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Amanda Woolley Jul 2016
Mr Peeler, Mr Peeler, why do you creep into my room at night,
and feed nightmares into my brain to give me such a fright?
Didnt your mommy ever tell you its naughty
to scare a little girl like me?

Mr Peeler, Mr Peeler, why do you hide in the shadows of my room
and why is there a stench of doom?
Why, once you've pulled my eyelids from my face,
do you run away as if you are in disgrace?

Mr Peeler why, with my eyelids did you make pretty butterflies
once you had ripped them from my eyes?
Why mr peeler did you have to be so cruel
and never let me sleep at all?

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Okay so when i originally wrote this poem it was because i couldnt sleep very well and i had just remembered a grizzly tales for gruesome kids episode i once saw. (for those who dont know what grizzly tales for gruesome kids is, its a cartoon that aimed to scare children into being good by saying stuff like if you refuse to go to sleep mr peeler will come and rip off your eyelids because he thinks you dont need them.) . Out of all the characters I saw on grizzly tales for gruesome kids I liked Mr Peeler the best. Which leads me nicely back to my poem. I wrote this as if I was a little child who didnt want to go bed so Mr Peeler ripped off her eyelids. Let me no what you think, also i'd be interested in knowing who else has heard of Mr Peeler before now.
Jimmy King Apr 2015
For almost two years we’ve been sitting on a conveyor belt
Heading straight for the potato peeler, which will
Slice right through our thickened skins and puncture our vitals;
A cold cruel machine designed to sit
In industrial kitchens
Waiting for Sodexo’s next batch.

But we—
We’re from the farmer’s market and we are not
Four inches in diameter and six inches in length.
We are clunky. We are knobbled. We are
Purpleyellow and we are waterysweet.
We are not
Iowabland or a poem of rhyming couplets, yeah
We are free verse and we

Had *** because we’re friends.
Or maybe because
We love each other
In one way or another.
Or maybe because we’re lost
Or maybe all of the above, yeah—I don’t know, I just know

The potato peeler won’t accept us for a second.
That mechanical grip, slicing slicing slicing,
A fumbling tumbling in countless browntowhite progression,
It won't accept
Our color, our flavor, our beautiful swirling eyes,
And for a while I didn't either.
But whether we have two more months on the belt or twenty years,
I know that our knobbled progression to nowhere
Will have been one of everywhere.
Thomas Campbell Jan 2017
Oh what I’d give...
What I’d give to write within
A book whose every page is made
From smooth banana skin

The texture firm but fair,
This I long to feel
Beneath my pen which glides
Over yellow, fleshy peel

Guiding, fixing clumsy script
To exceed its usual style
Putting pen to banana
Puts to my face a smile
anyone else love writing on bananas?
Ngalala nendoda engaligqokile ijazi, ukuze
ngikwazi UKUMITHA izidingo zami.
Namanje ngisawenza umkhuba.
Umkhuba omubi wokungalaleli uma
bengishumayeza
Mabeshumayela izwi liyawushisa unembeza
kodwa mina njengeRadio Station ehlihlizayo
angnandaba
coz to-Night e Durban ngiyozidansela
iShumaya.
Ngicela utshele umfundisi wakho
Angangithandazeli.
Njengo R50,
Mina ngibomvu.
Ngibomvu izono.
Nginesono Sokuba Isoni.
Ngicela NingangiThandazeli.
A car accident, ingozi yemoto.
Shuthike bobalili BABELULA ngoba
AKUSINDANGA muntu.
Njengelanga liyozilahla kunina Bashona.
Njengokuphihlika kwe Glass, Bafa. I want you
to understand this, njengentombazane efake
uBra, Babhodile.
Ngicela NingangiThandazeli.
I had a fight with the school, Sangihlula
isikole.
Then The Church had a fight with me,
Wahluleka Umthandazo.
You tell me uNkulunkulu uyaphila?
Pho mayephila akazizeli ngani Yena, wena (are
you well) Uyaphi LA?
Noma ucwecwa amazambane uya PEELER?
Lento ayenzi sense like leaving your wife for a
side chick.
Tshela umfundisi wakho engangithandazeli.
NjengeDimoni, Angiwufuni Umthandazo.
Ngathi nguMatshidiso angfuni Nomthandazo.
Ngicela NingangiThandazeli.
Njengo R50,
Mina ngibomvu.
Ngibomvu izono.
Nginesono Sokuba Isoni.
Ngicela NingangiThandazeli.
Ukushona kwabazali bami kwaba isqalekiso
kimi
Ngalala nendoda engaligqokile ijazi, ukuze
ngikwazi UKUMITHA izidingo zami.
Namanje ngisawenza umkhuba.
Umkhuba omubi wokungalaleli uma
mengishumayezwa,
Kode Ngicela Ningangithandazeli.
Ningangicabangeli nginengqondo yami.
Ningangisukeli nginezinyawo zami.
Ngicela ningangithandi nginenhliziyo yami.
Nibaleke, ngoba anginayo icalculator.
NingangiZondi, ngiyazithulela angisiye
UNONDABA.
Ngicela Ningangithandazeli.
NgiyiNtandane ngizohlala kulesi Sibaya
Sikababa Nginibuke eSikhaleni sezinti,
Nginakhele icebo likaZungu Ngokunga Qondi
kwami lelizwe enithi liyaThandeka, Ngizoba
uMelusi wamaBhubesi vele aningiZweli noma
Nginesiphiwo eSihle nithi Ngi Bhekifa, ningenza
I shepherd ka Sathane nithi Ngi Lusifa
(Lucifer).
Ngicela Ningangithandazeli.
It was the man from Ironbark who struck the Sydney town,
He wandered over street and park, he wandered up and down.
He loitered here he loitered there, till he was like to drop,
Until at last in sheer despair he sought a barber's shop.
"Ere! shave my beard and whiskers off, I'll be a man of mark,
I'll go and do the Sydney toff up home in Ironbark."
The barber man was small and flash, as barbers mostly are,
He wore a strike-your-fancy sash he smoked a huge cigar;
He was a humorist of note and keen at repartee,
He laid the odds and kept a "tote", whatever that may be,
And when he saw our friend arrive, he whispered, "Here's a lark!
Just watch me catch him all alive, this man from Ironbark."

There were some gilded youths that sat along the barber's wall.
Their eyes were dull, their heads were flat, they had no brains at all;
To them the barber passed the wink his dexter eyelid shut,
"I'll make this bloomin' yokel think his bloomin' throat is cut."
And as he soaped and rubbed it in he made a rude remark:
"I s'pose the flats is pretty green up there in Ironbark."

A grunt was all reply he got; he shaved the bushman's chin,
Then made the water boiling hot and dipped the razor in.
He raised his hand, his brow grew black, he paused awhile to gloat,
Then slashed the red-hot razor-back across his victim's throat;
Upon the newly-shaven skin it made a livid mark
No doubt, it fairly took him in — the man from Ironbark.

He fetched a wild up-country yell might wake the dead to hear,
And though his throat, he knew full well, was cut from ear to ear,
He struggled gamely to his feet, and faced the murd'rous foe:
"You've done for me! you dog, I'm beat! One hit before I go!
I only wish I had a knife, you blessed murdering shark!
But you'll remember all your life the man from Ironbark."

He lifted up his hairy paw, with one tremendous clout
He landed on the barber's jaw, and knocked the barber out.
He set to work with nail and tooth, he made the place a wreck;
He grabbed the nearest gilded youth, and tried to break his neck.
And all the while his throat he held to save his vital spark,
And "******! ****** ******!" yelled the man from Ironbark.

A peeler man who heard the din came in to see the show;
He tried to run the bushman in, but he refused to go.
And when at last the barber spoke, and said "'Twas all in fun'
T’was just a little harmless joke, a trifle overdone."
"A joke!" he cried, "By George, that's fine; a lively sort of lark;
I'd like to catch that murdering swine some night in Ironbark."

And now while round the shearing floor the list'ning shearers gape,
He tells the story o'er and o'er, and brags of his escape.
"Them barber chaps what keeps a tote, By George, I've had enough,
One tried to cut my bloomin' throat, but thank the Lord it's tough."
And whether he's believed or no, there's one thing to remark,
That flowing beards are all the go way up in Ironbark.
Grace Apr 2017
My quick wit becomes lack luster
When you promised
It was what made me shine
But you don't have room for a woman
With a spit fire mind

Not your cookie cutter woman
Fitting into a too small of frame
I am quick wit and a sharp tongue
Fast enough where you just might miss it

But my sharp tongues only valuable
If it's tracing up your thighs
And my brains only beautiful
If it's firing impulses
Saying **** him right

You want the pieces of me
That fit the mark
Potato peeler to the rest
What makes the cut?

I am not programmable
To be the person that you dream
Nor would I ever want to be

It took years to come into my own
To cherish this olive skin
And cement bones
To admire my passion
And let it fuel my fire

Believe me, darling
I will burn it down
I am enough and more
SkinlessFrank Sep 2016
my father was a
veterinarian
a lazy one at that

and when I was born
he simply stood by and
watched as my mother
circumcised me
with a carrot peeler

the trauma left its mark so to speak
mom and dad split up
when I was five
she ran off with the butcher's wife
he patented universal acid
a liquid that no container can hold

we don’t talk much these days
and the earth is slowly dissolving
Poetic T Mar 2017
I felt the edge of my nightmare, grasping to the subconscious
worries that were clinging like venomous fangs delving inwards.
Dreams were a potato peeler on the different skins that
were pealed from my normality to what turned metaphorical
hairs white, I screamed in high definition of speechlessness.

Have you ever woken to find that the reflection of what was
coherent within your diluted dreams had clung to your eyelids?
Escaping the dreamscape of illusion and collecting into the
tear ducts of deliberations connecting eclipses of reality
that was a mirage of what I conceived in both verses.  

I had awoken in momentary seclusion, short lived like a
verse of a haiku that versed much but bleed more than it
had versed. I was a paradox of complexity, my tribulations
were collecting in lagoons of reality about to burst.
I was immersed in a mirage of impulses and needed to visualize.

I felt the edge of my nightmare, and it penetrated like
satin fissures on my delicately woven reflections.
Those that stared back upon me, expressing their intentions.
We are a motion of luminosity and twilight and our
dreams weave a thin line that lingers in our dreams..
Vivek  Dec 2012
Swinish Dream
Vivek Dec 2012
Before paper bills and money
We'd share all those beans,
Wild flowers too and honey
Not anymore but in lucid dreams

I'd strike a chord
One maybe two
But if you climb aboard
Many more, I'll show you too

With no baggage wish I were walkin'
Roads traveled and those not, havin' some fun
Sigh those bills!! no I ain't complainin'
Here on the eleventh floor, I'm just cleanin' my gun

Downed my whiskey, while the peeler swayed
I kissed goodbye to a beautiful flight
Lay rocking by the moonshade  
"Make that a double" I said, "its a cold one tonight"

Before paper bills and money
Cosmic harmony was the terrestrial theme
By the Clyde over tomorrow's journey
I'll Breathe My Swinish Dream!!
Mel Holmes  Dec 2013
Fall Break
Mel Holmes Dec 2013
The drive home--too soon--from the evening’s celebrations:
scattered street lights, golden hues moving in epileptic waves
the unconscious coast on the interstate
for you, the half-drunken dance with raw chicken giblets
which fell to a ***** floor, with a flying, broken peeler,
skins of butternut squash, my
confidence.
Four hours pass, I stay on the couch with my wine,
the cat, & fresh salt streams ‘til sleep arrives.
You left me to be
with a dead chicken.
Lonesome Saturday eve.

— The End —