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the rain won't lift.

it moans a low,
lonesome sound,
gives no mercy.

a window opens.

"i'm a little lost lamb," she tells me.

and I look up and she smiles at me,
she always smiles,. "Maggie," I sigh.

"what are you doing out on a night like this?" she asks.

"i long to dream in black and white
of deserted city streets
to waltz down at night in a cold rain."

it's summer and Maggie's
hanging out the window,
streetlight in her eyes,
her long ***** blonde hair
getting wet from the rain
hangs down around her face.

the dreamer of all the good dreams.
i have to tell her, "Maggie, you're
so beautiful."

"come up. I'll tell your future."

I shrug my shoulders, "I know the future. you die."

"not with me." she laughs softly
like a summer breeze
and her smoky voice whispers,
"your getting soaked, come up
the fire escape."

"so you're the lost lamb," i laugh,
"then what am i? the beckoning scarlet knight,
the golden moth drawn to your fire?"

"there's no music, Jack, but you know
the song too well."

"who chooses who we are,
what we become?

"no pity for us lost lambs."


whether lost or found,
the way a bird knows the sky.
i always know that where ever
I drift
or whoever I might become

I'd can always
find my way back to Maggie's window.
“Our apparatchiks will continue making
    the usual squalid mess called History:
        all we can pray for is that artists,
        chefs and saints may still appear to blithe it.“

W.H. Auden, “ Moon Landing”

<>

Let us happily and heedlessly
i.e blithely
send the pundits, panderers, and pussycats
and and the ill tempered ones,
the “like~seekers”
whose factual are not actuals
But
opinions gussied up
as itter-bitter-litter factoids on opioids,
of little value


yeah
they’re  history

seek not likes or to be liked,
make your own history or herstory.,
and you will be admired
'tis a far far better thing…
if you don’t like a poem, keep quiet
And just move on
And far away
I wanted to be his peace.
And even if he finds it somewhere else,
I’m proud that I tried to give it with my whole heart.
The whiplash was unexpected. But thanks.
 Jul 23 Nat Lipstadt
BEEZEE
Grief as an interlude.
The in-between performance.
Where shoeless days, wandering forests—
meet
black-dressed, paired farewells.

Where velvet curtains close and draw,
a symphony has long prepared
(for you).

Percussion slices into silence.
Clarinets hum in minor tune.
The bass joins in—they’ve been appointed.

Welcome to Grief’s Interlude.

The music plays now just for you.
Regret takes center stage.

What wasn’t said.

“What could I do?”

The music begins to fade.
I guess it’s time we see the view
from our heart’s balcony.

Crossing legs and leaning in—
anticipating more…
A special place for all our kin
is bursting from our core.

Cymbals reach the back of room.
The flutes play loud and low.
The composer pulls a handkerchief—
tears and sweat compel this show.

You feel so sorry.
You feel alive.
You feel memories—sharp and sore.
They’re taking bows.
The act has closed.
Another’s passing through death’s door.

Welcome to Grief’s Interlude.
Grief doesn’t arrive as a finale—it slips in between the acts.
This poem imagines loss as a performance
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