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John Jordan  Jan 2013
Flatline
John Jordan Jan 2013
.     .     .     .   knew highs                                                      
                            /\                                                          
.______________/   \      /\    ____ _ _ _ _   
see this line ^             \   /    \/    now back to snoring               
flat, dull, boring           \/              flatline = status quo              
                              knew lows       flatline = comfort zone        
    
     this high
         /\
       /    \         /\
.___/        \     /    \ _________________ _ _ _ _      
                \/            and the hospitals all know
            this low            that flatline = death
     .     .      .     .     .     death by Cenophobia
Cenophobia is the fear of new ideas
There is no sound,
There is no breath,
There is no movement to say your awake,
There is a long beep,
There is a red line,
There is no up or down,
There is only a flatline,
There are no flashing lights,
There is no sign of life,
There are only two options,
1.to wait for hours till you die alone,
2. to cut your plug,
cuts your plug
There is no flatline,
There is only a living person,lost in time,
There is no more of you dying,
There is only a misinturpreted flatline.
Desmond the poet Apr 2018
When we met, love Obnubilated me.
I became bananas about you.
I wanted to be luculent.
Just to be Pauciliquent.
I however felt like a blatherskite.
You probably thought I was a glaikit.

Did I sound like a meacock instead?
If so, it’s due to kakorrhaphiophobia.
I might have operose my feelings.
Did it seem like I wanna mamaguy you?
You behaved like a frondeur.

Your callipygian body looked extramundane.
Your hair looked ulitichous.
Did you feel like I lusted your Callipygian shape?
I foresaw a love that won’t flatline.
If it does, it will be eucatastrophe.

Now we’re together, I’m disenthrall from Misogamy.
You’re a deipnosophist and a mixologist.
I’m edcious.
To keep you happy, I share a boffola.
To me, love felt like a Humdudgeon.
Using rare and probably used words to express how I felt when I met my wife for the 1st.
SG Holter Sep 2015
Words find their way.
Hearts speak through fingers.
Reading eyes are mirrored in
Ink systematically spilled in
The shape of sounds
And minds.

A pen resting on the table is a
Flatline.
A blank piece of paper merely
Dead, compressed wood.
Don't deny us your genius.
There is no try in poetry.
Mateuš Conrad Nov 2016
could you ever, with your ears, express a piece of music, as: fluffy? dark soho's piece is fluffy; and by god i was the pretentious one at the beginning of the 20th century critical of the emerging music... but i'm the one merging at the beginning of the 21st century: and it's a T.S. Elliot scenario: the overload of rhythm: industrial core due to the industry being foetal sieg heil! and so many have fallen for the nostalgia trap... it's not coming back: against the thump thump gyroid reproductive muscular we emerge from... for whatever lack of drums in the orchestra: we're paying for it with an excess of techno techno Bob the goldfish cardboard box dance sequence... or as some would suggest: filling in the gap about the joke concerning a triangle being a part of the orchestra and the person educated in it, rather than the harp.

ah, the blank, and i have to work on it: let's imagine i was just
cooking a pork stew for my father and you don't
bother to ask why someone's surname is written
Raßer - and you don't know how
to pronounce it: and you end
up with razors - which you end up saying
racer - or how about sharpening
the s into a zed - how's that?
this is surgical activity while you you're
at at the butchers: necromancy aplemty:
when god speaks, the devil whispers -
American divergence of the pronoun
y'all / you all -
                           we the safeguard
and they the paranoia -
                                    take it slow,
imagine yourself living in Alaska:
you're exposed to the elements
and Prometheus isn't handy:
  all you have is west London drool
that later translates into easter in London,
Ld: isn't even an postal code:
given Greenwich, bellybutton on the world
they're bound to abuse / feel special
                 about, it's just a John Bishop
          Scouser type of beating.
                  ya - i say i aye, you frostbite of
culture, ya yarn ball of ****!
    oh 'ere we go: the red-coats are hunting
foxes: sort of scenario -
   the sooner they ******* a killing
the better for me: 'ave that one with a grizzly:
             some say the longer the yawn
the greater the applause -
      yo! Yogi! turntable of Las Vegas
says you better gamble on hibernating in the
effing Hermitage!
  - we say a lot of y'all when we imply the
plural, don't we? terrible, ****** thuggish
'n' all, to say it.
   i have five pages worth of notes,
and even though i'm drunk,
i came across a foundation, i'll never be ask happy
at i am right now,
   i signed a copy of my book (look! i don't
have a publicist, i don't have the ******* swagger,
i have the inferno that says:
  when the writing dries up, get a proper job;
if the writing doesn't dry up?
             you're less than necessary than a
supermarket shelf-stacker...
                 there are succumbing reasons that
explain the affair later) -
      no i'm about to sell my first copy -
  i say to her: when you working this circuit next?
Friday night? i'll tell you how much i'm selling
for, well: i'll never be this happy: ever -
it really doesn't matter how much for how little:
   i'm not exactly a family animal: farmed -
i'm political: through and through -
   by the time i finish this whiskey i'll be
demanding something new...
    i don't think your able limbs do idle chores:
i just think admire that they do them
and hardly complain: i blame it on the workers'
encouraged banter - and that's called solidarity.
still, right now, it's all about
dark soho's: dark moon in stonehenge -
       or why you never take l.s.d.
   question arises with Bach...
and polyphony - again, non-linear polymers:
   back when the Germans were at it
music sliced through the air
                   - or the modernity of lost
string (quartets) and woodwinds -
          only the thing plucked rather than in slicing
stroked kept from the strings:
    it was truly a devolution via brass -
   you can have the iron age,
but this is the brass age -
                   and subsequently the evolution
or filling the void of orchestral percussion,
which began with jazz: how orchestra was stripped
of woodwinds and strings and elevated
the humble triangle and enforced drums
and the rhythmic transcendence of limb and heart
and less ear and mind -
           oh the spontaneity thus involved:
forever the enigma of the composer's ability
to say much more than *A
, when saying in A# -
oh hell: music used to be the Mongolian horde
of all things imaginable,
                  the screams, all the entrenching
embodiment of battle: soothed -
  but in our apathetic guises: music is a variant
of the once exfoliated, thus hushed:
music is expressing a war in waiting - or a war
that's not to be - once music music ascribed
wind and tornado toward its elemental composition -
these days there is less wind, and more earthquake:
we are exposed to a trembling -
           an overt percussion methodology:
that's not fire and the storyteller / poet by
the lonesome huddling of nomads by the fire
with oud and recitation of the to come Quran:
we are experiencing a complete reversal of wind:
here we have dark soho's tectonic cardiovascular:
over stating the percussion until the eventual
obliteration of breath, and subsequently
the flatline of the heart's rhythm: to reach the zenith
of a flatline: beehive musicology.
         it's all earth: and the quaking
rather than a waking into.
                  sure: to the alien ear outside the populace
of those that listen to that kind of "****":
but let me assure you:" you can intellectualise
anything beyond the guilty pleasure:
or else - care to disclose your opinions about doggy?
once we were slicing and ******* -
these days? we're hammering, Soviet committee
said: hammer hammer hammer...
            gravitational drilling against the Catholic
lessons of worldly-detachment akin to a Gagarin:
and all the world's problems morphed into
an image of moving away from earth...
    far far away...       well: we're grounded, like it
or not.
              i love that: y'all -
                          it's as if we all need to agree, ~.
and what better way to actually open a poem up
if not to say how prose is a miser and poetry
the mad spender, or compose: he had / another thought
he wished to take / but...
           originally
                    he had
                  another thought he wished to take
                 but...
saving an Amazonian tree, suggesting that: one by one.
i'll sell my first copy on Friday,
i just need to know how much money was put
into printing it -
   and it will be the happiest i'll ever be -
who cares that it's only 1... if i were selling
100,000 copies i'd be thinking of buying a Mercedes
to do away with the capital...
      oh right, the poem (six pages of notes):
the question, what does it all mean?
       i'm thankful that the all means very little,
or at least enough for physicists to take a bother
in answering:
               i'm just thankful to say that at least
bites / bytes / isolated units have more meaning
than the whole... i.e.?
do i care what the universe means, more so
than i known what the word darkened means?
                 pause for thought -
the well established organic search engine that memory
is: and never will be: an algorithm (engine) -
           still the organic variation of accessing it
reveals Rodin's statues -
                        post-Rodin (Rho-dan: ****** iota!
why so naked in the first place?!) -
            the point where it's not so much enigmatic that
you wish to replicate: but entomb, and mould
a statue worthy of the perpetuated cut-short
and mediating the idea that thought has also
the faculty of imagining and memorisation
that hardly translate into being via ergo...
       if that's the case: you're demented via the
ergo of memory... and deluded via the ergo of
imagining -
                      or Frankenstein / Disney respectively:
but never the extinguished cogito, somehow,
oddly enough:
                          and by the way - no one is going
to question my opinions because dialectics was
giving the hemlocks... my opinions
will only become passed around like Bulgarian
Versace copyright thefts, or because they
were never ideas: attachment .pdf
                   will never entertain someone else's thought,
or because they were originally always opinions
will be consecrated on the attachments of .jpeg:
ever wonder why the crucifix always
mobilises so much emotional foundation to
react and protect a torture-filled instrument
worthy of worship? me neither.
                but that's the whole beginning:
we ensured our memory is eroded by an easily
accessed algorithm - we prefer the goggles to
mensa -
                   and if i were a technophobe: e ah e ah oh...
McDonald would turn out to be McTrump:
'cos' i wouldn't be using it.
              then how to synchronise the senses:
you surely can't leave one the prime consumer of
all the things around you:
     i guess that as stated: you can't live out a life
whereby one is polarised, and the others recessively
make your thinking into potato -
   then again: not polarising one of your senses
will leave you thinking that old fantasy that
you live in a hologram "reality": which i mean by saying:
if one of your pentagram limbs isn't polarised
like a blind person, your thought will claim a sixth
sense status - and subsequently you'll experience
either a second chance of allowing one of your senses
to be stressed / polarised, or all your senses will become
overpowering your non-sense: that's thought into submitting
to a polarity / vector: kindred of
the manual worker feeling his trade take
perfect replication -
a composer polarised by "hearing" -
a painter polarised by "seeing" -
a poet polarised by "speaking" -
a chef polarised by "tasting" -
   a perfumer polarised by "scenting" -
and within the sixth sense extension:
a politician polarised by "thinking" -
  the first antonym suggestion comes within the latter's
parameter: mobilising or puppeteering:
would i care to find variations for the latter? no.

     interlude... opening of page 3 of notes on a windowsill...

and how often is soul ascribed a sensual dimension?
i guess as many a time thought isn't ascribed one:
necessarily made into nonsense.
soul? what do i mean by that? the part of you
that isn't indestructible, but, rather,
the part of you that feels that ease: the uninhibited
correlation (verbiage necessary, darling,
if you want the gist of it) -
when at ease you're not really ascribing to yourself
thinking, but a narrative -
  hence your notion of being indestructible,
or young.
      when thinking is easy we're not actually thinking,
we're narrating, hence the majority of us
are clogs in the machine, and once the machine works
we're upbeat about it, because we prefer to narrate
ourselves into life than think ourselves into it:
primarily because (even i included):
we lack a public addressal attache to make
vague concerns over our: inhibitions -
we are entrusted with inhibitory encrusting
for the sole purpose (we should be afraid of
suggesting): let's see who falls off the ferris wheel
first and we can entrust our congeniality toward
the joke: thank **** it wasn't me, later...
          but still:
if were were really intended to think
rather than narrate we'd be given global warming
solutions everyday...
   there's nothing in us that suggests an 'ought',
a moral choice to later say: thought
                      that could fish-hook us out of
kissing the narrative goodbye -
  narration is an undisturbed faking of thought -
as such the 'ought' is never thought of:
because there's a narrative going on
that's more important than anything requiring
even the most basest obligation.
       we are never obliged to be, because we are
never obliged to think: it's strange how the
two are anti-synonymous due to the ergo disparity:
as if one produces the other, or the former
the latter.
              thinking you're good never precipitates
into being good - and vice versa:
   for all i know i know fake rather than falsifiable
saintliness: the power of the scientific
  suggests that i should be Baron von Scorn
when it comes to the ignorance of testifying
         against people who abhor science
and reproduce, nonetheless, with failure to
transcend deformities: because deformities are
glorified and all forms of ability demonised:
so it looks quasi-Vatican-e.
                   preface to a Michelin star:
start with a ******: work your way down:
enjoy your meal, bygones-be-bygones:
you very happy people.
                  but i never understood why
the idea of thought has never the opinionated phrase:
me, exponentially, to no book's avail!
        p.s. as to be ever written!
    thought conscripts man to rubrics -
for example? examinational candélabre -
  some call it i.q., other's call it: for god's sake man,
****** shoot! shoot!
                        and the flying toes and digits:
thumbs away: booh booh Blitz.
                        first thought: that Jersey song:
fifth of November - that Fawkes ****
who almost.... n'ah.
                            in case you're narrative:
thought has its narrative: it's transcendental -
phenomenology comes into play with
narratives and Lady Gaga and how you're an
"individual": thought is acquired trying to transcend
atomic electron orbits that says: electron clouds -
or it's there, but it isn't there, but it's not there,
but it's there: huh?
                         narration conscripted to the rubric
of school exams at school: palpitations, sweat,
nerves... in this scenario thinking is actually
regurgitation -
                          actually we're still doing the Elvis
Costello hope: while narrating we pass from
these shackles of having to think lessons through
when in fact: we're gearing to having no need
in having to learn them primordially, period!

the paranoiac "they" are eroding our protective
membrane -
    they begin with memory -
         it's not that we care to remember certain things,
but by educating us in the Pythagorean theorem
they're not necessarily dressing us in bow ties either -
they need to implant an abstract educational
thought to replace our natural assimilation into
a narrative that we ourselves have created -
       they need to create erosion within our
memory to stop us coagulating our sense of memory
within a framework of us imagining backwards
rather than forwards:
      the cinema of the mind means memory utilises
imagination to do cartwheels backwards
rather than forwards: because forwards is always
a Disney pharmacology of the neon hyper colouring.

or how they made us escape the "Alcatraz"
of the couch of cognitive narration into an
iron maiden of thinking -
                    in this realm narrating is disparaging
from thinking: narrative is a comfort zone:
thinking is a discomfort zone -
                       but neither me nor you will
become a Newton in terms of narrating the ideas:
so why the hell would they want us to think?!
       concerning Heidegger:
the problem is not that we're not thinking -
the solution is that we're narrating and have
no urge to write books, and thank god for that!
               or man, as the pentagram of the senses,
reversed into thought as the sixth sense calamity
and reversed back as that sense missing
and the tetra exemplified...
         when learning what is the weakest point,
the audio or the optic-receptive stimulation?
                         i mean, the senses over accuse
thought's complexity as if it were a sense akin
to them, hence the suggestion nonsense;
well of course, thought is actually non-sensory -
     i just suggested that when thinking
i'm not polarising any of the penta -
         i'm suggesting that when thinking i'm
invoking the tetra - as if blind or deaf -
but that means i'm deviating from the superstition
that a sixth correlative mediatory balance exists
between the two dichotomies -
                            the senses will always treat
obscure thinking as if obscure narratives:
even though i know how much a price of bread
costs in the 21st century -
                              what i'm saying is that
the nonsense assertion is also true for the other:
not having had the chance to polarise one
of its senses to point toward the artefact use of
wh
Frank Ruland  Sep 2015
Flatline
Frank Ruland Sep 2015
~~vVvVvVvVvVv~~
Clench thine chest; feel each tremor in your spine
--vVv===vVvVv===vVvv--
rattling the Dead we all harbor inside
--vVv====vVv=======--
Cherish every cardio-clysm, lest you flatline
--==================--
Just because your heart is beating does not mean you are alive
nivek Mar 2016
Waiting in the wings the flat-line holds her breath
but she knows she always wins, in the end

and her holding her breath is for her own amusement-
a game she daily plays with death.

hooked up to her video game
all a heart can do, is play her game, and wait.
LJ Chaplin  May 2014
Anatomy
LJ Chaplin May 2014
Stripped down
For the World to see,
Beneath flesh and bone,
Deeper than marrow and blood,
Right down to the soul.
Let them see the veins,
Let them watch as my heart
P  u  l  s  e  s
Nestled between heavy lungs,
Shrouded by an aching ribcage,
A heavy blow
That makes me stumble and fall,
Bruises,
Grazes,
Flatline.
Make another incision
While I lay upon the operating
Table,
I don't know what you are searching for,
Nor do I know what you will achieve
when you do find it,
But it isn't here.
Love cannot be found by extracting cells,
It cannot be discovered through
The translucent glow of an X-ray,
Not even an autopsy,
Removing each piece of me,
Could speed up the process,
It's lost,
It's incurable.
Jade  Oct 2018
Swan Song (Warped)
Jade Oct 2018
Heart skips
like a warped record,
trembles over scarred vinyl
until "I love you"
tastes incomplete:

(I)                love                 you

I                  (love)               you

I                   love                (you).

My Swan Song mewls off key,
cascades across the
marred terrain of my soul
in a thick lacquer of tears.
Notes flatline
in unison with my
waning pulse
(waning, like the face
of the moon on the night
of my eighteenth birthday).

My breath
resigns to static,
dances in slow decrescendos--
sputters its way
towards nothingness,
slipping rapidly from
my consciousness until
I no longer hold
any recollection of the music
(or the poetry).
Don't be a stranger--check out my blog!

jadefbartlett.wixsite.com/tickledpurple

(P.S. Use a computer to ensure an optimal reading experience)
Mike Jewett  Feb 2015
No Violets
Mike Jewett Feb 2015
Moonup, shades of sangria
hazed in mothwing
      dust

motes. We wrap in
flannel, tartan Seattle
      warmth

accompanied by smudging sticks.
Batteries never charged-
      defibrillator

shock. Flatline.
You said no violets (you
      didn’t

mean it). Moondown takes
time- scores of swaying shadows
      to arc

the parsecs. Inherit starlight,
bank it, never blink; wet stones
      echo

in the noise of stars.
betterdays Apr 2015
words fall
like hapless fledglings
tossed from a cliff edged nest

with much screeching, squawking,
countless feathers lost

and then an awful thump
or hopeful, glorious flight

first love is tachycardiac love
all adrenaline, sweating palms
and stutter-stumbling sqeakings,
ungainly gropings,
when not with you, mopings
unrealistic hopings
for happy ever after endings,
breakings, bendings,
awkward mendings,
repeated leavings,
repented lovings.
heartfelt givings,
of broken hearted rendings.
lendings,
of time stolen from life
tearing, teasing,
tantalising teamings
crying, begging,
pleading strife
and then,
the metaphorical knife
cutting, slashing,
wordblow bashing,
screaming, reaming,
end to loves life.

til eventually, words fall,
like old birds leavings
to settle, unremarked upon
at the base of the tree of life.

first love's loss, is slow dying.
arrhythmia to flatline
in a multitude of laboured breaths
and long lingering sighs.
a loss of warmth,
from breast and thighs
and water copious,
falling from red rimed eyes.
sobbing, murmuring,
don't know whys?
from lips turned
toward,
bleakset skies.
as one settles firmly,
into black dog muck
no longer able to give a f▼ck.
tucked in tight to sadness,
lost all sight of former gladness,
caught up and shackled tight,
to the badness
around and around,
the carousel goes.

then,
at last,
the blessed silence,
as you die
one of many of....
                    life's little deaths
prompt: write an anti-love poem...
not sure whether I met or muffed the brief....... but it is the first piece I have written in a fair while that had an easy rhythmic flow for me...so I am considering it as a crack in the big white wall that is the creative block that I am battling with.

— The End —