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759

He fought like those Who’ve nought to lose—
Bestowed Himself to *****
As One who for a further Life
Had not a further Use—

Invited Death—with bold attempt—
But Death was Coy of Him
As Other Men, were Coy of Death—
To Him—to live—was Doom—

His Comrades, shifted like the Flakes
When Gusts reverse the Snow—
But He—was left alive Because
Of Greediness to die—
Year of the hottest tempers, for sure.

Along with the highest temper-a-tures.

Mere coincidence, the Learned will say;

While others regard the signs of the day.

The missing piece of this mystery’s math

Lies in the two-fold nature of wrath.
Hydrogen Cyanide*

I have no idea how it feels
to receive what I deserve from you,
no memory,
only faded dreams.

Seething over what I was denied,
I became ill from your heavy,
searing dose of
hydrogen cyanide,

And life lost its meaning
because I never learned
to pour this love I carry inside
all over myself.
Are we lost to a land of too many tribes,
  Too many choices, of too many scales,
  Too many communities of which to
avail?

  Could we be better off fractured and scattered
  Left shattered like glass by the highway
  A shimmering reminder to the wayward passerby,
  All is not lost though we
Subside

  Could that we merely be torn asunder,
  Pulverized, then obliterated by ritual fire,
  Then wrung from the colluding liquified minds
  Crystaline,
      Incandescent,
          Molten
Purifide

  T­o form as before but free from parameters previously applied,
  Forgotten in the furnace of insanity and strife
  Stiffled,
      Tempered,
          Emboldend,
Refined
There is a group of words in my mind I cannot seem to seperate.  The title represents two of the interior, juxtaposed outside the form of another poem.
It begins as a rumination on the disconnect between generations and geography made so starkly apparent by the recent election, and exacerbated by the duality of social media: it can isolate and embitter an individual in and toward their local community, while at the same time connect and embolden them with a global ego/echo chamber. It sat as one stanza for many months, until I decided to share it. It seemed hollow to pose such vague commentary, and not even attempt to address it, which catalyzed its creation and completion.
What am I to become?
I held bottles
of promises,
And threw them
At the setting sun.

Watching golden irises,
Melting steel
With their intensity,
But hands refuse
To acknowledge them
As if they were viruses.

What am I to become?
When every yesterday
Is tucked under
An avoided tomorrow,
In a book finished by none.

What am I to do?
When it's three
In the afternoon
But the sky is midnight
Black further distorting
The sullenness of blue.

All the first class passengers,
Safely heading
To their clean slates
In Mars where
It's free from damages.

What am I to become?
A fraction of empathy,
A fraction of passivity,
Intermingling
In one tongue.

What am I to become?
An upgrade?
Where streets collapse,
My roof is still intact
My weather still calm.

So is it hope,
Or absolute dread,
That's setting
The first step
In this unfurling road.
I was listening to a song called Saturn by Sleeping At Last while writing this. I think it's in contrast to everything I just wrote. But give it a listen.
I've got a boy in West Virginia
Who sends me all kinds of pictures
He says 'I wanna be with ya'
But I don't think he's the one.

I've got a boy just outside Paris
Seems that he's not that embarrassed
I guess that I'm the last on a long list
I don't think he's the one.

There's a boy who lives in my city
He tells me 'Girl, you're really pretty'
But I know, he'll never be with me
So I don't think he's the one.

There's a boy I loved just a while ago
He never fell in love with me though
It hurts to say, but I don't know
I still think he's the one.
This came out a little more lyrically than I was expecting...
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