of the ship it belonged to. They knew it was not of the slightest use to appeal to the Bellman about it--he would only refer to his Naval Code, and read out in pathetic tones Admiralty Instructions which none of them had ever been able to understand--so it generally ended in its being fastened on, anyhow, across the rudder. The helmsman* used to stand by with tears in his eyes; he knew it was all wrong, but alas! Rule 42 of the Code, "No one shall speak to the Man at the Helm," had been completed by the Bellman himself with the words "and the Man at the Helm shall speak to no one." So remon{-} strance was impossible, and no steering could be done till the next varnishing day. During these bewildering intervals the ship usually sailed backwards.

As this poem is to some extent connected with the lay of the Jabberwock, let me take this opportunity of answering a question that has often been asked me, how to pronounce "slithy toves." The "i" in "slithy" is long, as in "writhe"; and "toves" is pronounced so as to rhyme with "groves." Again, the first "o" in "borogoves" is pronounced like the "o" in "borrow." I have heard people try to give it the sound of the"o" in "worry." Such is Human Perversity. This also seems a fitting occasion to notice the other hard works in that poem. Humpty-Dumpty's theory, of two meanings packed into one word like a port{-} manteau, seems to me the right explanation for all.

For instance, take the two words "fuming" and "furious." Make up your mind that you will say both words, but leave it unsettled which you will say first. Now open your mouth and speak. If your thoughts incline ever so little towards "fuming," you will say "fuming-furious;" if they turn, by even a hair's breadth, towards "furious," you will say "furious-fuming;" but if you have that rarest of gifts, a perfectly balanced mind, you will say "frumious."

Supposing that, when Pistol uttered the well-known
words--

     "Under which king, Bezonian? Speak or die!"

Justice Shallow had felt certain that it was either William or Richard, but had not been able to settle which, so that he could not possibly say either name before the other, can it be doubted that, rather than die, he would have gasped out "Rilchiam!"

CONTENTS

Fit the First. The Landing
Fit the Second. The Bellman's Speech
Fit the Third. The Baker's Tale
Fit the Fourth. The Hunting
Fit the Fifth. The ******'s Lesson
Fit the Sixth. The Barrister's Dream
Fit the Seventh. The Banker's Fate
Fit the Eighth. The Vanishing

Fit the First.

THE LANDING

"Just the place for a Snark!" the Bellman cried,
    As he landed his crew with care;
Supporting each man on the top of the tide
    By a finger entwined in his hair.

"Just the place for a Snark! I have said it twice:
    That alone should encourage the crew.
Just the place for a Snark! I have said it thrice:
    What I tell you three times is true."

  The crew was complete: it included a Boots--
  A maker of Bonnets and Hoods--
A Barrister, brought to arrange their disputes--
  And a Broker, to value their goods.

A Billiard-marker, whose skill was immense,
  Might perhaps have won more than his share--
But a Banker, engaged at enormous expense,
  Had the whole of their cash in his care.

There was also a ******, that paced on the deck,
  Or would sit making lace in the bow:
And had often (the Bellman said) saved them from wreck,
  Though none of the sailors knew how.

There was one who was famed for the number of things
  He forgot when he entered the ship:
His umbrella, his watch, all his jewels and rings,
  And the clothes he had bought for the trip.

He had forty-two boxes, all carefully packed,
  With his name painted clearly on each:
But, since he omitted to mention the fact,
  They were all left behind on the beach.

The loss of his clothes hardly mattered, because
  He had seven coats on when he came,
With three pair of boots--but the worst of it was,
  He had wholly forgotten his name.

He would answer to "Hi!" or to any loud cry,
  Such as "Fry me!" or "Fritter my wig!"
To "What-you-may-call-um!" or "What-was-his-name!"
  But especially "Thing-um-a-jig!"

While, for those who preferred a more forcible word,
  He had different names from these:
His intimate friends called him "Candle-ends,"
  And his enemies "Toasted-cheese."

"His form in ungainly--his intellect small--"
  (So the Bellman would often remark)
"But his courage is perfect! And that, after all,
  Is the thing that one needs with a Snark."

He would joke with hy{ae}nas, returning their stare
  With an impudent wag of the head:
And he once went a walk, paw-in-paw, with a bear,
  "Just to keep up its spirits," he said.

He came as a Baker: but owned, when too late--
  And it drove the poor Bellman half-mad--
He could only bake Bridecake--for which, I may state,
  No materials were to be had.

The last of the crew needs especial remark,
  Though he looked an incredible dunce:
He had just one idea--but, that one being "Snark,"
  The good Bellman engaged him at once.

He came as a Butcher: but gravely declared,
  When the ship had been sailing a week,
He could only **** Beavers. The Bellman looked scared,
  And was almost too frightened to speak:

But at length he explained, in a tremulous tone,
  There was only one ****** on board;
And that was a tame one he had of his own,
  Whose death would be deeply deplored.

The ******, who happened to hear the remark,
  Protested, with tears in its eyes,
That not even the rapture of hunting the Snark
  Could atone for that dismal surprise!

It strongly advised that the Butcher should be
  Conveyed in a separate ship:
But the Bellman declared that would never agree
  With the plans he had made for the trip:

Navigation was always a difficult art,
  Though with only one ship and one bell:
And he feared he must really decline, for his part,
  Undertaking another as well.

The ******'s best course was, no doubt, to procure
  A second-hand dagger-proof coat--
So the Baker advised it-- and next, to insure
  Its life in some Office of note:

This the Banker suggested, and offered for hire
  (On moderate terms), or for sale,
Two excellent Policies, one Against Fire,
  And one Against Damage From Hail.

Yet still, ever after that sorrowful day,
  Whenever the Butcher was by,
The ****** kept looking the opposite way,
  And appeared unaccountably shy.

II.--THE BELLMAN'S SPEECH.

Fit the Second.

THE BELLMAN'S SPEECH.

The Bellman himself they all praised to the skies--
  Such a carriage, such ease and such grace!
Such solemnity, too! One could see he was wise,
  The moment one looked in his face!

He had bought a large map representing the sea,
  Without the least vestige of land:
And the crew were much pleased when they found it to be
  A map they could all understand.

"What's the good of Mercator's North Poles and Equators,
  Tropics, Zones, and Meridian Lines?"
So the Bellman would cry: and the crew would reply
   "They are merely conventional signs!

"Other maps are such shapes, with their islands and capes!
  But we've got our brave Captain to thank
(So the crew would protest) "that he's bought us the best--
  A perfect and absolute blank!"

This was charming, no doubt; but they shortly found out
  That the Captain they trusted so well
Had only one notion for crossing the ocean,
  And that was to tingle his bell.

He was thoughtful and grave--but the orders he gave
  Were enough to bewilder a crew.
When he cried "Steer to starboard, but keep her head larboard!"
  What on earth was the helmsman to do?

Then the bowsprit got mixed with the rudder sometimes:
  A thing, as the Bellman remarked,
That frequently happens in tropical climes,
  When a vessel is, so to speak, "snarked."

But the principal failing occurred in the sailing,
   And the Bellman, perplexed and distressed,
Said he had hoped, at least, when the wind blew due East,
  That the ship would not travel due West!

But the danger was past--they had landed at last,
  With their boxes, portmanteaus, and bags:
Yet at first sight the crew were not pleased with the view,
  Which consisted to chasms and crags.

The Bellman perceived that their spirits were low,
  And repeated in musical tone
Some jokes he had kept for a season of woe--
  But the crew would do nothing but groan.

He served out some grog with a liberal hand,
  And bade them sit down on the beach:
And they could not but own that their Captain looked grand,
  As he stood and delivered his speech.

"Friends, Romans, and countrymen, lend me your ears!"
  (They were all of them fond of quotations:
So they drank to his health, and they gave him three cheers,
  While he served out additional rations).

"We have sailed many months, we have sailed many weeks,
   (Four weeks to the month you may mark),
But never as yet ('tis your Captain who speaks)
  Have we caught the least glimpse of a Snark!

"We have sailed many weeks, we have sailed many days,
  (Seven days to the week I allow),
But a Snark, on the which we might lovingly gaze,
  We have never beheld till now!

"Come, listen, my men, while I tell you again
  The five unmistakable marks
By which you may know, wheresoever you go,
  The warranted genuine Snarks.

"Let us take them in order. The first is the taste,
  Which is meagre and hollow, but crisp:
Like a coat that is rather too tight in the waist,
  With a flavour of Will-o-the-wisp.

"Its habit of getting up late you'll agree
  That it carries too far, when I say
That it frequently breakfasts at five-o'clock tea,
  And dines on the following day.

"The third is its slowness in taking a jest.
  Should you happen to venture on one,
It will sigh like a thing that is deeply distressed:
  And it always looks grave at a pun.

"The fourth is its fondness for bathing-machines,
  Which is constantly carries about,
And believes that they add to the beauty of scenes--
  A sentiment open to doubt.

"The fifth is ambition. It next will be right
  To describe each particular batch:
Distinguishing those that have feathers, and bite,
  From those that have whiskers, and scratch.

"For, although common Snarks do no manner of harm,
  Yet, I feel it my duty to say,
Some are Boojums--" The Bellman broke off in alarm,
  For the Baker had fainted away.

FIT III.--THE BAKER'S TALE.

Fit the Third.

THE BAKER'S TALE.

They roused him with muffins--they roused him with ice--
  They roused him with mustard and cress--
They roused him with jam and judicious advice--
  They set him conundrums to guess.

When at length he sat up and was able to speak,
  His sad story he offered to tell;
And the Bellman cried "Silence! Not even a shriek!"
  And excitedly tingled his bell.

There was silence supreme! Not a shriek, not a scream,
  Scarcely even a howl or a groan,
As the man they called "**!" told his story of woe
  In an antediluvian tone.

"My father and mother were honest, though poor--"
  "Skip all that!" cried the Bellman in haste.
"If it once becomes dark, there's no chance of a Snark--
  We have hardly a minute to waste!"

"I skip forty years," said the Baker, in tears,
  "And proceed without further remark
To the day when you took me aboard of your ship
  To help you in hunting the Snark.

"A dear uncle of mine (after whom I was named)
  Remarked, when I bade him farewell--"
"Oh, skip your dear uncle!" the Bellman exclaimed,
  As he angrily tingled his bell.

"He remarked to me then," said that mildest of men,
  " 'If your Snark be a Snark, that is right:
Fetch it home by all means--you may serve it with greens,
  And it's handy for striking a light.

" 'You may seek it with thimbles--and seek it with care;
  You may hunt it with forks and hope;
You may threaten its life with a railway-share;
  You may charm it with smiles and soap--' "

("That's exactly the method," the Bellman bold
  In a hasty parenthesis cried,
"That's exactly the way I have always been told
  That the capture of Snarks should be tried!")

" 'But oh, beamish nephew, beware of the day,
  If your Snark be a Boojum! For then
You will softly and suddenly vanish away,
  And never be met with again!'

"It is this, it is this that oppresses my soul,
  When I think of my uncle's last words:
And my heart is like nothing so much as a bowl
  Brimming over with quivering curds!

"It is this, it is this--" "We have had that before!"
  The Bellman indignantly said.
And the Baker replied "Let me say it once more.
  It is this, it is this that I dread!

"I engage with the Snark--every night after dark--
  In a dreamy delirious fight:
I serve it with greens in those shadowy scenes,
  And I use it for striking a light:

"But if ever I meet with a Boojum, that day,
  In a moment (of this I am sure),
I shall softly and suddenly vanish away--
  And the notion I cannot endure!"

FIT IV.--THE HUNTING.

Fit the fourth.

THE HUNTING.

The Bellman looked uffish, and wrinkled his brow.
  "If only you'd spoken before!
It's excessively awkward to mention it now,
  With the Snark, so to speak, at the door!

"We should all of us grieve, as you well may believe,
  If you never were met with again--
But surely, my man, when the voyage began,
  You might have suggested it then?

"It's excessively awkward to mention it now--
  As I think I've already remarked."
And the man they called "Hi!" replied, with a sigh,
  "I informed you the day we embar
O Prince, O chief of many throned pow’rs!
        That led th’ embattled seraphim to war!
                      (Milton, Paradise Lost)

O thou! whatever title suit thee,—
Auld Hornie, Satan, Nick, or Clootie!
Wha in yon cavern, grim an’ sootie,
     Clos’d under hatches,
Spairges about the brunstane cootie
     To scaud poor wretches!

Hear me, Auld Hangie, for a wee,
An’ let poor ****** bodies be;
I’m sure sma’ pleasure it can gie,
     E’en to a deil,
To skelp an’ scaud poor dogs like me,
     An’ hear us squeel!

Great is thy pow’r, an’ great thy fame;
Far ken’d an’ noted is thy name;
An’ tho’ yon lowin heugh’s thy hame,
     Thou travels far;
An’ faith! thou’s neither lag nor lame,
     Nor blate nor scaur.

Whyles, ranging like a roarin lion,
For prey a’ holes an’ corners tryin;
Whyles, on the strong-wing’d tempest flyin,
     Tirlin’ the kirks;
Whyles, in the human ***** pryin,
     Unseen thou lurks.

I’ve heard my rev’rend graunie say,
In lanely glens ye like to stray;
Or whare auld ruin’d castles gray
     Nod to the moon,
Ye fright the nightly wand’rer’s way
     Wi’ eldritch croon.

When twilight did my graunie summon
To say her pray’rs, douce honest woman!
Aft yont the **** she’s heard you bummin,
     Wi’ eerie drone;
Or, rustlin thro’ the boortrees comin,
     Wi’ heavy groan.

Ae dreary, windy, winter night,
The stars shot down wi’ sklentin light,
Wi’ you mysel I gat a fright,
     Ayont the lough;
Ye like a rash-buss stood in sight,
     Wi’ waving sugh.

The cudgel in my nieve did shake,
Each bristl’d hair stood like a stake,
When wi’ an eldritch, stoor “Quaick, quaick,”
     Amang the springs,
Awa ye squatter’d like a drake,
     On whistling wings.

Let warlocks grim an’ wither’d hags
Tell how wi’ you on ragweed nags
They skim the muirs an’ dizzy crags
     Wi’ wicked speed;
And in kirk-yards renew their leagues,
     Owre howket dead.

Thence, countra wives wi’ toil an’ pain
May plunge an’ plunge the kirn in vain;
For oh! the yellow treasure’s taen
     By witchin skill;
An’ dawtet, twal-pint hawkie’s gaen
     As yell’s the bill.

Thence, mystic knots mak great abuse,
On young guidmen, fond, keen, an’ croose;
When the best wark-lume i’ the house,
     By cantraip wit,
Is instant made no worth a louse,
     Just at the bit.

When thowes dissolve the snawy hoord,
An’ float the jinglin icy-boord,
Then water-kelpies haunt the foord
     By your direction,
An’ nighted trav’lers are allur’d
     To their destruction.

And aft your moss-traversing spunkies
Decoy the wight that late an drunk is:
The bleezin, curst, mischievous monkeys
     Delude his eyes,
Till in some miry slough he sunk is,
     Ne’er mair to rise.

When Masons’ mystic word an grip
In storms an’ tempests raise you up,
Some **** or cat your rage maun stop,
     Or, strange to tell!
The youngest brither ye *** whip
     Aff straught to hell!

Lang syne, in Eden’d bonie yard,
When youthfu’ lovers first were pair’d,
An all the soul of love they shar’d,
     The raptur’d hour,
Sweet on the fragrant flow’ry swaird,
     In shady bow’r;

Then you, ye auld snick-drawin dog!
Ye cam to Paradise incog,
And play’d on man a cursed brogue,
     (Black be your fa’!)
An gied the infant warld a shog,
     Maist ruin’d a’.

D’ye mind that day, when in a bizz,
Wi’ reeket duds an reestet gizz,
Ye did present your smoutie phiz
     Mang better folk,
An’ sklented on the man of Uz
     Your spitefu’ joke?

An’ how ye gat him i’ your thrall,
An’ brak him out o’ house and hal’,
While scabs and blotches did him gall,
     Wi’ bitter claw,
An’ lows’d his ill-tongued, wicked scaul,
     Was warst ava?

But a’ your doings to rehearse,
Your wily snares an’ fechtin fierce,
Sin’ that day Michael did you pierce,
     Down to this time,
*** ding a Lallan tongue, or Erse,
     In prose or rhyme.

An’ now, Auld Cloots, I ken ye’re thinkin,
A certain Bardie’s rantin, drinkin,
Some luckless hour will send him linkin,
     To your black pit;
But faith! he’ll turn a corner jinkin,
     An’ cheat you yet.

But fare you weel, Auld Nickie-ben!
O *** ye tak a thought an’ men’!
Ye aiblins might—I dinna ken—
     Still hae a stake:
I’m wae to think upo’ yon den,
     Ev’n for your sake!
Aryan Sam Aug 2018
ik gal te dass mainu
Jo zehan ch hai mere
Ohne mattha chumeya pehlaan
Yaa hath chumme tere

tere bullan di tareef pakka
Keeti honi ae
Tere jisam te nishani koi
Ditti honi ae
Haaye kujh taan hoya ae
Dona de dassde chehre
Ohne mattha chumeya pehlan
Yaa hath chumme tere

** mainu supne aunde rehnde aa
Ohde te tere ni
Ohnu seene te sulaavein
Tu har raat-henere ni
Mera chehra nai ghummda
Tere ohdon char chufere
Ohne mattha chumeya pehlan
Yaa hath chumme tere

Preet waangu pyar oss ton
Zaahir nahin hona
Paise wala taan hona ae
Par shaayar nahin hona

Ohde naal lai layi tu
Main maut naal lai loon phere
Alan McClure Feb 2011
Every day
I'd see them headin aff
in that clapped oot old banger.
He'd nivver get it looked at -
thocht it'd run
on positive energy and a kind word.
If that were true
my fower year apprenticeship
and six year in the garage
wouldny be worth ocht, would it?
But would he come tae me?
He would not.

There they'd go -
the exhaust gruntin lik a vexed rhinoceros
an the fan-belt scraichin lik a banshee.
Ah couldae sorted that in unner an hour.

Ah seen him workin on it wance, mind -
thocht he wis fin'ly gonny change thae bald tyres
But naw,
he wis paintin' ****** flooers on the bonnet!

Ah kin see them yet.
Headin up the hill,
weans in the back,
cloods ae black smoke pechin oot the pipe.
Ah couldae fixed it.
Ah couldae telt them.
But ah didnae.

An they nivver made it hame.
Ain Sep 2020
Phir teri mohabbat yaad aayi
Phir mera bilagna yaad aaya…
Phir teri naseehat yaad aayi
Tera raub wa jalwa yaad aaya…

Tune jitni jheli takleefein
Us dard ka ehsaas yaad aaya…
Tune zindagi bhar jo bhi kiya
Tera jud o karam sab yaad aaya. ....

Teri kaawishein teri koshishein?Tera jaan lagana yaad aaya. ...
Teri neikiyan tere khair amal..
Tera pyaar lutana yaad aaya...

Teri hayaat se seekhe hain jo jo...?Har ek sabaq woh yaad aaya. ...
Tera muskata har dam chehra...?Woh roshan nazara yaad aaya. ....

Ba vaqaar jo jhele gham tune...?Tera sabr se sehna yaad aaya….
Teri zinda dili teri saada dili...?Deen' mein thos aqeedah yaad aaya. ....

Beta, bhai, shohar, walid ** ya dost?Har ek farz nibhana yaad aaya. ....
“Ain" tum bhi amanat daari karo...?Usne hi seekhaya......yaad aaya..???

Phir mera tadapna yaad aaya...
Lamha rukhsat ka jo yaad aaya…
Ae Firoz tu aisi misaal bana.....?Jaane kitnon ko tu yaad aaya. ....
Shrivastva MK Jun 2017
Pyar kiya to nibhaya karo,
Deke dard judai ka na mujhe yu tadpaya karo,
Na lo meri mohabbat ka imtehaan,
Kya kami rah *** meri mohabbat me ye to btaya karo,

Sath na dena ** yadi to sapne na dikhaya karo,
Jana ** dur hi agar to kisi ke zindagi me na yu aaya karo,
Kar ke wada sath nibhane ka,
Mujhe yu akela na chhod jaya karo,

Ae pal ab tum hi es jawane ko samjhaya karo,
Kisi bhi ajanabi ko yu na dil me basaya karo,
Najane kitne aashiq jale honge kisi Ki mohabbat me,
Ai khuda aashiqo ko yu kisi ke mohabbat me na jalaya karo,
Na tadpaya karo.....
Veena Iyer Aug 2020
Jeene ke laayak bana mujhe ae khuda
Teri kayanaat ko mein dekh sakoon
Tere karishmon ko kar sakoon nihar
Mere haath hamesha tujhe kar sake salaam
Mere honth hamesh tujhse kar sake duwa
Iss Kaabil mein rahoo ae khudha

Jeene laayak bana mujhe ae khudha
Narm baton se apno ko mein sehlaa sakoon
Andhere mein shamaa banker raah dikha sakoon
Mere aanchal ko banaa iss laayak tu
Mere dilbar ko wo banjaye ibaadat ka makaam

Jeene ke laayak bana mujhe ae khudha
Ki le sakkon teri khush mausamon ka mazaa
Saawan ki ghataa se jab ubharne lage fizaa
Tho daudke usse lipat sakoon Zara
Mere dil ki galiyaan khuli rahe hamesha
Muhabbat ka raahi ban, rehjaau mein sada...
AADI Dec 2019
aundi ae osdi yaad kise peer di tarah ...
pathraan nu cheerde kise teer di tarah
....
ae sach ae ke o ranjha na bn sakeya ,
par ohnu main chaaya ik sacchi heer di tarah !
-aadi
Aryan Sam Sep 2018
koi dukh te nahi tainu
Tera fikar rahe mainu

Tera kivein laggeya hona
Dil mera taan lagge na tere bin

Mainu chheti chheti mil dholna
Main te theek nahi aan tere bin

Socheya si ki, te ki ** gaya ae
Saddi vaari rabb so gaya ae
Kariye ki, kithe jaaiye
Kihde kollon mangiye dua

Mainu dine hanera laggda ae
Chanann jehe tere chehre bin

Mainu chheti chheti mil dholna
Main te theek nahi aan tere bin

Milna zaroor, tu kar intezar mera
Kallan kallan zakham main bharun tera

Maran ni dena tainu mainu
Eddan meri jaan

Ik pal vi jeen ni dena
*** main tainu mere bin

Mainu chheti chheti mil dholna
Main te theek nahi aan tere bin
Alan McClure Apr 2011
Cauld-bluided, humphing ower the stark grey hills
Gowd een skinkle to an fro
Split tongue lappin at the wind-blown smells
Bog grass blackens whaur ye go
Smoke split shielings and the clammerin o bairns
Bone cracked mithers in yer wake
Heirt-scaud ruin fae the valleys tae the cairns
Driven by a drouth ye canny slake
Crib tale shapit unner creakin heather thatch
Howf born craitur o the nicht
Auld sangs spake aboot the maidens ye would ******
Fleggit bairns tae keep intil the licht
True? Naw, havers, juist the blaflum o wives
God nivver biggit ocht sae fell
But ae bairn crouchin in the ruins o its life
Can think o naethin else the tale tae tell
Blin, lost, forwandert fae the shattered faimly hame
Warslin wi fear tae unnerstan
White winds whistle as he gies the beast a name
And dragons whiles can take the form o man.
Ankit Dubey May 2019
beghar bhi agar yun kar diya hota,
khuda mai karta nahi shikayat,
agar pyar mera mujhko de diya hota,
mai raah koi nahi chalta jameen par,
ek baar ae khuda,
mera pyar mujhko de diya hota.....
nahi karta shikayat tumse mai mujhko rulane ki,
na  mujhko bhool jane ki,
na bajar me mera ghar basane ki,
mai to har dhar me bhi tera rah gujar hota,
bas mera pyar mujhko de diya hota.....
nahi karta shikayat mere maula,
mujhe barbaad karne ki,
meri kashti dubane ki,
na mere pas aane ki,
na majdhar me chod kar jane ki,
mai to fir bhi tera rahmo karam padhta,
bas mera pyar mujhko de diya hota......
nahi karta shikayat mere maalik,
k mujhko kyu sataya hai,
bina mere pyar k yun mujhko tadpaya hai,
ku bhookha sulaya hai,
kyun meri hasti mitayi hai,
sab loot liya mujhse,
fir bhi na meri maut aayi hai,
mai jindagi kho k bhi tera shukrana ada karta,
bas ek baar mera pyar mujhko de diya hota,
mai bhi ji leta,
apna ghar bana liya hota,
bas ek bar mujhe pyar mera de diya hota..
When biting Boreas, fell and doure,
Sharp shivers thro’ the leafless bow’r;
When Phœbus gies a short-liv’d glow’r,
      Far south the lift,
Dim-dark’ning thro’ the flaky show’r,
      Or whirling drift:

Ae night the storm the steeples rocked,
Poor Labour sweet in sleep was locked,
While burns, wi’ snawy wreeths upchoked,
      Wild-eddying swirl,
Or thro’ the mining outlet bocked,
      Down headlong hurl.

List’ning, the doors an’ winnocks rattle,
I thought me on the ourie cattle,
Or silly sheep, wha bide this brattle
      O’ winter war,
And thro’ the drift, deep-lairing, sprattle,
      Beneath a scar.

Ilk happing bird, wee, helpless thing!
That, in the merry months o’ spring,
Delighted me to hear thee sing,
      What comes o’ thee?
Whare wilt thou cow’r thy chittering wing
      An’ close thy e’e?

Ev’n you on murd’ring errands toil’d,
Lone from your savage homes exil’d,
The blood-stain’d roost, and sheep-cote spoil’d
      My heart forgets,
While pityless the tempest wild
      Sore on you beats.
THE SUDDEN MOMENT OF BEING KIDNAPPED BY THE DEAD



YOU SEE OSAMA BIN LADEN AND RONNIE BIGGS, SACKED TED BUNDY, BECAUSE HIS EARTH BODY

WAS TRYING TO BE NICE, SO OSAMA AND RONNIE GRABBED PAUL BERENYI AND BRIAN ALLAN

AND FLEW THEM AROUND THE PLANET JUPITER *******, AND BROUGHT ON WILD WEATHER

IN NSW, AND TRAP SO MANY PEOPLE, YOU SEE OSAMA AND RONNIE STRAPPED PAUL AND BRIAN

TO A ROBOTIC DEVICE, AND MOVING 5000 MILE PER HOUR, BRIAN AND PAUL SCREAMED CAUSE

NEITHER OF THEM WANTED TO BE KIDNAPPED TOGETHER, LET ALONE AT ALL, AND THEN, RONNIE BIGGS

GOT HIS TRAIN WHISTLE, HOWDY PARTNER, HOWDY PARTNER, I HAVE BRIAN ALLAN AND PAUL BERENYI

BOTH *******, NEVER TO ESCAPE, AND PAUL, TRIED TO DO A MIGHTY LEAP, OVER TO TWO MOONS, BUT

FAILED AS HIS LEGS ARE SO TIGHT ON HIS STRETCHER, AS ADAM WALSH, IS STILL STRAPPED TO THE SUN

THIS IS SWEET REVENGE FOR BRIAN AND PAUL, AS THEY ARE TRYING TO GET OUT OF THERE, YOU SEE

OSAMA SAID, YOUR KIDNAPPER IS DYING SLOWLY BUT SURELY, YA SEE BRIAN ALLAN HEH HEH HEH

YOU WILL NEVER GET OUT OF HERE, AND BRIAN AND PAUL WERE SCREAMING, AND THIS IS GOING TO

BE HARD AS *******, CAUSE BRIAN IS DETERMINED TO RID THESE EVIL VOICES, AND STOP ERECTIONS

IN HIS ****, WHEN HE SEES A KID, OSAMA SAYS, BRIAN ALLAN AND PAUL BERENYI AE WITH ME, THEY ARE WITH

US, WE’LL NEVER LET THEM GO, PAUL SAID, I WANT YOU REFORM OUR WAY BRI=URN AND THEN BRIAN SAID, MY MATE

PAT FROWNED AT MY GRANDMOTHER, BUT IT WAS IN GOOD CONVERSATION, HE WAS A NICE GUY, AND WHETHER OPEOPLE TEASE ME OR NOT

I SAY, TO MY VOICES, TEASE ME ALL YA WANT, AND OSAMA SAYS, NEH, KEEP BRIAN ALLAN AND PAUL BERENYI

FLYING AROUND JUPITER, ABOUT 400 TIMES, AND BRIAN ALLAN, WHO BELIEVES IN THE PARANORMAL, BELIEVES

HIS SPIRIT CAN BE BROKEN UP IN 23 PIECES, IN ORDER TO NOT DIE FROM UNLEASHING THE KIDNAPPER FROM WITHIN,

BRIAN ALLAN THOUGHT, WELL, OK, I NEVER KILLED A KID, OR BRUTALLY BASHED SOMEBODY, BUT I COULD’VE HAVE KIDS

OF MY OWN, IF I WAS TO GET PAST, MY **** GETTING AN *******, FROM LOOKING AT LEGS OF YOUNG KIDS, I FIND

THIS HARD, AS, I AM BEING TEASED, AS I WRITE, YOU SEE, AS I TYPE, THE PARANORMAL FEEL, OF ME, GETTING WEIRD DELLUSIONS

OF MY OLD MATES HAND PUSHING ME AWAY FROM THE COMPUTER, EVEN THOUGH I LIKE COMPUTERS, A LOT

YOU SEE, YOU HAVE TO BE CAREFUL, OF OSAMA BIN LADEN, HE COULD WRECK, ALL POSITIVE PARANORMAL ACTIVITY

AND IF HE HAS HIS WAY, NOBODY WILL BE SAVED, AND AS BRIAN IS TRYING TO GET FREE, BUT OSAMA SAID, WE WANT YOU TO STOP

YOUR ERECTED ****, I HAVE AMAJOR PLAN, TO CHOP IT OFF, BUT THEN BRIAN SCREAMED SO LOUDLY, ******* ******* OSAMA

YOU SEE, AT PRESENT, BRIAN ALLAN, IS FORCED TO BE A SHY OLD FOGIE, AS HIS CRACKED FEET ARE REALLY HURTING, AND BRIAN

IS GETTING SILLY DELLUSIONS, OF THE PARANORMAL, TAKING HIM FROM THE SIMPLE LIFE, AND REALLY MAKING BRIAN ALLAN STRUGGLE ON EARTH,

GIVING BRIAN ALLAN NO ENERGY, FORCING OLD MATES SAY, I AM NOT YA DADDY, I AM NOT YA FUCKEN LITTLE DADDY, BRIANY

AND, THE WAY OSAMA MADE BRIAN ALLAN STRUGGLE, BY TAKING HIS HAPPY BODY, BUT BRIAN ALLAN, SAID, DO THIS, TAKE ME

I WILL PREFER YOU TO DO ALL PARANORMAL THINGS WITH ME, I CAN TAKE IT, DUDES, YOU SEE, I USED TO ASK PEOPLE ON THE STREET

TO KIDNAP ME, MEANING I HATED MY DAD TREATING NE LIKE A LITTLE SHY BOY, AND BECAUSE OF THAT, I BECAME MORE RELUCTANT

TO TALK LIKE A SILLY KID, BUT I HATED MY DAD LAUGHING AT ME,  I TOLD HIM TO SHUT UP, LIKE AN ANGRY ROBBER, DAD AND MUM WERE

SICK OF ME, THEY CALLED IN A POLICEMAN, TO STAND OVER ME, AND IT WAS CLEAR FROM THAT DAY, THEY THOUGHT I WAS NEVER

CUT OUT TO BE LIKE THEM, I KNOW, I AM A MESSY KID AN ADULT, I TRIED TO BE NICE TO MUM AND DAD, BY WRITING STORIES OUT OF MY HEAD

AND I STARTED WRITING STORIES OF DESTRUCTION, DAD NEVER LIKED THOSE STORIES, AND TOLD ME, THESE STORIES AIN’T NICE, BUT, ME

I WAS WRITING STUFF OUT OF ME, THE CANBERRA CROWD, EVEN THE YOBBOS, ARE MORE SUPPORTIVE THAN MUM AND DAD, MUM HATED ME USING NAMES

DAD HATED DUDE USED IN STORIES, YOU SEE I CAN’T BE THE (QUOTEY FINGERS) SORT OF MAN, THAT THEY WANT ME TO BE, SURE I NEVER HAD ***

BUT IT WASN’T MUM AND IT WASN’T DAD, IT WAS I WAS GETTING A BAZ FROM KIDS, I AM NO PHEADPHILE OR MEN MY OWN AGE, I AM NOT GAY

I DO GET ERECTED ***** ON WOMEN, BUT MAINLY WITH KIDNAPPING THOUGHTS, AND I AM NO KIDNAPPER, AND BRIAN WAS SAYING ALL THIS STRAPPED TO A ROLLERCOASTER

GOING UP AND DOWN UP AND DOWN JUPITER, AND PAUL BERENYI, WAS ALSO SCARED, BUT SEEING HE WAS DEAD, HE DIDN’T HAVE TO REPASY HIS DEBT

YOU SEE PAUL BERENYI, KEPT TRYING TO GET THE POSTER FROM MY TV WEEK, AND ALSO HE PUT HIS HAND ON MY SHOULDER, ON AN AREA WHERE IT HURTS LIKE ANYTHING

AND HE SHOWED INTEREST IN A SCHOOL PROJECT, JUST TO PUT A DRAWING PIN UP MY ***, AND I HATED THAT, MIND YOU, IT DID STOP, BUT I DON’T WANT TO

START IT UP AGAIN, SO WHAT I AM DOING IS HELPING THE HOMELESS GET INTO HOMES, LIKE THE CANBERRA REX HOTEL AND TURN IT INTO HOMELESS HOTEL

AND PUT A BAR AND BISTRO, AS WELL AS DOCTORS AND DENTISTS AND LAUNDRY ROOMS ROUND THE CLOCK CLEANING CARE AND CHEAP ROOM SERVICE

AND AS OSAMA BIN LADEN AND RONNIE BIGGS, TOOK PAUL BERENYI AND BRIAN ALLAN TO SYDNEY, AND CAUSE THOSE VIOLENT STORMS, THE WORST OF IT IS OVER

AND BRIAN’S KIDNAPPER IS DYING, AND PAUL BERENYI AND BRIAN ALLAN WENT BACK TO THE SUN, WILL THEY BE SAVED BY THE POWERS OF ATHENA
Ankit Dubey May 2019
Na chand ki chandni ko chaha,
Na sooraj ki roshni ko maanga,
Na shauk mange kabhi jo duniya chahti hai,
Na teri banayi shohrat ki unchaiyon ko manga,
Jindagi mangi,
Na kabhi mangi koi mahlon ki shaan-o-shaukat,
Ae mere parwardigar Jara soch tu bhi,
Kuj bhi na diya mujhko mai fir bhi khush tha,
Ek masoom sa pyar karne vala diya mujhko,
Aur vo bhi cheen liya,
Ae khuda tune manga bhi mujhse to kya maanga
Vineeta rai Nov 2018
Dosti hai hmari Jaan....
Dosti hai hmari pehchaan...
Ek dusre ke liy jaan Dena...
Hai dosti ka naam...
Dost bina jindagi kuch ni....
Dost bina hum kuch nahi....
Ishliy dosti hai hum sb ki shaan...
Dosti me hui galti ko...
maaf krna ae jaan....
Dosto ki dosti chalegi umra tamaam...
My words my thoughts about frndship if you agree like nd comment
JJ Hutton Jun 2011
Cindy Prine's bee buzz ringtone ripped her from
her deathlike slumber,
"Hello. Oh, hey Mom. What? Yeah, I'll be in tonight.
I agree...no, no I won't be brining Mattie. The Wilks
have her. They are wonderful with her. I love you too.
No, it'll probably sevenish. Not seven. Sevenish."

The Candy Corn Suite reeked of ****** fallout.
Sheets still wet and sticky with sweat.
The checkered floor covered in beer and discarded condoms.

Her ******* ached.
Most of the men had been awkward,
frightened, and easy to finish.
Hank, the porky 'friend of a friend', however,
had been brutal.
By the time he had finished,
her *** turned a light purple,
her back covered in spittle;
her scalp felt barely intact.

Cindy smelled pancakes and went downstairs.
"Good morning, darling. You want some hotcakes
and coffee?"

"Sure, Mama."

In the lobby, the Children's Funhouse looked like a ****** continental breakfast. Patrons from the night before and the workers
often sat side-by-side for what surely can lay claim to the
worst breakfast environment in the history of mankind.

"Will I have the pleasure of your company for a while, this time?"

"I'm afraid not. I need some time away from everything."

"Everything?"

"Todd, the baby, it's just depressing.
I'm twenty-*******-years-old, ya' know?
I did not sign up for domestication."

"Right on. Hell, neither did I," Chung-Ae Phun laughed
and curtsied, "So, where you going Cindy Lilly?"

"Back to my mom's for a bit."

"Are you two close?"

"Um, she is a brilliant woman.
We've never been able to talk,
but I guess you could say
I respect her."

"Fair enough. Cream or sugar?"

"No, thanks."

"How was Hank last night?"

"Oh, God, that ****! He--"

"What about my ****?" Hank blurted with a sinister, crinkled edge of lip.

"Oh, I'm so sorry! I had no idea you were still here!"

"Why the **** should that matter," he snarled grabbing her tiny left arm.

"Hank, leave her alone," Madame Phun said sternly.

"She's just a little *****, Chung-baby."

"Hank, you need to leave."

"**** that. Not after the money I wasted on last night.
You promised me she was top rate.
I want my money back."

"Hank. This is not some fast-food joint,
where you come back to the counter
and ***** after you've eaten your burger!
Judging by the panting, sweaty mess you were
last night, she did just fine."

Cindy Prine reached for the intersection of her *** crack and belt line,
wrapped her trembling fingers around the hammer.

"Well, then I think I deserve another one on the house.
Can we make that compromise?"

"This isn't ******* Craig's List either, Hank. Get out!"

"I want another lay with this Lilly broad."

"Absolutely NOT--"

Cindy interrupted, "No, no it's okay, Mama."
Hank grinned, his gut seemed grow, the
hair around his arms spread like vines.
"Is it okay if we do it in your truck?
My room is an absolute mess."

"Fine by me. How I usually do it, anyway."

Hank opened the door for Cindy, in faux chivalry,
then proceeded to his side.
The cab felt like hell, and the metallic seatbelt burnt Cindy's skin.
"Where should we start?" Hank asked staring at Cindy's chest.

"How about you just relax for a second."
Cindy rubbed his crotch firmly, Hank closed his lids
and sunk into his chair, as he let out the first sigh,
Cindy snatched the hammer with her right hand and
quickly struck him
one-
two-
three
times.

Hank's skull sprung a leak. Blood spewed onto the dashboard.
Cindy shoved him to his side, snagged his wallet,
and proceeded
to crack three or four of his ribs.
© 2011 by J.J. Hutton
Diadema L Amadea Sep 2019
ada suatu keadaan,
dimana aku bertingkah aneh
yang disusul kerutan bingung alismu.


aku malu namun senang dalam sekejap waktu.



dan aku rindu keadaan itu.






tidak.






aku rindu kamu.
tp o'ong.


gadeng.


benewan.
Melinda Éva Apr 2016
Driving down the highway to a place that's not in mind,
late at night, I've lost the sun and all concept of time
The clock strikes twelve, a new days comes, but the past still flashes by,
I cruise through stills of yesterdays, the film strip becomes my guide
All of those I used to know come grace my passenger seat
One by one they visit, tell a tale, leave, repeat
Insanity is all that I can think of to explain
These moments can't be real, perhaps a product from my brain,
But oh, how real these flashes are, almost to the touch,
which makes me realize all that I am missing way too much
I'll never speak to what I've seen that's packed in the canister
And never will they be exposed by developer and fixer
I take it with me everywhere
Ain Sep 2020
Saraab....

Tu ek khayaal se zyada kuch aur tha bhi nahi...
Bas ek khwaab se zyada tu kuch hua bhi nahi...
Woh ek zakhm jo dil ko kabhi mila hi nahi...
Tu hai woh dard jo mehsus ** saka hi nahi...

Woh lafz the mehez alfaaz sach hue hi nahi....
Na haq vo baaton ke parde kabhi khule hi nahi...
Humare ijz ka un par asar hua hi nahi...
Ki inkisari mein hum ne bhi kuch kaha hi nahi....

Teri ranjish kabhi dil ko hui ata hi nahi...
Mera daaman teri khalish se bhar saka hi nahi...
Woh faasla kabhi jo paar kar sake hi nahi...
Woh raasta ke jin pe paon chal sake hi nahi...

Tu ek yaad hai jise yaad rakh sake hi nahi...
Tu ek saraab hai jise haath dhar sake hi nahi...
Aazmana kisi ko kab yeh achchi aadat hai...
Aazmaish se hum kabhi juda hue hi nahi...

Ke intekhaab jo tera maine kiya tha kabhi...
Munasebat ke daayre se vo juda hi nahi...
Woh ek sada jo kabhi pesh kar saka hi nahi...
Vo ilteja kabhi bhi tu jo sun saka hi nahi...

Meri aankhon ko deed tera ** saka hi nahi...
Teri khushboo se **** mera tar hua hi nahi...
Woh jo qurbat sa kuch mehsus ** raha tha mujhe...
Wasl ka lutf woh mujhe kabhi mila hi nahi...

Kyun jo tu khud parast nahi to dekhta hi nahi...
Kyun nigaah tu meri taraf phira saka hi nahi...
Woh jo sehra tumhe yun sabz nazar aata raha...
Saraab tha kabhi waha yahan hua hi nahi...

Kaha tha us ne ke mujh ko bas ek nida dena...
Ae dil tu maan le tha tu ne yeh suna hi nahi...
Teri nigaah mein umeed ek basi thi jo “Ain”...
Nazar ka dhoka tha ke kuch kabhi basa hi nahi....
Ain Sep 2020
Aaj pyari si ek pari
Mere ghar aayi ...?
Aaj nanni si ek kali
Mere ghar aayi...

Uski khushboo se mehka hai...
Yeh ghar humara?
Beshumaar khushiyan
Mere ghar aayi...

Uski ankhon se roshan
Hai har ek kona?
Lauhe mishkaat banke jo
Mere ghar aayi...

Humne jiske liye ki
Badi mannatein thi?
Woh ek dua e maghbool
Mere ghar aayi...

Uska chehra bhula de
Saare ghamon ko?
Yeh ek aisi basharat
Mere ghar aayi...

Uski pyari tabassum
Zakhmon ka malham

Ek nayi zindagi
Mere ghar aayi...

Usko dekhun to aankhon ko
Thandak aa jaye?
Hai jo Allah ki "Neama"…
Mere ghar aayi...

Jaise dasht o sehra mein
Rahat de waha?
Waisa taskeen e qalb woh
Mere ghar aayi....

Tere daaman mein aalam ki
Saari ** khushiyan?
Mere dil ki tammanna
Mere ghar aayi....?

** yeh tera muqaddar
Suraj sa roshan?
Banke chanda si murat tu
Mere ghar aayi...

Ae khuda tera sajda e
Shukr bajaon?
Teri rehmat se beti
Mere ghar aayi...

Jaise Allah ne jholi "Ain"
Teri hai bhar di?
Sab ko hasil ** daulat jo
Mere ghar aayi....
Written on 11 Aug 2012………my daughter’s first birthday. ..
Mateuš Conrad Nov 2017
how far can analysis go,
if philosophy books do not
utilise grammatical words / categories?

i dare say, let's begin with
that mathematics calls coordinates,
a simple (x, y, z) of the algebra
that translates into
  (1 across, 2 up, 3 diagonally) -

in language, that's a bit more
complicated:

   the category of prepositions stretches:
on, in, from, with, counter(-) -
with or without the hyphen affix making
counter a suffix...
                against is still minded
as a preposition...
                               as...
  
oh god, i believe in the trans-movement,
although i believe in the transcendence
of grammatical categorisation of words,
minus the meat & two veg,
and minus the floral pattern analogy
of female genitalia... for ****'s sake.

language, you must admit, has more
coordinate "starting" / incision markers
that mathematics had or ever will, "have".
why?
                 simple... 26 beats 10 digits...
even if there's the c k q...
              Siamese i.e. -
               the grapheme ae...
                      whatever...

  i hate the devilishly debilitating stance
of having perfected language and
treating this perfecting as anti-"scientific"...
   your parents originated from norwich?
if not so: i'd think so.
                    
       i'm about this | | close to losing
my temper and frying a belgian waffle...
calling in Thai with a crisp Eloise salad and
reminding the inclusion of the use of tamarind...
that over-salty peanut butter paste...

i hate being the person to break it to you:
language can be re-celebrated
having tasted the piquant pompousness of
over-exaggerated establishment of science
as a quasi-religion...
                          
language can be as scientific as an -logy
affix -
    as long as it minds the bouncy-castle
of grammar, notably categorisation words
of the orthodox caste choice of woo-woo-wording...
it's best to begin with shrapnel,
notably the already titled observation,
correlation between mathematical coordinates
and worded "coordination"
        via prepositions...

               we already sharpened
the islamic five pillars into two:
  a- (without)
                             the- (with) -
the prefix distinction, unfortunately is only
entertained by the indefinite articulation -
since a definite articulation has a higher name,
most distinguishable...
            
                                  there's a "point"
to "the" point, only given that "the" point
   is gambling on "a" point, without a recurring
point of curbed ambitions of
                   said: "point" being demaned
  in the first place...

in the existentialist vernacular that's also
called: juggling the "ditto" / inverted commas -
two things are apparent:
                        three things are being said.

only when language is "unnecessarily"
complicated does life become the so craving for
answering: life's short, life's simple -
  yes, but that being said -
language is elongated, with death being
the centipede to a butterfly's two weeks' worth
of gilded glide and pomp and
         colour-dyed circumvent of
the numb-packing grey and, everyday.
psych ward dramas




ok, i believe i am here today

to let people have fun

i get leave every day to keep

an eye on the world

so i can help, in the way that i do

i know people can get sick of me

saying i am cronus and ****

but i do that, so i can save people on earth

so we don’t bring the old days back

cause a lot of those criminals

you can see in the glossy magazines

they look like they ae copying me

and that sort of made me feel

that i have created a world

that is full of death and yobbism

jake does a guitar solo which makes

the crowd really cheer out his name

jake jake jake oi oi oi

now, if i can get out of here

i really want to go to adelaide

so i can be in the christmas city of the world

and i want to support the adelaide crows

and go to the AFL grand final

i also wanna do my art

and profit from my writing

you see i really want to

make this psych ward a happy place to get well in

cause, really, i am still a kid

cause, to myself, i never had a good education, and i am prepared

to do that again, cause

i want that whole sill nonsense, ya know

like i am not mucking with you mate neh

, and i hate people saying your like us now man

and your not an old dogie, mate

and every kid, i thought

were trying to be cool

to make us all tease my daddy

now i was having fun

but i am 46, and i need a perfect change

and, still, ya know, i am cool

jake really stole the show with a great guitar solo

now, i want my parents to visit me

that’ll be kinda fun

but i don’t want to be a client, all my life

and i want to stop phedaphelia, cause it’s bad

i don’t care about what used to happen, i know

buddha wouldn’t like that

ya need to respect kids ya know

it’s just that it’s fucken hard to stop a kidnapper

and that is why buddha tries to make peace with this whole situation

and yesterday, i explained

that about 63 australians jumping from a plane

and i portrayed it as every victim of school shootings  coming back to earth

nobody dies ya know, we are all here there and everywhere

the cartoonist said, this is a cartooning class, not a psychology class or a vision class

i would like to teach people about space travel via sleep, like i do

cause, man, this is ****** fun and i do do a show on channel 44

and if people complain about me

i will say, get with the times ya ***

jake did a big guitar solo which gave a freezing blizzard to mercury

— The End —