Submit your work, meet writers and drop the ads. Become a member
Harsh Sandhu Feb 2015
I miss your sitting
             beside me
My hand in your hand
            holding tightly
Sitting on one bench
                       together
Warming ourselves
        2 cups of coffee
And that cold weather !

Telling things about
                   ourselves
Which are unknown
     To me and to her
Now uncared about
           coldness and
Persons coming
             and gone
Being first meeting
Seeing in her eyes
Busy in get- together !!
A kiss behind the tree..
A dancing Bear grotesque and funny
Earned for his master heaps of money,
Gruff yet good-natured, fond of honey,
And cheerful if the day was sunny.
Past hedge and ditch, past pond and wood
He tramped, and on some common stood;
There, cottage children circling gaily,
He in their midmost footed daily.
Pandean pipes and drum and muzzle
Were quite enough his brain to puzzle:
But like a philosophic bear
He let alone extraneous care
And danced contented anywhere.

Still, year on year, and wear and tear,
Age even the gruffest, bluffest bear.
A day came when he scarce could prance,
And when his master looked askance
On dancing Bear who would not dance.

To looks succeeded blows; hard blows
Battered his ears and poor old nose.
From bluff and gruff he waxed curmudgeon;
He danced indeed, but danced in dudgeon,
Capered in fury fast and faster.
Ah, could he once but hug his master
And perish in one joint disaster!
But deafness, blindness, weakness growing,
Not fury's self could keep him going.
One dark day when the snow was snowing
His cup was brimmed to overflowing:
He tottered, toppled on one side,
Growled once, and shook his head, and died.
The master kicked and struck in vain,
The weary drudge had distanced pain
And never now would wince again.
The master growled; he might have howled
Or coaxed,--that slave's last growl was growled.
So gnawed by rancor and chagrin
One thing remained: he sold the skin.

What next the man did is not worth
Your notice or my setting forth,
But hearken what befell at last.
His idle working days gone past,
And not one friend and not one penny
Stored up (if ever he had any
Friends; but his coppers had been many),
All doors stood shut against him but
The workhouse door, which cannot shut.
There he droned on,--a grim old sinner,
Toothless, and grumbling for his dinner,
Unpitied quite, uncared for much
(The rate-payers not favoring such),
Hungry and gaunt, with time to spare;
Perhaps the hungry, gaunt old Bear
Danced back, a haunting memory.
Indeed, I hope so, for you see
If once the hard old heart relented,
The hard old man may have repented.
Anubhav Rath Mar 2010
I lied by the sea,
far away from the ebb-
uncared, untraceable,
a heap among the mounds.

You came to me first,
And then joined in she,
both squatted by me,
started the play with me.

Never can I forget,
the first caress-
I know not, yours or hers,
but it was like heaven.

Your juvenile dreams,
naive imaginations,
bestowed on my otiose self,
by your seasoned skills.

Grain upon grains,
both made me proud. 
Not conforming to a flaw,
meticulous maven masons.

When your hands tired,
she backed you up. 
While she was ******,
 you tended her to health.

Finally, I stood tall-
an Olympian castle. 
Both were beguiled, 
I would never be happier.  

And, then came the storm,
Satanic vibes infested the air.
I couldn’t fathom what befell,
you were furious, she was crying.

Raised voices, clenched fists,
intimate moments castaway,
I stood a meek witness,
while a relationship was severed.  

Came along the lunar surge,
I was wiped away without a trace.
Both stood distant from the other,
watching me fall, filled with remorse.
Christian Bixler Feb 2015
I sit in bed, my hair, ruffled and undone, eyes blurry
from lack of sleep, while I wonder what to say. Searching
the farthest depths of my mind, for as far as I can fathom
for as long as I can, I search within, for what to say to move
you, to laughter or to tears, serenity or despair, hope or a sense
of loss, deep within the pit of your stomachs, that moves you to
tears, some shed some not, while you stare at my last and final
lines and touch with your index finger, shaking, or click with your
pad or mouse, a small icon, down at the bottom of your screen,
the bottom of the poem, that indicates so much, that brings so much
joy, at so very little effort on your part, all you who have glanced at my
poetry and, deeming it mediocre, have moved on, even as the lines and syllables of my heart and lessened soul fall from your attentions, and fade from your hearts. I am reaching now, reaching far within myself,
for the courage to spit these words out onto this glowing screen, late at night, with the promise of an early dawn visible on my small clock, green letters glowing like some poisonous chemical, mixed with the sewage of a rotting city and the vileness of all the cruel and hateful thoughts, uttered and imagined by all of mankind, within our short and  devastating history. I have found it. I beg you now, all of you, all who merely glance at this, my desperate plea to all of you, out there in the shifting nothingness of cyberspace, to please, like or comment, tell me my work is ****, and that I should drown myself in the nearest roadside ditch rather than write again, for at least I would know, at least I would feel that my work elicits something from you, and that I at least, am not as great a failure as a writer, as a poet, as I am coming to believe. I beg you now, with all my heart and screaming soul, with all the rage and fury and bitter tears unshed you have elicited from my tired soul, read and comment, and like if you may, for I am tired of being ignored, and of the deep and lonely feeling of being alone and forgotten, unnoticed and uncared for, due to the mediocrity of my work, though my heart were poured into it and my soul spent to give it life. I beg of you. And now, tired as I am, I will sleep, and dream and wake and sleep again, for anxiety and fear. And perhaps this too will go unanswered, unnoticed, lost amid the vastness of cyberspace, glanced at but not read, not searched for any subtle glimpse of meaning I, the writer may have hidden in these words for you and you alone, out of the thousand thousand people, authors and browsers, who may come and, if they deign to glance at it closer, never feel the exact same emotions, and feel the same thoughts as you will have, for you are you, and I am I, and for all our differences, and for all that we may be a world apart, or living nextdoor, we are connected, just as everyone, and everything is , in this world, in this life. Find meaning in that if you will. Ha. And now farewell. I hope that my words will be heeded, at least to some extent. But then, they probably won't, for all the bitter truths and all the pain and rage and fury written here for all to see, for none to see. Farewell.
Comment.
Unwatch'd, the garden bough shall sway,
  The tender blossom flutter down,
  Unloved, that beech will gather brown,
This maple burn itself away;

Unloved, the sun-flower, shining fair,
  Ray round with flames her disk of seed,
  And many a rose-carnation feed
With summer spice the humming air;

Unloved, by many a sandy bar,
  The brook shall babble down the plain,
  At noon or when the lesser wain
Is twisting round the polar star;

Uncared for, gird the windy grove,
  And flood the haunts of hern and crake;
  Or into silver arrows break
The sailing moon in creek and cove;

Till from the garden and the wild
  A fresh association blow,
  And year by year the landscape grow
Familiar to the stranger's child;

As year by year the labourer tills
  His wonted glebe, or lops the glades;
  And year by year our memory fades
From all the circle of the hills.
Victoria Kiely Oct 2013
The rain beat the pavement as the man ran to a nearby bus shelter holding a newspaper over his ragged hair. The rain hitting the glass was nearly deafening, but there was comfort in the sound. A public transit bus comes and goes, recognizing the bleak figure immediately. This was, after all, his commonplace - the closest thing he had to a home in the past two years.
"Get a job", people would say, as if it were ever really that easy.
He had been diagnosed with depression after his wife’s passing nearly four years ago and suffered alone as he mourned and pushed through what most people see as a normal life. On the outside, it was unapparent how miserable he had become, unable to share the world with another as he had now for so many years. He came to his cubical on time each day, he worked until the late afternoon had came and went, and he left without a word. He was the unnoticed face in a crowd.
All at once, he lost his drive to live his life. He stopped showing up to work, he did not pay his bills, he didn’t answer the door or the phone. The clear print reading “EVICTION NOTICE” had meant nothing to him. He took only the essential things with him as he left behind an empty house behind. The last thing he put into his bag was a copy of the Odyssey, worn now after so many years of attentive reading.
The tattered copy sat open on his crossed legs, the moment passing by. The walls of the shelter sheild him from the wind and welcome him into their embrace. the adequecy of lighting was questionable as the sun descends and the world loses its colour. A streetlamp flickers to life and casts an ominous glow onto the street beneath it. He continues to read about the long journey of a man trying to find his way home, not unlike himself. What’s happening on the page is disconnected from thepart of the world that he is trapped on; he watches his secret world become a vivid painting beneath his hands and turns the page.
"Hello," said a man waiting for another bus to take him to a far off place.
He didn’t respond.
"I take it you like the book, judging by the condition…" The man tried again to grasp his attention. His dark figure loomed on the other side of the glass.
"I do", he said.
"What’s your name, son?"
He paused, turning to fully look at the man. “Its Tristan,” he said, contemplating the man as he stepped into the light. The man shuffled into the shelther gingerly, leaving behind the loud clack of his cane. His clothes chaffed against the skin on his legs, and he carried his fedora in his hand. He creased his face in pain as he sat beside Tristen.
"My name is Connor Wright", he breathed heavily, struggling to continue. "I have a spare copy of that book myself, laying around at home. No use to myself. Would you want to have it? I can bring it to you the same time next week"
"How do you know I will return it?"
"Perhaps I don’t want it back"
The silence stretched. “I would like that very much, sir” replied Tristan.
A dark blue bus pulled up to the stop without warning and stirred the stillness in the air. The headlights shone in their eyes and caught the edge of the mans thick-framed glasses. “I will see you next week then”
Each week came and passed as Mr. Wright began to bring Tristan books frequently, exchanging each new book for the last. “Why do you treat me with such kindness when I have nothing to give?” Tristan would ask him each week, never recieving an answer.
A year passed by in the presence of the silent agreement. Mr. Wright would often bring Tristan a warm container filled with soup, or a sandwhich left over from lunch to accompany his reading for the night.
On a cold night in april, Tristan waited at the bus stop for the greying man. He spotted him across the street as he waved to him. Tristan, flashing his increasingly more common smile, returned his vivid wave in the direction of Mr. Wright.
"Hello Tristan", he began as always with a bright smile. His distinct aroma filled the hollow bus shelter - a mix of burnt wood, but also new paper and musk, and apparent paradox. After a brief conversation, Tristan took the book out of Mr. Wright’s frail hands.
The bus arrived shortly thereafter and Mr. Wright borded the exhausted vehical, taking his time going up the short stoop of stairs.
This book was rather unlike the other books that Mr. Wright had given him in the past months. His books had usually been full of journeys abundant with creatures, or filled to the brim with a quaint scenery, embodying an allegory in a far off place. The book he held in his hands was called “Darkness Visible”. It was a self-help book for those in the winter of their lives, much as Tristan was, though he hated to admit it.
He opened the page of the book and the spine cracked as the smell of fresh ink and paper filled his senses. This book was new.
He read with curiousity at first, which later turned to deep interest, and later still, turned into inspiration. The following week, Tristan returned this book to Mr. Wright as he told him that he would not be returning to the bus stop with any more new books. “I wish to see you again in the future”, he said, handing Tristan a slip of paper with his name and phone number on it.
Many years passed by and the two men kept regular contact, discussing the endevours of Tristan and his success in his new life.
"Doctor Spense, you have a visitor" his secretary informed him in her usual airy tone.
"Send them in, please"
A man with strong lines creased into his face turned the door handle and entered his office at Kingston University. Commonalities were exchanged and the man fought back a solemn look as he took a seat across from Tristan. The armchair engulphed him.
"Doctor Spense, I’m sorry to inform you that Mr. Connor Wright passed away this morning as he succumed to his long fight against cancer", he spoke as though he had said these words in practise. "I am here because you were included in his will and we need to speak about legalities".
Mr. Wright had left him his entire collection of books, including that first copy of the Odyssey that Tristan had cherised so many years earlier when he had had nothing else. As he opened the familliar book, an envelope fell to the ground.
He stooped to the ground to pick up the white sheet and put it in the pile of other loose pages when he saw in handwriting, “To Dr. Tristan Spense”.
He read the words and tears filled his eyes, prickling at the corners and pooling in the clear canvas of skin before his jaw.

"The greatest disease in the West today is not TB or leprosy; it is being unwanted, unloved, and uncared for. We can cure physical diseases with medicine, but the only cure for loneliness, despair, and hopelessness is love. There are many in the world who are dying for a piece of bread but there are many more dying for a little love. The poverty in the West is a different kind of poverty…" - Mother Teresa
I treated you kindly holding the knowledge that you would have nothing to give in return because I saw something I once saw within myself during the darker days of my time. I helped you because I knew your soul would rot and perish in a sickly way should you go unnoticed. I helped you because I hate faith in you and knew you had the kind of illness that could be taken away with the love of a friend. I hope that I have been able to give you the medicide loneliness, desparity and hopelessness and that your cabinets are stocked full. Remember where you have come from, and remember that it is always darkest before dawn.
Your friend always,
Connor Wright
Seven Socrates  Jun 2014
Cycle
Seven Socrates Jun 2014
Don’t plant no seeds if you anit ready to garden yet, cause too many uncared for plants leaves the farm in debt, the “rotten”seeds always seem to harm the rest, we can point out the issue why we anit fix the problem yet? Cause anything healthy in nature always get harvested.
Becca  Jan 2014
Uncared
Becca Jan 2014
I need to
Express
My emotions
Somewhere
© Becca 2014
Barker  May 2018
Clay
Barker May 2018
People are like clay.
We can mold to adapt.
We can change how we look,
But not what we are made of;
And if we are left uncared for
We become as hard as rocks,
And that's the tragedy of living.
(c)ibarker
For instance, recall daisies,
or if you have not seen one, so much the better.
Paint me a crass picture and sleep
on the shallow crevasse. Stilt through
the orchard and search there: nothing still.
Even the nothingness is form-fitting, and thus,
your vestigial image of daisies. Mold something
out of the vacuity, and there a retrograde sculpture
will wind back to clay. Cornerstones have your name,
and your name even so, has taciturnly placed stones.

Stones. These tiny bodies that lay, undemanding,
scourged by the rapid passage of a carriage.
I wait there, with them, still thinking of daisies.
I know of a child, cylindrically obtuse, in front of the mirror.
Have you seen yourself in the hazy windows
of the Metro? What do you see? I still see daisies.
Or people with heads of daisies. But remember your
forethought of daisies? They are nothing. I am a beheaded daisy
in the lackadaisical wind of Summer. There is nothing to gain
here but the sadness of cold passing. And the child that I am speaking
of, his name, Magno. Sturdy like the rucksack he’s carrying,
lovelessly trundling altogether with the pipes and the
handrails, almost signaling the alarm without warning.

This uncared-for sultry evening decides to splinter
itself against the masses. Again, the daisies appear to me,
this time, in heady form rogue with peripatetic fragrance.
Magno used to unearth daisies and give them to her
mother when he was stiflingly young – he hustled through
the carefully placed furniture. Whatever happened to him,
I know not. And just like the daisies we have come to know now,
trains that do not belong to anyone, and the daisies too, that go
unheard of and unknown to the behest of the city,
have gone into the subtle beginning of everything
that once started in itself, the form of splendor. Nothing.
Mari Carrasco Nov 2017
a community of wildflowers pretending to be roses.
befriending what we believe are better plants,
and covering themselves in lavender.
they dip their petals and spikes into ink,
and they pretend that they are feathers,
and with these feathers they pretend to be birds,
and being birds is the only way they feel free.
they are left uncared for and wilted down,
they are overlooked and thrown away,
they are called pests and flower killers.
but they are beautiful,
they are powerful and everpresent,
they are proof that no matter how much pulling them out,
cutting them down, and praying them away, wildflowers are here to stay.
René Mutumé Dec 2013
Bones in the ashless fire
bright
from the growth of vitalic hands
from surpassing echo
of careless ground
letting all of the roads just
go
into the charging and dug-out
roads
as we walk in one body  
and the uncared for birds ate
with the cared for birds
lifting their heads up and down
in agreement
of shadow suns - sun’s shadow
the knuckled cocoons open
in the hemisphere’s grace  
that are not held back
by the dams that were fathers
to you
and the mothers eating their jammed crowns
of animalised peace
along with the ****
ha!
even they are cheered also, the hunters
of the field, arrows obliterating through eternity,
your heels creating, it
that song that tempers the cities reflection
returning mine
and season less unions inside,
desert storm, and warmed ice breathes
in toasts across seas
force open the laughing cage-

And the farm machine says:

“We will take more animals-
from you
tonight
we will
make you pay by the long tongue
of submissive crawl
and your livers
and liver brought
hum
by the hand-made knife
by the half-made, gesture

the horizons will laugh with boredom, at you  
pummelling dry, the mountains  
if you do not-

light!
LIGHT!
light...

(...//light.)”
...

throw ****** grunts like burping darts directly at the puddled lipped sky

run by, and through
the days of collapsing flesh
raining

Juggernauting mist!///

be unable to find sound

or sand hold

where the lights incept fog

and give it form,

be the crows in saliva
with no threat
as they fly by
between knife and bread
spewing cello grips
along the graffetied walls
of music
and moss burning teeth
in lines of paint  
into the secret wars
and charities
that nothing can touch
and the face at the end of that
brick’s
mind

is a welcome,
face

we walk by//////
sweeps that cannot
smell, themselves
at 5
a.m
fish shattering
by the entry
of our dive
into synapse blue - gulls bound to moon
the waves and the salt and ourselves
moments of dance
in conversation away from the roar
after the vermin
has roared
it’s last spittle
and has dispersed into low
figments
and the juice of that spittle
drapes over our shoulders
in curtainous glowing rocks

Come now junkerd star, trembling
gloats drooling with Cerberus' tears, through space
encountering unwashed books, and curving onyx lips
down hallow of easy river, of moor walk and gait
hares thump the ground of the fields, exchanging
the wilderness for sustenant flight, across it
up flow the silence as it reacts upon your gut
and sends sleep near lass and lad, back by a thousand hands of stars
into sewer skies of rats and eager swans,
growing from the dust of your gone fear,
the penultimate circles that cascade in the sleeplessness
of cigarette sounds and our waltzing vice
Hear Bound the stimulus! Of new sinewed blood
be the one trembling as the dwarf stars explode
into you, and our grips calm, sends them back
and are normal nights of coffeed jokes
sculpted from the clay of time
cascading outer vehicles driving along, the mocking hands glance,
and the hands of menace
ate artichokes
pealing plumes
and handing
one –
to you
the feet of your veins

pouring growth
of root
near mine
stopping only when

the roof top
is ripped clean//////////////

dry from every car, so that it settles
across naked architecture, giants in our hemoglobin
smile, the silhouettes, the wall, and the agonyless
streets, see our shadows standing to attention
devouring the suns toll-in the departure of our being

in the unwavering strikes of our dark hands upon the earth
that bring light to our iris, soaring,
It is this fortune that the soul gets to spend, only,
returning to the work, of life.

— The End —