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And the fish swim in the lake
and do not even own clothing.
– Ezra Pound

How would they style themselves for the net,
the little fishes of the lake?
Not robes of purity, Ezra,
but sequins cut from trash,
brands bright as lures,
fashioned to catch the eye, a glint of sun.

Would the big ones ******* knockoff fins
to flex in shark cosplay near the shore,
snapping reels in the reeds,
captioned #greatwhitevibes #apexpredator?

Would carp veil themselves in algae,
funeral couture,
posting stories of their grief in green?

Would they admire the fishery tags:
industrial piercings they can’t remove,
or the hook-slit scars from catch-and-release,
each one a verified badge,
proof they were trending once, briefly,
before sinking out of frame?

Would they tilt to the water’s glass,
checking which gill looks slimmer,
tails arched like influencers at golden hour,
the shimmer hiding shame,
the shame we taught them to wear?
I felt your skin
strip away from me-
you said you’d be right back-
as you slipped into foreign bodies,
lips soft with easy dinners,
who forgot the lightbulb burning out,
the lid left rattling on the counter,
a suit of pots dented, stacked,
steam lifting from a rust-ringed drain.

That studio in the Texas Riviera
was never meant to last-
brown carpet, AC rattling,
bass beating through drywall,
neon from the Whataburger sign
bleeding through blinds.
We were two beautiful accidents
in a month-to-month, always paid late,
your sweat a spell pressed into my skin,
ankles grinding on parking lot gravel,
the road outside a forgotten promise.

And when you smiled I held you
like a chipped glass,
rim still sharp enough to cut.
The ember died against porcelain,
the glitter was swept with the crumbs.
Your armor slumped in the pantry corner,
rusted tins, lids unfastened.
You walked away, naked and ordinary,
the light left buzzing in the kitchen-
outside, asphalt slicked with oil-sheen,
my body, also, dissolved
into the shimmer of the road.
From the Corpus Christi journals (1993)
She keeps asking what he does,
though his answers are recycled:
half-finished carpentry jobs,
French bulldogs, paintball,
a seventh-grade broken nose.

The basket of fries between them
feels like an interview.
She teases about sweat-stuck bangs,
neon-laced Docs,
his faux leather squeaking when he moves.

Her smile forgives empty stories,
softens each silence.

Condensation slips down her glass,
her knee brushes his-
a spark he does not catch,
his throat working like a valve.
The door opens, closes,
a draft follows smoke and cedar,
distant wildfires.

Outside, a truck unloads shrimp.
A box bursts on the pavement-
pink shells and thawing ice
sliding into gutter water.

Curses flare into the alley.
Engines idle.
Hydraulics hiss.
The stoplight clicks red to green,
green to red,
its metronome louder than either of them.
Arrive in a neighborhood not mine.
Phoenix sun splits the mailboxes,
Cracked cement, bald lawns, deflated kiddie pools,
sippy cups gone brittle in the sun.

A toddler screams
until a sibling gathers him inside.
Helios whips his chariot down the street,
steals my parking space.
White Shell Woman hushes the child
with a wind of cool dust.

I buy
donuts, Cheetos, pickles-
eat them in the car.
Gas station sink, hair and grit.
I scrub off orange powder.
Kokopelli swings from the paper towel rack,
flicking drops of water onto my face,
flirting, laughing at my small hungers.

Cemetery, sitting on the hood.
Graves hum in the heat.
Yours more-so.
Hecate steps from the shadow of a mesquite,
offers me three paths,
none of them home.
Coyote pads along the stone wall,
head cocked, grin sharp,
watching my pulse quicken.
White Shell Woman whispers:
Run.

The blood in me stirs-
knife-bright, restless.
I step off the hood,
already fleeing toward
any other life.
The woman with the cat face made a wish
And all the sparrows turned to fish.

The sky produced them at her command
Stacked like kippers upon her hand.

The woman with the cat tail switched it once
And paving stones turned to hot cross buns.

The woman with the cat tail switched it twice
And made Catholic bishops of five field mice.

The woman with the cat heart had a beau
Set him on a gallows and swung him low.

The woman with the cat heart clapped her hands
And made his coffin out of watering cans.
2011
Even here, miles from town,
Joshua trees raise twisted arms,
like dancers locked in a song’s last note.

I lower myself,
not as a hero in the final act
but as an old father grown tired,
disc inflamed in the back,
knuckles scraped, work
too new for such an old body.

My youth spent bent in labor,
family cut away in anger.
Before I rot away in some churchyard,
I kneel with the fool’s wish
that the spring could wash it all from me.

The sun drags its red spine
across the ridge.
Stone steadies my shoulders in its cool grip
I dissolve into cloud,
a child warmed in arms of water,
its breath rising around me like ghosts.

Rain breaks, sudden and brief.
Creosote exhales its sly, eternal smell.
A cairn rises from the sand,
stones balanced without name-
its long shadow
measures this sand in silence.

Alkali on skin,
sulfur edge to air,
dust on tongue.

Gravity presses,
bone across rock,
and heat seams my back-
a mercy scraped thin,
hours from the outskirts.

A mountain hangs upside down
on the pool’s surface.
I drink not my reflection,
but the earth’s fire gone gentle.
4AM-
a boy runs across
the four-lane roadway,

eyes like rare stones,
face burlap-creased dust,
jean shorts, a dolphin backpack
meant for someone smaller.

I track in my car,
take the exit that curves
around an abandoned encampment.

I find cement steps,
but the boy is gone.

Only smoke remains:
a hooded figure curled
in a doorway of a derelict building,
an empty tent split by knife.

The world recedes,
layered, unbroken.

another vision settling
into the mind,
a thick silence I fold
into the others.
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