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 Jan 2015 Charlotte Jane
Derek
green fever,
thin lips, skinny thighs,
and a mask to hide it all.
red cheeks,
rosy eyes - dark with a
twinkle of sunlight.
so far off into the galaxy,
a shining crescent resides for
us to play and sleep. we are children,
not bound by mental insurrection.
and we daydream.
gossiping, holding, feeling
until we drift into adulthood.
I picture them in a balmy hallway,
far-corner huddled; quietly, urgently
comparing their notes on ways I have loved.

They'll laugh at lame jokes and avoid eye contact,
each surprised by their own awkwardness.
One of them will quip the term
'eskimo brother'
and immediately wish he hadn't.
The rest will kindly ignore it.
The moment will pass.

They will slowly shed their discomfort.
They will remove their coats.
Sweat will bloom at collars
and trace knotty bumps of spine before
pooling into the space between
boxers and belt.

They won't openly discuss the
strange comradery
that accompanies the lazy river evenings spent drifting down the same mind-
but the tension pulling across
each of their jaws
will announce loud and clear
how frustrating it has
been to be cropped,
tucked in, paper fortune teller folded
and wrapped up into someone else’s idea of poetry.


Casually
then all at once,
they will get started.
Printed pages will uncoil from backpacks,
phones will emerge from pockets
and fingers slightly shaking
will chase the letters
of my name through search engines.

My sticky poems will fan out across floorboards.
They will lower their bodies carefully, not quite kneeling,
(and without mention of the bad knees they happen to share.)
They'll hover above each piece of evidence
and their eyes will crash along titles and memories-
they'll read with raised
eyebrows and pretend as if
they don't already know
each poem, each quick dig, by heart.

When they start claiming
and denying pieces
they will do so lightly
and without judgment.
'This piece is about you and the dry, delicate
tissue-shell of skin
she held out for you after you told
her to shed.
But this piece- this piece is about me
and the messy ointment
that ruined her clothes and
stained her blankets.
A doctor instructed she
apply the ointment to her hands
twice a day to treat
the burns my silence left
across her arms and throat.'

They will share a bit of rage,
A bit of regret.
A bit of shame, perhaps.
They will either miss me intensely
or not at all.
They will either own up
to the poems they begat
or begin refuting.
They don’t want any of
this chilly weight on their soul.
I understand.

They didn’t sign up for this, I know that.
They didn’t set out to rock me,
nor to dig down deep and get to my China.
I was happy to share, to whisper and recite blurry
morning confessions and epiphanies.
I was right behind them running toward the sand dunes,
waving a shovel and pail.
But I can’t feel bad either.
You all must have known:

If you happen to fall for a girl
who writes you must realize
that every smile you put on her face,
every stray hair you’ve pushed back from her eyes,
and quick habit she starts to crave
is fair game.

If a girl who writes happens to fall for you too--
forget it.
You will find echoes of the way your souls fit and fought
together until she has nothing left to feel on the subject;
(and you must be well aware
she's tidal, her feelings are icecaps,
they are melting but will trickle fresh
and renewed for centuries to come.)
She doesn't know.
She can't see what they are doing to her
They use her for their games and tricks
They don't care that hearts are in the mix
Bodies against bodies
No one knows where to start or where to end
But I'll try to mend
Her broken heart
The night beasts assault
My mind, digging out
Of my brain, rampaging
Down my spine in fury
To commandeer my hand
And spill on to the page,
Released to the world as
My open-heart bridges,
Beckons them outward,
Afraid to close the gate
And lock them inside.
Go
I have to go ,
I hate to leave,
everyone has to go.
But where does everybody go
when they have to go ?

*My heart still beats for you.
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