I wrote this about a year and a half ago, so mind you, I was but a mere 14 and a half years of age. I've detected problems in the plot and grammatical errors, but I don't want to take away from what it was when I first created it. Thank you.*

There are times that I decide that I must stop, so I pause in my placid, scheduled routine, and wonder about life, and how I came to be such a disheveled human being. I stare at the repetitive pattern of white squares on the ceiling, count the squares a couple of times (it's always 54), and just think. My thoughts bounce around my head persistently, I can feel them hitting against my head, back and forth, back and forth, never stopping. They slither like evil, determined serpents, throughout my veins, around my face, between my fingers. My thoughts fuse together with my dreams, intermingling with my memories, desires, the lies I was fed every day as a child, and the constant anger so close to the surface, but for what reason it is truly there, I was never able to figure out.
Each time I feel the need to think, I start with the same beginning, that same beginning which my mother repeated to me so many times, every morning, every hour on the hour, every night. “You are Todd Stevens. You have beautiful green eyes, the color of emeralds. You are as quick as a fox, and as sharp as a needle. Your mama loves you very much. You've got a great future ahead of you. You killed your sister, Holly, but mama still loves you.” After that, which was so deeply penetrated into my skull, it would be impossible for me to forget it, my thoughts would wander and dwindle down the stream of consciousness.
On this particular day, my thoughts were focused on my current position in life. If I had such a great future ahead of me, why is it that I'd been locked away in an asylum for the past ten years? My mama never lied, she was the best thing that ever happened to me, except maybe Holly. She was my twin sister; we looked so much alike, we could get away with trading places and mama would never even know. We both had the same cropped tawny, brown hair, piercing green eyes, and olive colored skin. I looked down at my flesh, and saw my sister's hands before me. I tried to remember the last memory I had of her, tried to remember how I killed her.
“Todd,” she had called out from behind a door, the door my mama always told us never to go into, 'cause it was our daddy's workshop. “Todd, please help me.” she had whimpered.
“Holly, I'll help you.” I yelled, clawing at the door and grasping for the doorknob. It wouldn't budge. My mama was standing at her doorway, looking at me with the most pitiful eyes I had ever seen. She was sniffling a whole lot, and had one hand behind her back. I became entranced in her stare, and I immediately ignored the small cries of Holly from behind the door. Mama starts approaching me, and I saw something silver in her hand. And then it ends, just like that. I never saw or heard about Holly again. A lot of my memories ended that way, seeing mama come at me with a silver thing. But I always woke up, very happy, if not a little bit ache-y. She'd sit there and run her hands through my hair, and murmur her repetition to me, over and over. My name was still Todd Stevens, I still had green eyes, I was still quick and sharp, mama still loved me, I still had aspirations, and I still killed my sister.
Mama was always the best thing in my life. She loved me a lot, really cared about me. She never truly appreciated Holly as much, but that was fine by me. Sometimes, when Holly had been jealous, she'd yell at me, so loud that it pulsated throughout my head like the ocean waves on the shore. I'd never been to the shore, but mama showed my videos of it all the time. She never let us out of the house, she said she didn't want the other kids laughing at us. I would ask why anyone would laugh at us, and she would just smile and shake her head, and say, “Oh, you're special Toddy.”
I look up at the ceiling again, because I'm feeling too emotional, and count the 54 squares again. Thinking of mama always makes me feel funny, especially when I think of the day she sent me to the place I've lived in ever since, this asylum I call home.
It was all of a sudden, one day out of the blue. She looked at me with ferocious, hating eyes for the first time in my life. Without words, just her intense glare, she forced me to go to my daddy's workshop door. She was breathing real heavily, like she did when she chased me around the house and scooped me up into her arms, and kissed my forehead. This was not one of those times, though. She pointed at the door.
“Go.” She commanded. I never said no to my mama, but I was scared and stuck in her trance again, like I was when Holly was calling out to me. Mama began to walk closer to me, her hand still pointed towards the door, shaking. “Please,” she begged, her face instantly softening, “I can't do this anymore, I'm sorry. They'll take care of you, Holly. They're much better than me. I'm not a good mama. I ruined you.” She then began to cry, and I had never seen her cry before. It was all too much for me, so I twisted the handle and left that house once and for all.
I ran and closed my eyes, because I didn't know what I was going to find in daddy's workshop, and I didn't want to see Holly after all that time being so far apart. I didn't think as to why mama called me Holly, or why she abandoned me after so long. I left mama behind me, and sometimes, if I think hard enough, I can still hear her cries.
What I found behind that door was absolute nothingness, like a dream of black fog, thick and enveloping, not letting me go. Pictures appeared before me, quick and not ceasing. The pictures showed me and mama when I was born in a hospital a long time ago in a place I didn't remember ever seeing. One was of me and her, right when I was born. She looked so happy and at ease. Then, another picture showed mama with another baby, it must have been Holly. What confused me was that she was real blue, and wasn't crying, and mama's face was all contorted in this strange look of horror. I shied away from that picture, it made the anger come up again, the worst it had ever been. I screamed in this strange state of delusion, and that picture was replaced by ones I didn't recognize in the least. Mama was in one of them. She sat in a small cell enclosed with metal bars, and looked completely lost and alone. She looked much older; her once black hair was a shade of silver and her porcelain skin was cracked with age. I wanted to comfort her, to reach out, but that snapshot was then replaced with another picture, of me, with long brown hair, green eyes, and a door behind me. I smiled a goofy grin, and pointed at the name plate by the door. It read, “Holly Stevens.” Then, like a movie clip, it showed me opening that door, looking around a small white room with 54 white squares on the ceiling, sitting on the bed and smiling, then the door slowly closing behind me.
I look up at the ceiling once more. I count. 1, 2, 3, 4... Subconsciously, I knew I had just stumbled upon the truth, but I would never let myself admit it. After all, my name is Todd Stevens. I have beautiful green eyes, the color of emeralds. I'm as quick as a fox and as sharp as a needle. My mama loves me very much. I have a great future ahead of me. I killed my sister, Holly, but mama still loves me. ...51, 52, 53, 54...

Frosted lips met rusted leaves,
Surprising both parties at its rightness,
Between the freezing and the warm,
Between the snap and the crunch,
Between Autumn and Holly.

Hearts met in the mix of November,
A tossed salad of a month where both coexist,
They met with eyes of brown and blue,
And to their shock and everything else managed to meet too,
Between Autumn and Holly.

As the eons went by,
They muddled through ice ages, warm fronts,
Surviving only in the holy sanctuary of each others' arms,
And even when their battling storms came,
They came out with hands locked,
Gladiatorial victors of all things wicked their way come,
Possible love strung between them in the month of November,
Between Autumn and Holly.

The world grew below them,
and they did their work exactly as the atmosphere demands them,
They can nearly feel it in their bones when each meteorological tide must come,
It is the way their work happens,
And the way their world, our world turns,
Between Autumn and Holly.

Yet as humankind appeared and grew there was something stirring,
There were mechanisms and smoke clouds and an unbelievable flurry,
A heavy weight of some subversive demon latching itself lightly onto the lovers,
Then deeper,
But they refused to open their eyes; their earth and humanity won't either,
So the demon festered and grew to breathe noxious fire,
Eventually making the air too caustic in their ignorance,
Between Autumn and Holly.

Words could not be spoken after the inevitable occurred,
Autumn's world is near dead from a new, ferocious Holly storm,
A touch of the hand is all each heartbroken season wanted,
But they and the world stayed silent when everything's wrong,
And those fingertips and their vast love and brilliance created this hell,
A silence and death fell onto the possible love that possibly could have been forever,
Between Autumn and Holly.

Silence is their new normal,
Quid pro quo, in a way,
Holly's eyes scream her sorrow and guilt,
Her lips, on the other hand, say nothing,
Instead of their beloved, romantic November,
They now only meet for work,
The world becomes more chaotic and its weather distressed,
And the chasm between them grows larger with each atmospheric catastrophe,
The squalls screaming like their broken hearts,
All created by their ****** brilliant fingertips,
Between Autumn and Holly.

All they have left is staring down at their world and their humanity,
Hoping one day their November, their seasons, their world can be its own again,
It is too late for them to change the tides of the atmosphere,
But across the chasm they both somber and hope one day, some day, something can bridge the divide and:
Calm the atmospheric disaster,
Calm the storms,
Calm the world,
A maybe even fix the possible love that is left,
Between Autumn and Holly.

I watched “Breakfast at Tiffany’s” last night - we’re going to be reading Truman Capote’s book after the break and I wanted to start thinking about it. The movie rewrites Truman Capote’s story, turning it into a romcom, completely eliminating the book's gay themes. I’d seen ‘Breakfast’ before, but now I’m a little older, and as a single woman, I can better appreciate it. I’m looking forward to studying its socio-****** themes. These are some first thoughts.

Let’s take the opening of “Breakfast at Tiffany’s.” The images are iconic and some of the most widely repeated in pop-culture today (Hello, ubiquitous dorm room decor), but they’re never used in a way consistent with their function in the film. Instead of seeing a horribly depressed girl who has nothing left in her life but pure escapism, people see a beautiful woman with apparent access to luxury.

When “Breakfast” came out (in 1961) there was a sense, within the press and wider public, that even a neutered version of Holly Golightly represented a cinematic moral nadir that posed a threat to society. Whether Holly was a “moral character” was up for debate in countless reviews of the film. Today, this seems absurd.

Today, Holly is seen as an aspirational figure. With her opera gloves, her intricate updo, pearls and Givenchy little black dress, she looks like someone who belongs at Tiffany’s (of course, the casting the euro-elegant Audrey Hepburn didn’t hurt). Truman Capote wanted Marilyn Monroe as Holly - that would have been a very different movie.

Watching the film, I was struck with how contemporary Holly felt. She seems so familiar - so similar to the countless imitations we’ve seen since. People watching the movie for the first time today may be underwhelmed, but Holly seems so contemporary now, because she was so ahead of the curve back then (just over 60 years ago).

If you look at the popular romantic comedies that surrounded ‘Breakfast at Tiffany’s’, like “Pillow talk,’ ‘Gigi,’ and ‘Giget’ - their leading ladies were nothing like Holly. Being a heroine in those films meant you strived for marriage, you saved yourself for your one true love and, as a woman, you avoided certain subjects altogether. They imply happiness only comes from following a certain good girl ethos.

An example of what could happen to a girl, if she strayed from that path, was shown in Elia Kazan’s ‘Splendor in the Grass’ which also came out in ‘61. Its theme is the consequences of ****** repression, and it outlines a specific cinematic binary. There are good girls and bad girls. The bad girls were usually presented as sad and mentally unstable - and they paid for their sins in the end - usually by dying by some karmic punishment (car wrecks usually).

Holly sits somewhere in between good and bad, complicating the cinematic binary. Because Audrey’s elegance plays her as classy, warm and accessible, she doesn’t come across as a dangerous wild child - although she makes all of the bad girl choices - like partying, drinking and having ***.

For women who grew up in the repressive 1950s, Holly represented a new path forward. Holly lived on her own, she didn’t crave marriage above all else, she didn’t want to live in a cage, and she managed to have a good time without being victimized or doomed. Holly was noticeably different. The pill came out in May of 1960 (one of the watershed events in human history). Holly was Hollywood's first post-pill heroine, representing the ****** revolution before Betty Friedan’s ‘Feminine Mystique’.

Holly lived in darkness,
Holly lived in pain,
Holly heard the voices,
from deep inside her brain.

The voice that called her useless,
The voice that told her "Cut".
The voice that called her bad,
the one that declared her "****".

Holly told the doctors,
about these things inside her head,
They said she'd grow out of it,
as they sent her home to bed.

There beneath the donner,
she stayed huddled up for years,
The voices ever getting louder,
they kept adding to her fears.

To day a mother lost her daughter,
they never got to say good-bye.
All the time the voices watched,
they watched Holly die.

(c)  10/May /2010

Holly, Ivy & Mistletoe.

Holly, Ivy and Mistletoe for Yule
Celebrate the return of the light
Deck your home with its greenery
And ribbons of red, green and gold shining bright

Ivy for the Lady, Holly for the Lord
Mistletoe for fertility, the Sun God reborn
Light up your home with candles soft, warm glow
Hail and welcome the new born babe this Yuletide Dawn


Blessed Be



Yule 2012                                           Nerwydd Dragonborne

Holly and Ivy
Walked in the woods
Discussing who was the best
Holly was hoping her rosey complexion
Would maybe outshine all the rest.

But Ivy thought Holly was surely forgetting
The shock of her prickly demeanour
She was convinced for sure
The king would adore
All that was so special about her.

Now Ivy was bit of a hugger
You might say a lot of a clinger
But she was convinced
Her warming embrace
Would win over the king no matter.

And when the time came
For the winter queen crowning
The king of the woods was clear
He chose as his queen the lady he fell for
And it's Holly who now wears his ring.

Today it is snowing,
and redwings are in the holly tree.

Yesterday it snowed
a soft, wet snow
that clung to the bare twigs
of the trees in the park
turning them into mounds
of silver filigree.
The holly tree in my garden,
scarlet berries, dark green leaves,
and branches covered in white
was a picture fit for a Christmas card.

Today also it is snowing,
and redwings are in the holly tree.
They come to my garden
in hard winters
looking for food,
and the berried twigs I would have cut
to decorate the house
will not last long.
A score of beautiful Scandinavian thrushes,
flashing their red underwings
as they flutter in the branches,
will finish the harvest today.

It may not snow tomorrow,
but the frost will preserve the snow
that lies on the trees and gardens.
The redwings will find food for a few days more
from the crab-apples in the back garden
before they move on,
looking for their next meal.
Sorry as I am to lose my holly berries
– for I shall have none to decorate the house –
I shall be sorrier to lose my lovely visitors.
But today it is snowing,
and redwings are in the holly tree.