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Martin Narrod Jan 2017
L'heure verte

The mountains. The heaps of their bountiful gravels, and earth, and soil, large oversized masses of half-frozen water teetering on the precipice of subzero masculine *******. Francophilic cleavage jetting out of this deserted white pastoral dressing. The inaugural bawl, wanton fixations of putting the imperialist foot on every spot of tree, each and every shrub, until the limbs' cast reaches each dimple that foliage braves, where that blue eagle of patriotism dredges its claws to form every river, rill, estuary, creek, channel, flume, littoral, and waterway where the iron-rich gullies once brimmed in the interamnian basins, rich crimsony waters riffling through fruitful and extravagant aquifers. Beyond that, where an inexplicably feral wind rips vines from their dendritic housings, where barely an eye can see, this place of exsanguination and abysmal phytocide.

At the end of this lamentable torture, only a desert of human interest remains. There is no reason to laugh, or smile, or cheer, or put a leg up, to call on a friend, or to have ice cream. There will be no more ice cream. There is only the loathsome incredulousness and avarice in the semblances and familiarity of those with whom we thought we once knew. Little can ever be known, for there is much to gain in the absence of knowledge, and even greater that can be acquired in the alms of wisdom through patient examination and thorough silence. Here on the buttes and cornices, the thwacking gavels of evil power deities throw down their lust for more and soon become adjoined to these grand discrepancies greed mistakenly loses to a lack of awareness and to self-aggrandizement.

Power is the weapon of inexperienced wielders. Passion is the immortal frequency that is worn by artisans and artists, poets and painters, it is the business of quietness to learnedly evolve to protect our tomorrows from personal needs, but to instead preserve the integral parts of society. The words of languages, artifacts, and cultures, rather than the skeletons of ****** and the deeds of possession. Each who sleeps knows their bedfellows to equally be at peace. For no wealth can exceed that of comfortable pillows, soft quilts, and sheets. We are all the same while we sleep.
Martin Narrod Jan 2017
Shoefly don't bother me
Shoefly don't bother me
Shoefly don't bother me
Or I'll begin to frighten thee

Laces on leather sneaks
Laces on leather sneaks
Laces on leather sneaks
Make a loop then round the tree.

Tall boots up to the knee
Tall boots up to the knee
Tall boots up to the knee
Come here and get in bed with me.
Martin Narrod Jan 2017
The cold is my commander, it taunts me, while it steals my sheaths of warmer cleaving skin sections exposed by its notions and collected conscious. The sounds are complicated, the moons azurean hue resembles the coldness of my cigarette's embers blue, and then the commander shucks my final breath away. It isn't something that I barely feel, but rather something that lightly see. It's hoarfrost births its fickle shell of hardrime on the last of those interstices I once called my fingers. And from this choke, this frozen voice is detained by the vox ice amplifier that steals each noise. Besides, in an interruption I hear our whorish neighbors score of shouting scripted shouts, and screaming scripted screams. Each day she becomes less and less like any real human being. It's hard to believe that behind these walls that shield me from the albicant and atrocious heraldry winter casts me through, these sounds are concentric like limited Earth words written in the prompts that some ill and wanton succubus would. If only to lure herself from the pains she gained while lying to those amidst her closest ties. I am further distressed, though fully dressed narrowly watching bits of frozen water interlace themselves beneath freezing in the corners of my mind. When until the shaking and commandeering of my mortal sounds, disperse amidst the ferocity that Spring white snow absconds. The tremulent vocal chords are hailed by a hard-rimed ****, who ensuingly rips the cantering spirit from each last place it stood. Only those who know this wind could speak about the way it genuflects and obsesses on these rules. This freezing genuflection hails to every servant of its rein, I can barely exhale the inspiration that rises from the head, until any skin exposed to air is reclaimed by my commander for good. Then each neighbor's head may lilt upon the piste, and pray for something more balmy than negative eleven degrees.
Martin Narrod Jan 2017
There's a place I have been
But it's a puzzle you see,
Nothing ornery and nothing certainly so.
The trouble ensues amidst the crackling air, It Inherits an anxiety that was born from youth.
Characters place a charge to pass between each Dimension unveiled in the quandaries exposed By each curious want. In wanness its decided, That each should mercifully idle, and pause Before it yields the gain. And an ampule of light Is pronounced by the right to take up pizza in The order of minds
Martin Narrod Dec 2016
Well they talk about the treatise,
They talk about the pigs from Lamar, they keep
Their furnace raw and kids on the move. Some wreak their havoc in swords, others burn their denim and gold. They've got their names in stone, and the sour-**** blues. Wrapped up in methodical and squared from an irregular obtuse. It helps sometimes to keep the furnace alive, the girl's red, raw, and juicy too. The night can keep the fury alive, but it pays to keep your sword sharpened too.
Martin Narrod Dec 2016
Dubious: charge
The deluxe program in. Obtuse angled and oblong animals. Mecca sexúal, discoverer pulling back the curtain tails in mimicry and peacockiness as the horizon shimmers itself out. Do not eschew unwieldy ostentation towards benign mid-weight colors in the sequel to Blahnik.

Offers in the hesitant, peak winds of Southern-Hemispherical Antarctic weather barometer losses. The ice is like a hive of nameless blue lily pad vessels, each a different magical shade of the water's blue.

She like the uncommon baroque grandeur in an hour of time, herself-

Summons the immense symmetry of her elaborate lavender macramès sheath and entomb her skin, exploding across her body like milk-white daffodils draped upon a morning  bow. Linseed and anise encompasses burnt sweet grass on the breadth of pine in a gentle pillow, anchored only by the veins of her red fruit nectar stitched at the grooves in her cool and unpunctuated lips. While anxiety numbing tufts of gentle satins wisp all the worry and turmoil away, pleasing every nerve, sensor, instinct, and exercise of glib humanity intertwined amid the pulse of our uncensored adultness. She glides amid the arcs of ebullient-molecules ribboned in winter synonyms, summoned up in her sensual and illustrious sublime, and the story of how like a horizon muted by organzas falling beneath her into that relationship she carries with her water God into something profound, immense, and totally ******* exquisite, yet beyond all imagining, she is always doing what has been the coolest **** ever to me. That becomes more magnificently indescribable like our amorous fire, incentivizing the luminous beauty of new stars to rush above us, and yet under us too, amidst the simple and perfected automany she so awesomely imbues.

Until the minutes are silenced in our heads and the days are warm with you.

For Sarah
Martin Narrod Dec 2016
The talisman bleeds. In the crevasse, he smokes rock. She inhales the stone. Freedom lies in the snow, tremendous blinding, in careful flight, she cannot hold the breaking of night, lifting higher and higher until her wings begin to explode. Some drinks take to fight, some beings take to highs, I advised her to maintain her flight- lilting on the dragonian see-saw ride. Freedom lies in the snow, dreams are blinding, in careful flight, she cannot hold the breaking of night, lifting higher and higher until her wings begin to explode. Freaks, grim, and zombies cry, while their echoes shade in the past of their lives. The freeze comes in quick, the ice drops its face, the claws and the white are more frightening in light.

He plays his game
He makes his cough
The girls go through his pockets fast.
He sees in blight.
He seeks his fire.
In nocturna, isles reveal their tries.
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