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Labhrás  Dec 2018
Pentacles V
Labhrás Dec 2018
Why?
Why do you follow me wherever I go?
You **** five of pentacles
Are behind every corner.

How many readings?
Every one for the past month(or more?)
The **** five of pentacles
chase me no more.

What are you trying to tell me?
Something in my nature?
Anxiety, I already know.
Show the five of pentacles no more.

But still it appears.
Why now? what is wrong now?
Are the five telling me
Of other things as well?

Heed its warning.
Fix my problems.
Is the five of pentacles gone now?
No. Always. Present.

The five of pentacles
Imagery burned into my skull
A wilted rose or travelers in the cold
Torment me no more.
Aaron LaLux Sep 2018
Gambling with Tarot cards,
got The Devil in the palm of my hands with the edges creased,
The Devils in the details and He knows me well,
holding 3 6’s plus card #15 The Mark of The Beast,

it’s when you’re the most up,
that they want you to leave the least,
it’s getting dangerous at the table,
I’ve got the whole pie and every guy wants a piece,

used to trade in seashells,
now we’ve got black cards and private tables for us VIPs,
and the lovely ladies know me well,
like a pizza pie or birthday cake everyone wants a piece,

it’s amazing what a few million will do,
and I’m confident so I don’t need a crew,
rolling solo till my cause of death reads “FOMO”,
I mean if you had these opportunities/risks you’d take them too,

which is why you can always find,
me at the table all in with my chips out,
no kids no wife no significant other,
so I’m spending it all on whichever chics has her **** out,

a conscious writer but still in a man’s body,
so how you like me now,
no Toby Keith or kobe beef,
just these og vegetables,

but I’m not what I eat,
I’m so much more,
and I’m not a meet and greet,
nor a mall because I’ve got much more in store,

so please pass the drinks por favor,

in Colombia with a straw and some Coca-Cola,
drinking so much I feel like the Drink King,
drinking like a Drink King,
listening to Drake sing his song “Controlla”,

in real life no real wife,
I mean I really know Drake,
but anyways I’m not here to get distracted,
so let me backtrack to the point I was trying to make,

which is that it’s tough to stay vicious,
when blessed with the gifts that so many wish to have,
which is sorta suspicious gift the fact that the 6 is,
a card that appears 6 times in the Tarot deck’s stack,

Six of Wands 6 of Swords,
Six of Cups Six of Pentacles,
6 to represent the card of The Lovers,
Tarot decks reflect my self we’re both collectibles,

only difference is with me there’s only one,
maybe that’s why they offer everything in exchange for only my time,
“Here take this money take these drugs take these luxuries!”,
“Take anything that will at least be a chance for me to call you mine!”,

says many Ones often but they are mistaken,
because I can’t be there’s I’m not even mine,
I am no one’s I am no thing,
I am only a part of The Whole which is The Divine,

and I know all this,
I know that I’ve been bestowed with all these blessings,
still I can’t help but fall victim to the sins within Man,
which is why I see you can find me at the table gambling things,

gambling with Tarot cards,
got The Devil in the palm of my hands with the edges creased,
The Devils in the details and He knows me well,
holding 3 6’s plus card #15 The Mark of The Beast…

∆ LaLux ∆

www.scribd.com/document/388173677/The-Holy-Trilogy-Volume-2-Mandalas
vircapio gale Mar 2013
below the eyelid-waves,
another iridescence grows.
currents blur the view in pentacles of light
to rhythms of the waning breath
--warping what an artist's vision yields,
the canvas of the mind stretched taut
in hues to coalesce the old and new,
absorb the intertidal volumes
with keener intake,
firmest diaphram to lift the pressure out
and sink into pelagic origins finally,
imbue myself poseidonal,
renew the birth of "love"

i am soaking with it,
open mouthed my cry is swallowed by the sea
i am a kracken echinoidea
******* up the floor
of life exchanging me with joy--
of jellyfish and snail,
burrowed shrimp, eyeful gobies,
clowns in their anemones--
my spires swirling clouds of green
to carpet spotted sky with verdant wake
and springing there,
from crest to crest,
a body undulating foam, it rolls voluptuous to swell
the bioluminescent instant... taken in the vast, full span of time...
to see her born here,
'mid dolphin song and symbol crash of tide
protuberance of shore awash in seeming pleasure of the rhythmic act--
alive the goddess comes, into her flesh--
to widen eyes,
re-establish channels to the heart
as if an aperture of cloud
were opening again,
to end an ancient overcast
and usher down to earth
the lance of starlight that would reach beyond the wrecks of ocean depth...

so too her visage strikes the darker corners of the heart
illumes all buried hopes
of bottom dwelling wretchedness,
and draws the tide above the line,
littoral tresses falling,
steep in pools calcareous and algal
worlds remaking worlds within the contours sexing there
imagined limestone in your many perfect forms,
marble softness swimming in my eyes
awaken appetites of newfound youth again.
the ochre lines that stripe along your curves
let hidden ripeness waft across my passion-eye
and with the grassy dunes i lie, doze in wrack at once--
as arches of my sight are pierced with rays of inner sun
my seabreath muse purveys, inhaled;
i would see you as you are entirely,
disperse myself into aesthetic mist,
become the spray on coastal loam
a sundog floating in and out of forms
become your mullusk lust;
sipuncula embrace of benthic dust
and slip along the textures
of your progenation's flood--
emerge as one and many lives
becoming me, this vision
in your suds, your divination's scree
--the salty rooting of the coastal trees,
the sand, the wave and moon
upon the dancing kelp forestal out at sea...
shining in the winking foam and symbiota sand.
crevice and the length of dyads simulating one,
phallus, *****, and none--
egg and **** bed..
diatoms  flourishing  again...
in you i am the ****** my own gestation obviates
i am effluxion of all lives in balance
on an ever-swaying crestline of irruptive suds--
diaphanous array upon your porous *****'s heave
weaving in and out, continuing to blur
in riven sight and empty heart to fill
the blood containing rapid urgency
to feed, to taste and seek its nourish-all
when after having given up the possibilities of love
and having worn the incompleteness raw,
the obverse affirmation cracks the sky...
at last they burst surreal into the now
and lacking practice courting glory
stumble over habits long attuned to falsities unveiled
and drawn into your undertow,
all cravings wrung into the novelty of merging without end--
arrive, horizonal, and echo from the dawn of being more than one




.
littoral: of or relating to the shore
wrack: masses of dried seaweed, kelp found on the beach
sipuncula: marine worms
benthic: relating to the bottom of a sea or lake or to the organisms that live there
diatoms: algae or phytoplankton essential to ecosystems
effluxion: a flowing outward
Avery Glows Jul 2018
.
The more I think, and reflect about life, the more it strikes how little we need to survive.
.
But then the question of my life itself baffles me still.
In the name of
Cups and Wands
and Swords and Pentacles.
How does one figure out
how one wants to ease into the world—
in what manner
what face
what costume
what identity
shall we assume
in this theatrical muse of mass-scale rehabilitation.
Searching,
for the right attire
in a tolerable personality.
To eventualize, to officiate, to become
A masterpiece—
by the hands of time
and the wheels of fortune.
So that we may be made worthy
Maybe, if you were dealt with luck.

Fortune's Fool—
How do we know which
is the correct way to go
sᴉ ǝɥʇ ʇɔǝɹɹoɔ ʎɐʍ oʇ oɓ·
in hindsight.
To hunt for a halo in the robes of glee
while you dwindle in time
Abject, at sea.

Cut the chase.
Bleed. Heal.
Await the haemorhage and its evanescence.
And when you approach the Great Finale,
Be free.
.
At any moment of time, we have one foot in the abyss while the other lapses into ecstasy.
.
July 2018
Nebek Wormer Dec 2014
Happy Healthy Intelligent Strong
The six senses is what the being draws

Mind lost absolute control
Reaping what is sown
Learning not to doubt
No need to worry

Feeling body and heart
Contrasting light from the dark
Possessor of the spark
Action will leave a mark

Embarking onward
This vessel is a conduit for change
Allowing my soul to break free from the cage

O' journey turn the page
And bring about new days
11:08pm
Union and Grand

I moved into this house less than a year ago
and already three gun related murders have occurred
within a three block radius; two of them involving children.
I'm not making this **** up.
Those numbers wouldn't be anything exciting for a population
hitting upwards of the millions,
but this is not a big city.
This is the heartland.
-
The city paid for a series of strategically placed dead ends,
forced turns, and surveillance equipment to be installed
in the area of about a mile surrounding my house.
No wonder they call this place "The Trap".
They keep changing the maze,
and studying us like rats.
-
They had a make-do memorial for the little girl who got shot.
They attached her stuffed animals, cards, and photos to a utility pole
on the corner of Union and Grand. The city had it taken down.
Some kind of city ordinance
from some dusty tome at the town hall.
Kids killing kids, and the shots keep firing.
-
Now don't get me wrong, I'm not what'd you call an activist.
But when bloodshed occurs within eye shot of where you sleep,
you start to get a little irked.
These kids have as much potential as me, and twice as much grit.
Their teachers barely even know their names,
let alone what it's like to be deprived of privilege.
-
I'll stomp this concrete until my feet break.
This labyrinth is my constant reminder and reality check.
I am here, and you are there.
This connection is suspended on silver threads and I am your puppet.
Mold me into your angst driven dreamboat.
Because tomorrow, I'm just going to wake up here. **Tyler
.
-
This soul has been folded seven times
and I grow tired of this reality.
There was a time when I could scream loud enough to wake the dead.
I guess I'm showing the symptoms
of an accidental child
with a tongue that only tastes art as bitter protest.
-
I'd tear my face off
to know if this is really getting through to you.
The face in the photo is that of the goat; the false idol and deceiver.
A Knight of Pentacles, selling you gold plated garbage.
Odin-kin.
You always feel like I have a secret to keep; my fist is in the air.
The most personal piece so far.
Lucy Tonic Nov 2011
I'm in the mush, in the creamed corn
I used to float like a log
They cut me down, but I'm still trapped
More than ever before
There's a **** in the side of her red dress
Hem is an awful mess
With happy feet they move
But skeletons don't dance here
Cause a man from another place
Is stirring the soup
These pentacles have tentacles
That water a rotting root
But fire's not all bad
If your twin flame walks with you
And he's waiting
And she's waiting
On the other side
Immobile and free
I'm on a never-ending quest
For the impossible, I guess
Still I wait for the alloy to break
The dye to fade
Before I reach for the white paint
I'm in the mush, in the creamed corn
I used to float like a log
They cut me down, but I'm still trapped
More than ever before
vircapio gale Dec 2012
common chilling sights--
i see humanity
ungranted

ice nucleators--
mutual lives underground
buffered dots of heat

Jupiter winds glow
revivals there and then --
red swirls of lust

twelve conquests past
all creatures skyclad
in that loose zodiac belt

unconditional
dark solstice
deepest love

festive thanks
at dread allayed--
more roasted birds
.
the same sun,
snowflake years
uniquely melt
.
still Fall-ripe,
matunda ya Kwanza
nourish unity
.
only a nick,
the green knight forgives
saint sir Gawain
.
winter thin
Shakyamuni trees
entangle star rays
.
Dōngzhì recurs--
tangyuan and dumpling soup
warm ears and hearts
.
Lucy brightens
Advent's tidal frost
sugar powder blind
.
strong eyelids--
holy corpses
smile again
.
endyear eyelids pull
open --                            
Summer's chain emails
.
i nightgaze here too--
Yalda Shab brightens birth night
vermillion sweet eve
.
gelt to gifts--
sacred lights remembrance
wonders burning yet
.
obstacles embraced
powdered elephant dance
ancient clouds of lore
.
of country dwellers
gifted greatest gifts--
pentacles outshine
.
hot planets glint
subtle light unseen and far --
night sky snow

transaeonic squint
textured sense illumes vast space
light trails interweave

evergreen bird womb
coos beyond my porch--
fireplace ignites

Februa nears--
thermals gather itch for
one last indulgence

Hubble vision melds
an interspecies lens--
"home" descends anew

integral trust--
grapes freeze by vintner's paths
of future sweetness

moss between toes
Spring ooze effluvia
giddy spine sky high
Shuffled Deck; the first Card:

XVI: The Tower
"Now, that's foreboding."

Destruction of a thing familiar,
a thing tactfully constructed
a thing that's held dear;
Oh dear.


The second card:

Page of Pentacles
"Time for something new."

Enthusiastic exploration;
skillful, practical, and imaginative
a new approach to things;
beginning anew.


The third card:

Queen of Swords
"Don't mind the Sword."

*Nurturing of new ideas;
honest, beautiful, intelligent and true
she always carries her sword,
that she may smite Betrayal.
First reading I've done with my new Steampunk Tarot deck.
So far so.. mythic?
Paul Donnell Oct 2018
1, the matter at heart.
• VI of Wands, wands represent our creative desires, our will, and fire.

victory, rising up. from the dark and tangled branches emerges a butterfly. The obstacles have been many but now is not the time to reflect on them, the more pressing question is, where will your new wings take you?

2, Opposing factors, challenges that must be over come, "what crosses you"
• The tower
it is time to brace yourself for change, The well rooted tree that's been growing strong is crashing around you, it may be painful and confusing but it will pass, you'll look back and be grateful that the course was changed.

3, The root cause, why this is happening
• IV of Pentacle, pentacles relate to earthly wealth, this is not always money or material gains, completion of work and Earth.
This card first suggests material gain and stability, yet underneath is a warning.. do not become possessive or controlling. Holding too tightly to the material world will leave you rigid, stagnant, unwilling to change.

4 The Past. How you got here.
• The Fool
The Fool is ready to fly, and ready to take the first steps through the major arkana. It is about new beginnings. it points to the side of you that is spontaneous, excited and naive. Be ready to trip and fumble but no matter what others say, this is your journey and it's already begun.
The Fool, while naive, is unlimited potential personified. Any thing is possible you only need take those first steps. Every person finds themselves back at the Fool, ready to start the cycle through the arkana again.

5 The goal you seek
• Judgement
the word judgement, conjures fear and guilt in many people. This card however concerns another aspect of the word -to seek the truth.
No more blaming yourself or others, no more excuses. It is now time for forgiveness and personal freedom. This card asks you to rise up and let pettiness and fear fall below you. It calls you to rise up, and be reborn.

6 The future, what will come, if this is negative what will you need to change to avoid it? If it is positive, how will you get there?
• III of Wands
the three of Wands show you've had some form of support or have built something sturdy for yourself. With the help, you've formed a sense of self, values and morals. but now it is time to rely on yourself for guidance. Clarify your goals, cast others needs and opinions aside. The future is infinite and it is yours.

7, You, your current state of being.
• Daughter of Swords ,Swords represent action, decisiveness, conflict, logic and Air.  The court cards also represent people, and can sometimes be difficult to decipher. The male and female aspects refer to feminine and masculine energies, and do not also represent physical gender. same for the age of courts, young and old are archetypes in themselves and may not represent actual age.  
The daughter of Swords is a young woman whose honesty and insights take her far in life. People value her frankness. She learns from keen observation, it almost seems she never stops watching. Sometimes this can be a burden for her, as she can't help but notice this or that small detail that could have been done better. There's a potential for her to hold on to those experiences and become spiteful, and judgemental.

8 external infulences. outside events, people or forces that effect you.
• Ace of Pentacle
in the center of giant redwood trees a tiny seedling once stood. such is the energy of the Ace of Pentacle. it's the seed that takes root, grounding you for the future. You're in the beginning phases of a prosperous venture, stay focused. Go and appreciate nature and what she has to give.. An unexpected windfall of wealth may be headed your way.

9 hopes and fears. these are sometimes hard to dechiper as they can be buried deep within the subconciouns, think hard about this card, it may be showing you something that is far from obvious.
• Father of Pentacle

The father of Pentacle is a steady, gentle man. Upon first meeting, he can almost seem dull because of his extremely calm temperament. But underneath is an incredibly passionate man who priortizes the stability of his friends, family and environment. He is entrepreneurial and diligent at work. A pleasure to know.

10 The final outcome.
• IX of Pentacle
Always a welcome card, the nine of Pentacles is a time to enjoy the many results of your loyalty and hardwork. This may be a promotion at work, happiness at home or a fullness in life. A cumulation of your efforts, weather it be material or something else it is welcome and fufilling.

Now for my favorite part, trying to make the cards tell a tale.

The first card shows a butterfly, it rising above and leaving the challenges of the past behind, wings full of new wind. But where is it flying?
The tower, while scary with it's promise of sudden change can be an exciting and wonderful card. Meet these challenges head on and survive and you will be far better off than when you began. Sometimes the foundation must be destroyed to move foward, and build something better.
Your past shows you as a fledgling, the excitable fool, no doubt running into the brambles of the first card. It will be good to remember this, how tough it was to get through but how strong you became as you weaved your way through the brambles.
The roots of this seem to stem from something rigid in form. I think with the other cards it shows a tiredness and need of change, thus the fools recent adventures.

The goal of judgment is a lofty one but surely with your new wings it is attainable, and the future looks bright, once the tower falls and those challenges are met you will have what is needed to soar to new hieghts.

The cards show you as the daughter of Swords. Observant and whimsical but perhaps still too rigid. If there are things in your past that your holding to it is time to cut them loose. Don't let the suit of Swords turn on you.

Ace of Pentacles as the external influences is interesting. Something may need more cultivating. It may also show the need for patience. Something good /is/ coming. But, best not to harvest early..

The father of Pentacles in hopes and fears.. I really can't say. What might it mean to you?  Try to think of how both fears and hopes may relate. Trust your intuition.

Now the final out come. Completion of work, a bountiful harvest, somewhere to rest those wings. Your reward for accepting change, pushing through. With how the cards flow to this one, I would say it's going to be some thing really worth while, worth anything you have to face.

Through out this, always remember the goal. Seeking truth. Inner and outer.
This spread shows you are in the middle of an adventure. The Fool learns, faces challengs, draws the universe in and makes it their own, changes, becomes enlightened and the cycle contiunes.
Bes



It's high midnight and I'm up to my old tricks again.
Bes came by my apartment last night, ostensibly to see why I've stopped answering everyone's calls but harboring more ulterior motives than a presidential charity event. I let her in, mumbling some vague, ******* excuse about how I'd simply been busy. She stood in my living room, her hands demurely folded in front of her as her eyes swept the scene, a quick appraising glance that took in the leaning towers of paper and rows of empty bottles, the rings under my eyes and the cheeks grizzled with god knows how many days of growth, and when at last they met mine they seemed to ask what exactly it was that I had been busy doing. Her lips said no such thing though, held in check either by innate tact or single-minded purpose. Instead she smiled, that old, slanting smile that was more a twitching of her cheeks than an actual moving of her lips, and asked if I liked her dress. It was the first time that I'd seen her dressed in anything but jeans, and the change was as unexpected as it was becoming. The dress was short, black, simple and elegant in its simplicity. In the expected places it clung to her curves and invited you to do the same, but elsewhere it hung in loose folds, folds so deep that she seemed almost lost in them, and when you did catch a glimpse of her body -the delicate line of her collarbone, the thin ridge of a rib- the force of the contrast struck home with calculated, bewildering power. She looked incredibly fragile yet fraught with danger, like broken glass swaddled in a black flag. I gave her an exaggerated once-over, then said, "Do you really need me to answer that?" She laughed, her voice high and breathy, and dropped me a theatrical curtsy. "What's the occasion?" Her eyes narrowed, and the ghost of a smile twitched its way back onto her face.
"We're going out tonight."
"We are? And why are we doing that?"
"It's ladies' night at Stoa, and that means free drinks."
"Free drinks for you, kiddo. I doubt that I could pass as a lady, even in that ****-hole."
"For me, yes. But if I were to get those free drinks and then decide that I didn't want them, well, what would happen to them? It would be wrong just to waste them, after all. I suppose I should have to give them away, perhaps to a good friend?"
"If you should change your mind." I said flatly.
"Of course. Woman's prerogative, you know."
"Are you trying to bribe me with free liquor?"
"Well, if that isn't enough I could always throw in a 'please'. Limited time offer, though, non-negotiable and nontransferable."
"Unlike the drinks, you mean."
"Rules are like bodies; they aren't meant to be be broken, but sometimes it's fun to see just how far you can stretch them."
"Far be it from me to tell a pretty girl no when she says please."
"Pleeaazzee?" She batted her eyelashes at me, lower lip stuck out in a burlesque pout.
"Okay."
"Put on a fresh shirt and grab your coat, I'll get a cab."
"Yes'm," I said, snapping off a quick salute before about-facing toward my bedroom. She laughed again as she left, the soft chuckles punctuated by the click of her heels on the concrete steps outside. I dressed quickly, taking roughly three minutes to apply fresh deodorant, sniff-test and shrug my way into a shirt with marginally less wrinkles than your average nursing home and grab my keys. I walked out the front door to find Bes ready and waiting for me, having snared a cab with the same brisk efficiency with which she had beguiled me into escorting her. She stood at the curb, toe of one black pump tapping impatiently as the taxi idled next to her, engine panting like some exotic animal brought to heel. The ride there was silent. The cabbie was one of those garrulous specimens of his trade who seem always to have something to offer his customers in addition to the transportation for which they had paid; some tidbit of folksy wisdom, or a sage prediction of the weather, no doubt buttressed with countless examples from the days of yore. He brought out several of these chestnuts for us, but after a few failed gambits even he lapsed into what for him must have passed for a taciturn state, contenting himself with humming along to the radio, albeit loudly. He had sloughed tunelessly through several songs and a commercial break by the time we arrived, and had begun to sing under his breath, apparently unaware that he was doing so. This unwitting serenade had been steadily growing in volume, and he was working himself into a rather heartfelt rendition of Black Velvet as we disembarked.
It was just past eleven, relatively early for a nightclub, but the line was already stretched ten yards from the door. It wound around the side of the building, surprising me in spite of myself. I really hadn't been out in a while, and had forgotten all about waiting outside, that desultory purgatorial period where people shifted restlessly from foot to foot and chain-smoked, anxious for admittance, though in all likelihood less concerned with being able to dance or mingle (which they could have probably done just as well out here) than they were with losing the buzz they had brought with them. Some of the people had clustered into loose groups and those who had looked more sanguine, almost serene, and no doubt there were a few water bottles filled with ***** stashed in their purses and jacket pockets. I started toward the corner, intending to join the rest of the sad-sacks at the back of the line, but Bes grabbed my arm, giving me a slight shake of her head. She walked directly toward the entrance, deftly sidestepping the little pockets of people and putting on a smile of almost predatory brilliance. She sauntered up to the bouncer posted at the door, one of any number of interchangeable drones whose charge is to prevent just such flouting of protocol as she undoubtedly had in mind. She said something to him and he shook his head. She spoke again, raising up on tip-toe and looking directly into his eyes, and when she spread her hands in a comely now-do-you-see gesture he looked around furtively then nodded. She waved a hand at me and he nodded again, though more apprehensively than at first, and the hand pointed in my direction now wiggled its fingers in a come-hither gesture. I walked up and looked a question at her but she merely shook her head again, though this one was accompanied by a slight smile that said nothing and hinted at everything. She took my hand, dragging me forward like a she-wolf dragging a rabbit into her den, and as we passed into the club she favored the sentry with another smile, so warm that I could have sworn I saw him blush.
The interior was dark, cavernous and redolent of a thousand mingled perfumes, a heady, dizzying blend spiced here and there with the dank odor of marijuana. As soon as we were past the bouncer, Bes stopped and pivoted on her toes like a ballerina, spinning so quickly that I almost stumbled into her. She said something to me then, but despite the sudden and shocking proximity of her body to my own her voice was lost in the car crash of voices from the dance floorahead. I cupped a hand to my ear in the commonly understood signal for deafness, and she responded by cocking her head at a questioning angle and forming an elongated y with her thumb and pinky finger, tilting them toward her lips in the universal gesture for drinks. I nodded my assent and she took my hand again, pressing it gently as she threaded her way through the tumult of writhing flesh on the dance floor. We found seats in the corner of the bar, the one place where you could actually sit with your back to the wall instead of the rest of the club, a place that I privately thought of as Paranoiac's Cove. I dug out my pack of Lucky's and set to work on trying to find my lighter as she flitted away, returning moments later with a pair of highball glasses, each filled to the brim with a curiously green concoction that was so bright that it seemed almost as though the glass was filled with liquid neon. She handed me one, her fingers momentarily brushing mine as I accepted it, visions of the cauldron from Macbeth flashing briefly through my mind. That smile twisted its way onto her face again as she offered a silent toast, raising her glass toward me with an oddly solemn gesture. I raised mine in return, noticing the way her eyes sparkled in the shadows, green and impossibly bright, almost lambent, bright like the drink though her eyes were a deeper, truer green, closer to jade than to the grassy color we held in our hands. We touched their rims together, the clink almost inaudible in the howling bedlam of the club. She threw her drink back at a single draught, surprising me into a laugh and I followed suit, barely tasting the liquor as it ran down my throat. What I did taste was a rather poor attempt at artificial apple, cloying and somehow thick, like melted jolly ranchers. It was saccharine sweet yet bitter, a harsh undertone that matched the crisp tang of a real granny smith about as well as the sweetness did, which is to say not at all. Not that this bothered me; alcohol and bitterness have always gone well together for me.
She leaned over to me, fingertips resting lightly on my shoulder, breath tickling confidentially in my ear as she asked, "Dance with me?"
I demurred, not bothering to waste words but simply waiting until she pulled back to look at me and then shaking my head. She didn't lean in again, catching my eyes instead and mouthing the word with an exaggerated care that was almost comical. "Okay." She hesitated momentarily before adding, "Maybe later." She didn't wait for a response, instead sliding off her stool with easy, doe-like grace and disappeared into the throng. I stayed at the bar for some time, an hour perhaps, drinking steadily and watching the growing chagrin of the woman behind it as she realized that I had not intention of tipping her no matter how drunk I got. Bes reappeared periodically, staying long enough to grab each of us a free shot and steal one of my cigarettes before vanishing again. I whiled away the time by counting the necklaces that came bobbing and heaving up to the bar. The vast majority were crucifixes, their forms and sizes as varied as those of their bearers, but there was a smattering of other ikons as well; Celtic knots and stars of david, pentacles and hammers, and once, nestled incongruously in the ample and expertly showcased cleavage of its wearer, a crescent moon and star. The owner of that particular pendant also happened to clutch a drink in one hand, and while it may have been a shirly temple or club soda, the glassy eyes above it and the boneless, disjointed movements that arm described in the air spoke to a more potent brew. I wondered what they meant to the people who wear them, those chains of devotion donned voluntarily. A symbol of their faith, they would probably say, though it's a faith betrayed by virtually every action that they take, and if there's one thing that I've learned about people it's that their vows and promises may be lies, but their betrayals never are. Even a virtuous act, an act of unequivocal good in the face of overwhelming temptation, even that can be a lie. It is concealment, a denial of the temptation, of its reality, of the fact that the desire for what tempts us exists. But in betrayal, in succumbing to temptation, people reveal themselves, for they are true to their desire and desire is the most accurate mirror, the truest reflection of who we are. Most people wear masks to cloud that mirror, false faces that sometimes fool everyone and sometimes fool no-one. But truth always asserts itself and so most people betray; others, causes, even themselves. But even the betrayal of self is also an act of honesty, the final acknowledgement of who we really are.
There was a time, of course, when these signs and symbols of faith were a business of deadly seriousness, when their betrayal would have begotten swift and sure punishment, when the mere display of one's allegiance was both a pledge and a challenge, but no longer. Now they are carried as casually as their wearers carry the name of some obscure fashion designer on their underwear, and given the reverent attention paid to the latter and their blasé hypocrisy regarding the former, one has to wonder which is really more important to them. Yet the symbols persist even when the meaning has been forgotten, and the majority still carry signs of fealty formed from counterfeit gold and beaten nickel, sigils that flash quicksilver in the strobing lights, leading the way like the wooden maidens which adorn the prows of ships. I used to have one of them, you know, a rough loop of rawhide the carried three little trinkets, a bunny a book and a small golden heart. It's gone now, of course, and fittingly so, the heart having fallen after the bunny down the rabbit-hole, and the book remaining unwritten, though I suppose if your reading this, that if these disjointed ramblings ever manage to make it onto the printed page, refugees finally transplanted from the wilted notebooks or the cocktail napkins that I even now sit scribbling madly on, it has been written after all and you're reading it. You poor *******.
I realized my thoughts were drifting, meandering on their own down paths that I have expressly forbidden them to tread, rambling like unsupervised children in an amusement park at sundown. I gathered them up, scolding them, trying to exert some authority in my own mind, telling myself to just take a deep breath and shake it off. I can't though, and for once it's not because I can't quiet the thoughts but because I can't seem to take a breath that is deep enough. I realized that I was panting, well nigh hyperventilating, my breath coming in quick, shallow gasps that seem to crystallize in my longs like spun glass. I take stock of myself, trying to assure myself that I'm not going to have a heart attack or a ******* stroke, noting with some alarm that my hands are shaking and my vision has narrowed into a twisting, undulating tunnel. I closed my eyes and concentrated on breathing, the darkness behind my eyelids streaked with purple and red, and gradually I became aware that those explosions of color are rhythmic, recurrent. They happened not with the pounding of my heart, as I would have expected, but in time with the music, sunbursts of color appearing each time the bass kicked. The panic diminished, replaced by curiosity, and I realized that without the shrill yammering of panic in my ear and the terror of impending death in my mind, the combined sensations are not only pleasant, but oddly familiar. It's then that I realized what happened, belatedly doing the mental arithmetic and realizing that unexpected invitation, the free drinks and the first's oddly bitter taste, the secretive smile with which it was delivered, that it all added up to a single thing. She drugged me, of course, spiked my drink with something and I didn't even notice, naive as a sorority pledge at a keg party, and oh **** was I high. I stayed at the bar, knowing from hard experience that there was no sense in fighting it, and so giving in to it. If you can't put out the fire you might as well feed it, feed it all that you can, because the sooner the fuel runs out the sooner the fire dies. So I stayed there, focusing on my breathing and letting my thoughts spiral out, catching the waves in my head as they rose and fell, finally learning to float on their crests, in some semblance of control. Calmer now, I pulled out my cigarettes and lit one, the process taking an eternity, empires rising and falling in the time between the moment when the spark caught and the flame exploded into life and the one when it reached my lucky. I breathed out a plume of smoke, a pillar of cloud that also seemed to go on forever, and as it cleared there was Bes, materializing out of the smoke like a Cheshire cat.
"Ready to dance?"
I looked at her, unable to speak for a moment, not the drug this time but something entirely, a thing that came surging up from some unsounded depth within me and caught in my throat, because when I looked in her eyes, wide and wet with excitement, her pupils telescoped into pinpricks that told me she was in the grip of the same I saw myself. Because she was looking at me the way I looked
Tragedy

— The End —