World According to Cosmos Updates March 3, 2019

Note: I am taking a two week trip to Vietnam and will update my blog when I return with my reflections on my trip, updated publications etc.

Cosmic Dreams and Nightmares

I don't dream dreams.  I dream movies complete with action, music, food, smells everything.  In this one I had a vision of  a possible future. it was so vivid, almost as if I were watching the hearing take place.

Three stories

Dream Girl (true story)
General Zod (flash fiction
Sam Adams Vs. the Social Cleansing Board
Six Poems
Morphing Images from Hellish Nightmare
Endless Movie
Worlds within Worlds Lost in Hell
Rafting to Hell
Satanic Torture
Micro Stories

Don’t Go Jogging in the Middle of the Night
Don’t touch this button!
Don’t open the door
Don’t go to the theater tonight stay home with me
Don’t go to Dallas I have a bad feeling about the trip


Dream Girl
Cheating Death 100 Times
Guardian Angel
Medical Mystery
SLA Hit List

Dream Girl – A true Story – reprinted from Dreams and the Unexplainable
You know you’re in love when you can’t fall asleep because reality is finally better than your dreams.

Author Unknown

The dreams started when I was a senior at Berkeley High School in 1974. About a month before I graduated, I fell asleep in a physics class after lunch and had the first dream:

A beautiful Asian woman was standing next to me, talking in a strange language. She was stunning—the most beautiful girl I had ever seen. She was in her early twenties, with long black hair, and piercing black eyes. She had the look of royalty. She looked at me and then disappeared, beamed out of my dream like in Star Trek. I fell out of my chair screaming, “Who are you?” She did not answer.

About a month went by, and then I started having the dream repeatedly. Always the same pattern.

Early morning, she would stand next to me talking. I would ask who she was, and she would disappear. She was the most beautiful, alluring woman I had ever seen.

I was struck speechless every time I had the dream.

I had the dream every month during the eight years during which I went to college and served in the Peace Corps. In fact, when I joined the Peace Corps, I had to decide whether to go Korea or Thailand. The night before I had to submit my decision, I had the dream again and it made me sure that she was in Korea waiting for me.

After the Peace Corps, I still hadn’t met my dream woman. I got a job working for the U.S. Army as an instructor and stayed in Korea. I kept having the dream, until I had the very last one:
She was standing next to me, speaking to me in Korean, but I finally understood her. She said, “Don’t worry, we will be together soon.”

Why was that the last time I had the dream? Because the very next night, the girl in my dream got off the bus in front of me. She went on to the base with an acquaintance of mine, a fellow teacher, and they went to see a movie. I saw her and found the courage to speak with her.

We exchanged phone numbers and agreed to meet that weekend.

The next night, she was waiting for me as I entered the Army base to teach a class. She told me she was a college senior and she had something to tell me. I signed her on to the base and left her at the library to study while I taught, and then we went out for coffee after class. She told me she was madly in love with me, and that I was the man for her. I told her not to worry as I felt the same.

That weekend, we met Saturday and Sunday and hung out all day. On Sunday night, I proposed to her. It was only three days after we had met, but for me it felt like we had met eight years ago. I had been waiting all my life for her to walk out of my dreams and into my life, and here she was.

Her mother did not want her to marry a foreigner. One day, about a month after we met, she invited me to meet her parents. I brought a bottle of Jack Daniels for her father and drank the entire bottle with him. He approved of me, but her mother still had reservations. After a Buddhist priest told her my future wife and I were a perfect astrological combination, she agreed, and we planned our wedding.

The wedding was a media sensation in South Korea. My wife explained it to me years later. At the time, I was overwhelmed just by the fact that we were getting married and I didn’t fully understand how unusual this was. My wife was of the old royal clan, distant relatives to the former kings of Korea. In the clan’s history, only two people had ever married foreigners: my wife, and Rhee Syngman, who was the first President of South Korea. My father, who was a former Undersecretary of Labor, came out for the wedding, which fueled even more media interest. Our marriage defied the stereotypical Korean-foreign marriage where the women married some hapless GI just to escape poverty and immigrate to the U.S. We were the first foreign/Korean couple to get married at a Korean Army base. Over 1,000 people came to the wedding, and my father was interviewed on the morning news programs.

This all happened thirty-seven years ago, (45 years since the first dream) and I am still married to the girl in my dreams. Now in my dreams she watches over me when we are apart.
 
General Zod Conquers the World
SETI and the search for extraterrestrial life goes on overdrive when scientists report what appears to be radio and television broadcasts from a planet eight light years from earth, the same planet as the Vulcans came from in the Star Trek universe.  The programs show a world where dinosaur-like creatures are running the world and there appears to be a civil war.  Over the next six months, the world is transfixed watching the alien broadcasts which are translated in English via a supercomputer program.  In the broadcast, a nuclear war has occurred. The surviving party regains absolute control and announces the formation of the Galactic Empire.  General Zod is the First Emperor.  They have discovered Earth as well. The aliens launch a crash project to develop interstellar travel so they can come to earth and conquer the earth.

The revelations that there is an external threat to the planet causes the United Nations to get together with the help of the United States and Russia another space powers, they put together Space defense International organization and also invigorates efforts to make the UN a real Planetary government including finally conquering climate change.

But it was too late. General Zod’s son arrives to take over the earth. He makes a broadcast saying that they were liberating Earth in the name of the Galactic Empire and that resistance would be futile.

They land at the White House and when President Trump comes out to greet them,

General Zod cuts off his head, and then cuts off the heads of all the staffers as they come out White House. After an hour of unimaginable horrors, including mass rapes, blowing up the Pentagon and the CIA,  General Zod announces that he had taken over the world.

Life will continue as before as long as people behave and follow the rules they would be fine Resistance to the new empire will be met with instant death.  Life in the Empire is not a democracy. They would not tolerate Freedom of speech, and Freedom of Press, and Freedom of Assembly And the freedom to oppose the State. The state is everything.  As long as humans remember that they would be just fine. They took over the United States because it was the biggest country in the world. And that his forces will take over the rest of the world but in the next couple weeks. If people on earth accept the new order, their safety would be guaranteed. Companies would be taken over by Galactic Empire companies, and everybody would have to learn Galactic standard. Within one year older languages will be banned.
 
Sam Adams Vs. the Social Cleansing Board

the summons
Sam Adams was worried. He could not sleep. He got up at 4 am and wrote in his journal and tried to cope with the dread that was overwhelming him. He had received the summons yesterday that he was to report to the social cleansing board for a review on whether he would allow to continue to be on the automatic permit list or would be referred for final status determination. Sam was a retired Federal worker trying to live on dwindling savings.

Sam had Alzheimer’s and was rapidly depleting his life’s savings. Two years before he had been released from prison, one of millions of ex political prisoners. His crime? Authoring anti-government poems just before the beginning of the Christian States of America, right after the second civil war. Unfortunately for him and his millions of ex-prisoners, his side lost the war. He wanted to flee to the United Provinces and settle down in California but lacked money to move. And getting a job at his age, with Alzheimer’s and his political rating was proving difficult at best.

All of which added up to a 90 percent probability his last days were approaching.

Under the new rules imposed by the Christian republican party in the newly established Christian states, all citizens over the age of 18 were on the permitted list if they met all of the following criteria. He tried to think why he was being referred to the board. Perhaps it was because of the recent crackdown on social deviancy. Millions of homosexuals, transgenered people, atheists, drug users, alcoholics, and non-religious people had been rounded up and eliminated according to the rumors. Perhaps someone had fingered him as a possible deviant. He fit the stereotype, no children, known drug user, known alcohol user, suspect politically, atheist and now Alzheimer’s patient. And he was not racially pure having some black blood, some Asian blood and some Jewish blood. And he had married across the racial divide which was now illegal.

The story was that if you flipped and named names you would sometimes be spared for now, and if your info was correct, you could be rewarded. Of course, those whom you flipped were not too fortunate. That was probably the story or someone could have heard that he was an ex political prisoner, or simply that he had Alzheimer’s’.

He had no children. And he was a secret atheist and had been involved with the dissent movement and had spent five years as a political prisoner at the start of the Christian Revolution. He was determined to make a stand and denounce the whole rotten system before the board although that would probably seal his fate.

As an Alzheimer’s patient he could no longer work. His wife had died the year before while he was in prison after she had been deported to her native Korea. She left him some assets but he had little idea how to manage his finances and he was behind in his rent and had received an eviction notice which had probably triggered the visit by the social cleansing staff who recommend a final status determination. But it was just as likely he was on the list because someone flipped on him.

He also did not make it last time when they came for him at midnight. Always at midnight the story goes.

The soldiers came took him away from his wife and locked him up for two years. They deported his wife whom he heard had died shortly afterwards. He spend two years at hard labor in the dessert near Las Vegas and was released into Las Vegas.

Las Vegas was a different town now that the casinos had left town. All that was left were back office operations, and underground ***** and *** operations and underground casinos. It was a hot bed of political dissent and there was an underground railroad to California, which was not part of the Christian states. Sam had been preparing to leave which was a crime and perhaps that is why he was on the list.

The hearing would be at 10 am. He was meeting his lawyer at the hearing board but his lawyer was not too optimistic.
the Permit Criteria
The basic criteria for being on the permit list were:

For Males

Age 18 to age 70
White race
Married to a white woman with children
Must be either working, in school full time, serving in military duty, or working in prison if convicted of a crime.

Homelessness was not allowed. If unemployed and or homeless, would be referred to social cleansing department unless one had a relative who was willing to take care of your needs.

Since there were no pensions or social security anymore and no government provided health care, one must have sufficient assets through one’s work, or savings or through one’s relatives to provide for one ‘s needs. If not you would be sent to the social cleansing board for final status determination.

For Females

Same basic rules applied but if one were married, and had children one would be on the permitted list, if children are older, if spouse’s income is sufficient one would be on the list.
If single or divorced, and homeless one would also be subject to social cleansing unless one’s relatives would willing to sponsor you. Since there were no pensions or social security anymore and no government provided health care, one must have sufficient assets through one’s work, or savings or through one’s relatives to provide for one ‘s needs. If not you would be sent to the social cleansing board for final status determination.

For Aged People

Additional requirements for the age you were expected to take care of your basic needs through employment and savings and the help of relatives. If you were evicted for non-payment of rent, or judged to not have sufficient assets left to sustain your basic needs including medical care, you would be referred for final status determination.

For all people additional requirements applied.

****** deviancy, drug use, alcohol use, gambling, *** outside of marriage, homosexuality would result in immediate referral to the social cleansing board as all were banned conduct that could result in final termination.   Being a member of a prohibited religious class could also be grounds for referral as would a pattern of not attending Christian services. Finally, if one had been arrested for political crimes one would be marked forever.
<h2>Sam's Rating</h2>
One had a government social rating. Sam knew that his rating was a D meaning that the government would be watching him all the time, and it would be difficult to get a job. Only the A’s and B’s were guaranteed to be on the permit list.

To be a A you had be to a true believer, had to be white, had to attend church on a regular basis, and had to be employed naturally.

To be a B same thing but you could be a B if you were a minority, or had engaged in alcohol or drug use under the old rules.

C meant that there was something wrong with your background, you were an atheist, you were a minority etc.

D mean that you were a serious threat to the regime.

E meant that you would be terminated.

F met you were terminated as it met Failure to survive, and family members of F were also labeled F as they were usually terminated at the same time.

Being associated with banned political movements, including reading banned materials could also lead one to being referred to the social cleansing board as all were grounds for either termination or criminal prosecution if under the age of 70.

The board has three choices - granted temporary status extension, referral for termination, or referral to criminal prosecution.

The termination would be carried out quickly. There would be an optional funeral at your Church, then the execution through the method of your choice - firing squad, beheading, electric chair, or gas. The default was gas where you were put in a room with up to ten other people and put to sleep.

Afterwards your body would be cremated in an electricity generating plant with the ashes turned into fertilizer products. There were no burials allowed unless one was rich enough and connected enough to request a burial exception. Most people did not qualify.
the Hearing
The hearing started. The presiding Judge, Judge Miller was a stern face white man in his 70’s and a true believer. He was sent to Las Vegas to clean it up as Las Vegas was the wild west, a hot bed of dissent, illegal drug use, illegal prostitution and illegal casinos. It was also near several political prisons so many ex cons lived there.

The Judge was the chairman of the Nevada state committee that did not exist and was a senior official in the Federal committee that did not exist that brought together government, business and church leaders to coordinate government policies and that secretly ran the Christian States of America.

Probably a score of A thought Sam.

The judge announced that he had reviewed Sam’s file and was shocked that Sam had escaped final termination. He said that the previous board had erred in simply sending him to prison. He should have been eradicated as a social evil, as a cancer that needs to be removed from the pure body politics. Sam and his ilk sickened him. Sam was a free thinker, an atheist, a mix race mongrel, married to a non-white and was therefore guilty of crimes against the white race which was a crime. The Judge was determined to see justice done.

He asked Sam a series of questions. Sam’s answers sealed his fate.

Sam, what is your occupation?

None for now.

You realize that under the law you must be working, in service, in school or in prison?

I can’t find a job due to my age, my Alzheimer’s; and my political record.

That’s irrelevant. You are just a lousy atheist *******. You deserve no sympathy. And have none from me.

Are you white?

No, I am mixed race, part native, part Asian, part black.

I see you were married to a non-white and had no children. Good for you we would not want to see more mongrel children. Such children should be eliminated at birth in my opinion and will be starting next month when we begin enforcing the racial purity laws.

What was your crime? Let’s see reading prohibited writings, keeping a journal, publishing an anti-government blog, authoring anti-government poems and stories. You served two years at hard labor?

Yes

Do you still write?

Yes, everyday but I no longer publish on line.

Good. No one would want to read that trash anyway.

Do you go to church?

No

Do you believe in God?

No, I do not believe in an imaginary man in the sky.

One more anti-religious statement from you will result in an immediate ruling of termination.

Do you drink?

If I can find it yes

Do you gamble

Yes, when I can

Do you support the Christian Republican Party and the Christian States of America?

No, I do not.

Okay, I have enough for a ruling. Sam Adams, you are hereby sentence to termination. Tomorrow morning at 7 am you will be turned into electricity and fertilizer. Take him away.

Next please.

At midnight there was a knock at the door. A black man appeared and said he was a friend and he was being smuggled to California. Sam rejoiced and went with his new friend and reached SF in the morning, escaping death for the 23rd time in his life.

the End

Poetic Nightmares

Morphing Images from a Hellish Nightmare
Note: From a real nightmare End Note

I am in a room
Drinking at a party
And smoking ****

Watching people all around me

Change into hideous creatures
Monsters from the deepest depths of hell

Everyone in the room
Has been transformed except me

The Chief of them all
Wears a Trumpian mask

Complete with orange hair

Half human half pig

His deputy
Wears the face of Putin
But his body
Half human, half horse: if

The other creatures wear masks
Many of them wear
Green Pepe the alt-right
Symbolic frog masks

And have T-shirts
Bearing alt right slogans
And **** symbols

And as they prance about
They chant alt. Right slogans
And neo-**** chants

Jews will not Replace us

And the rest of these creatures
Are hideous ugly beasts
With only a vestige of humanity left

And these monsters are engaged
In all sorts of foul evil deeds
****** violence death

All around
And non-stop
violent drug-fueled ******

As these creatures
Half human half monsters
Half male, half female creatures

Snort coke, *******, speed
Smoke **** and drink ***** shots
Scotch, bourbon and beer

The Trumpian Pig leads the charge
Starts engaging in ****** with Putin
Who chases after people

Cutting off their heads with his sword
They turn on to their fellow creatures
****** and killing each other
and eating their fellow creatures

All night long

Then they attack me
Screaming

Jews will not replace us
And I wake up
Screaming

As the sun comes up
Just another nightmare

 
The Endless Movie

Watching the TV coverage
Of the great government shut down
Of 2018-2019

I am reminded of a movie
As I fall asleep
Listening to the TV

Blather on and on
About what it all means

Mr. Natural pops up
And screams

"It don’t mean s….

“Dude, the endless movie
Is about to begin”!

A middle-aged white man
Down on his proverbial luck
Just been fired

Replaced by a foreign worker
Or a robot

Or just fired
Because he was no longer
Deemed useful
To the masters of the universe

If he was lucky
He'd  be given a watch
And an IOU worthless pension

And the man wanders into a restaurant
Pulls out a gun

Eats his breakfast
After the official breakfast hour

Puts on a Pepe the green frog mask
Drops acid, Snorts speed
Drinks a shot of *****
And coffee smokes a joint

Snorts ******* for good measure
and smokes a cigarette

And walks outside
steals a bus at gun point
Filled with passengers

He tells them
They are hostages

And he puts on his vest
With the dead man switch
Next to the bomb

He announces
Via tweet

He is going to take the bus
To the proverbial *** of gold

Hidden deep in a cave
And when he got there

He would release the hostages
And disappear into the mine
And never be found again

And as the bus careens around the mountain
At 100 miles an hour
The dude sprouts out

Conspiracy after conspiracy theory
About Obama the Muslim communist

secret gay working with George Soros
the Jewish money people
in league with the shapeshifting lizards

and Mueller is one of them
they are all after him
because he knows the deal

And the passengers are transfixed
Half hoping, he would make it
Half hoping, he would be blown away

And as the bus careens out of control
With the wheels falling off

And the cliff looming ahead
You realize we are all doomed

 
Worlds Within Worlds Lost in Inner Space
A man woke up one day
Lost in inner space
Went so far down
The proverbial rabbit hole

That he did not know
Where he was
Nor what time it was
Nor when it was

As he stared out
At a bewildering world
A world lost in inner space
Deep down in his dreams

Filled with nightmarishly real
Monsters, demons and ghostly apparitions
He saw them and began running
Running running running

With the hell hounds behind him
Leading him to the edge
of the pits of hell itself

abandon all hope
ye who enter here
the sign read
above the entrance to the pit

and there was a devil standing there
armed with a clipboard
and a computer spreadsheet
Satan was the ultimate bureaucrat

Name barked the devil
Date of Birth ?
Date of Death?
Don’t know? That won’t do at all
Hmm

Car accident due to drunk driving
And you killed a child
Bad on you

But here in hell
The punishment fits the crime
And the devil laughed
Joined in by the hell hounds
And other nightmare creatures

A bell ran out
In the purple crystalline sky
And slowly the worlds receded
And he found himself alive

In his room
And vowed
That today
Was the day

He would quit drinking
Quit taking drugs
And quit chasing strange woman
And having wild libertine ***

He picked up the phone
It was Satan’s aid
Be careful what you vow
We are listening

If you fulfil your vows
You might find yourself
Escaping life in Hell
It is up to you to choose

And the man got dressed
Went to work
Thinking deep thoughts

And drove off a cliff
And back down the endless
Worlds within worlds
 
Satanic Torture

I find myself
In a dark room
Strapped to a bed

The light turns on
The large TV comes on

A smiling image
Of Satan fills the TV
He is dressed
In a conservative business suit

Looks like he came
Out of a corporate
board meeting

surrounded by demonic aides
who constantly shove papers
at him

He looks up from his lap top
And smiles
A deadly so insincere smile

His voice booms out

Welcome to Hell
My satanic slaves

I am Satan
Your new master

Each of you
Has been sentenced
To an eternity of torture

And the punishment
Must fit the crime

So, for you
Mr. Jake Cosmos Aller
Failed aspiring poet
And novelist

Your torture
Is to be strapped
To that bed

Unable to move
As you are filled
With the need
To **** and ****

But you cannot move
And your skin
Is crawling with bugs

And itchy
as Hell so to speak
and you are so sleepy

but you cannot sleep

the TV will play
endless repeats

Of some of the worst TV
and movie shows
ever produced

Starting with my favorite
A Series of Unfortunate Events

Featuring your favor annoying little girl
Carmetta! Singing for you forever
As you are the ultimate cake sniffer

Welcome to Hell
 

Rafting Towards Hell
I woke up
To find myself
Rafting down a river

I looked up
At the cliffs
Towering above
the roaring torrent

and see the dark demons
of my terrible nightmares
chasing the boat
firing flaming arrows

and I see werewolves
goblins, ghosts and monsters
running along the river bed
screaming obscenities

as they chase me
to my doom

and I see the waterfall ahead
and see my pending doom

as I rush over the edge
of reason



Micro Stories
53 word stories regarding unheeded warnings
Don’t Go Jogging in the Middle of the Night
It all started with a jog in the middle of the night. Despite my wife’s warning don’t go jogging in the middle of the night.  Broke me heal in a million pieces, 14 operations ensured, mutant MDR Staff almost killed me, almost lost the leg. . should have listened to her warning.

Don’t touch this button!
Don’t touch this button the former President said.  I said, what this button? And that led to the launching of nuclear weapons, going to defon three, and world war 3 with millions of people dead end of civilization moment. Should not have touched the red button.
Don’t open the door
When you find yourself running for your life chased by demons from hell and backed into a corner in a burning house filled with flames and are about to die in a million horrible ways you remembered that they warned you not to open door number three in this crazy reality TV show.
Don’t go to the theater tonight stay home with me
Mary Todd Lincoln had a vicious headache and was not in the mood to go out.  The President though ignored her wishes and told her that he had to go to the theater that night to show the world everything was okay now the war was ending.  Should have listened to her.
Don’t go to Dallas I have a bad feeling about the trip
Jackie was known for her moods and her premonitions. Something the President found both amusing an annoying. She told him that she a vision of death waiting for him in Dallas that day.  The President dismissed her foolishness as he put it and went to Dallas to meet his fate.
true love story.
In 1974 I had the first dream. While sleeping in a boring class, I saw a beautiful Asian woman standing at me speaking a foreign language. I fell out of chair yelling who are you?   I began having the same dream month after month for eight years.  One day I realized she was in Korea so I went there in the Peace Corps to meet her. In 1982 I had the last dream.  She said don’t worry we meet soon. That night she walked off a bus, out of the dream and into my life.  We’ve been married 37 years.
Cheating Death 22 Times
Also, a true story.
I have cheated death 22 times in my life.  I was born a preemie, almost died at birth, and had all the childhood illness at once.  In 1979 I came down with Typhoid  fever in Korea in the Peace Corps.  In 1991 almost got hit by a train. In 1996-1997 had 14 operations due to a mutant drug resistant staph infection, almost died several times.  In 1997 I had an acute stomach ailment that almost killed me, due to excessive antibiotic usage, if I had waited 30 minutes more would have been dead.  And had dengue in 2010.
Guardian Angel Saves My Life
Another true story
In 1990, I was teaching ESL in Korea.  My wife and I drove to the East Coast of Korea for a weekend away. She was in the US Army then.  As we drove towards Sorak mountain, I was filled with the need to get off the road right then. I had a premonition of doom, so did my wife. We got off to drive around another park returned a few minutes later and saw a 25 car pileup. We would have been dead if we had not listened to that inner voice telling us get off now.

Medical Mystery
Another true story
Back in 1996, when I was in the hospital fighting a mutant staph infection after a disastrous jogging accident that led to 14 operations, the internal medicine doctor said that there was something else going on. He finally discovered that I had a rare parasite, a tape worm of sorts that remained inert, its only becomes active if you take steroids then it blows up like a basketball killing you instantly. Six months later I had to take steroids due to frozen shoulder syndrome, and if I had not gotten rid of it, I would have died a medical mystery.

SLA Hit List
True story

Back in 1974 my father was a local politician in Berkeley, California who was on the SLA’***** list as “an enemy of the people, a fascist insect that needed to be killed”.  His crime?  As President of the community college district, he began requiring IDS for students and staff to combat campus crime at the local community colleges.  We had 24/7 police coverage for a while. One morning I saluted my father, “good morning fascist insect”.  My father, being of Germanic stock did not like the joke as jokes are alien to the German DNA.


the End

Like the bike you bought after saving lawn-mowing money for a year, welfare reform was the prized trophy of the conservative governing philosophy. We believed that we'd found the vehicle of social mobility for poor Americans, once and for all. No one should live on taxpayer money without doing some work on their own, right? Everyone agrees, right?

Wrong. President Obama ran over our bicycle, issuing illegal waivers to welfare's work requirements and taking the wheels off the program. The fact is, we never won the welfare battle after all. Out of the 80 different federal welfare programs, the '96 welfare reform really only fixed one. A third of the U.S. population received benefits from one or more of these 80 programs in 2011. According to the Department of Agriculture, one program alone – food stamps – gave benefits to a record-breaking 47.7 million in the last month of 2012, benefits those millions didn't have to work to receive.

Rep. Paul Ryan recently said it's time to use the 1996 reform as a model to fix the rest of welfare. He's right, for at least five compelling reasons.

1. America's welfare programs are redundant and inefficient. As The Heritage Foundation's welfare expert Rachel Sheffield noted, there are at least 12 separate programs providing food aid, 12 funding social services, and 12 assisting education. Average benefits from all welfare programs are about $9,000 per recipient. If you converted those programs to cash, it would be more than five times the amount needed to raise every household above the poverty line. We should streamline redundant programs to save money while getting the same or better value.

2. Means-tested welfare programs are fiscally unsustainable. These cost nearly $1 trillion annually. By the end of the decade, welfare spending will rise from five percent to six percent of GDP. This means every taxpaying family would have to make, and then give up, over $100,000 in the next ten years – just to cover the cost of welfare spending.

Imagine this: If government spending were a pie, welfare would be a bigger slice than defense, education, or even social security. This isn't apple pie a la mode. It's poison-the-economy pie with a side of swamp-our-children-in-debt ice cream.

3. The welfare state encourages dependence instead of lifting people out of poverty. Poverty has actually increased with federal spending on anti-poverty programs. Adjusted for inflation, we've spent nearly $20 trillion total on “the war on poverty.” That's more than the combined price tag of all America's wars. Ever. From the American Revolution through Afghanistan, we've spent less than $7 trillion. These days, we spend 13 times what we spent on welfare in the 1960s. Guess what? In 1966, the share of the population living below the poverty threshold was 14.7%; by 2011, that share rose to 15.0%.

This spending gives people significant incentives to stay on welfare. According to the Senate Budget Committee, if you break down welfare spending per household in poverty, recipients are making $30/hour. That's higher than the $25/hour median income – certainly more than what I make per hour.

4. Welfare dependence creates behavioral poverty. Perhaps President Franklin D. Roosevelt said it best: “Continued dependence upon relief induces a spiritual and moral disintegration fundamentally destructive to the national fibre. To dole out relief in this way is to administer a narcotic, a subtle destroyer of the human spirit.” To become comfortable relying on the work of others instead of your own work will change your character, and the character of the nation. Americans want to give everyone a helping hand, but hand-holding year after year, generation after generation, patronizes, corrodes, entraps. In the words of welfare policy experts Robert Rector and Jennifer Marshall writing in National Affairs:

Material poverty has been replaced by a far deeper “behavioral poverty” — a vicious cycle of ***** childbearing, social dysfunction, and welfare dependency in poor communities. Even as the welfare state has improved the material comfort of low-income Americans by transferring enormous financial resources to them, it has exacerbated these behavioral problems. The result has been the disintegration of the work ethic, family structure, and social fabric of large segments of the American population, which has in turn created a new dependency class.

Is this the America we want? It is not compassionate to leave a whole class of people in perpetual dependence. Behavioral poverty cuts off millions of citizens from a chance at American opportunity, destroying the virtues necessary to sustain oneself. My generation has seen the effects of behavioral poverty – in D.C., Detroit, or my hometown, Cleveland. Whole neighborhoods rot. To many, this cycle of dependence indicts the principles of American society as inherently unfair.

5. Work requirements promote individual responsibility and reduce poverty. Temporary Assistance for Needy Families (TANF) work requirements slashed welfare caseloads by nearly 60 percent. Poverty among all single mothers fell 30 percent. About 3 million fewer children lived in poverty in 2003 than in 1995.

.
A poet's heart isn't like any other...
It's the tears that trickle with radiance through words.
     It's a treasure trove that hides but longs to
     be found.
          It's a book shelved high that wants to
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               It's the freest of all birds caged but
               unbound...

A poet's heart isn't like any other...
It doesn't beat to the capable strokes of the artist.
     It doesn't pump in the most vibrant of
     colours.
          It doesn't wield a paintbrush to
          translate its thoughts.
               But it can see through the eyes of
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A poet's heart isn't like any other...
It doesn't conform to the conventional parameters of lyrics.
     It doesn't bind itself to the requirements
     of musical harmony.
          It doesn't follow the conventions of
          genres.
               But it sings its voice loud without
               restrictions of melody...

A poet's heart isn't like any other...
It's an open secret, that whispers in metaphoric codes.
     It's an exploding universe, that merges
     back into galaxies.
          It's a sought after painting, that boasts
          of unfathomable beauty.
               It's an everlasting song, that echoes
               within the poet that embodies...

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Chad looked over at his sleeping son sitting next to him in the passenger seat. This little journey from the airport to his home still seemed so strange and uneasy to him. It astounded him that Ian was now twelve years old, nearly a teenager. To be honest, he still did not fully feel sure about this arrangement, this set-up for him to have his son for the summer. Nevertheless, he tried to project confidence to everyone involved, to his family and to Ian's mom. He kept reminding himself that it did not matter how he felt.

He needed to step up to the plate.

No, Chad Brewster never envisioned himself as a father, never dreamed of it, and certainly never once desired it or would have chosen it as his path. Though some of his close friends wanted or had a family, it was never a part of his plans to ever be a dad. He did not dislike children, but he just never expected he would ever settle down and have them.

He especially never expected to be a father at the mere age of sixteen years old.

The suburbs of Las Vegas were worlds away from the suburbs of Milwaukee. Driving down the desert surrounded streets and highways, sometimes homesickness tugged at his consciousness. At times, Chad’s craved the surroundings of his old existence—the shady pine trees, and spending time at Lake Michigan—and he would gladly trade some palm trees for the some of the pines he was so accustomed to. But this was the life he now chose to have, and he thought he should have no reason to complain or be too sentimental. Many people were not so lucky to experience any refreshing change in their lives, and he was able to have it.

While on the road, Chad reminded himself to give Ian's mom, Becca, a quick call to let her know that they were on their way to his home. He pulled out his cell phone before he got distracted. Ian already texted her a few times to let her know he was alive and breathing along the way.

Becca had her reservations about sending her son off to be with his dad. He had his visiting rights, though, and she couldn't lawfully deny him them. It was a tough decision to send him off alone on the plane to meet up with his father, but Ian had good sense, and he was taking a direct flight to Vegas. He loved to text, and his mother made sure he had his very own cell phone to keep in constant contact with her. It was so hard to let him go like this, for Becca cherished Ian. He had a much harder start in life than some other kids, and she felt partly to blame for it.

Chad got a hold of Ian’s mom. "No way in Hell! You are calling me now?" she angrily accused him, her tongue sharp with criticism. "You know **** well this is his very first plane trip by himself, and I thought you'd have the decency to tell me once he got off that plane! Please! Don't try to convince me that this whole thing is a huge mistake, some major lapse in my judgment. Can you do that for me? You could have at least had the decency! Put him on the phone! Let me talk to him!"

"Look, Becca, he's asleep. It was a long day for him. He's exhausted". Chad was trying his best to hold back any displeasure or to raise his voice, but he expected his calm wouldn’t last. "Don't ***** me out for not calling you the very second you are demanding. You know I would have called in a heartbeat if I felt Ian was in danger. You know I would".

"Oh, I'm really not so sure", she replied, sarcastically. "I'm tempted to fly over there and come get him! I've been sick about it all day!"

"Such a **** drama queen, Becca! Like it or not, the world doesn't revolve around you! You don't have all the control! “ The anger rising was rising up in his tone. Her judgment of him of was so tiring.

"Oh, really Chad?" she replied. "I've got my act together a long time ago, but you...".

"Look, he is my son, too!" Chad shouted loudly. He was fed up of her ****** attitude, ready to hang up in her face.

"You could have fooled me!"

His eyes were glaring as he drove down the arid Nevada highway, just as if Becca stood there right before him, her finger wagging in his face, her other hand on her hip. He pictured her now as if time and everything in it had stood still, and she was before his motionless car and in his face, still in step with time and letting him have it.

This little display was so typical of her. Only Becca Morgan thought she ever had any common sense when it came to their parental abilities. Sure, she was the one who really raised their son, but she never would have pulled it off without the huge intervention of her mother.

Without a doubt, Ian had to admit to himself that he had been avoidant and immature in the past, but Becca did not have the patent on good parenting or on maturity. In her eyes, Chad was never going to be a proper father, even if he proved it.

Chad vowed that he wasn't going to pay forever for his mistakes of being an absent father, far more absent than present in his young son's life.

He looked over at his son sitting beside him. Ian was sound asleep—thank God—for he heard his parents squabble about him far more than he should have. In fact, he never saw his parents talking in a friendly manner. No matter how they began talking to each other, their conversations always ended up with angry words.

Ian must have been dead tired to sleep through it all. He hardly stirred since he fell asleep. If Chad wasn’t driving, he would be studying his slumbering son in peculiar wonder, sitting there for quite some time and thinking how on earth he ever was able to produce such a child, a seemingly healthy and well-rounded boy. It was as if his child was an UFO alien, or something—someone to be discovered for who he really was, and someone to be fathomed with fear.  He felt that uncomfortable about being placed into the role of a father.

It gave Chad's stomach a funny, odd feeling to think he wasn't too much older than Ian when Becca—his loving girlfriend at the time—came up to him and told him the shocking news. It would be the news that would forever change his life, and hers.

She was pregnant. Chad was definitely the father.

It wasn't that Becca did not know what to do about her condition, for she knew what she wanted from almost the very start, and she had settled it in her mind without much inner conflict. There was no helplessness or hopelessness in her, not like some pregnant teenage girls that found themselves in such a predicament. She wanted to have her baby and keep it to raise as her very own, and not for a future adoption—with or without Chad's approval. She did love Chad, but in the long run, she did not care what he thought if he did not agree with her.

As far as she was concerned, this baby was hers.

Chad, on the other hand, was terrified, simply terrified. He did not want to believe the news, hoping that Becca would turn around and tell him it was a huge joke. He would be quite ticked at her if she did such a thing, but also very relieved. He would gladly kiss the ground for it not to be true.

If only it was a joke. Becca was quite serious, playing  no such prank on him, Next, she planned to tell her mother next about her unborn baby. But the first person she wanted to tell was her boyfriend, and she expected that he would be on her side—or at least be won over eventually.

As a dumbfounded Chad stared at her in disbelief and shock—like the classic deer in the headlights—Becca insisted that she was telling the truth, that she was even beginning to show. She could prove it.  Her periods had stopped, and three home pregnancy tests confirmed her suspicions.  Gently, she took Chad’s hand to place over her stomach. Freaked out of his mind, he ****** his hand away as quickly as it touched her belly. His knee **** reaction would always stick in Becca's mind of how Chad really felt about her. It was almost like she had a disease.

She suddenly felt dejected. It looked like Chad would not be on her side, after all.

Maybe it wasn't his? Chad knew that Becca would hate him if he ever implied such a thing. She was crazy about him. Chad knew that. But she had an equal amount of passion to go the other way if he betrayed her. The doubt on his face, and the hesitancy in his voice, did betray him and Becca’s heart slowly sank. She wanted Chad to care, to understand, certainly not to view her as the guilty partner who was ready to ruin his life.

Instead, it looked like the beginning of the end for them.

No way was Chad willing to break the news to his parents, especially his dad, Ed Brewster. He’d rather put a gun to his head than say anything about it. Chad really never saw eye to eye with his father.  Unlike his two older brothers, Michael and David, Chad always felt like he could never please the man. His mother, Nancy, had forever seen Chad as the role that life had given him—the baby of the family. He seemed to have more leeway with her, but not so much as an inch with his father.

Ed, a veteran police officer, wanted all three of his sons to do well in life, better than he had achieved. And as Michael and David were dreaming of such careers as doctors and lawyers, all Chad ever dreamed of was to be a drummer in a rock band. Playing the drums was fine for a hobby, but Chad's father wanted his son to see the garage band he played in as something temporary, something to grow out of.  His son saw otherwise, never seeing himself ever retiring his drumsticks for some job he was bored to death with, or that he hated. He didn’t care if he would never end up earning a dime from it, not playing the drums would be like not having arms or legs. Chad would never give up on his musical aspirations.

One of the first photos that his mother took of her youngest son was him as a baby, sitting on the floor in the kitchen and banging a ladle on the bottom of a pan. At that age, he would much rather play with kitchen utensils, using them like a drum, than any shiny, fascinating toy in his possession. His mom simply thought it was adorable. His father wasn't so impressed, especially since the racket he made was only the beginning in his musical journey of too much noise surfacing from the basement.  There would be plenty of times when Ed would warn his son to give the drums a rest, or he would throw them in the garbage, for Chad could practice for hours on end.

It seemed that music flowed in Chad's blood, was natural to him, but no one in the family had any such musical talents or ambitions.  While his father just didn't get it, his mother supported him with any help she could. When he was six, he was in his glory when his she bought him a child's drum set to bang on. When he turned eleven, she bought him a real set of drums, and encouraged his participation in school band. His brothers' interests were far more typical. They were heavy into sports, and they always had their father's blessings. When Chad kept on doing what he loved, he was seen by his dad as almost a delinquent.

Now that he was an adult, his love of music was paying off. Resettling in Vegas provided many opportunities, plenty of musical venues. With all the entertainment in Sin City, Chad could find enough work playing the drums. There has been a good flow of steady work for him to work in the casinos, and he also played in a local band that did such gigs as weddings, birthday parties and bar mitzvahs. They were a group of six talented musicians that got together to form their own band, and play just about anything—rock, rap, blues, jazz, country and swing. They soon voted with each other on what to call themselves. A good name had a lot to do with if someone got hired for gigs, and nothing they could think up sounded any good.  It seemed like all the great names were already taken, nothing new under the sun. The Sonic Waves sounded the coolest, but since that name was already used, Chad played around with the idea and suggested they call themselves Sonic Stream. That had good potential, and the others agreed with it. He was glad and honored to make such a contribution to his band.        

Chad could honestly say he was happy out here in Nevada. His mother felt like he was trying his best to distance himself from the reality of his problems, especially his strained relationship with his father. Chad disagreed. He just wanted to feel like he could accomplish something in his life, not proving anything to anybody—but to himself.

Would Ian be happy out here with him? It would only be for the summer, but would Chad make a good impression on him in his life out here? Ian glanced over at his son who still slept almost like a baby, seemingly wiped out, though the day was still young.

Several minutes later, Ian called out, "What time is it?"

Somehow awakened, he was rubbing his eyes, disoriented by the fact that he was in a different time zone and in an unfamiliar place. Chad smiled at him, trying to reassure the boy that he was glad to have him here.

“Almost two thirty", Chad returned. Ian moaned and tried to sit up straight, squinting from the glare of the strong Nevada sun. Quite groggy, his internal clock was not sure what time it was.

Your mom called”, Chad told Ian. “You know your mom, bud. She does worry about you”.

“I texted Mom. I said I made it OK”, he replied.

“But did you actually talk to her?” Chad asked. “You know how she is. Unless she talked to you herself, I am sure she was convinced some madman took control of your cell phone and pretended to be you”.

Chad laughed and Ian tried not to act like what he said was that funny, but he shyly grinned and tried to cover his mouth to conceal it. He did have a special bond with his mother, but he knew his dad was right. His mom worried way too much.

“I talked to her just before the plane took off”, Ian admitted.

They drove in silence for a while. Chad had to admit to himself that Ian was looking more and more like him the more he grew up, and Chad seemed to favor his mother's looks—of which he was grateful—for he never wanted to resemble his dad.  Lots of times, Chad and Ian were mistaken for brothers, Ian a much younger brother, but surely not imagined to be his son. Chad felt that Ian was already looking like a teenager, maturing fast for his age, and Chad often was perceived as younger than his twenty-eight years. Ian was growing up so much more than his father could envision, and Chad knew why. It wasn't like he saw his son so frequently that the change was not obvious. Every time he saw him, a big gap had been gapped by growth and change, and Chad was guilty of missing much of those experiences.

Was it that Chad did not really want to grow up? Becca surely accused him of that. His father did, too. Performing gigs in a local band seemed far from a man's job to Chad's father. When he still lived in Wisconsin, he knew he had better learn to have other work to fall back on, for band work did not always pay the bills in those days. That is why he trained to be an x-ray technician. It wasn't the job of his dreams, but it helped keep him afloat when making money from music did not meet his financial requirements. Even though Chad did achieve a fairly decent and respectable job, it did not seem to matter to his critical father.

At the mere age of sixteen, Chad had nothing to back him up against the anger his father would have towards him. He knew he would be knocked down for sure when his parents found out about Becca's pregnancy.

The words his furious father told him stung pretty harshly. "You don't have the sense to be a father! You don't seem lately to have the sense to be anything! You'd ruin that kid’s life, for sure!"

His father had to always play the street-smart cop, even at home, and Chad was fed up as looking like a criminal in his eyes. He almost wanted to cry, but refused to show his father any such weakness. Instead, he gave him the best stone cold, unemotional response that he could muster up. Replying in a monotone manner, though he really feared his father's anger, was the best way to stick it back to him.

"Sure, you're right. I take after you. Bad fathering runs in the family", he said back.

Ed looked like he wanted to punch his son, though he never laid a hand on any of his sons in such a way. Trying to repress his own sense of hurt, and remain with his anger, he replied, "If you were eighteen, I'd throw your *** out right now! Don't push your luck!"

Chad always aspire

Senteno Oracle Of The Shadows: So Aziel what's your plan with Frank?
Aziel: Well he is going to help me destroy the Order Of The Silver Knights and in return I shall help him get the Witch who cursed the Forest Of Whispers.
Senteno Oracle Of The Shadows: Well I'll give you some valuable information who your looking for is Bethilda N. Lement. She is a very powerful Witch who with her Elemental Plowness is able to obtain what she wants.
Aziel: Well well ...so the Old Hag still holds the grip over the Forest doesn't she
Senteno Oracle Of The Shadows: Indeed she isn't someone to take lightly now she is well rounded and knows how to fight. She controls The Tavern Of Doom Dragons. In her possession are 3 fully grown Dragons. Blair the Oldest Dragon Claire The Mother Dragon and Aurora the youngest one of them three.
Blair the Black Dragon Claire The White Dragon and Aurora the Stone/Lighting Dragon. Many have meet their doom entering in her territory Cyclop Human and Vampire Alike.
Aziel: I don't have anything to fear.

~Meanwhile...~

Bethilda Lement: Adreanna I want you to learn more about my Dragons start training with Aurora but be cautious she may be only three years old but she is powerful and robust. Lement screeches then Aurora hovers over the Mountain Of Shen* where the Tavern Of Doom Dragons is located. Adrianna Develve places a strong spell in the Dragon Aurora she finally succumbs to her authority.
Adrianna and Aurora go take down the Golem Of Steel  in the Hidden Ruins Of Odom.* The Golem stands 15 ft high weighs 2,500 pounds. Holding a crest of an almost impenetrable diamond in the middle of his chest. Emanating from the Crystal comes all his power and it's his only weak spot. Then Aurora and Adrianna make an impressionable entrance to the ruins and attack the Golem head on. Golem Of Steel: Here stands the infamous Adrianna Develve...well isn't  this a surprise.  I see that you have grown some and are able to maintain your powers well to face me. I know what you want you want the Crystal in my chest...that will be over my dead body. Audon's Crystal* is powerful enough to consume 1000 Well Trained Witches therefore young Witch you don't scare me. Now as for that Dragon well ... perhaps you stand a chance after all.  Adrianna Develve: I usually don't pick fights with powerful DemiGods like yourself but I  am in desperate need for your Crystal. Therefore, you will hand it over or I'll take it by force.  Golem Of Steel:  Good Luck.
Aurora shields herself with Stone Armor and goes head on collision with the Golem. He dodges the attack and  counterattacks with a strong fist to the  Dragons body and knocks Aurora down cracking part of her Stone Armor. The young female Dragon counterattacks with a powerful lighting blast hitting The Steel Golem in the right shoulder injuring him. Develve attacks with a powerful mind blast knocking down the Golem Of Steel on it's back. The Golem Of Steel bleeds blue blood out of his shoulder blade and runs full force towards Adrianna Develve.  She  dashes the attack and counterattacks  with a Shadow Ball attack hitting him in the chest and expanding all over its body. It's a possession Ninjutsu technique making him practically paralyzed for about 2 minutes till he breaks free from the technique but sustains a considerable amount of damage. Adrianna Develve seeing that the Golem Of Steel is showing a sign of weakness she takes advantage to try to inflict him with a spear of lighting into the chest impairing him and he bleeds out the mouth but as the last resolution The Golem Of Steel punches the Audon Crystal shattering it into 5 individual pieces him losing his life in the process however what he didn't know is that Adrianna Develve collected all the pieces however there was a violent explosion at the site shattering huge boulders of steel and inflicting Aurora gravely. Adrianna Develve  hurries and performs a powerful healing spell leaving her drained of all power. Adrianna Develve hurries to get out of the ruins because they are crumbling down. She manages to recover Aurora briefly from there they fly to The Tavern Of Doom Dragons Of Doom Dragons right when she pulls in with Aurora who is injured from the boulders hitting her body and face at high velocity even the Rock Armor was perforated. The Dragon lands barely with Adrianna Develve who gets the Wrath of Granny Bethilda N. Lement. Aurora breathing heavily and bleeding out the mouth slipping in and out of consciousness ...Adrianna Develve barely getting off the Dragon.
Bethilda Lement: What the hell  happened to Aurora she is in really bad shape. Adrianna your completely drained I see you did good by healing her however, she must rest for about 3-4 days now and fully recover from that gruesome fight with that **** Golem Of Steel. Adrianna are you Ok darling? Go get some rest I see you used the forbidden technique of Soul Healing Transfer. Well now you'll live 12 years less thanks to your little sharede. Develve I am thankful that you saved my Dragon from dying but hell consequences are quite dire.
Develve: Here Granny Lement I got Audon's Diamond however it's shattered in 5 separate pieces.
Bethilda N. Lement:  Let me guess the Golem Of Steel did not want this to fall under the wrong hands for it is a powerful relic. Smart move buying time however, useless due to the fact that we got the diamond under our possession. Adrianna we are going to search the Master Forger Of Relics* who can aid us recover this valuable relic to it's original state. It's said that he resides in one of the headquarters of the Order however, he has worked with Witches, Pagans and Nacromancers before so am sure that as long as we provide the right monetary value to repair the relic he'll work for us.
Develve: Why don't we just kidnap him and make him do the work or he pays with his life?
Lement:  Good objective it may have to work that way for us.
Develve: Im aware that the Cyclop population in the Village Of Chalekathan are not taking your threats seriously well ElderLord Gromm has not paid his fee from allowing them to live and not be consumed by the curse itself.
Lement: By killing him we can set an example of what can happen to them if they don't cooperate with our cause.
Develve: It dangerous though he is a strong Leader with lots of powerful influences. Plus he is a highly skilled Witch Doctor/Shaman able to manipulate the forces of nature. Known to use 3 Godly Deities Aikune Chalekathan & Eion. Aikune the cherubim of the Northern Side Of Heaven. Chalekathan the Spirit God embodiment of The Forest Of Whispers and last but not least Eion the mythical creature with an Eagle face 6 wings and the body of a Lion. Embuted with heavenly essence making him a very formidable foe.
Develve:  We will take care of our responsibilities soon but our primary mission is to talk Ayeiton Balderoux III* the Master Forger Of Relics.
: Whoa had no idea he was The Kings kin.
Lement: Indeed he is now go and lay your head and recover some energy because we need to practice your magical plowness.
Adrianna heads towards the Guest Room.

~Meanwhile in The Forest Of Whispers~
Frank Deltoro gets introduced to Gromm ElderLord Of Chalekathan by Jhino.  He also introduces Navarro Castleworth who is pleased to meet the famous Elder.
Gromm: Hello young man I am the protector of this village which has sustained numerous attacks by Lement's Dragons. Develve also partook enthusiastically with her Grandmother in attacking innocent hard working Cyclops. Making them slaves of the Curse which drives them mad and homicidal attacking friends brothers and family so we had to do the inevitable put them down.
Nevertheless, I pray to Deynave Dion High Saint/Priestess Queen Of All Shamanism to protect the lost souls of them Cyclops who fought the curse till the very end but unfortunately lost the fight and in turn lost their lives.
Frank: My condolences to your friends ElderLord Gromm.Am sure they in a better place now at least not suffering. However, I have a personal matter to score with Lement. She kidnapped and murdered my only daughter 10 years ago she was a...his voice gets trembly and he lightly clears his throat..at the same time a solid solo tear drops from his only Eye symbolizing a Fathers great pain and suffering from such an atrocious act." Gromm regains his composure. I got a personal score to settle with Mrs.Lement due to the fact that she took a piece of my heart and soul she killed my daughter. Develve played her part in the kidnapping of my baby girl 10 years ago she would be 18 years old today if Shaila Dair Sultran were alive...her appointed time to be brutally killed by my hand is coming...Bethilda N. Lement has been suppressing her powers for the last 300 years I believe she has some sort of powerful anti-chi barrier put up extending tremendous lengths so even if she is active in The Forest Of Whispers we wouldn't know how to tell due to this **** barrier.
Frank: So your bloodline comes from the Ancient times from the powerful Cyclop Of Royal Priests/Witch Doctors family Sultran.
"A gentle wind blows and Aziel telepathically communicates with Frank.  Aziel: Frank, be careful where you thread I been informed that Lement's Grand-Daughter Adrianna Develve recently gathered Audon's Crystal a powerful diamond known to give its user Bending Steel abilities and higher sustainability. Adrianna Develve has plans to use the Crystal to fully cover the Forest Of Whispers covering every inch of Forest with the Curse which drives all living creatures with a conscious mad totally subseptable to their influence.
However, to you those must be terrible news so my question is...you been in Chalekathan Village for 1 hr and a half you have 5.3 hrs till daylight removing the Darkness powers you currently control.
Frank: I am aware of this Aziel don't worry I'll take care of business.
Aziel: Keep an eye out Navarro I don't  trust him I don't know what intentions he has...plus he is part  of that shady Tower Of Frejoird but perhaps you can use his hatred towards the Order Of The Silver Knights. He can maybe be a reliable source. Be careful Frank.

~Meanwhile in Aziel Castle~
Isis: Well...Aziel aren't  you such a concerned individual...I didn't  know you had a soft spot towards mere humans.
Aziel: I usually don't...but Frank is different from the rest. He is courageous trustworthy and he put his life at risk by helping me regain all my vampiric power. I am in much debt to him...am having second thoughts on your plans to **** him after he completes his assignments that we have agreed upon. If he makes it out alive after all this...he at least deserves a reward and to live.
Isis: Chuckles at Aziel Aziel looks at the Empress with great focus.
Isis: C'mon I'll just have some fun with Frank I wasn't planning to ****** him.
Aziel: I'll  think about it now leave me be I got couple of things I need to take care of.
Isis: Fine Darling I'll  leave you be. You know you are the handsomest of all the brothers you have.
Aziel: Well now Isis you flirting with me...I doubt you'll want my erected tool up your stash. Don't you remember am a Vampire?
Isis: I'm aware of that. Adventure sounds fun plus I never had *** with a hot vampire like yourself.
Isis: Well Doll that is going to be some other time I am working against the clock right now.
Isis: Fine you *****...I'll leave. However, keep in mind that Im watching you closely. Plus remember I still keep contact with DarkLord for soon your Father will be back in this plane of reality.
Aziel: So I have heard.
Isis: Well I have found some juicy
Information about Uriels wereabouts he is in a Modern Castle in America. Amelia St and Cross. Residency 106. He is a huge celebrity in Russia and Germany. Keeps his bloodlust at check with fresh blood always for him to self medicate. Looking only 19 years old he is quite the chick magnet though not my taste his Gothic Progressive Horror Rock made him quite famous. Got 5 albums however kept his personal life well hidden from his fans. Many fake and supportive accounts claiming to know the real Uriel Governale. Though no one truly knows he is a vampire for certain. I know because I searched the private records and found out that he belongs to a High Ranking Secret Society known as Maximillion Vampire Clan. Which performs innocent human babies to be given as a sacrifice towards Baphomet and Azmodeus* 2 Of the Demon Lords of Hell. Your brother belongs to this hidden organization that operates in the Shadows but their latest project is to revive your Father the Progenitor most infamous VampireLord of all time. Dracula! Humanity will cease to exist if he were to be revived. All they need is a vial of blood from all of the current 8 saints and they have their eye on Saint Lauren Glennwald from the Eastern Side of Germany from a small rural community town known as Hertzentmort. She currently 25 years old is on a mission to collect Papal papers for the Order for you know they are closely tied to the papalcy. However, she got body guards that are Elite Knights with very powerful Anti-Witch spells and very accurate at pinpointing weak points in any battle with powerful Witches. So going alone isn't very advisable.<br>
Aziel: I greatly appreciate your information I'll take a look on what my little brother is looking to do. I'll take care of him. Don't you worry I'll be seeing you later. <br>
Isis: Alright..."She steps towards Aziel and rubs his chest and says...my reward is waiting for me...and looks down his pants" <br>
Aziel:  Now your tempting me to destroy that *****... but here this is what you'll get "he shows her his ****"<br>
Isis: Mmmm I can't wait baby...well that's a massive apparatus you got in there just hiding.<br>
Aziel: Hahaha...right. Soon enough I'll be all yours to play with. No leave me.<br>
Isis transforms to a cloud of dark myst and leaves the premises of the Castle.<br>
<br>
~Meanwhile in Uriel's Castle~<br>
<br>
The Maximillion Vampire Club had a secret meeting in the Uriel's Castle. There where many prestigious and famous guests there and so was the Highest Ranking Vampire of the Club Maximillion Virgil Vann himself. Inside the Castle where also uninvited guests from The Order Of The Silver Knights pretending to be Vampires. His name Michael Neil Stalwart & his partner Aalyaah Black. Both of them infiltrated the party somehow the Order Of The Silver Knights caught wind of shady operations in the occult club and decided to check it out. Michael & Aalyaah belong to Stealth/Infiltration part of the Order known as The Dark Ones. Even the last 5 remaining Dark Priests from the Cathedral Of Skylor* where 13 years ago Baphomet was revived and mortalized to walk upon humans granting favors for a price. Ultimately the price Demon Lords require of humans is their souls to consume them and become more powerful. This 5 Dark Priests where very important in the ceremony taking place because tonight at 3 a.m. they will unify their powers to revive Azmodeus. They were successful on bringing back Baphomet back to life so they are trying to revive another Demon Lord. In Baphomet's revival they used 666 unborn fetuses with 6 babies 3 male and 3 female all born under the sign of Capricorn and all must be 3 months premature. With this requirements met...Baphomet was revived to this plane of existence, however since he was violent and still hellbent from transitioning from the hellish plane to a mortal one he killed and consumed 3 Dark Priests in the process of fully coming to his senses and being able to recognize them and thank them for what they done. Baphomet promised that he would aid them 5 Dark Priests revive all 13 Demon Lords and in turn 2 Of the 5 remaining Dark Priests must sacrifice themselves to the Demon Lords for the strongest remaining 3 get a extraordinary reward.

She said, ‘You are funny, the way you set yourself up the moment we arrive. You look into every room to see if it’s suitable as a place to work. Is there a table? Where are the plugs? Is there a good chair at the right height? If there isn’t, are there cushions to make it so? You are funny.’
 
He countered this, but his excuse didn’t sound very convincing. He knew exactly what she meant, but it hurt him a little that she should think it ‘funny’. There’s nothing funny about trying to compose music, he thought. It’s not ‘radio in the head’ you know – this was a favourite expression he’d once heard an American composer use. You don’t just turn a switch and the music’s playing, waiting for you to write it down. You have to find it – though he believed it was usually there, somewhere, waiting to be found. But it’s elusive. You have to work hard to detect what might be there, there in the silence of your imagination.
 
Later over their first meal in this large cottage she said, ‘How do you stop hearing all those settings of the Mass that you must have heard or sung since childhood?’ She’d been rehearsing Verdi’s Requiem recently and was full of snippets of this stirring piece. He was a) writing a Mass to celebrate a cathedral’s reordering after a year as a building site, and b) he’d been a boy chorister and the form and order of the Mass was deeply engrained in his aural memory. He only had to hear the plainsong introduction Gloria in Excelsis Deo to be back in the Queen’s chapel singing Palestrina, or Byrd or Poulenc.
 
His ‘found’ corner was in the living room. The table wasn’t a table but a long cabinet she’d kindly covered with a tablecloth. You couldn’t get your feet under the thing, but with his little portable drawing board there was space to sit properly because the board jutted out beyond the cabinet’s top. It was the right length and its depth was OK, enough space for the board and, next to it, his laptop computer. On the floor beside his chair he placed a few of his reference scores and a box of necessary ‘bits’.
 
The room had two large sofas, an equally large television, some unexplainable and instantly dismissible items of decoration, a standard lamp, and a wood burning stove. The stove was wonderful, and on their second evening in the cottage, when clear skies and a stiff breeze promised a cold night, she’d lit it and, as the evening progressed, they basked in its warmth, she filling envelopes with her cards, he struggling with sleep over a book.
 
Despite and because this was a new, though temporary, location he had got up at 5.0am. This is a usual time for composers who need their daily fix of absolute quiet. And here, in this cottage set amidst autumn fields, within sight of a river estuary, under vast, panoramic uninterrupted skies, there was the distinct possibility of silence – all day. The double-glazing made doubly sure of that.
 
He had sat with a mug of tea at 5.10 and contemplated the silence, or rather what infiltrated the stillness of the cottage as sound. In the kitchen the clock ticked, the refrigerator seemed to need a period of machine noise once its door had been opened. At 6.0am the central heating fired up for a while. Outside, the small fruit trees in the garden moved vigorously in the wind, but he couldn’t hear either the wind or a rustle of leaves.  A car droned past on the nearby road. The clear sky began to lighten promising a fine day. This would certainly do for silence.
 
His thoughts returned to her question of the previous evening, and his answer. He was about to face up to his explanation. ‘I empty myself of all musical sound’, he’d said, ‘I imagine an empty space into which I might bring a single note, a long held drone of a note, a ‘d’ above middle ‘c’ on a chamber ***** (seeing it’s a Mass I’m writing).  Harrison Birtwistle always starts on an ‘e’. A ‘d’ to me seems older and kinder. An ‘e’ is too modern and progressive, slightly brash and noisy.’
 
He can see she is quizzical with this anecdotal stuff. Is he having me on? But no, he is not having her on. Such choices are important. Without them progress would be difficult when the thinking and planning has to stop and the composing has to begin. His notebook, sitting on his drawing board with some first sketches, plays testament to that. In this book glimpses of music appear in rhythmic abstracts, though rarely any pitches, and there are pages of written description. He likes to imagine what a new work is, and what it is not. This he writes down. Composer Paul Hindemith reckoned you had first to address the ‘conditions of performance’. That meant thinking about the performers, the location, above all the context. A Mass can be, for a composer, so many things. There were certainly requirements and constraints. The commission had to fulfil a number of criteria, some imposed by circumstance, some self-imposed by desire. All this goes into the melting ***, or rather the notebook. And after the notebook, he takes a large piece of A3 paper and clarifies this thinking and planning onto (if possible) a single sheet.
 
And so, to the task in hand. His objective, he had decided, is to focus on the whole rather than the particular. Don’t think about the Kyrie on its own, but consider how it lies with the Gloria. And so with the Sanctus & Benedictus. How do they connect to the Agnus Dei. He begins on the A3 sheet of plain paper ‘making a map of connections’. Kyrie to Gloria, Gloria to Credo and so on. Then what about Agnus Dei and the Gloria? Is there going to be any commonality – in rhythm, pace and tempo (we’ll leave melody and harmony for now)? Steady, he finds himself saying, aren’t we going back over old ground? His notebook has pages of attempts at rhythmizing the text. There are just so many ways to do this. Each rhythmic solution begets a different slant of meaning.
 
This is to be a congregational Mass, but one that has a role for a 4-part choir and ***** and a ‘jazz instrument’. Impatient to see notes on paper, he composes a new introduction to a Kyrie as a rhythmic sketch, then, experimentally, adds pitches. He scores it fully, just 10 bars or so, but it is barely finished before his critical inner voice says, ‘What’s this for? Do you all need this? This is showing off.’ So the filled-out sketch drops to the floor and he examines this element of ‘beginning’ the incipit.
 
He remembers how a meditation on that word inhabits the opening chapter of George Steiner’s great book Grammars of Creation. He sees in his mind’s eye the complex, colourful and ornate letter that begins the Lindesfarne Gospels. His beginnings for each movement, he decides, might be two chords, one overlaying the other: two ‘simple’ diatonic chords when sounded separately, but complex and with a measure of mystery when played together. The Mass is often described as a mystery. It is that ritual of a meal undertaken by a community of people who in the breaking of bread and wine wish to bring God’s presence amongst them. So it is a mystery. And so, he tells himself, his music will aim to hold something of mystery. It should not be a comment on that mystery, but be a mystery itself. It should not be homely and comfortable; it should be as minimal and sparing of musical commentary as possible.
 
When, as a teenager, he first began to set words to music he quickly experienced the need (it seemed) to fashion accompaniments that were commentaries on the text the voice was singing. These accompaniments did not underpin the words so much as add a commentary upon them. What lay beneath the words was his reaction, indeed imaginative extension of the words. He eschewed then both melisma and repetition. He sought an extreme independence between word and music, even though the word became the scenario of the music. Any musical setting was derived from the composition of the vocal line.  It was all about finding the ‘key’ to a song, what unlocked the door to the room of life it occupied. The music was the room where the poem’s utterance lived.
 
With a Mass you were in trouble for the outset. There was a poetry of sorts, but poetry that, in the countless versions of the vernacular, had lost (perhaps had never had) the resonance of the Latin. He thought suddenly of the supposed words of William Byrd, ‘He who sings prays twice’. Yes, such commonplace words are intercessional, but when sung become more than they are. But he knew he had to be careful here.
 
Why do we sing the words of the Mass he asks himself? Do we need to sing these words of the Mass? Are they the words that Christ spoke as he broke bread and poured wine to his friends and disciples at his last supper? The answer is no. Certainly these words of the Mass we usually sing surround the most intimate words of that final meal, words only the priest in Christ’s name may articulate.
 
Write out the words of the Mass that represent its collective worship and what do you have? Rather non-descript poetry? A kind of formula for collective incantation during worship? Can we read these words and not hear a surrounding music? He thinks for a moment of being asked to put new music to words of The Beatles. All you need is love. Yesterday all my troubles seemed so far away. Oh bla dee oh bla da life goes on. Now, now this is silliness, his Critical Voice complains. And yet it’s not. When you compose a popular song the gap between some words scribbled on the back of an envelope and the hook of chords and melody developed in an accidental moment (that becomes a way of clothing such words) is often minimal. Apart, words and music seem like orphans in a storm. Together they are home and dry.
 
He realises, and not for the first time, that he is seeking a total musical solution to the whole of the setting of those words collectively given voice to by those participating in the Mass.
 
And so: to the task in hand. His objective: to focus on the whole rather than the particular.  Where had he heard that thought before? - when he had sat down at his drawing board an hour and half previously. He’d gone in a circle of thought, and with his sketch on the floor at his feet, nothing to show for all that effort.
 
Meanwhile the sun had risen. He could hear her moving about in the bathroom. He went to the kitchen and laid out what they would need to breakfast together. As he poured milk into a jug, primed the toaster, filled the kettle, the business of what might constitute a whole solution to this setting of the Mass followed him around the kitchen and breakfast room like a demanding child. He knew all about demanding children. How often had he come home from his studio to prepare breakfast and see small people to school? - more often than he cared to remember. And when he remembered he became sad that it was no more.  His children had so often provided a welcome buffer from sessions of intense thought and activity. He loved the walk to school, the first quarter of a mile through the park, a long avenue of chestnut trees. It was always the end of April and pink and white blossoms were appearing, or it was September and there were conkers everywhere. It was under these trees his daughter would skip and even his sons would hold hands with him; he would feel their warmth, their livingness.
 
But now, preparing breakfast, his Critical Voice was that demanding child and he realised when she appeared in the kitchen he spoke to her with a voice of an artist in conversation with his critics, not the voice of the man who had the previous night lost himself to joy in her dear embrace. And he was ashamed it was so.
 
How he loved her gentle manner as she negotiated his ‘coming too’ after those two hours of concentration and inner dialogue. Gradually, by the second cup of coffee he felt a right person, and the hours ahead did not seem too impossible.
 
When she’d gone off to her work, silence reasserted itself. He played his viola for half an hour, just scales and exercises and a few folk songs he was learning by heart. This gathering habit was, he would say if asked, to reassert his musicianship, the link between his body and making sound musically. That the viola seemed to resonate throughout his whole body gave him pleasure. He liked the ****** movement required to produce a flowing sequence of bow strokes. The trick at the end of this daily practice was to put the instrument in its case and move immediately to his desk. No pause to check email – that blight on a morning’s work. No pause to look at today’s list. Back to the work in hand: the Mass.
 
But instead his mind and intention seemed to slip sideways and almost unconsciously he found himself sketching (on the few remaining staves of a vocal experiment) what appeared to be a piano piece. The rhythmic flow of it seemed to dance across the page to be halted only when the few empty staves were filled. He knew this was one of those pieces that addressed the pianist, not the listener. He sat back in his chair and imagined a scenario of a pianist opening this music and after a few minutes’ reflection and reading through allowing her hands to move very slowly and silently a few millimetres over the keys.  Such imagining led him to hear possible harmonic simultaneities, dynamics and articulations, though he knew such things would probably be lost or reinvented on a second imagined ‘performance’. No matter. Now his make-believe pianist sounded the first bar out. It had a depth and a richness that surprised him – it was a fine piano. He was touched by its affect. He felt the possibilities of extending what he’d written. So he did. And for the next half an hour lived in the pastures of good continuation, those rich luxuriant meadows reached by a rickerty rackerty bridge and guarded by a troll who today was nowhere to be seen.
 
It was a curious piece. It came to a halt on an enigmatic, go-nowhere / go-anywhere chord after what seemed a short declamatory coda (he later added the marking deliberamente). Then, after a few minutes reflection he wrote a rising arpeggio, a broken chord in which the consonant elements gradually acquired a rising sequence of dissonance pitches until halted by a repetition. As he wrote this ending he realised that the repeated note, an ‘a’ flat, was a kind of fulcrum around which the whole of the music moved. It held an enigmatic presence in the harmony, being sometimes a g# sometimes an ‘a’ flat, and its function often different. It made the music take on a wistful quality.
 
At that point he thought of her little artists’ book series she had titled Tide Marks. Many of these were made of a concertina of folded pages revealing - as your eyes moved through its pages - something akin to the tide’s longitudinal mark. This centred on the page and spread away both upwards and downwards, just like those mirror images of coloured glass seen in a child’s kaleidoscope. No moment of view was ever quite the same, but there were commonalities born of the conditions of a certain day and time.  His ‘Tide Mark’ was just like that. He’d followed a mark made in his imagination from one point to another point a little distant. The musical working out also had a reflection mechanism: what started in one hand became mirrored in the other. He had unexpectedly supplied an ending, this arpegiated gesture of finality that wasn’t properly final but faded away. When he thought further about the role of the ending, he added a few more notes to the arpeggio, but notes that were not be sounded but ghosted, the player miming a press of the keys.
 
He looked at the clock. Nearly five o’clock. The afternoon had all but disappeared. Time had retreated into glorious silence . There had been three whole hours of it. How wonderful that was after months of battling with the incessant and draining turbulence of sound that was ever present in his city life. To be here in this quiet cottage he could now get thoroughly lost – in silence. Even when she was here he could be a few rooms apart, and find silence.
 
A week more of this, a fortnight even . . . but he knew he might only manage a few days before visitors arrived and his long day would be squeezed into the early morning hours and occasional uncertain periods when people were out and about.
 
When she returned, very soon now, she would make tea and cut cake, and they’d sit (like old people they wer

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for Jennie in gratitude*

For days afterwards he was preoccupied by what he’d collected into himself from the gallery viewing. He could say it was just painting, but there was a variety of media present in the many surrounding images and artefacts. Certainly there were all kinds of objects: found and gathered, captured and brought into a frame, some filling transparent boxes on a window ledge or simply hung frameless on the wall; sand, fixed foam, paper sea-water stained, a beaten sheet of aluminium; a significant stone standing on a mantelpiece, strange warped pieces of metal with no clue to what they were or had been, a sketchbook with brooding pencilled drawings made fast and thick, filling the page, colour like an echo, and yes, paintings.
 
Three paintings had surprised him; they did not seem to fit until (and this was sometime later) their form and content, their working, had very gradually begun to make a sort of sense.  Possible interpretations – though tenuous – surreptitiously intervened. There were words scrawled across each canvas summoning the viewer into emotional space, a space where suggestions of marks and colour floated on a white surface. These scrawled words were like writing in seaside sand with a finger: the following bird and hiraeth. He couldn’t remember the third exactly. He had a feeling about it – a date or description. But he had forgotten. And this following bird? One of Coleridge’s birds of the Ancient Mariner perhaps? Hiraeth he knew was a difficult Welsh word similar to saudade. It meant variously longing, sometimes passionate (was longing ever not passionate?), a home-sickness, the physical pain of nostalgia. It was said that a well-loved location in conjunction with a point in time could cause such feelings. This small exhibition seemed full of longing, full of something beyond the place and the time and the variousness of colour and texture, of elements captured, collected and represented. And as the distance in time and memory from his experience of the show in a small provincial gallery increased, so did his own thoughts of and about the nature of longing become more acute.
 
He knew he was fortunate to have had the special experience of being alone with ‘the work’ just prior to the gallery opening. His partner was also showing and he had accompanied her as a friendly presence, someone to talk to when the throng of viewers might deplete. But he knew he was surplus to requirements as she’d also brought along a girlfriend making a short film on this emerging, soon to be successful artist. So he’d wandered into the adjoining spaces and without expectation had come upon this very different show: just the title Four Tides to guide him in and around the small white space in which the art work had been distributed. Even the striking miniature catalogue, solely photographs, no text, did little to betray the hand and eye that had brought together what was being shown. Beyond the artist’s name there were only faint traces – a phone number and an email address, no voluminous self-congratulatory CV, no list of previous exhibitions, awards or academic provenance. A light blue bicycle figured in some of her catalogue photographs and on her contact card. One photo in particular had caught the artist very distant, cycling along the curve of a beach. It was this photo that helped him to identify the location – because for twenty years he had passed across this meeting of land and water on a railway journey. This place she had chosen for the coming and going of four tides he had viewed from a train window. The aspect down the estuary guarded by mountains had been a highpoint of a six-hour journey he had once taken several times a year, occasionally and gratefully with his children for whom crossing the long, low wooden bridge across the estuary remained into their teens an adventure, always something telling.
 
He found himself wishing this work into a studio setting, the artist’s studio. It seemed too stark placed on white walls, above the stripped pine floor and the punctuation of reflective glass of two windows facing onto a wet street. Yes, a studio would be good because the pictures, the paintings, the assemblages might relate to what daily surrounded the artist and thus describe her. He had thought at first he was looking at the work of a young woman, perhaps mid-thirties at most. The self-curation was not wholly assured: it held a temporary nature. It was as if she hadn’t finished with the subject and or done with its experience. It was either on-going and promised more, or represented a stage she would put aside (but with love and affection) on her journey as an artist. She wouldn’t milk it for more than it was. And it was full of longing.
 
There was a heaviness, a weight, an inconclusiveness, an echo of reverence about what had been brought together ‘to show’. Had he thought about these aspects more closely, he would not have been so surprised to discovered the artist was closer to his own age, in her fifties. She in turn had been surprised by his attention, by his carefully written comment in her guest book. She seemed pleased to talk intimately and openly, to tell her story of the work. She didn’t need to do this because it was there in the room to be read. It was apparent; it was not oblique or difficult, but caught the viewer in a questioning loop. Was this estuary location somehow at the core of her longing-centred self?  She had admitted that, working in her home or studio, she would find herself facing westward and into the distance both in place and time?
 
On the following day he made time to write, to look through this artist’s window on a creative engagement with a place he was familiar. The experience of viewing her work had affected him. He was not sure yet whether it was the representation of the place or the artist’s engagement with it. In writing about it he might find out. It seemed so deeply personal. It was perhaps better not to know but to imagine. So he imagined her making the journey, possibly by train, finding a place to stay the night – a cheerful B & B - and cycling early in the morning across the long bridge to her previously chosen spot on the estuary: to catch the first of the tides. He already understood from his own experience how an artist can enter trance-like into an environment, absorb its particularness, respond to the uncertainty of its weather, feel surrounded by its elements and textures, and most of all be governed by the continuous and ever-complex play of light.
 
He knew all about longing for a place. For nearly twenty years a similar longing had grown and all but consumed him: his cottage on a mountain overlooking the sea. It had become a place where he had regularly faced up to his created and invented thoughts, his soon-to-be-music and more recently possible poetry and prose. He had done so in silence and solitude.
 
But now he was experiencing a different longing, a longing born from an intensity of love for a young woman, an intensity that circled him about. Her physical self had become a rich landscape to explore and celebrate in gaze, and stroke and caress. It seemed extraordinary that a single person could hold to herself such a habitat of wonder, a rich geography of desire to know and understand. For so many years his longing was bound to the memory of walking cliff paths and empty beaches, the hypnotic viewing of seascaped horizons and the persistent chaos of the sea and wild weather. But gradually this longing for a coming together of land, sea and sky had migrated to settle on a woman who graced his daily, hourly thoughts; who was able to touch and caress him as rain and wind and sun can act upon the body in ever-changing ways. So when he was apart from her it was with such a longing that he found himself weighed down, filled brimfull.
 
In writing, in attempting to consider longing as a something the creative spirit might address, he felt profoundly grateful to the artist on the light blue bicycle whose her observations and invention had kept open a door he felt was closing on him. She had faced her own longing by bringing it into form, and through form into colour and texture, and then into a very particular play: an arrangement of objects and images for the mind to engage with – or not. He dared to feel an affinity with this artist because, like his own work, it did not seem wholly confident. It contained flaws of a most subtle kind, flaws that lent it a conviction and strength that he warmed to. It had not been massaged into correctness. The images and the textures, the directness of it, flowed through him back and forward just like the tides she had come far to observe on just a single day. He remembered then, when looking closely at the unprotected pieces on the walls, how his hand had moved to just touch its surfaces in exactly the way he would bring his fingers close to the body of the woman he loved so much, adored beyond any poetry, and longed for with all his heart and mind.

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sometimes you look at these people and think:
is it better me drinking whiskey, or is it better treating
them ontologically as zoological specimen
                                                  and worth of caging?
i think that the Aristotelian awe-principle
for the practice of philosophy was
overly-exaggerated with dues
that consider science, i think that science
confiscated the emotional
imprint of philosophy that's bound to awe
and said: willcommen unto die phobia-realm...
which i still ascribe to postcolonialism...
  the times' propaganda say:
             arachnophobia is perfectly suited
to match-up to a billionth remark of Islam,
which is why i find Islamophobia so weird...
   arachnophobia consists of only one spider...
minding the phobic in Islam?
                          it's not a case of one spider...
it's a case of spiders...
                             they can't reason with
the Big Brother opportunism, which exists...
turning the blind eye won't help...
  it will simply aggrivate such people...
and using this language has created such
frustrations... correctly? aggravate,
dance of vowels. phobias aren't big, they're small...
miniscule... tell people that something is
small when it's actually big enforcers
a postcolonial past more so...
   i see these children like the psychotic reaction
to a prophesy kindred ot Harold II's slaughter
of the innocents...
                  they're there to edorese someone...
      after all: who gives a **** about these people?
                                                         ­  (endorse)
the psychiatrist gets paid, the mental health nurse
gets paid... why would they give a **** in a way
that says: i wasn't paid for this bollocking!
  maybe up in Manchester... but down here in London,
they don't buy disguises, you're
labelled Romanian: you're bound home where
you could have been a plumber but are reduced
to a straitjacket because: some ******* said
you didn't **** her... Philip Collins and hey:
welcome to paradise.
                        down 'ere in Loon-town you get
your money's worth...      
                   i wish they took care of me...
   silence pays... you get your cringe's worth of ****
to the Kilimanjaro's worth of calling
               bottled crema-foam on a phallus
an anorexia... as i see it: anorexia in Freudian lingo
is an objection toward treating ****** artefacts
in culinary terms... means that paradox
of having a cake and eating it too...
                obviously you'll sexualise problems...
i think anorexia is a question of making
          ****** parts culinary aggregates...
                i'm not jotting: girl, aged, 16, ***-starved..
i mean in general... making ****** objects
equivalent toward a culinary status for a care
to make them more appealing in being ******...
the anorexic might start thinking: so i **** it,
and don't eat it?   penguin clap for an icecream cone!
ruffian yoga minus the slippers and the seal clapping...
the loudest revision of applause: i can guarantee....
cos the flippers were wet... hence the additional
aquatic acoustic.
                    this is very much akin to that quantum
theory of: tornado at coordinate a.,
         and a butterfly as coordinate b.,
          i can see anorexia as a substitute to sexualised
preferences in making body-parts partially edible...
            i see **** i think of the cow's ******-pouch / pillow...
    i don't know, maybe because being in my 30s
i can still fake arousal when looking at it...
       i am not the original alienist... some martian
took my title role...
          but i can understand anorexia as a way to rebel
against putting potato mash and a steak and a few
veggies with the same duty nod as one might put
a ******* object into one's mouth and having to
a Werther's Original suckling tactic on it and
never attach a bone to it, i.e. never eat it...
      anorexia by my standard is verily sexualised...
   you put something into an open space and
it's almost a trans-transgender movement...
      which is why i find the transgender "curiosities"
obstructs in art... post-transgender occupancies
           are not reserved for the easily pleased...
anorexics are such people...
             this is sexuality confused with dietary requirements...
this isn't a circumstance of pronouns politicised
and exploits of modern medicine...
                   i do tend to abuse seafood
whenever i am cringed by the suggested floral pattern
whenever i dare not see the benefits of cesarean...
and i just can't see islamophobia fitting the irrational
rationality of other conscripted phobias...
          poor choice of Greek to be honest...
                      i think they're referring to:
a subtler suggestion, minus the crusading empowerment
that's yet to be honed on...
                        well **** yeah...
once you've actually a philosophy book,
   you'll become immune to any writing advice...
                you'll actually become immune
to advice for writers.... bhy writers... because you'll
realise their opinions are disputable and therefore
disposable... because they forgot that the one thing
that democracy hates... is its subversion,
                     art is the foremost stealth-seeker of
despotism in democracy... because it simply loathes
plagiarism... art is despotism in democracy...
               and it knows it... it's just too "shy" (aah...
wee wee poo poo) to admit it...
                 from what i learned from athos?
the best advice? is to not give any advice.
                    athos? alex dumas, the three musketeers.
the moment you finish a philosophy book,
a creative writing workshop and a quote by
Hemingway will seems as nothing but a bad dream -
these quotes come from people who abhorred
the mere concept of spelling, due and through
it being an "inconvenience"...
this is from people who suggested you were always
an incapable narrator without a daydream to
escape into... these writers began sounding like
your english teachers...
              then again... is sexualising problem better
than abstracting them? personally, and
without due approval: and all the more happy for
such a circumstance having been presented for me...
            we know the sane are too numerous
because they are allowed to make too much sense
of their dreams...
                     i contend anorexia, not as an eating disorder,
but as a disorder of a culinary aversion toward
          sexualising non-culinary objects in culinary terms...
or adding cream to the phallus or melted chocolate
to the ****...
                 i find that certain culinary objects are
oversexualised...
   and this is the norm: that extends into what
quantifies as the norm, for the norm is always
a quantifiable parameter than a qualifiable
      exchange, since an exchange never appreciates
     a qualification, or a grocer's worth of norm
for a conversation of two quid's worth of earning
equates to 20 tomatoes...
    we have assumed to know it all
whereas we are congregating in a plughole
     of close proximity prefixes, i.e.
re-: reflect, reflection, reflexion, reflex,
  reiteration, reimagining, retraction, reaffirmation...
    it's a tsunami of language / lounging with too
many images... it's "lounging" with too many images...
it's the proximity of prefixes... twinned with
the opportunism of the genus of synonyms creating
a deaf-shaft of faking rhetoric...
     i still placard the whole circumstance
a dance of vowels, or the unforced deviation of
keeping up an aesthetic....
                     no, i can't claim schooling,
because i don't want to claim being indoctrinated...
     and perhaps my Freudian is a little-bit
copper-wired / ageist...
                  but isn't food for the anorexic
  a bit like turning a ****** object into food
          for the ennobled aggregational stereotype?
the jokes aren't jokes for anorexics...
  the cucumber is doubly manifest
                         as both edible, as both sexually
arrogant... and thirdly as "inspiration" for
an architectural project...
                      oh **** fame... little albino blondie
can **** on my testicular cancer for all i care...
               and say the bulge was: like
******* on a cowish ******...
                                      i like puppets anyway,
cos i'm a bit laxed in that way...
                         for all the things that might be
given, of the few things that can't be translated
from house or car, or a wife and 3.4 children statistic:
personal integrity.
        obviously certain people can only hum along
to the achievements of a zenith's worth of a house
and a car and a dog...
                            personal integrity is almost too much
for them, such "essential" components of being
a human rather than doing a human reaction
       later involve the cliche of the ultimate gamble...
and we all know how humans love to gamble...
well... few ever manage to gamble the stake of:
a leap of faith... and we all know how Nolan's inception
         ends...           that's me seeing the film a few years later...
      so how does man, the gambler fair
   when he's asked to gamble with the odds
  leap ratioed against a stumble?
                                      numbered is that 10:1?
it's just fascinating that vowels are the sole assured
                        proprietor of "dyslexia",
or as i care to mind: even with a language proficiency...
and tongue-tied waggle that's excusable for
anyone ready to write something down.
      i can appreciate being an individual,
but i can't celebrate it... i'll only utilise my individuality
to create a new plateau, a norm, the most
distinguished liberalism of my individualism;
     i will only utilise my individuality to create a new
norm - and anything that comes against it:
can burn in hell.