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Venesa  Jun 2014
Dear Unity
Venesa Jun 2014
Dear Unity,  be proud of the work you've done.
Working day and night, leaving complaints to none.
With your calm blue aura, full of peace.
People from sadness and separation, you release.

Dear Unity, extending the branches of your unifying tree,
Watching over like a flock of birds flying free.
Amalgamate the opposing forces of destruction and war,
Spare them from the unnecessary deaths and gore.

Dear Unity, reunite us with our long lost friends,
So there will be happiness and laughter as broken hearts mend.
Clear the miserable loneliness haunting around,
And stop at no cost until the cure is found.

Dear Unity, oh unity, our guardian angel in disguise,
Getting rid of the hatred, betrayal and the emotion; despise.
Dear Unity, you are all for one and one for all,
Thank you for being there every time we fall.
Aarya Jan 2014
It's lunch time
And I'm in my math teachers' room
Writing godawful poetry
When I have a math test next period.
Our health class
Just watched a video about cyber-bullying
And the girl forgives her lying backstabbing ***** of a friend
I just called my friend
Who is absent
I called her twice
And she hung up twice
          Sixteen seconds
          Eleven seconds

I'm sitting in the library now
On a circular table
          Table for four.
I am one
But I always sit on a table with empty seats
So that I always know I am alone
This red ink looks darker in this lighting
A much more appealing shade
In comparison to how it looks in my bedroom

I'm thinking that I all I should be doing for the next few years of my life
Is math and music
          More of both

I'm really scared one of my friends will come and sit next to me  
I'm pretending the monsters from Six Skies are there
This might be unhealthy

Some ***** Megan just sat here
           She's not really a *****
But can't she see that my monster friend is angry
Because she just took his ******* seat

Whenever I'm in math class
I always feel like writing poetry
When I am writing poetry
I don't want to do anything else
Math class is over in five minutes
I think I did okay on my test
But Spanish is next
And I know I won't be doing okay there

My stomach feels as if
The acids that are supposed to be breaking down my food
          There is none shh
Are killing the lining of my stomach tissue
I have a self-destructing *****.

Once upon a time
This used to be a math notebook
That's all I ever write about in here
          math.

This is satisfying
My monster friends from Six Skies
           aren't here
           and
           I really wish they were.

I'm sitting encased in a red velvet colored blanket
It's actually my brothers
This is his third blanket
He got it for Christmas
Its his for a while, and then I take it
          even though I already have one of my own
So I guess he'll be getting a new one soon

The monsters from Six Skies
           are here
           watching me
           protecting me
I quite like their company
I don't want them to leave
           even at school
It's not a metaphor
But then again some days I look at myself in the mirror from several different angles of view
More satisfying than I'd imagined.

I forgive everyone for everything
             and I don't angry
Before it was anger and unforgiveness
Slowly I realized feelings like these
            were just too unnecessary for me
I think I do too many unnecessary things things like that
And I want to cut all of it up
I like basic
But I also like intricate

I have been writing poetry
           for three years.
           since I was in the sixth grade
They all used to rhyme
And my parents would be proud
Because I was proud
           as I grinned while I read them to them
And they were proud because it was about things
            like sunshine
I wonder if they would be proud now
Because I never even show them
And the only time I write about sunshine
            Is when something else is eating it away.
Margo Polo  May 2014
Leaving
Margo Polo May 2014
Last night I
had a dream that
you died.
Everyone we knew
came, said their I’m-so-sorry’s,
and
left, filtering out the front door
slowly
like sand through a sideways sifter,
leaving behind pieces,
words and memories
and casseroles I
could not taste.

And the whole time
everyone was here,
you were here, too.
I could hear
you, smell
you, feel
you.
I could feel you
surrounding me like the ghost of the baby blanket
I once had and could never leave at home.
I loved you here and here you would stay, with me,
and now you would never leave.
I could keep you.
You were bound to me.

But the ties that bind are tight and you did not like me leaving.
You could not go with me and
you
accidentally
and without words
by holding, enveloping,
suffocating
you told me
that you did not want me to ever leave again.
So I stopped.
I stopped leaving.
And the calls stopped, too.
The invites. The lunches. The impromptu trips to town.
All unnecessary noise.
The people left. And then it was just you and me.

Until one day I saw what you had done.
Tripping
I glanced in the mirror and saw.
You had etched yourself into my face.
Dug with your nails
terrifying ravines
escaping the corners
of my eyes. Pulled down
my mouth and every
shallow natural valley turned to
deep empty bowl, hungry and wanting.
My eyes no longer held light.
I saw this, all evidence against you,
and I still loved you.
You had hurt me in ways you never had
while you were here – here – and I knew.
And I still loved you.

Slinking up the stairs
I called you to me. I felt you surround
faster than before and
closer, tighter, colder.
Suffocating, stifling and
so destructive in how you loved me.

Slowly but faster
I grew to know
I would not become you and
you would not become me.
We were stuck on other sides of the mirror.
I was so angry
at what you had allowed me
made me
begged me to become.
Realizing
I gasped and put
hand to heart
it hurt so.
I stood upright
how long have I been bent
took in one long deep breath of stuffy air
how long since I opened the windows
and called you to me
when have I last heard a voice not my own
called you to listen.

I felt the loss of everything else
friends
family
adventure
excitement.
Nothing was left of that here
and I was so angry
and I am so sorry
and I yelled
      I screamed
      I roared
why are you still here
why are you making me like you
why did you come here and
hold me
and keep me here with you
I am not the one who is dead
and I said
and I regret
and I am so sorry
I can’t have you here
go away
and
leave me alone

and you did.
You left me
all alone.

Why would you leave me?
Erin Suurkoivu Oct 2016
Your moth light is supposed to
sustain me.

I am told to discredit
my sun,

its fuel unnecessary,
yours enough.

What do shadows live on,
this light?

I am the keeper of your
caterpillar dreams.
Featured along with other fine poems in my poetry collection, "Witch", available on Amazon and Lulu.
Nat Lipstadt  Jul 2013
Mashup
Nat Lipstadt Jul 2013
Mashup

Part I (and there is a Part II & III)

I mashup me, myself, and perhaps thee too.


Excerpts from my poems about poets, poetry and the process of compositions. In chronological order, earliest to latest.
---------------------------------------------------------­------------------

With words we paint,
With syllables we embrace,
Tasked and ennobled,
We are forever fully employed,
Missionaries to all,
You too, are one as well,
Your fate can't be renounced,

when the rusted unborn poem notion is almost done,
but remains unpublished,
for no beginning, no title, can be found,

Then I recall the cornucopia days,
when poems spilled forth like
there would never be a when they wouldn't,

I revisit my old friends, couplets, twins and triplets,
seeded inside every tear, happy or sad,
sweetly and freely,

my old friends, reread,
words rearranged in new combinations,
old poems, plants bearing new fruits,
re-titled all of them, one name,
a collection entitled,
My Solace.


My eyes, my eyes, see only the
Totality of this moment.
When mastery of multi-tasking
Is the single best poem this man ever
Penned with his entirety,
Of which not word survived
For its unspoken silence was its glory.

My compact with you is to
remind us all, through
music, dance, words (poetry) and love,
This is the only compact
with the power of human law.


Color me flesh ****,
Color me blue bottled,
Red ripped asunder,
The sweetness ascribed to my love poetry,
A subtraction of the bitterness of a failed life.
Colorist of my seams, my woven words,
I am white now, my canvas completed,
Waiting for another poet to write over it,
And chaining new words to what was prior writ.

Al,  what you did not ask was this:
With each passing poem,
I am lessened within, expurgated,
In a sense part of me, expunged,
Part of me, passing too,
Every poems birth diminishes me.


You ask me how I find the time,
(To write)
But time is not the issue,
For they, are all prepared, needing only recognition,
For they, are all in readiness, needing only composition.

For who's who in poetry
is all of us!
saviors and failures,
recorders and decoders,
night writers of the oohs and aahs
of dreams and nightmares.

When this poet cannot,
no longer, anymore,
tastes his poems upon your lips,
keep your poems within his heart,
then he breathes no more,
and becomes one who was, yet is,
because of you, in poetry.

Awful poetry, some good, you will write.
But write and write till your heart be calmed,
For even ancient kings felt the anguish  of the soul,
And we profit even today by King David's psalms.


This wizened fool has his hands full,
Mouths to feed, bread to earn and bake,
As midnight is almost nigh,
He rests prone and adds a verse to this old poem
He long ago scribbled down, grimace-smiles now,
Realizing there is little difference tween him and the
Sad Eyed Teenagers of the Lowland.

For poetry salves his wounds still, even now,
Unashamedly, he thinks, hallelujah!

The poem is the afterbirth,
A conflicts resolution, an outcome,
Battlefield debris, the residue of
An exacting vision, a sentiment surging,
And your army of words, inadequate to the task,
Fighting to capture that insight flashed,
Each word a soldier, disheveled,
Crying, let me live, let me be saved,
Let me make a poem,
Let it be inscribed upon my victorious flag.

The poem is the sweat left upon the brow,
Having exercised the five senses,
The salt of struggle and debate,
It's completion, each word,
Both a victory and a defeat.

To write but a single line,
That uplifts the heart,
Eases pain, gives delight to strangers,
And makes you laugh out loud
With shivery pleasure,
That usurps a whole day and night,
That is a poet's true measure.

Mastery of the poetic,
Measured not in quantity,
But in tears of satisfaction
When others love the taste
Of newly born stanzas
Upon their lips,
couplets born and transcribed
In the wee hours of the morn.


You can have my love, my soul,
But leave to me the labor of poetry.
Loving you with words is my domain,
The speciality of my terrain,
So no more hasta la pasta if you please,
And by the bye, I would love some
Tonight, say around eight,
At a restaurant where the moon is
The only light illuminating our faces.

Until you have bent your ear to Shakespeare's sonnets,
Till you have laughed with Ogden Nash,
Wept with Frost, visited Byron's ghost,
Read the songs of King Solomon,
And once you
Despair of being their equal,
Shed your winter coat of worry,
***** your courage to the sticking point,
Begin to write then with reckless courage,
Unfettered abandon, make a fool of yourself!

Scout the competition.
Weep, for you and I will never surpass
The giants who preceeded us, and yet,
Laugh, cause they thought the same thing as well...


All I can say is
En Garde!
I will be coming back soon enough.
because you are my best poem,
and the there will always be another stanza needed...

I am no Houdini, it's quite simple,
After 5 years, I read her like a book,
A book of my poems that she has inspired,
Entitled the Mysteries of True Love.


Each letter, a morsel in your mouth,
Each phrase, a fork full of pleasure,
Each stanza, a full fledged member in a tasting menu,
Perfect only in conjunction with the preceding flavor,
and the one that follows,  and the one that follows.

Taste each poem upon thy tongue and then pass it on,
you know how....

Each word, whether chewed thoroughly,
or lightly placed upon a bud for flavor,
needs the careful consideration of your mouth.

When I hear Shakespeare
My own voice is stilled, it's poverty exposed,
I am ashamed of every word I ever wrote.
Hush me not, for t'is true,
Yet I write on for an audience of one, on but one subject,
A subject, a life, mine,
yet, still unmastered, even after decades of trying.

My poverty exposed, unmasked
for what it is worth, or not.


Lest you think this is paean to men
Another grand male boast,
Be advised this ditty be writty
By a man who, while no longer gritty,
Just put jelly on his scrambled eggs
And ketchup on his toast!

Mmmmmmm there might be a poem
Lurking in that too...

So baby,
shut it down,
turn me on,
make me warm for real,
glide your now practiced fingertips on my grizzled cheek,
whisper a phony "ugh,"
cause I know, you will read
this iPad love poem
and cherish us for evermore.


Soul of brevity, poetically,
I'll never be, this insightful critique,
("Your poems are too long")
I've received in multiplicity, from sources internationally,
perhaps, lucky me, you've read this far?

Surely still a chance that an angel will touch my lips,
my internal parts sign a final treaty, inside an armistice,
night sweats sighs a thing fully forgot,
poetry writing can now be dispatched,
maybe that will be my Act III,
if I can stay awake for it.

Walk a Single Word.
To write a poem, a single word select,
embrace it with a fullness that lovers, family and friends
and the *** who cut you off in the middle lane
do daily provide

Grasp said word, walk it onto a yellow, blue lined, legal pad,
touch said word with the whisper of a single tear, a single curse,
like a pebble in a pond,
said word will miracle expand
hugging you with concentric circles of lines of poetry,
visionary words and stanzas that almost complete themselves
and you

The rhymes you will require, the meter you will select,
no need to struggle, hug your child and as Abraham told Isaac,
God and Google will provide

The simple trickster, a wordsmiths, even your average poet laureate,
got nothing on you that you don't already possess, to offer them
Plenty stiff competition.


Therefore,
My life is mine to take,
Should I wish to choose the
Place, date, the time
To let the poetry cease,
I will announce it mostly gladly
with a blessing of
Shehecheyanu* and a
Smiling "by your leave."

Sometimes the pen, unnecessary.
The poem, fully formed, in his mouth, born.

Silent back labor, unbeknownst the existence
Of such a thing, yet knowing now
His contractions, coming fast and furious,
Eyes many centimeters dilated,
The sac's fluid breaks upon the poet's tongue,
He pronounces in a single breath his
Immaculate Completion

When his hand to mouth, goes,
Like Moses, when he touched the burning coals,
The words are signaled, freedom!
The words announce:
We are now created, conceived and
This new oxgenated atmosphere is now our
final resting place.

This child, the poem, this exhalation,
Once freed, is lost to him,
It's been renamed, retitled,
by hundreds of newly adopted parents as
Ours.


Words needed to create another love poem for my beloved,
Nose and toes, ******* and eyes all regularly poetically,
Cherished,
Now I have knuckled under
And competed a full poetic body scan
And have paid tribute to each n'every part of you,
Even your knuckles...which I am busy kissing
While writing this poem in my distracted mind.

The next time it be for the morning meal,
I will eat it in bed,
far from their kitchen hiding places,
And celebrate my heroics with original
Frosted Flakes and milk,
And extra sugar just for spite!
The bedroom fairies, living under the pillow,
Emerge to beg in iambic pentameter,
Won't get nary a bite,
Until they they return the poems they stole
From my midnight dreams.


I am exhausted. So many gems to decorate
My body, my soul. I must stop here,
So many of you have reached out, none of you overlooked.

Overwhelmed, let us sit together now
And celebrate the silence that comes after the
Gasp, the sigh, that the words have taken from
Our selves, from within.


On and on thru the night,
Riffing, rapping, rambling, and spitting,
Ditties and darts, couplets and barbs,
Single words and elegies,
Free verse and a lot of fking curse words,
It was a moment, a time
that deserved
to be preserved,
and so this poem got writ

You may think this story apocryphal
Which is another way of saying untrue,
But I got his boarding pass and it is signed,
To this crazy poetry dude, long may you rasp,
And it is signed by Mr. P. Simon, a big fan,
And it has never since that day,
Left my grasp


Some poems never end,
Nor meant too.
Alliterative phrases, invitations,
Add a verse, a word, even a sound,
An exclamation of delight,
A stanza in its own right.

Unfinished work, forever additive, collaborative.
Modify mine, pass it on.

Read somewhere some poems never end,
Now I understand that better,
Cause there are no bandages, stitches that can close,
Cause there are no pills, switches that can shut off,
The ripping sound, the cutting noise, the raging inside
Heard blocks away, almost reaching a house where you live,
And dying in the same **** place that
Poems come from after midnight.


And even if I am stranger now,
I'll prove useful to have around,
Giving you poetry precisely couture designed by command,
So I fully expect to be hugging you happy
Soon enough.
You'll see.

No matter combo or organized, a good nights sleep
Elusive
So poetry is my default rest position,
My screen savior.

**So when I warn,
All my poems are copywrighted,
My meaning simple, words crystal,
They belong to us, but mostly to you
Who are reading these words
Mashup Part II  Is now posted.

It appears that I write a lot on this topic.   Anyway all theses are indeed snippets from poems  I wrote  and have posted here.  Started with the oldest poems May 18 and working my way thru 'em
Krysel Anson  Sep 2018
BURIED
Krysel Anson Sep 2018
By now,the seed varieties of the world,  
may have been attacked beyond recovery
by wars of pretense and relapses.
We are still learning
how to handle it properly.
We tend to say.

Some will talk and plan over dinner parties,
over TV or Radio. Most will leave
it behind like another corpse
of lessons thrown to the gutter,
like a dead *** on another Sunset Boulevard.

Iraq's seed banks
we blew up in the 2000s.
In various places in Asia
and the Middle East, places of life and cultured
varieties gone in an instant.
Echoing our imprisoned
ignorance and drives for more instant goods and services.

Indian farmers have committed mass suicides after
their god Hanuman was used by a chemical giant
to sell poison seeds and renewed
bondages of indebtedness.

One question a stranger asked a group of writers on tour
was not what their poetry or books were about,
nor why they wrote it, but how writing may and
may not be helping as we make decisions and solve problems now?

Once agricultural lands turn into new promises
of commercial buildings. Cities of inaccessible towers and
abandoned malls in America, Spain, China, and Russia
feeds us back our own echo.

Like converted uses of lands, our humanity
is converted into inanimate collections and status
symbols of some players or parties. As we face
our continuing struggle between
our oppressor-selves and our genuine roots.

Despite the perversions,
inside vicious habits of waste
where we glorify promises of war and efficiencies,
we continue to be entrusted with the ongoing lessons:
Rarely do surviving generations through famine, war and diseases,  
throw away means to live, or destroy any kind of seed.

Every day we wake to the ruins and remains of
Our living poetry, word spaces, hours, exchanges,
gains and losses, stopping and going. This time,
not just for fires of anguish or unnecessary losses,
but for each other's midnight lamps.#
[Official Part-1]

this  world  can  be  dangerous 
bleak,  wild  and  careless 

you're  living  without  knowing 
how  many  days  you'll  ride 

every  day  you  face  with
the  problems  you  think
they  are  bigger  than  'you'
but  they  are  smaller  than
the  whole  universe

mini  world,  bright  sky
time  is  gold;  it  will  fly

no  one  is  getting  it 
no  one  is  feeling  it 

what's  in  your  veins 
what  lead  you  to  the  chains 
seem  every  little  is  in  a  mess 
like  every  human  is  in  stress 

walking  on  the  sharpest  bridge 
thinking  I'm  ready  to  stop 
maybe  I  can  lay  here  and  flop 
on  to  the  cold  concrete  ground 
am  I  ready  to  beat  this  round, 
what's  next  or  what's  behind 

how  hard  it  is  to  feel  kind 
when  it's  all  making  you  blind 
and  here's  where  you  can
show  your  difference
by  being  kind

noise  trauma,  unnecessary  drama 
everyone  wants  to  be  an  alpha 
race  of  fame  and  goals  to  gain 
end  of  nature  and  crazy  bane 
after  this,  I'll  never  be  the  same 

relationships  have  a  journey 
which  starts,  goes  and  ends 
I  found  One  has  no  'end'
GOD  IS  MY  BEST  FRIEND. 



☾ M. E. Kuşaslan ✩
@lightinthedarknesspoetry
Thanks for being here. Until the next verse.

For more, follow @lightinthedarknesspoetry and explore the debut poetry book "Light in the Darkness ", which is out now.
Robert Ronnow  Aug 2015
Anomie
Robert Ronnow Aug 2015
Should we invite the neighbors over for dinner?
Their politics so different from ours.
All the more reason. Combat anomie!
He's worried the town's losing population
but opposes immigration. I like immigrants
but hate passing people on my morning walk.

The whole mountainous western region of the state
is losing population at a rate of 1% per annum.
The young move out, the old stay put but
young artists priced out of big cities move in
looking for affordable studio space. How low
can the population go as long as rents stay low?

We did agree about the fire department expansion
being premature (him) or unnecessary (me).
He argued we should renovate the high school first
the roof is caving in and walls crumbling.
But you can teach under a spreading chestnut tree
or baobab and science needs the world for a laboratory.

I teach at the old 2nd St. jail in Pittsfield
a town that doesn't know if it's coming up or going down.
A few shootings last month, no deaths.
They're holding their breath but also trying to attract life
science businesses to the industrial park. The local bank's
expanding, buying smaller banks in neighboring civilizations.

Eventually our fire department got the vote they wanted,
just called another meeting and packed the auditorium.
The final winning argument was we can do the school,
the fire house and the police station all at once.
Don't accept defeat, limitations. Defeat anomie!
Anomie means lawlessness and purposeless in Greek

so that's not exactly what we're trying to defeat.
It's the mismatch between our aspirations and resources,
no, the dissonance between our tribe and nation,
the individual as ****** animal and intellectual,
the farmer and the banker, the loved one and the litter,
whatever happens to you after you die and belief in reincarnation.

For me, it always boils down to mortality
every conversation, which is why no one comes to dinner.
Whether the fire department buys an exorbitant parcel
at the expense of a future school renovation
in a town slightly losing population but still viable
with a college, bank, artists and a few working farms

is everything and nothing, as Borges says.
Deutsch says death ought to be curable.
The new high school or fire station, conditions like anomie
v. democracy, new life forms, self-conscious species
from the laboratory or the biome. How de body?
Today ok. Tomorrow I don't know. Potential

energy, lover, killer, anomie. Karl Popper
had such faith in the rational whereas Niebuhr
acknowledged man's ego is uncontrollable except
by force. Conflict is inevitable. But at dinner
we agree it doesn't always have to be violent or terminal.
We can do the fire department, police station, the school and anomie.
www.ronnowpoetry.com
Nigel Morgan Nov 2012
After the painting by Leonard John Fuller

I had promised I would arrive in good time for afternoon tea with Edith and the Aunt. Angela was nervous.
     ‘Edith scares me,’ she said. ‘I feel a foolish girl. I have so little to say that she could possibly be interested in.’
      She had sat up in bed that morning as I dressed. She had frowned, pushed her hair back behind her ears, then curled herself up like a child against my empty pillow. I sat on the bed and then stroked the hand she had reached out to touch me. She was still warm from sleep.
     ‘They are coming to see you,’ she whispered, ‘and to make sure I’m not fooling about with your mother’s house.’
‘I’ve told you, you may do what you like . . .’
‘But I’m not ready . . . and I don’t know how.’
‘Regard it as an adventure my dear, just like everything else.’
‘Well that had been such an adventure,’ she thought. ‘When you drive off each morning I can hardly bare it. It’s good you can’t see how silly I am, and what I do when you are not here.’
        I could imagine, or thought I could imagine. I’d never known such abandon; such a giving that seemed to consume her utterly. She would open herself to this passion of hers and pass out into the deepest sleep, only to wake suddenly and begin again.

Angela felt she had done her best. They’d been here since three, poked about the house and garden for an hour, and then Millicent had brought tea to the veranda. Jack had promised, promised he would look in before surgery, but by 4.30 she had abandoned hope in that safety net, and now launched out yet again onto the tightrope of conversation.
         Edith and the Aunt asked for the fourth time when Dr Phillips would be home. How strange. she thought, to refer to their near relative so, but, she supposed, doctor felt grander and more important than plain Jack. It carried weight, significance, *gravitas
.
       Angela hid her hands, turning her bitten to the quick nails into her lilac frock, hunching her shoulders, feeling a patch of nervous sweat under her thighs.
       ‘He’s probably still at the Cottage Hospital,’ she said gaily, ‘Reassuring his patients before the holiday weekend.’
      She and Jack had planned to drive to St Ives tomorrow, stay at the Mermaid, swim at ‘their’ bay, and sleep in the sun until their bodies dried and they could swim again.
       ‘How strange this situation,’ she considered. ‘Edith and the Aunt in the role of visitors to a house they knew infinitely better than she ever could.’
       The task ahead seemed formidable: being Jack’s wife, bearing Jack’s children, replacing Jack’s mother.
      Edith was thinking,’ What would mother have made of this girl?’ She’s so insipid, so ‘nothing at all’, there wasn’t even a book beside her bed, and her underwear, what little she seemed to wear, all over the place.'
      Edith just had to survey the marital bedroom, the room she had been born in, where she had lost her virginity during Daddy’s 60th party – Alan had been efficient and later pretended it hadn’t happened – she was sixteen and had hardly realised that was ***. Years later she had sat for hours with her mother in this room as, slipping in and out of her morphia-induced sleep, her mother had surveyed her life in short, sometimes surprising statements.
      Meanwhile the Aunt, Daddy’s unmarried younger sister had opened drawers, checked the paintings, looked at Angela’s slight wardrobe, fingered Jack’s ties.
      Edith remembered her as a twenty-something, painfully shy, too shy to swim with her young niece and nephew, always looking towards the house on the cliffs where they lived.
     They were those London artists with their unassorted and various children, negligent clothes and raised voices. The Aunt would wait until they all went into St Ives, for what ever they did in St Ives – drink probably, and creep up to the house and peer into the downstairs windows. It was all so strange what they made, nothing like the art she had seen in Florence with Daddy. It didn’t seem to represent anything. It seemed to be about nothing.
       Downstairs Angela knew. The visit to the bathroom was just too long and unnecessary. She didn’t care, but she did care, as she had cared at her wedding when the Aunt had said how sad it was that she had so little family, so few friends.
       Yet meeting Jack had changed everything. He wanted her to be as she was, she thought. And so she continued to be. All she felt she was this ripe body waiting to be impregnated with her husband’s child. Maybe then she would become someone, fit the Phillips mould, be the good wife, and then be able to deal with Edith and the Aunt.
        That cherub in the alcove, how grotesque! As Edith droned on about the research on her latest historical romance, Angela wondered at its provenance. ‘Daddy ‘ loved that sort of thing, Jack had told her. The house was full of her late father-in-law’s pictures, a compendium of Cornish scenes purchased from the St Ives people. She would burn the lot if she could, and fill the house with those startling canvases she occasionally glimpsed through studio doors in town. She knew one name, Terry Frost. She imagined for a moment covering up the cherub with one of his giant ecstatic spirals of form and colour.
       The chairs and the occasional tables she would disappear to the loft, she would make the veranda a space for walking too and fro. There would be an orange tree at one end and a lemon tree at the other; then a vast bowl on a white plinth in which she could place her garden treasures, rose petals, autumn leaves, feathers and stones. There might be a small sculpture, perhaps something by that gaunt woman with the loud voice, and those three children. Angela had been told she was significant, with a studio at the top of Church Lane.
       Edith had run out of experiences regarding her monthly visits to the reading room of the British Museum. She was doing the ’ two thousand a day, darling’, and The Dowager of Glenriven would be ‘out’ for the Christmas lists. The Aunt had remained silent, motionless, as though conserving her energies for the walk through the cool house to the car.
       ‘Oh Darlings,’ Jack shouted from the hall, ‘I’m just so late.’ Then entering the veranda, ‘Will you forgive me? Edith? Aunt Josie? (kiss, kiss) Such an afternoon . . .’
       Surveying the cluttered veranda Angela now knew she would take this house apart. She had nothing to lose except her sanity. Everything would go, particularly the cherub. She would never repeat such an afternoon.
      She stood up, smoothed her frock, put her arms around Jack and kissed him as passionately as she knew how.
This is the first of my PostCard Pieces - very short stories and prose poems based on postcards I've collected or been given from galleries and museums. I have a box of them, pick one out at random - and see what happens!
preservationman Oct 2015
The pavement having a merchandise name
Merchandising sales being the aim
Markdowns throughout any retail store
The array of assortments a consumer just can’t ignore
Yet watch how the consumer spends their money
The consumer will be broke, but certainly not the only
Plastic credit cards that could get you into trouble
This could cause your interest rates to double
But I one should only buy what they actually need
However unnecessary things with no need to proceed
Retail prices coming from a Buyer’s advice
Watch the price and shopping being wise
Fashion designers with a eye for your appeal and style
All through the theory the consumer is thinking during while
Well retail stores have much they want the consumer to explore
But with prices slashed here and over there, the consumer becomes not being sure
Perhaps having will power is something no one should ignore
Money saved with nothing being spent
No question needing to be asked as to where your money went.
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