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tangshunzi Jun 2014
Questo matrimonio balla la linea tra giardino e rustico ;prendendo la bellezza naturale di una cerimonia all'aperto e abbinamento con la bellezza industriale del Sodo Park.dove da pranzo in stile familiare regna regina .E piegato in graziosi dettagli è abiti da sposa on line l' abilità di progettazione di McKenzie Powell .belle immagini da Bryce Covey fotografia e un video di nozze da Super Frog Salva Tokyo che è andato virale per una buona ragione .Date un'occhiata qui ancora di più.

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Da Sposa .Così molti dei nostri amici e parenti viaggiato incredibilmente lontano per essere al nostro matrimonio a Seattle .quindi abbiamo davvero voluto tutto il giorno .non solo per essere una festa.ma sento come una grande cena di famiglia in stile .Abbiamo tirato un sacco di ispirazione dai terrosi .cene comunitarie avevamo sempre adulato in Kinfolk .così abbiamo messo l'accento su avere lunghi tavoli comuni fattoria .una tavolozza di colori neutri / caldi .e un sacco di verde e di fiori .Abbiamo anche un colpo con un bellissimo spazio di accoglienza con soffitti alti e travi a vista che non richiedono alcun fluff supplementare .

E 'stato sorprendente vedere i pezzi si uniscono il giorno - di .ma onestamente .i nostri amici e parenti hanno giocato il ruolo più importante nel rendere tutto il giorno al di là di quello che mai avremmo immaginato .Abbiamo avuto così tanto coinvolgimento da parte di tutti - dai progetti bricolage e materiale stampato .ad avere un caro amico ci sposare .e tutta la mia famiglia che canta presso la nostra reception Von Trapp - style - ognuno ha lasciato la propria impronta sulla nostra giornata .( mio cugino èun panettiere ed effettivamente volato nostra torta tutta la strada da Toronto !) che ha reso incredibilmente memorabile per noi .La ciliegina sulla torta doveva essere la festa da ballo che seguì .Abbiamo avuto un incredibile equipaggio di amici e parenti per festeggiare con abiti da sposa on line .nessuno escluso .e venditori di eccezionale talento che ci ha aiutato a tirare fuori tutto il giorno !

nostro slow motion stand era il sottoprodotto di tasking una agenzia creativa per fare un video di nozze .SFST non sono video di nozze .ma mio marito .Quang .è un maestro nel convincere le persone a fare cose che normalmente non farei mai .( E probabilmente aiutato il fatto che egli è un co -proprietario di SFST . )

L' idea per la cabina è nata dopo aver realizzato un paio di cose : Ci sarebbe voluto molto tempo per loro di modificare il video completo di nozze .ma ancora più importante .abbiamo voluto provare e sfruttare alcune delle cose che SFST è in realtàbravo a - come fare le cose belle vanno virale.In verità.era quasi un dopo pensiero .Dalla realizzazione di idea era forse dieci secondi.

hanno suggerito di mettere una telecamera RED in una sezione della sala ricevimento e sparare tutto ad un frame rate elevato .Ma il successo del video è nel modo in cui è stato eseguito.e gli amici e la famiglia che hanno partecipato .L' uomo dietro la macchina da presa .Blaine Lundy .ha avuto la personalità perfetta per indirizzare la gente e ha fatto un lavoro incredibile modifica del pezzo .Anche i più timidi ospiti sono stati persuaso a taglio sciolto davanti alla telecamera .Re-



guardare il filmato per la prima volta .e vedere tutte le imbrogli che sono andati durante il nostro ricevimento è stato un momento davvero divertente sia per noi
Fotografia : Bryce Covey Fotografia | Videografia : . Super Frog Salva Tokyo | Event Design :Mckenzie Powell | Floral Design : McKenzie Powell Designs | Gown : Jenny Packham | Cake: The Cocoa Cakery | Cerimonia Luogo : Greg Giardino presso l'Università di Washington | Banco Luogo : Sodo Parco By Herban Festa | Bridesmaids Dresses : Amsale | Catering : Herban Festa |Calligrafia : Esque Script | Giorno di coordinamento: Get Stuff Done Group | Dress Boutique : La Teoria Dress | Trucco E Capelli : Erin Skipley | Photo Booth : Usnaps | Supporto Stampato : Katrina Mendoza | Veil : Sara GabrielAmsale e Sara Gabriel sono membri della nostra Look Book .Per ulteriori informazioni su come vengono scelti i membri .fare clic qui .McKenzie Powell Floral \u0026 Event Design e Bryce Covey Fotografia sono membri del nostro Little Black Book .Scopri come i membri sono scelti visitando la nostra pagina delle FAQ .McKenzie Powell Floral \u0026 Event ... vedi portfolio Bryce Covey Fotografia VIEW abiti cerimonia on line
http://www.belloabito.com/goods.php?id=876
http://188.138.88.219/imagesld/td//t35/productthumb/2/4166135353535_396981.jpg
http://www.belloabito.com/abiti-da-cerimonia-c-63
Rustico Sodo Parco di nozze e un divertimento Rallenti Film_vestiti da cerimonia
a covey small tan and brown feathered avian sprites
in brittle grass on desiccated hills hidden in plain sight
perching still as death will my close presence them excite
do they sense the ending that will mark their panicked fright?
I'll move they'll billow forth in the vagaries of flight
fluttering trajectory will intersect my sights
wild beauty convoluted billowing feathers ignite
ending in a tumbling stumbling failure of their flight
their camouflage plumage flecked with stains of crimson light
do they regret never seeing their progeny's delight?
do they feel a longing for more than is their right?
they will provide a meal for my family tonight
JaQuise Caldwell Nov 2014
Diminutive in frame and stature
defines him not, but instead enhances the
brilliance of his smile’s shine.
The golden flakes of honesty in his warm brown eyes
covey one vice that is captivation.
They hold hostage your most destructive thoughts
to instantaneously
replace them with the best; of
joy, contentment, and love-the best of him.

His high cheek bones define a mouth
so perfectly constructed.
They rise and fall like oceans’ waves with
every gentle gesture.

He thinks of love as a pool of chances
and illogically
he dives into the hurt he’s found himself in once
twice, no wait, three times.
But still, he never falters to give “chance”
just one more chance to prove he’s done what’s right.

Secondary comes his needs, in light of someone else’s.
The thoughts, “too tired” or “too busy” does nothing for him because
if someone needs help, you help them undoubtedly.
I  have seen the coat that once
cascaded on his back give warmth to one
who had no coat
or smile
or joy
or light.

And for that one he lowered his head
to ask God for a favor.
I met this guy, this “perfect” guy when innocence consumed me
and since that day we’ve been each other’s confidant and comforter.
My love towards him supersedes that of a friend or
the best of that.

The truest thing I know is that when everyone one else
disappears to the mundane norms of life,
he will be there with me to cut through
the silence with rolls of laughter.
At what? It does not matter.
Because when I’m with him and he’s with me
there is a “we” that is formed and that “we” is captivates me

An infinite truth is that I will never stop
loving this young man.
He keeps my heartbeat steady so I
must exclaim the best of
joy, contentment, and love-the best of him.
As I was saying . . . (No, thank you; I never take cream with my tea;
Cows weren't allowed in the trenches -- got out of the habit, y'see.)
As I was saying, our Colonel leaped up like a youngster of ten:
"Come on, lads!" he shouts, "and we'll show 'em," and he sprang to the head of the men.
Then some bally thing seemed to trip him, and he fell on his face with a slam. . . .
Oh, he died like a true British soldier, and the last word he uttered was "****!"
And hang it! I loved the old fellow, and something just burst in my brain,
And I cared no more for the bullets than I would for a shower of rain.
'Twas an awf'ly funny sensation (I say, this is jolly nice tea);
I felt as if something had broken; by gad! I was suddenly free.
Free for a glorified moment, beyond regulations and laws,
Free just to wallow in slaughter, as the chap of the Stone Age was.

So on I went joyously nursing a Berserker rage of my own,
And though all my chaps were behind me, feeling most frightf'ly alone;
With the bullets and shells ding-donging, and the "krock" and the swish of the shrap;
And I found myself humming "Ben Bolt" . . . (Will you pass me the sugar, old chap?
Two lumps, please). . . . What was I saying? Oh yes, the jolly old dash;
We simply ripped through the barrage, and on with a roar and a crash.
My fellows -- Old Nick couldn't stop 'em. On, on they went with a yell,
Till they tripped on the Boches' sand-bags, -- nothing much left to tell:
A trench so tattered and battered that even a rat couldn't live;
Some corpses tangled and mangled, wire you could pass through a sieve.

The jolly old guns had bilked us, cheated us out of our show,
And my fellows were simply yearning for a red mix-up with the foe.
So I shouted to them to follow, and on we went roaring again,
Battle-tuned and exultant, on in the leaden rain.
Then all at once a machine gun barks from a bit of a bank,
And our Major roars in a fury: "We've got to take it on flank."
He was running like fire to lead us, when down like a stone he comes,
As full of "typewriter" bullets as a pudding is full of plums.
So I took his job and we got 'em. . . . By gad! we got 'em like rats;
Down in a deep shell-crater we fought like Kilkenny cats.
'Twas pleasant just for a moment to be sheltered and out of range,
With someone you saw to go for -- it made an agreeable change.

And the Boches that missed my bullets, my chaps gave a bayonet jolt,
And all the time, I remember, I whistled and hummed "Ben Bolt".
Well, that little job was over, so hell for leather we ran,
On to the second line trenches, -- that's where the fun began.
For though we had strafed 'em like fury, there still were some Boches about,
And my fellows, teeth set and eyes glaring, like terriers routed 'em out.
Then I stumbled on one of their dug-outs, and I shouted: "Is anyone there?"
And a voice, "Yes, one; but I'm wounded," came faint up the narrow stair;
And my man was descending before me, when sudden a cry! a shot!
(I say, this cake is delicious. You make it yourself, do you not?)
My man? Oh, they killed the poor devil; for if there was one there was ten;
So after I'd bombed 'em sufficient I went down at the head of my men,
And four tried to sneak from a bunk-hole, but we cornered the rotters all right;
I'd rather not go into details, 'twas messy that bit of the fight.

But all of it's beastly messy; let's talk of pleasanter things:
The skirts that the girls are wearing, ridiculous fluffy things,
So short that they show. . . . Oh, hang it! Well, if I must, I must.
We cleaned out the second trench line, bomb and bayonet ******;
And on we went to the third one, quite calloused to crumping by now;
And some of our fellows who'd passed us were making a deuce of a row;
And my chaps -- well, I just couldn't hold 'em; (It's strange how it is with gore;
In some ways it's just like whiskey: if you taste it you must have more.)
Their eyes were like beacons of battle; by gad, sir! they COULDN'T be calmed,
So I headed 'em bang for the bomb-belt, racing like billy-be-******.
Oh, it didn't take long to arrive there, those who arrived at all;
The machine guns were certainly chronic, the shindy enough to appal.
Oh yes, I omitted to tell you, I'd wounds on the chest and the head,
And my shirt was torn to a gun-rag, and my face blood-gummy and red.

I'm thinking I looked like a madman; I fancy I felt one too,
Half naked and swinging a rifle. . . . God! what a glorious "do".
As I sit here in old Piccadilly, sipping my afternoon tea,
I see a blind, bullet-chipped devil, and it's hard to believe that it's me;
I see a wild, war-damaged demon, smashing out left and right,
And humming "Ben Bolt" rather loudly, and hugely enjoying the fight.
And as for my men, may God bless 'em! I've loved 'em ever since then:
They fought like the shining angels; they're the pick o' the land, my men.
And the trench was a reeking shambles, not a Boche to be seen alive --
So I thought; but on rounding a traverse I came on a covey of five;
And four of 'em threw up their flippers, but the fifth chap, a sergeant, was game,
And though I'd a bomb and revolver he came at me just the same.
A sporty thing that, I tell you; I just couldn't blow him to hell,
So I swung to the point of his jaw-bone, and down like a ninepin he fell.
And then when I'd brought him to reason, he wasn't half bad, that ***;
He bandaged my head and my short-rib as well as the Doc could have done.
So back I went with my Boches, as gay as a two-year-old colt,
And it suddenly struck me as rummy, I still was a-humming "Ben Bolt".
And now, by Jove! how I've bored you. You've just let me babble away;
Let's talk of the things that matter -- your car or the newest play. . . .
Jonathan Witte Oct 2016
Having lost her forever,
he steps off the escalator
into hard sunshine, drops
to the sidewalk and caves—
a troubadour whose songs
have been dismantled
by the sadistic hands
of a subway conductor.

Guitar strings slip his fingers,
and nothing will bring her back.
Not a song. Not a psalm. Nothing.
Not the angelic back
of his leather jacket,
spanned by a score
of safety-pins formed
into silver-studded wings.
Not his listless body,
tattoo-inked and wrecked,
blue quarter notes slinking
down a tight treble clef,
wires stretched across his neck.
Not his mind, spinning
in a head blue-veined
and stubble-shaved.
Not his angry steel-tipped boots.

He lost his love because he looked.
One by one,
the silver pins
have come
unhooked.

Meantime,
far below
the sidewalk,
banished forever,
she slumps cheated
and dispossessed
in the vinyl seat
of a hellbound
subway car crawling
with scorched graffiti,
spray paint-scrawled
filigree spelling her doom.
Ghost of a snake bite
below her knee.  

Mohawk depressed,
she leans against
the train window.
Dead glass reflects
a chorus of piercings,
steel threaded through
skin so translucent
her veins and arteries
glow blue and red:
mapped subway lines
circulating misfortune,
coursing with dread.

The train rattles along rails
encrusted with gems and bones.
Disgorging sparks and smoke,
it thunders into stygian gloom,
ferrying her to a heartless god.

What if her shadow
had made a sound?
A backward glance was all it took
to squander a lavish second chance.

High above his beloved,
awakened by moonlight,
Orpheus regains his senses
and gathers the guitar.
The case flung open
at his boots awaits a drizzle
of tossed dollars and coins,
piteous currencies of loss.
Hard pick between thumb
and finger, a downstroke
strum delivers plaintive
waves of power chords.

The song ignites
a crowd of women
in tight band t-shirts
and skinny jeans,
smacking cherry gum,
their flaming hair
casting embers
upon night air;
radiant specks
suspended
like lighters
in a sunless
stadium.

Spurred by his song,
the covey of maenads
coalesces and attacks,
enraptured, enraged.
A rush of bodies,
the crazed crush tears
him limb from limb,
splits him to close to cipher,
until what remains of the star
on the sidewalk is his heart:
the four-chambered *****
held in a hundred hands,
picked up and packed
into the red plush lining
of the grisly guitar case,
golden hinges snapped shut.

Entombed in coffin-black
chrysalis, the heart pauses
like an untouched drum—
a dormant instrument
awaiting metamorphosis
that, like Eurydice,
will never come.
Nat Lipstadt Oct 2023
The “little” Art I Possess

~writ for, inspired by, and warmly dedicated to
Kelly Rose Saccone~

“So an artist does…They say that often when you fill your walls with art you often forget it’s there and you don't absorb its beauty, but I enjoy what little art I have everyday. Sometimes it is just the color or the passion that hits me anew when I look at them.”
KRS

<~>

long ago the new~knowledge,
“newlodge” came brewing~infusing me;
art was not capable of being possessed

my reversal~eyes opened
the senses over~fulfilling,
body sensations brimming,

for I was the container,
only in temporary possession!

the art, in whatever the day’s chameleon guise,
is the professor-possessor, I am the missionary~emissary
remaindered by-product,
just
the vassal~vessel

when to gaze upon a poem~creation of years ago,
my expected mistakes appeared, a wee pride,
largesse of satisfaction, but these are frailties,
weaknesses, human misperceptions,
human ill-delusions!

never

ever was a poem among my possessions,
it was “in-sighted” within me
what was placed in my cupboard,
stored by my sensual conduits,
mine only to covey, not to covet,

art that tempest resides in as part,
a parcel in of the entirety of your body+soul composition,
but “out for delivery,”
seeded, stored & carry~birthed, given forth,
in a completed quantity
that’s so grand,
it takes five senses to truly comprehend!

it is pieces, a child of you,
recombinant,
you the birth sac,
how could ever be assessed as merely

little?

you are better understood to be a translator,
a temp~progenitor,
taking what all of nature and human experience
has installed on your inner walls, and then dispatched,
by you, gestated and unhesitatingly dispatched,

and when gift unwrapped from the plain brown paper of
our now orphaned belly skin,
it is to be hallelujah greeted,
for you, artist, translator, poem~mother,
have done you job, hallowed and sacrosanct,
and now the renewed giant emptiness,
will soon,
needy to be refilled, and
retransmitted once more:

this is no little, limited, mean feat,
your gifting is
beyond any words that limit,
no size constrains,
no words,
neither sufficient and insufficient,
you, are in loco parentis,
you’ve take what you/we are given,
beyond sizing,
and it seizes and is seized,
until you give it away
completed

and that is the grandest art .
inseminated within you,
true artistry!




7:42am
Fri Oct 27
2023
X Jul 2014
When I was a newborn, less than 4 days old, you bought as many stuffed toys as your car could fit and surrounded them around my crib, ignoring my grandmother who kept telling mom that newborns don't know how to look at objects.
I moved my eyes and looked at them.

When I was a toddler, you encouraged me to watch Beauty and the Beast and Aladdin and didn't want me to watch Cinderella and Sleeping Beauty because you "wanted your daughter to learn a lesson, not just waste time".

When I was 7 you took me everywhere with you and didn't mind me listening to your friends' political arguments. On our way home though you always told me "Don't grow up to be like them.  Don't let people lead you."
And I didn't. I pushed a girl because she wanted to be the group leader in our science project.

When I was 11 you started discussing books by Stephen Covey and made me listen to Zig Ziglar cassettes. "Don't blindly follow the crowd," you said. "Always raise your neck and look around. If you don't like where they're going, take another road."
And I did. Girls my age were giggling about boys and bras while my eyes were wide open and excited about all the facts I read from my science textbook.

When I got to middle school and got my eating disorder, I refused to eat the apple in algebra class so that I could take my quiz, and didn't mind my teacher calling you to pick me up for my "resistance".
I got in the car waiting for you to pat my back and tell me I did well for refusing to give in to her ultimatum. I waited for you to tell me that I didn't need help anyways. But the drive back home was silent.

When I was 14 and went to my brother's school to beat up the kid bullying him, you called. I thought you called to give me a pep talk, or give me some tips on how to break his nose. All you said was "stay in the car. Leave the beating for the boys". I came back home confused.

When I was 17 and told you about my goals, you said "When you're young, you have unrealistic dreams. You feel like flying from your positive energy and like you have the whole world in the palm of your hand. But you grow up and realize that you need to be realistic."
I opened my mouth but closed it right after remembering you telling me "Think before you speak. If the outcome of what you'll say is useful, say it. If it'll hurt people, don't." I don't think it would've been useful. What use would it be to scream in your face about how that 'unrealistic dream' was the only goal I had, the only distraction from suicide. What use would it be to tell you that I don't remember the last time I felt like I was about to burst from the positive energy that I had?

You taught me how to be different. You taught me to love math and science. You taught me to be my own person and not let people decide what I should do in my life. But what you forgot to do is teach me how to feel okay. You didn't teach me how to reply to people who tell me that I watch too many American shows and that I let go of our traditions because of my opinion on marriage. You didn't teach me how to not feel lonely as hell when it's 3 am and I'm spewing out everything I binged and wiping my tears away while my throat bleeds and the music is playing to cover up the sound of me choking on the last words I screamed at myself and the gasps of relief when I purge out all my feelings and lay on the floor feeling numb. You didn't teach me how to pretend to blend in when the girls my age would take boys' phone numbers and I'd ask them questions like "but how are you guys together now? You don't know each other's personalities. You only just met." You taught me how to be smart, educated Belle and rebellious, going-by-her-own-rules Jasmine..

Daddy, you taught me how to be my own person in a place where you're supposed to be everyone else's clone, and I am forever grateful.. But sometimes, just sometimes, I wish you had taught me how to pretend to be like Aurora or Snow White.
Mateuš Conrad Dec 2015
a. aristotle's nonchalance in comparison to his other ideas when investigating the lagoon (although wrong on the no. of teeth in a woman's mouth and the origin of flies from rotting fish - two jars, one open, the other covered - he treated his theory of adaptation of an animal / in humans on an individual basis - with less concentration of necessity for the theory to be expanded than his logic or poetics) - i.e. it was not good enough to be made dogmatic, like darwinism, therefore aristotelian darwinism does not exact a necessity to put the theory akin to a theological standpoint.

b. 'the darkened mind, whether that be by illness or some other cause illuminates in reverse to the mind of the plateaus: the stark difference is that the darkened mind attracts light like a moth into it, although it does this attraction without ever revealing the pin-point, the last revealing point of what the light has to illuminate, it's no good providing this point in a reference to psychology searching for the "ego" of that known existential notative abstraction working on the basis of the pro-verb: know your self. the darkened mind is in fact providing the basis for the search of nothing, and a subsequent of offshoot of what knowledge nothing provides: whether that's geology, pharmacology, chemistry, physics, or any of the humanities - although the humanities actually provided the basis for scientific study, since it was poetry that was criticised, and provided the basis for the two socratic pillars: knowledge of your self | knowledge of nothing - without a critique of poetry none of the subsequent investigations beginning with a non-empirical study that's philosophy would still be among the crumbs of history and stone of the parthenon. subsequently the mind of the plateaus simply regurgitates via regression to a known origin, it illuminates with knowledge that was hidden for a while, esp. during the times of illiteracy, which made it easier, although these days almost every man is literate, he is still illiterate in the sense that he prefers images to words / symbols... he's being fed a second illiteracy even though he is literate, therefore whatever knowledge is provided, it's immediately hidden, hidden via the use of images to distract, because words and the symbols that create them are not of an ontology of distraction, but harsh / labouring engagement - esp. if they are not used for the utility of speech, but made solely cognitively optical, they resonate with a double decker bus filled with about 90 people and only one person reading a book.

c. ah the introduction is over, and then the actual poem,
if i could remember it exactly,
it dealt with a cartesian contemplation
dealing with an extension from the trinity model,
what was the extension model? what was the basis
of it? i remember noting that the mind of the plateaus
originality came only with coinage of phrases,
i.e. coining a phrase, or simply crafting a
new compound from words rather than chemical
derivatives... the philological monstrum
of a fixed prefix like sub- or un-
and then the all encompassing suffix
like -conscious - and then some grand complication,
like the word oedipus becoming a complex,
and this complexity reaching a point
where no original idea can be encompassed,
because what's required is the practice
of creating and using an analogue,
so that those in the range of the intended
gesture do not have to go further in their reading
but further their practice: a draw of stars...
none longer or shorter than the other,
all uniform... one shoe fits all story...
i mean how can words conjure ideas
(esp. original ideas) if words are intended
for meaning, and solely that?
ideas come when the intended usage of
such symbols as a - z are not expressed in
how they were intended to be expressed:
pre vox. if you spend a long time with these
symbols in the optic area rather than the
larynx area... you'll find the holy grail of
crafting and fathoming ideas...
philosophy begins here... seeing rather than
the utility of these symbols... to see with them
rather than to speak with them... after all...
think twice before saying something stupid.
i'm still bothered by that cartesian connection,
how did i manage to tangle in the one third
of the equation: substance, thought, extension?
what the hell was i comparing to make that
analogy? surely it wasn't a way of working
from the way existentialists abstracted
something concrete as an identity and decided
to do the pontius pilate of washing their
hands clean of any responsibility using the ditto
marks? sure this abstract enclosure for an identity
(in phonetic units expressed as ego)
cannot have stable if not merely sane grounding
in all serious theoretic engagement by the logic
of being a possessor of a soul;
first they dispossess the people's confines
of the soul's existence, later they come after thought,
and it's there, the proof, like today in the supermarket,
me waltzing for my intended purchase,
and a horde of zombies bewildered by
the abundance of products... standing about the aisles
mouths open, ready for the wind to change
direction and their mouths perpetually opened
with the medussa wind... or simply waiting for
the next pigeon to do his duty on a copper statue
of churchill outside parliament sq., bleached crop
of hair with **** in it.
honestly... the zombies are coming...
first they fool the people that they have no soul,
backed up by the logic of a soul that, when
compounded (i.e. psychology) makes it sounds
important, like an edict by the house of windsor
about to make rise to the 2nd lord protector
via a re-emergence of oliver cromwell...
then they decide to invade the parameters of thought,
they used psychology (the existent non-existence
of the soul) to banish all original thinking...
thought has become banished into hades...
if the soul is not allowed in the body, then
thinking surely isn't either, and how did they do it?
they said: the existent non-existence of the soul
will convince thought to disappear, making
the body virtually mirror like invisible -
like a black kid before the social revolutions
at the back of the bus, before the old lady stepped up,
and yet in the 21st century, the old minotaur is there
at the gate of the new labyrinth; in my school days
all the black boys sat... well... you guest it...
at the back of the bus... so much for the old lady
making a stand.

d. as the title suggests i was working up to a crescendo,
i was about to mention the sort of confusion cuneiform
might have provided had it existed in writing
but not in thought, although we write with latin symbols,
i'm sure that our thinking is still ingrained in
the coming of the three magi and the loss of cuneiform,
all the many offshoots of christianity you'd think
we were living in babylon, where the king went
mad, and the hebrew architects scratched their heads
so hard and so long that it caused the babylonian
king to become sensitive to scratching sounds,
he ran out of the palace screaming:
'cockroaches! cockroaches everywhere!'
then the enslaved hebrew architects just said:
but sire... gardens upside down? earth above sky?
how will that work... we did the pyramids,
perfect geometry, perfectly understandable geometry,
but garden that grow trees upside down?
didn't you hear the greek theory of how trees grow
by eating the earth from below, rather than above?
'cockroaches! cockroaches are nibbling!'
so i did end the poem i lost via a message on the screen...
jimi is dead, forget jim.
i ended it by noting the admiration of the romans
when it came to the mausoleum at halicarnassus,
persian design, intended for mausolus,
so admired that the word mausoleum gained
popular public everyday usage status,
a bit like a war-pig / war-dog in the legionnaire army,
above the general's servant: does battle...
doesn't do pampering with perfumes.
seems fair enough, got the warring grunts / barks,
runs miles with the horses, has a piquant snout and tongue
for human flesh... plays dead, finds mushrooms
beneath the slain... speaks broken german war-cry...
perfect for combat... not really perfect for my quarters of rest.

e. what does it really matter, this 200,000 million
or thousand year old historical co-ordinate?
the chinese were drawing dragons with the welsh
concerned with st. george long before dinosaur
bones were unearthed; if this isn't an example
of the jungian collective unconscious of being
"clued-in" then i don't know what is...
esp. given that not even 2000 thousand years of
history fits into my brain when i boil
a kettle filled with water in 5 minutes...
smoke a cigarette in the same amount of time,
it makes no sense to "pump iron" so much
when practising history to go as far back as that,
it makes in-the-moment living so far detached
from life per se, that you begin to wonder
why we went further than the epic of galgamesh
(where all western take on history begins)
or the upanishads... when the caste system
became operational: from dark skinned sri lankans
to the masters on the boarder of the himalayas:
un-believable... racism within a society
that did not expand into colonialism...
strange to have kept the blue indians in mint condition
due to the cuisine... and have slaughtered the red
indians keeping them a minority to such an
extent as to keep them in nature reserve parks...
black president is a phenomenon? a slave, former,
is a phenomenon? i puppet i suspect...
get a native on the top seat and their will be
less jubilation i gather.
but that blue indian word for demon: rakshasa...
from the serialisation on the t.v. entitled indian summer...
the h as silent as in dhaal?

f. if something profound has happened to you,
and you want to speak about it,
remember to take hold of the psychiatric buffer,
this buffer zone will enable you to see
an atypical sociological reactive compound
of the ****** expression, it will reveal
who you can reveal a secret to,
after all, psychiatry is all about listening,
therefore not thinking, therefore not doubting,
therefore actively engaging with the precursor
negation... sartre to descartes:
i use too many punctuation and "punctuation"
marks, therefore i can't couple thinking with
doubting, i must therefore couple thinking
with negation... descartes to sartre:
i always knew that even though we salvaged
the latin alphabet by adding the diacritical marks,
our punctuation and style would get the better of us...
what's the point of ć ń ś ó if we have
the capsule of " " to mind in terms of what words
are allowed a blessed disunion from meaning
when over-used esp. when you to deceive rather
than covey orthodox meaning?
Hal Loyd Denton Oct 2012
How do you fit when you’re just pieces? The stage was set it just needed his entrance they were all
Seated boredom played on their faces he had seen it all before he strode to the stage picked up the long
Neck Guitar he strummed the strings then he laid his voice over the music that rose and drifted across
The room a wooden floor rafters bare his eyes were soulful they seemed to read the crowd what ever
Story they told he knew it well then he infused a golden melody in the cold gray darkness he sang of
Dreamy green forest that danced and swayed in the Colorado wind he threw a ranch house in he built it
Strong and his voice rose and rattled the window pane maybe even a few drops of rain fell and slid
Down the glass the song related a widow and her sons it was sad enough it could have been tears and
Not rain his words ran like a train it picked up speed it squalled through the valley as the mountain
Loomed high over head it slowed on the curves did you ever see lighting flash all darkness briefly slashed
By light and then you were woefully back in the dark he spoke from his own heart and he made a
Connection with the crowd they had known the dark shady places you find in life’s journey he took them
Through the seasons made it clear and inviting they set among the scenes he created with his voice they
Drew comfort as one person and many smiled at each other it was good to distance trouble for a period
Of time in detail he gave riveting stories of hard times then filled it as a cold picture of ice water on a hot
Summer day they drank deeply the water took sloping sliding turns ever deeper it ran until the well
Springs of the spirit were found even the old and haggard found new birth looked spry and smiled
Broadly it could only be explained by a sea captain because he brought the wind up on a still and dead
Sea the sails ballooned out and seemed to creak with joy off they ran toward the far horizon new
Adventures now would be found experience only the boundless waves could create the gloom of
Darkness was swallowed by light his grin broadened as he splashed them with fun and pleasure that
Some had not known for a period of time hope rose as a great unfurled flag it was waving in the distance
Pride and exuberance charged the room he had seen it before knew the thrill shared the joy but he
Lifted his eyes and saw the door he knew in a few more treasured moments the place he stood would
Be Bare he would leave them full of joy and sweet dreams but for him it was only the dark road there
Was a time when he was naive he thought he would be accepted he drew near felt the greatest feelings
He had ever known then killing words spilled from sweetest lips that he thought was a friend when she
Said this is an acquaintance of mine his heart lost all of its magic that he spun for others he sought the
Resplendent free coursing memories of happier times they would have to do for now stranger is the
Hardest real bonds there is to break it comes with many names but they covey one meening you are an
Outsider and the great old saying applies know your place well its least a good thing to know that life is good
if don’t weaken and try to lay claim to that which will forever lie out of reach the fall is to great the pain is harder to bear loneliness brings it’s
Own dead comfort.
Celestial Dec 2020
To you I applaud.
Your eyes will always say more,
Than that you covey with,
Words and gestures recalled.

Thank you for your sypmathy,
And what you can afford with empathy.
What I can't explain,
You hold and wait.

For my words and what comes,
From them.
I'm sorry to fill your plate.
But you say it's ok.

It is not yet full,
And you could never have enough,
Of me!? You forgive my confusion,
You believe in my pull.

I'll still say what a fool.
Don't you see this pool?
I don't see where I'm standing,
Yet you're here with me.

The water is nice,
And I'm so good at,
Pretending to breathe.
Now we've rolled the dice.

Save yourself,
You are what is important.
Fate is not with me and,
I am not boyant.

After my admiration,
Please float away.
To show my weight,
Can't hold you and my obsession.

To sink rather than swim.
I can give you the excuse,
Of currents and lack of strength.
That goes to no length.

Your eyes tell me those,
Are my lies.
So why? When we try,
Do my feet stick.

The tears add to the pool,
And I move in everyway.
The ground swallows my ankles,
Making soft shackles.

I'm so good you believe too,
That I can breathe.
Thank you for listening to my plea.
I watch your eyes,

As they let go.
You now float and the grip,
It weakens then slips.
I'll say goodbye and standby.

I can breathe I say.
It was the best anyone could do.
You can't float, you don't want to.
It's better here, hidden, keep them safe.
My letter to those who have all left.
Hal Loyd Denton Nov 2011
Just the Broken pieces of a Man
How do you fit when you’re just pieces? The stage was set it just needed his entrance they were all

Seated boredom played on their faces he had seen it all before he strode to the stage picked up the long
Neck Guitar he strummed the strings then he laid his voice over the music that rose and drifted across

The room a wooden floor rafters bare his eyes were soulful they seemed to read the crowd what ever
Story they told he knew it well then he infused a golden melody in the cold gray darkness he sang of

Dreamy green forest that danced and swayed in the Colorado wind he threw a ranch house in he built it
Strong and his voice rose and rattled the window pane maybe even a few drops of rain fell and slid

Down the glass the song related a widow and her sons it was sad enough it could have been tears and
Not rain his words ran like a train it picked up speed it squalled through the valley as the mountain

Loomed high over head it slowed on the curves did you ever see lighting flash all darkness briefly slashed
By light and then you were woefully back in the dark he spoke from his own heart and he made a

Connection with the crowd they had known the dark shady places you find in life’s journey he took them
Through the seasons made it clear and inviting they set among the scenes he created with his voice they

Drew comfort as one person and many smiled at each other it was good to distance trouble for a period
Of time in detail he gave riveting stories of hard times then filled it as a cold picture of ice water on a hot

Summer day they drank deeply the water took sloping sliding turns ever deeper it ran until the well
Springs of the spirit were found even the old and haggard found new birth looked spry and smiled

Broadly it could only be explained by a sea captain because he brought the wind up on a still and dead
Sea the sails ballooned out and seemed to creak with joy off they ran toward the far horizon new

Adventures now would be found experience only the boundless waves could create the gloom of
Darkness was swallowed by light his grin broadened as he splashed them with fun and pleasure that

Some had not known for a period of time hope rose as a great unfurled flag it was waving in the distance
Pride and exuberance charged the room he had seen it before knew the thrill shared the joy but he

Lifted his eyes and saw the door he knew in a few more treasured moments the place he stood would
Be Bare he would leave them full of joy and sweet dreams but for him it was only the dark road there

Was a time when he was naive he thought he would be accepted he drew near felt the greatest feelings
He had ever known then killing words spilled from sweetest lips that he thought was a friend when she

Said this is an acquaintance of mine his heart lost all of its magic that he spun for others he sought the
Resplendent free coursing memories of happier times they would have to do for now stranger is the

Hardest real bonds there is to break it comes with many names but they covey one meaning you are an
Outsider and the great old saying applies know your place well its least a good thing to know that life is
good

if you don’t weaken and try to lay claim to that which will forever lie out of reach the fall is to great the pain is harder to bear loneliness brings it’s
Own dead comfort.
Sam Temple Dec 2014
startled by the fight
in a diseased and dying body
I sit over her
looking through fogged eyes
recalling a slice of heaven
on a little tributary
of the raging Santiam –
cheek high pasture weeds
brushes a five year old face
as I nearly tunnel after long tan legs
sunshine and pit bulls
a covey of quail and
the old ****** pelt drying plywood
cut in the shape of a giant stop sign
a bedded down doe crashes through an Oak thicket
as our adventure continues –
lazy afternoons of swimming in the creek
chasing tree frogs
and picking wild flowers
fill my pre pre-school memories
as I stare
and wait for her to take another breath –

— The End —