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I. Song of the Beggars
"O for doors to be open and an invite with gilded edges
To dine with Lord Lobcock and Count Asthma on the platinum benches
With somersaults and fireworks, the roast and the smacking kisses"

Cried the cripples to the silent statue,
The six beggared cripples.
"And Garbo's and Cleopatra's wits to go astraying,
In a feather ocean with me to go fishing and playing,
Still jolly when the **** has burst himself with crowing"

Cried the cripples to the silent statue,
The six beggared cripples.
"And to stand on green turf among the craning yellow faces
Dependent on the chestnut, the sable, the Arabian horses,
And me with a magic crystal to foresee their places"

Cried the cripples to the silent statue,
The six beggared cripples.
"And this square to be a deck and these pigeons canvas to rig,
And to follow the delicious breeze like a tantony pig
To the shaded feverless islands where the melons are big"

Cried the cripples to the silent statue,
The six beggared cripples.
"And these shops to be turned to tulips in a garden bed,
And me with my crutch to thrash each merchant dead
As he pokes from a flower his bald and wicked head"

Cried the cripples to the silent statue,
The six beggared cripples.
"And a hole in the bottom of heaven, and Peter and Paul
And each smug surprised saint like parachutes to fall,
And every one-legged beggar to have no legs at all"

Cried the cripples to the silent statue,
The six beggared cripples.

Spring 1935

II.
O lurcher-loving collier, black as night,
Follow your love across the smokeless hill;
Your lamp is out, the cages are all still;
Course for heart and do not miss,
For Sunday soon is past and, Kate, fly not so fast,
For Monday comes when none may kiss:
Be marble to his soot, and to his black be white.

June 1935

III.
Let a florid music praise,
The flute and the trumpet,
Beauty's conquest of your face:
In that land of flesh and bone,
Where from citadels on high
Her imperial standards fly,
Let the hot sun
Shine on, shine on.

O but the unloved have had power,
The weeping and striking,
Always: time will bring their hour;
Their secretive children walk
Through your vigilance of breath
To unpardonable Death,
And my vows break
Before his look.

February 1936

IV.
Dear, though the night is gone,
Its dream still haunts today,
That brought us to a room
Cavernous, lofty as
A railway terminus,
And crowded in that gloom
Were beds, and we in one
In a far corner lay.

Our whisper woke no clocks,
We kissed and I was glad
At everything you did,
Indifferent to those
Who sat with hostile eyes
In pairs on every bed,
Arms round each other's necks
Inert and vaguely sad.

What hidden worm of guilt
Or what malignant doubt
Am I the victim of,
That you then, unabashed,
Did what I never wished,
Confessed another love;
And I, submissive, felt
Unwanted and went out.

March 1936

V.
Fish in the unruffled lakes
Their swarming colors wear,
Swans in the winter air
A white perfection have,
And the great lion walks
Through his innocent grove;
Lion, fish and swan
Act, and are gone
Upon Time's toppling wave.

We, till shadowed days are done,
We must weep and sing
Duty's conscious wrong,
The Devil in the clock,
The goodness carefully worn
For atonement or for luck;
We must lose our loves,
On each beast and bird that moves
Turn an envious look.

Sighs for folly done and said
Twist our narrow days,
But I must bless, I must praise
That you, my swan, who have
All the gifts that to the swan
Impulsive Nature gave,
The majesty and pride,
Last night should add
Your voluntary love.

March 1936

VI. Autumn Song
Now the leaves are falling fast,
Nurse's flowers will not last,
Nurses to their graves are gone,
But the prams go rolling on.

Whispering neighbors left and right
Daunt us from our true delight,
Able hands are forced to freeze
Derelict on lonely knees.

Close behind us on our track,
Dead in hundreds cry Alack,
Arms raised stiffly to reprove
In false attitudes of love.

Scrawny through a plundered wood,
Trolls run scolding for their food,
Owl and nightingale are dumb,
And the angel will not come.

Clear, unscalable, ahead
Rise the Mountains of Instead,
From whose cold, cascading streams
None may drink except in dreams.

March 1936

VII.
Underneath an abject willow,
Lover, sulk no more:
Act from thought should quickly follow.
What is thinking for?
Your unique and moping station
Proves you cold;
Stand up and fold
Your map of desolation.

Bells that toll across the meadows
From the sombre spire
Toll for these unloving shadows
Love does not require.
All that lives may love; why longer
Bow to loss
With arms across?
Strike and you shall conquer.

Geese in flocks above you flying.
Their direction know,
Icy brooks beneath you flowing,
To their ocean go.
Dark and dull is your distraction:
Walk then, come,
No longer numb
Into your satisfaction.

March 1936

VIII.
At last the secret is out, as it always must come in the end,
The delicious story is ripe to tell the intimate friend;
Over the tea-cups and in the square the tongue has its desire;
Still waters run deep, my friend, there's never smoke without fire.

Behind the corpse in the reservoir, behind the ghost on the links,
Behind the lady who dances and the man who madly drinks,
Under the look of fatigue, the attack of the migraine and the sigh
There is always another story, there is more than meets the eye.

For the clear voice suddenly singing, high up in the convent wall,
The scent of the elder bushes, the sporting prints in the hall,
The croquet matches in summer, the handshake, the cough, the kiss,
There is always a wicked secret, a private reason for this.

April 1936

IX.
Stop all the clocks, cut off the telephone,
Prevent the dog from barking with a juicy bone,
Silence the pianos and with muffled drum
Bring out the coffin, let the mourners come.

Let aeroplanes circle moaning overhead
Scribbling on the sky the message He Is Dead,
Put crĂŞpe bows round the white necks of the public doves,
Let the traffic policemen wear black cotton gloves.

He was my North, my South, my East and West,
My working week and Sunday rest,
My noon, my midnight, my talk, my song;
I thought that love would last forever: I was wrong.

The stars are not wanted now: put out every one;
Pack up the moon and dismantle the sun;
Pour away the ocean and sweep up the wood;
For nothing now can ever come to any good.

April 1936

X.
O the valley in the summer where I and my John
Beside the deep river would walk on and on
While the flowers at our feet and the birds up above
Argued so sweetly on reciprocal love,
And I leaned on his shoulder; "O Johnny, let's play":
But he frowned like thunder and he went away.

O that Friday near Christmas as I well recall
When we went to the Matinee Charity Ball,
The floor was so smooth and the band was so loud
And Johnny so handsome I felt so proud;
"Squeeze me tighter, dear Johnny, let's dance till it's day":
But he frowned like thunder and he went away.

Shall I ever forget at the Grand Opera
When music poured out of each wonderful star?
Diamonds and pearls they hung dazzling down
Over each silver or golden silk gown;
"O John I'm in heaven," I whispered to say:
But he frowned like thunder and he went away.

O but he was fair as a garden in flower,
As slender and tall as the great Eiffel Tower,
When the waltz throbbed out on the long promenade
O his eyes and his smile they went straight to my heart;
"O marry me, Johnny, I'll love and obey":
But he frowned like thunder and he went away.

O last night I dreamed of you, Johnny, my lover,
You'd the sun on one arm and the moon on the other,
The sea it was blue and the grass it was green,
Every star rattled a round tambourine;
Ten thousand miles deep in a pit there I lay:
But you frowned like thunder and you went away.

April 1937

XI. Roman Wall Blues
Over the heather the wet wind blows,
I've lice in my tunic and a cold in my nose.

The rain comes pattering out of the sky,
I'm a Wall soldier, I don't know why.

The mist creeps over the hard grey stone,
My girl's in Tungria; I sleep alone.

Aulus goes hanging around her place,
I don't like his manners, I don't like his face.

Piso's a Christian, he worships a fish;
There'd be no kissing if he had his wish.

She gave me a ring but I diced it away;
I want my girl and I want my pay.

When I'm a veteran with only one eye
I shall do nothing but look at the sky.

October 1937

XII.
Some say that love's a little boy,
And some say it's a bird,
Some say it makes the world round,
And some say that's absurd,
And when I asked the man next-door,
Who looked as if he knew,
His wife got very cross indeed,
And said it wouldn't do.

Does it look like a pair of pyjamas,
Or the ham in a temperance hotel?
Does its odour remind one of llamas,
Or has it a comforting smell?
Is it prickly to touch as a hedge is,
Or soft as eiderdown fluff?
Is it sharp or quite smooth at the edges?
O tell me the truth about love.

Our history books refer to it
In cryptic little notes,
It's quite a common topic on
The Transatlantic boats;
I've found the subject mentioned in
Accounts of suicides,
And even seen it scribbled on
The backs of railway-guides.

Does it howl like a hungry Alsatian,
Or boom like a military band?
Could one give a first-rate imitation
On a saw or a Steinway Grand?
Is its singing at parties a riot?
Does it only like classical stuff?
Does it stop when one wants to quiet?
O tell me the truth about love.

I looked inside the summer-house;
It wasn't ever there:
I tried the Thames at Maidenhead,
And Brighton's bracing air.
I don't know what the blackbird sang,
Or what the tulip said;
But it wasn' in the chicken-run,
Or underneath the bed.

Can it pull extraordinary faces?
Is it usually sick on a swing?
Does it spend all its time at the races,
Or fiddling with pieces of string?
Has it views of its own about money?
Does it think Patriotism enough?
Are its stories ****** but funny?
O tell me the truth about love.

When it comes, will it come without warning
Just as I'm picking my nose?
Will it knock on the door in the morning,
Or tread in the bus on my toes?
Will it come like a change in the weather?
Will its greeting be courteous or rough?
Will it alter my life altogether?
O tell me the truth about love.

January 1938
You are difficult to love. Not only because I am not good at loving but also because you are quite unlovable.
Daisy Darling Oct 2021
Unloving you
is the hardest thing
that I can do in life.

I hope you're well
because you deserve all
the good in this blue world.

Unknowing you
is what I must do
to stay sane in this life.
I make you blue 👤
Unloving thou is but Sisyphean,
Like scoria craves mixing with sea salt.
Thus akin to night and day we're but twins
Whose burning candle is never to halt.
But ever brighter than snow veiled mountains,
And perpetual as the golden Amaranth,
Yet as pure as heavens silver fountains,
Thrice fairer than the moon of the May month
Or the sea's mighty glow against the moonlight.
Always in full spate if she’d be a stream,
To draw us in a realm of sheer delight
Where daylight to fade shall be but a dream.

So true love is a gem precious than gold
Both young and old in their palm crave to hold.


©Kikodinho Alexandros
Jumeira, Dubai
       22 October 2016
#Second attempt at a Shakespearean sonnet
#Decasyllabic

Dedicated to all Lovebirds in the Hellopoetry realm :-) Been missing home!
SelinaSharday Apr 2018
The beast loving the beast he didnt have
sympathy for beauty and the way that beauty should be treated.
Beauty she didnt have the ******* nature of
reality that means the way a beast should be. Beauty and her Beast
The tender love and affection that beauty needed.
Was often ignore rejected and neglected.
from the beast.
The same way, that beauty wasnt able to
saddle the ******* meaness
and the rocky foundation.
That the beast was used to. To accept him being what he is.
Unloving uncaring ungiving.
because he is better known as this beast.
Beauty and her Beast.
Beauty would often be torn ravished and taken for granted.
While the beast would often feast on the tender meat.
Of Beauty! Ravishing and seeking, beastly taking.
Barely ever having anything descent to be giving.
No kindness no loving ways, no maturity.
Because the beast didnt even love himself.
This beast he be!
Sometimes as beauty would be recovering
she'd reach for him in his rocky
******* places and it would leave her torn.
In tragedy torn ripped places because Beauty.
Needs peace beauty needs sweet relief.
That couldnt be provided.
By a ravishing Beast.
Beasty and her beast.
The way he seeks,, the way he treats the way he harms.
The way he rings alarms.
Beauty would sigh love me! The Beast would say Hate me.
Hate me I am Beast!
My Features are beast My ways are Beast.
My Heart is beasty. For I remember am Beast.
Beauty would cry Love me, desire me, want me,
Cherish Me, feed me nourish me.
comfort me, cradle me.
For I am beauty and I seek love and maturity.
I am Beauty. Do Not Devour me.
But nourish me and treat me kindly  
And Know that I am beauty.
I seek sweet sleep sweet deliverance
For I am Beautiful I need not  a Beast!
Don't be beasty let me transform you into my Prince charming
my romantic knight and shinning armor.
can I kiss the beast and he turn into my romantic beast.

By SelinaSharday.. All Rights reseved S.A.M 2018
LOVE UNMATCHED.
hear it on soundcloud
https://soundcloud.com/selinaros3y/beautyher-beast-poem-1
fray narte Sep 2021
Eyes. Heartbreak is her sunlit memory barely held by a wooden clothespin. It hangs and glares before your eyes, mocking as it fades into an empty filmstrip. Heartbreak is a lost soul left to perish in her ghost-town, and warmer sunsets are lifetimes away. A wonderwall left standing, pinned polaroids, desperate scratches. You had fought hard and long, for this, but homes are made for breaking and crumbling and leaving, especially in the losing side.

Mouth. Heartbreak is a paper-tag of a goodbye caught in her lips. It is a metaphor that melts at the soft space under your tongue, a certain bittersweet taste made for drowning with a cold lager, a stranger’s whispers, and the perils of his unfiltered cigarette kiss. Heartbreak is taming a manic scream into a delicate, defeated sigh, out of sync with the way she breathed. But then sighing still hurts, and breathing still hurts because you’re alive – you’re so ******* alive for this unbuffered pain.

Chest. Heartbreak is begging your chest not to break amid a listzomaniac rush. Heartbreak is a prosaic throbbing, a treacherous ***** stuck in your ribs, begging to be held like it doesn’t hurt. Heartbreak is a site of buried lavender lithiums, asking for a eulogy; but silence is equally as oppressive. It is your body betraying you, like a city undone by its smokes. It is a quiet word – not a poem, because poems are beautiful despite the pain, and this isn’t. This isn’t.

Hands. Heartbreak is your shaky hand flipping through the last three pages of a tragedy — a heroine dies, a stray star falls, a maiden leaves on a horse-drawn carriage. There is no changing of the ending. Heartbreak is reaching for the empty space in bed, leaving your fingers in technicolored bruises. How can emptiness break one’s bones? Heartbreak is scrubbing your skin dry, raw, and untouchable where she once laid her kisses. Heartbreak is your nails digging through her letters in utter despair — for invisible ink, a promise in the postscript, an estranged lover in familiar flesh, only to find torn sheets, spilled wine, and finality.

Legs. Heartbreak is coming home to ***** laundry all over these cold, wistful floors. Heartbreak is walking in hushed tiptoes only to trip and fall down a memory lane – a kaleidoscope of all the wounds that can possibly hurt. It is catching an empty train to somewhere unloving her is possible – doable. Heartbreak is teaching your legs to run away from the chaos of her naked skin, and not to fall at her feet. But still, you fall and you fall and you break what’s left of your bones chasing after something that’s already gone – long before it has said goodbye. So turn your back and hold your heart — it breaks harder, louder, and worse before it settles down and sits as quiet aching: a forgotten filmstrip, a soundless breath, a calm poem, a serene night.
Brooklynn  Apr 2018
unloving
Brooklynn Apr 2018
unloving begins
with the setting of the sun,
with the falling of the tides.

I realized how accustomed
I had grown to the feeling;
of wind on my skin,
of hailstones falling.

Alphabetized, my many names.
A blurred face
in a hallway of mirrors.

my heart left long before
my body did,
long before my legs
had the strength for escape

unloving begins
with your heart feeling cold.
I thought I should stay a while,
just to be
sure.
J Valle  Jun 2016
The Unloving.
J Valle Jun 2016
Back away
Trace your steps
Turn around
And rewind your words.

Leave by yourself
Just like you have done before
Go and grasp your new love
For I am to weak to deny you again.

Don't come back
Even if I plead you to
Disappear once more,
You know how to do it.

Stop haunting me
Keep your distance
If you come any closer
I won't be able to control myself.

If you don't leave
I'll fall once again
Like I have done before
I'm not strong enough
To keep unloving you.
I wish I could give you much more-
Than my mouth's every empty sound;
Words; Like long abandoned shell homes.
More than the mere reality of being around.

I wish I could give you more-
Than my body; physical presence.
Than my touch and warm embrace-
Heated in the lust of every past instance.

I wish I could give you more-
Than gifts; my time and attention.
My voice, support, smiles and laughter.
Wish I'd give you my heart's pure affection.

I wish you knew me way before-
The loss of every ounce of love I sought.
Before the space between spaces filled me,
Before the scent of love was eternally forgot.

See, every failed fairy tale-
Robbed my love of its mass;
Left my heart cold, unloving.
Empty, like a sand less hourglass.

Every shattered future-
Taught me how not to love;
To cherish only what's left over,
Fading innocence; everything I have.

Every end of a new beginning-
Curved a beast out of my soul;
A sweet, charming, beautiful beast.
Opposite of what you think you know.

I wish you knew me before-
I could smile and say I love you-
As I whisper praises to the next girl;
Of last night, in bed, how she was beautiful.

I wish you knew me before-
I could hug and hold you tight-
With the very warm arms that will-
Passionately caress your friend at night.

I wish you knew me before-
I knew a forever that comes and goes;
Before the bits of hurt and nurtured lusts;
Before I my pain was of a like nobody knows.

I wish you knew me before-
The pieces of my broken heart-
Spread through my thick, vast past.
So I could love you, whole and not in part.

I really wish you knew me before-
My tears massed into this smiley mask-
That stuck to my visage. Before being nice-
Was merely my poker face, and not a willful task.

But most importantly… I wish you will teach me-
To love you with the void space where my heart was;
To say I love you in silence; with every beat of our heart;
To be one with you; to love with my rights and my flaws.

Keep Smiling
******.
A symbol of denial, congeniality, and assurance of love;
the fate of maternity, motherhood, that is witnessed
and cherished from afar.
From a sacred little haven;
from a struggle of motherly defense.

O ******!
Temptations are to you never a bother,
in the tempests of lush dreams,
the draining of purity,
and veritable sensations.
Steadiness is your notion;
it barely leaves your mind
you may be deeply hurt
but never hurt,
you may be a stranger
but your grace is your power.

Truth that is unpardonable,
veraciousness at my simplest words,
clarity that is gleaming in your eye,
a token of pleasure but indestructible affection;
adorable as you are,
serenity is beyond question;
dreams are but inseparable from your docile life.
O ******, the sweetness and gentleness of thy eyes
are my irreplaceable silence,
my appraised soul,
and my most resolute
and irrepressible invocation.

O ******, one that is so rare a rose
Many as in the May-day dance are tainted;
marks of annoyance, omens of indulgence.
With hunger for nothing but moans;
unsober groans, and quickening breaths in paces of outward satisfaction;
intoxicated desires but unloving movements;
on the grounds for endless dancing;
there is the thirst for grips, the grossest of stateliness!
Voluptuous romance, perfidious touches, and
false-hearted toys!
In the wakeful dreams of which
I long for you, a handful of thy chastest kisses!
I pray for your hands, so delicate
as mine, how they shall fit into each other!
I long for your lips, your spotless, uncorrupted cheeks,
My demand is for your hands;
for sanity, and sincerest cordiality
Despite of my guilt and former unconsciousness
I shall amend my grief for you,
for you only,
for oureth perfect, unconquerable happiness,
and the union of our souls
in a day of holy matrimony.
LOVE, HATE, WISDOM, FEAR, WEALTH… KEYS MANY ARE TO LIFE IT’S SAID
NONE IN BIRTH IS AFRAID,WISE,HATEFUL,GREEDY,NONE SHALL BE SO IN DEATH.
LIFE! ITS A NOW,A PRESENT CONTINUOUS,DIES HERE THE PAST,A FUTURE BORN
NOW,A SUM TOTAL OF PAST,FUTURE AN EQUATION INEXORABLE FROM HEREON.
FUTILE IS FUTURE MIRRORING PAST, AWARENESS MY PRIMER FOR A CHANGE FAST.  
WHEN ALIVE ARE HEARTS PUMPING,WHY ARE MINDS AND SOULS DEAD BARREN?
ISN'T HEART THE GOOD EARTH ALWAYS AND MIND THE TREE WISE OF BANYAN?
I RID THE DISCONNECT, BY GRACE, HAVE A MINDFUL HEART, A HEARTFELT MIND!
LIVING THE STAID REALITY OF LIFE, LOVING, HATING, THINKING, BEING WISE,FOOLISH
KILLING, FORGIVING, PHILOSOPHICAL IN A CRUELLY KIND WORLD OF PARADOX.
IS THERE A REALITY DEVOID, OF LIFE AND DEATH, LOVE AND HATE, GOD AND RELIGION,
OR TRUTHS,LIES, TIME-SPACE,SOUNDS AND SILENCE,EQUANIMOUS PEACE AT WAR?
IS IT JUST A PLAY, OF THE MIND AND HEART, DESIRE AND POWER,******* UNREAL?
GOOD VERSUS EVIL?
I LIVE BY THE HEART,IT DOES STOP AND THE MIND,OH DOES IT ROT!
UNFEELING HEARTS AND UNTHINKING MINDS, THESE BARRIERS SLOWLY I CROSS,
BEYOND IS THE BEING, THE EXISTING, INCAPABLE OF THE UNREAL, DIVINELY AFAR,
A VOID SURREAL,UNFEELING YET KIND SOMEHOW, UNLOVING YET CARING SOMEHOW
UNSAD, UNJOYOUS, UNAFRAID, UNWORLDLY...ATTRIBUTES NONE AT ALL! UNBEING??
I KNOW NOT IF IT’S GOOD OR EVIL, IS JUST UNBEING,UNAFFECTED BETTER SOMEHOW?
IS THE FREE UNBEING THERE,JUST TOTALLY BEING HERE?! BACK TO A REALITY RELATIVE!
GREYS ARE MANY, IF DARK BE HATE AND BE LIGHT LOVE, MID-GREY IS THE WORLD, HOPE CAN MOVE!
FROM THE MOUNTAINS DOWN I CLIMB, JUST, WITH PRECIOUS BAGGAGE, UNPACKED TO MAKE SENSE,
OF THE REAL IN THE UNREAL,THIS ONE WORLD IN INFINITY, WITH  ITS ANGELS AND DEMONS,
I CHOOSE TO LIVE WITH REALITY; AND UNRAVEL JUSTLY; ELSE IT COMES LIVES WITH ME ANYWAYS!
OR IS IT ALL JUST INEVITABLY INEXORABLE, JUST A HERMITS DESTINY?!

— The End —