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The dust will gather on beaten forge
which crafted hardened steel.
Even hardest blade it gorged,
but all forget the Blacksmith.

Rooted deep in township’s yore
with a trade of kings and conquest.
Upon him once relied your lore,
but all forget the Blacksmith.

Leathered hands, up night and day
with visage of steel and focus.
Sparks will reign and fly and spray,
but all forget the Blacksmith.

But when your steed wears down his hooves
or your gate-posts starts to splinter,
you’ll be found needing hardened grooves;
you won’t forget the Blacksmith.

For it is he who works all day
And keep the townsfolk working.
If you need hardship kept at bay,
Don’t forget the Blacksmith.
Moe  Nov 2012
Blacksmith-
Moe Nov 2012
Today heard I a train,
while I smoke my cigarette, I heard a train.

The rumbles came trundling over mossing steel street bars,
the hooves of an iron horse shattering glass floors-
pebbles bickering  like stone woodpeckers on the grounds to come.
The wind shudders,
and apologizes for the frost on the leaves,
the cracks in the ground and the holes in the sky,
my cigarette part blur,
awkwardness so comfortable,
this plastic train i recreate,
moments in-between,
where we lay down to day-listen.

The kinsmen that forgot call blacksmith,
scared with his welded skin,
protection in battle,
drunken dichotomy,
a hero ***** dans l’amour.

As great the fall of king, the fall of next in line.
The only thing to have moved quicker with age, time.
Lest we forget, the blacksmith here reside;(unfinished)
While the angel hath walk,
with long grey and black web moth wings,
stalking its sleeping prey,
his eyes wide open back,
watching the angel pace,
infesting the air with despicable knots,
its dangerous to stare,
but a contest never started is a contest never won,
and into the eyes of hell the blacksmith hast stared-
to the foot of his bed.

Where a three headed dog flap its ice wings to keep hell cold.
These nights in particular had been an awful one, and again the tapping, again the train.
Emmanuel Coker Feb 2015
The blacksmith

He sees what he wants and he approaches it
Strikes a deal with this item
And starts his work on it

'baby you are looking fat' he says, 'why don't you sign up at the nearest gym'
'baby, this make up is a bit much, why don't you cut down on it'
'baby, you should dress like this, I prefer mini skirts to long trousers'
'I don't think I like your friend, she makes me feel uncomfortable, stop talking to her'

He makes all this changes and more to his new item, looking now at the finished product, he detests the works of his own hands, but why, he created this, he made and shaped this item into his own liking, lo has he outgrown it?, like a little child, has he found a better thing to call toy?, like a blacksmith, he'd leave the works of his hands to attend to a new one....blacksmiths are not contented, they strive for perfection, the perfect sword, the perfect shield, the perfect girl.
Little do they know, to be perfect is to be contented.

Pray you don't come across a blacksmith :)
Alan S Jeeves Nov 2020
One sunny springtime morning
I met her on a fair day.
I saw her from a distance
Out strolling on the fairway.

As like the springtime morning
She filled the air with joy...
She was a rose of England
And I a blacksmith's boy.

I heard that she was singing
As I maundered ever near;
The sweetest, charming plainsong
Sent softly to my ear.

As like the springtime morning
She filled the air with joy...
She was a rose of England
And I a blacksmith's boy.

She had the rarest countenance,
She had the fairest flowing hair;
She looked the grandest lady,
Ethereal beyond compare.

As like the springtime morning
She filled the air with joy...
She was a rose of England
And I a blacksmith's boy.

She was a rose of this fair land,
The flower of Saint George,
But I my master's vassal,
A servant of the forge.

So, like the springtime morning
She filled my heart with joy...
She, a rose of England
Whilst I, a blacksmith's boy.
Ben  Jan 2014
Blacksmith
Ben Jan 2014
Far away in the castle,
Your revered echelon,
Your pure majestic skin,
And your untainted generous heart,
Have become the most appealing living things I've ever seen,
Royal blood and Highness' sweetheart,
But I'm just a wretched citizen,
Routinely as a blacksmith,
Single bread and rocking chair,
Destitution and poverty-stricken,
I have never been complaining the way the God treats me,
To me it is just enough to get to see your beauty and hearty at the same time,
The folks were saying that you are the descending angel,
Spreading your wings over the entire people's heart,
Sending the warmth with a hug,
Delivering the happiness with a deed,
They feel safe,
I feel safe too,
But feel sad a little,
For just because I'm a blacksmith.
Frisk Jul 2014
my spine curves towards you as if you were the sun's rays
and i am a meeble flower and i wouldn't wish it any other
way. people tell me that this love has it's own dictator, that
the gaps between my ribcage isn't supposed to be filled with
fire. it's like giving a child whiskey for the soul. this is a risk
i am willing to take onto myself. i heard that broken bones
grow back stronger, so the bones in my arms are in the
process of mending their broken state so for a little while
longer, i can blacksmith the areas that need to be fixed.
some days, i tend to worry about placing this fire back
into my heart but something tells me that this long journey
of let downs and over thinking almost constantly is like
summer vacation: it is finally over. as fall enters, everything
will fall back into place.

- kra
i'm starting to really be happy again. the person i write every poem about aka my ex best friend messaged me. you know, that's a good start. i don't know but my smile can be seen from new york.
Julie Slonecki Apr 2010
My chest was forged for your head to rest on
Made by a blacksmith with the best intentions
Your head seems light, made so by affection
Which grows each time I catch your faults
Dae Staebell Jan 2016
As a poet
I seek to give words
A form of sorts
I feel as though I am a blacksmith
The hammer a pen
The paper my anvil
Words the steel
Viciously shapeless at first
Once refined, beautifully curved
Tempered with my emotion
To form a crafted sword
Not meant to pierce flesh
But instead the soul
Surface can be of gilded gold
Ornate and pretty
A blade meant to dazzle and woo
I say this resolutely, absolutely
Because in the breath of a sentence
One can live **forever
A poem about the impact poetry can can have and what better way to describe than to say you're a craftsman of sorts
Michael R Burch Oct 2020
Dearly Beloved
by Michael R. Burch

for Suzan Blacksmith

She was

Dearly Beloved by her children, who gather
to pay their respects; they remember her
as they clung together through frightful weather,
always learning that Love can persevere ...

She was

Dearly Beloved by family and friends
who saw her great worth, even as she grew frail;
for they saw with Love’s eyes how Love’s vision transcends,
how her heart never faltered, through cyclones and hail ...

She is

Dearly Beloved, well-loved, sadly missed ...
and, while we mourn the lost days of a life too-soon ended,
we also rejoice that her suffering is past ...
she now lives in the Light, by kind Angels befriended.

And if

others were greater in fortune and fame,
and if some had iron wills when life’s pathways grew dark ...
still, since Love’s the great goal, we now reaffirm her claim
to the highest of honors: a mother’s Heart.

Keywords/Tags: Suzan Blacksmith, elegy, eulogy, epitaph, memorial, tribute, remembrance, farewell, goodbye, last respects
The body lay in a mound of hay
That was all piled up by the forge,
He took one look at the butcher’s hook
And the sick rose up in his gorge,
He peered on down at the bloodied face
There was nothing that could be done,
But held his breath when he saw that death
Had taken the blacksmith’s son.

He looked around for a sign of life
But the shop and the forge were cold,
The blacksmith Kirk hadn’t come to work
Though he’d seen him, out in the fold,
And darling Kate would be calling in,
His fate whirled round in his head,
What would she think when she found him there
With the love of her life stone dead?

The villagers knew no love was lost,
They’d fought at the village fete,
All over the hand of the pretty one,
The hand of their darling Kate,
But George was on an apprenticeship
For his father had owned the forge,
While Faber was a farm labourer,
So Kate had gone off with George.

But now George lay in a pile of hay
And he wouldn’t be dating Kate,
So Faber thought that he shouldn’t stay
Though he’d left it a little late.
He didn’t know if they’d seen him come,
He couldn’t be seen to go,
They’d think that he was the only one
To deliver the killer blow.

He heard a rustle within the store
And the sweat broke out on his head,
He knew if somebody found him there
That he’d be better off dead.
He peered silently through the door
And into the corner gloom,
And Kate was sobbing, there on the floor
In the darkest part of the room.

Her bouffant hair was a tangled mess
Her dress was tattered and frayed,
It didn’t take but a single guess
To see the part that she’d played,
For blood was mingling with her tears
Her bodice was stained deep red,
‘He stole my innocence,’ she exclaimed,
‘I hit him just once,’ she said.

Now Faber sits in a darkened cell
To wait for the hangman’s rope,
The Judge had asked, but he wouldn’t tell
So now he’s bereft of hope.
He’d told the court that he’d stumbled in
On the blacksmith’s son, and ****,
And hit him once with a butcher’s hook
For the sake of the darling Kate.

But Kate was strolling with someone new
On the day that they pinned his hands,
And led him up to the gallows floor
To pay for the court’s demands,
She never gave him a thought that day
Though the blacksmith thought he knew,
And lay in wait with a butcher’s hook
As Kate was passing through.

David Lewis Paget
Mateuš Conrad Jun 2016
preliminary explanation

before i really begin the project i have a few scatterings
of thought that made me do this, without real planning,
a different sort of impromptu that poetry's good at,
less Dionysian spur-of-the-moment with an already
completed poem entwined to a perfect ensō,
as quick as the decapitation of Mary Boleyn with the
executioner fooling her which side the swing would
be cast by taking of his hard-soled-shoes -
i mean this in an Apollonian sense - i know, sharp contrasts
at first, but the need to fuse them - i said these are
preliminary explanations, the rest will not be as haphazardly
composed, after all, i see the triangle i'm interested it
but drawing a triangle without Pythagorean explanation
i'm just writing Δ - i'll unravel what my project is
about, just give me this opportunity to blah blah for a
while like someone from an existential novel;
what beckoned me was the dichotomy of styles,
i mean, **** me, you can read poetry while in an awkward
yoga position, you can read it standing up, sitting down,
eating or whatever you want - obviously on the throne
of thrones taking a **** is preferred - the point being
what's called serious literature is so condensed for
economic reasons, font small, never-ending paragraphs,
you need an easy-chair and a bottle of cognac to get
through a chapter sometimes - or at least freshly mowed
grass in a park in summer - it's really uncomfortable because
of that, and the fact that poets hardly wish upon you
to be myopic - just look at the spacing on the page,
constantly refreshing, open-plan condos, eye-to-eye -
but it's not about that... the different styles of writing,
prose and the novel, the historical essay / encyclopedia
or a work of philosophy - what style of writing can
be best evolutionary and undermine each? only poetry.
poetry is a ballerina mandible entity, plastic skeletons,
but that's beside the point, when journalism writes history
so vehemently... the study of history writes it nonchalantly,
it's the truth, journalism is bombastic, sensationalist
every but what courting history involves -
a journalist will write about the death of a 100 people
more vehemently than a historian writing about the Holocaust...
or am i missing something? i never understood this dichotomy
of prose - it's most apparent between journalism and history...
as far as i am concerned, the most pleasurable style of
prose is involved in the history of philosophy, or learning per se,
but i'll now reveal to you the project at hand -
it's a collage... the parameters?

the subject of the collage

it weighs 1614 grams, or 3 lb. and 8 7/8ths oz.,
it's a single volume edition, published by Pimlico,
it's slightly larger than an A5 format,
3/4 inches more in length, and ~1 centimetre in
width more, it has a depth of 1 and 3/4 inches in depth,
a bicep iron-pumping session with it in bed -
i was lying with this behemoth of a book
in bed soothing out a semi-delirium state
listening to Ola Gjeilo's *northern lights

and flicking through the appendix, and i started thinking,
no would read this giant fully, would they?
the reason it's a one volume edition is because
the only place you'd read such an edition would
be in a library, at a desk, and you'd be taking snippets
out from it, quotes, authentic references points
for an essay, esp. if you were a history student,
such books aren't exactly built for leisure, as my arms
could testify... after the appendix i started flicking
through as to what point of interest would spur me
onto this audacious (and perhaps auspicious)
act of renegading against writing a novel (in the moment,
in the moment, i can't imagine myself rereading plot-lines
after a day or two, adding to it - that's a collage too,
but of a different kind - and no, i won't be plagiarising
as such, after all i'll be citing parallel, but utilising
poetry as the driving revision dynamic compared
to the chronologically stale prose of history) - i'll be
extracting key points that are already referenced and not
using the style of the author - the book in question?
Europe: a history by Norman Davies prof. emeritus
at U.C.L. - the point of entry that made me mad enough
to condense this 1335 page book (excluding the index)?

point of incision

Voltaire (or the man suspected of Guy Fawkes-likes spreading
of volatility in others) -
un polonais - c'est un charmeur; deux polonais - une
bagarre; trois polonais, eh bien, c'est la question polonaise

(one pole - a charmer, two poles - a brawl, three poles -
the polish question) - mind you, the subtler and gentler
precursor of the Jewish question, because the Frenchman
mused, and not a German, or a Russian brute...
and i can testify, two Polish immigrants in a pub,
one senior, the other minor, one with 22 years under
his belt of the integration purpose, one with 12 years,
the minor says to the senior about how Poles bring
the village life to cities, brutish drunkards and what not,
it was almost a brawl, prior to the senior was charming
a Lithuanian girl, before the minor's emphasis on
such a choice of conversation turned into idiotic Lithuanian
nostalgia about the disintegration of the Polish-Lithuanian
commonwealth, primarily due to the Polish nobility.

10,000 b.c.

looking that far back i don't know why you even
bother to celebrate the weekend -
i mean, 10,000 years back Denmark was
still attached to Sweden,
England was attached to France,
and there was a weird looking Aquatic landmass
that would become a myth of Atlantis
in the Chronicles of Norwich,
speedy ******* Gonzales with the equivalent
of south america detaching itself from Africa...
mind you, i'm sure the Carpathian ranges are
mountains. they're noted here are hills or uplands,
by categorising them as such i'm surprised
the majority of Carpathian elevations as scolded
bald rocky faced, a hill i imagine to have some
vegetation on it, not mountain goats with rock and roof
for a blacksmith in a population of one hundred...
at this point Darwinism really becomes a disorientating
pinpoint of whatever history takes your fancy,
Europe - mother of Minos, lord of Crete,
progenitrix / ******* and the leather curtains
of Zeus's harem (jealous? no, just the sarcasm
dominates the immortal museum of attachable
****** to suit the perfect elephant **** of depth
the gods sided with, by choice, excusing the Suez
duct tightening of a prostate gland... to ease the pain
upon ******* rather than *******); mentioned by Homer
the Blind tooth-fairy, the Europe and the bull,
Europoeus and the swan, same father of wisdom to mind,
on the shores of Loch Lomond -
attributes a lover to the bull, Moschus of Syracuse,
who said earring Plato cured him of where the ****
should not enter even if it shines a welcome
in the disguise of Dionysius... revisionists bound to Pompeii
named Titian, Rembrandt, Rubens Veronese
and Claude Lorrain revived the bulging bull's *******
and her mm hmm mm, too gracious my kind, hehee...
Phonecians from Tyre and Io - so too the Sibyl of ****** -
and unlike the great river civilisations of the Nile,
the Ganges, soon to be the Danubian civilisations
and gorged-out-eyes-that-once-sore-colour-but-lost-sight-of-
colours-­after-seeing-the-murk-of-the-Thames...
soon the seas overcame civilisations of the rivers,
as Cadmus, brother of the thus stated harlot said:
i bring you orbe pererrato - hieroglyphics of the cage,
but not an owl or a hawk inside it -
so let's perfect speaking to an encoding by first
rummaging into learning how to procure the perfect
forms of counting - i say left, you say I, i say right
you say II, left right left right, what do you say?
VI. bravo! the Hellenic world just crossed the Aegean
and civilisation bore twins within the cult of a lunar-mother,
Islam of Romulus and Remus, a she-wolf
a canine of the night - according to another -
tremulae sinuantur flamine vestes - or so the myth goes -
a cherished phantom of what became the fabled story
of sole Odysseus with his ears open and the remnant
sailor's ears waxed shut - as if the bankers of this world,
revelling in culprit universal fancy than nonetheless
bred the particular oddities - lest we forget,
the once bountiful call of the sirens to the oceanic
is but a fraction of what today's sirens claim to be song,
a fraction of it remains in this world, the onomatopoeia
of the once maddening song, the crude *******
arrangement of vowels bound to the jealous god's
déjà vu of the compounding second H.

from myth to perpetuating a modern sentiment

you can jump from 10,000 b.c. to the Munich Crisis
of 1938 - 9 with a snap of the fingers,
imitating quantum phenomenons like gesticulating
a game of mime with Chinese whispers necessary,
if Europe is a nymph, Naples her azure eyes,
Warsaw her heart, Sebastopol and Azoff,
Petersburg, Mitau, Odessa - these the thorns
in her feet - Paris the head, London the starched collar,
and Rome - the sepulchre
.
or... die handbuch der europaischen geschichte
notably from Charlemagne (the Illiterate)
to the Greek colonels (as apart from Constantine to
Thomas More in eight volumes, via Cambridge mid
1930s)... these and some other books of urgency
e.g. Eugene Weber's H. A. L. Fisher's, Sr. Walter Ralegh,
Jacob Bronowski... elsewhere excavated noun-obscurities
like gattopardo and konarmya had their
circas extended like shelved vegetables in modern
supermarket isles, for one reason or another...
prado, sonata sovkino also... some also mention
Thomas Carlyle (i'd make it sound like carried-away isle,
but never mind); so in this intro much theory,
how to sound politically correct, verifiable to suit
a coercion for a status quo... Europe as a modern idea,
replacing Imperum Romanun came Christendom,
ugly Venetian Pirates at Constantinople,
Barbarossa making it in pickled herring juice
in a barrel to Jerusalem... once called the pinkish-***-fluff
of Saxony, now called the pickled cucumber,
drowning in his armour in some river or Brosphorus...
alchemists, Luther and Copernicus were invited on
the same occasion as the bow-tie was invented,
apparently it was a marriage made for the Noir cinema,
beats me - hence the new concept of Europe,
reviving the idea of Imperium Romanun
meant, somehow including Judea in the Euro
championship of footie gladiator ***** whipped
narcissists, rejecting the already banished Carthage
(Libya / Tunisia by Cato's standards) and encouraging
the Huns, the Goths and the even more distant Slavs and
Vikings to accept not so much the crucifix as
the revised spine of the serpent but as the geometry of
human limbs, well, not so much that, but forgetting
Norse myths of the one-eyed and the runic alphabet
and settling for ah be'h c'eh d'ah.
dissident frenche stink abbe, charles castel de st pierre
(1658 - 1743) aand this work projet d'une paix perpetuelle
(1713) versus Питер Великий who just said:
never mind the city, the Winter Palace... i have aborted
fetus pickles in my bedroom, lava lamps i call them.
the last remaining reference to Christianity?
Nietzsche was late, the public was certain,
it was the Treaty of Utrecht, 1713, with public reference
to the republica christiana / commonwealth was last made.
to Edmund Burke: well, i too wish no exile
upon any European on his continent of birth,
but invigorate a Muslim to give birth on it
and you invigorate an exile nonetheless:
Ezra expatriate Pound / sorry, if born in eastern
europe a ***** Romanian immigrant, pristine
expatriate in western Europe, fascist radio has
my tongue and *****, so let's play a game:
Russian roulette for the Chinese cos there's
a billion of them, and no one would really mind
a missing Chow Mein... chu shoo'ah shaolin moo'n'kah!
or a cappuccino whenever you'd like to watch
classic Italian pornographic cinema with dubbing
with nuns involved... Willaim Blake and his
stark naked prophesy, pope pius II (treatise 1458)
even though Transylvania, Tharce and Hungary
shared the same phonetic encoding with diacritical
distinctions like any Frenchman, German,
or Pole at the Siege of Vienna (1683)
to counter the antagonising Ottoman - i swear historians
do this one purpose, juggle dates and head-of-state figures
prior to entering a chronology - they must first try out
a ******* carousel before playing with the toy-train...
broadcasting to a defeated Germany public, T. S. Eliot
(1945) ****** import to into Western Germany
and talk of the failing moral fabric, China laughing
after the ***** intricacies of warfare of trade,
what was once wool we wished to be silk...
instead of silk we received vegetarian wool, namely
hemp, and Amsterdam is to blame... nuke 'em!
that's how it sounds, how a historian approaches
writing a history from the annals, from circa and
circumstance and actual history, foremost the abbreviations,
the fishing hook standards, the parameters,
the limits, and then the mathematics of history,
one thing culminating into another... contra Lenin
N. S. Trubetskoy, P. N. Savitsky, G. Vernadsky
Russian at the perks of the Urals - steppe Tartar shamans
or salon pranced pretty **** boys? where to put
the intoxicant and where to put the mascara... hmm,
god knows, or by 21st calculations, a meteor;
they say the history of nations is a history of women,
then at least the history of individuation
and of men who succumb to its proliferation
is astoundingly misogynistic.
Seton-Watson, among the the tombstones too reminded
of remarkable esteem and accomplishment
with only one gravedigger to claim as father...
as many death ears as on two giraffe skeletons
stood Guizot, men of many letter and few fortunes,
or v. v., incubators of cousin ***** and none the kippah
before the arrogant saintly diminished to
a justly cause of recession, ha ha,
by nature's grace, and with true advent of her progression
as guard-worthy pre- to each pro-
and suggested courteous of the ****** fibre,
oh hey, the advent of masqueraded woofing,
a Venetian high-brow, and jealousy out of a forgotten
spirit of adventure that once was bound
to hunting and foraging... forever lost to write  history of
a king dubbed Louis the XIV...
crucibles and distastes for the state to be pleased,
once removed from Paris, forever to Angevin womb
accustomed once more, at Versailles released -
as cake be sown so too the aristocratic swan necks
for worth of mock and scorn - and the dampening rain
rattle the blood-thirst of the St. Bartholomew's Day
slaughter, to date, the rebirth of Burgundy,
of Anjou, and with the dead king presiding, to be
of no worth in judging himself a king before god or pauper...
saluer Antoine Quentin Fouquier-Tinville!
that i might too in stead rattle a few bones prior to burial
with the jaw that will laugh and chatter least
had it been to my kingly-stead a birth so lowly.
then at least in satisfactory temperament i procure a
judgement of the noble like of a *****
for an hour's worth of pistons and jarring tongues...
as if from a nobleman then indeed as if from a *****,
for who sold Europe and said: Arabia, if not the
Frenchman, the Englishman, the Spaniard?
the former colonial conquests served you not enough?
i imagine the reinstatement of Israel like
the Frankish states under Philippe-August...
precursors to a cathedral dubbed Urban the 2nd's..
there were only Norwegian motives in the Ukraine
and the black sea... Israel to me is like plagiarism
of the Frankish states of the middle-east, with Europe
slightly... oom'pah loom'pah mongolian harmonica.
some said Rudyard Kipling poems,
some said Mr. Kipling's afternoon tea cakes -
whichever made it first on Coronation St.
some also say the Teutonic barbecues -
it was a matter of example to feed them hog
and cannibalise the peasants for ourselves,
a Prussian standard worth an army standard of
rigour - Ave Maria - letztre abendessen nahrung -
mein besitzen, wenn in die Aden, i'd be the last
talking carcass...
gottes ist der orient!
gottes ist der okzident!
nord - und sudliches gelande
ruht im frieden seiner hande.

germany's lebensraum, inferiority and classification,
inferior slavs and jews, genetics and why my
hatred of Darwinism is persistent, you need
an explanatory noting to make it auto-suggestive
for Queen & Country? diseased elements,
Jewish Bolshevism, Polish patriotism,
Soviets, Teutons, the grand alliances of 1918
or 1945? Wilsonian testimony of national self-determi
Skylar Peek Aug 2014
Fire gave me life.
Out of the corners of my newborn eyes I could see him standing there.
My blacksmith.
My father.
My creator.
He made me, He aids me, He gives me my breath.
He takes me. He breaks me. And thus comes my death.
He has burned me down to make a new,
therefore fire took my life.
Though purposely, I am one of few,
Who has met an ending to strife.

— The End —