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 Sep 2016 Jim Marchel
dani evelyn
there is a boy in a bed in a room. tubes are coming out of his arm, one out of his nose, and something is beeping too loud. he looks up at you under half-closed eyelids, and he smiles, and you love him. no fanfare, no celebration — just something taking root in the pit of your stomach and blooming, an unseen flower.

the boy is still in the bed, the beeping is still too loud, but you go and sit next to him and you can’t let go of his hand. he’s looking at you like he knows, like he’s always known — like he’s been loving you this whole time, just waiting for you to catch up.

and in a hospital, in the midst of chaos and disease, a beautiful thing slips quietly into the world. everything is still, and you can’t look away from his eyes.
 Sep 2016 Jim Marchel
dani evelyn
VI.

it means

driving with all the windows rolled down while the sun is setting over the clouds

and the perfect song is playing. it means

running across dark streets because

you snuck out to see him and he is parked down the road,

waiting for you. it means

holding his face in your hands at one in the morning

and willing there to be an alternate ending to the story:

not one where you leave, or he leaves,

but one where we stay here, looking at each other, forever,

and nothing else happens.
 Sep 2016 Jim Marchel
dani evelyn
V.

so often you have felt the ache of the world in your bones, sitting in your chest like a boulder, but you’ve always gotten through it on your own

and although there is pride in that, and strength in that, it is also lonely.

you can only fight so many battles by yourself before you reach a threshold of desperation you wish you’d never known,

and it takes hours and hours of sitting on the cliff’s edge before you can bring yourself to stop looking down.

it takes a moment for you to notice that this time, however,

you are not alone in your looking.

maybe this boy means something as simple as not having to fight alone anymore — 

to have someone in your corner, who may not understand exactly what you’re feeling,

but who always cares, and who offers enough love to help get you through.
 Sep 2016 Jim Marchel
dani evelyn
IV.

the boy takes you into his house and you come home that night with bruises on your neck. you took your shirt off

and threw it on his carpet and you’re trying to forget how he asked to kiss your stomach

and you said "no" too loudly. you kept telling the boy you wanted to leave,

but he kept kissing you and asking you to stay, and now you haven’t slept

and you have to hold open your eyelids if you want to get anything done. he keeps telling you that

you’re beautiful as if it should fix everything, as if his opinion alone can cure you, but all you can do is thank him

and hope he can’t see past the walls in your eyes.

he drives you home and you’re wearing another boy’s sweatshirt, but you're past caring.

you wonder offhand what he would do if he knew, and that’s all, and you stop wondering.
 Sep 2016 Jim Marchel
dani evelyn
III.

there is a boy with big eyes and warm hands who is holding one of yours.

he is driving with the windows open, an old red car careening down a dark street, and he keeps looking over at you

and you can’t stop smiling. he pulls over just to kiss you and you feel

*****, you feel wild, you feel sinful. you also feel free.

sitting in a lifeguard chair on an empty beach with the sky a perfect canvas of stars, your head on his chest and his lips on your hair,

you feel beautiful and new. you feel understood, you feel known.

he whispers soft words to soothe you and his hand on your back

drives you wild in the best way. you can’t stop kissing him and you want to fall back onto the sand and live forever in this moment

but there is always change coming, always, and it’s coming soon.

even when you can’t hear the clock, the minute hand still spins along.
part 3/7
 Sep 2016 Jim Marchel
dani evelyn
II.

there’s a boy kissing your neck in his car in your driveway

and everything is warm.

you told yourself to never do this again, yet here you are, and all you feel are his hands brushing your hair away.

the sprinklers in your front yard keep turning on and pummeling the windows with water, and

your mother is on the other side of the front door

and your breath is heating up the windows.

it is summer. you’re twenty and irresponsible, wild and reckless. you’re hanging off the cliff by the tips of your teeth and you keep on losing the moon.

there isn’t much time to think past split-second decisions and sometimes you find yourself

curled up on the kitchen floor in the early hours of the morning: clothes rumpled, makeup smudged, shame wrapped around your shoulders

like an old blanket, like a machine you hope could fix something.

the clock on the stove is frozen and blinking, green light casting strange shadows in the room

and you’re so tired, and you’re wondering how you could ever make him understand.
part 2/7
 Sep 2016 Jim Marchel
dani evelyn
I.

there’s a boy with shaggy brown hair and bright eyes who runs after speeding trains and rubs my back when I’m scared and always helps me find the moon.

I can still feel his hand tracing circles down my spine.

he is not entirely unprecedented, he is not entirely polished and confident. sometimes both of us are too nervous to look each other in the eye,

but this is forgiven.

this is a boy with black-framed glasses who has suddenly grown strong and steady, whose arm around me is an anchor, who hasn’t missed a day in telling me that I’m beautiful. this is a boy who is causing a small earthquake in the heart of a girl who thought the fault lines shooting across its surface had settled

long ago.

it’s no secret that I’m still figuring out who I am,

how all of my fingers and elbows and teeth fit together, and that makes me nervous. I don’t want the boy to become

the latest casualty in my misguided journey of self-discovery.

on the knife-point between nineteen and twenty, teenager and adult, this is where we stand: the boy makes my heart flutter, and that’s all I know.

tell me I’m wrong, tell me I’m way ahead of you, and I’ll probably pay a price for it,

but just think about the way he ran after that train. the way he got distracted by the moon, the way he whispered to me in his car,

and tell me I’m wrong. go on, tell me.
part 1/7
The noise of Fall is deafening.
Tie your shoes and grab your coat.
You shouted 'til your throat was sore.
I watched the seasons
          change from where I stood
          in piling snow.

Listen, friend: I've got a few bucks
and some reasons in one fist.
In the other, got some memories
          and the lining
of my pocket in a grip.

Do you wanna fight the cold off
               with me
          and a couple drinks?
I'm thinking one good weekend
and a friendly face could save this.
Blame this time that's piled between us,
               blame the
     deep snow as we sink.
Call me up and maybe we could
scan the skyline, eyes unblinking.

And I know it's been a long time.
Bills tied hands, time clocks grabbed throats.
You've floated, changing hue on wind
gusting. I'm a name
             you half forgot
          ****** in the snow.

And I'll be gone come Spring time,
with my lowbrow jokes; my crude reminders
of the sharp angles
          of the letters I use
          to spell my name.
 Sep 2016 Jim Marchel
Doug Potter
I gather smells from
the garden near
the well
where
every drop drank
will be worth
my toil.
End of year gardening.
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