Eyes like massive clanks- gazes morphed to lanced boils, lungs ache and the tumour of hopeless alien weird melts an old painting we used to call 'existence.'

Ankles dry, calloused thoughts, skin peels to reveal oozing flesh. **** sinks in and swallows floating zinc; immune. Consuming ex-cadavers in mall parking lots and pushing the crippled in shopping carts, an ankle twisted, a mother swallowed monetary *****, the stock market became the shelf market, and creation wondered if we were okay with frozen pizza for dinner.

Life dragged on and on, the world swirled on twitter feeds and Facebook statuses, the streets completed laps around our better judgements and our better lives, we sank to scheduled escapism and believed that one day we would find the light despite our never left-look.

Massive intention swelled to disjointed shark search. A witch-hunt to burn unhappiness in it's own angry passion. Bones; cost efficient at the least and designed in the weirdness of erosion-return. Miniature intention swelled to grabs solidarity. A manhunt to freeze stillness in it's own endless silence.

What complete? What shatter-tastic ******?

Eyes like massive clanks- gazes morphed to lanced boils, lungs ache and the tumour of hopeless alien weird melts an old painting we used to call 'existence.'

Shinchan, Shinchan we are his fan
He’s a tot but swanks as a man

He is too minute and he is so cute
Shot in the arm can put you in dispute

He pranks and clanks with pals or alone
Be it his school or be it his home

Mitsy his mom shouts as a norm
Harry his dad scouts to reform

Pranks and clanks both gets flop
When Mitsy gives him a pop on his top

Our fun gathers when he does not stop
And another one goes on top on his pop

Pops and shops is what he gets from his mom
We never go sad be whatever his form

Shinchan, Shinchan we are his fan
We will love him as much as we can

This is a song to celebrate banks,
Because they are full of money and you go into them and all
you hear is clinks and clanks,
Or maybe a sound like the wind in the trees on the hills,
Which is the rustling of the thousand dollar bills.
Most bankers dwell in marble halls,
Which they get to dwell in because they encourage deposits
and discourage withdrawals,
And particularly because they all observe one rule which woe
betides the banker who fails to heed it,
Which is you must never lend any money to anybody unless
they don't need it.
I know you, you cautious conservative banks!
If people are worried about their rent it is your duty to deny
them the loan of one nickel, yes, even one copper engraving
of the martyred son of the late Nancy Hanks;
Yes, if they request fifty dollars to pay for a baby you must
look at them like Tarzan looking at an uppity ape in the
jungle,
And tell them what do they think a bank is, anyhow, they had
better go get the money from their wife's aunt or ungle.
But suppose people come in and they have a million and they
want another million to pile on top of it,
Why, you brim with the milk of human kindness and you
urge them to accept every drop of it,
And you lend them the million so then they have two million
and this gives them the idea that they would be better off
with four,
So they already have two million as security so you have no
hesitation in lending them two more,
And all the vice-presidents nod their heads in rhythm,
And the only question asked is do the borrowers want the
money sent or do they want to take it withm.
Because I think they deserve our appreciation and thanks,
the ******* who go around saying that health and happi-
ness are everything and money isn't essential,
Because as soon as they have to borrow some unimportant
money to maintain their health and happiness they starve
to death so they can't go around any more sneering at good
old money, which is nothing short of providential.

Tell me
That gun that you're so proud of
Why does it tremble so much?
Is your hand following your unstable mind?
Is that the same hand that holds your child's?

Your emotions
Fragile enough to be crushed with a hug
Insecure enough to attack a compliment
Corrupt enough to endlessly reload on lies and deceit
Are those the same emotions you shoot into your wife at night?

Your bullets roar so loudly
What voices are you trying to drown out?
Your heartbeat clanks at the speed of the fallen shells
What are you so afraid of?
A man armed and ready to go off at any moment like you?

Tell me
What can you manage to defeat?
With those trembling hands
Uncertain of what to take aim at
You shoot down anything that moves
Uncertain of where the trigger is
You pull at anything you can reach
Uncertain of how much enemies are left
You forever stay in the trenches
I now know that when you bow your head at church that it's not for prayer

Then hoping to nullify your senseless you refuse to leave the battlefield
And take no-mans-land everywhere you go

You wear your bulletproof vest and rifle to the supermarkets, schools, offices, dinner tables, churches, and funerals

Forever firing
Forever charging
Forever defending
Forever fighting
Yourself.

I.

I knew she liked me much,
the way she blushed and
went cold, every
morning at my touch;
I love her too, my favourite
cereal bowl: she's
all ceramic, a queen
among bowls. So, I decided
to break ice and ask her,
this morning, when this space
is resonant in unusual
calm amid the buzz
of clumsy bikes, kitchen clanks
and crowbar knocks: tell me,
dear bowl, I say, tell me more
about yourself: I want to
know your story.

II.

She blushed again: really?
Why would you want to know
this my sad story?
Everyone I ever loved,
has been cleaved from me
and here I wait today,
polished and reflecting
the mad whirl of the tireless
fan every sombre morning.
Silence. I gave her a caress:
an empathetic, loving one,
and nudged her on.
She stuttered. I gazed intently
at my interested face
reflected off her beaming eyes.
Well, where shall I begin?

III.

I was the soft clay
lining the shore of this
beautiful lake, in some remote
haven untouched by betrayal:
a far off land, where
people just loved and expected
nothing back.
China? Mongolia?
I was about to ask, excited,
but then kept quiet,
how would a clump of clay
tell one country from another?

IV.

I loved her soft smile
rippling past me every morning
and deep night, and we
loved each other this way
in waves and caresses
for aeons, when one day
this menacing contraption
a monster, cleaved me off
and transported me
to a boiling cauldron. I wept
for pain and roiled on
until hardened and cast
into this shape.

V.

Earlier, my dear bowl,
still earlier I wish to know,
what were you, before
being the sand on the lake?
She got thoughtful for a while.
Well, I was the mountain
that fell in love with the sky.
O, her beauty that
came alive when she wore
a tunic adorned of twinkling
stars and the crescent moon
adorned her forehead; But,
the jealous winds
cleaved me off her: bit by bit
scraping me off they
deposited me by the lake.

VI.

Earlier, dear bowl, what
were you, before being the
mountain that loved the sky?
Now it seemed like I was
in communion with an ancient
deity: a being so vast, that
all existence was in her throb.
Ah, those searing depths
where I flowed simmering
by ragged channels, I was
the pain that the primordial
planet carried in her womb.
Before exploding over the land
and rising to the ashen skies.

VII.

I could not ask her more.
We both were lost in a
trance-like moment. I just
touched her and we felt
every event that pulsed in her.
The giant star that exploded;
Spreading gases and dust
all over vast distances.
Gathering together and
growing all over again, through
and through time, since
numberless cycles of creation.
Stardust. Here in my humble
bowl, is gathered,
the seed of all existence.

The café rumbles like the belly of a fasting saint,
voices competing with the clanks of silverware.
In the tearoom a boy with a tangle of wires
leaking from an unzipped backpack
struts between tables, billing himself as a "human hotspot".
He wears the same glasses you do;
they slip down his nose as he leans over to flirt with the waitress
in the red apron, who taps her nails against the cash register
and laughs at his bad jokes, she tells me, because
he wears his pants too high, just like her brother used to.

A man with a soup-stained button down and a bald spot
introduces himself as Peter Ling, proprietor,
oracle of the inner city rummage sale,
advisor to the lost and hungry.
He doles out pithy wisdom and lentils into mismatched bowls-
"You want therapy? Try your ex boyfriend."
The four of us hide our grins, and flee
to his cavernous basement. As we go spelunking
through the puddles left by a burst pipe,
clambering past bloated books and warped furniture,
Emma Miller swears that she slept here once-
on a moldy brown sofa crouched like a hibernating bear
among empty Heineken bottles.

The expedition yields four boxes of acupuncturist leaflets
and a damp antique suitcase filled with seeds,
who seized the opportunity to germinate,
their tiny roots searching fruitlessly
in the mildewed silk lining.
Ling says he's going to try gardening this year,
serve up spaghetti squash grown out back by the garage.

We sowed pea shoots and salad greens
in glass jars pilfered from a claw-footed armoire
that lay on its side, defeated, like the last of the saber-tooths.
I named one for you, tucked Eruca vesicaria sativa
into potting soil, and set it on the balcony railing-
tempting fate and gravity, because you always liked a little excitement
with your afternoon cup of rooibos.
I didn't see the girl who knocked you off your perch,
saw only the sun's sharp gleam off the glass
as the jar plunged, graceful as a slow-motion train wreck
on its arc toward the concrete,
and Peter Ling reached up with his big, calloused hand
to break your fall.

understand
make it stand
let it in
grasp it tight
find the heart of the light
give it water for more
hear it beat and sweet
release the flow throughout
seeping doubt
squelched in blackened drought
listened under moonlit ponds
broken by lingering clouds
shrinking
growing
morphing
exploding shrapnel hits
the streets in domino lines of
clings, clanks
against pavement
green with feeling
tentacles outstretched
grabbing downpour
more griping
a wiping the slate clean
a new approach to a one way road
sweeping away the swept under
forgotten
the last day, a cleansing
sweaters donned for greater betterness
less impressiveness, bored aggressiveness
regressing
to under intelligence, minor importance
broken vases line the halls
flowers gasp soaking last remains
crying death
its toll rising infinite forms
everywhere
everyday
every
second
this moment
emptiness
misery’s hand clenched tight
suffocating life, energy bound
and wound so small and tight
bound to explode any moment
epiphany epiphany
epiphany
ephemeral projected instance
prism hemmed answers
nullifying yourself

The big teetotum twirls,
And epochs wax and wane
As chance subsides or swirls;
But of the loss and gain
The sum is always plain.
Read on the mighty pall,
The **** of funeral
That covers praise and blame,
The -isms and the -anities,
Magnificence and shame:--
"O Vanity of Vanities!"

The Fates are subtle girls!
They give us chaff for grain.
And Time, the Thunderer, hurls,
Like bolted death, disdain
At all that heart and brain
Conceive, or great or small,
Upon this earthly ball.
Would you be knight and dame?
Or woo the sweet humanities?
Or illustrate a name?
O Vanity of Vanities!

We sound the sea for pearls,
Or drown them in a drain;
We flute it with the merles,
Or tug and sweat and strain;
We grovel, or we reign;
We saunter, or we brawl;
We search the stars for Fame,
Or sink her subterranities;
The legend's still the same:--
"O Vanity of Vanities!"

Here at the wine one birls,
There some one clanks a chain.
The flag that this man furls
That man to float is fain.
Pleasure gives place to pain:
These in the kennel crawl,
While others take the wall.
She has a glorious aim,
He lives for the inanities.
What come of every claim?
O Vanity of Vanities!

Alike are clods and earls.
For sot, and seer, and swain,
For emperors and for churls,
For antidote and bane,
There is but one refrain:
But one for king and thrall,
For David and for Saul,
For fleet of foot and lame,
For pieties and profanities,
The picture and the frame:--
"O Vanity of Vanities!"

Life is a smoke that curls--
Curls in a flickering skein,
That winds and whisks and whirls,
A figment thin and vain,
Into the vast Inane.
One end for hut and hall!
One end for cell and stall!
Burned in one common flame
Are wisdoms and insanities.
For this alone we came:--
"O Vanity of Vanities!"

Envoy
Prince, pride must have a fall.
What is the worth of all
Your state's supreme urbanities?
Bad at the best's the game.
Well might the Sage exclaim:--
"O Vanity of Vanities!"

The big teetotum twirls,
And epochs wax and wane
As chance subsides or swirls;
But of the loss and gain
The sum is always plain.
Read on the mighty pall,
The **** of funeral
That covers praise and blame,
The--isms and the--anities,
Magnificence and shame:--
'O Vanity of Vanities!'

The Fates are subtile girls!
They give us chaff for grain.
And Time, the Thunderer, hurls,
Like bolted death, disdain
At all that heart and brain
Conceive, or great or small,
Upon this earthly ball.
Would you be knight and dame?
Or woo the sweet humanities?
Or illustrate a name?
O Vanity of Vanities!

We sound the sea for pearls,
Or drown them in a drain;
We flute it with the merles,
Or tug and sweat and strain;
We grovel, or we reign;
We saunter, or we brawl;
We answer, or we call;
We search the stars for Fame,
Or sink her subterranities;
The legend's still the same:--
'O Vanity of Vanities!'

Here at the wine one birls,
There some one clanks a chain.
The flag that this man furls
That man to float is fain.
Pleasure gives place to pain:
These in the kennel crawl,
While others take the wall.
She has a glorious aim,
He lives for the inanities.
What comes of every claim?
O Vanity of Vanities!

Alike are clods and earls.
For sot, and seer, and swain,
For emperors and for churls,
For antidote and bane,
There is but one refrain:
But one for king and thrall,
For David and for Saul,
For fleet of foot and lame,
For pieties and profanities,
The picture and the frame:--
'O Vanity of Vanities!'

Life is a smoke that curls--
Curls in a flickering skein,
That winds and whisks and whirls
A figment thin and vain,
Into the vast Inane.
One end for hut and hall!
One end for cell and stall!
Burned in one common flame
Are wisdoms and insanities.
For this alone we came:--
'O Vanity of Vanities!'

Envoy

Prince, pride must have a fall.
What is the worth of all
Your state's supreme urbanities?
Bad at the best's the game.
Well might the Sage exclaim:--
'O Vanity of Vanities!'

Her bare feet and palms are the shade of half ripe maroon dates.
Her strong silhouette, a gazelle at sunset.
Eyes are dark brown granules of coffee.
The clanks of gold jewellery on her forehead and ankles,
her sweet aroma of roses fused with jasmine saturate air.
Her fiery soul - a wild Arabian horse yet untamed by bedouins.
Her sun kissed skin glimmers under sunlight;
falcons are constrained with the touch of her fingertips.
She stands tall as she carries her pride,
tall as she hums with the gentle birds.

We ancient women, are an unbroken chain of tribal ancestry,
interlinked by blood and soul. Our lineage, a mother's lullaby,
carried by the wind that disperses sand,
wind that shakes  the core of oceans.

The skies are strown with stars,
The streets are fresh with dew
A thin moon drifts to westward,
The night is hushed and cheerful.
My thought is quick with you.

Near windows gleam and laugh,
And far away a train
Clanks glowing through the stillness:
A great content's in all things,
And life is not in vain.

They say we have two halves of a whole brain.
Two sections that govern our actions
Like tyrants that ride horses with reigns made
Of nerves and weald weapons that shoot out sparks
Of neurons across our synapses
The lands of our minds that dips and rises like the Andes mountains
Amoung cerebellum fields
Where nervous horses hoofs trample
Nervous systems flowers and bend their stem
Into an L shaped pendulum that swings
Unevenly over corpus callosum oceans
That separate left and right.
Art and reason.
Two separate sets of war torn warriors fighting,
One with methodically measured maps
Marked with red flags between concurred lands of logic
And one with holistic metal armor that clinks and clanks
Around soldiers making music for them to march to
They fight over proper ways of reason
And creative formulations
Of treasons that ought not be crossed
Their trenches the rivens in our brains
That wet rot their feet with slimy blood and
Membrane juices
The left speaking in tongues
That right cannot hear when not
Set on staff lines
Or painted onto animal skin canvas
That once covered similar brain battles
Between right and left
Only to be cut and sectioned off
In improper fractions that yearn to be whole.
If only the sides would sign treaties of peace
With pens that pinch fibers together and bind
Halves into wholes.