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love was made for two,
but not us two tonight
 Jan 2022 Reese Weiden
Sarah
our lips will never meet
nor our fingers intertwine
and so bless my dreams
for indulging what's not mine
 Mar 2021 Reese Weiden
Ravenlimit
Observation and silence.

Our karmic vibrance.

Deceitful alliance.

Dimmed down trying.

Blades spewing from the mouths of phony commoners.

Heedless beings.

Reaching only for ceilings.

Heedless beings

You wonder why you're bleeding.

Ignorance is bliss

Ignorance is bliss..

Resolve with fists

Loneliness with a kiss.

Observation and Silence

Slowly unwinding.
She wanted to turn her pain into art
So she decided her skin was a canvas
But the brush was too sharp
And the lines were too deep
So red paint soaked through
And there was nothing other than tragedy
For the art was not beautiful
Like sunsets and flowers
It was harsh and sad
Even though the lines were clean
It left a mess on the bathroom floor
And the paint stained her arms
And she sat peacefully watching
The masterpiece she created
Be later hidden by long sleeves
there are two types of sadness

there’s the kind of sadness
we ignore and
try to get rid of it
by finding new things to do
or we find someone to talk to
by blatantly avoiding any type of conversation
about feeling sad
about having any feelings at all
and then there’s that kind of sadness
that takes over
and it consumes any activity we do
we know it’s there
and there’s no possible way to avoid it
so we feed it exactly what it wants
it craves the sad music
it craves the isolation
it craves the anxiousness
and the sadness comes storming in
it has no manners
here we are calling sadness, an “it”
when all it is
is a feeling
that most people
call home
She was like music,
and I longed to dance.

Her heart was the beat,
and I begged for the chance.

Her words were the vocals,
and I was put in a trance.

Her smile was the melody,
and I fell in love at first glance.
My father walked me down the aisle,
But my mother held my arm.
He went with me,
But we went not towards the altar,
But towards the door.

My father walked me down the aisle,
And the ***** rang through the church,
Humming through the elaborate crown molding,
Carved by my ancestors.

He went,
Not beside me,
But before me,
And I watched,
As he was illuminated by the bright,
Overbearing,
Texas sun.

My father walked me down the aisle,
But I did not wear white.
My father walked me in silence,
And I shed tears not for a man standing at the altar,
But for the one I would never see again.

My father walked me down the aisle,
And no veil obscured my face.
All eyes were upon me, but not for my pristine beauty,
Instead for my clenched jaw and furrowed brow,
Severe and fierce to distract from my glassy eyes.

My father did not leave me at the end of our walk to sit beside my mother.
She clung to me for support and sobbed breathlessly,
Loudly,
Unavoidably,
And I carried her with one hand,
My sister the other,
And walked towards my future.
A future family,
Not one person more,
But one person less.
I walked,
One final time,
With him.

My father walked me down the aisle,
And I will never forget it.
Hundreds of eyes isolating my family from the crowd,
Slow and muffled sounds drowning in the deafening beat of my heart,
Blurred faces staring,
Black heels clacking against the cobbled path from the church,
The anguished wails of my mother,
The whimpering of my sister,
And the wooden box that glided before us,
Pulling,
A string tied to our patriarch,
The pin key of our family,
Pulled taut and then snipped with the slam of the hearse doors.

My father walked me down the aisle,
Before I had a chance to grow up.
He walked me,
Out of the church,
Away from the altar,
Never to be walked again.

— The End —