close proximity word-compounds are sometimes the hardest to invert onto themselves, to craft a chiral pivot, notably due to the suffix-blindspot of the non-differentiated prefix antonym, even more so, when guarded by close proximity of words such as hubris / hiatus - esp. when was begins one's logical approach, inducing a misnomer tangle - due to the overtly laden verbum similis; and these little schematic squares of extremely confrontational, but also the more so extremely cohabitable ref. points, will always be harder to master, than say: a rigid rhyme schematic of a sonnet.

all this current talk of protecting free speech,
cf. with the writing i'll cite -
well, so much for a freedom that can
invite both the sophist and babbling of
slanging slurs -
      all in all, in defence of the "freedom" of
speech, is just as well, a: freedom for
idle talk - and if not idle talk, then simply
politicised intrigue, that once gained
the ears of salon ladies at liberty to an alt.
to ****** arousal.

and how did this come about?
   oh... well, what people talk about now,
is what people thought about in the 1920s
and the 1930s...
                  
as heidegger points out, regarding a herr
oswald spengler - der untergang das abendlandes
(1918 - 1922 vol. 1 & vol. 2 respectively):
the famous suggestion of a *decline of the west:
paragraph opening -
          why is herr spengler in noting
a decline? not because of the heroic optimists
being correct with regards to this apparent
decline - modernity as the unfathomable
stretch toward a status quo eternity -
and with darwinism, the theory of relativity,
the big bang, quantum physics -
there's about as much worth of a question-worthiness
these days, as there is a needle's worth
in a haystack of airy tumbleweed answer-unworthiness...
these former optimists of the decline
   have turned into ardent pessimists of
there even being a decline -
      
the oeuvre of psychology did the most damage
in the end -
   still mingling with an archaic sophistry of
astrology, tarot and the voting ballot -
       no shred of a doubt that we live in a one
way street of: answers & denials only, please,
questions & doubts, ooh noo noo noo!
         we do not live worthy of a question -
since by question we mean: ridicule being
the only appropriate answer deserved by
asking a question.
              
    it came with the change of hiatus between
   the two factions -
   once the optimists took to hubris -
                   the pessimists take to hiatus -
if we called them heroic optimists -
we now call them optimists in hubris -
  once we called them lunatic pessimists
and ultra-religious leash bearers -
     now we call them: young people who
forgot to take chances, risks, and thrills...
  cushion padded wet charcoals that
have as much potential to burn as -
                               a dolphin getting dry.

and aphorism 105 (VI) does just that,
   100 years ago by my circa approach -
'the west will not go down, primarily because
it is too weak for that, not because
it is still strong.'
  which is why i ask: is free speech anything
to defend these days, when free thought
echoes so many years later,
  and what is now considered "free" speech
is merely idle superstition regarding
a "revival", the last supposed push?

there's absolutely no honour in kicking
a maned dog,
                    and in that act: of kicking
a maned dog, or giving a bowlful of bones
for a toothless dog to nibble on
is just as well... might as well spoon out
the marrow and give the old hag of the west
a pâté to slurp...
        yes, orthographically speaking:
very pedantic of the french to bend the macron
into a circumflex -
sure, ain't pretty, but i can assure you:
i'll be technical;

what the west can be thankful of is that it's
the first culture in decline,
   and once a culture is in decline,
among so many others, the others follow suite -
like a spread of cancer,
or any other plague -
     it probably begins by the european
decadence in not respecting antibiotics -
  infesting themselves with superbugs -
or thereby managing to craft some sort of
immunity to them...
  and they say that ****** if baah baah baad...
big pharma never kills, does it?!

i'm still confused on a close proximity akin
to thesaurus logic of synonyms -
i.e. decline of the west = heroic optimists of the decline
        (it must surely happen!)
or is: decline of the west = pessimists on hiatus?
                  i.e. it will never happen!

ah! that's what it was: i was thinking of hiatus
but wrote hubris instead... d'uh dum dum...

  i.e. the roles have changed -
now the pessimists are engaged in hubris -
                      while the optimists are on a hiatus:
the whole - i told you so...
             the whole i told you so since the 1920s
is irrelevant these days,
   given the great america never again ended
at the beginning of the 21st century...
                    the monologue from the grand ***
degraded from the grand satan is hot puff and
cinnamon smoke...
          
       once more: what is relevant about what's
being said these days? as much as was a passing
observation in the 1920s?
          i hardly think so...
   the so-called freedom that only gravitates
to idle-chit-chat and poseur antics of bravado?

given that not much is questioned,
   and whatever is questioned has lost its allure
to be fresh, to be alarming,
   all the questions asked are plagiarisms,
a dead-end, in imagery: a library with only
one book in it (i mean, a library brimful with
books, but all these books are the same book);
which makes these times so
answer-unworthy - is that they come so
easily, and are usually borrowed from
the same anglophonic sets of ideas,
regurgitated chick food from the peckers of
their parental guardians.
            
         well, if you live in times when people
have that idiotic audacity to ask a question
like: what's the meaning of life,
  why are we here, how did we form, etc.:
   all these inessential "essence" questions -
          and about as many historicals gaps
of memory lapse as a drinking session with
oliver reed in between...
               the only question goes something
like this:
   and ? found myself walking around the house,
walking by a mirror, ? peered in,
   and without a narcissus to mind
to slowly build a curiosity that would turn
into self-love, ? exclaimed: !,
   after which ? steadied by pace of questioning
adding the much needed: ?!
                      
what's as good a questioning dynamic / schematic as
you're going to get, these days.

Not a poem but in protest of flagging truth about racism in Traverse City, Michigan


Traverse City, Michigan: Racism is still alive and well in our area.

We weren't always welcoming
Cross burning's (City of Traverse City, MI)
I'm born and raised in Traverse City, Michigan and still living in the same neighborhood where I grew up. I can remember when blacks were not welcome in most parts of town and the one or two around were military visitors.

We had two known cross burning incidents. One back in the late 80's or early 90's the other was around 1924, ******* groups like Ku Klux **** was behind both cross burning incidents. I found old articles on the earlier one but someone is trying hard to white wash history of Traverse City by hiding evidence of the most resent one. Ones like me who were there remember those dark days like it was yesterday. It don't bode well for tourism or the Cherry Festival if there's a record of racism in our city.

Copy pasting one two different retelling of story reported by our sometimes biased Record Eagle articles regarding the first and and will continue to dig for the other one.

January 31, 2009
KKK was active in early '20s

The 1924 bombings and cross burnings in downtown Traverse City were not the first **** activity in northern Michigan.

The Record-Eagle reported flaming crosses in the Mancelona area on Aug. 1, 1923, a full year before. Six weeks later, Traverse City commissioners refused the **** permission to hold a Sept. 17 open-air meeting at the corner of Front and Cass.

About 300 people showed up anyway and marched to a vacant lot west of Front and Union after the unidentified property owner gave permission, carefully noting that it "did not commit him to any relationship with the organization," the newspaper said.

The Record-Eagle also passed on information from an identified **** source in its Sept. 17 report:

Two, maybe three organizers had worked for weeks in Traverse City. About 150 Traverse City men from "among the leading citizens" had joined. An open-air ritual with the traditional fiery cross burning on a hillside would be held "sometime but not yet" in or near Traverse City, and it would be "merely a part of the **** ceremonies and have no special significance."

People who expected to see hooded men in white robes performing rites at the Sept. 17 rally were bound to be disappointed, the paper said. A new state law banned wearing masks in public. It also would be difficult to tell how many in the audience were KKK members because "every person who has signed the Ku Klux card has pledged to keep his membership an absolute secret."


Traverse City, Michigan wasn't always welcoming to people of color.


Traverse City Record-Eagle

February 1, 2009
Ku Klux **** terrorizes TC in 1924

KKK cross burnings, explosions rock city

By LORAINE ANDERSON
Black History Month has special significance, since it begins fewer than two weeks after the nation's historic inauguration of its first black president, Barack Obama.

But there are parts of that history that Traverse City, like the rest of the nation, would rather forget. The city never had a large black population, but it did not escape a visit from the Ku Klux **** during a frightening night of downtown explosions and cross burnings on Aug. 9, 1924.

Traverse City has never seen anything like that night of terror. Buildings shook. Store windows cracked and shattered. Houses as far away as 16th Street quaked, the Record-Eagle reported.

And though outside agitators were blamed, some local people may have been involved.

It started about 8 p.m. after three explosions went off across the river from the Lyric Theatre, where the State is today.

The crowd at the Lyric all but stampeded toward the door as women and children screamed. Panicked shoppers spilled out of downtown stores. City police phones jangled with alarm.

A large cross burned on the north side of the Boardman River near Cass Street. About 50 smaller burning crosses appeared almost simultaneously at the centers of intersections across the city. Each was crudely nailed together and swathed in oil-soaked rags. Sparks flew when several cars struck them. A city fire truck raced through town to douse flames.

Then, a "touring car" with four men, robed and hooded, though not masked, slowly trolled down Front Street carrying a sign surrounded by red flares blazing three letters: KKK.

Copies of the Ku Klux **** newspaper, "The Fiery Cross," later were found downtown, and police determined that at least two cars were involved in planting and lighting the crosses.

**** leaders called the explosions and flaming crosses a recruiting gimmick, but it was more than that. The 1920s was a reactionary time in the United States. The **** had risen again, starting in 1915, widening its anti-black focus to Jews, Catholics and immigrants, particularly those from southeastern Europe. Its membership was strongest in Illinois, Indiana and Ohio.

The ****'s most powerful year was 1924, when it reached an all-time high of 5 million members nationwide and virtually controlled the government of Indiana. Its most popular slogan was "100 percent pure American."

The **** had a solid base of support in Michigan. The **** fielded two candidates in the Republican gubernatorial primary in 1924 and a ****-backed candidate was elected mayor of Flint. A write-in **** candidate even made a strong showing in a Detroit mayoral race.

In June 1924, 1,000 men joined the KKK in an Oakland County cross burning attended by about 8,000 people. Traverse City's demonstration took place just two months later. But who was really behind it?

"There is some doubt among the authorities as to whether the offenses were actually committed by local people or men from outside. They believe that local people were associated in the affair," the Record-Eagle reported.

An unidentified spokesman for the local **** denied responsibility, speculating that it was the work of **** enemies or rogue Klansmen. He told the Record-Eagle that the **** repudiated terror tactics and burning of "unwatched crosses."

Two weeks after the bombing, city police obtained felony and misdemeanor arrest warrants accusing Ku Klux **** organizer Basil Carleton of Richmond, Ind., of setting off explosives. Indiana police arrested him on Aug. 29.

Witnesses testified in two trials in December and January that Carleton had purchased 25 pounds of dynamite, fuses and three caps from Hannah & Lay Mercantile Co. about two hours before the explosions. A Park Place Hotel clerk said he saw Carleton hurrying away from the direction of the explosions about 10 minutes later. Two **** members testified that Carleton was not at the scene.

Yet he was never convicted. Juries acquitted him in both cases because the prosecutor could not prove to their satisfaction that he was at the scene of the explosion or that he personally set off the dynamite.

The bomber escaped justice. But the good news was that in Traverse City, no night of terror like that happened again.

It was this event that sparked the cross burning in Traverse City. We had only one black family in our city, when Betty Ponder and her family left Traverse City for the first time due to no one wanting to rent to them, population of blacks in our predominately white city drop to zero.


******* Movement Targets Northern Michigan

by Robert Downes

National Alliance advocates the creation of "two Americas"

Traverse City, Mich., noted primarily for its beaches, tourists and cherry pie values, appears to be erupting as a national battleground of opinion over the ******* movement, with forces on both sides of the issue coming out of the woodwork to vent their outrage over racial issues.
On Thursday, June 5, residents along stretches of Washington and Front streets in town came home to find a slick package of information from the National Alliance hanging from their doorknobs. An outgrowth of the American **** Party, the National Alliance is a ******* group which advocates the creation of "two Americas," one of which would be "White Space only with no Jews or blacks." The Alliance, advocates genocidal practices if need be to achieve its goals, and plans to distribute 1,000 information packets in Northern Michigan.

Protest organized to oppose July "NordicFest"
The incident arose only a day after more than 150 people from throughout Northern Michigan gathered at a "Hate-Free TC" meeting to oppose the NordicFest, a skinhead rock festival sponsored by the Ku Klux ****, to be held at a secret location 20 miles south of town, July 3-6.
The NordicFest is being advertised on the Internet and will feature at least six skinhead bands featured on Stormfront Records and Resistance Records -- both of which are purveyors of neo-**** hate music. It will also reportedly feature speakers from the Ku Klux **** and Aryan Nations.

Thus far, the NordicFest's location has been a closely-kept secret by David Neumann of Bloodbond Enterprizes, the concert organizer and a former director of the Michigan Knights of the Ku Klux ****. Neumann has told local media that 300 tickets have been sold for the concert -- about half the number he expects to sell. Reportedly, concertgoers will be provided with maps to the secret location at a checkpoint.

Bands expected to play at the NordicFest include Intimidation One, Aggravated Assault, Blue Eyed Devils, Max Resist and the Hooligans, and No Alibi.

Local churches offering seminars on the ******* movement and the importance of diversity
GATHERING STORM

Journalists have made inquiries on the NordicFest from as far away as London, New York and Colorado as a result of the Northern Express story circulating on the Internet. A segment for National Public Radio is expected to take the issue nationwide, possibly focusing the world's attention on Traverse City on the eve of the National Cherry Festival -- an event which draws more than half a million visitors, many of them from ethnic minorities.
"We're creating a rainbow ribbon that we hope everyone will wear in rejection of skinheads and the ****," said Rabbi Stacey Fine of Hate-Free TC. "We hope to have hundreds of ribbons during the time the **** is here, available from downtown merchants."

Fine says the group also hopes to march in the National Cherry Royale Parade with a three-by-eight-foot banner covered with thousands of signatures in a show of support for racial and cultural diversity. Thus far, Cherry Festival officials say they have received no applications from Hate-Free T.C., but will consider the request if approached.

Dottie Kye of Hate-Free TC says the group doesn't plan to try stopping the NordicFest despite their opposition ot the concert. "We're ignoring it," Kye says. "We celebrate anyone's right to organize and free speech. But our thing is unity and celebrating diversity." In addition to several church seminars on the ******* movement and the importance of diversity, Hate-Free TC is organizing a three-day "Unity Festival" which will feature dozens of musicians, artists, poets, actors and peace activists at the Traverse City Opera House, July 3-6.

Concert organizers Tim Hall and Tom Emmott say that more than 40 musical acts will send a pro-diversity message to area teens, with performers including Willie Kye, Alright Already, John Greilick, Samantha Moore, the Motor Town Juke Boys, Bentley Filmore, the Sisters Grimm, and Lack of Afro, among many others. A concert with Fishbone is planned for later in the month.

"Even if the NordicFest doesn't happen, something positive is going to come of it because it gets people thinking about the prevention of violence"
THE TEEN CONNECTION

The Unity Fest counter-concert is seen as a vital tool in fighting the influence of the ******* movement on teens in the area. After the initial story broke, the buzz in local high schools was that the NordicFest would be offering free beer to minors. Although that notion is clearly erroneous, a small number of teens in the area still cling to the idea and have also been attracted by the rebellious nature of the skinhead rock scene.
Tim Hall believes that his Unity Fest concert will help turn that tide. The three-day concert will be located in the heart of Traverse City in the old City Opera House, with easy access for the hundreds of teens who hang out downtown, often with little to do. "Our message is going to be one that values racial and cultural diversity," Hall said. "And we've had a great response so far. We had to put a lid on the performers when we reached 40 acts, because everyone wants to play at this event."

The Unity Fest will also coincide with the Annual Reggie Box Memorial Blues Blast, which was created five years ago to bring the heritage of black music to Northern Michigan for the overwhelmingly white Cherry Festival. This year's Blues Blast will feature John Mayall, Marcia Ball and the Bihlman Bros. in a free concert downtown on July 6. The concert will also feature a strong message promoting diversity.

The law enforcement view Traverse City Police Chief Ralph Soffredine says members of the law enforcement community, including the State Police and sheriffs from Grand Traverse and Wexford counties, are taking a wait-and-see approach as to whether the NordicFest will even be held.

"People ask what we would do if the skinheads wanted to march, and it's our position that they have the same rights under the First Amendment as anyone as long as they're obeying the law," Soffredine said. "It's a neutral situation for us. We just want to maintain the peace."

He added that skinheads coming to Traverse City would be treated "no different than if longhairs come into town, or square dancers. We'd certainly observe them and respond if there's trouble."

The chief noted that a similar event occurred in the Buckley area several years ago when several motorcycle gangs gathered for a rally. While the event was monitored by local police agencies, few people in the area knew that it occurred.

"Even if the NordicFest doesn't happen, something positive is going to come of it because it gets people thinking about the prevention of violence, which has become a serious problem in our community and our schools," he concluded. "The unfortunate thing is that it sometimes takes a ******* or a racial issue for people to get active."

"Sheriff Barr implies that people who have the courage to confront them will be put in jail."
ANGER FROM ACTIVISTS

Not everyone is happy with the neutral attitude of law enforcement. Judy Lowenzahn of Traverse City thinks that local police agencies should get tough on the **** concert, which has no legally-required bond or liquor license.
"These hateful groups are using skinhead music to recruit soldiers for their facist movement," Lowenzahn said. "If they are allowed to hold this event, in violation of local, state and federal laws and in violation of common decency, we will be capitve audience to their deranged homophobic, anti-semitic, racist, sexist ideology. Those who protest this message, along with those who are their scapegoats will be targets for hate crimes."

Lowenzahn upbraided Grand Traverse County Sheriff Barr after he made comments in a local paper that "I'd just as soon personally let them have their little event and be on their way." Barr added that if there was a confrontation between the skinheads and protestors, "there's going to be someone in jail."

"Does Sheriff Barr suggest that people of color and others who don't fit the aryan model hide inside their homes for the holiday weekend?" Lowenzhan responded. "Rather than offer a plan to protect the community from the violence that grows whenever white supremecists do outreach, Sheriff Barr implies that people who have the courage to confront them will be put in jail."

Northern Michigan targeted because of the predominantly white population
KLUELESS

Up to now, the vast majority of Northern Michigan residents have been klueless on the **** and the ******* movement. Many, for instance, had no idea that there even was a Ku Klux **** operating in the region until Neumann revealed that there are about 60 members operating mostly as "a fraternal organization" between ******* and the Mackinac Bridge.
Similarly, the existence and agenda of the National Alliance is all-ne

Chapter Two

“I think of art, at its most significant, as a DEW line, a Distant Early Warning System that can always be relied on to tell the old culture what is beginning to happen to it.”                Marshall McLuhan  
  
I attended Bucknell University in Lewisburg, Pennsylvania because my father was incarcerated at the prison located in the same town.  My tuition subsidized to a large extent by G.I. Bill, still a significant means of financing an education for generations of emotionally wasted war veterans. “The United States Penitentiary (USP Lewisburg)” is a high-security federal prison for male inmates. An adjacent satellite prison camp houses minimum-security male offenders. My father was strictly high-security, convicted of various crimes against humanity, unindicted for sundry others. My father liked having me close by, someone on the outside he trusted, who also happened to be on his approved Visitor List. As instructed, I became his conduit for substances both illicit, like drugs, and the purely contraband, a variety of Italian cheeses, salamis, prepared baked casseroles of eggplant parmesan, cannoli, Baci chocolate from Perugia, in Tuscany, south of Florence, and numerous bottles of Italian wine, pungent aperitifs, Grappa, digestive stimulants and sweet liquors. I remained the good son until the day he died, the source of most of the mess I got myself into later on, and specifically the main caper at the heart of this story.

I must confess: my father scared the **** out of me.  Particularly during those years when he was not in jail, those years he spent at home, years coinciding roughly with my early adolescence.  These were my molding clay years, what the amateur psychologists write off with the term: “impressionable years hypothesis.” In his own twisted, grease-ball theory of child rearing, my father may have been applying the “guinea padrone hypothesis,” in his mind, nothing more certain would toughen me up for whatever he and/or Life had planned for me. Actually, his aspirations for me-given my peculiar pedigree--were non-existent as far as the family business went. He knew I’d never be either a Don or a Capo di Tutti Capi, or an Underboss or Sotto Capo.)  A Caporegime—mid-management to be sure, with as many as ten crews of soldiers reporting to him-- was also, for me, out of the question. Dad was a soldier in and of the Lucchese Family, strictly a blue-collar, knock-around kind of guy. But even soldier status—which would have meant no rise in Mafioso caste for him—was completely out of the question, never going to happen for me.

A little background: the Lucchese Family originated in the early 1920s with Gaetano “Tommy” Reina, born in 1889 in Corleone, Sicily. You know the town and its environs well. Fran Coppola did an above average job cinematizing the place in his Godfather films.  Coppola: I am a strict critic when it comes to my goombah, would-be French New Wave auteur Francis Ford Coppola.  Ever since “One From the Heart, 1982”--one of the biggest Hollywood box office flops & financial disasters of all time--he’s been a bit thin-skinned when it comes to criticism.  So, I like to zing him when I can. Actually, “One From the Heart” is worth seeing again, not just for Tom Waits soundtrack--the film’s one Academy Award nomination—but also Natasha Kinski’s ***: always Oscar-worthy in my book. My book? Interesting expression, and factually correct for once, given what you are reading right now.

Tommy Reina was the first Lucchese Capo di Tutti Capi, the first Boss of All the Bosses. By the 1930s the Luccheses pretty much controlled all criminal activity in the Bronx and East Harlem. And Reina begat Pinzolo who begat Gagliano who begat Tommy Three Finger Brown Lucchese (who I once believed, moonlighted as a knuckle ball relief pitcher for Yankees.)
Three Finger Brown gave the Lucchese Family its name. And Tommy begat Carmine Tramunti, who begat Anthony Tony Ducks Corallo. From there the succession gets a bit crazy. Tony Ducks, convicted of Rico charges, goes to prison, sentenced to life.  From behind bars he presides through a pair of candidates most deserving the title of boss: enter Vittorio Little Vic Amuso and Anthony Gaspipe Casso.  Although Little Vic becomes Boss after being nominated by Casso, it is Gaspipe really calling the shots, at least until he joins Little Vic behind bars.
Amuso-Casso begat Louis Louie Bagels Daidone, who begat the current official boss, Stephen Wonderboy Crea.  According to legend, Boss Crea got his nickname from Bernard Malamud’s The Natural, a certain part of his prodigious anatomy resembling the baseball bat hand-carved by Roy Hobbs. To me this sounds a bit too literary, given the family’s SRI Lexile/Reading Performance Scores, but who am I to mock my peoples’ lack of liberal arts education?

Begat begat Begato. (I goof on you, kind reader. Always liked the name Begato in the context of Bible-flavored genealogy. Mille grazie, King James.)

Lewisburg Penitentiary has many distinguished alumni: Whitey Bulger (1963-1965), Jimmy Hoffa (1967-1971) and John Gotti (1969-1972), for example.  And fictionally, you can add Paulie Cicero played by Paul Scorvino in Martin Scorsese’s Goodfellas, not to be confused with Paulie Walnuts Gualtieri played by Tony Sirico from the HBO TV series The Sopranos. Nor, do I refer to Paulie Gatto, the punk who ratted out Sonny Corleone in Coppola’s The Godfather, you know: “You won’t see Paulie no more,” according to fat Clemenza, played by the late Richard “Leave the gun, take my career” Castellano, who insisted to the end that he wasn’t bitter about his underwhelming post-Godfather film career. I know this for a fact from one of my cousins in the Gambino Family. I also know that the one thing the actor Castellano would never comment on was a rumor that he had connections to organized crime, specifically that he was a nephew to Paulie Castellano, the Gambino crime family boss who was assassinated in 1985, outside Midtown New York’s Sparks Steak House, an abrupt corporate takeover commissioned by John Teflon Don Gotti. But I’m really starting to digress here, although I am reminded of another interesting historical personage, namely Joseph Crazy Joe Gallo, who was also terminated “with extreme prejudice” while eating dinner at a restaurant.  Confused? And finally--not to be confused with Paul Muldoon, poetry gatekeeper at The New Yorker magazine, that Irish **** scumbag who consistently rejects publication of my work. About two years ago I started including the following comment in my on-line Contact Us, poetry submission:  “Hey Paulie, Eat a Bag of ****!”

This may come as a surprise, Gentle Reader, but I am a poet, not a Wise Guy.  For reasons to be explained, I never had access to the family business. I am also handicapped by the Liberal Arts education I received, infected by a deluge, a veritable Katrina ****** of classic literature.  That stuff in books rubs off after awhile, and I suppose it was inevitable. I couldn’t help evolving for the most part into a warm-blooded creature, unlike the reptiles and frogs I grew up with.

Again, I am a poet not a wise guy. And, first and foremost, I am a human being. Cold-blooded, I am not. I generate my own heat, which is the best definition I know for how a poet operates. But what the hell do I know? Paulie “Eat a Bag of ****” Muldoon doesn’t think much of my work. And he’s the ******* troll guarding the New Yorker’s poetry gate. Nevertheless, I’m a Poet, not a Wise Guy.  I repeat myself, I know, but it is important to establish this point right from the start of this narrative, because, if you don’t get that you’re never going to get my story.

Maybe the best way to explain my predicament—And I mean PREDICAMENT in the sense of George Santayana: "Life is not a spectacle or a feast; it is a predicament." (www.brainyquote.com), not to be confused with George’s son Carlos, the Mexican-American rock star: Oye Como Va, Babaloo!

www.youtube.com/watch?v...YouTube Dec 20, 2011 - Uploaded by a106kirk1, The Best of Santana. This song is owned by Santana and Columbia Records.

Maybe the best way for me to explain my predicament is with a poem, one of my early works, unpublished, of course, by Paulie “Eat a Bag of ****” Muldoon:

“CRAZY JOE REVISITED”  
        
by Benjamin Disraeli Sekaquaptewa-Buonaiuto

We WOPs respect criminality,
Particularly when it’s organized,
Which explains why any of us
Concerned with the purity of our bloodline
Have such a difficult time
Navigating the river of respectability.

To wit: JOEY GALLO.
WEB-BIO: (According to Bob Dylan)
“Born in Red Hook, Brooklyn in the year of who knows when,
Opened up his eyes to the tune of accordion.

“Joey” Lyrics/Send "Joey" Ringtone to your Cell
Joseph Gallo, AKA: "Joey the Blond."
He was a celebrated New York City gangster,
A made member of the Profaci crime family,
Later known as the Colombo crime family,

That’s right, CRAZY JOE!
One time toward the end of a 10-year stretch,
At three different state prisons,
Including Attica Correctional Facility in Attica, New York,
Joey was interviewed in his prison cell
By a famous NY Daily News reporter named Joe McGinnis.
The first thing the reporter sees?
One complete wall of the cell is lined with books, a
Green leather bound wall of Harvard Classics.
After a few hours mainly listening to Joey
Wax eloquently about his life,
A narrative spiced up with elegant summaries,
Of classic Greek theory, Roman history,
Nietzsche and other 19th Century German philosophers,
McGinnis is completely blown away by Inmate Gallo,
Both Joey’s erudition and the power of his intellect,
The reporter asks a question right outta
The Discrete Charm of the Bourgeoisie:
“Mr. Gallo, I must say,
The power of your erudition and intellect
Is simply overwhelming.
You are a brilliant man.
You could have been anything,
Your heart or ambition desired:
A doctor, a lawyer, an architect . . .
Yet you became a criminal. Why?”

Joey Gallo: (turning his head sideways like Peter Falk or Vincent Donofrio, with a look on his face like Go Back to Nebraska, You ******* Momo!)

“Understand something, Sonny:
Those kids who grew up to be,
Doctors and lawyers and architects . . .

They couldn’t make it on the street.”

Gallo later initiated one of the bloodiest mob conflicts,
Since the 1931 Castellammare War,
And was murdered as a result of it,
While quietly enjoying,
A plate of linguini with clam sauce,
At a table--normally a serene table--
At Umberto’s Clam House.

Italian Restaurant Little Italy - Umberto's Clam House (www.umbertosclamhouse.com)
In Little Italy New York City 132 Mulberry Street, New York City | 212-431-7545.

Whose current manager --in response to all restaurant critics--
Has this to say:
“They keep coming back, don’t they?
The joint is a holy shrine, for chrissakes!
I never claimed it was the food or the service.
Gimme a ******* break, you momo!
I should ask my paisan, Joe Pesci
To put your ******* head in a vise.”

(Again, Martin Scorsese getting it exactly right, This time in  . . . Casino (1995) - IMDb www.imdb.com/title/tt0112641/Internet Movie Database Rating: 8.2/10 - ‎241,478 votes Directed by Martin Scorsese. With Robert De Niro, Sharon Stone, Joe Pesci, James Woods. Greed, deception, money, power, and ****** occur between two  . . . Full Cast & Crew - ‎Trivia - ‎Awards - ‎(1995) - IMDb)

Given my lifelong, serious exposure to and interest in German philosophy, I subscribe to the same weltanschauung--pronounced: veltˌänˌSHouəNG—that governed Joey Gallo’s behavior.  My point and Mr. Gallo’s are exactly the same:  a man’s ability to make it on the street is the true measure of his worth.  This ethos was a prominent one in the Bronx where and when I grew up, where I came of age during the 1950s and 60s.  Italian organized crime was always an option, actually one of the preferred options--like playing for the Yankees or being a movie star—until, that is, reality set in.  And reality came in many forms. For 100% Italian kids it came in a moment of crystal adolescent clarity and self-evaluation:  Am I tough enough to make it on the street?  Am I ever going to be tough enough to make it on the street? Will I be eaten alive by more cunning, more violent predators on the street?

For me, the setting in of reality took an entirely different form.  I knew I had what it takes, i.e., the requisite ferocity for street life. I had it in spades, as they say. In fact, I’d been blessed with the gift of hyper-volatility—traced back to my great-grandfather, Pietro of the village of Moschiano, in the province of Avellino, in the region of Campania, Italia Sud. Having visited Moschiano in my early 20s and again in my late 50s, I know the place well. The village square sits “down in the holler,” like in West Virginia; the Apennine terrain, like the Appalachians, rugged and thick. Rugged and thick like the people, at least in part my people. And volatile, I am, gifted with a primitive disposition when it comes to what our good friend Abraham Maslow would call lower order needs. And please, don’t ask me to explain myself now; just keep reading, *******.  All your questions will be answered.

Great Grandfather Pietro once, at point blank range, blew a man’s head off with a lumpara, or sawed-off shotgun. It was during an argument over—get this--a penny’s worth of pumpkin seeds--one of many stories I never learned in childhood. He served 10 years in a Neapolitan penitentiary before being paroled and forced to immigrate to America.  The government of the relatively new nation--The Kingdom of Italy (1861)--came up with a unique eugenic solution for the hunger and misery down south, south of Rome, the long shin bone, ankle, foot, toes & kickball that are the remote regions of the Mezzogiorno, Southern Italy: Campania, Basilicata, Calabria, Puglia & Sicilia. Northern politicians asked themselves: how do we flush these skeevy southerners, these crooks and assassins down South, how do we flush the skifosos down the toilet—the flush toilet, a Roman invention, I report proudly and accept the gratitude on behalf of my people. Immigration to America: Fidel Castro did the same thing in the 1980s, hosing out his jails and mental hospitals with that Marielista boatlift/Emma Lazarus Remix: “Give us your tired and poor, your lunatics, thieves and murderers.” But I digress. I’ll give you my entire take on the history of Italy including Berlusconi and the “Bunga Bunga” parties with 14-year old Moroccan pole dancers . . . go ahead, skip ahead.

Yes, genetically speaking, I was sufficiently ferocious to make it on the street, and it took very little spark to light my fuse. Moreover, I’ve always been good at figuring out the angles--call it street smarts--also learned early in life. Likewise, for knowing the territory: The Bronx was my habitat. I was rapacious and predacious by nature, and if there was a loose buck out there, and legs to be broken, I knew where to go.
Yet, alas, despite all my natural talents & acquired skills, I remained persona-non-grata for the Lucchese Family. To my great misfortune, I fell into a category of human being largely shunned by Italian organized crime: Mestizo-Italiano, a diluted form of full strength 100% Italian blood. It’s one of those voodoo blood-brotherhood things practiced by Southern European, Mediterranean tribal people, only in part my people.  Growing up, my predicament was always tricky, always somewhat bizarre. Simply put: I was of a totally different tribe. Blame my exotic mother, a genuine Hopi Corn Maiden from Shungopavi, high up on Second Mesa of the Hopi Reservation, way out in northern Arizona. And if this is not sufficiently, ******* nuts enough for you, add to the child-rearing minestrone that she raised me Jewish in The Bronx.  I **** you not. I took my Bar Mitzvah Hebrew instruction from the infamous Rabbi Meir Kahane, that’s right, Meir “Crazy Rebbe” Kahane himself--pronounced kɑː'hɑːna--if you grok the phonetics.

In light of the previously addressed “impressionable years hypothesis,” I wrote a poem about my early years. It follows in the next chapter. It is an epic tale, a biographical magnum opus, a veritable creation myth, conceived one night several years ago while squatting in a sweat lodge, tripping on peyote. I

I am told that I should love my body,
and I should not be ashamed.
BUT the white, conservative men tell me otherwise, making me feel nothing but shame.

When did it become okay for a male's education to be more important than a woman's rights?

When did it become okay to sexualize a woman just because her shirt does not cover her rear end?

This is apparent in the things my teachers have told me.
"Your shirt must be fingertip length when wearing yoga pants," she said.
"Why?"
"Because the males that sit in the class might be too destracted to listen to my lecture."

We are treated like *** toys.
Us girls are used for nothing more than a mans pleasure, so they imply.

This is MY body, and no one else's.
I may do what I please,
and no one should have a problem with it.

I refuse to be sexualized and treated like we are living in the 1920s.
But I must conform and live in fear of my consequences.

**** culture is real,
and school's are promoting it.

I cried at the breakfast table this morning
my father carefully explained,
"wives must be submissive to their husbands"
"housecleaning is the domain of the woman"
"God created woman because man asked for a partner"

This past semester I wrote two papers

One, a fire and brimstone sermon
          I quoted Anais Nin
          sending the creators of sexist commercials to eternal suffering
          "**** them!" I said. "May they burn in hell."
          For the women they portrayed were doormats
          Misconceptions
          Monsters

The other, the role of women in the 1920s,
           No longer confined to the kitchen
           they dropped ballots with their new freedom
           they wore short dresses and short tresses
           fingers wrapped around cigs
           they quoted Wilde instead of Alcott
           they danced until their feet hurt
       
I read of Anais Nin's "new woman,"
her partnership, not submission to man,

I craved a room of my own, neigh demanded it
For sheep stayed in the kitchen,
The Woolf had a study.

I read poetry
Sexton,
Plath,
I wept for their starved, depressed selves
caged, suffocating inside the clasped hands of a man.
Loved like rib-cage jails.

Adrienne Rich made me angry,
her daughter-in-law
forever trying to fit into a box
she was always too big for, spilling
at the edges, her shaved
legs like "white mammoth tusks"

I was finally
happy with my womanhood.

******, ******, *****, *******
they are mine.
******* free to move unrestrained,
jiggling under my shirt.
Wetness between my thighs.
Menstrual blood,
they are mine.

mine.

I am not ashamed of what I am
because there is no shame.

I am woman,
I am girl,
I am lady.
I am a creature
with a voice
a mind.

a creature who endured much abuse,
continue to endure.

I am woman

and I don't have to be wife or mother
unless I want to be.
I was not created for man;
I was created for the same reason he was,
to serve the same great purpose on this tiny blue dot.

I am not rib.

I am ******, ******, *****, *******
******* free, unrestrained,
Wetness between my thighs.
Menstrual blood,

I am a per.
I am a wo.
I am a hu.

Man and son need to back down,
collaborate not dominate,
speak not command,

for when less are forced into silence,
the maddening scream
hidden inside skin and bones and muscle-meat
becomes song.

this world of car horns and tire screeches
crying and wailing from raw throats
angry protests of indignation

could use a little music.

Inspired by a vintage ****** postcard from the 1920s - 30s:

The Muse sits resplendent
caressed in sepia tones and pastel cream
gilded with the glaze of a bygone era
her silk Charleston negligee
worn proud like a vintage ornament
perched on an aesthetically pleasing
shapely pert insolent *****
blossomed with tiny beads of sweat
the heat of such anticipation
entices the pearls of the ******
to pamper and pleasure their perversions

etched as if in a radiance of candlelight
the flickering limbs pulse their bloom
nimble fingers of dancing shadows
cupping the feline curves of a chaise longue
the purposefully out of place set piece
the fantasy of a gentleman's reading room
caked in casked sherry
and Nat Sherman cigar infused aromas

her elegant pose sumptuous reclining
elbow length satin gloves
sensually wrapped in wanton desire
******* clasp a Sorbranie Black Russian
smoked like a sultry gypsy
with a fervent demeanour
from a silver opera cigarette holder
beckoning with the cats eyes of mischief
over Pinced nez eyeglasses
with a fascination imbibed
in the praxis of passion

the peach skin of refulgent youth
directs the viewer downwards, slowly
survey each contour of olive skin
and stroke every hidden cleft of fabric
to glimpse the nubile thighs of grace
leading the eye to the arch of an ankle
slipped like a fitted glove
nestled in the cleavage of her calf
and the chastity of future wonderment

the forgotten photograph
captures a period in time
the memories of the muse
now in motionless existence
a demure allure forever frozen
once lost, but now
never forgotten

I learned on the Saturday I met you that "love at first sight" is a serious illness.
It infects the body and consumes it whole, leaving nothing but happiness and affection in place of the empty, hopeless shell it once was.
I learned on Tuesday that good music and Star Wars references assist the speeding up process of a first kiss,
And just how good knowing that it would be your last first kiss ever felt.
On Wednesday, I learned how hard it was not to say "I love you" out loud.
Instead, I resorted it to silently mouthing the phrase when your head is turned.
On Thursday, I learned that you like to swirl the New York Cheesecake and Red Velvet Cake flavors of frozen yogurt, just like I do.
It reminded me of the concept of being soulmates. Our secret dance reminded me of a movie from the 1920s. Thank you, Louis Armstrong, and the lake in San Angelo for providing the perfect atmosphere.
I learned on Friday how easy it is to talk to the person you love for seven hours.
I also learned that I don't care how tired I look in the first photograph we took together, because I've been a different person since last Saturday.
On the second Saturday that I met you, I learned how hard it is to watch a movie alone with you while your lips are so close to mine.
I learned a lesson on willpower, and also that it's easier if we watch movies in theaters. But even theaters can't keep us from sneaking kisses every once in  a while.
That day I learned how easy it is to dance beautifully with the soulmate you've known only for a week.
I also learned that I'm not the only person who sees the beauty I see when we are together. I glanced over your shoulder during the Jimi Hendrix guitar solo, only to see our group of friends staring at us in awe. It didn't distract me from the butterflies I had from your arm being around me.
Later that same night, I learned how anxious I feel, slipping love notes into your pocket, and saying goodbye, if only for two weeks.

That week, I learned that two Saturdays is all it takes to make you certain of whom you want to spend the rest of your life with.

why doesn’t english phoneticism diacritic the non-trill r, or why doesn’t it diacritic the non-harking h? i wonder... where’s all the nation’s intelligence gone to... investing 650 billion in the ant mound that’s london? the politics blame it on the eastern european... ‘never blame it on the chinese or the arabs... they have the investments to come with boom & bust coordinates of new york’s 1920s hopes... followed up with depression.’ but oddly enough no recession in poland... perhaps because the poles have all the salt and lost all the dollars’ worth of edible mince pie (while the irish only lost ***** in hazelnut hangover forgetfulness on the titanic minding the class system of who got the lifeboats) - **** me, i’ve turned into a welsh longbows’ man with the famous V of agincourt... i’m not even welsh... but i’m assuredly an abacus: count to two sheep flights of suicide and towing two snorkel sneezes worth of bubbles before dozing off; ah... the celebrated humanity.*

that’s how it works... the r that lost the wheel and the ballerina twirl,
and the rolling-on requirements of a diacritic mark,
since all the available ones are inadequate,
and the h needs surgery to be honest...
it’s hardly a hay stack... as is the gnome eager to learn
about gnosticism and u-boats...
but did i tell you this one story that might
make you laugh?
in my post brain haemorrhage psychosis
i bought a martin & co. acoustic guitar for £600
while trading in a mandolin i bought cleaning toilets
in an edinburgh nightclub getting more than i expected
from a **** groper... sold for £25 second hand which i didn’t take
and just left it there due to honour
(who'd empty ****** in beer bottles from a toilet
getting harassed by a gay
in order to buy a £70 mandolin to play
only one song and then sell it for £25 and take the money?!)...
no, really, the english r needs diacritic markings
to distinguish it from the other european arms and arses
fidgety.
so this martin & co.’s guitar i bought
and took to my ex-girlfriends house...
which i left outside... and... oddly enough
in a guitar sheath the guitar suddenly spontaneously
decided to itch and break up...
my ex-girlfriend’s father said the cold did it...
he was always the handyman to break things...
then i started to head-**** the guitar until i managed
to weave a hole in it to sound more hollow...
so i fixed it in the end... a blind man could play it...
my ex-girlfriend’s father ended up as a nutcracker in
the mental health unit for a month while
england rejoiced when the pantomime season came along
in the local theatres - plates were thrown and dogs were walked...
like tonight... me in cognitive conversation:
‘hey stranger’s dog across the street, why you pausing
tail waggling and pavlov ready for a treat
and trying to imbue a french revolution’s cause off the leash?’
religiously you're reversing the due pundit of prayer
for the thing suffering... christianity almost feeds
the notion of prayer unto the continually suffering...
you wouldn't see prayer so easily given to
zeus ******* hera on the chair... would you?
pathetic, even morbid perverts of poverty
******* out the blood from the man...
if he deserved it he deserved it... it's not so easily
grecian polished into the realm of the undeserved...
the classical philosopher inquired: the gods exist...
but why are you sacrificing animals for their existence?
the modern philosophers inquired: the god exists...
but why are you sacrificing your emotions for their existence?
i will not sacrifice a goat on the altar...
but that was easier given the fact you're feeling
such sibyl s & m with that thing dangling on two planks of wood;
didn't i write of the malachi heresy...
the heresy that invaded monotheism and said
john smith postcode *** *** from the 21st century
will always be john smith from london from the 16th century?
malachi's heresy concerning the reincarnation of elijah
decisively spoke of the fractioned hebrew god... it spoke of 1
as 1/2, 1/3, 1/4, 1/5, 1/6, 1/7, 1/8, 1/9 etc.
i can't believe that... like hegel equated in
the book marx digested and rebelled against, i = i,
malachi you propagator & instigator of christianity and islam!
malachi! to the greeks & romans with you tied to st. paul!
(even allen ginsberg mentions this equation
in one of his poems: i am i, old father fisheye that
begat the ocean, the worm at my own ear,
the serpent turning around a tree;
kant and 0 as negation, hegel and the equals sign as being,
naturally ≠ has to imply non-being);
not building idols of forearm and knee for worship is what islam
got away with replacing them with the worship of words...
i'd hate to worship that night idol dictated by a man
who couldn't read... it's almost like a crow hunching
next to a statue of ramses ii about
where r a m s e s trivialised the six pack of the abdomen
there were the letters r a m s e s without definite form
to concern the suckling of favourite idol mantras...
idol holy word hum hum ham ahead of you...
thou shalt knot the casual reference of muhammad
in the corner shop for thou shalt not offend
the goosebumps sensation i feel when i hear the sounds...
MAKE THEE **** A HOLY **** WORDED & WORSHIPPED!
ARSES IN THE AIR GENTS... WE'RE GOING TO HAVANAH!
and so it was... the only fear of death i have
is to have lived to being aged 72... and then died;
death sooner... death... sooner!
my parents die i'm moving to the true england, up north,
to liverpool or manchester... **** the southern fairies
from dubai... i rather move to the faroe islands to be honest...
and **** a dozen orcas for a fry-up and the digestion of winter...
i rather **** time occupying the space in greenland
among the icy chinese known as eskimos;
i'd fit in among the føroyar kindreds... i love the doom & gloom
and hate the sun & tan of globalisation's adventures
with advertisements and juggling tourism
among terrorism's fictive narratives.

‘This is a pleasure. A composer in our midst, and you’re seeing Plas Brondanw at its June best.’ Amabel strides across the lawn from house to the table Sally has laid for tea. Tea for three in the almost shade of the vast plain tree, and nearly the height of the house. Look up into its branches. It is convalescing after major surgery, ropes and bindings still in place.
 
Yes, I am certainly seeing this Welsh manor house, the home of the William-Ellis family for four hundred years, on a day of days. The mountains that ring this estate seem to take the sky blue into themselves. They look almost fragile in the heat.
 
‘Nigel, you’re here?’ Clough appears next. He sounds surprised, as though the journey across Snowdonia was trepidatious adventure. ‘Of course you are, and on this glorious day. Glorious, glorious. You’ve walked up from below perhaps? Of course, of course. Did you detour to the ruin? You must. We’ll walk down after tea.’
 
And he flicks the tails of his russet brown frock coat behind him and sits on the marble bench beside Amabel. She is a little frail at 85, but the twinkling eyes hardly leave my face. Clough is checking the garden for birds. A yellowhammer swoops up from the lower garden and is gone. He gestures as though miming its flight. There are curious bird-like calls from the house. Amabel turns house-ward.
 
‘Our parrots,’ she says with a girlish smile.
 
‘Your letter was so sweet you know.’ She continues. ‘Fancy composing a piece about our village. We’ve had a film, that TV series, so many books, and now music. So exciting. And when do we hear this?’
 
I explain that the BBC will be filming and recording next month, but tomorrow David will appear with his double bass, a cameraman and a sound recordist to ‘do’ the cadenzas in some of the more intriguing locations. And he will come here to see how it sounds in the ‘vale’.
 
‘Are we doing luncheon for the BBC men? They are all men I suppose? When we were on Gardeners’ World it was all gals with clipboards and dark glasses, and it was raining for heaven’s sake. They had no idea about the right shoes, except that Alys person who interviewed me and was so lovely about the topiary and the fireman’s room. Now she wore a sensible skirt and the kind of sandals I wear in the garden. Of course we had to go to Mary’s house to see the thing as you know Clough won’t have a television in the house.’
 
‘I loath the sound of it from a distance. There’s nothing worse that hearing disembodied voices and music. Why do they have to put music with everything? I won’t go near a shop if there’s that canned music about.’
 
‘But surely it was TV’s The Prisoner that put the place on the map,’ I venture to suggest.
 
‘Oh yes, yes, but the mess, and all those Japanese descending on us with questions we simply couldn’t answer. I have to this day no i------de-------a-------‘, he stretches this word like a piece of elastic as far as it might go before breaking in two, ‘ simply no I------de------a------ what the whole thing was about.’ He pauses to take a tea cup freshly poured by Amabel. ‘Patrick was a dear though, and stayed with us of course. He loved the light of the place and would get up before dawn to watch the sun rise over the mountains at the back of us.’
 
‘But I digress. Music, music, yes music . . . ‘ Amabel takes his lead
 
‘We’ve had concerts before at P. outside in the formal gardens by AJ’s studio.’ She has placed her hands on her green velvet skirt and leans forward purposefully. ‘He had musicians about all the time and used to play the piano himself vigorously in the early hours of the morning. Showing off to those models that used to appear. I remember walking past his studio early one morning and there he was asleep on the floor with two of them . . .’
 
Clough smiles and laughs, laughs and smiles at a memory from the late 1920s.
 
‘Everyone thought we were completely mad to do the village.’ He leans back against the gentle curve of the balustrade, and closes his eyes for a moment. ‘Completely mad.’
 
It’s cool under the tree, but where the sunlight strays through my hand seems to gather freckles by the minute. I am enjoying the second slice of Mary’s Bara Brith. ‘It’s the marmalade,’ says Amabel, realising my delight in the texture and taste, ‘Clough brought the recipe back from Ceylon and I’ve taught all my cooks to make it. Of course, Mary isn’t a cook, she’s everything. A wonder, but you’ll discover this later at dinner. You are staying? And you’re going to play too?’
 
I’m certainly going to play in the drawing room studio on the third floor. It’s distractingly full of paintings by ‘friends’ – Duncan Grant, Mondrian, Augustus John, Patrick Heron, Winifred Nicholson (she so loved the garden but would bring that awful Raine woman with her). There’s  Clough’s architectural watercolours (now collectors want these things I used to wiz off for clients – stupid prices – just wish I’d kept more behind before giving them to the AA – (The Architectural Association ed.) And so many books, first editions everywhere. Photographs of Amabel’s flying saucer investigations occupy a shelf along with her many books on fairy tales and four novels, a batch of biographies and pictures of the two girls Susan and Charlotte as teenagers. Susan’s pottery features prominently. There’s a Panda skin from Luchan under the piano.
 
These two eighty somethings have been working since 8.0am. ‘We don’t bother with lunch.’ Amabel is reviewing the latest Ursula le Guin. ‘I stayed with her in Oregon last May. A lovely little house by the sea. Such a darling, and what a gardener! She creates all the ideas for her books in her garden. I so wish I could, but there’s just too much to distract me. Gardening is a serious business because although Jane comes over from Corrieg and says no to this and no to that and I have to stand my corner,  I have to concentrate and go to my books. Did you know the RHS voted this one of the ten most significant gardens in the UK? But look, there’s no one here today except you!’
 
No one but me. And tea is over. ‘A little rest before your endeavours perhaps,’ says Clough, probably anxious to get back to letter to Kenzo Piano.
 
‘Now let’s go and say hello to the fireman,’ says Amabel who takes my arm. And so we walk through the topiary to her favourite ‘room’,  a water feature with the fireman on his column (mid pond). ‘In memory of the great fire, ‘ she says. ‘He keeps a keen eye on the building now.’ He is a two-foot cherub with a hose and wearing a fireman’s helmet.
 
The pond reflects the column and the fireman looks down on us as we gaze into the pool. ‘Health, ‘ she says, ‘We keep a keen eye on it.’
 
The parrots are singing wildly. I didn’t realise they sang. I thought they squawked.
 
‘Will they sing when I play?’ I ask.
 
‘Undoubtedly,’ Amabel says with her girlish smile and squeezes my arm.

Halfway between Malta and Saco,
Highway 2 stops a minute
To look back...

Beside the road
A little shrine waits
The traveler:
A stone, naturally shaped
To form a sleeping buffalo,
But etched with lines to emphasize
The dozing buff's back and sides
And drowsing head.

Nearby, a 1920s entrepreneur
Saw money to be made...
Set up a happenstance hotel
Beside the hot and sulf'rus spring,
And "Sleeping Buffalo" was born
To "heal" and to amuse
Odd tourists in their wandering.

Not much has changed...
The old buff sleeps,
But now inside a little pen
To keep the tourist vandals
Safely from his way.

The old resort is open still...
Same rusty pipes and yellowed walls
And rusty water
Warm enough to stain
Unlucky bathing suits.
(The smell's enough to force
The bather to the bath as medicine....)

On my way to other places
I have stopped along the road
To meditate beside the old stone bull...

I understand, a little,
Now that I am growing old,
Tobacco offerings left
Beside the sleeping stone.
Though not a Pagan,
I can feel the distant Ways
Before our Western ways
Made tourists of us all.

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If you had to pick one adjective to sum up Michael Kors' collection at last month's New York Fashion Week, a good bet might be "feathery."

The designer was going for "the flirty freedom of things that move," to quote his production notes, and there were flirty feathers on at least 10 of the looks he sent down the runway - starting with feathers adorning a pair of jeans, and moving to feathers on a houndstooth tweed coat, on a denim or tweed skirt, and on black silk for ultimate evening effect.

There also were plenty of sequins, adding a very bright sheen to some of the fashions, especially a silver sequin embroidered "streamer" dress, with the hem cut into strips that indeed looked like streamers, and also a pair of seriously glistening silver metallic stretch tulle pants.

This is Kors' flagship collection, not his more accessibly priced secondary line.

Kors always has a healthy celebrity contingent at his fashion shows, and February's event was no exception: Blake Lively and Jennifer Hudson were among the front-row guests. They were there to witness an anniversary of sorts for Kors.

"I'm not one for anniversaries and I'm really not a big kind of looking-over-my-shoulder kind of guy," Kors said in a backstage interview. "But when I started designing this I realized, oh my God, this is my 35th fall collection. That's crazy!"

Kors added that as he reflected on the milestone, he realized the most important thing was to keep his fashion fun.

"I wanted this to be full of fun and charm," he said. "So it's very flirty, short, leggy, not a gown in sight. All the rules are broken because stylish people break the rules ... The seasons are crazy anyway. So when the weather's terrible, don't you want to put on a fabulous apple green coat to change your spirits? Don't you want to wear tweed with flowers? Don't you want to put feathers on flannel? Wear flats at night? Wear metallic for a day?"

From his sunglasses to his gold glitter pumps, Kors' collection exuded fun, not fuss. Even a denim skirt is luxe, when covered in feathers. A hoodie adds reality to a silver sequin cocktail dress. And who doesn't love handbags the colors of jelly beans.

CAVALLI'S DECADENCE

MILAN - Even while venturing back in time to the Belle Epoque era, Peter Dundas' latest collection for Roberto Cavalliremains rooted in the rock 'n' roll '60s and '70s. His collection bowed during Milan Fashion Week last month.

The languid looks were strong on glamour and workmanship, from the ephemeral sheer beaded evening dresses in pale shades to the colorful patchwork fur coats worthy of any rock star: art nouveau meets Janis Joplin.

''Decadence, superstition, mysticism, Gustav Klimt, Aubrey Beardsley - things that give me a kick," Dundas said backstage, describing his inspirations.

He said the Roberto Cavalli woman for the season is ''a little wild and instinctive."

The Cavalli animal print for next winter is tiger, in long skirts and short bomber jackets, while denim gets its due with a long trailing coat and flared embroidered jeans. Looks were finished with long scarves tied casually around the neck, makeup hastily done and hair loose and natural.

Notwithstanding the labor involved in his creations, Dundas says he would like to see his collections get into stores more quickly than the current system permits.

''I wish I could. I am working on it," Dundas.

DIOR'S PARISIENNE

PARIS - Vogue fashion doyenne Anna Wintour, former French first lady Bernadette Chirac and Chinese actress Liu Yifeiwere among the celebrities on the front row of the Dior show held in an annex inside the picturesque Rodin Museumgardens in January.

In the clothes, the "spontaneous, relaxed Parisienne of today" mixed with the iconic styles of the 1940s and 1950s.

High-cut post-War shoes with occasional retro ankle bows accessorized embroidered silk gowns in freestyle volumes - often with "sensual, bare" accentuated shoulders. A couple of flapper-style lace, chiffon and tulle look also evoked the joyful feeling of the 1920s - the period between the two World Wars.

Dior's studio team of designers also set about experimenting with the famed "bar jacket" - it "changes appearance depending on whether it is worn closed or loose," said the program notes.

It thus came in myriad forms: in tight, embroidered black wool, loose and white, open to expose the breast sensually, oversized and masculine, or as a beautiful dark navy wool coat.

There were also traces of the historical musings of past creative directors - such as Galliano and Simons - set off nicely in one look off-white wool "bar" jacket interpretation with flappy 18th-century cuffs.Read more at:www.marieaustralia.com/bridesmaid-dresses | www.marieaustralia.com/short-formal-dresses

I learned on the Saturday I met you that "love at first sight" is a serious illness.
It infects the body and consumes it whole, leaving nothing but happiness and affection in place of the empty, hopeless shell it once was.
I learned on Tuesday that good music and Star Wars references assist the speeding up process of a first kiss,
And just how good knowing that it would be your last first kiss ever felt.
On Wednesday, I learned how hard it was not to say "I love you" out loud.
Instead, I resorted it to silently mouthing the phrase when your head is turned.
On Thursday, I learned that you like to swirl the New York Cheesecake and Red Velvet Cake flavors of frozen yogurt, just like I do.
It reminded me of the concept of being soulmates. Our secret dance reminded me of a movie from the 1920s. Thank you, Louis Armstrong, and the lake in San Angelo for providing the perfect atmosphere.
I learned on Friday how easy it is to talk to the person you love for seven hours.
I also learned that I don't care how tired I look in the first photograph we took together, because I've been a different person since last Saturday.
On the second Saturday that I met you, I learned how hard it is to watch a movie alone with you while your lips are so close to mine.
I learned a lesson on willpower, and also that it's easier if we watch movies in theaters. But even theaters can't keep us from sneaking kisses every once in  a while.
That day I learned how easy it is to dance beautifully with the soulmate you've known only for a week.
I also learned that I'm not the only person who sees the beauty I see when we are together. I glanced over your shoulder during the Jimi Hendrix guitar solo, only to see our group of friends staring at us in awe. It didn't distract me from the butterflies I had from your arm being around me.
Later that same night, I learned how anxious I feel, slipping love notes into your pocket, and saying goodbye, if only for two weeks.

That week, I learned that two Saturdays is all it takes to make you certain of whom you want to spend the rest of your life with.

sleepy eyes open glimpse high ceiling red wood beams house built in 1920s glance out window tree tops blue skies mountains in distance flock of birds flying east chirping sounds passing car engine accelerates inhale deep breath through nose stretch legs plantar dorsal flex feet raise arms over head stiffness in shoulder feel strange sensitivity in right pectoral above ****** cautiously examine with hands feel coarse lump growing more like nub smell moss glare down at growth protruding from chest panicky by soreness rise from bed to mirror on closet door tree stem jutting out from chest inspect dark bark like calloused growth little leafs budding this cannot be race in nervous tantrum run to bathroom suffer painful weight pulling me down clutching carrying foliated limb with arms see myself in mirror horrified stagger back to bed lie on right side branch resting on mattress breathe anxious breaths reexamine pectoral area feel sinewy roots spreading under skin across chest up neck down over stomach waist legs forget how to get home disorientated nauseous exhausted what is this flora invading me ******* kafka metamorphosis post-modern hyper-real narration without accountability jorge luis borges metaphor without mindfulness fairytale run wild jean baudrillard simulacrum psychosis room now filling with plant undergrowth stinking of earth dirt gooey slugs worms shells bugs festering climbing towards windows voracious for light warmth moisture blocking out morning sun entire body trapped in tangled twisted leafy twigs excruciating pain fright lungs gasping suffocating encroaching darkness fatigue loss surrender wake up 4 AM from nightmare scared to fall back to sleep

My abode was not built by my own two hands
It was erected by the noble hands of labs, in the 1920s
I make caffeined, bitter black water for the over worked businessman: who pushes arrogance
so that I may sleep
My time spent manifests itself into red norishment
from a white-light shuttle
free of breathable sunlight but abundant of it in edible from

There are stickers on my apples
trees tattooed with chemicals
that find themselves everywhere
plastic freckles on the trunks of their mothers
or returning into plastic fossils
Embraced by the place in which it came

Stickers on Apples:
so much effort for something
so
sweetly
simple

take me away from this journey
i am trapped in the land of placelessness

blind / hypnotized
route 36 / bolivia
deaf / treated with ultrasound
simultaneously

scarcely knowing
what all that means

i am feeling the rising of blood
a wave of heat like sandstorms

inevitability: willful / knowing / aware

i am putting myself at risk of dying
long ago i read about the risks and consequences
of my ******* abuse
pervaded them intellectually while

my heart remains deafly because
of *******
bitter
sear
aflutter and in panic

there is just:

one life
one heart
one body one man

man what are you doing?!?!
i am hollering into my inner
embracing the envelope
obsessed over bitterness
numb love
in the dungeon of plotted heavens
lofty as never before
is where i am running away from:
every day

in the 1920s there was a man
who they called "koks-emil"
he sold ******* in the nightstreets of berlin

the national archive has been keeping
a picture of him doing business with
two girls out of gangland we
can't see the face of the one standing left only  
her back

however her companion typifies precisely
what the drug creates in our souls:
a form that can not be imitated
like the effect of the drug

a form of longing and greed in the
girl's face

longing and greed
balancing each other
not one of
these states predominates

while beholding the girl i am becoming
horridly conscious
about myself
horridly about

my relationship with *******
my affair with *******
my love to ******* this
sounds sick?
indeed it is

we call it
suffering from an addiction

we call it
suffering from a dependency

become clean.
i wish you willpower
wish you strong luck
wish you peace at last

the rate of relapsing
******* users is vast
during the night

when the wind is
breezing mildly

when the stones of the cities
are breathing out the heat of the day

while you are
sneaking over the streets

while every street corner resembles
the very one where
koks-emil used to sell his product

while you are sensing the smell
of bitterness

while you are being preoccupied with
her face: her longing her greed

while you are experiencing
yourself:

more deeply
more soberly
and more knowingly
as before

while you
are reaching out your hands searching
with kidfingers for koks-emil

the guy with the warped corner of the mouth
the reliable / greedy one

the one who is always ready

a salesman has to be available for
every second of your longing
every second of your greed

koks-emil: your world is made of black and white
your hat is grey its bonnet is vanishing as your
shivering hands

hands that spread capsules
hands that grap at bills
hands that you use to brush away your sweat

**** between the lipps
shabby coat

koks-emil your spirit
blows through inner cities like gas fumes
a grin on your face coming from
lurid lights

you became immortal
you underwent rapid decades
you were an addict
you created addicts
you served addicts

the ****** expression of the girl
your child-like customer
remains for

all for everybody with a
*******-addiction

for all and for everybody
who depends on *******

for all and everybody
who is clean from *******

for all and everybody:
longing and greed

rest in peace girl

for all i care to remember...
        looking into the mirror was more or less...
something akin to:
"squirting"... **** me! SQUINTING...
      well... the contortion of the eyes...
"worrying" about a double-chin...
and of course... enough stealth acne
to make me... the bride of beelzebub
how i'd joke to myself...
         beelzebub sat on my face and *******
a tonne of... dead maggots...

           i never knew i was athletic standing
before a mirror...
i probably know that i am less athletic now...
but... looking into mirror made
sense... once...
   this russian girl...
    in st. petersburg...
   we were in "love"...
       and there was this great aventurine bed...
and... a closet with two mirrors...
and... we'd be at it...
i was looking into the mirror...
and she was looking into the mirror...
it was like: the opposite of *** on l.s.d. -
because it was like...
beyond the missionary -
the "******" of the mirror...
   as in ***... it leaves you wanting
to ******* to the *******...
because... hell...
without a mirror...
could you capture the face moaning
contorting like an experiment out
of the gehenna harem?

     for all the *** toys sold...
all those exceses of... woman's lingerie...
outfits... nurses...
   blah blah... it really takes a mirror
to spice things up...
this dead-eyed mirror canvas...
the dire-dead-necessary...
    tooth-fairy: ref. the red dragon...
i needed to see that she needed to see
that i was ******* her... and that she...
was being ******...

           mirror mirror on the wall...
**** the fair and the fairest and the fairies...
i have come to understand that mirrors...
work best...
when... not stressed to exemplify...
a concern for beauty...
   or... something that is worn...
clothes look... terribly important in a mirror...
esp. by someone wearing them
when allowed to be digested / investigated
by a mirror...

but... a mirror during ***?
when you're not performing inverted missionary...
doggy... and she's lying with clenched ****-cheeks...
i was in love once...
which also implies:
i ****** like a race-champ pony!
the mirror always helps...
i wouldn't know: whether s&m leather
and straps would... and whips...
made much of a difference...
when... the mirror... the ghost ******...
the: satan you could get away with...
if you didn't utter a comprehensive word...
but ensure a strict rigidity to...
onomatopoeias and syllables...
and... exfoliating nouns...

        upon memory being summoned...
i'm getting a bigger hard-on thinking
about all the encounters i've had with the police...
there's always at least two memorable
encounters...
getting poisoned in a nightclub...
getting on the bus...
getting off the bus... dropping like a pancake
onto the cement...
     being roused... asked by the police officer
whether i was o.k.:
making a slurred and lengthy apology...
giving my address...
and being... taken in a police van... in a cage
for a sinner... like a taxi...
back home...

    losing my virginity to a pair of handcuffs...
for ******* in an alleyway...
getting screamed at...
one officer cuffed me...
the female officer had a pen and pad ready...
in an alleyway where it was discussed:
and who's alleyway is it?
i'm too drunk already...
if i walked into a pub on friday come
10pm i'd be asked to buy a pint
in order to use their toilet...

         it's one sort of luck... gambling...
betting on a horse...
but another... being hand-cuffed...
  and then... having the hand-cuffs...
taken away...
              as this dialogue happened in the...
"invisible" shadow of the alley...
i can't exactly imagine what the onlookers
saw...
           a teasing of authority...
drinking a beer on a bench outside
a pub on a friday night...
which is... basically... taking away
the revenue... of being sardine packed...
and pyramid schemed... for failure...
but my... what a glorious night...

so i asked: and where am i... permitted...
and blah blah...
that ******* mirror... and that aventurine bed...
the same thrill during ***...
like... the thrill of stepping into a brothel...
without a need to ***...
the 9 of them: all nazgul attired in scrutiny...
before "the pick"...

   *** toys... can i please get a mirror in here?!
it has to become a standard for a healthy
sexed up relationship...
    a mirror can overpower any...
frivolity of during-***: attire...
  the imitation ******...
a mirror is... just that...
                 *** with: in third person narrative...
but... smirk-giggle:
you catching her eyes getting ******...
and she catching your eyes: ******* her...

so tame tame... unlike reading...
  the tame blushes of marquis the sade...
never to mention... this philosophical adventure
of ******... which it really is...
impeccable... trouble with: thought put into
practice...
                yes... that horrid... Fritzl case...
but unlike the idealist scenario...
the mother was notably pushed away from
the grandiosity of the sin...
and it was done... in public... with...
a purview of... shaking established social norms!
it wasn't... a rabbit-hole of horror...

              which is why i'm glad i do not
have children of my own...
   i once spent an afternoon with...
my... grand-aunts son... my uncle...
don't ask...
         and i looked like him and thought...
well... i have most certainly had more
fun with cats and dogs...
i was a complete mute...
i didn't feel like cuddling this piece
of cubism... it looked human and even
contorted like one...
perhaps if it was mine...
i could have... somehow...
            "relegated my inhibitions"?
                 n'est ce pas?
         to have children and begin with...
that ******* of differentiating vowels from
consonants... and then... building consonants...
what... 5 vowels... 21 consonants...
5 x 21 = 105 variations...
       prefix: ab, ac, ad, af, ag...
                     eb, ec, ed, ef, eg...
                           IF only! oof!
                 the suffix - ba, ca, da, fa, go...
                                 bat cat dad fat god...
and then... the 21 x 21 consonant variables...
squared to the power of 5...
because... chinese is... frankly...
so simple...

   - it's summer and...
            since i would otherwise... require ink...
to write... and the paper would somehow
be always readily available...
no need for ink...
the summer months are terrible...
for no requirement of ink...
what is ink?  ink is...
                         i need october...
i need november... december... january...
february... half of march...
i need to borrow ink from the night!
i can't scribble in these arab / kenyan months...
these sun-seeker months
of idle by the dream-pool... load of...
overtly-talked... less thought...
therefore... no need to scribble...

    i need the night for my ink...
                           "punctuation marks are in
the constellations": oh yes... honey sweet...
what's it called? cliche? we've all been there...
i too would sacrifice Hector before the altar
of Achilles if i were Priam...
                   only because: he was called Hector...
and the other was Achilles...
and i was called Priam...
       in such times... what were...
the trully... common-place names...
of stunt-men and extras?
   i'd like to know the equivalent of a john smith
from ancient greece...
what would one call: him?
            
        perhaps: i tend to think about *** when
i... most probably had a dream...
jerking off is a bit like...
checking one's blood pressure...
or as a diabetic might... ***** his index
to check the sugar levels...
i write about "***" when i've had a dream...
the dream...

i was talking to a man about cars...
notably... cars from...
america and germany...
circa the years... 1920s through to...
                the 1970s...
          and... then... the talk of... a motorcycle...
a specific motorcycle...
   a triump street cup...
                 a BMW R18... but not quiet...
whatever it was...
                    for the love of a double-decker
bus and a pair of legs...
                which is not...
to have emotionally invested
in *** was something a much younger
version of me would have done...
i thank the prostitutes of curing me of this...
debilitating disease / dream...
              which, i, prescribed... myself...
so no... i hardly think...
there were any... mummy or daddy issues...
i would skip several scenarios:
as much as i love riding a double-decker
bus... i abhor... taking a taxi...
       even if it requires me to walk...
2 miles... i'd rather walk:
for the love of legs and... voodoo dolls hanging
like corks... bend the knee: they might say...
bullet to the knee-cap... if you ask me...
again...

     perhaps i wasn't born english...
but... after... 26 years among them...
                          it "sort of" grows on you...

- man can perform a thousand:
dodo project genocides in one sitting:
on the throne of thrones...
before jumping under a baptism:
fully attired in the ganjes pyjamas
in one sitting: on the throne of thrones...
to "squat" while *******...
*******... *******...
"scented candles" of taking a shower...

i write about *** every time i have a dream...
it's to succumb to the lesser...
escapade of me...
i can stomach subjectivity...
but having to stomach idealism...
is another matter: altogether...
i would like to worship the men who
have had their fill...
and settled for the swan blockade
of the widower romance...
the widow swan...
the black widow: a ******* spider...

none of it... i ****** good i ******
well... come the prime of the age 21...
she was a gamer side-kick bedded...
she prescribed me...
                        Bulgakov...
              reading a ****** to a prussian...
or reading a ****** to a RUŚ: example: ditto...
                  i have heard of how
love supposedly closed and opened borders...
we are so antithesis "different"...
we aren't... some western "communist"
zoo study:
the people who say and then...
lucky us paupers...
who have to "loot" the infrastructure
of the vacating ****-tunnels...
because... someone has to ****-off...
their tongue and... gerbil fidgety!

albino chimpanzee and...
boxer gorilla fed on...
the promise of bulk... with nothing
but... the promise of fruits of your
labour... and nothing relating
to protein... or fat... of complex sugars
known as bread... none of that!
still: that fudge-packing bulk of
gorilla bicep protein: amass!

   - as ever... the murk: before the deep-water...
the... inverted demigods
of h. p. lovecraft...
because... cthulhu is... "somehow"...
not the ******* son of Poseidon?

acid-quasi-monkey asks...
   placid-didgeridoo...
                a constipated: not funny...
attempts! at solving a crossword!
-frankenstein-myrhh:
                        ******* dangling...
                                    (-) - Fatima...
is this... "Syria" yet?
  concerning the second coming...
concerning...
Syrian civil war... something...
*******... miraculous...
has happened...
or was about to happen...
and that it didn't happen...
better that it did:
but since it... didn't...
best we cover it up...
                corpse bride:
               Khadija **** Khuwaylid...
if ever: Stephen Vizinczey...
was a (prophet) Muhammad...
in praise of older women...

    ...a Fatima... fleeing the Syrian
civil war... because... Ramses II
was... telling apart the 7 good years
from... the 7 ******* years...

tell you what... it's no fun...
when you've been given the need
to bend the knee before the altar
of phantom power...
if i were 16 and she was 14...
if i was 18 and she was 16...
if i was 60! and she was... 20!
would it matter?
               if i was jerking off aged 8...
you want to know...
what... the last prize is...
the last... difference between...
"consent" of two adult adult...
with their *******-riddle
of a theatre of ***?
     you want to know?
the thought of ******* someone...
under-age...
no! no barbie! no ken!
the theatre of thought...
of ******* someone... underage...
who is... displaying...
teasing ***... in that primodial seance
of grief to ward of mother from
the ******...
and father from the parentage of
school!

               you ever want to see...
what... a kick in the jaw looks like...
omnipresent onlooker...
of some... unpardonable crime...
that it has to be ***-related...
              i wish i performed some
unpardonable crime on a *******...
i guess a kiss is a kiss is an unpardonable
crime against a *******...
i need this heart to shelter itself
in stone! i need: a heart!
of hard-earned: rock!
               with each sentence:
i find it impossible to not....growl!
to howl! to spew a bickering of...
wolves... of hyenas...
a wake of crows!
            
              i want toi write an echo!
hye! anoooooooooooooooooooooooooo!
i want to hear...
the microscope itching
of a marrow...
of maggots working toward
a closure of expressing: scotch fudge!
i want! maggot marrow!
i want! the lost sounds of...
what the fox already minded...
in...                       χαoς! ρει(γ)νς!
yes... the gamma is a surd...
                 in this... english... equation...

last time i checked:
the cognitive theatre of the forbidden...
****** "lax"...
it's enough to tease the affair with
mere thought...
to have... people "bothered"
that one thinks... such "things"!
while the girl... prime... aged... 14...
teases you with...
exfoliations of...
                      script and... censure...
like a skirt...
but of course...
you're the dodo-project genocidal maniac
about to sport a new: cushioning
extreme...
of an ******* like...
you're minding teasing...
a high-blood pressure!

          can i allow myself a giggle?
a crown of: a dozen demons laughing
as relevant: to the 12 strong cohort of...
cognitive lapses of reason?
          
  ******* before a mirror is my...
my memory and my last concern for...
"adventure"...
a ****** ******* a russian girl so freely...
she fed off of us as...
     spinning a willow to confine itself to:
those rhubarbs in... "retro"...
no... i'm pretty sure... "they"...
the western communists would have minded
it coming across as...
  rhubarb... dreads... stiff 12" drizzle /
drool bits of a tight-knit white sporting ***!
my... oh... wait...
not exactly 16... so... no...

my... what?!
    this has to become one of those...
most... "unspectacularbly": "a least"
in what's to be digested... "fogiven"...
when... there's that teasing-**** of a per-se
readied for her rite of horror to be
met with ******* the...
upper... echelons...
to the queue! to the loiter!
to the...                cue: no dry martini equipped...
sort of... joke as... a variation
of... escapism: to excuse...
fixations... of social hierarchy...

    i am hardly a misogynist...
            it's almost... fake...
how feminists point out... death-pull...
the misogynists...
clinging to philanthropists... i suppose...
it's like...
"someone" forgot...
to... mention...
the benevolent in misanthrophy...
the happily allied to the ivory tower...
whether you're a man or a woman...
or a man pretending to be a woman...
or a woman pretending to be a man...

who is... the misanthrope?
            the solipsist...
the atheist: should you be god?
the altruist... the... fiddly-bit... extreme...
the... autist?
         who is... your... claim for...
******-****** ruleZ the world?
mother of all perfected children...
a bit like jerking off to...
those gravure beijing models...

ava lauren? she is... an aged looking
*******... closure: madame...
she earned it...
her skin is like leather...
you dare to: wear it...
   but... oops: the ubermensch...
these chinese "brides" are not...
photoshopped...
they're genetically edited...
it was apparent that china
didn't have a soul...
in its summa summarum...
or in its christ redeemer...
when... india has its rich
polytheism... pedagogy:
shiva the antithesis of vishnu:
the thesis...

    i can feel... at least!
i can feel abbreviated with the raj master...
sport...
sending a few "*******" to beijing!
let's hear a story...
no... i'm fuming mad:
i'm dying! to hear that coin-flip
of a tail: of bending the... fuckning knee:
capping... as one might!

there's a <100million of "me"...
there's... a >1billion of "them"...

   while:
            i ****** off to...
          genetically edited creatures...
the western world can hide
behind its setting sun: metaphor...
photo-editing... while...
the hot-**** beijing is...
gene-editing...
west-world 1972 bronze age:
"staging a coup"..

             yeah: gurran-gu-dag...
the arabs and their bangladeshi...
queen-bee sorted...
           elizabeth II...
royal ascot...
  i.e. lamborghinis raced on knightbridge...
because: arab playboys are to be...
minded...

write long... to ensure...
people read short... little chance
of censor-loved-up-pseudo-i.q.-heroes!
100 years later: you become a pseudo-Proust /
a Joyce... but... that also implies:
you're stiff up at the neck...
in death and sand... and worms...
in a grave! so? no turkish kebab:
no malmuk / no janissary resurrection!

Miss Maitland went
to the fancy dress party
dressed as a nun

Benedict went clothed
as a priest(Church
of England kind)

which made her
even more inaccessible
than before he thought

seeing her enter the hall
in her black and white habit
and that face

which echoed purity
her small slim fingers
raised as if to bless

those present
which included the host
dressed as the Devil in red

Miss Maitland walked
to the bar and ordered
a lemonade and gin

is that wise?
said the barman with a grin
she laughed

and he poured anyway
Benedict nodded
and she smiled

then talked to another
clothed as a monk
and laughed

and Benedict's hopes
(whatever they
may have been)

were he concluded
sunk
he sipped his beer

and walked and sat down
gazing at her
standing there

all her best bits
covered up
her tight ****

and delightful behind
gone from sight
now the Devil

was chatting her up
his tail hanging
from behind

his fingers holding
a red wine
Benedict sipped more

of his beer
saw her wander off
to talk with some girl

dressed
as a gangster's moll
right down to the 1920s

cloth of dress
and cut of hat
Benedict didn't fancy her

and that was that
he just wanted
Miss Maitland

sans her habit
of black and white
he liked her in her

tight jeans and top
with her fair hair
flowing free

or held back
in a pony tail
walking up and down

the aisle of the shop
serving customers
wiggling her behind

as she went talking
in her middle class prose
giving Benedict

a studious stare
and he studying her
thinking of his bed

at home
with him and her
lying there.

Crew cut kiss curl stood
above the goose steeping generals
with empty heads and olive green
jackets
dangling aluminium  war medals
for shooting ducks across the border
flying over Seoul

“Nfeuirok2fmdfiwe384194u3ujriwejm"
crew-cut kiss curl yelled.
“I told you 091874874814729”
( his swedish education was now showing!)

The train pulled out of pyongyang
with two thousand dead
that fed the famine. Only the driver
was alive clutching a loaf of bread.

stacked with cardboard cutout missiles
atop 1920s tanks and
painted with bloodred honesty
the entire nation goose stepped
to crew cuts orders.

He was as nutty as a fruitcake
but nobody laughed when he loaded
his only nuclear missile to bring down
the last remaining duck heading to Siberia.

Ha ha!

Author Notes
This is not a joke. Or is it?
© Marshall Gass. All rights reserved, a month ago

I am living in the 1920s
I am missing the shaking tassel dresses, the whispering red lips and the springing curls
I live through the deep emptiness of an uncurled smile from a boy who has a shine in his eye
A shine from a coin filled with the greed for the nothingness of wealth
His gaping presence has replaced wickedly free men
What remains are toying boys craving meaning
Behind the shade of the thinly golden pattern
Of whiskey blurred nights
Of shivering embraces
Barely touching in numbness
I love you meaning I do not acknowledge your depth or care to know mine
What meaning?

post it online
while you hold your wine
hold your whine
why don't you
tell me?
tell me about it
about ****
and girls with *****
about how you read Vonnegut
how **** makes you feel weird
but you snort coke
and you're trying to grow a beard
and your broke
and wish you lived in Europe
or in the 1920s
tell me *******
animal mothers
about your great luck
how you don't give *****
and your jokes are like minorities
poor and unappreciated
defeated
i'm bleeding
delete this.

You and 12 friends like this.

I pried the Words off the Wall
Rearranged and used them All
Stacked upon each other in
A sentence Said with Style

Coco Chanel And Ert'e Flaunt
Lesbian Fashion In chic Paris Haunts,
In the 1920s, While Albert Camus
Late Night Parties Extistentialist Claims
Amid ****** and Champage

Django Rienhardt Played Jazz Guitar
To the West Bank Artists in Bars,
Toulouse Lautrec had Drank
With Prostitutes, in Art Deco

Frank Loyd Wright Praised
In Architect Circles
How He has Designed
The Unfolding of the Future

The Camera Has Brought
Sharp Images to see
While emergence of Psychology
Has driven Art into the Abstract

Paris in the 20's scent of*
Hedonist Creativity
Cultural Gravity
To the Inclined

De rien, entre amis
Prende un jour a la fois



All the Work here is licensed under the Name
®SilverSilkenTongue and the © Property of J.Flack

I imagine you cradled inside
the wing of your rocket ship, vacuum
sealed, sheltered from the noise of solar wind.
Remembering our goodbye at the launch-pad
Creases the aging skin around your eyes.

Tears, weightless and buoyant,
Collide with the sputtering, decrepit
valves and cogs
tracking your orbit
through Saturn’s dust.

You bottle them in mason jars, capture each one on fading
fingertips like paper white snowflakes,
Sealing them inside with aluminum twist caps.
You fill each one and let them clutter the windows
like drunken periscopes.

If I could shine a flashlight through these memory
telescopes, black and white 1920s movies would reel
cracked turtle shells on the highway,
Four rabbits, their intestines spoiling on mowed grass,
Synonyms for “stupid” piercing into heart with arrowhead.

    You curl tighter into the spacecraft,
    Breathing uncontrollably, painfully.
    Canines cut into tongue to suppress sobs.
    Folding over naval, knees to forehead,
             The gravity of surrounding, misplaced moons
             pulls you to collision with an asteroid.

Oh my, I never thought I would do this?
I am completely in love with you?
And how might I know this?
Well, every time I see you it's like I'm in the 1920s
I hear jazz music and my heart begins to sway
Yet this is all so new to me
You're the reason I live now
Hell, you're love could start a war

But here's the thing
We fight
We bicker
I cry and you get mad
But I am in love!
I wouldn't trade the fighting and the bickering for anyone else
Never could I ever
Because I know about the drugs on the street
But when you came into life I started drugs
You were the drug that has brown eyes and a heart beat

memories made the weathered chair rock,
eyes wide with lacklustre - empty and deep,
as old woman walks 'round the block,

returning not home until nine o'clock,
night cuddles insomnia, hardly asleep,
memories made the weathered chair rock,

finger and thumb pinch 1920s frayed frock,
local teens see only the oddball creep,
as old woman walks 'round the block,

tears flow freely when stopped at the dock,
everyday starting here, ten minutes shall weep,
memories made the weathered chair rock,

girls grin as she circles a solo hemlock,
quickly in step, stride now mostly does keep,
as old woman walks 'round the block,

inside aged house, gaze freezes in shock,
relics of past - dusty, rotten in heap,
memories made the weathered chair rock,
as old woman walks 'round the block.

reinvention of the jazzy period? 1920s, don't tell me!
1930s ****** and Capone and the Pacinos - chi:
   or cha cha: capuχino - hence the missing c -
   truant Capote wrote a bestseller meanwhile -
grizzly ra - and some bling to boot: always a favour;
oh i don't mind - it minds itself:
philosophers are removal van people:
boxes wherever you look: per se a,
per se b, per se c, per se d. i grew a beard because
i thought: might as well fiddle with it, get itchy
with pretending violin playing - always better than
counting money - grew one to counter the fiddler on the roof:
meaning? fiddle of the chin - you lucky people are so funny,
i got university education and can't laugh -
it's hilarity multiplied by Clinton: sure, the rich can do
anything... but nothing publicly - attention span of goldfish,
keeping an image or brushing your teeth to a routine:
hello dentistry, o'la chemists with toothpastes!
plus the deficit, plus Gorbachev and a hungover.
well, you do look like the generation that spawned
the first world war - cocktails and chandelier champagne
popsy-turvy - hunched burp - ****** warfare;
jazz poker or jazzy blackjack? you look so ******* familiar
that it isn't even funny... the populists are goose-marching
but you still need a partying excuse
to **** at a reed to breath under the blood-bath
waters of minimal exertion -
       Fritz Ferdinand also said:
                      fry 'em up, the young will
become un-bored - savages of the dance-floor
will need but one excuse: the airy-fairy one...
then the Zeppelins and the donnerkrieg -
or the thundering prior - rather than pre-,
  tropismuskrieg - alternative the compass read alter
N - north - the revisionist segment that's
a compass to mind: the equivalent of north
in human dynamism: K - krieg - war...
somehow potassium too -
                                 war
  
         peace                                  modernity

               ­               antiquity

           the model moral movement: krieg -

                                       krieg (K)

         frieden (F)                                        zeitnah (Z)

                                      antike (A)        

the fakz - the facts - and nothing else - sure
i was limiting myself to a skew, or a rhombus -
not exactly what you were thinking of:
chaka demus & pliers - tease me tease me tease
                                         got a spare cup of sugar
                   and a screwdriver? oh no... till i lose
   my t.v. license and my zombie soul;
are these the same ******* that got shifted to America?
don't blame me for what the ****** royal did
  to the ****** pauper - you have a basketball team,
and a dozen rappers - what's the... ahem... problem?

A famous poet
A master
Of thirty (or more) years
Of teaching poetry
    (taught by Ginsberg I've been told)
Left a voicemail...a generous offer...to read my poetry
To give me instruction
At a downtown coffee shop
For fifty dollars an hour

Fifty dollars an hour?
Shouldn't he have an office?
Well, it's as close to a 1920s parisian dive around Boulder as one could find
I used to hang out there
And write before work

Eh
Perhaps it's not as weird as I think it is
Perhaps I can ascertain a love for language that couldn't be achieved outside of reading my Blake, Whitman, Hemingway, Lawrence, Dickerson...

He will read my poetry
And guide me towards accessibility, honesty, vulnerability, courage
I will be relatable (for once)
With beautiful imagery
That will open
    universes

I am suppose to text him back

Is this what I want?

What I want...thats something folks closest to me dare not ask

What has what I want have to do with anything in my life?

What I want, what I want, what I want

I want my voice to come forth effortlessly from my adventurous life, my song to echo expansive landscapes and treks, to learn intimate knowledge of plants and rocks, and laugh with the beautiful people that inhabit such places

I know tonight
Nothing matters
Until
I set an opportunistic sail to this change in the wind

I have already ventured deep into this life, I've not gone gently into the night, so why start now?

The time to shove off is soon

Like Whitman said...
"AFOOT and light-hearted, I take to the open road...
The long brown path before me, leading wherever I choose"

Hell ya, brother Walt

They're called our golden years
because they're shiny, energy
pitter patters inside dollar store batteries
didn't quite fit the mold the remote control
gave them but they still managed to get by
They're called our golden years
because 1920s America were golden too,
corruption blanketed poverty,
depression plagued the youth
while beautiful violin numbers drowned out the screams
I always pictured the song that I **** myself to,
one from the jazz age,
so no one knows I was so rotten underneath
the gold I worked hard to shine
each and every day
I'm 20 now
I'm golden, now
Composing my piece to debut
before I turn 22

re.: a mini-psychotic detour -
it's off the stream! it's off the stream!
it's been catalogued in: latest!
it's off the stream! i'm aiming to reach
1million words and...
it's off the stream... so the word
count will not be incorporated...

oddly enough i still know how
to use a toaster - and a kettle -
i am also fabled with having to perform
week long chemistry experiments...
why i didn't look into the basics
of

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funny that... how ever many of years
in school, then at university...
i was teased with this language...
for half a semester at university...
the rest of the time school was...
a bit like being in prison...
making sure the prison guards had
a job, were paid...
same with school...
the teachers were paid...

did they teach us basic computer language?
no... i'm pretty sure they didn't...
were we all expected to go to the coalmine
first... before being told to...

which isn't so much lazy as...
i can still remember chalk and chalkboard
at school...
and the holy trinity of (
                                    {      [
how many crescent moons - and altering
a piece of: would be paper?

oh my god... e. e. cummings wasn't even
born...
can you imagine if e. e. cummings
was born 20 years ago...
and started smashing out his:

stand-
;still)

i was honestly being technologicaly
paranoid...
about to cite archive numbers
of "missing" / "shadow-banned"
poo'ems...

e.g. 3479319, 3482972, 3485309,
3484258, 3483083, 3480751,
3480555, 3478158 etc.

but how is that even an over-hyped
reaction - when you're only scratching
the bare minimum -
of what's nonetheless, to me:
a 2 dimensional canvas...

and the point of school was to ensure
that we could fathom our naiveness even more so...
nothing of importance...
just passing the time...
it's not like they could have taught
us to code -
school is not some preface for:
all the subsequent self-taught mechanisms
you will ever encounter:
further on life...

why did i go to school?
why is the cult of school and the nostalgia
culture associated with: popular kids,
nerdy kids, bowling for columbine...
the everyday leftover kids -
i don't even remember being
taught grammar: proper...
we were told... as long as you sound
coherent...
nature came - nurture ****** off somewhere...
but nature didn't come
with <basic> or not so </end of>
with this sort of <bracket>
and this sort of (bracket)
and this sort of {bracket}
and this sort of [bracket] -

"back in the day" you'd read some heidegger
and not "bother" to code -
" " implies /misnomer
/metaphor - solo....

as: burgundy < red
     red being the base marker...
     given that rose < red (is also)...
     since burgundy > red
     since: burgundy ≈ purple...

<approx>
     cardinal < crimson
                                           </approx>

a "debate", and another debate -
in a thesaurus entry...
red - cardinal, crimson, burgundy appear
<sim>
           cardinal < burgundy
                                             </sim>

that is... cardinal ~ burgundy
   ergo cardinal > crimson...
or do we call these the prefixes: quasi~
and pseudo≈?

cerise and all that's suddenly expected to turn
into fluorescence of some underwater Florence...
from carmine and maroon -
brown starts to creep in...

     bobby vinton - blue on blue and...
spaghetti westerns -
somehow i wish to be held in the hands
of a coroner -
i should really think about
donating my body to a medical school -
and bobby has another great track:
velvet blue...
sure... he's no sam cook...
all the way riddled with h'american
suburbia psychopathy:
a smile can hide a thousand
little lies...
a smile is something anti-stoic...
because... the shine of the ivory sheen...

and all i can think of...
not even beginning sentences -
esp. not ending them -
the narrative went with the baby
and the bathwater -
the canary had a coalmine -
the budgerigar had a cage...
the sparrow were tattooed
along with swallows onto convicts
bodies in some jean-genet
minor *****-porky-teen-flick...

tender-bits from some Olaf or Oleg...
or better still an Olga...
recitations would also require:
bumblebees and petula clark!

and that one song that surfed right
above my head and started towing
a hoarding of kippahs
and a... my my... all those
abrahamic beards turned into sabbath
bound brooms for the fwench
brides of boredom...

some might say it's:
strawberry alarm clock -
incense and peppermints...

      as Herman's Hermits aged much worse
than a Donovan...
no milk today and the three kingfishers...

welcome citations...
what's more apparent? someone is clogging
up the arteries of time...
the veins are... the veins that stretch as far
back as jazz from the 1920s...
through to the wock and woll of the 50s...
don't get me started on what's the leftover
of the 90s of the 20th century...

new beginnings they will cite...
here's one... if e. e. cummings was to be born...

swing low
sweet ca

rr
y on

(pass the freedoms pappy
or uncle shylock not interested

- notes on finland the elsewhere estonia,
latvia and li... i will not give lithuania up
that easily... the once grand duchy...
married to the crown -
and all my hitorical adventures -
the sensible today...
the modern sensibility the current man!
me and my historical... what did i call them?

no... they're not idiosyncracies...
they're... detours in infantalism...
but if e. e. cummings was born circa...
and he - he would mosty certainly
succumb to code logic poetics...

bracket (a) "bracket" <b> bracket {c} bracket [d]...
!red is blue -
outright negation...
!red isn't red - the "is" is therefore questionable...
for some reason: no, it doesn't have to be:
but it's blue... blue is !red

should a mr. buckling bucktooth still
be introduced?
well: we do need to indroduce a next to nothing
worth nothing new: cipher unit...

a faux pas needs to have an addressee -
namely me - and i need to wallow in infuriated
agony of a petty detail that no life will
require to cherish!

- and that i am to be fond of tomorrow in that
the only promise that awaits me there is:
me baking a four tier cake - literally...

how terrible a faux pas becomes -
a bull so enraged by red that he becomes blinded
and no longer is able to hone onto
the originating crux -

even somehow "somewhere" with a dasein in
tow... intermitten years...
no... not without a T attached...
and even by now as by then:
that's a misnomer...

- apparently tautology is not a logical
fallacy... but something worth
a thesaurus rex and peacock's: "age of discovery"...
how we can all speak a language
of aphorisms and verb conjectures -
as ever: nouns retain their form as being
the most complete category of everyday
toils - a hammer will never become
an iron shrapnel hanging by a hook chin
off the clide edge of a nail's head...

set with time in mind - temporal thinking...
otherwise set with space in mind -
spatial thinking -
otherwise: when thinking was simply
thinking - exploring the moral architecture...
with that moral-theta of 'ought... and i:
probably not...

save me from linguo-savvy h'american
media pundits and their acronyms!
the boss, the bot the bot, the boss...
the bottom liner - the beatnik and the bolshevik
and... some other b- prefixed outlier...

- otherwise: it's pretty **** evil...
for movies to showcase the hygienic act of
washing ones teeth...
washing the teeth...
spitting out the remaining toothpaste
(oh jeez louis! why don't they simply,
swallow it?)...
and then... not rinsing their mouths?
at this point... rinsing the mouth...
after having just washed the teeth using
toothpaste... is probably as much good
as using mouthwash to begin with...
no one; no one rinses their mouths
after brushing their teeth on film?!

i've too many dreams about teeth
to know - i am actually the sole proprietor of
a memory of my great-grandfather...
and how... he would eat 20 sugar cubes
a day... smoke 40...
and have his first tooth pulled out...
aged 62...
myth, history... journalism?
i dream about teeth...
i would have clearly asked for:
and he dreamed about moths...
but then... oh Eden is still in my grasp...
i can see the next forbidden fruit
hanging...
her name is Layla... and she's...
borderline 16 years old...
i see my Eden already...
i see the forbidden fruit...
apparently i never left...
as i was never apparently Adam...

problem is: you already know what
the forbidden fruit is...
and it's bothering you that i know
what the forbidden fruit is, for me...
now comes the juggling act
of me entertaining not making my will
into a resolve... which is to not:
act upon it...
maybe the apple was too complicated...
maybe a Layla circa 16 is...
a more obvious deterrent...

i think it's also called:
the prosecutor's *****...
but... enough gob and enougn dosh...
you can be the new st. andrew of windsor...
even in the taxi driver the ****
is 0... negated...

my my... what sort of language could
even become so casual...
the burning bridges of informality...
strapped to the formal tool of
orientating one's spatial creed of:
for the exchange of goods and services...
long gone the per se
of a school and a playground...

or some do... want to find and rekindle
the brotherhood of childhood...
they'll join the army...
they'll commit themselves to crime...
some men... it's hardly the adventure riddle
first lady's history society of
rhode island's desperate housewife club...
but...
it's hardly a deviation from imagining
how fudge is packed,
or for that matter: sausages...

a major faux pas...
some e. e. cummings... and what would never
become a code(d) poo'em...
but... for what today had to offer:
and what i had to offer today;
it's enough... it's peaches and cream...
a well balanced butterfly of reciprocation...
it's a death... but a death with a promise
of returning: in situ...
although in situ is always a flexible
requirement when reincarnation is fiddled
with.