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L Smida Jan 2012
Hello there, I’m Heidi.  I’m 17 years old but I’m no longer alive.  I was 16 years old when I died.  It’s been a year since I’ve breathed the earthly oxygen.  The air up here is so much fresher than down there.  It’s quite unbelievable.  If you listen closely, I’ll happily tell you my story even though it’s not very happy.  If you're emotional, please take a moment to make sure there's a box of tissues handy, because by the time I reach the end, you might need some.  I’m just letting you know.  It’s not a happy ending.  Anyways, have you ever fallen in love?  Not the kind of love that you confused with the real kind.  I’m talking about true, heart pumping love.  The kind where you'll do absolutely anything for, anything in the world.  Even if it kills you.  The kind that if it starts slipping away, you'll do whatever it takes to hold it together.  You’re probably asking yourself, "16 and in love?"  Yea.  Well, here is my story.  
It all started with the day Sammy’s dad got a new job out of state.  We lived in Pittsburgh, Pennsylvania for as long as I could remember and her dad's new job was all the way over in Long Beach, California.  "This can’t be happening," I thought to myself.  "How will I survive without Sammy?  She’s literally my life, the air I simply breathe every day.  She’s the only person I fully trust with my whole heart.  She’s the only person in my life worth talking to.  She’s so incredibly sweet, the sweetest girl I’ve ever met.  She doesn’t judge, she doesn’t cause any trouble, she’s real down to earth, well put together, and smart.  Everything."  It seemed too perfect, almost dream-like.  You know, the dream that you never want to wake up from.  Well, there I was living it and I didn’t ever want to wake up.  
People use to call me "The Dreamer" because I was always in a great mood.  I was always smiling and taking big risks.  I only took those risks if I absolutely thought it was worth it.  Which most of the time I thought it was.  In my opinion, I thought I was too positive but not cocky.  I was definitely not cocky at all.  I was simply positive and cheerful and constantly trying to cheer everyone else up.  Especially Sammy, I secretly thought that I had super powers.  I somehow summoned a power deep within myself that could make real smiles appear on people’s faces.  Real smiles!  The ones that create a bundle of energy instead of taking it away.  You know, fake smiles, they are forced as a result of wasted energy.  The only thing better than real smiles are real laughs.  My energy comes from laughs and smiles from other people.  When I created laughter and smiles, my energy level would rise to the top of the meter and I would be confident about everything.  I would feel indestructible, and nothing could ever hurt me.  So I thought.
When Sammy and I said our goodbyes that day, I surely didn’t want that to be the end.  I didn’t want that moment to be the last.  So I promised her that I would look for her in the future and we could get back together.  We’d keep in touch everyday with texts, calls, and the internet.  She got on the plane and that was that.  I didn’t cry.  She didn’t cry.  Until our backs were toward each other, then I couldn’t hold it.  We knew we’d see each other again and we were sure of it.  She knew I had a plan up my sleeve and that I was going to make sure everything was going to be alright.  Trust, number one thing in a relationship.
The next day I couldn’t stand it.  I couldn’t put up with the empty feeling anymore.  She wasn’t physically here.  I missed seeing her face, her smile, and her eyes.  I missed her laughter and her hugs the most.  My energy was dying.  So I thought up a scheme and I was going to follow through with it.  I called her up and told her that I was coming to see her.  Soon.  
I searched all my drawers and pockets for all my money.  I was going to have to be able to afford a one-way plane ticket and maybe a hotel if Sammy's parents wouldn't let me stay with them.  I wanted to plan for the worst just in case.  I wouldn't want to show up with no money and assume they'd let me live with them.  What if they wouldn't, then I'd be *******.  So after a while of looking around, I came up with 510 dollars.  Enough for a plane ticket and a cheap hotel for a few days.  I’ll have to find a job for sure.  But first, I'd have to go online and find the cheapest airline to use.
I picked out a few sets of clothes and fit them into a single bag.  I didn’t want anything slowing me down.  I didn’t tell anyone I was leaving or where I was going.  Besides Steve, my neighbor, I got him to drop me off at the airport.  We waited in line to buy a ticket to the first flight to California.  Fortunately, the soonest one was in a few hours and there was still a few seats left.  He walked me to the security check and then they wouldn't let him past without a ticket, so he wrapped his arms around me gave me a tight squeeze and he told me that he'd miss me an awful lot and if I ever needed any help to just call him and he would help out as best he could.  Which made me feel a ton more relaxed.  He had tears in his eyes when we separated.  I remembered saying, "I’ll text you when I get there."  I assured him that I would be just fine and he had nothing to worry about.  I also thanked him for being such a great friend.  He really was and always will be.  He stood there as I attempted to walk away, but then I turned and had to go back for another hug.  Then I was sure I was ready to go.  The second attempt to walk away was more successful than the first.  I felt him watch me the whole way till I turned the corner, out of his sight.  
I sat in the terminal for a long time, analyzing the room.  I remember that there was a cute little blonde girl with her dad, a guy with a mysterious black hat and matching trench coat, a tall thin girl with a guitar, an average looking group of 20 year old guys and a few old women.  Those were the only people that stood out, there was many more but I don’t particularly remember them.  After a while, they started calling seat numbers that were allowed to board, starting with the back.  My ticket said that I was seat number 22.  When they called 20 through 30, I got up and found my seat in the big jet.  The butterflies in my tummy are as hyper as possible.  I imagined myself with a butterfly net trying to capture all the fluttering creatures inside me so I could release them on the outside.  They were all crammed in there, fighting each other for space, and it was an unbalanced feeling.  I put my bag under my seat, sat down in seat 22 and decided to make a quick call to Sammy.  I told her I was on my way and I should be there in a few hours.  She sounded extraordinarily excited which made my heart pound.  She made the violent butterflies stop their fighting.  She also told me that her parents agreed to pick me up at the airport.  How nice of them!  Then a lady told me to get off the phone.  I thought it was rude of her to say that to me, but I don’t like making people mad, so I listened to her.  The thing I remember the most is when I told Sammy that I love her, with honesty in her voice she said it back.  Then I hung up and then I finally turn my phone off.  As soon as everyone was in and completely ready, a woman’s voice spoke on the income system.  She said something about there being flight attendants going around checking everyone’s bags and seatbelts to make sure they're secure.  There was the sound of my pulse in my ears and it was louder than anything else.  It was difficult to catch everything she was saying.  I buckled my seat belt but I left a lot of room for movement.  Before I knew it, we were up in the air.  Then I closed my eyes and that’s all I remember.  Don’t ask me how I fell asleep.  All the excitement must've made me exhausted.
The next thing I know, all of a sudden, I was thrown from my seat and I hit my head off the window and it sent sharp shooting pains through my nerves.  Everyone gasped at the same exact moment, and I had no idea what was going on.  I don’t think anyone did but I think we all knew it wasn’t good.  The feeling was like standing in an elevator, having the cables snap, and being dropped from 100 stories high.  Only it was a million times worse.  I was being thrown around everywhere.  I couldn't hold on or even fight back.  Everyone was in mad panic trying to grasp anything near to sturdy themselves.  I managed to get a glimpse out the window to see the clouds shaking.  That told me that the plane wasn’t working right.  Something absolutely horrible was going to happen, the feeling was so strong.  I heard a loud click and then a thud and I caught a glance of the little blonde girl across the aisle from me get hit in the face with a huge metal suite case.  It hit her so hard that it knocked her clear out of this world.  She fell limp and her head lay still on the floor, blood oozing out.  The puddle started streaking toward me, it told me that the plane was tilting or rolling over.  I noticed that her dad wasn’t around.  I stumbled across the aisle and held her in my arms.  I remember my vision being really blurry probably from tears or the plane shaking, or both.  I patted her cheeks to try and wake her, but she was out.  I held her tight and quickly took the time to look around for help but then realized there was no help.  Every ounce of calmness was clearly gone.  I set the girl in the seat and buckled her in.  I wasn’t sure if that would do anything but it seemed like a good idea.  The plane stayed tilted on its side then shook and it literally felt like an earth quake.  My stomach started twisting; the nose of the plane was dipping forward.  I took another look out the window.  My head was spinning, thoughts scattered everywhere.  Everything was moving way too fast and I couldn’t keep up.  I couldn’t concentrate or focus on anything.  I stood up and that was it.  After that, everything went black and then a bright white light took over.  Eventually something happened and I was floating above looking down.  It was a horrid sight, everything so lifeless and dead, unmoving.  Besides for the flames, they were more alive than anything.  Smashed metal, sparks and fire, soundless noise, and in the middle of nowhere, what was going to happen to all these bodies?  
Later, I somehow channeled my sight into a different location.  It’s been hours later and I saw Sammy and her parents in the airport.  They were anxiously waiting for my plane to arrive.  Little did they know, I wasn’t coming.  Hours and hours passed only making them more and more worried and confused.  I felt horrible.  I wish I could send them a message from up here.  They went to look at the departure and arrival screen and there was no time recorded on the screen for the flight they were looking for.  It was completely wiped off the board.  Her dad led them to the main desk to ask the man behind the counter if the plane had arrived yet.  A sorrowful look fell upon the man’s face.  He blinked away tears and you could tell he was searching for the right words to say.  He started to open his mouth but then failed to force words out.  He swallowed a gulp of air and he shook his head.  Something turned all their attention to the 40 inch flat screen on the wall where there was a lady reporting “heart breaking news” about a tragic accident.  He pointed Sammy’s attention to the television behind him, although she was already deeply fascinated.  The news reporter explained and then there were live videos being shown from a chopper that was looking down at the accident.  Sammy cupped her hands over her mouth.  Tears immediately leaked down her face.  Her parents were crying too.  Sammy collapsed to her knees.  I felt like I was standing right there watching everything but I couldn’t feel my feet.  I floated over to Sammy who was sitting on the floor with her face buried in her hands.  Her mom knelt next to her with her arms braced around her.  I waved my arms and shouted, "Look I’m right here!  Please stop crying."  But no one saw me or heard me.  I went over to Sammy and tried to grab her face to make her look at me, but I couldn’t feel anything.  I looked down at my hands and they were transparent.  I panicked and I knew this couldn’t be happening.  But it was.  I was dead.  
I channeled into another location, my house.  My parents were watching the same news channel but they didn’t know I was on that plane.  They didn’t know I was missing.  They didn’t know I was dead until weeks later.  When I didn’t come home that night, they called the cops and sent out search parties.  Whelp, they found me.  They identified my body in the plane.  My parents didn’t believe it because they had no idea how I would've got on the plane in the first place.  Then when they brought my body back to bury it, it was proof to them that it was fact me.  I absolutely hated watching everyone cry.  I hated that I couldn’t do anything about it.  Everyone that I left was left in silence.  I at least got to tell Sammy that I love her.  I got a last hug out of Steve.  Those were the most important people in my life.  I couldn’t feel worse at this moment.  
I felt like I was doing the right thing, chasing my dreams.
The dreamer thought she could fly.
Paul Hardwick Nov 2011
BACKGROUND.

I was working at an international airport as a aircraft cleaner, this ment we went on to the planes to clean them before they went on there next flight.

I was the supervisor of a team of 6 that night, so it was my job to go to the aircraft and talk with the number one, (the number one is the head hostess), she told us when we could board the aircraft.

At the door I could see a young girl and a lady, sitting in the front row, I asked the number one if we could board, she told me they are waiting for a wheel chair for the young girl.

The wheel chair did not turn up until after this story.

This is what happened next.

I will pick the story up after my question to the number one.


THE SHORT STORY, OF A TRUE EVENT IN MY LIFE.

I am standing on the aircraft by the young girl and the number one, when I heard the girl say.

MOM! can I see the controls of the plane.

I am not sure if the number one heard this, so I related to her.
She told me she would ask the captain, and left to do so.

I was alone with the girl and the lady, so I spoke to the lady.

Hi i said, where have you come from?

The lady answered, we have been to disney land.

Wow or something like that I said, that must have been fun, the young girl spoke up.

it was, I saw lot of things, Micky Mouse.

I asked the girl her name.

Samantha she said.


At that the number one came back.

And told us, as soon as the wheel chair is here, the captain say you can look at the flight deck.

The young girl said, can I not go now?


I needed to get my cleaning team on the aircraft!

So I said to the number one.
I will carry her to the flight deck if that is ok.

It was agreed.

So I picked up young Samantha, and carried her forward to the flight deck. number one and Lady behind me.

The number one past me, to ask the captain, if this was ok, and it was.

As we entered the captain said, hi my name is John. the young girl said hi my is Samantha, welcome sammy, said the captain.

The co pilot stood up, to give Samantha his seat.

The captain and Sammy talk about the instruments.

The captain still had his head phones around his neck, What are those?

Sammy asked.

That is my contact with the flight controllers he said, can I have a go?  Sammy said.

The captain put on his head phone and asked the control tower, and she did have a go.

Then the wheel chair turned up, and the captain was told by the number one.

You must go now Sammy, thank you John she said, I picked her up from the co-pilots seat,  thanked the captain, and the co-pilot on the way out, also the number one, and took the girl down the plane, Sammy then asked me.

What is your name?

Paul I said, she then said this to me.

Thank you Paul I will remember that the rest of my life, at this the lady burst into tears, I placed Sammy in the wheel chair and walked with them to the exit.

I asked the lady, why do you cry, she told me that Sammy was dyeing of cancer and he flight was for a cure and a trip to disneyland, but the cure, did not work, and Sammy might be dead within the year.

I cried for about an hour!
"en qué consiste el juego de la muerte" preguntó
sammy mccoy parado en sus dos niños
el que fue el que sería
"en qué consiste el juego de la muerte" preguntó sin embargo

antes había bebido toda la leche de la mañana
jugos del cielo o de la vaca madre según
untándola con los sueños que
se le cían de la noche anterior

sammy mccoy era odiado frecuentemente por una mujer
que no le daba hijos sino palos
en la cabeza en el costado
en la mitad del desayuno esa fiebre

de cada palo que le dieron
brotó una flor de leche o fiebre que le comía el corazón
peor todo se come el corazón
y sammy nunca se rendía sammy mccoy no se rendía defendiéndose con nada:

con la memoria del calor
con la cucharita que perdió una vez revolviendo la infancia
con todo lo que iba rezando o padeciendo
con su pelela mesmamente

así
del pecho le fue saliendo
una dragona con pañuelo y la luz
como muchacha envuelta en aire

como dos niños sobre los que niño
sammy mccoy se paraba y
"en qué consiste el juego de la muerte" preguntaba
ya cara a cara con la gran dolora

cuando murió sammy mccoy
los dos niños se le despegaron
el que fue se le pudrió y el que iba a ser también
y de todos modos fueron juntos

lo que la lluvia o sol o gran planeta o la sistema de vivir separan
la muerte lo junta otra vez
pero sammy mccoy habló todavía
"en qué consiste el juego de la muerte" preguntó

y ya más nada preguntó
de sus falanges ángeles con mudos
salían con la boca tapada
a cucharita a memoria a calor


"güeya güeya" gritaban sus dos niños
ninguna mujer salvo la sombra los juntó
qué vergüenzas animales
y las caritas les brillaban calientes

así ha de ser caritas de oro
señoras presidentas o almas cuyas acabaran
a los pieses de sammy el que camina
sammy mccoy pisó el sol y partió
From Wikipedia

Singapore Sammy is a fictional pulp character written by George F. Worts, primarily for Argosy,[1] one of his primary markets for fiction. The adventures of Sammy Shay are one of the shorter adventure series characters which Worts wrote (although he penned shorter series, such as his interconnected novelettes which took place in a fictional Florida town called Vingo which were also published in Argosy).

Most of Worts' Singapore Sammy stories appeared in Argosy, although there were additional installments in other magazines. Singapore Sammy also made a cameo appearance in Worts' novel, Five Who Vanished, as a crane operator and engineer assigned to a defense project in World War II-era Hawaii.

Series Synopsis
Sailor Sammy Shay roamed the South Seas on a quest to locate his father, who possessed the only copy of a will which left all of his wealth to Sammy alone. The series was well regarded in the Argosy letters column of the time. These stories take place in the South Seas, where Worts had worked as a telegraph operator on the Chinese trade route.

The Singapore Sammy series is similar to Worts' other Far East-located adventure series for Argosy, Peter the Brazen, which was serialized in that magazine during the same time.

List of Stories[2]
Story Title Magazine Dates
"The Blue Fire Pearl" Short Stories March 10, 1928
"Cobra" Short Stories May 25, 1928
"South of Sulu" Short Stories June 25, 1928
"The Pink Elephant" Short Stories October 25, 1928
"Octopus" Short Stories May 10, 1929
"Singapore Sammy" (2 parts) Argosy December 12, 19, 1931
"The Python Pit" (3 parts) Argosy May 6, 13, 20, 1933
"Isle of the Meteor" Argosy August 19, 1933
"Buddha’s Whisker" Argosy May 26, 1934
"The Monster of the Lagoon" (6 parts) Argosy February 23 and March 2, 9, 16, 23, 30, 1935
"Shark Bait" (3 parts) Argosy June 22, 29 and July 5, 1935
"Murderer’s Paradise" Argosy May 16, 23, 30 and June 6, 13, 20, 1936
"Five Who Vanished" (10 parts) Collier's December 26, 1942, January 9, 16, 23, 30 and February 6, 13, 20, 27, 1943
kaitlyn-marie Jan 2015
when I was nine, my brother Tommy and I used to walk by old South Bend Sammy on our way home from Sunday school. I used to give him half of my allowance every other Sunday, because I figured that was what God intended.

Sammy would send me inside of the neighborhood grocery store to buy him some sterno for a buck 50. I always wondered what he could possibly have to cook, with him being homeless and all.
I never asked him, but every other week, as promised, there I was delivering the sterno.

when I asked my daddy, he told me that old South Bend Sammy was cooking his insides. “that stuff’ll **** em one day, so don’t go wastin’ your money on a man like that,” he said, but I did it anyway.

when I was eleven, old South Bend Sammy was found dead on his corner. He died on Christmas day. Bobby Richardson, who was in the eleventh grade, told us that he saw the body before they carted em off. Said his uncle killed em accidentally when he threw his cigarette **** on the ground by Sammy's feet. Poor old Sammy was burned like someone was fixin’ to make a barbeque.

but Lisa Jameson’s daddy was a cop, and he said that old Sammy died from an old fashioned case of a heat poisoning.
“I didn’t know that heat could poison you” I asked my daddy later that night. “darlin’, it can if you drink it.”
this was inspired by Bukowski's poem "canned heat." I looked into it, and it turns out that homeless people in Philadelphia used to use Sterno as a cheap substitute for alcohol. In 1963, 31 people died because of the consumption of "canned heat."
Terry Jordan Dec 2016
The sirens blared that 4th of July
Officer Duncan gave Mammy a ride
An emergency dash to the hospital
He’s 2 months premature Mammy cried

Deaf, dumb and blind is what the doctors said
To our mother when Sammy was born
But none of us kids ever were told
Until Sammy was stable and grown

Pappy declared that they’d both be fine
Not believing dire news doctors gave
We happily named him Uncle Sam
Trusting in him to be strong and brave

His 1st 5 months in an incubator
Hooked up to every device
In Newton Wellesley Hospital, 1959
A miracle saved his life

Reaching gloved hands through holes in the side
Weighing just a bit over 2 pounds
Looking more like a spindly ET
I was amazed to be hearing breath sounds

Sam worked on doubling his weight by Christmas
Nothing seemed easy or fast
Still Mammy survived the eclampsia
And Sammy went home at last

Returning a few years later
Sammy’s doctor she would find
To show off to all the nurses
Her son NOT deaf, dumb and blind

I so love my brother Sammy
Always felt like a sister and mother
I’d give all I have for the time
Just a minute more with my dear brother

I’d speak to you of those 57 years
Of the great whirligig you carved with your hands
All the times you showed up for me
Through the good and the bad our love stands

You wasted no time hating anybody
Children and dogs always your friends
Quick for a laugh despite any lack
I draw comfort that all your pain ends

The sirens blared once again for you
The ambulance came, the paramedics tried
Racing you trying to save you
All in vain, in the OR you died


Like Tommy’s rock opera is over
Perhaps you paused to speak to a stray dog
While keeping your divine appointment
By reaching right into the hand of God
Just blew out my candle in vigil for Sam, my baby brother, 12 years younger than me.  He died on the OR table as they tried in vain to save him after a tragic accident.  He’s in God’s hands now.  He had a military burial yesterday, the saddest day of my life, in the National Alleghenies veteran's cemetery.  Freezing cold & windy in Pittsburgh.  I so wanted to jump in that hearse and drive him back to Florida, like in the 'Cremation of Sam McGee' poem that I love.  I realize that was just his Earthsuit, and see him smiling in Paradise.
A hippie hocked a louie on Sammy
when he landed in San Francisco.

Sammy didn't respond;
he just wanted to make
his connecting flight home.

Sammy wasn't proud about
some of things he did in the war;
so he figured he probably
deserved the garlands of disdain
an ungrateful nation bestows
upon itself in fits of self contempt.

Sammy shut down and tuned out,
soon his heart was as dead
as a tombstone until he visited
the monument.  

He would often recall the story
that as he approached the darkened
wall he could sense ghosts loosening
themselves from the black granite.   

Sammy swore that Jimmy Lynch
who went MIA on the final week of his tour
gave him a bear hug and told him
as long as the beer stays cold
and he don’t lose the church key,
everything's groovy and he’s
hanging tough until the rest
of the guys show up.

Jimmy pointed to the Lincoln Memorial
at one end of the mall and to the
Washington Monument at the other,
emphatically stating that our monument
was forever linked with the greatest Americans.

Yeah meeting up with Jimmy
helped Sammy to start shaken
off some real bad stuff.

Mazie knew her husband for a
month before they got married.
A week later Freddie was off to Vietnam.

Freddie was KIA during the Tet Offensive
and his repatriated remains are peacefully
at rest in the red clay of Georgia.

An always faithful Mazie
came to the monument
a few years after it was dedicated.  
She was struck by all the keepsakes
people left at the base of the wall;  
Zippos, baby pictures, a copy of
The Catcher in the Rye, a fifth
of Makers Mark, Pink Teddy Bears,
votive lights, a red 57 Chevy model,
a left handed catchers mitt, and
a pack of Lucky Strikes.

She palmed rosaries and
crucifixes that salved sore
running wounds and David’s
interlaced Star sounding a Shofar
pleading a case for peace.

Mazie is most moved by the names.  
Rows and rows of names. The scroll
begins in a modest manner and
as the wall climbs the names
of a country's vigilant sons and
daughters tower over her head.  
So much living history; spoken
in the unique accent of a country’s
diverse plethora of luminous tongues.

The stories written into the black granite
tell a tale from every state; claiming
the ears, heart and mind of every citizen. 
Each chiseled letter captures every bit
of sun and deep creeping shadow
inching across a great nation.

“I’m  71” says Mazie.  “When I look
upon the wall I see my 21 year old
Freddie as he looked on the finest
day of his life.  He will never look
any other way to me.”
  
“I didn't want to go to see it,” Franny said,
“a cold piece of stone won’t bring my son back.”

Franny did finally go...

When it rains the wall weeps.  
The wall wept all day,
the first time Franny went.

Many were rubbing
the impressions of
dearly departed names.

Franny too, kneels to the
presence of her son’s name.

With a mother's
grateful fingers,
she touches the wall's
damp surface; wiping
the drizzle from her
child's sodden face.

Kneeling before his semblance,
she rubs his etched edges
onto tiny bits of paper.

She sees him,
made manifest in the stone.
As if through a glass darkly,
a found son looks back,
onto the face of a caring mother.

Franny hangs onto the quiet
memory of his voice,
shimmering in the soft lilt
of a warm dark stone.

This deep core Vulcan gneiss,
at last emerged from the hardest stuff,
sculpts a perfect likeness of a tear stained nation.

The Harmonizing Four: Rock of Ages

In Honor of
The Vietnam Veterans Memorial
Washington DC

Oakland
Veterans Day
2013
Dosn't thou 'ear my 'erse's legs, as they canters awaay?
Proputty, proputty, proputty--that's what I 'ears 'em saay.
Proputty, proputty, proputty--Sam, thou's an *** for thy paains:
Theer's moor sense i' one o' 'is legs, nor in all thy braains.

Woa--theer's a craw to pluck wi' tha, Sam; yon 's parson's 'ouse--
Dosn't thou knaw that a man mun be eather a man or a mouse?
Time to think on it then; for thou'll be twenty to weeak.
Proputty, proputty--woa then, woa--let ma 'ear mysen speak.

Me an' thy ******, Sammy, 'as been a'talkin' o' thee;
Thou's bean talkin' to ******, an' she bean a tellin' it me.
Thou'll not marry for munny--thou's sweet upo' parson's lass--
Noa--thou 'll marry for luvv--an' we boath of us thinks tha an ***.

Seea'd her todaay goa by--Saaint's-daay--they was ringing the bells.
She's a beauty, thou thinks--an' soa is scoors o' gells,
Them as 'as munny an' all--wot's a beauty?--the flower as blaws.
But proputty, proputty sticks, an' proputty, proputty graws.

Do'ant be stunt; taake time. I knaws what maakes tha sa mad.
Warn't I craazed fur the lasses mysen when I wur a lad?
But I knaw'd a Quaaker feller as often 'as towd ma this:
"Doant thou marry for munny, but goa wheer munny is!"

An' I went wheer munny war; an' thy ****** coom to 'and,
Wi' lots o' munny laaid by, an' a nicetish bit o' land.
Maaybe she warn't a beauty--I niver giv it a thowt--
But warn't she as good to cuddle an' kiss as a lass as 'ant nowt?

Parson's lass 'ant nowt, an' she weant 'a nowt when 'e 's dead,
Mun be a guvness, lad, or summut, and addle her bread.
Why? for 'e 's nobbut a curate, an' weant niver get hissen clear,
An' 'e maade the bed as 'e ligs on afoor 'e coom'd to the shere.

An' thin 'e coom'd to the parish wi' lots o' Varsity debt,
Stook to his taail thy did, an' 'e 'ant got shut on 'em yet.
An' 'e ligs on 'is back i' the grip, wi' noan to lend 'im a shuvv,
Woorse nor a far-welter'd yowe: fur, Sammy, 'e married for luvv.

Luvv? what's luvv? thou can luvv thy lass an' 'er munny too,
Maakin' 'em goa togither, as they've good right to do.
Couldn I luvv thy ****** by cause 'o 'er munny laaid by?
Naay--fur I luvv'd 'er a vast sight moor fur it: reason why.

Ay, an' thy ****** says thou wants to marry the lass,
Cooms of a gentleman burn: an' we boath on us thinks tha an ***.
Woa then, proputty, wiltha?--an *** as near as mays nowt--
Woa then, wiltha? dangtha!--the bees is as fell as owt.

Break me a bit o' the esh for his 'ead, lad, out o' the fence!
Gentleman burn! what's gentleman burn? is it shillins an' pence?
Proputty, proputty's ivrything 'ere, an', Sammy, I'm blest
If it isn't the saame oop yonder, fur them as 'as it 's the best.

Tis'n them as 'as munny as breaks into 'ouses an' steals,
Them as 'as coats to their backs an' taakes their regular meals,
Noa, but it 's them as niver knaws wheer a meal's to be 'ad.
Taake my word for it Sammy, the poor in a loomp is bad.

Them or thir feythers, tha sees, mun 'a bean a laazy lot,
Fur work mun 'a gone to the gittin' whiniver munny was got.
Feyther 'ad ammost nowt; leastways 'is munny was 'id.
But 'e tued an' moil'd issen dead, an' 'e died a good un, 'e did.

Loook thou theer wheer Wrigglesby beck cooms out by the 'ill!
Feyther run oop to the farm, an' I runs oop to the mill;
An' I 'll run oop to the brig, an' that thou 'll live to see;
And if thou marries a good un I 'll leave the land to thee.

Thim's my noations, Sammy, wheerby I means to stick;
But if thou marries a bad un, I 'll leave the land to ****.--
Coom oop, proputty, proputty--that's what I 'ears 'im saay--
Proputty, proputty, proputty--canter an' canter awaay.
Raj Arumugam Oct 2014
How are writers born? What do they suffer? Do writers have to be famous? Are writers so used by readers and the characters and the stories? Does every writer end up all right?


1
"Sammy baby
You’ve got all these voices
in your head, baby"

"Is that a bad thing, mom?
Is that gonna hurt me, mom?"

2
"No, Sammy baby, cause
You’re a writer baby
You’ve got all these voices in your head
You’re a star baby
and all these people want your hands
They’re screaming to come out
They’re saying:
'Let us out'
cause you’re a writer baby"


2
"They talk to me, mom
They say: 'Please, Sammy –
give us a name;
tell our story'"

“Cause you’re a writer, baby Sammy
and  it doesn’t matter
if you live unknown
and be famous after you die
But you’re a writer
and you do what you must do
Give voice to these people
and all their lives
You may become awkward socially
and grow old to be a recluse
but with ‘em people in your head
and as a writer, you’ll be perfect
My Sammy, baby
cause you’re a writer, baby
I carried you to be a writer
You’re born to be a writer
Sammy baby, Sammy baby"


But sometimes it gets so lonely, mom…they only want to talk when they want; then they leave me alone, unwanted…used…and you’ve left me too, mom…you’re nowhere in the rooms or anywhere…
...poem based on the lives of various writers like J.D. Salinger and Kafka, to name just two...
FIRST DAY

1.
Who wanted me
to go to Chicago
on January 6th?
I did!

The night before,
20 below zero
Fahrenheit
with the wind chill;
as the blizzard of 99
lay in mountains
of blackening snow.

I packed two coats,
two suits,
three sweaters,
multiple sets of long johns
and heavy white socks
for a two-day stay.

I left from Newark.
**** the denseness,
it confounds!

The 2nd City to whom?
2nd ain’t bad.
It’s pretty good.
If you consider
Peking and Prague,
Tokyo and Togo,
Manchester and Moscow,
Port Au Prince and Paris,
Athens and Amsterdam,
Buenos Aries and Johannesburg;
that’s pretty good.

What’s going on here today?
It’s friggin frozen.
To the bone!

But Chi Town is still cool.
Buddy Guy’s is open.
Bartenders mixing drinks,
cabbies jamming on their breaks,
honey dew waitresses serving sugar,
buildings swerving,
fire tongued preachers are preaching
and the farmers are measuring the moon.

The lake,
unlike Ontario
is in the midst of freezing.
Bones of ice
threaten to gel
into a solid mass
over the expanse
of the Michigan Lake.
If this keeps up,
you can walk
clear to Toronto
on a silver carpet.

Along the shore
the ice is permanent.
It’s the first big frost
of winter
after a long
Indian Summer.

Thank God
I caught a cab.
Outside I hear
The Hawk
nippin hard.
It’ll get your ear,
finger or toe.
Bite you on the nose too
if you ain’t careful.

Thank God,
I’m not walking
the Wabash tonight;
but if you do cover up,
wear layers.

Chicago,
could this be
Sandburg’s City?

I’m overwhelmed
and this is my tenth time here.

It’s almost better,
sometimes it is better,
a lot of times it is better
and denser then New York.

Ask any Bull’s fan.
I’m a Knickerbocker.
Yes Nueva York,
a city that has placed last
in the standings
for many years.
Except the last two.
Yanks are # 1!

But Chicago
is a dynasty,
as big as
Sammy Sosa’s heart,
rich and wide
as Michael Jordan’s grin.

Middle of a country,
center of a continent,
smack dab in the mean
of a hemisphere,
vortex to a world,
Chicago!

Kansas City,
Nashville,
St. Louis,
Detroit,
Cleveland,
Pittsburgh,
Denver,
New Orleans,
Dallas,
Cairo,
Singapore,
Auckland,
Baghdad,
Mexico City
and Montreal
salute her.



2.
Cities,
A collection of vanities?
Engineered complex utilitarianism?
The need for community a social necessity?
Ego one with the mass?
Civilization’s latest *******?
Chicago is more then that.

Jefferson’s yeoman farmer
is long gone
but this capitol
of the Great Plains
is still democratic.

The citizen’s of this city
would vote daily,
if they could.

Chicago,
Sandburg’s Chicago,
Could it be?

The namesake river
segments the city,
canals of commerce,
all perpendicular,
is rife throughout,
still guiding barges
to the Mississippi
and St. Laurence.

Now also
tourist attractions
for a cafe society.

Chicago is really jazzy,
swanky clubs,
big steaks,
juices and drinks.

You get the best
coffee from Seattle
and the finest teas
from China.

Great restaurants
serve liquid jazz
al la carte.

Jazz Jazz Jazz
All they serve is Jazz
Rock me steady
Keep the beat
Keep it flowin
Feel the heat!

Jazz Jazz Jazz
All they is, is Jazz
Fast cars will take ya
To the show
Round bout midnight
Where’d the time go?

Flows into the Mississippi,
the mother of America’s rivers,
an empires aorta.

Great Lakes wonder of water.
Niagara Falls
still her heart gushes forth.

Buffalo connected to this holy heart.
Finger Lakes and Adirondacks
are part of this watershed,
all the way down to the
Delaware and Chesapeake.

Sandburg’s Chicago?
Oh my my,
the wonder of him.
Who captured the imagination
of the wonders of rivers.

Down stream other holy cities
from the Mississippi delta
all mapped by him.

Its mouth our Dixie Trumpet
guarded by righteous Cajun brethren.

Midwest?
Midwest from where?
It’s north of Caracas and Los Angeles,
east of Fairbanks,
west of Dublin
and south of not much.

Him,
who spoke of honest men
and loving women.
Working men and mothers
bearing citizens to build a nation.
The New World’s
precocious adolescent
caught in a stream
of endless and exciting change,
much pain and sacrifice,
dedication and loss,
pride and tribulations.

From him we know
all the people’s faces.
All their stories are told.
Never defeating the
idea of Chicago.

Sandburg had the courage to say
what was in the heart of the people, who:

Defeated the Indians,
Mapped the terrain,
Aided slavers,
Fought a terrible civil war,
Hoisted the barges,
Grew the food,
Whacked the wheat,
Sang the songs,
Fought many wars of conquest,
Cleared the land,
Erected the bridges,
Trapped the game,
Netted the fish,
Mined the coal,
Forged the steel,
Laid the tracks,
Fired the tenders,
Cut the stone,
Mixed the mortar,
Plumbed the line,
And laid the bricks
Of this nation of cities!

Pardon the Marlboro Man shtick.
It’s a poor expostulation of
crass commercial symbolism.

Like I said, I’m a
Devil Fan from Jersey
and Madison Avenue
has done its work on me.

It’s a strange alchemy
that changes
a proud Nation of Blackhawks
into a merchandising bonanza
of hometown hockey shirts,
making the native seem alien,
and the interloper at home chillin out,
warming his feet atop a block of ice,
guzzling Old Style
with clicker in hand.

Give him his beer
and other diversions.
If he bowls with his buddy’s
on Tuesday night
I hope he bowls
a perfect game.

He’s earned it.
He works hard.
Hard work and faith
built this city.

And it’s not just the faith
that fills the cities
thousand churches,
temples and
mosques on the Sabbath.

3.
There is faith in everything in Chicago!

An alcoholic broker named Bill
lives the Twelve Steps
to banish fear and loathing
for one more day.
Bill believes in sobriety.

A tug captain named Moe
waits for the spring thaw
so he can get the barges up to Duluth.
Moe believes in the seasons.

A farmer named Tom
hopes he has reaped the last
of many bitter harvests.
Tom believes in a new start.

A homeless man named Earl
wills himself a cot and a hot
at the local shelter.
Earl believes in deliverance.

A Pullman porter
named George
works overtime
to get his first born
through medical school.
George believes in opportunity.

A folk singer named Woody
sings about his
countrymen inheritance
and implores them to take it.
Woody believes in people.

A Wobbly named Joe
organizes fellow steelworkers
to fight for a workers paradise
here on earth.
Joe believes in ideals.

A bookkeeper named Edith
is certain she’ll see the Cubs
win the World Series
in her lifetime.
Edith believes in miracles.

An electrician named ****
saves money
to bring his family over from Gdansk.
**** believes in America.

A banker named Leah
knows Ditka will return
and lead the Bears
to another Super Bowl.
Leah believes in nostalgia.

A cantor named Samuel
prays for another 20 years
so he can properly train
his Temple’s replacement.

Samuel believes in tradition.
A high school girl named Sally
refuses to get an abortion.
She knows she carries
something special within her.
Sally believes in life.

A city worker named Mazie
ceaselessly prays
for her incarcerated son
doing 10 years at Cook.
Mazie believes in redemption.

A jazzer named Bix
helps to invent a new art form
out of the mist.
Bix believes in creativity.

An architect named Frank
restores the Rookery.
Frank believes in space.

A soldier named Ike
fights wars for democracy.
Ike believes in peace.

A Rabbi named Jesse
sermonizes on Moses.
Jesse believes in liberation.

Somewhere in Chicago
a kid still believes in Shoeless Joe.
The kid believes in
the integrity of the game.

An Imam named Louis
is busy building a nation
within a nation.
Louis believes in
self-determination.

A teacher named Heidi
gives all she has to her students.
She has great expectations for them all.
Heidi believes in the future.

4.
Does Chicago have a future?

This city,
full of cowboys
and wildcatters
is predicated
on a future!

Bang, bang
Shoot em up
Stake the claim
It’s your terrain
Drill the hole
Strike it rich
Top it off
You’re the boss
Take a chance
Watch it wane
Try again
Heavenly gains

Chicago
city of futures
is a Holy Mecca
to all day traders.

Their skin is gray,
hair disheveled,
loud ties and
funny coats,
thumb through
slips of paper
held by nail
chewed hands.
Selling promises
with no derivative value
for out of the money calls
and in the money puts.
Strike is not a labor action
in this city of unionists,
but a speculators mark,
a capitalist wish,
a hedgers bet,
a public debt
and a farmers
fair return.

Indexes for everything.
Quantitative models
that could burst a kazoo.

You know the measure
of everything in Chicago.
But is it truly objective?
Have mathematics banished
subjective intentions,
routing it in fair practice
of market efficiencies,
a kind of scientific absolution?

I heard that there
is a dispute brewing
over the amount of snowfall
that fell on the 1st.

The mayor’s office,
using the official city ruler
measured 22”
of snow on the ground.

The National Weather Service
says it cannot detect more
then 17” of snow.

The mayor thinks
he’ll catch less heat
for the trains that don’t run
the buses that don’t arrive
and the schools that stand empty
with the addition of 5”.

The analysts say
it’s all about capturing liquidity.

Liquidity,
can you place a great lake
into an eyedropper?

Its 20 below
and all liquid things
are solid masses
or a gooey viscosity at best.

Water is frozen everywhere.
But Chi town is still liquid,
flowing faster
then the digital blips
flashing on the walls
of the CBOT.

Dreams
are never frozen in Chicago.
The exchanges trade
without missing a beat.

Trading wet dreams,
the crystallized vapor
of an IPO
pledging a billion points
of Internet access
or raiding the public treasuries
of a central bank’s
huge stores of gold
with currency swaps.

Using the tools
of butterfly spreads
and candlesticks
to achieve the goal.

Short the Russell
or buy the Dow,
go long the
CAC and DAX.
Are you trading in euro’s?
You better be
or soon will.
I know
you’re Chicago,
you’ll trade anything.
WEBS,
Spiders,
and Leaps
are traded here,
along with sweet crude,
North Sea Brent,
plywood and T-Bill futures;
and most importantly
the commodities,
the loam
that formed this city
of broad shoulders.

What about our wheat?
Still whacking and
breadbasket to the world.

Oil,
an important fossil fuel
denominated in
good ole greenbacks.

Porkbellies,
not just hogwash
on the Wabash,
but bacon, eggs
and flapjacks
are on the menu
of every diner in Jersey
as the “All American.”

Cotton,
our contribution
to the Golden Triangle,
once the global currency
used to enrich a
gentlemen class
of cultured
southern slavers,
now Tommy Hilfiger’s
preferred fabric.

I think he sends it
to Bangkok where
child slaves
spin it into
gold lame'.

Sorghum,
I think its hardy.

Soybeans,
the new age substitute
for hamburger
goes great with tofu lasagna.

Corn,
ADM creates ethanol,
they want us to drive cleaner cars.

Cattle,
once driven into this city’s
bloodhouses for slaughter,
now ground into
a billion Big Macs
every year.

When does a seed
become a commodity?
When does a commodity
become a future?
When does a future expire?

You can find the answers
to these questions in Chicago
and find a fortune in a hole in the floor.

Look down into the pits.
Hear the screams of anguish
and profitable delights.

Frenzied men
swarming like a mass
of epileptic ants
atop the worlds largest sugar cube
auger the worlds free markets.

The scene is
more chaotic then
100 Haymarket Square Riots
multiplied by 100
1968 Democratic Conventions.

Amidst inverted anthills,
they scurry forth and to
in distinguished
black and red coats.

Fighting each other
as counterparties
to a life and death transaction.

This is an efficient market
that crosses the globe.

Oil from the Sultan of Brunei,
Yen from the land of Hitachi,
Long Bonds from the Fed,
nickel from Quebec,
platinum and palladium
from Siberia,
FTSE’s from London
and crewel cane from Havana
circle these pits.

Tijuana,
Shanghai
and Istanbul's
best traders
are only half as good
as the average trader in Chicago.

Chicago,
this hog butcher to the world,
specializes in packaging and distribution.

Men in blood soaked smocks,
still count the heads
entering the gates of the city.

Their handiwork
is sent out on barges
and rail lines as frozen packages
of futures
waiting for delivery
to an anonymous counterparty
half a world away.

This nation’s hub
has grown into the
premier purveyor
to the world;
along all the rivers,
highways,
railways
and estuaries
it’s tentacles reach.

5.
Sandburg’s Chicago,
is a city of the world’s people.

Many striver rows compose
its many neighborhoods.

Nordic stoicism,
Eastern European orthodoxy
and Afro-American
calypso vibrations
are three of many cords
strumming the strings
of Chicago.

Sandburg’s Chicago,
if you wrote forever
you would only scratch its surface.

People wait for trains
to enter the city from O’Hare.
Frozen tears
lock their eyes
onto distant skyscrapers,
solid chunks
of snot blocks their nose
and green icicles of slime
crust mustaches.
They fight to breathe.

Sandburg’s Chicago
is The Land of Lincoln,
Savior of the Union,
protector of the Republic.
Sent armies
of sons and daughters,
barges, boxcars,
gunboats, foodstuffs,
cannon and shot
to raze the south
and stamp out succession.

Old Abe’s biography
are still unknown volumes to me.
I must see and read the great words.
You can never learn enough;
but I’ve been to Washington
and seen the man’s memorial.
The Free World’s 8th wonder,
guarded by General Grant,
who still keeps an eye on Richmond
and a hand on his sword.

Through this American winter
Abe ponders.
The vista he surveys is dire and tragic.

Our sitting President
impeached
for lying about a *******.

Party partisans
in the senate are sworn and seated.
Our Chief Justice,
adorned with golden bars
will adjudicate the proceedings.
It is the perfect counterpoint
to an ageless Abe thinking
with malice toward none
and charity towards all,
will heal the wounds
of the nation.

Abe our granite angel,
Chicago goes on,
The Union is strong!


SECOND DAY

1.
Out my window
the sun has risen.

According to
the local forecast
its minus 9
going up to
6 today.

The lake,
a golden pillow of clouds
is frozen in time.

I marvel
at the ancients ones
resourcefulness
and how
they mastered
these extreme elements.

Past, present and future
has no meaning
in the Citadel
of the Prairie today.

I set my watch
to Central Standard Time.

Stepping into
the hotel lobby
the concierge
with oil smooth hair,
perfect tie
and English lilt
impeccably asks,
“Do you know where you are going Sir?
Can I give you a map?”

He hands me one of Chicago.
I see he recently had his nails done.
He paints a green line
along Whacker Drive and says,
“turn on Jackson, LaSalle, Wabash or Madison
and you’ll get to where you want to go.”
A walk of 14 or 15 blocks from Streeterville-
(I start at The Chicago White House.
They call it that because Hillary Rodham
stays here when she’s in town.
Its’ also alleged that Stedman
eats his breakfast here
but Opra
has never been seen
on the premises.
I wonder how I gained entry
into this place of elite’s?)
-down into the center of The Loop.

Stepping out of the hotel,
The Doorman
sporting the epaulets of a colonel
on his corporate winter coat
and furry Cossack hat
swaddling his round black face
accosts me.

The skin of his face
is flaking from
the subzero windburn.

He asks me
with a gapped toothy grin,
“Can I get you a cab?”
“No I think I’ll walk,” I answer.
“Good woolen hat,
thick gloves you should be alright.”
He winks and lets me pass.

I step outside.
The Windy City
flings stabbing cold spears
flying on wings of 30-mph gusts.
My outside hardens.
I can feel the freeze
deepen
into my internalness.
I can’t be sure
but inside
my heart still feels warm.
For how long
I cannot say.

I commence
my walk
among the spires
of this great city,
the vertical leaps
that anchor the great lake,
holding its place
against the historic
frigid assault.

The buildings’ sway,
modulating to the blows
of natures wicked blasts.

It’s a hard imposition
on a city and its people.

The gloves,
skullcap,
long underwear,
sweater,
jacket
and overcoat
not enough
to keep the cold
from penetrating
the person.

Like discerning
the layers of this city,
even many layers,
still not enough
to understand
the depth of meaning
of the heart
of this heartland city.

Sandburg knew the city well.
Set amidst groves of suburbs
that extend outward in every direction.
Concentric circles
surround the city.
After the burbs come farms,
Great Plains, and mountains.
Appalachians and Rockies
are but mere molehills
in the city’s back yard.
It’s terra firma
stops only at the sea.
Pt. Barrow to the Horn,
many capes extended.

On the periphery
its appendages,
its extremities,
its outward extremes.
All connected by the idea,
blown by the incessant wind
of this great nation.
The Windy City’s message
is sent to the world’s four corners.
It is a message of power.
English the worlds
common language
is spoken here,
along with Ebonics,
Espanol,
Mandarin,
Czech,
Russian,
Korean,
Arabic,
Hindi­,
German,
French,
electronics,
steel,
cars,
cartoons,
rap,
sports­,
movies,
capital,
wheat
and more.

Always more.
Much much more
in Chicago.

2.
Sandburg
spoke all the dialects.

He heard them all,
he understood
with great precision
to the finest tolerances
of a lathe workers micrometer.

Sandburg understood
what it meant to laugh
and be happy.

He understood
the working mans day,
the learned treatises
of university chairs,
the endless tomes
of the city’s
great libraries,
the lost languages
of the ancient ones,
the secret codes
of abstract art,
the impact of architecture,
the street dialects and idioms
of everymans expression of life.

All fighting for life,
trying to build a life,
a new life
in this modern world.

Walking across
the Michigan Avenue Bridge
I see the Wrigley Building
is neatly carved,
catty cornered on the plaza.

I wonder if Old Man Wrigley
watched his barges
loaded with spearmint
and double-mint
move out onto the lake
from one of those Gothic windows
perched high above the street.

Would he open a window
and shout to the men below
to quit slaking and work harder
or would he
between the snapping sound
he made with his mouth
full of his chewing gum
offer them tickets
to a ballgame at Wrigley Field
that afternoon?

Would the men below
be able to understand
the man communing
from such a great height?

I listen to a man
and woman conversing.
They are one step behind me
as we meander along Wacker Drive.

"You are in Chicago now.”
The man states with profundity.
“If I let you go
you will soon find your level
in this city.
Do you know what I mean?”

No I don’t.
I think to myself.
What level are you I wonder?
Are you perched atop
the transmission spire
of the Hancock Tower?

I wouldn’t think so
or your ears would melt
from the windburn.

I’m thinking.
Is she a kept woman?
She is majestically clothed
in fur hat and coat.
In animal pelts
not trapped like her,
but slaughtered
from farms
I’m sure.

What level
is he speaking of?

Many levels
are evident in this city;
many layers of cobbled stone,
Pennsylvania iron,
Hoosier Granite
and vertical drops.

I wonder
if I detect
condensation
in his voice?

What is
his intention?
Is it a warning
of a broken affair?
A pending pink slip?
Advise to an addict
refusing to adhere
to a recovery regimen?

What is his level anyway?
Is he so high and mighty,
Higher and mightier
then this great city
which we are all a part of,
which we all helped to build,
which we all need
in order to keep this nation
the thriving democratic
empire it is?

This seditious talk!

3.
The Loop’s El
still courses through
the main thoroughfares of the city.

People are transported
above the din of the street,
looking down
on the common pedestrians
like me.

Super CEO’s
populating the upper floors
of Romanesque,
Greek Revivalist,
New Bauhaus,
Art Deco
and Post Nouveau
Neo-Modern
Avant-Garde towers
are too far up
to see me
shivering on the street.

The cars, busses,
trains and trucks
are all covered
with the film
of rock salt.

Salt covers
my bootless feet
and smudges
my cloths as well.

The salt,
the primal element
of the earth
covers everything
in Chicago.

It is the true level
of this city.

The layer
beneath
all layers,
on which
everything
rests,
is built,
grows,
thrives
then dies.
To be
returned again
to the lower
layers
where it can
take root
again
and grow
out onto
the great plains.

Splashing
the nation,
anointing
its people
with its
blessing.

A blessing,
Chicago?

All rivers
come here.

All things
found its way here
through the canals
and back bays
of the world’s
greatest lakes.

All roads,
rails and
air routes
begin and
end here.

Mrs. O’Leary’s cow
got a *** rap.
It did not start the fire,
we did.

We lit the torch
that flamed
the city to cinders.
From a pile of ash
Chicago rose again.

Forever Chicago!
Forever the lamp
that burns bright
on a Great Lake’s
western shore!

Chicago
the beacon
sends the
message to the world
with its windy blasts,
on chugging barges,
clapping trains,
flying tandems,
T1 circuits
and roaring jets.

Sandburg knew
a Chicago
I will never know.

He knew
the rhythm of life
the people walked to.
The tools they used,
the dreams they dreamed
the songs they sang,
the things they built,
the things they loved,
the pains that hurt,
the motives that grew,
the actions that destroyed
the prayers they prayed,
the food they ate
their moments of death.

Sandburg knew
the layers of the city
to the depths
and windy heights
I cannot fathom.

The Blues
came to this city,
on the wing
of a chirping bird,
on the taps
of a rickety train,
on the blast
of an angry sax
rushing on the wind,
on the Westend blitz
of Pop's brash coronet,
on the tink of
a twinkling piano
on a paddle-wheel boat
and on the strings
of a lonely man’s guitar.

Walk into the clubs,
tenements,
row houses,
speakeasies
and you’ll hear the Blues
whispered like
a quiet prayer.

Tidewater Blues
from Virginia,
Delta Blues
from the lower
Mississippi,
Boogie Woogie
from Appalachia,
Texas Blues
from some Lone Star,
Big Band Blues
from Kansas City,
Blues from
Beal Street,
Jelly Roll’s Blues
from the Latin Quarter.

Hell even Chicago
got its own brand
of Blues.

Its all here.
It ended up here
and was sent away
on the winds of westerly blows
to the ear of an eager world
on strong jet streams
of simple melodies
and hard truths.

A broad
shouldered woman,
a single mother stands
on the street
with three crying babes.
Their cloths
are covered
in salt.
She pleads
for a break,
praying
for a new start.
Poor and
under-clothed
against the torrent
of frigid weather
she begs for help.
Her blond hair
and ****** features
suggests her
Scandinavian heritage.
I wonder if
she is related to Sandburg
as I walk past
her on the street.
Her feet
are bleeding
through her
canvass sneakers.
Her babes mouths
are zipped shut
with frozen drivel
and mucous.

The Blues live
on in Chicago.

The Blues
will forever live in her.
As I turn the corner
to walk the Miracle Mile
I see her engulfed
in a funnel cloud of salt,
snow and bits
of white paper,
swirling around her
and her children
in an angry
unforgiving
maelstrom.

The family
begins to
dissolve
like a snail
sprinkled with salt;
and a mother
and her children
just disappear
into the pavement
at the corner
of Dearborn,
in Chicago.

Music:

Robert Johnson
Sweet Home Chicago


jbm
Chicago
1/7/99
Added today to commemorate the birthday of Carl Sandburg
Like a psychotic docent in the wilderness,
I will not speak in perfect Ciceronian cadences.
I draw my voice from a much deeper cistern,
Preferring the jittery synaptic archive,
So sublimely unfiltered, random and profane.
And though I am sequestered now,
Confined within the walls of a gated, golf-coursed,
Over-55 lunatic asylum (for Active Seniors I am told),
I remain oddly puerile,
Remarkably refreshed and unfettered.  
My institutionalization self-imposed,
Purposed for my own serenity, and also the safety of others.
Yet I abide, surprisingly emancipated and frisky.
I may not have found the peace I seek,
But the quiet has mercifully come at last.

The nexus of inner and outer space is context for my story.
I was born either in Brooklyn, New York or Shungopavi, Arizona,
More of intervention divine than census data.
Shungopavi: a designated place for tribal statistical purposes.
Shungopavi: an ovine abbatoir and shaman’s cloister.
The Hopi: my mother’s people, a state of mind and grace,
Deftly landlocked, so cunningly circumscribed,
By both interior and outer Navajo boundaries.
The Navajo: a coyote trickster people; a nation of sheep thieves,
Hornswoggled and landlocked themselves,
Subsumed within three of the so-called Four Corners:
A 3/4ths compromise and covenant,
Pickled in firewater, swaddled in fine print,
A veritable swindle concocted back when the USA
Had Manifest Destiny & mayhem on its mind.

The United States: once a pubescent synthesis of blood and thunder,
A bold caboodle of trooper spit and polish, unwashed brawlers, Scouts and      
Pathfinders, mountain men, numb-nut ne'er-do-wells,
Buffalo Bills & big-balled individualists, infected, insane with greed.
According to the Gospel of His Holiness Saint Zinn,
A People’s’ History of the United States: essentially state-sponsored terrorism,
A LAND RUSH grabocracy, orchestrated, blessed and anointed,
By a succession of Potomac sharks, Great White Fascist Fathers,
Far-Away-on-the Bay, the Bay we call The Chesapeake.
All demented national patriarchs craving lebensraum for God and country.
The USA: a 50-state Leviathan today, a nation jury-rigged,
Out of railroad ties, steel rails and baling wire,
Forged by a litany of lies, rapaciousness and ******,
And jaw-torn chunks of terra firma,
Bites both large and small out of our well-****** Native American ***.

Or culo, as in va’a fare in culo (literally "go do it in the ***")
Which Italian Americans pronounce as fongool.
The language center of my brain,
My sub-cortical Broca’s region,
So fraught with such semantic misfires,
And autonomic linguistic seizures,
Compel acknowledgement of a father’s contribution,
To both the gene pool and the genocide.
Columbus Day:  a conspicuously absent holiday out here in Indian Country.
No festivals or Fifth Avenue parades.
No excuse for ethnic hoopla. No guinea feast. No cannoli. No tarantella.
No excuse to not get drunk and not **** your sister-in-law.
Emphatically a day for prayer and contemplation,
A day of infamy like Pearl Harbor and 9/11,
October 12, 1492: not a discovery; an invasion.

Growing up in Brooklyn, things were always different for me,
Different in some sort of redskin/****/****--
Choose Your Favorite Ethnic Slur-sort of way.
The American Way: dehumanization for fun and profit.
Melting *** anonymity and denial of complicity with evil.
But this is no time to bring up America’s sordid past,
Or, a personal pet peeve: Indian Sovereignty.
For Uncle Sam and his minions, an ever-widening, conveniently flexible concept,
Not a commandment or law,
Not really a treaty or a compact,
Or even a business deal.  Let’s get real:
It was not even much in the way of a guideline.
Just some kind of an advisory, a bulletin or newsletter,
Could it merely have been a free-floating suggestion?
Yes, that’s it exactly: a suggestion.

Over and under halcyon American skies,
Over and around those majestic purple mountain peaks,
Those trapped in poetic amber waves of wheat and oats,
Corn and barley, wheat shredded and puffed,
Corn flaked and milled, Wheat Chex and Wheaties, oats that are little Os;
Kix and Trix, Fiber One, and Kashi-Go-Lean, Lucky Charms and matso *****,
Kreplach and kishka,
Polenta and risotto.
Our cantaloupe and squash patch,
Our fruited prairie plain, our delicate ecological Eden,
In balance and harmony with nature, as Chief Joseph of the Nez Perce instructs:
“These white devils are not going to,
Stop ****** and killing, cheating and eating us,
Until they have the whole ******* enchilada.
I’m talking about ‘from sea to shining sea.’”

“I fight no more forever,” Babaloo.
So I must steer this clunky keelboat of discovery,
Back to the main channel of my sad and starry demented river.
My warpath is personal but not historical.
It is my brain’s own convoluted cognitive process I cannot saavy.
Whatever biochemical or—as I suspect more each day—
Whatever bio-mechanical protocols govern my identity,
My weltanschauung: my world-view, as sprechen by proto-Nazis;
Putz philosophers of the 17th, 18th & 19th century.
The German intelligentsia: what a cavalcade of maniacal *******!
Why is this Jew unsurprised these Zarathustra-fueled Übermenschen . . .
Be it the Kaiser--Caesar in Deutsch--Bismarck, ******, or,
Even that Euro-*****,  Angela Merkel . . . Why am I not surprised these Huns,
Get global grab-*** on the sauerbraten cabeza every few generations?
To be, or not to be the ***** bullgoose loony: GOTT.

Biomechanical protocols govern my identity and are implanted while I sleep.
My brain--my weak and weary CPU--is replenished, my discs defragmented.
A suite of magnetic and optical white rooms, cleansed free of contaminants,
Gun mounts & lifeboat stations manned and ready,
Standing at attention and saluting British snap-style,
Snap-to and heel click, ramrod straight and cheerful: “Ready for duty, Sir.”
My mind is ravenous, lusting for something, anything to process.
Any memory or image, lyric or construct,
Be they short-term dailies or deeply imprinted.
Fixations archived one and all in deep storage time and space.
Memories, some subconscious, most vaporous;
Others--the scary ones—eidetic: frighteningly detailed and extraordinarily vivid.
Precise cognitive transcripts; recollected so richly rife and fresh.
Visual, auditory, tactile, gustatory, and olfactory reloads:
Queued up and increasingly re-experienced.

The bio-data of six decades: it’s all there.
People, countless, places and things cataloged.
Every event, joy and trauma enveloped from within or,
Accessed externally from biomechanical storage devices.
The random access memory of a lifetime,
Read and recollected from cerebral repositories and vaults,
All the while the entire greedy process overseen,
Over-driven by that all-subservient British bat-man,
Rummaging through the data in batches small and large,
Internal and external drives working in seamless syncopation,
Self-referential, at times paradoxical or infinitely looped.
“Cogito ergo sum."
Descartes stripped it down to the basics but there’s more to the story:
Thinking about thinking.
A curse and minefield for the cerebral:  metacognition.

No, it is not the fact that thought exists,
Or even the thoughts themselves.
But the information technology of thought that baffles me,
As adaptive and profound as any evolution posited by Darwin,
Beyond the wetware in my skull, an entirely new operating system.
My mental and cultural landscape are becoming one.
Machines are connecting the two.
It’s what I am and what I am becoming.
Once more for emphasis:
It is the information technology of who I am.
It is the operating system of my mental and cultural landscape.
It is the machinery connecting the two.
This is the central point of this narrative:
Metacognition--your superego’s yenta Cassandra,
Screaming, screaming in your psychic ear, your good ear:

“LISTEN:  The machines are taking over, taking you over.
Your identity and train of thought are repeatedly hijacked,
Switched off the main line onto spurs and tangents,
Only marginally connected or not at all.
(Incoming TEXT from my editor: “Lighten Up, Giuseppi!”)
Reminding me again that most in my audience,
Rarely get past the comic page. All righty then: think Calvin & Hobbes.
John Calvin, a precocious and adventurous six-year old boy,
Subject to flights of 16th Century French theological fancy.
Thomas Hobbes, a sardonic anthropomorphic tiger from 17th Century England,
Mumbling about life being “solitary, poor, nasty, brutish and short.”
Taken together--their antics and shenanigans--their relationship to each other,
Remind us of our dual nature; explore for us broad issues like public education;
The economy, environmentalism & the Global ****** Thermometer;
Not to mention the numerous flaws of opinion polls.



And again my editor TEXTS me, reminds me again: “LIGHTEN UP!”
Consoling me:  “Even Shakespeare had to play to the groundlings.”
The groundlings, AKA: The Rabble.
Yes. Even the ******* Bard, even Willie the Shake,
Had to contend with a decidedly lowbrow copse of carrion.
Oh yes, the groundlings, a carrion herd, a flying flock of carrion seagulls,
Carrion crow, carrion-feeders one and all,
And let’s throw Sheryl Crow into the mix while we’re at it:
“Hit it! This ain't no disco. And it ain't no country club either, this is L.A.”  

                  Send "All I Wanna Do" Ringtone to your Cell              

Once more, I digress.
The Rabble:  an amorphous, gelatinous Jabba the Hutt of commonality.
The Rabble: drunk, debauched & lawless.
Too *****-delicious to stop Bill & Hilary from thinking about tomorrow;
Too Paul McCartney My Love Does it Good to think twice.

The Roman Saturnalia: a weeklong **** fest.
The Saturnalia: originally a pagan kink-fest in honor of the deity Saturn.
Dovetailing nicely with the advent of the Christian era,
With a project started by Il Capo di Tutti Capi,
One of the early popes, co-opting the Roman calendar between 17 and 25 December,
Putting the finishing touches on the Jesus myth.
For Brooklyn Hopi-***-Jew baby boomers like me,
Saturnalia manifested itself as Disco Fever,
Unpleasant years of electrolysis, scrunched ***** in tight polyester
For Roman plebeians, for the great unwashed citizenry of Rome,
Saturnalia was just a great big Italian wedding:
A true family blowout and once-in-a-lifetime ego-trip for Dad,
The father of the bride, Vito Corleone, Don for A Day:
“Some think the world is made for fun and frolic,
And so do I! Funicula, Funiculi!”

America: love it or leave it; my country right or wrong.
Sure, we were citizens of Rome,
But any Joe Josephus spending the night under a Tiber bridge,
Or sleeping off a three day drunk some afternoon,
Up in the Coliseum bleachers, the cheap seats, out beyond the monuments,
The original three monuments in the old stadium,
Standing out in fair territory out in center field,
Those three stone slabs honoring Gehrig, Huggins, and Babe.
Yes, in the house that Ruth built--Home of the Bronx Bombers--***?
Any Joe Josephus knows:  Roman citizenship doesn’t do too much for you,
Except get you paxed, taxed & drafted into the Legion.
For us the Roman lifestyle was HIND-*** humble.
We plebeians drew our grandeur by association with Empire.
Very few Romans and certainly only those of the patrician class lived high,
High on the hog, enjoying a worldly extravaganza, like—whom do we both know?

Okay, let’s say Laurence Olivier as Crassus in Spartacus.
Come on, you saw Spartacus fifteen ******* times.
Remember Crassus?
Crassus: that ***** twisted **** trying to get his freak on with,
Tony Curtis in a sunken marble tub?
We plebes led lives of quiet *****-scratching desperation,
A bunch of would-be legionnaires, diseased half the time,
Paid in salt tablets or baccala, salted codfish soaked yellow in olive oil.
Stiffs we used to call them on New Year’s Eve in Brooklyn.
Let’s face it: we were hyenas eating someone else’s ****,
Stage-door jackals, Juvenal-come-late-lies, a mob of moronic mook boneheads
Bought off with bread & circuses and Reality TV.
Each night, dished up a wide variety of lowbrow Elizabethan-era entertainments.  
We contemplate an evening on the town, downtown—
(cue Petula Clark/Send "Downtown" Ringtone to your Cell)

On any given London night, to wit:  mummers, jugglers, bear & bull baiters.
How about dog & **** fighters, quoits & skittles, alehouses & brothels?
In short, somewhere, anywhere else,
Anywhere other than down along the Thames,
At Bankside in Southwark, down in the Globe Theater mosh pit,
Slugging it out with the groundlings whose only interest,
In the performance is the choreography of swordplay and stale ****** puns.
Meanwhile, Hugh Fennyman--probably a fellow Jew,
An English Renaissance Bugsy Siegel or Mickey Cohen—
Meanwhile Fennyman, the local mob boss is getting his ya-yas,
Roasting the feet of my text-messaging editor, Philip Henslowe.
Poor and pathetic Henslowe, works on commission, always scrounging,
But a true patron of my craft, a gentleman of infinite jest and patience,
Spiritual subsistence, and every now and then a good meal at some,
Sawdust joint with oyster shells, and a Prufrockian silk purse of T.S. Eliot gold.

Poor, pathetic Henslowe, trussed up by Fennyman,
His editorial feet in what looks like a Japanese hibachi.
Henslowe’s feet to the fire--feet to the fire—get it?
A catchy phrase whose derivation conjures up,
A grotesque yet vivid image of torture,
An exquisite insight into how such phrases ingress the idiom,
Not to mention a scene once witnessed at a secret Romanian CIA prison,
I’d been ordered to Bucharest not long after 9/11,
Handling the rendition and torture of Habib Ghazzawy,

An entirely innocent falafel maker from Steinway Street, Astoria, Queens.
Shock the Monkey: it’s what we do. GOTO:
Peter Gabriel - Shock the Monkey/
(HQ music video) - YouTube//
www.youtube.com/
Poor, pathetic, ******-on Henslowe.


Fennyman :  (his avarice is whet by something Philly screams out about a new script)  "A play takes time. Find actors; Rehearsals. Let's say open in three weeks. That's--what--five hundred groundlings at tuppence each, in addition four hundred groundlings tuppence each, in addition four hundred backsides at three pence--a penny extra for a cushion, call it two hundred cushions, say two performances for safety how much is that Mr. Frees?"
Jacobean Tweet, John (1580-1684) Webster:  “I saw him kissing her bubbies.”

It’s Geoffrey Rush, channeling Henslowe again,
My editor, a singed smoking madman now,
Feet in an ice bucket, instructing me once more:
“Lighten things up, you know . . .
Comedy, love and a bit with a dog.”
I digress again and return to Hopi Land, back to my shaman-monastic abattoir,
That Zen Center in downtown Shungopavi.
At the Tribal Enrolment Office I make my case for a Certificate of Indian Blood,
Called a CIB by the Natives and the U.S. Bureau of Indian Affairs.
The BIA:  representing gold & uranium miners, cattle and sheep ranchers,
Sodbusters & homesteaders; railroaders and dam builders since 1824.
Just in time for Andrew Jackson, another false friend of Native America,
Just before Old Hickory, one of many Democratic Party hypocrites and scoundrels,
Gives the FONGOOL, up the CULO go ahead.
Hey Andy, I’ve got your Jacksonian democracy: Hanging!
The Bureau of Indian Affairs (BIA) mission is to:   "… enhance the quality of life, to promote economic opportunity, and to carry out the responsibility to protect and improve the trust assets of American Indians, Indian tribes, and Alaska Natives. What’s that in the fine print?  Uncle Sammy holds “the trust assets of American Indians.”

Here’s a ******* tip, Geronimo: if he trusted you,
It would ALL belong to you.
To you and The People.
But it’s all fork-tongued white *******.
If true, Indian sovereignty would cease to be a sick one-liner,
Cease to be a blunt force punch line, more of,
King Leopold’s 19th Century stand-up comedy schtick,
Leo Presents: The **** of the Congo.
La Belgique mission civilisatrice—
That’s what French speakers called Uncle Leo’s imperial public policy,
Bringing the gift of civilization to central Africa.
Like Manifest Destiny in America, it had a nice colonial ring to it.
“Our manifest destiny [is] to overspread the continent,
Allotted by Providence for the free development,
Of our yearly multiplying millions.”  John L. O'Sullivan, 1845

Our civilizing mission or manifest destiny:
Either/or, a catchy turn of phrase;
Not unlike another ironic euphemism and semantic subterfuge:
The Pacification of the West; Pacification?
Hardly: decidedly not too peaceful for Cochise & Tonto.
Meanwhile, Madonna is cash rich but disrespected Evita poor,
To wit: A ****** on the Rocks (throwing in a byte or 2 of Da Vinci Code).
Meanwhile, Miss Ciccone denied her golden totem *****.
They snubbed that little guinea ****, didn’t they?
Snubbed her, robbed her rotten.
Evita, her magnum opus, right up there with . . .
Her SNL Wayne’s World skit:
“Get a load of the unit on that guy.”
Or, that infamous MTV Music Video Awards stunt,
That classic ***** Lip-Lock with Britney Spears.

How could I not see that Oscar snubola as prime evidence?
It was just another stunning case of American anti-Italian racial animus.
Anyone familiar with Noam Chomsky would see it,
Must view it in the same context as the Sacco & Vanzetti case,
Or, that arbitrary lynching of 9 Italian-Americans in New Orleans in 1891,
To cite just two instances of anti-Italian judicial reach & mob violence,
Much like what happened to my cousin Dominic,
Gang-***** by the Harlem Globetrotters, in their locker room during halftime,
While he working for Abe Saperstein back in 1952.
Dom was doing advance for Abe, supporting creation of The Washington Generals:
A permanent stable of hoop dream patsies and foils,
Named for the ever freewheeling, glad-handing, backslapping,
Supreme Commander Allied Expeditionary Force (SCAEF), himself,
Namely General Dwight D. Eisenhower, the man they liked,
And called IKE: quite possibly a crypto Jew from Abilene.

Of course, Harry Truman was my first Great White Fascist Father,
Back in 1946, when I first opened my eyes, hung up there,
High above, looking down from the adobe wall.
Surveying the entire circular kiva,
I had the best seat in the house.
Don’t let it be said my Spider Grandmother or Hopi Corn Mother,
Did not want me looking around at things,
Discovering what made me special.
Didn’t divine intervention play a significant part of my creation?
Knowing Mamma Mia and Nonna were Deities,
Gave me an edge later on the streets of Brooklyn.
The Cradleboard: was there ever a more divinely inspired gift to human curiosity? The Cradleboard: a perfect vantage point, an infant’s early grasp,
Of life harmonious, suspended between Mother Earth and Father Sky.
Simply put: the Hopi should be running our ******* public schools.

But it was IKE with whom I first associated,
Associated with the concept 1600 Pennsylvania Avenue.
I liked IKE. Who didn’t?
What was not to like?
He won the ******* war, didn’t he?
And he wasn’t one of those crazy **** John Birchers,
Way out there, on the far right lunatic Republican fringe,
Was he? (It seems odd and nearly impossible to believe in 2013,
That there was once a time in our Boomer lives,
When the extreme right wing of the Republican Party
Was viewed by the FBI as an actual threat to American democracy.)
Understand: it was at a time when The FBI,
Had little ideological baggage,
But a great appetite for secrets,
The insuppressible Jay Edgar doing his thang.

IKE: of whom we grew so, oh-so Fifties fond.
Good old reliable, Nathan Shaking IKE:
He’d been fixed, hadn’t he? Had had the psychic snip.
Snipped as a West Point cadet & parade ground martinet.
Which made IKE a good man to have in a pinch,
Especially when crucial policy direction was way above his pay grade.
Cousin Dom was Saperstein’s bagman, bribing out the opposition,
Which came mainly from religious and patriotic organizations,
Viewing the bogus white sports franchise as obscene.
The Washington Generals, Saperstein’s new team would have but one opponent,
And one sole mission: to serve as the **** of endless jokes and sight gags for—
Negroes.  To play the chronic fools of--
Negroes.  To be chronically humiliated and insulted by—
Negroes.  To run up and down the boards all night, being outran by—
Negroes.  Not to mention having to wear baggy silk shorts.



Meadowlark Lemon:  “Yeah, Charlie, we ***** that grease-ball Dominic; we shagged his guinea mouth and culo rotten.”  

(interviewed in his Scottsdale, AZ winter residence in 2003 by former ESPN commentator Charlie Steiner, Malverne High School, Class of ’67.)
                                                        
  ­                                                                 ­                 
IKE, briefed on the issue by higher-ups, quickly got behind the idea.
The Harlem Globetrotters were to exist, and continue to exist,
Are sustained financially by Illuminati sponsors,
For one reason and one reason only:
To serve elite interests that the ***** be kept down and subservient,
That the minstrel show be perpetuated,
A policy surviving the elaborate window dressing of the civil rights movement, Affirmative action, and our first Uncle Tom president.
Case in point:  Charles Barkley, Dennis Rodman & Metta World Peace Artest.
Cha-cha-cha changing again:  I am Robert Allen Zimmermann,
A whiny, skinny Jew, ****** and rolling in from Minnesota,
Arrested, obviously a vagrant, caught strolling around his tony Jersey enclave,
Having moved on up the list, the A-list, a special invitation-only,
Yom Kippur Passover Seder:  Next Year in Jerusalem, Babaloo!

I take ownership of all my autonomic and conditioned reflexes;
Each personal neural arc and pathway,
All shenanigans & shellackings,
Or blunt force cognitive traumas.
It’s all percolating nicely now, thank you,
In kitchen counter earthen crockery:
Random access memory: a slow-cook crockpot,
Bubbling through my psychic sieve.
My memories seem only remotely familiar,
Distant and vague, at times unreal:
An alien hybrid databank accessed accidently on purpose;
Flaky science sustains and monitors my nervous system.
And leads us to an overwhelming question:
Is it true that John Dillinger’s ******* is in the Smithsonian Museum?
Enquiring minds want to know, Kemosabe!

“Any last words, *******?” TWEETS Adam Smith.
Postmortem cyber-graffiti, an epitaph carved in space;
Last words, so singular and simple,
Across the universal great divide,
Frisbee-d, like a Pleistocene Kubrick bone,
Tossed randomly into space,
Morphing into a gyroscopic space station.
Mr. Smith, a calypso capitalist, and me,
Me, the Poet Laureate of the United States and Adam;
Who, I didn’t know from Adam.
But we tripped the light fantastic,
We boogied the Protestant Work Ethic,
To the tune of that old Scotch-Presbyterian favorite,
Variations of a 5-point Calvinist theme: Total Depravity; Election; Particular Redemption; Irresistible Grace; & Perseverance of the Saints.

Mr. Smith, the author of An Inquiry into the Nature
& Causes of the Wealth of Nations (1776),
One of the best-known, intellectual rationales for:
Free trade, capitalism, and libertarianism,
The latter term a euphemism for Social Darwinism.
Prior to 1764, Calvinists in France were called Huguenots,
A persecuted religious majority . . . is that possible?
A persecuted majority of Edict of Nantes repute.
Adam Smith, likely of French Huguenot Jewish ancestry himself,
Reminds me that it is my principal plus interest giving me my daily gluten.
And don’t think the irony escapes me now,
A realization that it has taken me nearly all my life to see again,
What I once saw so vividly as a child, way back when.
Before I put away childish things, including the following sentiment:
“All I need is the air that I breathe.”

  Send "The Air That I Breathe" Ringtone to your Cell  

The Hippies were right, of course.
The Hollies had it all figured out.
With the answer, as usual, right there in the lyrics.
But you were lucky if you were listening.
There was a time before I embraced,
The other “legendary” economists:
The inexorable Marx,
The savage society of Veblen,
The heresies we know so well of Keynes.
I was a child.
And when I was a child, I spake as a child—
Grazie mille, King James—
I understood as a child; I thought as a child.
But when I became a man I jumped on the bus with the band,
Hopped on the irresistible bandwagon of Adam Smith.

Smith:  “Any last words, *******?”
Okay, you were right: man is rationally self-interested.
Grazie tanto, Scotch Enlightenment,
An intellectual movement driven by,
An alliance of Calvinists and Illuminati,
Freemasons and Johnny Walker Black.
Talk about an irresistible bandwagon:
Smith, the gloomy Malthus, and David Ricardo,
Another Jew boy born in London, England,
Third of 17 children of a Sephardic family of Portuguese origin,
Who had recently relocated from the Dutch Republic.
******* Jews!
Like everything shrewd, sane and practical in this world,
WE also invented the concept:  FOLLOW THE MONEY.

The lyrics: if you were really listening, you’d get it:
Respiration keeps one sufficiently busy,
Just breathing free can be a full-time job,
Especially when--borrowing a phrase from British cricketers—,
One contemplates the sorry state of the wicket.
Now that I am gainfully superannuated,
Pensioned off the employment radar screen.
Oft I go there into the wild ebon yonder,
Wandering the brain cloud at will.
My journey indulges curiosity, creativity and deceit.
I free range the sticky wicket,
I have no particular place to go.
Snagging some random fact or factoid,
A stop & go rural postal route,
Jumping on and off the brain cloud.

Just sampling really,
But every now and then, gorging myself,
At some information super smorgasbord,
At a Good Samaritan Rest Stop,
I ponder my own frazzled neurology,
When I was a child—
Before I learned the grim economic facts of life and Judaism,
Before I learned Hebrew,
Before my laissez-faire Bar Mitzvah lessons,
Under the rabbinical tutelage of Rebbe Kahane--
I knew what every clever child knows about life:
The surfing itself is the destination.
Accessing RAM--random access memory—
On a strictly need to know basis.
RAM:  a pretty good name for consciousness these days.

If I were an Asimov or Sir Arthur (Sri Lankabhimanya) Clarke,
I’d get freaky now, riffing on Terminators, Time Travel and Cyborgs.
But this is truth not science fiction.
Nevertheless, someone had better,
Come up with another name for cyborg.
Some other name for a critter,
Composed of both biological and artificial parts?
Parts-is-parts--be they electronic, mechanical or robotic.
But after a lifetime of science fiction media,
After a steady media diet, rife with dystopian technology nightmares,
Is anyone likely to admit to being a cyborg?
Since I always give credit where credit is due,
I acknowledge that cyborg was a term coined in 1960,
By Manfred Clynes & Nathan S. Kline and,
Used to identify a self-regulating human-machine system in outer space.

Five years later D. S. Halacy's: Cyborg: Evolution of the Superman,
Featured an introduction, which spoke of:  “… a new frontier, that was not,
Merely space, but more profoundly, the relationship between inner space,
And outer space; a bridge, i.e., between mind and matter.”
So, by definition, a cyborg defined is an organism with,
Technology-enhanced abilities: an antenna array,
Replacing what was once sentient and human.
My glands, once in control of metabolism and emotions,
Have been replaced by several servomechanisms.
I am biomechanical and gluttonous.
Soaking up and breathing out the atmosphere,
My Baby Boom experience of six decades,
Homogenized and homespun, feedback looped,
Endlessly networked through predigested mass media,
Culture as demographically targeted content.

This must have something to do with my own metamorphosis.
I think of Gregor Samsa, a Kafkaesque character if there ever was one.
And though we share common traits,
My evolutionary progress surpasses and transcends his.
Samsa--Phylum and Class--was, after all, an insect.
Nonetheless, I remain a changeling.
Have I not seen many stages of growth?
Each a painful metamorphic cycle,
From exquisite first egg,
Through caterpillar’s appetite & squirm.
To phlegmatic bliss and pupa quietude,
I unfold my wings in a rush of Van Gogh palette,
Color, texture, movement and grace, lift off, flapping in flight.
My eyes have witnessed wondrous transformations,
My experience, nouveau riche and distinctly self-referential;
For the most part unspecific & longitudinally pedestrian.

Yes, something has happened to me along the way.
I am no longer certain of my identity as a human being.
Time and technology has altered my basic wiring diagram.
I suspect the sophisticated gadgets and tools,
I’ve been using to shape & make sense of my environment,
Have reared up and turned around on me.
My tools have reshaped my brain & central nervous system.
Remaking me as something simultaneously more and less human.
The electronic toys and tools I once so lovingly embraced,
Have turned unpredictable and rabid,
Their bite penetrating my skin and septic now, a cluster of implanted sensors,
Content: currency made increasingly more valuable as time passes,
Served up by and serving the interests of a pervasively predatory 1%.
And the rest of us: the so-called 99%?
No longer human; simply put by both Howards--Beale & Zinn--

Humanoid.
CK Baker Feb 2019
read me that passage once again
you know
the one about the guy
who’s got his finger
stuck where it shouldn’t be?
spinning it all the way to the top
and shocking anyone within his view

sammy was his name
and his friends called him
the swami
you would see him often
biting the wing of his chicken
(and shaking his head)
the captain would ask
“you call this a pastime sammy…you call this a pastime?”
sammy would say
“it’s fine…it’s fine…yes…yes…it’s what i do”
and no one seemed to mind
(save for the chicken)

he was a descendant of the eastern block
a shipol they’d say
fingers pruned
eyes red (and full of hope)
toss me one of those medicine *****…and let someone else call the show!  today’s line up; boulder dash and surfboards of death! (for they always seem to keep the captain amused)

a big belch
from the little man
has sammy grinning
ear to ear
un-kept teeth
and blackened nails
do not cross his mind
(for he’s all about pulling compliments from the day!)

hey wait, he’s stomping now…and mad!

hey wait…it’s passed (look at that, he’s already moving on!)

catch you on the rebound swami!

catch you there indeed!
Terry Collett May 2012
Dottie has the made the
bed where Sammy slept,
bakes a cake, picks flowers
from the garden to put in
the small vase on the table.

Sammy has gone away
after his three day stay.

Willie’s asleep in bed,
his window open to catch
dawn birdsong, smell of
flowers, air’s heavy scent.

She pops a pill that Sammy
left; will help you sleep he
said, during their late evening
walk in the nearby woods,
as Willie recited his poetry.

She puts two teabags in
the ***, pours in water,
lets it stand, hot steam
coming out the spout.

They have the house
to themselves again,
no more having to keep
the sounds down, no
need to whisper anymore.

She pours the tea
into Willie’s cup,
adds milk, sugar and
stirs, pours tea for herself
with no milk, or sugar, sips
slow through pursed lips.

She climbs the stairs to
Willie’s room, teacup
and saucer on a small tray,
few biscuits and a pill.

She watches her brother
sleep, his head facing
the window, his arm
outside the duvet, his
hand open, a finger
pointing unwittingly
towards the pillow
where she had lain
the night before.

He breathes slowly out,
a gentle exhalation, no
snore, as she studies
him as he sleeps and
wonders what he thinks
or dreams; what poems
are born there, what
worldly wants or care.

She leaves the tea beside
the bed, she’ll not disturb
his dreams or thoughts;
she gives a final look and
goes downstairs; the pill it
seems has begun to work, she
has no worldly wants or cares.
Stormy Bailey May 2015
Hush little Sammy, don't say a word,
Momma's still watching even after she burned.

And I know Daddy seems real mad,
but since mommas been gone he's been real real sad.

And I know you wanted to marry that girl,
but she's with mommy and that must hurt.

And big brother Dean keeps selling his soul,
then daddy dies and you lose control.

And you meet an Angel of the Lord named Cas,
and he keeps bringing your brother Dean back.

And now Dean's hurting everyone,
and The Mark of Cain rests on the righteous son.

But though brotherly love transcends any curse,
The darkness has come to destroy our earth.

But its ok Sammy cause mommas still here,
and I know you two can fight this so dont you fear*.
Supernatural themed lullaby I wrote after the season 10 finale.
Dawn Bunker Jul 2018
All of the squirrels had big bushy tails,
and legs that could practically fly!
They would swing from the trees,
doing just as they pleased
always laughing when Sammy crawled by.

Squirrels have short legs, that is certainly true,
but Sammy's were smaller then small.
They sure slowed him down,
and his face wore a frown,
how he longed to be bushy and tall!

Sam's tiny tail stayed tucked all the time,
he would hide it right under his tummy.
He had trouble running,
and though he was cunning,
his slowness sure made him feel crummy.

One hot summers day Sammy sat all alone,
as the other squirrels played in a tree.
And when daylight grew dim,
one squirrel fell from a limb,
so Sammy crawled over to see.

His scrawny brown tail was tucked under his belly,
his short stubby legs led the way.
In a hurry he went,
feeling tired and spent,
but he knew that he must save the day.

Sammy had taken a great many falls,
he knew how it felt to be hurt.
So without hesitation,
he forgot his frustration,
and he picked the squirrel up from the dirt.

As the other squirrels watched he did his good deed,
and you can imagine their shame!
For not one of them moved,
while Sammy had prooved
he had courage and strength, but no blame.

So remember, young friends, do not judge anyone.
Do not snicker or laugh at another.
Remember young Sam
and I am who I am,
and treat everyone like your brother.
A try at children's poetry
Caroline Shank Nov 2020
Sammy hides from me. He
wags his cognac tail under
the couch.  He peeks at me
through umber eyes and I melt.

Sammy runs around my feet,
careful not to trip me up.
He's not interested in my tears
but watches carefully to see
if he deserves a treat.

He wants the treat from me alone.  Sammy pants from
below and I tease him.  He
likes the challenge for a moment.

Sammy comes when I call
him.  He knows my smell.
I promise not to get another
amber colored puppy licking
my fingers for more. Always
more.

Sammy doesn't know my
heart.  He just dances for
his supper.

Caroline Shank
Keith Wilson Jan 2016
Sammy Turpin one fine day
Took his go—cart out to play.

While speeding quickly down a hill
A passing fly his eye did fill.

He couldn’t see two yards ahead
And landed in a hospital bed.

The nurse was very sympathetic
The fly was extremely energetic.

The doctor came with his stethoscope
But it wasn’t long before he gave up hope.

The consultant came to get it out
But he was never in there with a shout.

Just then the gardener passing by
Raised his leaf blower to the sky.

The air came in just like a rocket
And blew the fly from Sammy’s socket.

l He isn’t the gardener anymore
He’s chief consultant on ward four.

Keith Wilson       published 2001 (Anchor Books)
envydean Jun 2015
Dear Sammy,
This darkness inside me
It'll **** me soon
I don't want you
To see it
Take over me
To bare the weight
That maybe
You could have saved me
But I can't even
Save myself.

Dear Sammy,
I don't want to leave
But I have to
You're better off
Without me
There's so much
You can do
You can save the world
But you can't save me
Not if I can't
Even save myself.
Kinda spoilerish for S10, but whatever
Robyn Nov 2014
Dear Sammy,
I pray one day you'll read this and realize how far away you are from me.
I'm staring at the comic strip you drew for me on my birthday three years ago. You wrapped a jumbo Hershey's Bar in it and left it next to my backpack at school. I remember when my birthday used to mean something to you. I remember playing with you when we were three and four years old and dressing you up in my tutus and lipstick. I remember when you were my little brother.
I don't know who you are anymore.
You've been falling apart for so long and I tried my best to fix you. I should've done more, I should've told somebody. When you told me you wanted to **** yourself, I should've called your mother. But I tried to help you myself and I gave you attention and now that's all you want.
You still tell people you want to **** yourself. I know now that you just want attention. One day I fear you'll stop getting it and you'll actually **** yourself and I will fall to my knees and tear my hair out and wail and scream because you are so young and in so much pain and you tried so hard to leave me behind and now you've finally succeeded.
Now all you do is find girls and cheat on them and smoke and drink and swear and fight and you left Jesus and your big sister and your best friend in the chaos behind you and we cannot keep up. We've stopped trying. You don't want to listen. We don't want to talk. We just want you.
I haven't had a conversation with you in 3 years. I see you every ******* day and I talk to you and you hug me but you don't even see me anymore. And I don't know who I see anymore.
You have so much promise. So much talent. You are so smart. Sam, I love you so much. We all do. And despite what you think, your father does too.
I miss you. I've lost you and maybe it's my fault, maybe I should've done something more. But now you're too far gone, you've denied every shadow of your pain and therefore I cannot help you heal it.
I pray for you now. I pray for the little boy who I ate Mac and cheese with and built forts with. I pray for the star musician, for the painter, for the writer.
I pray for the boy who is killing his body and suffocating his heart and abandoning his family.

Sammy, please come home.
Boaz Priestly Oct 2015
******
the first time that i saw you
something woke up deep inside me
a thing that i had not felt in so long
it hit me like a lightening bolt
like the first time john got drunk
and took a swing at me for mouthing off
but instead of a bruise
that nobody asked about
because being a hunter causes these kinds
of things all the time
just a casualty of the job
dad said to explain it all away
this thing
it shot through my whole body
starting from my toes
sizzling up my bowed legs
sammy said that they were for the
better to carry the weight of the world
on my shoulders with
and it exploded behind my ribs
but not like a broken rib
this felt good
but in a terrifying way
i was so scared
that i acted the way that i was taught
growing up
in this friggin life
and i stabbed you
god baby i stabbed you
and if i could take it all back
i would fall to my knees in front
of you
and beg you to take me back
to make me whole again
to make me a better man
a better son
a better brother
a man that mary would have been proud of

and
i kept on seeing you
for so many years
you healed my wounds
my cuts and my bruises
my broken bones
you placed your hands on me
my face
my shoulder
you made me believe
in angels
even though god is absent
you made me believe
in sammy too
even more than i already do
and you told me
time and time again
that i deserved to be saved
you showed me
with a determined set to your shoulders
fists and teeth clenched in
naked and vulnerable honesty
that even sinners can be redeemed
but since
“****** dean you are not a sinner”
that i didn’t need to be redeemed
“i saved the world
i saved you
i saved sammy
i saved you and you and you
it was always you
when all i wanted to do
was lay down and die”

you
just kept on giving and giving
emptying yourself
for me and my kind
this world full of godless heathens
you rebuilt me
from the ground up
made me into a good man again
but it began to take it’s toll on you
your grace dulled
and your eyes didn’t shine as bright
though they still lit up when
you saw me
and sammy
but your shoulders
they sagged beneath your
ridiculous trench coat
that yeah i kept in my trunk
for that hellish time without you
and i cried into the dusty fabric
when i found the picture of sammy and i
in the pocket
and your hardships
and selflessness
they showed through
your tough demeanor
and i’m an angel you ***
mantra but i know what it is like
to hurt
to want to die
but you always made your mistakes
with the best intentions at heart

and
all of your scars
and wounds
because being human hurts
and the drugs
because you wanted to see
the colors again
only made me love you more
i wanted to keep you safe
and even in the midst
of your insanity
you said
“you know me
always happy to bleed for
the winchester”

but
****** cas
i wish you had let me
bleed for you
maybe just once
i would have gladly
carried you
when you were too tired to walk
and et wouldn’t go home
because he loved his human charges too much
and we love you too
cas
we love you too
Jason Cirkovic Apr 2014
My mother should be an author
She carves her soul into millions of pieces
Leaving it behind all of the family photos
When I see my mother
I see a woman
Who wants to hide her soul in a needle
Just so the screaming can stop in her mind,
These bottles are rattling in the living room
You see they have put shackles on her heart,
She can't love anymore
Without having ***** in her water bottle.

Where is she hiding her beer?
I feel like my mother is giving me a scavenger hunt
From the shards of glass that were left on the baseball fields
My mother used to take me to.

You know she always wasn't like this
She was strong minded and had a big heart
Tonight I will tell you the story of a woman
Who lost her soul to the Keystones to the Miller Lites
To the ****** Mary’s.
Let's rewind time
See ******* the soul in ten years

10- I look into my mother's eyes and I start to cry
Because I'm looking at a woman who I don't know anymore

9- I refused to bail her out of jail again
Because I'm afraid her kidney will fail if she drinks again

8- My mother staggered into the theater and disrupted the whole play,
My cast mates turned to me and asked, isn't that your mother?

7- I had to hold my mothers hand
Because she was throwing up the cocktail of drugs and alcohol

6- Daddy had to get mom out of jail she was drinking again

5- My mother throws the bottle across the room
And told me the reason why she drinks is because I'm Autistic

4- My mother overslept for my piano recital,
I didn't think it was a big deal
But I remember she spent the whole night crying
With a wine glass in her hand.

3- Mommy I didn't know your prescription came in a needle

2- Mommy the prescription say 2 pills a day
why are you taking 6?

1- My mother went to the doctor
Found out that she has Rheumatoid Arthritis
I don't know what that means,
But I know she will still be strong right?

0- She took me to a Dodger game for my birthday.
I remember Sammy Sosa hitting a home run that game
She told me that the only person that can **** your soul is yourself
Metanoia Apr 2016
Sammy died on the 4th of July
in a fire
He tried to save his house mates
from the burning wreckage
but never emerged
We didn't always get along
In fact at times I thought
he hated me
Disappointed in my decisions
or lack of self control
I cried at his funeral and couldn't stand
to see him stuffed inside
a little box
Today is Sammy's birthday
and I celebrate the life
of a friend I love
By remembering
and continuing on
with his ghost at my side
There's nothing else
I can do
RIP
Terry O'Leary Jan 2014
1.   Beginnings

Her babe was her joy, such a beautiful boy,
and he suckled her breast till the end.
The slaver sought cash, bestowed mammy a thrash,
sold her babe to a gentrified friend.
Yes, life flits like a flash, a lithe leathery lash,
yet another cruel link in their chain.

With mammy not there, Sammy dared not to dare
but to bide near the edge of the night.
Yet nevertheless one must always outguess
else absorb burning stings of the bite.
Yes, it flits like a flash, a lithe leathery lash,
yet another cruel link in their chain.

Though learning the rules in the shadows of fools
as he grew to a leery lean lad
he often defied but he never once cried
although whipped at the post whene’er bad.
Yes, it flits like a flash, a lithe leathery lash,
yet another cruel link in their chain.


2.   Youth

The cotton gin broke and nobody spoke,
so ol’ ***** said  “BENNY’S TO BLAME”.
But Sammy said ‘No...  *****, jus’ cain’t be so,
no ’tain’t Benny, ’tain’t Benny’s sore name’.
Yes, it flits like a flash, a lithe leathery lash,
yet another cruel link in their chain.

“LOOK, SEE IN HIS EYES HOW THAT NG** BOY LIES!”
- replied Sam ‘no I’s tellin da truth’.
But daring to speak earned him scars for his cheek
and thus blemished the bloom of his youth.
Yes, it flits like a flash, a lithe leathery lash,
yet another cruel link in their chain.

“THE COTTON GIN’S BROKE, AND THAT JUST AIN’T NO JOKE”
and he called upon Benny to pay:
“BENNY GOT NO EXCUSE, DRAPE HIS NECK WITH THE NOOSE”,
just as Sam feared ol’ ***** would say.
Yes, it flits like a flash, a lithe leathery lash,
yet another cruel link in their chain.

Black faces soon blanched as Ben bended a branch
near the base of a broken oak tree.
His body hung bare as it swung in the air
while the buzzards and crows shrieked with glee.
Yes, it flits like a flash, a lithe leathery lash,
yet another cruel link in their chain.


3.   Flight

Sam’s feet were unclad, as befitting the lad
(as alone as a stone in his path)
when  he started to run neath the sly sliding sun  
being followed and fearing God’s wrath.
Yes, it flits like a flash, a lithe leathery lash,
yet another cruel link in their chain.

Surrounded and caught brought his efforts to naught,
child in chains at the end of his trek;
winds wept as he went, with his spirit unbent,
a cold collar of steel ’round his neck.
Yes, it flits like a flash, a lithe leathery lash,
yet another cruel link in their chain.

“FLOG THE BOY FROM HIS TOES TO THE TIP OF HIS NOSE”
- only so could a lesson be taught -
for to set an example, Sam’s death might be ample
was what the ol’ ***** first thought.
Yes, it flits like a flash, a lithe leathery lash,
yet another cruel link in their chain.

But since boughten at birth, Sam had proven his worth
so his loss would be too much to bear
and as Sam was a child the ol’ ***** was mild,
said “ENOUGH” when Sam’s back was laid bare.      
Yes, it flits like a flash, a lithe leathery lash,
yet another cruel link in their chain.


4.   Life

Sam grew to a man, branded ‘boy’ by the clan,
as they spat on the trails that he tread;
should he dare raise his gaze with a gander that strays
they’d be certain to sever his head.
Yes, it flits like a flash, a lithe leathery lash,
yet another cruel link in their chain.

Once Sam found a wife whom they ripped from his life,
yes along with the babe at her breast
(was it simply their greed or by heaven decreed?).
Well, with hindsight you might guess the rest.
Yes, it flits like a flash, a lithe leathery lash,
yet another cruel link in their chain.


5.   Destiny

From phantoms of fright neath the frail foggy night
Sammy soared as he fled to escape
and he no longer crawled (lady liberty called!)
through the darkness, a black hole agape.
Yes, it flits like a flash, a lithe leathery lash,
yet another cruel link in their chain.

Unleashed! Frenzied dogs hounded Sam through the bogs,
(baying beasts neath the ****** red moon).
White fangs intermeshed as they mangled his flesh,
freedom flayed through the pale afternoon.
Yes, it flits like a flash, a lithe leathery lash,
yet another cruel link in their chain.

Sam’s body was torn leaving little to mourn
but there’s really no need to despair
and there’s no need to cry for his spirit can’t die,
being borne by bound men everywhere.
Yes, it flits like a flash, a lithe leathery lash,
yet another cruel link in their chain.



                          EPITAPH

                    SAM
Revolted and clashed ’gainst the cruel leather lash
and broke free from the choke of their chain.



                         EPILOGUE

Those parts of the past that we gaze at aghast
reveal harrowing questions quite plain –

Why people quite free, just like you, just like me,
were so happy inflicting such pain?

Why we bask in the throes of humanity’s woes
while the tyrants and tyrannies reign?

Why we sit back and watch, sometimes scratching our crotch,
as it happens again and again?

And I’m wondering too (’cause I don’t have a clue),
might we each be a link in their chain?
Korey Rager Mar 2015
S-Smart
A-Angelic
M-Merry
M-Marvelous
Y-Youthful

A-Adorable
N- Nice
N-Nerdy

F-Fascinating
A-Adventurous
I-Impressive
R-Rare
B-B­eautiful
A-Affectionate
N-Necessary
K-Kind
S-Supportive
Sam Hammond Aug 2018
I can see Cecily's ****** bars.
Sammy can see them as well.
After he speaks
I keep catching him peek.
She knows that he sees, I can tell.

Bailey has smoked too much **** again.
He's dribbling over my shoes.
He acted all jokey
And tried out smoke me.
It went without saying he'd lose.

Tom's on the floor by the table.
We don't know if he's alive,
Hugging Joe's feet,
Who is slumped on the seat.
I don't think they're due to survive.

Chris had a couple of pills.
Ethan a tab or a few.
Toria's tweaking,
Max is just peaking,
Matt's throwing up in the loo.

I'm on the sofa while writing,
Louie beside me in tears.
We may have our issues
With drugs and their misuse,
But **** it, it gives me ideas.
My dearest Sammy,
The Mix Master came
Easter, Sunday
And we have not had time
To more than read
The literature
Put it together
And gloat
Oh
So beautiful
Is the Mix Master
So beautiful
We are very happy
To have it here
Bless you Sammy

Madame Roux said
oui
Il est si gentil
Et en effet
He is dear little
Sammy
Easter morning
What a spring
Lovely
as I have never seen anything
Lovely
Alice is all
Smiles
and murmurs in her dreams
‘Mix Master’

X
Gertrude
Brent Kincaid Jul 2015
Danny could be counted on
To run some kind of scam.
And usually the victim was
His older brother Sam.
But Jimmy liked pranks
And pulled quite a few.
Jumping out at passersby
Was a favorite thing to do.

One day I took them with
Mom’s express consent
To our favorite notions store,
Woolworth five and ten.
We looked and touched;
Added to our Christmas list.
And as we paid for candy
I was clueless what was amiss.

As we were walking home
Out on the street again
Suddenly, goggle eyed
I saw the show begin.
Out of each kid’s pocket
A trinket, a toy appeared.
This is precisely what
I had originally feared.

The little shoplifters stole!
The blame would befall me.
Their only thought was
They got all this for free.
I told them to take it back
But they just angrily said no.
I had other recourse, it seemed
Then to let our Mama know.

Mama went a bit frantic
Her voice went high and loud.
And of course, my brothers
Were no longer quite so proud.
Jimmy smacked Sammy
And Sammy started crying.
Mama smacked them all.
And Danny started lying.

Then Mama walked them
Every one of the three
Back to the five and dime
And they confessed tearfully.
Mama paid for the things
And told them no TV
And sent them to bed soon
After supper was history.

And all of them blamed me
But, Mama said I did well.
It wasn’t to please Mama.
I didn’t want them to go to hell.
And I was a bit P.O.ed;
They took advantage of me.
So, they could just grumble.
It made no difference to me.

That’s the way things went
With three regular brothers.
There were fights and fits.
They often miffed our mother.
Jimmy smacked Sammy
And Sammy started crying.
Mama smacked them all
And Danny started lying.
Clinton Arneson Mar 2017
Sammy’s poem


The badguys’ plan at last revealed –
She calmly dons her plastic shield –

With sword a-forged in mighty nerf –
She aims to prove her steely worth –

Freshly cleaned by mop and broom –
Our battleground; the living room –

The couch becomes a fort for dad –
The ottoman, her launching pad –

Lofty on the mezzanine –
Sagely mom surveys the scene –

As Sammy shouts her battle cry –
And Aussie leaps as if to fly –

I raise my arms and give a roar –
And lumber wildly from the door –

She never falters, shakes, or quakes –
Within her heart, a hero wakes.
There’s a Devil of a night each year, the night of Mr. Haim!
When the devilish and ghoulie ones come out to play their monster’s game.
And why some would seek to trick or treat on this scary day of dead?
Careful now cause gremlins, trolls …sprites and wolves, will offer up their dread!
Quiet, shush, I hear a pack of creepy-crawly boots…

Ra’atan-Zu and the Boogedy-Boo!
And the skeleton bones, clink…
And the skeleton bones, clink…
The skeleton bones clink.

That crafty-smith of horns and hooves is spying on these kiddies,
As Ra’atan-Zu and the Boogedy-Boo are hunting strays to do their dastardly-ditties.
Quiet, shush, I hear a pack of creepy-crawly boots,
And their costumes, oh-so-foul, the evilest of suits!
And there she is, that little girl who can’t keep up, in a tasty mushroom ensemble.
And the skeleton bones clink in her path to give her quite a tomble!

Ra’atan-Zu and the Boogedy-Boo!
And the skeleton bones, clink…
And the skeleton bones, clink…
The skeleton bones clink.

And Sammy Haim, that smithy-devil, a ***** hoof -igniting ghoul’s desire,
He’s howling out, demanding now, “Put that child to the fire!”
And little does he know, no little bit, not even a small clue,
Neither Ra’atan-Zu nor Boogedy-Boo intend on giving him his due!
For once a year on Halloween they get one night to spaz,
Get down and *****, wild and crazy and play a little jazz!
That little mushroom of a girl will play a tiny fiddle,
Ra’atan-Zu and the Boogedy-Boo, a jazzy duet with child in middle!'

Ra’atan-Zu, Boogedy-Boo and a little girl too as they get down actin’ a spaz! Playin’ all night, howling to the moon and kickin’ out some wicked jazz!

And the skeleton bones, clink…
And the skeleton bones, clink…
  The skeleton bones clink.

Halloween narrative rhyme.
jeffrey conyers Sep 2012
Frank, sung about having you under his skin.
Dean, sung about you being another kick in the head.
Sammy, sung about the candy man.
Oh, those three guys.
The life they lived.
And the thing they did.

Frank, sung about strangers in the night.
Dean, sung about that's amore.
While Sammy tap to both tunes.
Oh those guys.
They life they lived.
And the things they did.

I'm sure mobsters hung around.
But they were all over this Hollywood's town.
Notice, while those three are gone.
That the mobsters still ruling certain town.

Say Las Vegas.
You say fun.
And what's done there.
Doesn't always make the round.

Wilder than New York.
And moving all night.
Which city's of both has the biggest neon lights.

Frank, Dean and Sammy too.
Left a legacy that's still making news.
For the life they live.
And they things they did.
Three true blue friends to the very end.
Oh, those three guys.
Enjoy their life to the end of time.
Terry O'Leary Feb 2014
NOW

Well, GI Jack is welcome back, he left his legs in 'Nam.
He wakes at night in sweat and fright, then drinks another dram.
He doesn't know quite where to go, so seeks his uncle, Sam.


                           BEFORE

One can't ignore - his ma was poor, and seasons sometimes cruel,
yet Jack was brave and well behaved and surely no one's fool
so joined the ranks that man the tanks, as soon as he left school

He learned to **** our foes at will (ordained a sacred rite)
then packed his bag, unfurled his flag, when sent away to fight.
And yes, the tide was on our side (for, clearly, might makes right)

Through tangled days in jungles' maze, he sought the enemy
behind the trees where, ill at ease, he fought the Yellow sea -
upon the waves of gravelled graves he sailed a killing spree

The ****** dropped and cooked the crops, charred huts along the way
and tanks, with zest, erased the rest, their villages of clay.
(Yes, turret guns are loads of fun with roaring roundelay.)

While on the hunt with other grunts, he burned some babes alive
and wondered why frail things must die, while evil's phantoms thrive -
<When folly ends, he'll make amends if only he'll survive>

With ***** traps (sticks smeared with crap), yes, Charlie fought unfair.
He hid in holes with snakes and voles and snuck up everywhere
and like a mite within the night, caught Jackie unaware

At battle's end, Jack sought his friends - their souls were washed away
and only he and destiny were left in disarray -
with bed and pan, just half a man, the man of yesterday

When Jack awoke beyond the smoke, his frame no longer whole,
he found instead some suture thread neath wraps to hide the hole,
and realized a further prize: a chair on wheels to roll

His head felt light, as well it might, at Victory Day Parade
(across his chest, you've surely guessed, his medals shone, arrayed)
for when he rolled, while others strolled, his boots no longer weighed


                           AFTER

Well, Jack stayed home (no roads to Rome) to start his life anew
receiving dole which took its toll as largess went askew
for sure enough, when times got tough, his uncle, Sam, withdrew

To walk the streets with fine elites (or else some *** who begs)
or find a job (or even rob) requires both your legs.
And those who can't, are viewed askant like those we call the dregs.

For getting by he tried to ply and mine his medals' worth -
a wooden cup, a mangy pup, a smirk when miming mirth,
and best of all, at midnight’s call, beneath a bridge, a ‘berth’

He clutched a sign 'A dime to dine?', if anybody cared,
but soon he found, as time unwound, that victors seldom shared.
And Jackie's pride was slowly fried by vacant eyes that stared


                           ENLIGHTENMENT

He took to drink to break the link with thoughts of what he'd done
and threads of doubt began to flout the yarns Big Brother spun
of freedom's ring and other things, like what it was we'd won

His vague unease arrayed a breeze with words that chilled the air
and like the fogs above the bogs, they floated through the square
where people sat at tea to chat, and shrieked 'How could he dare?'

Yes, freedom's price is never nice: like storms before the flood
the Daily Rag was on a jag, was looking out for blood,
deemed Jackie's thoughts untamed and fraught, then dragged him through the mud

By hacking clues, they plucked his views like grapes upon the vine.
Big Brother came, blamed Jackie's name for thinking out of line,
shut Jack away from light of day, eclipsing freedom’s shine

The Junto Brass, with eyes of glass, were robed in fine array
to hear the words (though slightly slurred) the witness gasped to say,
while Justice snored (the waterboard awash with Perrier)

Well, Jack was charged with laws enlarged in secret dossiers
within the guise of spreading lies and leading thoughts astray -
The Jury's out... the rabble shout “well someone's gotta pay”

The Judge (who fears the mind’s frontiers) inclined his head to yawn
while making haste through courtroom waste, though slightly pale and wan.
(A voodoo Loon withdraws as soon as Night condemns the Dawn.)


                           ETERNITY

While in his cell, the verdict fell - the sighs of Silence, rife
While in his cell, the verdict fell - the Reaper played a fife
While in his cell, the verdict fell - the price was Jackie's life


                           EPILOGUE

Well Jackie's ghost, unlike the most, still mused upon the praise
for misdeeds done in victories won when cruising in a craze,
and once again upon the sin of thinking, nowadays
where, cunningly, humanity’s served lies, and trust betrays.
Then, reconciled, it simply smiled at fortune's wanton ways.


                           EPITAPH

A mind was caught while thinking thoughts neath Sammy’s prying gaze
and forced to stop by concept cops, else join the castaways.
For now it's law to hold in awe the brave new world's malaise
and cerebrate with programmed pate, adorned with thorned bouquets,
then mimic mimes in troubled times - and no one disobeys.
With freedom’s death, truth holds its breath awaiting better days.
Magdalena Keefe Sep 2016
What should I call him,
Other than boyfriend,
What name should I give him,
Sweetheart,
Goody Two Shoes,
Sammy-kun?
I don't think so.
I need something specific to him,
Something that screams HIM!
But what can I call him that won't **** me inside if we decided to break up,
I dont want one word to break me,
One thing to set me off,
One gesture to remember.
The pain is always remembered.
So what can I call him as if not to be attached but at the same time attached at the hip.
Its so unreal,
Having another person that feels like your other half,
And when your missing them you feel dull inside,
You feel as if the world split apart and swallowed you whole.
So what name should I describe him as.
Someone who knows everything to say,
Who knows how to push all my buttons,
Who understands my whole being without knowing me for a long time.
What should I call someone who doesn't love me fully,
But will give me the whole world in exchange.
Why does my heart ache for him so?
Why can I tell him something that is so insignificant in person, then ask him something important over the phone?
Why am I so PATHETIC?
Getting upset over not finding a pet name.
Goody Two Shoes has stuck so until i find something else...
IT WILL STAY!
PART I
Sam had been eagerly awaiting this move. The new house was spectacular. An old, colonial home in rural Pennsylvania, with a wraparound veranda and a bay window in what appeared to be a castle spire on the far North side. The roof was made out of red clay, pieces of it broken, yet undisturbed. The front yard was turning brown in the July sun, and the front door had a crack in it the size of Texas. But with a little elbow grease, Sam and his family were going to make this ****-hole a home.

Sam walked inside the front door and was greeted with one of those large staircases that splits into two directions at the top. There was a portrait of someone at the top of the stairs, but his face had been ripped out of the painting. Peculiar. He then walked across the squeaky floor into the kitchen where he decided to run the sink for a drink of water. Rust. The water ran brown and he was wondering what he would drink since the fridge was still in the back of the U-Haul. While the rest of his family was still unloading, curious Sam decided to tour the house, since this was the first time he’d actually been in it.
He went upstairs and hung a left. The wallpaper here was hideous. A mix of Posies and Lavender painted the walls with a yellow smoke-stained backsplash. Upstairs smelled weird. Ammonia and cigars. Classy cigars. Not a 75 cent Black & Mild you buy at the drive thru when you can’t afford a real pack of smokes. I follow the smell back to a bedroom. This bedroom was the master room. Sam opened the door that was slightly ajar, only to find the room was completely barren, short of an old timey rocking chair. Maybe the old occupants left it?
Walking about this room Sam feels a cool chill on the air. Like a September breeze gently brushing the back of your neck. Looking around he felt nothing but the empty space. No weird vibe, but not a comfortable one either. He felt like an iceberg standing in the ocean all alone, waiting for the Titanic to come along. The Titanic in this case, being something of any interest or excitement. Time to move on.
He moved out of the room, past the stairs and into another, smaller room, past the strange portrait. Once again, there was an empty, barren space where his feet hit the floor. This room had carpet. Old carpet, maybe **** from the seventies. But he really didn’t care. It just appeared as a fire hazard to him. Hardwood has always been Sams’ favorite. He wandered about this room the same as the last, feeling nothing but the coolness and how awfully the room was decorated. Obviously a childs room. The walls were covered in Zebras, leapords, tigers, and lions. There was coloring on the walls. He didn’t notice what it said until he really looked. “YOU’RE GOING TO DIE HERE” was inscribed on the wall in red Crayola marker. He binked, and rubbed his eyes. Looking up again, it was gone. How strange. I’m not imagining this, he thought to himself. I have 20/20 vision, I don’t mistake anything. Oh well. His inner monologue had ended.
After a minute of contemplation, he decided to go help the rest of his family. On his way out the door to grab a box, he was greeted by his eccentric mother. “Aren’t you excited, Sammy?!” She exclaimed as he came outside. “This house is so old. I love the history.” She said enthusiastically. She was a young mother, having Sam at the age of 19. She was a nurse. Taking care of people was her specialty, and another was not giving any regard to herself. Being 31 now, she’s having a sort of mid-life I-Need-To-Feel-Youthful-again crisis. That’s why she bought this house. She figured a new house could mean a new her, and she could live how she’d always wanted too. She was a small framed woman, about 5’3 with a petite figure and a bright red pixie cut. As she was carrying boxes of China into the kitchen to place on the counter, she had to stop and breathe in the places aroma. Inhaling deeply, she sighed “Wow, sam. This is spectacular. Don’t you think so?”

“Kinda weird.” Sam replied, making his way up the veranda steps with another box. Placing it down, he commented about the hideous wallpaper. “This place is pretty **** ugly to me.” Sam said distastefully. “Samuel Smith, watch your mouth!” Mother said. Being a single mom and not having a father figure to help raise Sam, she’d done the best she could. Always teaching him to use his manners, watch his language and chew with his mouth closed. She’s the picture perfect mom, only missing the mini-van that comes with mom-hood. “I think we’ll make it work just fine, baby.” She added as she came up to him, wrapped her hands around his cheeks and kissed his forhead. “I love you, pumpkin.” She whispered. Sam replied, wiping her hands from his face. “Mom, come on. I’m to old for that stuff now.”

She pulled away, minding her boundaries. “You’re never too old to be my baby, Sammy.” Now go wash up, I called in for take-out earlier since we don’t have a stove yet, and you know you’re not allowed to be ***** at dinner time.” Sam sighed deeply. “Ugh, fine.” He stomped his way to the bathroom to see the new shower. Everything in the bathroom was very nice, except for a crack across the mirror. He took in his surroundings as he ran the water. To his surprise, the water in the shower wasn’t burnt orange and filled with rust. It ran clear, as it should. Sam stripped down and showered, singing Motely Crue to himself while washing.

After stepping out of the shower, he went and ate dinner with his mother. He’d gotten his usual order of General Taos chicken on a bed of white rice, extra sauce. Mother ate the egg rolls and dipped them in soy sauce. She wasn’t a big fan of meat, anymore.
After a few more hours of moving and assistance from hired help, sam went to his room and laid down on his brand new mattress. Covered in plastic, he struggled to find a comfortable spot where he wouldn’t slide off. He found it in the middle, and slept.
BANG! BANG! BANG!
“What the hell?!” Sam jumped out of his bed and almost out of his ****** Doo themed pajamas. BANG! BANG! BANG! “Mom?!” he yelled. He ran down the stairs and into the kitchen, and flipped the light. He found his mother in the kitchen, slamming cabinet doors shut with all of her might. “What are you doing, mom?” Sam yelled. She turned to face him. There was something different about her, but he couldn’t quite point it out. She curled her lips into a smile and said “Go back to bed, Sammy. Mommies just having fun.”
“Um… okay. Goodnight then, I guess.” “Goodnight, Samuel” she muttered. That was NOT mothers voice. “Are you okay? You seem weird.” “Mommies fine, Samuel. Go back to bed.” He went without questioning It anymore. This had frightened Sam out of his wits. His mother doesn’t bang cabinet doors shut at 3:35 A.M, or ever, for that matter. He tried to disregard it and went to sleep again, using his pillow to drown out the banging.
I'm getting more into writing stories. I'll post the other parts soon. Might be three, might be four. Depends on how much I like where this is going.
Joe Bay Feb 2016
One dismal and grey day, I was walking down the abused and crackled sidewalk that city workers had neglected to fix despite the poor look of it.  I glanced down every few steps to avoid the cracks in the cement that could make me stumble. It started to lightly rain, so I decided to find a place to wait out the weather. To my luck a run down café called The Bismark was right across the road. I sped across the street and approached the entrance to the café. I turned the old door **** and walked into a quaint and aesthetically pleasing, mostly white little room with several large machines that I can only assume would be used for make expensive, overly complicated coffee that was delicious.
A cute girl was standing behind the counter dressed in modern and intentionally tattered clothing that was obviously a planned statement to her quirky individuality. I ordered a small dark roast coffee and sat down by the window. While peering out the window into the seemingly boring and newspaper print world that lay before me, I saw someone walk in. It was a younger man, probably six months passed twenty and plain as the weather he just came in from. He wasn’t just any sort of plain; he was the kind of plain that stood out because he was so extraordinarily ordinary. He was wearing a red apron with a nametag that, only after a glance I could make out to read A&P.;
He walked up to the counter and ordered what I thought to be a black coffee. He paid and then waded past the field of wooden chairs over to table across from me. He looked to me like he was a bit detached. My curiosity quickly turned to a half embarrassed half confused mindset when he looked back and made eye contact with me. Thank God the cute barista yelled out, “Sammy!” with an annoyed yelp that could only be uttered by someone who was absolutely fed up with his or her current state of employment. The young man who had caught my attention scooted out of his chair and hastily walked to the counter to grab his coffee from the cute barista. He nodded in appreciation with a pleasant half smile and pulled out his wallet to grab the monetary appreciation that makes the menial minimum wage jobs worth it.
So as not to spill his coffee, he walked with a careful stride over to the table that he had been sitting at before and sat back down onto the chair. He then took the lid off of the cup of coffee and blew on it with short rhythmic puffs. I watched with a regretful curiosity at the strange character that had seemingly come in from daytime dreary.
I decided that I should interact with the oddity that lay before me and started thinking of techniques to go about it. Your humble writer thought to himself as to whether or not this decision would prevent him from carrying on the day with the glee and whimsy that was sure to come out of the bright and beautiful world that lay beyond the door to the café. Cooler heads prevailed and I decided to ask him how he was doing.
He glanced over at me, as if he was surprised that a human being was actually talking to him.
He replied, “I’ve had better, but a break from work is a break from life.”
I smirked and nodded in agreement. Then I asked him what he did and where he worked.
Unenthusiastically, he replied saying that he was a cashier at the A&P; grocery store.
I asked him why he seemed so unhappy with the job and he told me that he was tired of having to interact with the same boring people on a day-to-day basis.
“Why don’t you just quit the job if it makes you so unhappy”, I asked.
He replied with look of irritation and explained to me that no matter how hard he tried to break away, the job wouldn’t let him out.
I asked why that was and he said there is just something that was holding him to the cash register.
He said, “that the perfectly stacked shelves in his store make him numb enough not to care.”
What kind of annoying customers have you seen while working there? I replied, trying to change the depressing mood that the conversation was exhibiting.
He told me that once in awhile a bunch of annoying kids while come in and start knocking stuff over and trying causing a fuss.
I said he should just let the parents know that their kids are up to no good. He told me that half the time the parents don’t give enough of a **** to stop them and are just thankful that they aren’t mothering them for a change.
I told Sammy that I wasn’t looking for the basic answer that everyone in the service industry gives when they have complaints about their jobs. So I asked him, “What were some of the most out of the box customers that you have had come in to the A&P;?”
He told me that through out the years he has seen people come into the store with no shirt, no shoes, and no pants came in. He also explained how once,  a rabid poodle came in and started trying to bite his co-worker, Stokesie.  He even told me about how once, a former employee at the store tried to steal all the meat from the butcher by hiding the meat under his shirt. He said hat he had to chase him out the store with a baseball bat and that with every step more and more meat would fall out of his shirt. He then began to tell me how sad the store made him feel. He told me about all the fake people that he had to sit silently and watch while they went about their mediocre lives with an ignorant bliss. He told me how the people that came into the store had a certain stupidity that showed how suburbia could ruin a person without them even realizing that they had been ruined.
Once in awhile he would take some time to wonder just how messed up the folks that strolled through the aisles of the A&P; really were. He would always come to the same conclusion. That was that society had diminished the aspects of a meaningful life into an obscured picture of true happiness. The joy and fulfillment of a good life was now just strolling up and down the aisles of the neighborhood grocery store, taking food off the shelves like zombies, and paying for it with the money that they made working the same sort of depressing job. It was a twisted cycle that Sammy knew he had to break free from.
Brittany Ryan Mar 2015
you never realize how significant a moment is until it becomes a memory
good or bad, memories mark significance

like the time you snuck out of your best friend's house
you got stuck in the window and laughed so hard you peed your pants

or the time you got out of the hospital
the start of your life living with your sister

at first, it was the best thing that could've happened
until your happiness, once again, blackened

and when you moved to your father's,
the blackness began to diminish into pure white joy

so many memories are stored in your brain
so much happiness and so much pain

like the day you wreck you mother's car
compared to that day, you've come so far

or the day your nephew Sammy was born
you thought seeing your sister give birth would be the most awkward thing in the world
but when you saw his head, suddenly he was the only thing in the world

you have friends and family who care about you so much
you're 16 years old, 17 in three months

one year closer to 18 doesn't seem like much
but soon you'll realize that your life is about to change

someday you'll look back on this poem
and when you do, hopefully you'll realize that your 16-year-old self wasn't all that broken
this poem is more personal than anything, so I do very much realize that it isn't my best. :p
Ronda Miller May 2015
Sammy wants to brush my
hair, but it's an excuse to eat
it. Hands surprisingly large for
his age, he leans fully into me, puts
his entire face into my hair, breathes deeply and takes it into his mouth. "Eeew," the other children squeal. "He's eating your hair! He's leaving slobbers!" I remind him not to eat
my hair.  "But it tastes so good!" he says as he takes in another mouthful. He eats only peanut butter and jelly sandwiches, cookies, Cheerios, and drinks milk or apple juice. His new friend, who goes to the same school
in the morning but is brought on a different bus to my house at noon, is more limited in his food choices. Brian only eats dry Cheerios and plain flour tortillas. I remind myself to buy a family size box of Cheerios the next time I go to the store. Brian always holds two rocks in his hands, doesn't speak, but does scream loud frequently. When I wash his hands, I wash the rocks lovingly before I give them back to him. Sammy stops running through the yard, tapping everything with the yellow Little Tykes hammer I've been meaning to throw away daily, long enough to put his
arm around Brian, says, "What's wrong, little buddy?" before he begins tapping wildly again with the hammer. He taps the 14 year old Persian cat, who looks more than irritated as he moves quickly through the yard. He taps my arm, heads in the direction of my car, I steer him in a different direction. His father arrives to pick him up, asks, "Did he have a good day?" I lie, say, "Yes!" Brian screams more loudly when he sees Sammy is leaving. I remind him he still has his rocks in his hands. I pick up the Little Tykes hammer, make my way around the yard tapping on everything, listening to the different sounds it makes, so new to my ears.
JAM Oct 2021
Oh, my name is Jack Stewart,
I’m a canny gang man
And a rovin’ young fellow I’ve been.

I’m a piper by trade,
I’m a ramblin’ young blade,
And ‘tis many the tune I can play.

Now here’s a simple song
To say what they done.
I told them about all those fears
And away they did run.
they sure must be strong,
And they feel like an ocean
Being warmed by the sun.

Their mouth is open wide,
The lover is inside
And the tumults done.
Collided with the sign,
They're staring at the sun,
They're standing in the sea.

I’ve got acres of land.
I’ve got men at command.
I’ve always a dollar to spare.

Note the trees because the
Dirt is temporary.
More to mine than fact, face,
Name, and monetary.

Put money in my hand and I will do the things you want me to.
Vanity overriding wisdom, usually common sense.
Should I delete it? they said they'd read it.
They promised they would never ruin it with sequels.

So come fill up your glasses of brandy and wine.
Whatever it costs, I will pay.
So be easy and free when you're drinking with me,
I'm a man you don't meet every day.

Now picture this, I'm a bag of *****, put me to your lips
I am sick, I will punch a baby bear in his ****
Give me lip, I'ma send you to the yard, get a stick
Make a switch, I can end the conversation real quick
Okay nobody speak, nobody get choked
You wanna here a good joke?

The comedy of man starts like this:
Our brains are way too big for our mothers' hips,
And so nature, she devised this alternative:
We emerge half-formed and hope
whoever greets us on the other end
Is kind enough to fill us in.
And babies, that's pretty much how it's been ever since.

Now the miracle of birth leaves a few issues to address.
Like, say, that half of us are periodically iron deficient.
So, somebody's gotta go **** something
While she looks after the kids.
She'd do it herself, but what, is he gonna get this thing its milk?
He says as soon as he gets back from the hunt, we can switch.
It's hard not to fall in love with something so helpless.
Ladies, I hope we don't end up regretting this.

That was then,
this is the twenty-first century,
And there’s too much aggravation.
It's the age of insanity,
What has become of the green pleasant fields of Jerusalem?

This is the age of machinery,
A mechanical nightmare,
The wonderful world of technology,
****** hydrogen bombs biological warfare.

There used to be a guy for this type of thing,
An underwater guy who controlled the sea,
Got killed by ten million pounds of sludge from New York
and New Jersey.

Water dissolving and water removing
There is water at the bottom of the ocean
Under the water, carry the water
Remove the water at the bottom of the ocean
Water dissolving and water removing.

Then there’s the creature in the sky
Got ****** in a hole, now there's a hole in the sky
And the ground's not cold.
And if the ground's not cold, everything is gonna burn.
We'll all take turns,
I'll get mine too.

Letting the days go by, let the water hold me down
Letting the days go by, water flowing underground
Into the cold again after the money's gone
Once in a lifetime, water flowing underground.

So I ain't got no ambition, I'm just disillusioned.
I'm a twenty-first century man but I don't wanna be here.
My mama said she can't understand me,
She can't see my motivation.
Just give me some security,
I'm a paranoid schizoid product of the twenty-first century.

When I was young, it seemed that life was so wonderful
A miracle, oh it was beautiful, magical.
And all the birds in the trees, well they'd be singing so happily
Oh joyfully, playfully watching me.
But then they send me away to teach me how to be sensible
Logical, oh responsible, practical.
And they showed me a world where I could be so dependable
Oh clinical, oh intellectual, cynical.

Then I had visions, I was in them.
I was looking into the mirror
To see a little bit clearer
The rottenness and evil in me.

You know I think my schooling was phoney?
I guess it's hard not to agree.
You say, "It all depends on money
And who is in your family tree."
Right (right), you're ****** well right,
You got a ****** right to say.
Right, you're ****** well right,
You know, you got a right to say.

Been around the world and found
That only stupid people are breeding,
The cretins cloning and feeding,
And I don't even own a TV.

Put me in the hospital for nerves
And then they had to commit me.
You told them all I was crazy.
They cut off my legs, now I'm an amputee,
******* you.

I don't need no education.
We don't need no thought control,
No dark sarcasm in the classroom.
Teacher, leave us kids alone.
Hey! Uncle Sam! Leave us kids alone!

We wanna grow up to be
A debaser.

“Look at me, look at me
Hands in the air like it's good to be
Alive and I'm a famous rapper,
Even when the paths are all crookedy.
I can show you how to do-see-do.
I can show you how to scratch a record.
I can take apart the remote control,
And I can almost put it back together.
I can tie a knot in a cherry stem.
I can tell you about Leif Erikson.
I know all the words to "De Colores",
And "I'm proud to be an American".
Me and my friend saw a platypus.
Me and my friend made a comic book.
And guess how long it took.
I can do anything that I want cuz

Who gives a **** about an Oxford comma?
I've seen those English dramas too; they're cruel.

So, why would you speak to me that way?
Especially when I always said that I
Haven't got the words for you.
All your diction dripping with disdain,
Through the pain, I always tell the truth.”

“Look at me, look at me
Just called to say that it's good to be
Alive in such a small world.
I'm all curled up with a book to read
I can make money open up a thrift store.
I can make a living off a magazine.
I can design an engine
sixty four miles to a gallon of gasoline.
I can make new antibiotics.
I can make computers survive aquatic conditions.
I know how to run a business,
And I can make you wanna buy a product.
Movers shakers and producers,
Me and my friends understand the future.
I see the strings that control the system.
I can do anything with no assistance because

I give a **** about the Oxford Comma!
I climbed to Dharamsala too, I did.
I met the highest Lama.
His accent sounded fine to me.

Now, why would you speak to me that way?
Especially when I always said that I
Haven't got the words for you.
All your diction dripping with disdain,
Through the pain, I always tell the truth”

Comedy, now that's what I call pure comedy.
Just wait until the part where they start to believe
They're at the center of everything
And some all-powerful being
Endowed this horror show with meaning.

Now, Uncle Sammy, did you hear about this one?
Tell me, are you locked in the punch?
Sammy, are you grinding on a pelvis?
Hey baby, are you losing touch?

If you believed they put a man on the moon,
If you believe there's nothing up his sleeve,
Then nothing is cool.

Moses went walking with the staff of wood.
Newton got beaned by the apple good.
Egypt was troubled by the horrible asp.
Mister Charles Darwin had the gall to ask.
Well I took out my dogs and them I did shoot,
All down in the county Kildare.
So be easy and free when you're drinking with me,
I'm a man you don't meet every day

And in the Twenty-First Century
From the height of the highway onramp we saw,
Two dogs, dead in a field,
Glowing on the oakland coliseum green seats wasteland,
Dogs, dogs we thought were dead,
They rose up, rose up when whistled at,
their rib cage inflating like men on the beach being photographed,
A guard dog, guard dog, for what? for what?
Against tofers ellis pennyless athletics fanatics,
Getting into games through a whole in the fence,
For the owner of the blue tarp tent,
Pitched by a creek beneath an onramp,
In the privacy of the last three,
Skin and bony tree, devoid of leaves,
And us undeceased, and our new cds,
Dippin' on goodies, oakland
it's hard to stand the sight of two dogs dead under a sky so blue.

But you think you can tell
Heaven from hell?
Blue skies from pain?
Can you tell a green field
From a cold steel rail?
A smile from a veil?
Do you think you can tell?

I’ll say they secretly long to be some part of a car crash,
Long to see their arms stripped of the tendons,
The ****** of swelling exposed veins,
Webbing the back of their hands,
To be a red tendoned dog,
To be red tendoned dogs,
Blood breathing by the side of the highway.

Oh, their religions are the best.
They worship themselves yet they're totally obsessed
With risen zombies, celestial virgins, magic tricks.
These unbelievable outfits.
And they get terribly upset
When you question their sacred texts,
Written by woman-hating epileptics.
Their languages just serve to confuse them.
Their confusion somehow makes them more sure.
They build fortunes poisoning their offspring,
And hand out prizes when someone patents a cure.
Where did they find these goons they elected to rule them?
What makes these clowns they idolize so remarkable?
These mammals are hell-bent on fashioning new gods
So they can go on being thoughtless animals.

See the dwarfs an' see the giants,
Which one would you choose to be?
And if you can't get that together
Here's the answer, here's the key.
You can freeze like a a man of century thirty.

I'll save my breath and take it with me
Till a hundred years and so
Shame you won't be there to see me
Shaking hands with Charles de Gaulle.
Play it cool an' Saran wrap all you can
Be a century thirty man,
You can freeze like a century thirty man

So I live like everyday is my last,
But I plan for tomorrow as if I will never pass.
A Pharoah on the subway
Who never had dreams of jets but fell asleep on run ways.
I just know that one day, that anything I needed I could mold.
Get everything you want it ain't always good for the soul.
A mix of self-worth, some help, a little control,
And I don't know the rest, good as mine is your guess,
The recipe ain't the best, to make it though is our quest,
And if you choose to accept, the meaning of life is yes.

So, we ain't going to the town,
We're going to the city.
Gonna trek this **** around
And make this place a heart to be a part of, again.

That’s the dream but
There are times when all the world's asleep,
The questions run too deep
For such a simple man.
Won't you please, please tell me what we've learned.
I know it sounds absurd,
Please tell me who I am.

Is this my starring role
Or just a cameo?
Who am I living for?
Well, I can't take no more,
'Cuz when it rains, it pours
What am I living for?
I don't got much, but I got heart and soul.
I found myself through all the highs and lows.
Oh Will I drown in the pain,
Or go dance in the rain?
What am I living for?

So, I can lead a nation with a microphone?
And I can split the atom of a molecule?
Look at me, look at me
Drivin' and I won't stop
And it feels so good to be alive and on top
My reach, is global
My tower, secure
My cause, is noble
My power,
is pure.

And it’s the end of the world as we know it.
it starts with an earthquake
Birds and snakes, and aeroplanes
And Lenny Bruce is not afraid
In the eye of a hurricane, listen to yourself churn
World serves its own needs
Don't mis-serve your own needs
Speed it up a notch, speed, grunt, no, strength
The ladder starts to clatter
With a fear of height, down, height
Wire in a fire, represent the seven games
And a government for hire and a combat site
Left her, wasn't coming in a hurry
With the Furies breathing down my neck.

Paranoia, paranoia,
Everybody's coming to get me.
Just say you never met me,
I'm running underground with the moles, digging holes.
Hear the voices in my head,
I swear to God it sounds like they're snoring.
But if you're bored, then you're boring.
The agony and the irony, they're killing me.

I’m dead but the world keeps spinning.
Take a spin through the world I left,
It's getting dark a little too early.
Am I missing the dearly bereft?

Timmy, Timmy, Timmy Turner
He was wishin' for a burner
To **** everybody walkin'
He knows that his soul in the furnace

Young man walkin', wishin' for a burner
Four, five, six, ten ratchets on 'em
Ten men with 'em, ten clappin' on 'em
Dead men with 'em, dead men, get 'em
Four-five rip 'em, four-five zip 'em
You talk money, young men get 'em
Beluga, beluga, beluga
he fell in love with the Ruger
he fell in love with his jeweler
he fell in love with the mullah
It's all about the rule
It's all about the move
It's all about the rules

That was then,
Now I am a man, man, man,
Up, up in the air
And I run around, round, round, round
this downtown and act like I don't care.
So when you see me flying by the planet's moon,
You don't need to explain if everything's changed
Just know I'm just like you.

So I pull the switch, the switch, the switch inside my head.
And I see black, black, green,
and brown, brown, brown and blue, yellow, violets, red.
And suddenly a light appears inside my brain
And I think of my ways,
I think of my days
and know that I have changed.

So, be easy and free,
when you’re drinkin’ with me
I’m a man you don’t meet every day.
a lyric poem
raw with love Feb 2014
you're made of stardust and dreams
and scattered wishes
you're art and love
and this pretty soul
you're dark as coffee
and sweet as chocolate
and broken
unfinished, so on and so forth...
but guess what?
i'm addicted to coffee
and chocolate's my drug
and i live to fix the broken
and i love to finish what's unfinished
so my darling,
you're in safe hands:
you have my heart
my soul
my art
sempiternally yours
EJ Aghassi Sep 2013
it's been some time coming
centuries passed
 
since i was able to
see you last
 
cruel fate showing
its shadow cast
 
how our time ended
much too fast
 
your silhoutte
your dainty steps
how i could hear you
when you slept
 
your short hair
and chocolate skin
the enchanting way
your face brightened
 
unconditional
unforgettable
love that was lost
unrelievable
 
green eyes searing
into my skin
 
you taught me how to love again
 
now long gone
my dearest friend
 
you've taught me how to miss again
puppy love.

— The End —