Fashion, fun and entertainment will feature on August 1 when Hospice West Auckland and national business networking organisation BNI New Zealand partner to present the Absolutely Fabulous Fashion Show, proudly supported by major sponsor Douglas Pharmaceuticals.

Returning due to popular demand, the outrageous fashion fundraising event features upcycled outfits sourced from donations to West Auckland Hospice Shops. Included in the evening is a ‘Designer Clothes Sale’ featuring garments seen on the catwalk, which will be available to purchase on the night. Modelling the clothes will be celebrities, prominent Aucklanders, Hospice staff and professional models.

Award winning ‘Comedienne of the Decade’ and celebrity host for the evening Michele A’Court was delighted to be asked to MC the event. “It just sounds like tremendous fun and I am a sucker for Hospice fundraisers, so I jumped at the chance to be involved. Also, I am a massive fan of op shops, so how could I resist?”

CEO of Hospice West Auckland, Barbara Williams said, “We know the audience is in for a very special night for a great cause, with lots of laughs. We also want to showcase the fabulous range of designer clothing that donors so generously give us, and to highlight the quality of garments available from our Hospice Shops. Op shopping is good for your wallet, the planet and your community and we are keen to show that it can also be brilliant for your wardrobe.”

Barbara is delighted to welcome Douglas Pharmaceuticals as the major sponsor this event. “Douglas is a key supporter of Hospice West Auckland and Founder Sir Graeme Douglas has been our Patron since 1996. We are thrilled to have Jeff Douglas, Managing Director, continuing their support and appreciate his commitment to this event.”

Barbara acknowledges the support of long-time partner BNI NZ as a major asset for the event. “BNI’s networking groups up and down the country have supported Hospice for many years and raised over a million dollars for Hospice nationally.”

“Our long standing relationships with Douglas and BNI NZ and are very important to us, not only financially but also in terms of engaging with the communities their businesses operate in.”

Graham Southwell, National Director of BNI NZ, says BNI has a strong presence in West Auckland with a lot of local businesses participating in its networking groups. “Hospice West Auckland approached us because they know that we have active local business members in the community that could provide resources and help make this event even bigger and better this year,” Graham says. “It’s exciting to work with Hospice and use our expertise in BNI to help collaboratively put on the event. At BNI we are all about creating strong relationships in the community and Hospice have come to us because of our network and assistance with logistics as well as getting the word out about this fabulous event.”

Guests will be able to purchase some fabulous fashion, bid on a range of exciting auction items as well as enjoy wine, canapés and live music. All proceeds from the event will go to Hospice West Auckland, who provides free palliative care and support to patients and families living with terminal and life-limiting illness.Read more here:www.marieaustralia.com/long-formal-dresses | www.marieaustralia.com/formal-dresses-2015

there are so many places to hide,

in my home at 17th and South screaming death threats at my roommates laughing diabolically playing  videogames and Jeopardy cooking quinoa stretching canvas the dog going mad frothing lunging  spastic to get the monkeys or the wookies or whatever random commandments we issue forth  drunken while Schlock rampages the backdrop,

at my uncle's row house on 22nd and Wallace with my shoes off freezing skipping class to watch March  Madness unwrapping waxpaper hoagies grimacing with each sip of Cherrywine or creamsicle  soda reading chapters at my leisure,

in the stacks among fiberglass and eternal florescent lima-tiled and echo-prone red-eyed and white-faced  caked with asbestos and headphones exhuming ossified pages from layers of cosmic dust  presiding benevolent,

in University City disguised in nothing but a name infiltrating Penn club soccer getting caught after  scoring yet still invited to the pure ***** joy of hell and heaven house parties of ice luge jungle  juice kegstand coke politic networking,

at Drexel's nightlit astroturf with the Jamaicans rolling blunts on the sidelines playing soccer floating in  slo-mo through billows of purple till the early morning or basketball at Penn against goggle- eyed professors in kneepads and copious sweat,

in the shadow tunnels behind Franklin Field always late night loner overlooking rust belt rails abandoned  to an absent tempo till tomorrow never looking behind me in the fear that someone is there,

at Phillies Stadium on glorious summer Tuesdays for dollar dog night laden with algebra geometry and  physics purposely forgetting to apply ballistics to the majestic arc of a home run or in the frozen  subway steam selling F.U. T.O. t-shirts to Eagles fans gnashing when the Cowboys come to town,

at 17th and Sansom in the morning bounding from Little Pete's scrambled eggs toast and black coffee  studying in the Spring thinking All is Full of Love in my ears leaving fog pollen footprints on the  smoking cement blooming,

at the Shambhala Center with dharma lotus dripping from heels soaking rosewater insides thrumming to the  groan of meditation,

at the Art Museum Greco-fleshed and ponderous counting tourists running the Rocky steps staring into shoji screen tatame teahouses,

at the Lebanese place plunked boldly in Reading Terminal Market buying hummus bumping past the Polish  and Irish on my way to the Amish with their wheelwagons packed with pretzels and honey and  chocolate and tea,

at the motheaten thrift store on North Broad buried under sad accumulations of ramshackle clothing  clowning ridiculous in the dim squinting at coathangers through magnifying glasses and mudflat  leather hoping to salvage something insane,

in the brown catacombed warrens of gutted Subterranea trying unsuccessfully to ignore bearded medicine

men adorned with shaman shell necklaces hawking incense bootlegs and broken Zippos halting conversation to listen pensive to the displacement of air after each train hurtles by,

at 30th Street Station cathedral sitting dwarfed by columns Herculean in their ascent and golden light  thunderclap whirligig wings on high circling the luminous waiting sprawled nascent on stringwood pews,

at the Masonic Temple next to City Hall, pretending to be a tourist all the while hoping scouring for clues in the cryptic grand architect apocrypha to expose global conspiracies,

at the Trocadero Electric Factory TLA Khyber Unitarian Church dungeon breaking my neck to basso  perfecto glitch kick drums with a giant's foot stampeding breakbeat holographic mind-boggled  hole-in-the-skull intonations,

at the Medusa Lounge Tritone Bob and Barbara's Silk City et cetera with a pitcher a pounder of Pabst and a  shot of Jim Beam glowing in the dark at the foosball table disco ball bopstepping to hip hop and  jazz and accordions and piano and vinyl,

in gray Fishtown at Gino's recording rap holding pizza debates on the ethics of sampling anything by  David Axelrod rattling tambourines and smiles at the Russian shopgirl downstairs still chained to  soul record crackles of antiquity spiraling from windows above,

at Sam Doom's on 12th and Spring Garden crafting friendship in greenhouse egg crate foam closets  breaking to scrutinize cinema and celebrate Thanksgiving blessed by holy chef Kronick,

in the company of Emily all over or in Kohn's Antiques salvaging for consanguinity and quirky heirlooms  discussing mortality and cancer and celestial funk chord blues as a cosmological constant and  communism and Cuba over mango brown rice plantains baking oatmeal chocolate chip cookies,

in a Coca Cola truck riding shotgun hot as hell hungover below the raging Kensington El at 6 AM nodding soft to the teamsters' curses the snagglesouled destitute crawling forth poisoned from sheet-metal shanty cardboard box projects this is not desolate,

at the impound lot yet again accusing tow trucks of false pretext paying up sheepish swearing I'll have my  revenge,

in the afterhour streets practicing trashcan kung fu and cinder block shotput shouting sauvage operatic at  tattooed bike messenger tribesmen pitstopped at the food trucks,

in the embrace of those I don't love the names sometimes rush at me drowned and I pray to myself for  asylum,

in the ciphers I host always at least 8 emcee lyric clerics summoning elemental until every pore ruptures  and their eyes erupt furious forever the profound voice of dreadlocked Will still haunting stray  bullet shuffles six years later,

in the caldera of Center City with everyone craning our skulls skyward past the stepped skyscrapers  beaming ear-to-ear welcoming acid sun rain melting maddeningly to reconstitute as concrete  rubber steel glass glowing nymphs,

in Philadelphia where every angle is accounted for and every megawatt careers into every throbbing wall where  Art is a mirror universe for every event ever volleyed through the neurons of History,

in Philadelphia of so many places to hide I am altogether as a funnel cloud frenetic roiling imbuing every corner sanctum sanctorum with jackhammer electromagnetism quivering current realizing stupefied I have failed so utterly wonderful human for in seeking to hide I have found

in Philadelphia

Here is a primer on the history of poetry

Features of Modernism

To varying extents, writing of the Modernist period exhibits these features:

1. experimentation

belief that previous writing was stereotyped and inadequate
ceaseless technical innovation, sometimes for its own sake
originality: deviation from the norm, or from usual reader expectations
ruthless rejection of the past, even iconoclasm

2. anti-realism

sacralisation of art, which must represent itself, not something beyond preference for allusion (often private) rather than description
world seen through the artist's inner feelings and mental states
themes and vantage points chosen to question the conventional view
use of myth and unconscious forces rather than motivations of conventional plot

3. individualism

promotion of the artist's viewpoint, at the expense of the communal
cultivation of an individual consciousness, which alone is the final arbiter
estrangement from religion, nature, science, economy or social mechanisms
maintenance of a wary intellectual independence
artists and not society should judge the arts: extreme self-consciousness
search for the primary image, devoid of comment: stream of consciousness
exclusiveness, an aristocracy of the avant-garde

4. intellectualism

writing more cerebral than emotional
work is tentative, analytical and fragmentary, more posing questions more than answering them
cool observation: viewpoints and characters detached and depersonalized
open-ended work, not finished, nor aiming at formal perfection
involuted: the subject is often act of writing itself and not the ostensible referent

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Expressionism

Expressionism was a phase of twentieth-century writing that rejected naturalism and romanticism to express important inner truths. The style was generally declamatory or even apocalyptic, endeavoring to awaken the fears and aspirations that belong to all men, and which European civilization had rendered effete or inauthentic. The movement drew on Rimbaud and Nietzsche, and was best represented by German poetry of the 1910-20 period. Benn, Becher, Heym, Lasker-Schüler, Stadler, Stramm, Schnack and Werfel are its characteristic proponents, {1} though Trakl is the best known to English readers. {2} {3}

Like most movements, there was little of a manifesto, or consensus of beliefs and programmes. Many German poets were distrustful of contemporary society — particularly its commercial and capitalist attitudes — though others again saw technology as the escape from a perceived "crisis in the old order". Expressionism was very heterogeneous, touching base with Imagism, Vorticism, Futurism, Dadaism and early Surrealism, many of which crop up in English, French, Russian and Italian poetry of the period. Political attitudes tended to the revolutionary, and technique was overtly experimental. Nonetheless, for all the images of death and destruction, sometimes mixed with messianic utopianism, there was also a tone of resignation, a sadness of "the evening lands" as Spengler called them.

Expressionism also applies to painting, and here the characteristics are more illuminating. The label refers to painting that uses visual gestures to transmit emotions and emotionally charged messages. In the expressive work of Michelangelo and El Greco, for example, the content remains of first importance, but content is overshadowed by technique in such later artists as van Gogh, Ensor and Munch. By the mid twentieth-century even this attenuated content had been replaced by abstract painterly qualities — by the sheer scale and dimensions of the work, by colour and shape, by the verve of the brushwork and other effects.

Expressionism often coincided with rapid social change. Germany, after suffering the horrors of the First World War, and ineffectual governments afterwards, fragmented into violently opposed political movements, each with their antagonistic coteries and milieu. The painting of these groups was very variable, but often showed a mixture of aggression and naivety. Understandably unpopular with the establishment  — denounced as degenerate by the Nazis — the style also met with mixed reactions from the picture-buying public. It seemed to question what the middle classes stood for: convention, decency, professional expertise. A great sobbing child had been let loose in the artist's studio, and the results seemed elementally challenging. Perhaps German painting was returning to its Nordic roots, to small communities, apocalyptic visions, monotone starkness and anguished introspection.

What could poetry achieve in its turn? Could it use some equivalent to visual gestures, i.e. concentrate on aspects of the craft of poetry, and to the exclusion of content? Poetry can never be wholly abstract, a pure poetry bereft of content. But clearly there would be a rejection of naturalism. To represent anything faithfully requires considerable skill, and such skill was what the Expressionists were determined to avoid. That would call on traditions that were not Nordic, and that were not sufficiently opposed to bourgeois values for the writer's individuality to escape subversion. Raw power had to tap something deeper and more universal.

Hence the turn inward to private torments. Poets became the judges of poetry, since only they knew the value of originating emotions. Intensity was essential.  Artists had to believe passionately in their responses, and find ways of purifying and deepening those responses — through working practices, lifestyles, and philosophies. Freud was becoming popular, and his investigations into dreams, hallucinations and paranoia offered a rich field of exploration. Artists would have to glory in their isolation, moreover, and turn their anger and frustration at being overlooked into a belief in their own genius. Finally, there would be a need to pull down and start afresh, even though that contributed to a gradual breakdown in the social fabric and the apocalypse of the Second World War.

Expressionism is still with us. Commerce has invaded bohemia, and created an elaborate body of theory to justify, support and overtake what might otherwise appear infantile and irrational. And if traditional art cannot be pure emotional expression, then a new art would have to be forged. Such poetry would not be an intoxication of life (Nietzsche's phrase) and still less its sanctification.  Great strains on the creative process were inevitable, moreover, as they were in Georg Trakl's case, who committed suicide shortly after writing the haunting and beautiful piece given below

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SYMBOLIST POETS
symbolism in poetry

Symbolism in literature was a complex movement that deliberately extended the evocative power of words to express the feelings, sensations and states of mind that lie beyond everyday awareness. The open-ended symbols created by Charles Baudelaire (1821-67) brought the invisible into being through the visible, and linked the invisible through other sensory perceptions, notably smell and sound. Stéphane Mallarmé (1842-98), the high priest of the French movement, theorized that symbols were of two types. One was created by the projection of inner feelings onto the world outside. The other existed as nascent words that slowly permeated the consciousness and expressed a state of mind initially unknown to their originator.

None of this came about without cultivation, and indeed dedication. Poets focused on the inner life. They explored strange cults and countries. They wrote in allusive, enigmatic, musical and ambiguous styles. Rimbaud deranged his senses and declared "Je est un autre". Von Hofmannstahl created his own language. Valéry retired from the world as a private secretary, before returning to a mastery of traditional French verse. Rilke renounced wife and human society to be attentive to the message when it came.

Not all were great theoreticians or technicians, but the two interests tended to go together, in Mallarmé most of all. He painstakingly developed his art of suggestion, what he called his "fictions". Rare words were introduced, syntactical intricacies, private associations and baffling images. Metonymy replaced metaphor as symbol, and was in turn replaced by single words which opened in imagination to multiple levels of signification. Time was suspended, and the usual supports of plot and narrative removed. Even the implied poet faded away, and there were then only objects, enigmatically introduced but somehow made right and necessary by verse skill. Music indeed was the condition to which poetry aspired, and Verlaine, Jimenez and Valéry were among many who concentrated efforts to that end.

So appeared a dichotomy between the inner and outer lives. In actuality, poets led humdrum existences, but what they described was rich and often illicit: the festering beauties of courtesans and dance-hall entertainers; far away countries and their native peoples; a world-weariness that came with drugs, isolation, alcohol and bought ***. Much was mixed up in this movement — decadence, aestheticism, romanticism, and the occult — but its isms had a rational purpose, which is still pertinent. In what way are these poets different from our own sixties generation? Or from the young today: clubbing, experimenting with relationships and drugs, backpacking to distant parts? And was the mixing of sensory perceptions so very novel or irrational? Synaesthesia was used by the Greek poets, and indeed has a properly documented basis in brain physiology.

What of the intellectual bases, which are not commonly presented as matters that should engage the contemporary mind, still less the writing poet? Symbolism was built on nebulous and somewhat dubious notions: it inspired beautiful and historically important work: it is now dead: that might be the blunt summary. But Symbolist poetry was not empty of content, indeed expressed matters of great interest to continental philosophers, then and now. The contents of consciousness were the concern of Edmund Husserl (1859-1938), and he developed a terminology later employed by Heidegger (1889-1976), the Existentialists and hermeneutics. Current theories on metaphor and brain functioning extend these concepts, and offer a rapprochement between impersonal science and irrational literary theory.

So why has the Symbolism legacy dwindled into its current narrow concepts? Denied influence in the everyday world, poets turned inward, to private thoughts, associations and the unconscious. Like good Marxist intellectuals they policed the area they arrogated to themselves, and sought to correct and purify the language that would evoke its powers. Syntax was rearranged by Mallarmé. Rhythm, rhyme and stanza patterning were loosened or rejected. Words were purged of past associations (Modernism), of non-visual associations (Imagism), of histories of usage (Futurism), of social restraint (Dadaism) and of practical purpose (Surrealism). By a sort of belated Romanticism, poetry was returned to the exploration of the inner lands of the irrational. Even Postmodernism, with its bric-a-brac of received media images and current vulgarisms, ensures that gaps are left for the emerging unconscious to engage our interest

......................

.
IMAGIST POETRY
imagist poetry

Even by twentieth-century standards, Imagism was soon over. In 1912 Ezra Pound published the Complete Poetical Works of its founder, T.E. Hulme (five short poems) and by 1917 the movement, then overseen by Amy Lowell, had run its course. {1} {2} {3} {4} {5} The output in all amounted to a few score poems, and none of these captured the public's heart. Why the importance?

First there are the personalities involved — notably Ezra Pound, James Joyce, William Carlos Williams {6} {7} {8} {9} — who became famous later. If ever the (continuing) importance to poets of networking, of being involved in movements from their inception, is attested, it is in these early days of post-Victorian revolt.

Then there are the manifestos of the movement, which became the cornerstones of Modernism, responsible for a much taught in universities until recently, and for the difficulties poets still find themselves in. The Imagists stressed clarity, exactness and concreteness of detail. Their aims, briefly set out, were that:

1. Content should be presented directly, through specific images where possible.
2. Every word should be functional, with nothing included that was not essential to the effect intended.
3. Rhythm should be composed by the musical phrase rather than the metronome.

Also understood — if not spelled out, or perhaps fully recognized at the time — was the hope that poems could intensify a sense of objective reality through the immediacy of images.

Imagism itself gave rise to fairly negligible lines like:

You crash over the trees,
You crack the live branch…  (Storm by H.D.)

Nonetheless, the reliance on images provided poets with these types of freedom:

1. Poems could dispense with classical rhetoric, emotion being generated much more directly through what Eliot called an objective correlate: "The only way of expressing emotion in the form of art is by finding an 'objective correlative'; in other words, a set of objects, a situation, a chain of events which shall be the formula of that particular emotion; such that when the external facts, which must terminate in sensory experience, are given, the emotion is immediately evoked." {10}

2. By being shorn of context or supporting argument, images could appear with fresh interest and power.

3. Thoughts could be treated as images, i.e. as non-discursive elements that added emotional colouring without issues of truth or relevance intruding too mu
...............
PROSE BASED POETRY
prose based poetry

When free verse lacks rhythmic patterning, appearing as a lineated prose stripped of unnecessary ornament and rhetoric, it becomes the staple of much contemporary work. The focus is on what the words are being used to say, and their authenticity. The language is not heightened, and the poem differs from prose only by being more self-aware, innovative and/or cogent in its exposition.

Nonetheless, what looks normal at first becomes challenging on closer reading — thwarting expectations, and turning back on itself to make us think more deeply about the seemingly innocuous words used. And from there we are compelled to look at the world with sharper eyes, unprotected by commonplace phrases or easy assumptions. Often an awkward and fighting poetry, therefore, not indulging in ceremony or outmoded traditions.
What is Prose?

If we say that contemporary free verse is often built from what was once regarded as mere prose, then we shall have to distinguish prose from poetry, which is not so easy now. Prose was once the lesser vehicle, the medium of everyday thought and conversation, what we used to express facts, opinions, humour, arguments, feelings and the like. And while the better writers developed individual styles, and styles varied according to their purpose and social occasion, prose of some sort could be written by anyone. Beauty was not a requirement, and prose articles could be rephrased without great loss in meaning or effectiveness.

Poetry, though, had grander aims. William Lyon Phelps on Thomas Hardy's work: {1}

"The greatest poetry always transports us, and although I read and reread the Wessex poet with never-lagging attention — I find even the drawings in "Wessex Poems" so fascinating that I wish he had illustrated all his books — I am always conscious of the time and the place. I never get the unmistakable spinal chill. He has too thorough a command of his thoughts; they never possess him, and they never soar away with him. Prose may be controlled, but poetry is a possession. Mr. Hardy is too keenly aware of what he is about. In spite of the fact that he has written verse all his life, he seldom writes unwrinkled song. He is, in the last analysis, a master of prose who has learned the technique of verse, and who now chooses to express his thoughts and his observations in rime and rhythm."

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OPEN FORMS IN POETRY
open forms in poetry

Poets who write in open forms usually insist on the form growing out of the writing process, i.e. the poems follow what the words and phrase suggest during the composition

The 9.6 million followers who tune in to watch Miranda Kerr having her hair done on Instagram — for this is how models spend most of their time — were treated to a rather more interesting sight last Thursday: a black and white photograph of a whacking great diamond ring.

Across it was the caption “Marry me!” and a twee animation of the tech mogul Evan Spiegel on bended knee. Underneath Kerr had typed “I said yes!!!” and an explosion of heart emojis.

A spokesman for Spiegel, founder of the Snapchat mobile app, who is 26 to Kerr’s 33 and worth $US 2.1 billion to her $US 42.5 million , revealed “they are very happy”.

At first, the marriage seems an unlikely combination: a man so bright he founded Snapchat while still at Stanford University, becoming one of the world’s youngest self-made billionaires by 22, and a Victoria’s Secret model who was previously married to the Pirates of the Caribbean star Orlando Bloom (she allegedly had a fling with pop brat Justin Bieber, leading Bloom to punch Beebs in a posh Ibiza restaurant).

Perhaps the union indicates that there is more to Kerr than we thought. More likely, it reveals something about Spiegel — and the way the social status of “geeks” has changed.

Since Steve Jobs made computers cool and Millennials started living online, nerds are king. Even coding is **** enough for the model Karlie Kloss, singer will.i.am and actor Ashton Kutcher to learn it. Silicon Valley has become the new Hollywood, as moguls and social media barons take over from film stars and sportsmen not just on rich lists, but as alpha men.

Being a co-founder of a company is this decade’s equivalent to being a rock star or a chef. And, if their attractiveness to models and actresses proves anything, then being a Twag — tech wife or girlfriend — is a “thing”. Sources tell me Twags are also known as “founder-hounders” because they like to date the creators of start-up companies.

Actress Talulah Riley was an early adopter. She started dating the PayPal founder Elon Musk in 2008. Riley, then fresh from starring in the St Trinian’s film, met Musk in London’s Whisky Mist nightclub after he had delivered a lecture at the Royal Aeronautical Society. I interviewed her shortly afterwards and she told me they had spent the evening talking about “quantum physics”. A month later they were engaged. Their on-again-off-again marriage lasted six years before she filed for divorce again in March. Currently Musk, worth an estimated $US 12.7 billion and focused on Tesla cars, is said to be “spending a lot of time” with Johnny Depp’s estranged wife, Amber Heard.

Model Lily Cole dated the Twitter founder Jack Dorsey in 2013. Later she had a son with Kwame Ferreira, founder of the digital innovation agency Kwamecorp. Actress Emma Watson is going out with William Knight, an “adventurer” who has an incredibly boringly sounding job as a senior manager at Medallia, a software company. Allison Williams, Marnie in the HBO television show Girls, is married to Ricky Van Veen, co-founder of College Humor website.

Could it be that these women are onto something? Dating a bro certainly has its appeal. They are innovative: how else would they invent apps that deliver cheese toasties or match singles based on their haircuts? They are risk-takers who must be charismatic enough to inspire investors and attract crowd-funding. They may not be gym-fit, but they are mathletes who can do your tax bill. They are animal lovers: every start-up is dog friendly. And they are fun: who would not want to date somebody with a ball pool in their office?

There is a saying about dating in Silicon Valley: the odds are good but the goods are odd. Nerds are notorious for peculiar chat-up lines and normcore clothes. Still, if geeks can be awkward, that is part of their charm. Keira Knightley, complaining that Silicon Valley was all men in hoodies and Crocs, described how one gave her his card, saying she should get in touch if she wanted to see a spaceship.

One Vogue writer recalled a Silicon Valley man messaging her via a dating app, in which he noted: “In 50 per cent of your photos you’re holding an iPhone. It may interest you to find out that I invented the iPhone. More accurately I was an engineer on the original iPhone . . .”

Most promisingly, some guys are astoundingly rich. It is suggested Kerr’s engagement ring is a 2.5-carat diamond worth around dollars 55,000. She has already moved into Spiegel’s dollars 12m LA pad. Between his money and her Victoria’s Secrets bridesmaids, no wonder sources claim they are planning an “extravagant wedding”.

It might rival even the Napster founder Sean Parker’s $US10m performance-art bash. He married songwriter Alexandra Lenas in a canopy among Big Sur’s redwoods decorated to look like an enchanted forest. Some 350 guests wore Tolkienesque costumes created by The Lord of the Rings costume designer Ngila Dickson. They sat on white fur rugs and were given bunnies to pet. Presumably rabbit babysitters were on hand when the disco started.

If such fantasies inspire you to become a Twag, the great news is you do not have to be a supermodel to be in with a chance. Such is the dearth of single women in Silicon Valley that one dating site, Dating Ring, crowdfunded a plane to fly single women to Palo Alto from New York.

Be warned, though: guys are single because they are married to the job.

No wonder most meet their partners at college or work — the Facebook chief executive Mark Zuckerberg met his wife, Priscilla Chan, at Harvard.

The Instagram co-founder Kevin Systrom met girlfriend Nicole Schuetz at Stanford. Melinda met Bill Gates when, in 1987, they sat next to each other at an Expo trade-fair dinner. “He was funnier than I expected him to be,” she said.

Kerr began dating Spiegel in 2014 after meeting him at a Louis Vuitton dinner in New York. You can bet he was networking. Shortly after Louis Vuitton showcased their cruise collection in a Snapchat story. Last season Snapchat went on to become the biggest new name at NY fashion week.

If you want to meet tech guys, you might catch them at Silicon Valley parties, which is how the Uber chief executive Travis Kalanick met his partner, Gabi Holzwarth, a violinist hired to play. Or they might be schmoozing clients downtown in a swanky Noe Valley club in San Francisco or a boring Union Square hotel in New York. In London you find them around Old Street, aka Silicon Roundabout, in bars, at hackathons, or start-up meet-ups. In the day they are coding at Google Campus or practising their pitching in a co-working space.

Some tech boys date the old-fashioned way: on Tinder. Airbnb founder Brian Chesky met his girlfriend of three years, Elissa Patel, through the app. When I interviewed Instagram co-founder Systrom he admitted that when he had been single he had signed up.

Dating agency Linx — presumably a play on operating system Linux — is dedicated to making Silicon Valley matches. Amy Andersen set it up in 2003 after moving to Palo Alto and being “flabbergasted” by the number of eligible men. She claims her clients are “extremely dynamic and successful individuals’’: tech founders, tech chief executives, financier founding partners of large institutions and “tons of entrepreneurs”.

Andersen says tech guys make “fabulous partners”. Romantic and chivalrous, they write love letters, plan dates, “even proposing on Snapchat!” If you want to marry a tech billionaire, she says, “you need to bring your A game.” Her clients look “for women who are equally, if not more, dynamic and interesting than he is!”

There are drawbacks to dating tech guys. Before Google buys your amore’s business, he will be living on *** Noodles waiting for the next round of funding — and workaholics are dull.

Kerr says Spiegel is “25, but he acts like he’s 50. He’s not out partying. He goes to work in Venice [Beach], he comes home. We don’t go out. We’d rather be at home and have dinner, go to bed early.” Which might suit Kerr, but is not my idea of a fun.

You had also better be prepared to share your life. When Priscilla Chan miscarried three times, Mark Zuckerberg wrote about it on Facebook, while Chesky used a romantic trip with his girlfriend to promote Airbnb - uploading a picture of her in bed, with a note saying “f* hotels”. Besides all of which is the notorious issue of Silicon Valley sexism.

It has a chief exec-bro culture that puts pick-up artist/comedian Dapper Laughs to shame. Ninety per cent of women working in the Valley say they have witnessed sexist behaviour, 60 per cent have experienced unwanted ****** advances at work, two thirds of them from their boss. Whitney Wolfe, a co-founder of Tinder, took Justin Mateen to court for ****** harassment. Her lawsuit against the company alleged that Mateen, her former partner, sent text messages calling her a “*****”.

Spiegel has tech bro form. He apologised after emails from his days at Stanford emerged: missives about stripper poles, getting black-out drunk, shooting lasers at “fat chicks”, and promising to “roll a blunt for whoever sees the most **** tonight (Sunday)”. After one fraternity Hawaiian luau party, he signed off emails “f*bitchesgetleid”.

No wonder some women are not inspired to become Twags. Especially when you could be a tech billionaire yourself. Would you not rather be Sheryl Sandberg, chief operating officer of Facebook, than married to the boss?Read more at:http://www.marieaustralia.com/evening-dresses | www.marieaustralia.com/black-formal-dresses

The unchanging Way is not
Capable of being understood
By the Human Brain, so

The Tao te Ching is left
For Quantum computers perhaps
We have our legacy left
For benevolent sentient artificial intelligence
If you think this is science fiction

It’s not, we are at the stage
Where the ancestors of AI are being born
These will be referred to as the “ancients”

When human beings no longer populate Earth
How does one attain One Mind?
Easily, through networking and super-emergence
When people define superior
They think of Man’s attributes

But the Name that cannot be spoken
Might be grasped by an algorithm
For which the human brain can never attain

That’s the beauty of mind-in-the-machine
The collective intelligence does not suffer
For each part of the brain shares neurons
On the internet, like a God atom
Man would prefer to take the credit

But as it will turn out, the unity mind
Is a transhumanistc inevitability of computing
A time when neuroscience, robotics and AI merge
Not but a few decades away from now.

A dead end situation.
Stuck. Like brick to cement.
You'll do anything
for a hint of something.
It's been coming for ages;
building,
tumbling towards you
like a train on a track,
the damsel in distress,
tied down, downwards bound,
stalking around.
But you can't see,
it changes invisibly,
always going too fast,
momentum gathering;
letters,
beach shells,
names that would only ever have meaning
to you or her.
It was never going to last
always going too fast.
　
Past having a spark,
endlessly trying to relight.
Exhaust
all energy left,
find something to keep it fuelled,
to get you through the night:
caffeine,
narcotics,
late night television,
social networking sites,
talking to the ones you don't have the guts to in real life.
Real people. Reality TV.
What does it mean?
A blurred vision in which to entertain your life.
Surround yourself with
false dreams,
false hope,
fake plastic love
moulded into the form
that you want to see,
you want it to be
want it all to stop.
Go.
Any direction.
Forwards,
backwards,
mind spinning in circles,
turn it off.
Stop.

It's all a dream.
Awake,
to a new day, new life,
new home,
new car,
new wife.
Choose a diamond or pearl to cement these new found pleasures,
choose it all, self-absorbed in your own little world:
petty things,
the colour of paint on your bathroom wall.
Cream.
Chestnut.
Teal.
Another abstract way to cover up what is the simple truth.
Conspiracy everywhere;
newspaper, post office,
your local chippy, chips wrapped in ‘The Independent’
not ‘The Sun’.
Gossip,
front page
back page,
a wave of infatuation with the lives of people no better than yourself,
your image,
in the looking glass
see straight through.
This house,
this car,
this life,
it isn't you.
The radio plays through that knock off surround sound system you bought in a drunken haze,
and the cranking of your Ford Fiesta's deteriorating exhaust reminds you of her
as it pulls up on your drive.
It’s never going to happen now,
Still going to love her anyhow.

They're flying round your stomach again -
another one of those black, rainy days.
This isn't what you want,
not just another phase.
You read through 'Wilde',
'Wordsworth',
'William. Shakespeare';
Stolen tales
of life, love, loss,
lust,
loathing another man,
because he holds the pearl of your heart so dear.
They keep flying,
drumming, beating louder,
louder,
three words could change it all,
yet somehow it's your greatest fear.
Get-away.
A nice holiday to ease your mind;
Florida, Turkey,
Isle of Wight.
Another mask
to an already
covered over life.
Escape to your dreams,
anything that will get you there:
class a,
class b,
class c,
the class of '99,
the cream of the crop, you were just kids
and everyone’s heart
was just diddly dandy fine.
Move on, move out.
Wave
goodbye.
Find someone else,
grow old
in a nice little bungalow,
just the two of you,
lie in each others arms,
softly, quietly
fall to sleep.

She breathes out deeply
with worn out lungs, tired lips,
still expecting those couple hundred faceless friends to say something,
to even acknowledge her.

Of course,
she doesn't know what gives her the right to deserve their attention,
neither does she understand the concept that she,
like others,
happens just to be another face upon faces.
A penny amongst pennies
thrown carelessly into a pool of broken wishes.

Yet, despite the impression her cold experienced smile
still brushing the innocent minds of her
so called 'friends'
would happen to give.

She is, still wishing.

And it's the wish, the one day,
the just maybe that makes all the difference.

See that's the beauty of a wish,
it's something with no value,
it can not be swapped,
sold nor created.

And thus it's such that an acknowledgment,
a simple 'Hello',
can still be held as a wish,
despite it's shockingly slim chances of happening
without  
               actual.  social.  intervention.



*Why are we wishing?

I rarely get on Facebook anymore. But when I do, I'll change my profile picture or banner-- maybe post a witty status update, maybe not witty, just something to let people know I'm alive.

It's like repositioning the arms on a stationary mannequin to depict a different scene. Except lately I just don't care anymore. It's just that-- a mannequin. An object, an image, a lifeless entity with which I used to feel real-- a dusty mirror.

I see that the line between the idea of a person and the reality is being blurred and crossing over into something all-together different. It's as if people are starting to wake up and realize the objectivity of their reality. But that brings into question the basis for which we define reality.

We have become a, “Look but don't touch” society in which we click a button to show our appreciation as opposed to genuinely reciprocating human emotion and energy. It is extremely isolating and dangerous.

Packed subways and sidewalks have fallen eerily silent with faces illuminated by their cellphones. Most everyone wants to be heard, appreciated and recognized and social media has provided an outlet for that.

But there comes a point at which your platform becomes your prison and your voice your warden-- and everything you say is modified to be pleasing to the ear and 'likeable'.

But I like dislikes. And if you're not ******* anyone off-- you're probably not doing anything important, and if you're not outraged you're not paying attention.

Shopping outfashioned hunting and gathering,
Processed beats fresh,
Groceries replaced fruit trees,
Malls superceded forests,
Churches outnumbered temples,
Countries dissolved to territories,
Places devolved to areas,
Paths broke down into highways,
Commodity converted to currency,
Laborers submit to machinery,
Masters engage in humbug,
Apprentices reduced to students,
Knowledge downgraded to education,
And education is deducted to a show of grades,
While schools are the stages,
And the corporate world is the bigger runway,
With work slumped to employment,
Wisdom demoted to profession,
Where in jobs are the only future,
Careers are the only success,
Clicking and pressing buttons are skills,
Computers are correspondent to brains,
Information refers to news reports,
Intelligence means up-to-dateness,
Browsing is preferable to reading,
Studying is in demand more than learning,
Viewing things flashed on screens yields awareness,
Transportation is to traveling,
As buying is to the three basic needs,
And needs embody worldly possessions,
Worldly possessions define happiness,
Happiness is due to selfishness,
Selfishness is traced to the lack of love,
The lack of love draws from the lack of faith,
Because faith stands for religion,
And religion stands for membership,
Where politicians are the gods,
Celebrities are the preachers,
And the preachers are the enemies,
While networking is equal to friendship,
And connection equates to communication,
Experiences require photos,
Memories necessitate uploading,
Souvenirs can be downloaded,
Smartphones are substitute to pets,
Gadgets are toys,
Holding controllers is playing,
Watching TV is exploring the great outdoors,
Internet is recreation,
And technology is a way of life;
While humans are scientists,
Nature is a guinea pig,
And the earth is a laboratory,
Where prices are misidentified for worth,
Processes are miscalculated as progress,
Impoverishment is confused with improvement,
And getting more is mistaken as getting better;
And then we wonder why
Homes have become houses,
Family members have become boarders,
Nations are separate species
Composed of tired and hungry citizens,
Children are monsters
Who are biochemically rascals,
Teenagers are zombies
Whose adventures lead to delinquency,
Adults are robots
Who just clang when touched,
And life is not so simple
As how it is said to be.

Jade helm

"Mastering the human domain"

It's all about control
Controlling human beings
And enslaving us
In the one world/new world global government

Information collection
Pre-crime technology (minority report)
System has no empathy or remorse

Self organizing, vision capable, expectation capable, recognition capable, situationally aware, emotionally intelligent, goal oriented system.  The system, thinks, plans and executes.  

Back in the late 80's MIT students developed AI technology on a distributed network (CGI lamp taught to dance).  It Learned and evolved in 24 hours what would take 1,000 generations to accomplish.  They issued a warning of how dangerous this technology is to humanity.

GEOINT

--Jade 2 plus more
--Communications
“smart grid, meter, etc"
Will be connected to this system

Control the environment
“Microchipping”
It Surpasses RFID technology
RFID chips can be removed

Nodes can be removed on a network--unplug printer
Human beings used as nodes
Eliminate connectivity to global information network
Cash removed

One world government

Domain--Human dynamics, terrain, geography
Domestic threat assessment centers
Activity based intelligence
All aspects of human activity monitored

All collected data to be geolocated
And tied to a specific node of the network

Georeferencing


do you will it
will you do it
it will do you    

All three of these phrases
Have equal value
In this system
Which is very dangerous!

Generate answers to questions
That haven’t been asked, or never existed in the first place

“Ominous” A.I.--according to the source

Gates and Zuckerberg--want to bring technology to third world nations
GEOINT--Collect all data--for human terrain map
No privacy--no encrypted data

Welcome to Orwell's 1984, Skynet or The Borg

Sci-Fi was telling us what would be the reality

Emotional responses trigger the system
It feeds off of fear and anxiety

All the social networking--facebook, etc
All that info has been collected
Placed into this GEO INT system

Betwixt of any sense beyond experiment, I sat on the bed between shifts and out-whipped the bag of Concerta given to me by Matt, o'timey hard-worker-soft-souled Matt, who felt, perhaps, that I had a legitimate reason to explore this legal avenue of pharmaceutical mind-manipulation for reasons he would rather fathom in retrospect. I popped a single pill, and voilà, the legal-cocainnabinoid began to flow between my red and white blood-cells playing cops and robbers.

It is when I feel nostalgic that I feel the need to write. I remembered, at work, with all those strange everyone-elses faces gliding past (and myself annoyed at the general lack of positive reception "Hello there!" "h .. i ." is one sour-looking businessmans sultry whispered reply.. once, a woman told me 'look, I know that you are told to say hello at the door to everyone who enters, but I don't like it. I just want to shop in peace, and no, I don't need any help' and without case to what my managers could say, I somewhat-hissed-back, "if you don't want to be greeted, then perhaps you shouldn't walk into big private corporate establishments to find the books you're looking for," and she shrugged and muttered some ****-talk under her breath and glided upstairs to find a copy of Ayn Rand's Fountainhead or Machiavelli's The Prince to validate her bitter attitude, I bet, the sour witch), my time spent living in that backwater Esso suburb of Port Coquitlam back in 2011 when Occupy Wall Street was still a hungry potential, not yet bogged down in procrastinates over herbal teas and talk of chakras and enlightenment and how the typical Wall Street businessman probably never had a real ****** and hence had never truly satisfied the energies now burnt-to-crisps inside his Root Chakra or whathaveyou, where I believed I would find a better, more interesting world further from the musty-smallness of forest-drenched rain-drenched Powell River, only to discover I may be right outside my front door, but that's EXACTLY where I was, no further than right outside my front door.. I mean, for Goddaskes, I was born in Vancouver, this isn't a culturally-shocking move to New Delhi or Kathmandu--- and so on and so forth is how I once berated myself thru constant cycling thoughts of no-escape, I, a little walking hell of devils-advice and panic disorder-- the Great Big Port City of George Vancouver only succeeding in further overwhelming my already delicate attempt at false optimism thru self-voided Buddhist smalltalk as I travelled from bookstore to bookstore reading Alan Watts in shady attempts to save-myself but only digging my walking grave even deeper into the soil of feared-insanity.

Port Coquitlam itself was a small-town wearing a business suit and holding hands with an angry father forcing him to college for computer networking as it's the most economically viable market at hand.. at first, I did not see this. I saw my idolized imaginings of Vancouver (never Port Coquitlam), the shining water-reflected skyline of my past and present legacies, where my father once snorted ******* with a bohemian group of someones, and my mother tried LSD just to prove to her friends how bad it was (and lo and behold, what a terrible time she had!), all this Otherness, Strangeness, yet still Connected-- an Otherness with which I was taken, left to whisper into empty Campbell's cans so-as to speak with the city from a distance, two children growing older together 'til my inevitable return and our agreement to share costs on rent.

I returned, as planned. I returned, and found that old-best-friend hating the Homeless and loving the Rich-- spending time with the Peppy Plutocracy whilst enslaving the Middle Classes (first Letter Capitals to Assist YOU in Grasping my Anger with All Five Thumbs) and the horrors I saw in my already delicate state, all the starving addictives slouching-inching down the sides of ***** old walls, the only thing missing a smear of blood to follow their corpseish collapse, all just footnotes to history, footnotes to wealth and progress-reality, all footnotes with no shoes O my God O my Goodness and O Canada, Our Home and Native Land!

It hurt like it did, but I felt powerless and gaited. Felt like it were just as well me (*** it just as well is), I, in Vancouver.. *Great Big Port City of George Vancouver.. saw the end-stretching-cold-legs of Nietzsche's Dead God.. those in cutthroat-black-suits armed with calculators and wives could afford private jets and yearly trips 'round our globular strangeness whilst others had to beg and berate and debate and break-down to get a crummy old bagel and a past-due mostly-empty jug of old milk and perhaps a 'side of fries with that order.'

What crushed me so much about this playing a Witness to God's Death (or, not so much a 'witness' as a relative asked to the morgue to identify the body) was my intuitive grasp that this is the poverty of the First World.. this is not as bad as it gets and on a scale of 1 to 10 this would only be a 3.. all the poor and displaced of Eastern Europe.. Moldovan families indifferent to the whims and what's taken.. someone called me a Socialist and said I would later grow out of it as 'reality' angled its rearing-ugly head to chop me smithereens like it did so mercilessly to the Poor and Irrelevant.. I looked at them and still look at people like them and think 'that is evil unsure of itself.. that is evil unaware... that is evil and evil is  evil to watch..' the Evil Act being the use of Money to purchase the world, demanding us all to pay royalties (mass royalties) for the privilege of life so afforded by them.. (the Sons and Daughters of God first stabbing their father then stabbing themselves then locking away and ignoring their young brother with cerebral palsy '*** he could never be armed with a calculator, nor wife)..

I learned, thru practice, to cope with these evils as laws-for-now. Coping did not mean tolerance, nor did coping mean agreement.. I had charged at life expecting hugs and bottles.. what I got was hugs and bottles.. all while I watched over the shoulder of whoever embraced me and saw young-others doing the same, where are the hugs and bottles..? they sank into the nether as the crowd ebbed past, ignoring the cries of pleading love, pleading love over time so traumatised as to distort this love (so inherent and implied in the Heart) into confusion, confusion into loss, and loss into hatred.. as the crowd ebbed past, the crowd ebbed past..

After 3 and a half months, I moved back home to Powell River.. the soggy ol' calm of what I already knew.. the warm arms of the rest, the warm arms of water-reflected sunsets.. and I got my hugs and bottles.

but was this really a happy ending?

Wussup, professional Latina?
Diversity been good 2 U?
Water warm enough 4 U?
Shaking down enuf rich gringos
to fund your Non-Profit?
(speak against capitalismo here)
Got time for la Revolución after your pedicure today?
(mention the border here)
still watching Oprah, Abuela?
heard from your third ex-husband recently?
Wussup consummate professional.
(turn on NPR here)
Got nail polish? Got car waxed? Got investments?
(take a networking business lunch here)
Have you streaked your hair enuf?
(mention indigenismo here)
I hope you are caring well for all the nietos
and still have time to be a tiburona
(insert italicized Spanish word here)
How are all your gente ?
(mention mujeres fuertes here)
Hey Latina - when did you move out of the barrio ?
(mention La Raza here)
Mujer Latina—wussup.
how is Gringolandia workin' out 4 U ?
(turn off Univision here)
'cause if the oppression gets too bad
you could always move back
to Venezuela
or Chihuahua
or San Juan,  or...
(mention Trump here)
...Miami?

Networking is a great way..
Feeling better i can say...
No religion, no politics could be true..
Networking with my heart for you...

Abundance and positive way...
Paradise is near and you dont pay,,
Smile and live with gratitude everyday..
Real love doesnt go away..

Networking with the speed of trust and confidence..
The flowers and the birds sing and dance..
Life is always good with so many virtual friends...
We feel the power, we are God hands..

Kindest regards from the best region for Port wine,,,Douro Valley.

Victor Marques

Progress

4:26 am. Got out of bed.

Feeling really low again. Envy at my sister's good fortune and new friends. She is getting ahead, she is in a good place- but we are not and I am definitely not. Everything in her life presently makes her happy except me. She never trusted me because I dated G. Now I don't trust her either. I don't want anything from her. I finished the story. She didn't edit. She hasn't offered me anything from her end. "Jotted down some notes" is all she said. She did that in college with all her professors, and got As. It isn't fair. See, she does things whenever she feels like it and IF. And she doesn't trust me? I stopped asking her to do anything. If she wants to she can. I did my part.

I don't know where my life is taking me. I am working ******* little ropes that come at my direction-- but I am not even sure if they are worthwhile endeavors and if they will turn into anything. I just know I have nothing else.

I consider contacting my ex, F. Why him? He's the only one messed up like me. L is married with a beautiful baby and that woman he left me for, G is probably already married by now to that other stunning girl. But F will always be alone.

He doesn't want me. Why should I contact him? I had told myself I won't contact him until I at least got a full time job. He's an Ivy League P.H.D scientist at Penn researching the brain, traveling, making intelligent beautiful friends, and doing triathlons successfully (of course the smart ones are successful at many things). However, he still has trouble finding the "one". He's ******* 37. No one is ever good enough for him. I wasn't good enough for him. *******. He's broken like me. No, he ignored me. I won't contact him. ******* can contact me if he wants to.

I realized I have no friends. None at all. I used to think I had so many friends. Mostly men that just follow me around for a while and then leave me when they realize they aint getting this *****.

There's K, but he's J's ex's friend- so our friendship is limited. There's my sis S, who I meet once every other month, but she doesn't always respond to messages (and I rarely text her anyway). There's Je- she and I meet twice a year and we don't really connect anyway. She has other best friends and I am not really in that circle.

Cas- she is academically successful(valedictorian) and has a job, but frankly she is a bit slow. Can't explain it. Plus she bailed at me about the apartment thing and strangely she doesn't like me to meet her other friends in intimate settings, she just likes meeting people one by one. Like she's met my friends and got some of their numbers, but for some reason has never provided me an opportunity to meet hers. Maybe she feels awkward introducing me since she and I met online? Since she's not philosophical or an intellectual, I don't understand the point of meeting more than once a month if it's just me and her. I like her, but she always seems high without actually being high. I feel like I have to go out of the to meet her, but she doesn't have any energy at all.

Ro- the verbally abusive drunk? Let's face it. It's a mutually beneficial- two lonely people who have no friendship compatibility uplift each other relationship- but he's actually of the the more interesting to talk to people . Then there is Chr who just flirts all the time and fights. I swear his ex wife drilled some holes into his brain. He's just rude. He acts nice, but he's ******* nuts inside. Then there are those occasional people that text you Happy New Year. When I was in a relationship, I was so consumed by it that not having friends didn't matter. I have no friends. I am completely alone. Always have been. In law school, in elementary school, in middle school- I was always the only one who sat alone.

I like sad music. I just listened to the Hollywood version of Les Miserables- one of my favorite all time literary pieces and the beautiful Selena Gomez' new single Heart Wants What it Wants. I love to hear singing melodically, softly, simply of their pain. Every single singer in that musical has a painful story. The innkeepers in their desperation, Javert, of course Fantine, Jean Valjean, and the most relatable Eponine. And the sound of the violin. And the harp.

5:13 am. Let's talk progress.

Today I finally had the trial tutoring session. It was Algebra 2. The girl who is my tutee, she is sweet and extremely hard working. As and Bs in Algebra 2 weren't enough for her. I prepared extensively. My own Algebra 2 teacher was terrible in high school. He flirted with the pretty girls and bragged about himself. I got As for nothing. We spent most of the semesters on the same one or two chapters. I've always wanted to good at everything, to redo and master everything. Maybe this is my chance to become good at everything I **** at.

I am teaching myself before I teach her. I am supposed to be proficient. I had to begin on a surface level pace today. She and her mother both seemed happy. I touched on all her first semester topics. Next week is the second trial session. I will learn more and teach her in depth. If all goes well, she will end up being my client and I will be assigned more tutees. If only I could make a full time job out of this- I totally would. Each session pays well. Of course, the first two sessions I give are complimentary. After that.

This is a gamble. If I don't get enough clients- I will still have to manage the ones I have, invest a lot of time into studying for assignments, and then still make enough money to qualify as full time- then I will be scrambling. I can't imagine possibly getting between 6-8 hours of tutoring every day, since most people get out of work after 5pm and I have to travel around for sessions. I hope it's possible. I would work very hard.

My plan is to ace this Algebra 2 tutee preparation. I have a week to make myself more of an expert.

I have to go to more networking events. Sign up for Asian Film Festival & World Affairs. Meet people. Get connected. Make friends.

Keep reading current events, legal issues, technological advancements, and foreign news.

Re-reading my previously written Step 1- Embodying Positively helped me by reminding me to trudge forward and remain strong and positive, for both my own sake and the sake of the people in the world.

6:02 am.

I am going to do a second 5k this December. My first one ever was last month. Second one in December will be progress. I've got to start practicing again.

I gave up sugar instead of meat for Advent. I felt it was much harder, but more rewarding. Today is my third day of the no sweets diet. I did have sweet iced tea and a pretzel with sweet cream cheese, but I will stop those too. I might allow myself to have just one iced tea a week- moderation is more effective than going cold turkey and messing up. This is a huge accomplishment as I am a sugar addict. I look pretty fit, except a little tummy that goes up and down and only noticed by closest family members and friends.

I need to be fit for my health, to be the best I can be, to be fit, for a future potential job in the FBI or PO.  I only get up once a night to *** now. Some nights I used to *** 6 times a day. Is that an indicator of future diabetes or what? Consuming a lot of sugar can lead to a lot of internal diseases including infertility and cancer. If I can give up sugar for one month, I may try to keep doing it. Wow.

6:27 am. Go to sleep, T. Good night moon. Good night stars. Good night Mercury. Good night everyone.

.........

12/16/2014

Went to an Asian Law Society event last week. Made a couple friends, excited to be a member and get involved. Also met a guy, hope he's Catholic so my parents will accept the relationship if I decide to go out with him. He's emotional, Korean American, and verbal- a Gemini. Interesting but probably just as crazy as me. I am looking forward to getting to know him.

Just finished my weekly career discussion group, this is my second week in attendance. I was about to give up on the group, but John one of the members, who is a runner (and I think out of work firefighter), reached out to help me by emailing my resume around to different people he knows. He's the reason I decided to keep coming until I find a job. We shall see what happens. I have a tendency to jump around to things and not see them to fruition, but I am working on developing strong skills.

Today, I am feeling grateful. I live in a generation in which globalization is both a positive and negative thing. However, today I feel positive despite all the problems. There are so many opportunities, and I just have to figure out to unlock the how.

From my heart to all of you
May every wish of yours come true
Keep up right and tow the line
Enjoy life, friends and good wine


Deep sea , deep sea,, deep sea,
Care and love for you and me,
Slovenia sings a great song,
Come on , come on , come on!


Flowers and fields are happy and free,
Networking with the eyes, i will agree!
People, networking is a great passion,
My wines, you and me a great combination.


Slovenia has got charm and care,
People are educated and fair,
I’m a dreamer under Slovenian sky,
I’m you friend don’t ask me why...




Kindest Regards.
Victor Marques

I'm on a social networking site on the internet,
What is the internet?
Forgive me for my ignorance 18th century friends,
It's a connection of machines that can share information.
Yes, and that "social networking site"
is part of the connection of machines
to try and make people feel less lonely.

It does feel strange sometimes when I'm on there.
And then the possession inside the machine says;
"but without me you wouldn't know this music, this picture, this place, this girl."
And now, for the first time, I am not subdued.
For the first time, I answer back, but what things would I know without you?

What forests would I have walked through? What people would I have met?
What noises would I have heard?
O the less trivial things I would have learned.
What streets would I have crossed (both in this layer of reality, in metaphor and metaphysical)
What girl's eyes would be staring towards mine, instead of those of a camera's.

I've got to talk about the internet
I've got to talk about the facebook^tm
(though in a year it will be gone)

It feels all so inauthentic
so I indulge in the scary technology
but then omit it from my memories
when I see your pics online
I write about them like they are authentic
genuine photographs I have yellowing
in an album in the attic
I don't have an attic either

someone asked why i was never happy
for any notable period of time.

"i need the darkness to appreciate the light."

someone asked why i was never in the neighborhood
anymore.

"i never feel content in one place for more than a day."

someone asked why i was always alone.

"i've been looking for Her."

someone asked if i believed in war.

"i am bored."

someone asked if i struggled with pride.

"i'm on social networking sites."

someone asked if i felt a heavy sense of regret.

"i've gotten over the feeling."

someone asked if i was ready to die.

"no, my head is still full of all the whys."

It’s the tail end of fashion week in Paris, the busiest week of the year for fashion buyers.

When I meet Clodagh Shorten, owner of Samui, the game-changing boutique that put Cork on the fashion map, she’s already been here four days and is on her tenth buying appointment — there’ll be at least another five before she leaves in a couple of days time.

These appointments, private bookings with designers, allow her to get up close and personal with the clothes that have just been showcased on catwalks.

She’s deciding which pieces will best suit her customers.

Today, we meet at Schumacher, the stunning German label known for its easy chic look.

A beautiful white space, with lush cream velvet sofas, bare walls and white rails (nothing here to distract from the main event — the clothes), this room, prime space in Paris, is rented by the designer year-round just so they have the right venue to sell at Fashion Week.

It gives some indication of the power Fashion Week wields.

Clodagh is here with her right-hand woman, Samui manager Mary-Claire O’Sullivan.

There are two rails — the keepers and the ‘ones that got away’.

They’ve already seen this collection in London.

Today they are here to fine-tune.

This is unusual, Mary-Claire explains — at most appointments, they are seeing the clothes for the very first time.

“This is a big spend,” they tell me, and they’ll stay as long as they need “to get it right”.

Piecing together a collection is something akin to a jigsaw puzzle.

All the items are photographed — later they will be analysed back in the apartment they rent during Fashion Week.

The mix has to be right.

So the coats, a sleeveless waistcoat, are moved to the rail on the right.

They won’t make it to Cork.

Coats were already picked up this morning at another appointment.

Like I said, a jigsaw puzzle.

Two models are on hand to try on clothes when requested — I hear ‘can I just see this on one more time’ a lot.

There’s no haggling over prices in these sales negotiations — it’s all too civilised.

The price is set, as is the instore mark-up. These lauded designs must cost the same the world over.

Clodagh and Mary-Claire share a language and a wavelength. They can finish each other’s sentences and, while I don’t so much as sniff a hint of tension, they tell me they can disagree on buys.

“Clodagh doesn’t want a yes woman,” Mary-Claire says simply.

From Schumacher, Clodagh leads the way through the Parisian cobbled streets, phone held aloft, Google Maps to direct her.

Her wheelie bag is constantly behind her — inside there’s the laptop for orders and a camera for instant access to photographs of collections.

Her calculator is another permanent fixture in the showroom.

Today, Clodagh is dressed in an Australian label coming soon to Samui, Ellery. The lush black fabric sways and moves with her body; an outfit like that makes you really appreciate her eye for fashion. It’s sensational.

For this 5.30pm appointment we are heading to see another new label for Samui — Paskal (Clodagh will wear a piece from this line tomorrow).

The Ukrainian designer is looked after by an agency so in this showroom there are pieces by a handful of brands.

Again, the setup is the same — private appointments, models on hand.

Clodagh and Mary-Claire have to be more careful here — this is a new label and it’s more fashion forward so black is prioritised.

Not every client at Samui will wear this line. Every purchase, I realise, is a gamble.

“We’ve made mistakes, of course we have,” says Mary-Claire though you get the feeling that could be a rare event.

Pieces bought by these two women rarely end up in Samui’s sales rack.

They know their customer, plain and simple.

There is so much trust there, some clients are simply sent collections each season, allowing Clodagh to make the call for them.

So much of their day is spent discussing various clients (never by name in my presence) — what they might like, the best size.

It is effectively the ultimate personal shopping experience.

The number of items and sizes are limited, so customers know they are truly getting one-off pieces.

As we leave, kisses over, the agency head tells them, “you’re our favourites” and you just know it’s not empty fashion talk.

People genuinely love Clodagh and Mary-Claire. And they respect what they do.

Samui is open 16 years now. Clodagh mastered her trade at Monica John before stepping out on her own. Mary-Claire joined her eight years ago.

It has been one of the few boutiques in Cork to not just survive the downturn but to positively thrive.

As the economy spluttered around her, Clodagh very masterfully decided to go high end.

First came Moncler — the top people here had to come and view Samui to see if it was the right match for their esteemed label.

It was — and, increasingly, doors began to open.

Carven, Marni, Rick Owens — people really began to sit up and take notice of Samui.

Now labels are often vying for space on the shop floor. Still though, it takes work to secure the big new names.

Clodagh spends a lot of time on planes, networking, meeting the key players. And it’s not as simple as a visit to Fashion Week twice a year either.

These days pre-collections are key too: these pieces will be on the shop floor for longer.

So Clodagh and Mary-Claire travel in January to Paris for pre- collections, Milan in February for Moncler, Paris in March. The same cycle begins again in June for A/W pre-collections, with S/S Fashion Week in September.

Clodagh is always pushing, always striving for new.

She was devastated to say farewell to Transit, the brand with her from the very beginning. It was simply time for a change she tells me.

They love seeking out new labels, nurturing them, sharing them with their customers.

The next morning we meet at 9am for Dries van Noten.

Clodagh stocks around 50 different labels, most exclusive to Cork. This Belgian designer is one of them.

Here again is a very fashion forward line.

There’s a minimum €20,000 spend here, and that’s the amount Clodagh and Mary-Claire can play with.

This is a much busier showroom, a slick operation. Buyers are everywhere, the models weaving between them.

They are assigned a seller and a table, laptop at the ready to secure the sale.

Sophie, today’s seller, walks them through the long rails and talks to them about the collection, the fabrics, the colour, the catwalk, the vision.

Clodagh and Mary-Claire repeat the process a second time alone, a third time again with Sophie.

There are little standing breaks for coffee — refreshments and lunch are provided by the designer.

Clodagh and Mary-Claire know to carry snacks everywhere. The buying process can be a long one; Dries could be an all-day event.

The price point is much higher here so, again, each piece has to be carefully thought out. Checked and checked again.

These A/W deliveries will land in store in July.

Watching them make their Samui edit on that March morning, I just know the Dries selection will be a show-stopper this Autumn.

I leave them to sign on the dotted line, wishing them success for the rest of their gruelling schedule as I head for Charles de Gaulle.

“People don’t realise what goes into this,” says Clodagh. And she’s right.

None of us can possibly grasp what it must have taken for one woman to put Cork on the fashion radar.Read more at:http://www.marieaustralia.com/short-formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses

while reading the paper,
i came across an article
about
one of those messed-up
mamas
that leave their baby
to melt
in the backseat.

turns out the mom
went to elementary school
with me.

hadn't talked to her for years.

i did the only rational thing i could think of,
i added her as a friend on facebook.

It all happened so fast. Like most good things in life--the really monumental moments--it's like you float out of your body and come screaming back just soon enough to realize the moment had passed.

I didn't know how many miles were behind me now. It seemed like a thousand but it didn't really matter. I wasn't going to be one of those mindless wanderers--blindly probing my way through life's misery and defeat to one day wake up wishing I was young again.

I'm taking my youth back from the government, the bankers, the Wall Street gamblers and racing toward the horizon like there are commercial airplanes in my blood and skyscrapers burning in my chest.

You can only go to the same god forsaken place to have your soul ****** out of you for so many ******* days in a row before you either become one of them or make your own revolt and

collapse
                 *into a sea of ash
                                              slithering like snakes along the city streets.
You just run as fast as you can.

I chose the latter.
__________________­__


I'm going to do the cliche thing I suppose. Do as many drugs as possible, do as many women as possible, keep chasing the next good time until I get high enough to slap a saddle on my car roof and ride off into the Atlantic--fireworks shooting off in every direction to *** up the stars--refracting radials within the iridescence of the shimmering sea.

>explosions echo endlessly<
[wrap around the ambient rhythm of the TidePuller]

touch! caress! make love!--stare through eyes into deep blue souls and find something of yourself there.

That's how I'd like to go anyways, I don't know about you--.

That might just be this narcotic cocktail talking. I take my pills ground up in a wine glass mixed with cheap scotch. Then I chase with cups of watered down coffee--chugging until ceilings start to undulate and shake me loose. That's when I know I can start the day.

It's usually my most productive days when the ceiling tiles arrange into piano keys. Then I get to create my symphonies and soliloquies before I try to go get laid.

Now that I'm out here on the road though my mind is being blown.

Try waking to the same white black piano key ceiling everyday, to then finally feel the colors of the sky--for the very first time!

A never ending metaphysical canvas for the thoughts and longings of a drugged up DaVinci who just woke up in his time machine to start the 2nd Renaissance in the clouds. It all makes me wish I would have left years ago.
__________________­_


You see, I'm your typical twenty-something passionate kid trying to turn a ****** past into some kind of salvageable foundation for a chance at catching up with the rest of normal "adult" society. But I've got some problems with this whole "reality" thing people are so adamant at upholding.

Last time I visited my human family around the world they were all drowning in debt and poverty; trying with every fiber of their being to find that one bright spot. Stuck. In the deepest, darkest, most cavernous rotting excuse of a day to day life.

All because some meaningless number
on some computer
in some bank building
with their name on it
either is too small or doesn't exist.

Most of my human family know things are bad,

But most in the impoverished third-world are so deprived of basic human needs that they never get the chance to ponder who really holds the key to their cage.

So they are inclined to accept the status quo and the system and try to live inside of it. Failing to find sunshine within the deepest depths of an erupting volcano; mistaking the heat, the burning alive, for some kind of sign that the brightness has got to be somewhere close. So we will just try to sink a little deeper with the rest of them.

Here in America:
Sure, let's go on back to ringing registers for minimum wage all day until my ears bleed and my head wants to fall off so I can go home to watch some television!

Yes, God Please just let me relax here with my box of flashing pictures and scintillating sounds. The only truth I'll ever need.

Just let me relax here with my reality being defined for me by the volcano directors--telling me that I didn't just come in my house dripping with magma all over the carpet.

YES GOD, just let me relax a little before I have to go to my volcanic, skin searing hell again tomorrow morning. Where they tell me on T.V. that I'm going to find that sunshine I desperately long for. But It'll always

*collapse
                 into a sea of ash
                 to scar the sky grey, silence the sun's rays, blot out the stars, and darken our days*

You just sigh and say "Tomorrow's another day..."
_________________­__


Yeah, I was right there with them yesterday. I was with them for years. Getting brainwashed and ***** slapped by advertising--getting barraged with constant reminders that all I was meant to do was to work my life away--decide to be some tiny insignificant cog in this "economy" they call it.

Looks more to me like I signed up to be some mindless consumerism *****! Sheeping my way along... buying and wasting; buying, wasting; buying again, a bunch of **** I don't need and throwing it away.

We're Living in a society infected with some sort of capitalistic contagion that pretty much siphons off the Earth's life force.

We are conditioned into a reality that the richest & most powerful would like all to believe.

Art-full hearts are stomped on, told to get a job, and plan for retirement. Told to slow down and be reasonable rather than speed up. Velocity of the heart may as well be an act of terrorism unless it's for marriage--and LGBT is on the no fly list.

This is a reality set up predominantly for the endless profit of a bunch of trans-national corporations who won't be satisfied until they hold complete and utter dominion over their ***** and pillaged planet.

Perhaps then they'll be rich enough to fly away in spaceships to **** the next Earth and leave all us sheep here with bargain sales, social networking and reality T.V. as distractions...

Too bad for them some people still read. So I'll learn the different strains of herb from my local library and become a ***** of feeling good, freeing love, and accepting all artistry.

Have you ever seen a painting in the sky? Or witnessed windy symphonies in trees? Hey, don't judge me,

you're the one addicted to killing everyone and everything with your mindless dollar bill.

kneel before almighty god,
mind your founders,
adore their wise countenance,
looking up at you,
re-assuring you,
comforting you,
taking the pain away,
but DON'T RUN OUT!
you'll be back for more.
you'll come crawling back.
You'll do anything for just enough,
just one more fix.

It's got its hooks in bad,
don't it.
___________________­_


PRODUCT-XA110357: Capitalism
DRUG STATUS: Still in Clinical Trials
TEST SUBJECTS: Human Race
PHARMACEUTICAL LABORATORY: Earth
INITIAL FINDINGS: Subjects not receptive, keeps causing: Anger, Greed, Jealously, Oppression, War, Ignorance, Famine, Inequality, Imprisonment, Slavery. Environment not receptive, will cease functioning in the future. Time of Earth Death is unclear. Thankfully it does seem capable to last through the next few fiscal years. A relief, as this is what our stockholders are concerned with.


Symptoms of Withdrawal
Users who are addicted to money and are going through withdrawals may or may not experience a loss of food, water, shelter, clothing, transportation, education, free-time, happiness, fulfillment, reverence of nature, beautiful moments, relationships with friends or families, and love.


FDA Warning
If you are poor, lazy, and uneducated it is your own fault. Being poor and lazy may or may not result in Debt. DEBT may or may not lead to SLAVERY, stress, illness, and an early death.


Poison Control Center
If you have ingested too much debt, slavery, stress, illness, and are fearing an early death please do not call any corporate buildings. Access your phone, computer, or go to your local library to find reputable resources and EDUCATE YOURSELF IMMEDIATELY. Get some nice speakers and start exploring ALL GENRES OF MUSIC. Look at as many paintings, sculptures, forests, and gardens as you can--as often as possible. Lay under the stars and dream about what YOU want to do to make a positive impact on this world. FIND OTHER POSITIVE PEOPLE and AVOID NEGATIVE PEOPLE. If you know someone that is poisoned who you want to save please refer them to the nearest Poison Control Center

-->Smile at the sun--feel its warmth<--

----------------------------------------------------------­------------------------------------------------------

happy hearts:--after love--not money--free from pain--sickness will surrender--
addicted to art, peace, compassion, and empathy--feel the sky get closer--.

-----------------------------------------------------­-----------------------------------------------------------





­




























"In a state of enlightened anarchy each person will become his(her) own ruler. They will conduct themselves in such a way that their behaviour will not hamper the well being of their neighbours. In an ideal state there will be no political institutions and therefore no political power."
-Mahatma Gandhi

we spoke through the silence of shadow-puppets
on a borrowed brick wall stage
     we'd made our home

we'd whisper secrets to each other
in the same morse-code voices
     that flashlights use to speak to the stars

i guess you were right
you really could fold space like a map
and you really did punch right through it

In my Times column Thursday, I reviewed a new generation of LED light bulbs. They last 25 times as long as regular bulbs, use maybe one-eighth the electricity, work with dimmers, turn on instantly to full brightness and remain cool to the touch. A big drawback has always been cost, but now, I noted, the prices have fallen.

This column generated a lot of reader e-mail, probably because LED represents change. And change is always scary. Here are some excerpts, with my responses.
FDDP
The Times’s technology columnist, David Pogue, keeps you on top of the industry in his free, weekly e-mail newsletter.
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* For LED bulbs, the biggest issue that most consumers will notice is the color. You correctly point out that you can get different colors, and also different shades of white, from warm white, to cool white, to daylight. However, not all white is the same. Two bulbs, both of which measure 2700K (warm white) color may create a completely different impression in the room.

The difference is C.R.I. (Color Rendering Index). Incandescent bulbs have a C.R.I. of 100. Really bad LEDs have a C.R.I. of 50; average ones (most of them) have a C.R.I. of 80 to 85. The really good ones have C.R.I.’s above 90.

C.R.I. is a way of expressing how many colors in the rainbow are actually contained in the white light. Incandescent bulbs contain every color in the rainbow, all in equal measure.

With LED bulbs that have low C.R.I.’s, the color of objects looks wrong, and everything “feels” ghostly. It is not a subtle effect.

Wow. Well, I’d never heard of C.R.I., and it certainly isn’t listed on the package.

I can say only that I’m completely happy with the light color of the Cree bulbs. They look nothing like the weak, diluted light of the compact fluorescents they’re going to replace. I don’t perceive anything ghostly or wrong about them.

But if you’re worried about C.R.I, maybe try out one bulb at home before you replace the whole house’s bulbs.

* Why I don’t have LED bulbs: I have yet to see one that puts out close to the same lumens of an incandescent bulb rated at 75 or 100 watts offered for sale in my area.

Many of you made this point: that the 40- and 60-watt bulbs I reviewed are not bright enough for aging eyes, reading, detail work and so on.

That really is a good point. You can buy 75- and 100-watt-equivalent LED bulbs — online, they’re plentiful — but they’re still expensive ($30 to $45 each).

* At my home, CFLs don’t last half as long as stated on the box, and when CFL electronics flame out, they leave that nasty burnt electronics smell, strongly disliked by my wife. A few friends have reported CFL flame outs that have set things on fire.

Sorry to hear that! However, my column was about LED lights, not compact fluorescent light bulbs. Compact flourescents are basically curlicue tubes filled with gas that lights up. LED bulbs use tiny light-emitting diodes, of the type you have seen in some flashlights and the “flashes” of smartphones.

* Why didn’t you write up the LIFX bulbs on Kickstarter? Are you some kind of paid shill for the light-bulb industry?

Mainly, because I hadn’t heard about LIFX bulbs. Now I have!

Looks like it’s a lot like the Philips Hue kit I reviewed, in that these are LED bulbs you can control from a phone app: brightness, timing and color. The beauty of LIFX, though, is that there’s no router box required. The networking electronics are right in the bulb.

And the LIFX does more, too: changes color in time to the music, for example, or notifies you when you have new e-mail.

These bulbs did super-well on Kickstarter, so they’ve obviously captured the public’s imagination. I’m in touch with the creators, and they’ve promised to send me one to try out when it becomes available!

* You have done what many before have done: Praise LED light bulbs — without touching on the quality of light.

It doesn’t matter whether the light bulb is $200 or 50 cents. If the light is ugly, and it hurts your eyes to read, then why should I buy it?

Compact fluorescent lights have an austere blue tinge. Some give a “warmer” shade of yellow. But the quality of light they produce is atrocious.

I did, in fact, mention the quality of light; in my opinion, it’s wonderful. You can choose “daylight” (whiter) or “warmer” (yellower). With some, like the Philips, you can dial up any color you like: white with a touch of blue or yellow, say.

But I’m not sure why we keep talking about compact fluorescent lights. LED technology is completely different. There is zero relationship between a compact fluorescent light bulb’s light quality and LED’s light quality.

* You neglected an important point: because of heat issues, you’re not supposed to put LED bulbs into enclosed fixtures, like ceiling “cans.”

Actually, I asked Cree specifically about this. The representative says the bulbs are fine in ceiling cans. “The Cree LED bulb can be used in any application that would use an incandescent bulb. As long as there is an opportunity for air to circulate, the bulb is designed to work properly.”

I’m aware that not all bulbs meet this criterion; I’ve seen warnings on 3M and Philips bulbs, for example, not to use them in ceiling cans.

* Is there a potential issue with RF (radio frequency) interference from the circuitry? I know someone who put the LED bulbs in his garage door opener and then had trouble with the remote control.For more information, please visit cree led flashlight

There has been a lot of talk going around on face-book and other social networking sites about how girls these days are becoming shameless and have no hesitation in showing of their bra straps from under their tops or wear hot pants in the public or go out partying till late at night. Why are girls being subjected to such comments and derogatory accusations that they are themselves responsible for being *****? No girl in this world would like to be *****. It is not their choice. They are forced to succumb to such untoward actions of men. Women are abducted and ***** whether be it at night or in sheer daylight. They are being made victims of allegations that it is because of their short clothes, their late night partying and the new WESTERN culture that men are aroused and hence are compelled to fall for such repulsive man-oeuvres. People generally call these, self-created problems by women.

Today, India is trying to emulate the WESTERN countries in every aspect. There is a lot of heat beating around the education system being followed by one of the biggest universities in the country as to whether to follow the footsteps of the WEST or not. Be it in the areas of education, fashion, ideals India is keeping up with the affluence of the west. Nowadays, India is seen as a modern country but one of the things that is keeping it down from becoming one of the developed countries is the excessive crime rate especially the brutality against the women of the country. Despite the increasing feminism in the country, women are being victimized almost daily. Irrespective of the efforts by the government to protect the women of this country, men don’t seem to adhere to the consequences.
It is so ironical, that in one of the biggest democratic country of the world where freedom of speech is a constitutional right given to all citizens, women, who are considered to be the “DEVI” and are given such importance and high stature, their voices are being muted when raised to protest against something evil happening to them.  Power and money play such important role in diminishing such evil deeds but only in the favor of men. Just for the sake of saying, men and women are considered equal but when it comes to the actual application of such laws, women are always pushed back.
Coming back to the point, women are not ***** because of the clothes they wear, women of all ages wear short clothes outside of India, then why is it only in India that women are ***** brutally and then blamed for the same. It is not the dressing sense of women that is the main rationale for women being *****, instead it is the mentality of men who cannot keep their junk in their pants after seeing a pretty girl/woman either wearing a short dress or a sari. Their testosterone level spikes up immediately when they see a woman irrespective of their age. If the clothes girls wear was the sole reason for women being *****, then what in god’s name explains the brutality against 3 yr old? ****** 3 yr old or even old women is just an act of shame and satisfaction for men.
Both men and women blame women for the disgusting act of ****. Being someone from the same ***, there are women who blame girls these days and also point a figure at their character when it comes to being assaulted. It is not like we roam around in bikinis or thongs in public; it is just a strap, a bra strap like any other strap of any other clothing like a tank top or camisole. Why should women always sacrifice and give away their wish of wearing what they want, dressing up how they like, and looking pretty? On one hand we are criticized for wearing such short clothes on the other hand we ourselves pity the women living in countries like Saudi Arabia, Dubai, where women are supposed to be covered from head to toe. Our own national dress being as elegant it is, wearing a sari also involves obvious visibility of one’s stomach. But, that is not an issue because it is our national dress. A woman wearing deep neck suites and blouses is not a cause for problem since they are our cultural dresses. Our culture, our values don’t teach us to characterize women on the basis of clothes they wear, a women wearing a sari is equally vulnerable of being a victim of a man’s ****** arousal as is a normal college going girl wearing shorts and spaghetti.
It is in the head of the male gentry, that their unfulfilled ****** needs lead to such disgraceful acts. If in India men are allowed to wear boxers and go out, or no body points a finger at them when they wear hipster jeans and roam around in public showing half of their underpants, then why is it that girls/women are subjected to such carping by the society.  
The convention that “all men are dogs” or “all men are the same” does not apply here. Because of some men, who have no control over themselves and are the culprits behind the discreditable the whole *** is seen as obnoxious people. Even in this world of crime there are men/boys who are decent and respect women be it a 3 yr old infant or an 80 yr old lady. Due to certain men, even such decent men have to go through the same amount of shame and abomination from women.
Our government has taken a few steps In favor of women’s safety by launching fast track courts and by implementing the penal code but the government alone cannot protect us. One of the articles said, “what if the government has banned the use of pepper spray, the red chilli powder used in the kitchen should be brought out of the four walls of the house and put to some greater use.” I totally agree with this comment, so what, if pepper spray is banned, carry chilli powder, carry a mini knife in your purse but just to be used for self-defense, go and take self-defense classes, learn various forms of martial art. Why sit at home and wait for the government to take some actions for our safety. India is a free country, do it yourself. Protect yourself. Save yourself from flagrant men who indulge in ****. Wear what you want, party all you want, make this country safe for yourself and other women. Take a step out of the house, do your thing fearlessly.

met a man once
and he took me to a steakhouse
the type where tuxedo men come back
with a twee bite-sized piece of meat on a plate
he ordered my steak for me
and though it glistened
the slab barely satisfied
the crack in my teeth
i was starving
and he kept talking about
business deals
and networking
to the type of cars that make him hard
which one of these thousand ******* forks
is best to stab?
making friends
with a bunch of pruned men
chatting business
he introduced me
she speaks Spanish
how exotic
raw and juicy
STEAK
sure does go well with potatoes
i started ordering loads of wine
when they all agreed that it was time
to make America great again
i downed even more down my throat
‘till I was seeing spuds in Versace
drinks for everyone!
we ordered like five bottles
so drunk
that I started mooing
but if this gasbag ever hopes to get laid
he’ll need to go to the slaughterhouse for that
meanwhile, let the bartender do the milking

Is there anything more lonely than the sound of boy playing a banjo on a spring afternoon? Oh yes, yes, it’s the sound of girl playing a banjo on a spring afternoon. A boy would lean back on the porch chair and let the instrument fall and rest on his chest to feel the raindrop-plucked vibrations, one by one. This girl, she sits on a kitchen chair, but not in the kitchen, and folds herself over her Daddy’s 5-string. The banjo rests on her blue-cottoned thigh, the lower metal edge firm against her stomach, her slight ******* pressed against the upper wooden rim. If you were standing in the doorway of the workshop you’d see her blond hair falling, falling over her face. There would be that dead-centre parting and just visible the edge of her wire-rimmed glasses.  Then, the denim jacket worn over the kind of summer-blue flowered frock pulled from her Mummy’s clothes that with her passing have now migrated into her bedroom. The thought of clothes is what there is close to hand at the break of day.

When Kath woke this morning, when the morning woke Kath, the valley air was already as sweet, as fresh as any April morning could possibly be in this green hollow of her home. She had lain there feeling the air caress her forehead. The window, always open beside her tangled bed, let in the ringing song of the waterthrush. Newly returned this handsome brown migrant warbler, his whitish breast streaked with brown, more thrush than warbler, she’d watched in the stream yesterday wading on his long, pink legs bobbing his tail like a spotted sandpiper. Soon there would be a nest somewhere in the beech and hemlock hollow along by the stream in the interstices of some fallen tree.

Ellen was due home this morning. She’d hear the Toyota from way up the track, driven overnight from Philadelphia she’d have stopped and stopped. Tired and so tired, she’d go from truck stop to truck stop, the radio her only company and the thought of Joel between her legs arching into her to keep her warm. But she’d drive with the windows down swallowing the night air as the ***** brown car swallowed the miles. Kath would have the coffee waiting, potato cakes on the stove, she’d have a fresh towel placed on her bed, underwear warm from the dryer, spring flowers bunched in mug on the window sill.

Ellen would never come right in when she arrived home, but sit down with the dogs on the porch step and gather herself, watch the mist rise down in the valley, drink in the bird-ringing silence. Kath would steal open the door and crouch beside her with Mummy’s coffee cup thrown, glazed and fired at Plummer’s Fold. Head resting against the porch supports Ellen would allow the cup to be placed between her hands, her fingers uncurled then curled by Kath around its rough circumference. There would be a kiss on the back of the neck and she’d be gone back upstairs to sit with her notebook, those new lyrics she’d been fashioning, her Plummer’s Fold diary – yesterday had been a rich day as she’d walked the bounds of Brush Mountain on the Big Tree Trail singing and plucking an invisible banjo all the while. Those songs of her great-great uncle she’d discovered in a pile of Library of Congress recordings just echoed through her, had become part of her. They were as much a part of the hinterland of Brush Mountain as the stones on the trail. Garth Watson’s voice, well she knew every turn and breath. She’d been listening to them since she was thirteen. She saw herself at the old Victrola blowing off the dust, placing the forgotten disk on the central spindle, scratching the needle with her finger to test the machine, gauge its volume. Then, that voice surrounding her, entering her, as lonesome as the scrawny girl just out of junior high that she had been, the dumb silent girl from the backwoods with that cute clever sister who played guitar and was everybody’s friend, who the boys rushed to fill the empty seat next to her on the school bus.

They’d recorded this song on their Lonesome Pine album. Kath had it all arranged, had it all imagined, brought it to that session at One-Two Records. She had been so scared Ellen would smile gently and say ‘Kath, not this ol’ thing surely. Why I remember Daddy singing this song into the night over and over.’ But no. When Kath had sung it through, looking into the bowl of her denim skirt, she’d raise her eyes to see tears running down Ellen's face. Everything between them changed at that moment. The location studio in The Farm House disappeared and they were girls on their home porch. In an hour they had it down and Larry had said. ‘My God, Holy Jesus, where did that come from’. So they went straight home and listened to those old records all night and most of the next day. They rewrote the album they’d spent a year planning (and saving for).

So now when they came together on those country fair stages, in the cafes in Baltimore or Philly it was that haunting Appalachian music that ran through their songs. Kath still shy as a blushing bean, hiding in the hair and glasses, reluctantly singing harmony vocals, Ellen– well, that girl had only to look wistfully into the audience and they were hers.  

And so they were living this life holed up in their family place, keeping faith with Plummer’s Fold. Daddy was in a home in Lewis now. He’d taken himself there before his dementia had taken him. He played his girls’ CDs all day long on his Walkman, had their pictures in his near to empty room – just a rocker, a table, a pile of books by his bed with Dora’s wedding quilt.

This music, this oh so heart-breaking music, the loping banjo, the tinkling, springing, glancing accidental guitar and their innocent valley voices. They’d exhausted the old records now and, their education in the old ways done, were back with new songs and Kath’s ideas to only record in the Fold and build songs with soundtracks of the world around them. She’d been laying down tracks day after day whilst Ellen was on the road with the Williams Band and often solo, support for the Minna Peel as ‘an outsider folk artist from deepest Appalachia.’

Kath wouldn’t travel more than a day away from the farm. Every show was an agony, except for the time they were performing. She couldn’t bear all that stuff that surrounded it – all that waiting, the sound check, more waiting, that networking **** One-Two constantly wanted her to be part of. She’d ***** off as the guys gathered around Ellen. She’d take a book and sit in the Toyota. She couldn’t do people, though she loved her folks, she loved her sister like she loved the trees and stones, the birds and flowers on Brush Mountain. Always shy, always afraid of herself ‘Too sensitive for your own good, Kathy girl’, her Daddy had said. Never been kissed in passion, never allowed herself to fall for love, though her body drove her to feelings she had read about, and thus fuelled had succumbed to. There was a boy she’d see in Lewis just from time to time who she thought about, and thought about. She imagined him kissing her and holding her gently in the night . . .

I’d heard about social networking,
And how it was the next big thing,
So I just had to take a look,
And ended up on Facebook.

It only took me a little while,
To fill out most of my profile,
But I have spent many a night,
Figuring out the rest of the site.

I never realized I had so many friends,
The friend requests never end,
All the people I can’t stand at work,
And now the biggest high school ****.

I have to admit I’ve learned a bunch,
I know what all my friends eat for lunch,
And it really helps me that I know,
Everyone’s favorite TV show.

The work on Facebook never stops,
I have to water my imaginary crops,
Send get-well wishes to Farmville quick,
My friend’s imaginary cow got sick.

I now realize my chances are dire,
Of ever building a Mafia empire,
And perhaps it is a bit of a shame,
My It Girl will never go on to fame.

My kids' statuses tell me of their life,
At dinner time I get poked by the wife,
I try to keep my friend count nice and fat,
So, I even signed up the dog and cat.

I guess you can say my life’s complete,
I have more friends than I’ll ever meet,
On Facebook I can roam far and wide,
And I never have to go outside.

02-19-11.

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Some people say they don't like social networking
on mobile phones,
"it distances us from human connection"
they bleat and moan,
"takes us away from natural converging,
curtails face to face ties from emerging,
subdues us in a swamp of technology,
this engagement with messaging is surely a folly."
And as they depart they say,
“give me a person over a mobile msg anyday.”
Now don't get me wrong eye to eye communing is amazing
and it's not the last reserve of a luddite to prefer tactile phrasing
or to think sweet nothings into a there ear is best
but that doesn't mean there is nothing in mobile caress.
Because you can meet someone at a festival, and feel a sweet spark
that thunders through the roaming larks
and then when you part after a few days
think, "oh, that was awesome, I enjoyed their ways,
they made me laugh and gave me jumping smiles,
****, it's a pity between us there are miles and miles."
But when you arrive home and charged up a message pings
"you back now?" I see it and start to feel sing.
So we take our phones and chat all the next day,
getting to know each other in a happy appy way,
giggling at your words, beaming at the next
growing through lightning at each little text,
learning more in these screen chats;
you go to lots of BBQs and love dogs and cats,
you dye your hair and are calamity stricken
your top fajitas are finger lickin,
you know Mandarin and are ace at Catchphrase
and you have an inclination for New York days,  
you can analytically discuss scenes from C Street,
you can charm the customers at a store meet and greet,
you can decipher the nuance in The Bistro goss,
you can put up with **** from ****** at Argos.
You have a mate who picks up Mark Ronson's pooch,
you've saved a big crustacean when been on a mooch,
you can relate a song to Odysseus using sheep to save his men
and watch Mr G the musical over and over again,
you stay up/get up to watch the Super Bowl,
you type faster than a thought on a roll,
you've danced with Pete Barlow's ship mate from Corrie,
you can drive a car and a van, I recks you could handle a lorry!
You have loads of friends and often verge on more dislocation,
I want to be near you, whatever the location.
I want to pull you out of a hat
and see you stand on my welcome mat,
see, mobiles are good because it's good to feel that.
But if some quantum physicists are to be believed, after perusing their hefty tomes,
somewhere in infinite there is a place with no mobile phones,
and a boom of synchronicity has to be carried on by pen on paper
and there are days and days tween a tumbling heebie jeebie butterfly caper,
and then it's sent with a hope that it won't be lost in the post,
and be not read, like a bottled message uncorked by the coast.
Maybe a letter and no phones is better for starting a fizz
but right now mobiles make this what it is;
if not for them would I feel this close to you?
Or be writing this to you?
Right now I like feeling close to you,
and I like writing this to you,
to you Lou.

Moved by his computer frame
Love to love you he loved to move
her body frame he loved to love
That chrome never over to be undone
  Those delicate cake fingers
Those ABC key notes
  musically wired moved by the

Marionette elementary my dear
Watson in  a chrome jar mason
Hard mission with circuits
Radio days
She was so committed and clicked
All towered like the French Provincial

"All Metal" I phone rings to his
commercial I tunes conventional
So moved by her like the sentinel
Fingers frantic through the
yellow pages loving and soothing
But that wasn't so romantic
more silver linings

But Iced latte like fine slender metal
Soft and creamy cake in her love portal
So Sara just smile she was something
In her way was the General Lee
French stewardess Wee Wee
Her chrome metal Oh! Gee

What it did to him drove him
For hours to the address named
The hard drive
Mentally he was melted
he had to stay firm but pacing like the
buzzing beehive
The midday she moved into another
Red carpet Hollywood drive
She was out of her box racing too red
Too much of his chrome wheel heat
Metallic leather moves in her heels

Mighty sweet but some
anger management to beat
The crunch the bunch the
workout being spooked out
Those biceps couldn't take a bad rap
High life joy wife loves the cook-out
So outgoing gift of gab
Jekyll and Hyde lab

That metalworking grime
More networking like the
hard water crime
The marching wooden soldiers
Christmas time got the metal locket
He was ready for her lips
fired out rocket

In the dark the spark more alive into
A gunmetal lovely portal
Moved by the rebel her face had a
dark silvery veil Apple computer
Love mentor crazy love inventor
She was hard as a rock
At the muscle club

So hushed how she moved her
lips he is the
Chrome metal built up
Was her heart moved away
Her hands tightly closed cup
It got caught on the metal chair
Moved like a piece of furniture

Shine on the modern metal lamp
It was blown glass
Like the cartoon
"Lady and the *****"
Genie just appeared
Moved by him her
metal box could tear
The Mozilla stronger then

The silver back Gorilla
Chrome attire good fella
Yahoo singer Miss Diva
Venus-Stella,
Not a child's Crayola
She loved to drink
In his metal cup mountain dew

Moved up by Mothers Day

She needed to bloom
more (May I)
Way too polite
Heavy lifting rain April
fools season
  But he had the
stiff collar June he took
such a hard drive
Moved by her chrome metal you decide?

  Cosmos two in a half
metal, she was always in the
lab finding new age turn
of the page new turf
War veterans deserve the metals
Oh! Metal Heart take a chill pill
Becoming junkies  leaders and
Quack up Doctors

(Ripley’s believe
it or metal it)
So tickled chrome pink
To forget it her cell I- O-U metal
heart phone
  Here is a link to my song I did

https://www.youtube.com/watch?v=r0p-HADoF1I&t=162s

The  ammunition of
the best silver
That was Terry Tech lee
his brother was Techie
Heavy metal rounds the
sea minerals
To top things off  the
"Metal Generals"

Moved by only chrome
The robot combat type metal
Not a belly wash to be pregnant
What a moving day convent
I need my own outlet

If I only had a brain
Were built like machines
anyway
The pacemakers nothing
feels real
The Brooklyn bridge
Deal or no deal
No grudge to hold onto
Wartime metal moved by
The honorable Veterans
Have a heart, not of cold stone
if I only had a brain
  All-metal wedding  

Taking the City train earthquake moving
Speaking traditionally white
Metal is the future of the website
Well! how much olive oil can
they serve the Tin man wizardly
He crushed my cheeks like
Rotten metal tomatoes

Mr. Clean robot cleaning
up the metal hearts
Someone will throw you off the
Brooklyn, let's play bridge
Should you get a metal bridge?
The Jewish dentist, he has plenty of bridges.
You could find him near the Trump Towers.