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g clair Sep 2013
keepin' it, keepin' it down
sometimes you're such a **** at
keepin' it, keepin' it down
I know he goes to work at...
mind your tone
as if we're on the speaker phone
i 'm fairly sure that we're alone
but lest we make a peep, or groan
or in our sleep, to snore or moan
let's just throw the dog a bone
I already gave him an ice cream cone!
shhh....we got a guy down there
oh man, it's true sometimes, I swear
like getting caught without
your underwear...
for all his 50 something years
I swear he's got the sharpest ears
yeah, I'm OK, don't mind my tears
but today I saw him on the stairs
and he looked at me
then looked away
as if he had heard "everything".

so let's try
keepin' it, keepin' it down
I know it's not your way but
Keepin it, keepin it down
we just can't live this way
when he's around
to think that he hears
most every sound
yeah that must
really sting
when you hear
everything
but worse when
everything
you say and do is
heard...
MeanAileen Mar 2017
I am warmhearted and icy cold,
with a pretty face that's getting old.
I am fragile yet tough as a man,
struggle thru life with no real plan.
I am petite and cuss like a trucker,
slightly naive, but I'm no sucker.
I am a sinner with a halo of gold,
an open book with secrets untold.
I am a hypocrite but always play fair,
a bleeding heart and I don't care.
I am a mother who acts like a child,
crazy, impatient and easily riled.
I am spontaneous and I am a bore,
forever forgiving, I still keep score.
I am unstable and wonderfully wise,
a ****** deviant in sweet disguise.
I am creative and self-destructive
naturally skilled and unproductive.
I am shy and I am outspoken
with a heart of glass, easily broken.
I am awkward and well refined,
lost, insightful and a little love-blind.
I am respected and I am addicted
shamed by burdens, self inflicted.
I am a perfectionist and I am a slob,
unbiased and shallow, an inept snob.
I am nocturnal, a creature of night,
blissfully ignorant, typically right.
I am cautious and I have no fear,
a loser and quitter, still I persevere.
I am brilliant and easily amused,
over-zealous and under-enthused.
I am impervious with wounds to heal,
a habitual liar just keepin' it real.
I am witty and weird and mean-
I am what I am.......100 Aileen.
A lil bit about who I am...
WARNER BAXTER Jul 2015
livin' is a crime
the dollar's worth a dime
local government
landlord wants the rent
the I. R. S.
says they get the rest


(bridge)
wooo, ooo, oo rat race, Oooooo ooo it's a rat race

working nine to five
just to stay alive
stabbin' in the back
catchin' all the flack
interest rates and loans
keepin' up with Jones


(chorus)
wooo. ooo, oo rat race, Oooooo ooo it's a rat race
are you a member of the rat race
keepin' with the fast pace
wooo, ooo, oo rat race


the dollar's worth a dime
livin' is a crime
just to stay alive
workin' nine to five
landlord wants the rent
D.C. government
guess who gets the rest
the I. R. S.


(chorus)
wooo, ooo, oo rat race, Oooooo ooo it's a rat race
are you a member of the rat race
keepin' with the fast pace
wooo, ooo, oo rat race

wooo. ooo, oo rat race, Oooooo ooo it's a rat race
are you a member of the rat race
keepin' with the fast pace
wooo, ooo, oo rat race
wooo. ooo, oo rat race
Oooooo ooo it's a rat race
rat race
rat race
Oooooo ooo it's a rat race*



written by
Warner Baxter
One Knight Stand Productions
all rights reserved
WARNER BAXTER Jan 2014
~
LIVIN' IS A CRIME
THE DOLLAR'S WORTH A DIME
LOCAL GOVERNMENT
LANDLORD WANTS THE RENT
THE    I. R. S.
SAYS THEY GET THE REST



IT'S A RAT RACE
ARE YOU A MEMBER OF THE RAT RACE
KEEPIN' WITH THE FAST PACE
WOOO,   OOO,   OOOO,   OO,  RAT RACE



WORKIN' NINE TO FIVE
JUST TO STAY ALIVE
STABBIN' IN THE BACK
CATCHIN' ALL THE FLACK
INTEREST RATES AND LOANS
KEEPIN' UP WITH JONES



IT'S A RAT RACE
ARE YOU A MEMBER OF THE RAT RACE
KEEPIN' WITH THE FAST PACE
WOOO,    OOO,   OOOO,  OO,   RAT RACE


REPEAT CHORUS

WOOO,   OOO,  OOOO,  OO,  RAT RACE

RAT RACE   WOOO,  OOO,  RAT RACE

RAT RACE
RAT RACE




written by
Warner Baxter
One Knight Stand Productions
Under A Tangerine Sky Entertainment
Phoenix Arizona 2010
all rights reserved
Michael Marchese Jul 2018
Don’t tell me it can’t all be equally shared
Don’t tell me elections are fair
Anywhere
I know whose had the power
The weapons to prove it
The world in their hands
And the money to move it
Perpetual profit
New product to cell
Dwellin’ deep in the pocket
Of your lol

So don’t tell me with Twitter you’re not all Obsessed
When you buy every lie presidential address
Comin’ hot off the press
Not so free to inform
A pornhub tuggin’ ******
Publicity Storm
And another blackout
On my people uncovered
Like Firestone burnin’ through natives
Unrubbered

Don’t tell me you don’t have the cure
Or that war
Isn’t waged on the people
To sheeple the poor
To the industry slaughterhouse
Dream factory
Where success is a breath of fresh
Debt peony
I know slavery still puts
That food on the table
And big pharma’s FDA puppets, the label

So don’t tell me dope is what’s making us Dumb
Don’t tell me my God’s not the LSD sun
Or that guns aren’t hired
To desecrate my
Sanctified inner peace
Keepin’ graffiti sky
For my ties to this earth
Are invaluable worth
So don’t tell me my rights haven’t been mine Since birth
Nathan Squiers Jul 2014
Look, I was gonna go easy on you not to hurt your feelings, but I’m only going to get this one chance!
Something’s wrong… I can feel it.
Just a feeling I got, like something’s about to happen… but I don’t know what.
If that means what I think it means, we’re in trouble—big trouble—and if he’s as bananas as you say I’m not taking any chances!

(You are just what the doc ordered)

I’m beginning to feel like a write god (write god).
Can all the readers out there who think I’m right nod, right nod.
Now here I am again for another rap talk, rap talk…
They said I write like a monster, so call me scribe-star,
But for me to write like a beast means I’m a demon at least;
I got a devil kept in my pocket,
On my shoulder’s when I rock it.
Talkin’ of killin’ and of thrillin’; won’t stop it!
Write a demon doorway, now knock on it!
Ever since the dark days when I’d just lost it,
Way back when the world would pace and chant “Nutcase!”
I’m a ******, but I’m charming;
Yes, a crude, rude dude, but I’m still disarming.
Using syllables to **** ‘em all with this
empowering empire of powerful vampires.
The writer-type clackin’ back with typewriters, like way back, right?
Clackity-clack!
Rockin’ stack after stack, clackin’ out more attacks,
Ideas tacked out while hacks hack out their crap (but ******* spew **** all the time),
so I perform written parkour tricks so you’re not bored; strike a chord.
Show you Stryker’s tortured life of suicide ‘n strife turnin’
to strength and a fiery passion burnin’ while readers’ guts are churnin’—
teary eyes all burnin’.
Their fears are returnin’ from a story I turned out when I got turned on
to my own life.
Now I drop F-bombs;
exploding real-life scenes—
these ain’t your G-rated dreams, so take your outdated themes—
It’s the **** I’ve seen; don’t make me obscene.
I’m mean, I mean, it’s my means to screen a scene between a matte sheen.

‘Cause I’m beginning to feel like a write god (write god).
Can all the readers out there who think I’m right nod, right nod.
Now here I am again for another rap talk, rap talk…
They ask me to thaw out these oily blocks called ink-wads, ink-wads.
There’s a body in everybody , but not all bodies have a brain that makes them feel sane.
Like a train—just the same—
Might be runnin’ but we still cast blame,
The loading docks of our thoughts; they’re locked-up in a box,
And they’re stackin’ up like blocks
That turn the stacks to empty tracks (****!)
Trainees blame their brainees when it’s not easy training brains, see?
But the boarding isn’t boring—training brains; not trading pains—
Remember: the station’s self-exploration!
Me? I’m a hodgepodge! From train station to abandoned lodge;
Bully dodgin’, fully locked-in when I freaked out, fattened-up and then I geeked out,
Told “keep it down” but then peaked when I peeked deep down.
Creepin’ up, now, and keepin’ up (WOW!)
I swear it up and tear it up scribbled swords,
And now I wear awards for slingin’ words;
Offered praise; a chance to forget about the craze that once darkened all my days,
But I write that way—say “that’s okay ‘cuz it helps me write this way—each and every day!
And hacks think I act this way just to seem this way, ‘til come the day when the cray-cray takes the doubt away.
Demon obsessed? I’m possessed! Can’t own what you don’t possess!
“Hey, devil-lookin’ boy!”
So ***** for my honey I’m rockin’ horns, look here boy!
A Literary Dark Mass-acre,
Like the devil laid waste to a church on the page, looker boy!
They got a gold star, and a high five,
Felt so alive to see their own scribes make it to Momma’s fridge, ****** boy!
Hey, schnook-ah boy, looky here, looker boy,
I’m held up by The Legion, book-it boy!
Had to push for every word—every page—had to swallow all the rage,
Now you want out of your cage, schnook-ah boy?
I’m legendary—literary—and you’re literally just a *****, little boy!
So sell out while I’m bought out, ******-boy!

‘Cause I’m beginning to feel like a write god (write god).
Can all the readers out there who think I’m right nod, right nod.
The way I’m burnin’ through these pages, call me Dark Lord, Dark Lord!
But they’d rather burn my books, so start a fire war, fire war!
Can’t get it through your head? Words are more than Edward! He’s dead! WORD!
Let me drag you off to meet Dracula; take you back to the dawn of the dark lord, yea?
Fast forward to the foreword where the F-word’s “fangs” (you’re welcome);
This is my Hell, come! Be free!
Part Morningstar; part Morpheus! I throw up a kiss and jot down the kills like they’re red-apple pills.
Go ask Alice back at my palace what you should read to feed your head.
Sentence structure so smooth they call me FE-line, and my cat’s got better plot lines,
That the hacks will all call “sublime” (it’s “sub-fine”)
But me?
My **** scenes are brutal,
And my romance? Not frugal. I don’t saturate—I arrogate—
But I don’t condemn my characters to *******!
I wanna make readers care—if readers dare—
To connect and feel and follow where they can find some hope and power there.
While also giving them a place somewhere that isn’t here—though filled with fear—
A place where they don’t feel jeered or feel weird.
Horror ain’t just movie monsters, or gore-****** scopin’ sponsors!
You speak French? C’est de la merde, monsieur!
You look unsure! But I have the cure in the written word!
And though you once were achin’ for a rockstar author cravin’ bacon,
The role has since been taken by your man, Squiers.
And like a pair of pliers, I can reach into readers’ brains and cross all sorts of wires!
I’m settin’ cranial fires behind the eyes of all my buyers!
And while I’m growing Ghost Riders—ridin’ shotgun on the bullet-train ‘tween the pages—
There’s a horde of haters harboring growing rages
With a narrow gaze of who scribes pages.
They say I can’t write ‘cuz of my tattoos or my gauges
So allow me to assuage this: y’all can’t cage this!
If you don’t like it, let me show you where the grave is!
You’re well-aged, but I’m ageless!
Like the undead through the ages!
And like Shakespeare took to stages you can find me where the page is:
I’m hip to a script, I’m at home with a poem and feeling groovy writin’ movies; and I’ll be EZ on your TV.
You write normal? **** being normal!
What a novel theory! So very dreary!
Why the **** are they so leery, they say “Writing fear? We don’t want to hurt no feelings.”
Feelings? Setting up ceilings! Just more limits! It’s life! Live it!
Set the roof on fire!
Plot is getting hotter than a 24/7 squatter on a ***** channel!
So what if some **** gets a hair up ‘er ****? Don’t make it ****!
They wanna say “Hey you, we’re here to stifle!”
‘Cuz I mentioned rifles? Do they really want to trifle?
So I say:
“Better bring a sweater ‘cuz this thriller’s gonna chill ya—sure hope it doesn’t **** ya—and ya gonna get’a fill o’ all the ***** that I don’t give, ‘cuz I don’t live to let ******* quip or give me lip about my lit.
I’m entertaining and elating and also demonstrating how devastating a stream of escalating scenes can be so penetrating—although frustrating—to a mind that’s celebrating what it means to be vacationing between the pages; wading through the stages of a war that forever wages; meditating through the escalations now that they know what TRUE rage is!
“Oh, he’s too ******!”
That’s right! Ain’t right. That’s life: not nice; it’s strife.
It’s not just me; it’s we.
I just found a better way to show it:
Monsters that aren’t monsters;
Abuse put to good use; bred virtues!
“I don’t know how to plot plots like that;
I don’t know what words to use.”
Did it really never occur to them that to read a book—just to take a look—and THEN take up the pen?
You read King if you want to be king, strictly speaking.
A writing mind that isn’t a reading mind is a weakling; a weak link.
I’m a scholar—not a bawler—so I’m a flyer where there’s fallers;
Raised on Goosebumps and Creepy Crawlers so I’d Stine while others whined.
Got a dark side, but that’s The Dark Side on my side; counter haters with my Vader:
“I would be your father… but your dog beat me over the fence.”
No offense. Pretense: incorporate comedy and film; common sense.
Suicide pushed aside, though I still burn inside. **** myself on
the page each day so my readers can feel what it’s like to be alive.
It’s okay to hide.
Only your own devil knows what’s inside.
I own mine; he’s my co-pilot when I write. My demonic side; my demonic scribe.
Flipping my words to the birds—‘cuz, you see, that’s how I wing it—and flipping the bird while I throw down and sing it:
“Tiger, Tiger, burning bright,
My words are my roar and tonight I write!”
The fights are in your sights like you were seated inside a movie theater;
You’d see Xander and Estella—wouldn’t you want to meet her—
Have a front row to the creatures in a feature presentation…
But ‘til then
Eat some Rice An’ read a piece by a man who
Had an “Interview with a Vampire”—
I’m a fiction author, why would I lie to ya?
Prince of lies? I ain’t Satan!
Close friends, but I’m Nathan.
Judged for appraisal—I’m priceless—I’m  nice: no; charming: yes.
Got a razor-sharp and Shining wit like a crown left
on a King… but not.
Why be a left king, when I’m a write god.
So I did a lyrical re-write of Eminem's "Just Lose It" that wound up being pretty popular, so when I heard "Rap God" for the first time I knew I had to do the same. While I hope it's entertaining on its own, I think those who have heard the song will enjoy that I remained true to the source material in terms of flow, rhythm, and syllable count (Marshall Mathers is really quite an astounding wordsmith in his lyrical writings).

Hope you enjoy ^_^
Marigolds Fever Sep 2018
Cowgirl boots cost her
just little pay
She knows to play it safe
Keepin them cowboys away
Wants soft black fur
To keep her warm at night...
they say
She murmurs by candlelight ...
Country bear soothing...
them Cowboys cause me fright
She doesn’t want a man
She’s lookin for a country bear
That’s her true fan
Cowboys want to make her purr
But a country bear is gona stretch his paws and groan
I finally found her
Big bear wont mind what she does with that hair
Cause he’s her country bear
She’s his woman
He’s her furry scare
Try not to stare
When they’re hittin the town fair
Kissin at the top of that ferris wheel
Ladies want to know
What’s that she feel
Township whispers..
there she goes
Smoochin that big bear
Maybe it ain’t no big deal
This is too surreal
Watching this
They eatin cotton candy
in complete bliss
Later in fright
Before the early light
All the ladies pray
Keep them cowboys at bay
Send me a country bear like Miss Fray
And we might promise to obey
Her secret
They want to know
She said forget it
Go to your rodeo
Bears ain’t something I’m about to share
That country woman
That country bear
It’s the perfect love affair
Bunhead17 Nov 2013
I always been the type to put you first
Even if it seemed like you ain't deserve it
& I know that sometimes I made you hurt
But I swear I ain't do it on purpose

The problem was that you would hear me
But respond based on only what you were feeling
Which led to frustration that sparked the
Beginning of... the ending

(just hear me)

I never been the type to give all my love all my love
Last time I found love I lost my trust
In the heart of a battle I always won
(but, but) you know my ******* gave all my love
Knowin' that the outcome would probably just
Be the same old **** that it always was

& I fell so hard that I left my guard back where I first met her
Anything that was keepin me safe got lost when I read that letter
Its like I dove from a rock into a deep *** lake & my feet would touch the
The sand at the bottom ice cold
But im warm cause im next to the core that deep in love

Man I never know that lookin at the stars could be so ****** downing
Whys it so **** hard to move on from your past ****
& everything be all good some breaks up be easy man I think they all should
I said man I think they all should
Im like man I think they all should
Some breaks up be easy man I think they all should
**** it I just lost love

I will see you someday
I hope maybe one day
We can go back to the way
The way that it used to be
I love this song! "Cold hearted" by Legacy from the New Boyz (google him if you dont know who the New Boyz are.) :D #skinny jeans and a mic
Mark Sep 2019
I love da sound ya ***** does make
While slapping up against your sister, for Christ sake
Watching you all doing the ***** deed, *******
On ya momma's brand new, multi coloured **** pile  
***** young boys, are forever slapping, keepin’ it real
While viewing ya *****, in ya year nine, high school classes
Even some curious gals, like to slip in a quick feel
While flashing their hallway entry, fancy gold passes

Da sound ya ***** makes, ya must be using an amplifier
With a **** load of flaming, boom-boom, bass  
Next time though, try turning the treble up, as you were
And turning down that flaming bass, just in case  
This mornin’, I woke up stiff, like feelin’ as if dead
Then flicked through the paper, my obituary, I just read
Didn't feel that great, after we had finished the missionary
Wish I was much more aware, like a future visionary

I haven't even ironed my clothes or done my face
For my very last day of this bright sunlight  
Will I need to pack a jumbo suitcase
Or maybe just some shorts and thongs
On my mystery vacation, one-way flight

Da sound ya ***** was making when shaking
Was maybe way too loud for some, last night
It put me in, like a clothes dryer spin  
Police came by, just to check that no one was pranking
With some spray with mace, just when I was about to sin

Everyone's got an unusual craze in life
Mine just happened to put me in a daze  
Should've taken a much deeper breath
When going down between ya momma's thighs  
Send flowers to my ******* and hoes
And never ever forget, ya ****** nice ways
Always tried to satisfy the whole **** world
But still hearing some sad **** woes

I like da sound ya ***** makes
Reminds me of some ole dance tracks
Played by the DJ, named Georgie O’Kay
While everyone dances to a beat
I'm hard at work, while trying to get ya
To get down lower and pretend to be ya momma.
A huge shout out to my homies HIPPO + HARPS. Appreciate your help Bros. F
Phil Lindsey Apr 2015
The new built church was filling up
For its very first Christmas Eve.

It was finished in October
On a piece of vacant land, and
Reverend James had joined the greeters,
At its entrance shaking hands.

From seeming out of nowhere
A stranger just appeared
He was hunched a bit, and limping
With a longer gray-white beard.
His suit was black and dusty,
Like it hadn’t been used in years,
And his eyes were red and misty
Like he’d been shedding countless tears.

The Reverend grabbed his hand and said,
“Welcome!  Welcome, come right in!!
You’re a stranger to these parts I guess,
But we’re mighty glad you came.
And if it’s all the same to you,
We’d like to know your name.”

“Name’s Everett.  Everett Kent,” he said.
“Been alookin’ for this church.
Knowed some day you’d build it here.
Now I can end my search.”

The stranger loosed the Reverend’s grip,
Limped in and settled down,
At the far left end of the far back pew;
Where no one was around.

He sat through prayers and sermon,
Through a couple hymns as well
And when they got to ‘Silent Night’
He appeared to know it well.  
Silently, he closed his eyes,
The words were his release
“Round yon ******, Mother and Child,”
“Sleep in Heavenly Peace.”
“Sleep in Heavenly Peace.”

As the song went to the second verse,
The bearded stranger, dressed in black
Vanished into silent night,
Not once looking back.

The next day - Christmas Morning,
The ushers found a curious thing
A parchment in the offering plate
******* with a string.
When they untied the string they found
Much to their surprise,
A stack of Hundred Dollar bills
Of a slightly larger size.
They were from a different era,
Was this some kind of a joke?
A heartless cruel trick to play
At the expense of righteous folk.

On the inside of the parchment
In an antique writing style
Was a poem, (or a riddle?)
Now they couldn’t help but smile.

“One Thousand for the Father,
Two Thousand for His Son.
Three Thousand for the men who followed on the run.
Four Thousand for Mother Mary, who must have suffered most,
Five Thousand in remembrance of the wandering Holy Ghost.
That leaves nothing for the Devil
Though he’d like to claim it all.
May it help to pay the mortgage
On the church you built this fall.
Fifteen thousand dollars here,
Count it if you want –
I’ve had it for safe-keepin’
‘Twas much safer than a vault.”


The Reverend and the Deacons counted 15 Grand
The Reverend and the Deacons, together made a plan
Early the next morning of the very next business day,
They found a numismatist
To see what he would say.

He said,
“As currency it’s worthless
But a collector will pay well
These notes are rare and valuable
As far as I can tell.
You’ll get thirty / forty times the face
Look at the condition that they’re in!!
Where the Hell did they come from?”
And, where the Hell have they been?”

Reverend James contradicted
Remembering Everett Kent,
“Sir, it wasn’t Hell they’ve come from.
These notes were Heaven sent.
A stranger came on Christmas Eve
And left them on the pew.
All we did was count them,
And bring them straight to you.”

On the way home, Reverend James perplexed
Reviewed the strange events
Prayed that God would grant him wisdom
So he’d know what to do next
Surely the stranger didn’t know
The value of the notes
He mentioned only Fifteen Thousand
In the poem that he wrote.

A lawyer was a member
Of the Richland Christian Church
So Reverend James implored him
To do a legal search
He vowed to find the stranger Kent
To make known the real worth,
And inform him of the value
Of the bills he left at church.

Three days later, four o’clock
The Reverend heard a frantic knock
“I’ve found something that’ll interest you,
From 23 December, Eighteen Seven Two.


Richland Herald, December 31, 1872
The First National Bank of Richland was robbed last week, on December 23rd, by a man who, holding the tellers at bay with a pistol, demanded that they surrender all the money in the vault, without protest so that none would be harmed.  The thief escaped on horseback, though the Sheriff’s department was duly informed, and the Sheriff and two newly appointed deputies immediately gave chase.

On or about 4 pm the following day, a man matching the thief’s description was said to have been seen at the stage stop, run by Everett Kent, and his wife Mary, two fine people known about these parts for their hospitality and generosity.  As a testament to this fact, an itinerant preacher (known only as Reverend Jim) had been staying at the house for some time and conducting meetings at the stop whenever possible.  It should be mentioned as well that the Kent’s have a young son David, who, taking a liking to the eloquent Reverend Jim, had decided to also preach the Gospel and had taken the his first steps in that Almighty Direction.

As the posse surrounded the house, the thief, perhaps knowing that he could not escape, endeavored to bargain his way out of the situation by taking hostages and thereby securing his own safety.  Everett Kent, pleading for some shred of decency from the villain, asked that his wife and child and Reverend Jim be released, and that he, alone would serve in that capacity.  The thief relented (maybe the only time in his villainous life that he concluded a decent act.)  Mary and David ran from the building and were quickly placed out of harm’s way by the sheriff and his men.

What happened next will never be known to any but those in the building and the Lord God Himself.  What is known, is that yelling and commotion came from the house, and three shots were fired.  Perhaps upon being released, instead of removing himself to safety, Reverend Jim, attacked the villain and a scuffle ensued.  In the process, a kerosene lamp was broken, and the building caught fire.  Although Mary implored the sheriff to rescue her husband who had been tied to a chair, the Sheriff exercising judgment, if not valor, determined that it was already too late.

The thief (identity forever unknown), the valiant Reverend Jim and the pious and unfortunate Everett Kent all perished in the fire.  When the house had burned to the ground and the bodies could be examined, it was determined that the thief was shot through the heart and Reverend Jim also had received a mortal wound.  Everett Kent, though tied to a chair, had somehow procured a bullet wound to his right leg.

The spoils of the robbery, according to the First National Bank, $15,000 in uncirculated $100 bank notes, were never found, and presumed burned to ashes in the fire.


Reverend James felt faint
His knees and legs were weak
He sat down at his desk, and
Heard the lawyer speak.

Reverend James, there’s something more
That you have a right to know.
The stage stop never was rebuilt.
The widow moved away
And raised her son in another town
Very far away.

The son became a preacher
And later changed his name
In honor of the Reverend Jim,
Called himself David James.

You are David’s GG Grandson
You descend from Everett too.
The land where you just built the church?
Left so long ago to you?
Was once the home of Everett Kent
I found that in my search.
The widow left it to her son
And he thus passed it down.
And now you’ve built your brand new church
On that very ground.

You’ll never find the stranger
The notes are yours to spend
And the Christmas Eve Tale of Everett Kent
Has finally reached its end.

“One Thousand for the Father,
Two Thousand for His Son.
Three Thousand for the men who followed on the run.
Four Thousand for Mother Mary, who must have suffered most,
Five Thousand in remembrance of the wandering Holy Ghost.
That leaves nothing for the Devil
Though he’d like to claim it all.
May it help to pay the mortgage
On the church you built this fall.
Fifteen thousand dollars here,
Count it if you want –
I’ve had it for safe-keepin’
‘Twas much safer than a vault.”

Reverend David James III,  recounted to Philip W. Lindsey on 4/13/2015
For James Weldon Johnson**


the clock fast approaching
an appointed midnight click
it was time to punch in
for my avocational shift

we sauntered up creaky steps
of the old weathered rectory
its planks loose, its bricks chipped,
the gabled roof still leaking

a CDC on the outer verge
leaning over a bankrupt precipice
catastrophic failure predicted
from chronic cash flow distresses

we’ve  been on the ropes
since doors swung open
to fulfill a sacred mission,
25 years in the hood
keepin the devil in remission

a young ED with firebrand cred
emerged from a cubicle partition
his erudition and abundant zeal
would save many from perdition

he commenced his brief
in the entrance hall
laid out maps of the Silk City
articulating a canvasse plan
bereft of fear and blithe pity

he stood ***** announcing
the surety of his calling
handsome face and balding spire
lent a stern presence of authority

The PIT a Point In Time
Homeless Census annual review,
to root out and count the heads
of the lost and out of view

from Bed Stuy to Boston
Baltimore and DC
San Antone, Windy City Frisco
vols be countin to see

what happening with
America’s homeless folks
who, what, how they got there;
what can we do to help them
besides a hot, a cot and a prayer

last week in January  
in cities all over the nation
missioners fan out  to uncover
the most lowly of station

we’ll discover and recover
lost lambs and prodigal sons
we’ll find street walk daughters
falling through cracks
and criminals on the run

some junkies and crack pied pipers
be yodelling sickness, death and fear
mental illness, castaway children
may licit sorrowful tears

like gnats strained
through the gaping
holes in failing
social safety nets
this night is about
good shepherds
gone forth with no regrets

this mission
is most important
to our agency as well

each head you count
every calf you cull
the coffers of the
agency will grow

program grants are tied
to an index of misery
our streets give ample evidence
of an abundant presence in this city

no poverty pimps
work harder to improve
the blighted human condition
the quality of our work
speaks for itself
its no liberal sedition

we got a dog in the fight
that's undoubtedly true
tending to add an urgency
to the critical work we do

our shelter, food pantry
and job training programs
keep jumpers off the ledge
we attempt to arrest fallers
its the agency’s solemn pledge

for what profit a man
if he inherits the earth
and finds only strife
and devastation?;
community development
our diligent charge
workin hard to build
a better nation

so as your
caravansaries
cross the city’s
food deserts

to search the oases
of supermercados
surreal revelations
may manifest a few
midnight bizarros

E 18th St bonito bodegas
where long shot scratch offs
and stale coconut macaroons
staples of community sustainability
the hoped for lift from poverty soon

busy parsing the three squares
bagged in paper thin brown balsa
cool ranch dorito, a teriyaki slim jim
frothy Colt quart to chase
the winkin sip of dog hair gin

that's where this
story begins...

yes beloved
the road is wide
the gate is narrow
for the many prodigals
off the path living
a life of shadows

they're out there
trudging
making a way
through the  gloom
hoping to be given
one more day

sojourning on
trying to get back
to the ***** of love
searching for the room
lit with light from above

take courage beloved
know that Jesus walks
the streets with you tonight

he’ll be your
present helper
as you mine
the dank waste
of the desolate
factory shells
the post industrial
monuments to the
expended labor of
six dead generations
now squatter
encampments
for urban nomads
moving through
the sarcophagi of
a nations
wasted labor

remember
afterall, we are
all fallen people
hurtling downward
into torn safety nets
slipping into the
tattered threads of
a handy hangman's
noose

who among us
has not fallen
through yesterdays
best expired dream?
waking to find yourself
in a midnight
nightmare scream

we'll catch them
round em up
as their falling
to build em up
lost sheep knows the
voice of the masters calling

Jesus will
walk before you
as you enter the
closed parks
were swings
of life fly
high and low
merry go rounds
zip by like a terrible
carousel that won't stop
to let you go

and may the
Good Deliverer
guard you as
you descend
into the screaming
rooms of
condemned
crack dens

here the fallen
angel finds comfort
in the resounding
chorus of misery
woefully regretted

Lucifer eloquently
hums beguiling
holy smoke tunes
to his doleful
acolytes sadly
lamenting
bluesy
blue
blues

you are the
Good Shepherds
leading the lost
back through
the gate

tell the beloved prodigal
children that the good
news of salvation
patiently awaits

we lucked out
its warm tonight
for the past few years
its snowed

heres a clipboard
filled with questions to ask
a box of supplies for lost sheep
and a yellow plastic poncho
so the cops know
you're one of God's own


Mary Lou Williams
Black Christ of the Andes
Praise the Lord

Paterson
1/30/13
jbm
Part 2 of extended poem Silk City PIT.  PIT is an acronym for Point In Time.  PIT is an annual census American cities conduct to count the homeless population.  The Silk City is a nickname for Paterson NJ.  An ED is an acronym for Executive Director.  A CDC is an acronym for Community Development Corporation, a non-profit agency that provides development services to urban communities.  James Weldon Johnson is an African American poet.  This piece is written in a style and manner of God's Trombones.
zebra Aug 2021
keepin
it
too
real
Hang on, hold on...
...we get the fiddle out,

Now the old Ban-jo...
here comes it now,
clap tune with us...


America went in the can when Hollywood then brought-in,
The good feelings sneakin' 'round as Old Times never for-got-ten.
HOORAY! HOORAY! America, still Dixie!

Real T.V. got your goat as poli-ticks snake your vote,
I guess that's how, guess what's now, -rock that boat!
LOOK AWAY! LOOK AWAY! T.V. keepin' Dixie!

Take a knee you N-F-L, NBA you go to Hell!
Still not same, as Me 'n Me, with money, life is swell!
HOORAY! HOORAY! America, still Dixie!

Demo-cracy was thrown a hand, when Dixieland lost it's stand,
Oh live and die for T.V.

Keep your eyes down now, -boy don't look around...
...Our way, -T.V. -is Dixie!

HOORAY! HOORAY! America, still Dixie!
HOORAY! HOORAY! America, still Dixie!

Gotten out? The Great Gar-den? Then we shot your Mar-tin.
And ole Jay Z we'll mow him down, every time he hits our town,
oh you'll see, catch a grave, as God T.V. keep y'all a slave!
Not the same, as Me n' Me, in spite of all your New money!
HOORAY! HOORAY! America, still Dixie!
HOORAY! HOORAY! America, still Dixie!

HOORAY! HOORAY! America, still Dixie!
HOORAY! HOORAY! America, still Dixie!
Remake of the Dixie tune for modern times. It must have been hilarious to see people dancing and clapping to this tune as it appears to be made in jest to mock racists.
Jai Rho Jan 2014
When I got to the hospital, the nurses told me he was still recovering from surgery for some internal injuries and this and that, but I could go see him for a bit. So I went up to his room and realized that I didn't really know what he looked like, other than blood and bruises, but I could still tell it was him by the way the bandages were wrapped around his head. "Hey Chief," I said, "howya doin'?" This time I knew he was conscious but he didn't say anything. He just gave me this look like he was saying, "Who are you?" and "How do I get rid of you?" at the same time. So I replied, "I know your name is Mitchell, but I figured the only way you'd remember me is if I called you 'Chief,' like I did before." That got his attention and he threw me this sudden, glowering stare for what seemed like a real long time, like he was trying to make up his mind about something. I thought I had ****** him off with that "Chief" crack, but then he said real soft,  "My name's not Mitchell."

     That suprised me a bit, so all I could say was, "But that's who's room this is, according to the nurses."

     "Maybe so. But that's not my real name . . . It's just a name I made up."

     "What, you on the run or something?"
    
     "Something like that."

     "And you ain't a Marine?"

     "How'd you . . . ?" Another stare, and then, "Nope. Not now. I was though."

     "I don't get it."

     "Mitchell was a name I made up when I joined the Corps . . . "

     "So, why did you make up a name? . . . You got a record?"

     "Nothin' like that . . . My real name is Irniq . . . It's an old Inuit name. When I joined up, I thought I was puttin' those days behind me."

     "Inuit . . . What's that, a kind of Indian?"

     "It means, 'People' . . . but you prob'ly think of us as 'Eskimos.' We don't like that name, so we don't use it."

     He stopped looking in my direction and kinda tilted his head back and rolled his eyes back before closing them. Then he took a few real deep breaths, and said, "I grew up in a village that was mostly hunters and fishermen. It was fun, when I was little, kind of like goin' on an adventure all the time. But as I got older, I realized how dirt poor we were and how we seemed to catch less game every season. And then I learned that our tribe owned land that the oil companies wanted to drill, and that the oil money could end our need to hunt, and get us modern, comfortable lives, but the tribe kept clingin' to their old ways. My father said it was oil that wiped out the herring habitats, and caused the seal population to crash, and was keepin' the ice away. I didn't care and thought he was a fool fightin' a losin' battle. I thought I saw the future and that he was goin' down with the past. We had terrible fights and I believed that the man who had once been this mighty hero of mine had turned into a pathetic has-been, and I didn't want to get dragged down with him. I thought that by leavin', I could somehow be part of the future. I didn't have too many places to go, so I joined the Marines."

     "Then what are you doing here?"

     He dropped his head forward, opened his eyes, locked them right on to mine, and said, "I left the Corps a couple of months ago. When I joined up, my father told me he no longer had a son. I guess I didn't really hear those words until I went back home and he shut the door in my face. My mother came out and tried to welcome me home, and get me to stay, but I knew that my father had been right all along, and that it was me who was pathetic. So I got on a bus and went as far as I could until my money ran out, and here I am."

     "What do you mean, about your father being right?"

     He closed his eyes again, brought both hands up to the sides of his face, and said, "When I was in the Corps, I got sent to Iraq. I was pretty gung ** at first, and thought I was fightin' for freedom and the way of life that I wanted, but then it just seemed to get pointless. Day after day of cat-and-mouse with an enemy hidin' in plain sight and no real purpose other than bein' there and gettin' into firefights. Then one day I was on this mission clearin' some homes of insurgents. I was leadin' a squad goin' door-to-door and not havin' much trouble 'til we went to this one house and there's this woman screamin' and tryin' to get past us. A couple of my guys had to hold her down while the rest of my squad got her family to kneel down beside her. The woman kept on screamin' and we didn't have an interpreter, so I went up to her and tried to calm her down. I told her in as soothin' a voice I could that we weren't goin' to hurt anyone, we were just lookin' for bad guys, when I saw this blur out of the corner of my eye. The woman started screamin' louder, and I turned and yelled, 'Stop!!! Stop!!!' a couple of times, but it kept movin' fast and I just reacted . . . I didn't have any time to think . . . it just kept movin' . . . and I was yellin', 'Stop!!! Stop!!!' . . . but it wouldn't stop . . . it wouldn't stop . . . it just kept movin' . . . . . . and I reacted . . . I just reacted . . . . . . and then there was my muzzle flash and this red mist . . . . . . this red mist that just erupted . . . and kind of hung there . . . . . . . . . . . . . . . and then the woman wasn't screamin' . . . and I wasn't yellin' . . . . . . . . . and there was just this little boy . . . . . . . . this little boy, lyin' on the ground . . . . . . with this mush where his face used to be . . . . . . . . . . . and it was quiet . . . . . . . . . . . . . . . so quiet . . . . . . . . . . . . . . . until I heard this sound like nothin' I ever heard before . . . this kind of moan . . . this deep, hollow, primeval moan that kind of rumbled at first . . . . . . . . and then it grew louder . . . and louder . . . and the pitch got higher and higher . . . . . . until it turned into this ferocious gut-wrenchin' shriek that filled my head and reached way down and ripped my insides out . . . . . . . . . . . . . . . . . . and every day I try to put that boy back together in my mind . . . . . . I try to see his face . . . but I can't . . . . . . . . . . . . I can't see his face . . . . . . and I can't get that sound out of my head . . . . . . . . . . . . every single day . . . . . . . . . . . . and all I can see is my muzzle flash . . . and that mist . . . . . . . . . . . . . . . that godawful red mist."
Cartwright Feb 2010
A Life to say, A Life to Love and you are Every reason I keep on keepin on. The Reason I dont give up cause I'm so in Love with YOU,
In a world all our own. We Dance the Dance of Love that Everybody is               Jealous of.  So For YOU I say Happy ANNIVERSARY!! With you I Rhyme, All of the time. With YOU I shine so much even better than  a Light that Blinds. My Body craves YOU;
My mind needs YOU, My spirit Feels you in Every way I Kneel to You. Bowing to the Lord, Bowing to a Great And to Bow to YOU is never a Painful stake. So to YOU I say;
HAPPY ANNIVERSARY!! I Love your actions, and YOUR sayings through you guidance I'm Coming to Life with a BLESSING such as YOU,
with a BLESSING so TRUE, My Angel of Light ANGEL of TRUE,
I am SO IN LOVE WITH YOU.
SO I SAY, HAPPY ANNIVERSARY!!
                                                    I LOVE YOU MY NUBIAN QUEEN
                                     HAPPY ANNIVERSARY MY LOVE FROM YOUR KING.
Christopher Nathaniel Cartwright
Copyright © 1983-Present
Cyrus Gold May 2016
Feelin’ like a new model keepin’ thoughts in a safe
Nothin’ but new beginnings while maintainin’ the faith
Of better days ahead, walkin’ away instead
The world on my shoulders while walkin’ on eggshells

Difficult steps lead to redemption, no need for attention
Dowsin’ my sorrows in drinks with a fear of reinvention
Weakened souls lackin’ ambition – ones that we attend to
Distracted by the means to makin’ profit

Pharaohs and kings reach Ozymandias
Castle of the manliest reduced to rubble
Inspiration's a privilege, the uninitiated struggle
Lookin’ to the stars closer to Mercury

Celebrating longer than a single anniversary
Build the padlocked building blocks of the brain, preventin’ burglary
Intellect protection needs remedial advancement
Followin' the lessons and morals of real testaments

Crimson waters divided by Moses, halving the sea
Aidin’ people across, the shepherd leadin’ the sheep
Heated cycle of violence by disciples
De-escalated by the sacred teachings of the bible

Able to color-code their understandin’ with a cipher
Gifted in nature, minus robotics turnin’ sentient

WE MARCH!
Hand-in-hand in unison! A unit full of sin
But we protect the world from Judases,
Our doubts are in the wind

A state of peace we feel the crew is in
The rest will follow soon,
Our inner voice of hate is ludicrous
It sings a hollow tune.

Leavin' this place without askin' just where the exit is,
Keep a steady pace as we're headin' right into exodus.


Lessons are taught to help you rise from the fall,
Nirvana awaitin' – you better answer the call.
One of my personal favorites. Written at a time when I needed divine inspiration.
JM May 2014
Moldy coffee and ***** socks
fight for space among graying memories of memories as the dirge
in my head plays on.

It's like a hearing test that lasts every waking moment, this ******* ringing in my ears.

It's 3am again and death is in the air,
so close to home I feel the ancient heat
of leathery wings on my tired shoulders.

So tired

This tired body of mine,
I've really put it
through the ringer.
I've gotten some good miles
out of it.
The *******,
The car wrecks,
The *******,
The fistfights,
The beatings,
The *******,
The drugs
and the *****
and all that *****.
The mosh pits
and the miles walked
and all of those crazy
dangerous risks
all in the name of fun.

I should have died so many times

I didn't though.
I'm here.
I'm alive.
I'm still giving it
right back
to the *******
and getting all
the *** I can,
while I can.

Your God wants me to be happy

So I took the drugs
and the punches.
I walked for miles
and sat on the beaches
and woke up in holding cells
and found out what it
means to truly love
and felt what it's
like to die from
the inside out.

I've been at one with every
molecule in the universe
that ever has been
and will be.
I've seen the spirits lights
while the first ones
sang and drummed as I
wept in the dark.

I've felt shame
and fear
and loss of hope;
hunger pangs
mingled with glorious
hallucinations.

Life is but a dream

Really though,
dearest,
none of that matters
when I'm alone
at 3 am.
I stole the title from Raygan Keller
all of
America’s
gubmint hatin
yahoos, pining
to get their
country back,
should grab
yer rifles, stock
up on ammo
and giddy up
down  to Texas
to join the
secessionists
headin out
of the Union

Rick Perry
promises to
keep his promise
to close all the
gubmint departments
he can't remember
the names of

Ron Paul will
finally be liberated
from the tyranny
of his federal
paycheck and
can return to
his district to
practice medicine
unencumbered
by the acceptance
of medicare
payments

Ted Cruz will
move to coronate
his Cuban born
daddy as Viceroy
for life of the
western hemispheres
newest banana
republic

the last act of
of the Compartment
of Education will be
to turn every
public school
into a Holy Ghostin
Jehovah meetin
house

Judicial magistrates
will criminalize
poor people
or just make
them slaves
and all prisons
will be turned
into profit driven
plantations,
overseen by
the local
Sheriffs who
will be paid
time and a
half and 15%
of all profits

unfortunately
the Cowboy’s
will lose it’s
moniker as
America’s Team
if rattlesnake
booted
Jerry Jones
can’t make a
deal to turn
his stadium
into a sovereign
independent
territory as a
protectorate
of the USA

To assure
national purity
Texans will
build a Jericho
style wall to
define the boundaries
of their heavenly
kingdom and outlaw
all trumpet playing
within earshot
of their perturbed
borders

The Eyes of
Texas as the
state anthem
will need to
be reworded
The final stanza
will be changed
to "Until Gabriel
blows his nose"

keepin the ungodly
out and the chosen
people safely
insulated within
the shining
Lone Star State
will rise again
as a solitary
confederacy
of dunces

Music Selection:
The Eyes of Texas

Oakland
11/18/13
jbm
11/19/13 marks the 150th anniversary of Abraham Lincoln's Gettysburg Address... to hold the article of freedom in such disdain sickens me...
spysgrandson Nov 2012
J R died
I guess many cried
J R Ewing, Larry Hagman,
son of Broadway’s Peter Pan
offspring of a famous clan
I guess a decent man
another J R died, Jenny Rae
I guess many cried
but not likely fans from afar
perhaps
her nephew in the corner bar
when he recalled
through his wine soaked haze
younger days, when his Jenny Rae
would meet him payday
and give him a five she earned
keepin’ those old folks alive
well, cleanin’ up their slop
may not have been keeping anybody alive
but she did it just the same
even long after the cancer came
and pain buckled her over on the bus,
she kept goin’
smiling at their ancient vacant stares
when she could
when she was gone
when she passed,
curled up like a baby in that noisy ER
there were no headlines about that J R
only another wretched woman
paid to clean up slop
who hunkered faithfully over her mop
to wipe up the remnants of Jenny Rae
to earn her pittance of pay
perhaps for another nephew
or other lost son of an angry day
This verse didn't come out the way I wanted, but I nearly always feel this way when famous folks get fanfare when they die
Fegger May 2010
The lantern sways, as shadows flash,
Mists draped in night so still;
Illuminating fleshless arms,
Creep-out along this hill.
Such guardians of soul-less mounds,
Wooden markers of the poor,
Bow in hallowed reverence
As sentries evermore.

Weeping, yet un-frightened,
She trips between each aisle;
Casting light against each stone,
Acknowledge each beguiled.
Then memory finds her grasping,
And clenching cold, damp stone
Denoting ‘neath a vacant plot,
For he never did come home.

‘Pon scattered grass and gravelly dirt;
Drops to reverent knee,
While fanning simple pleats about,
Her dress, in modesty.
She twists the **** and raises wick;
And it curls with cloak of flame.
She whets her lips, inhaling deep,
Then summons ‘pon his name:

“Bartholomew,  Bartholomew,
Can you see that I ‘ave come?
Are you near, me sweetest husband?
‘Tis I, your Mary Dunn!
I had me thoughts to come t’night,
To ‘ave a word with you,
That’s pressin’ on me heart so fierce,
Ya’ ‘round Bartholomew?
Aye, that’d be just like ye some,
To wait fer me confess;
A’twisten’ in me awkward words,
No salve fer me distress!
Yet I—I need t’hear yer voice
An’ calmin’ words to heal,
The anxious quiver, here, inside,
A’longin’ to reveal.”

The widow paused, collecting will,
And questioned own intent;
To cast a net to spirit’s world,
To herald self- repent.
She wrings her fingers nervously,
While waiting ‘pon the dead;
When suddenly a breeze did rise,
Then a hand upon her head.

“Mary Dunn, me Mary Dunn,
‘Ave not better things to do;
Than wander ‘bout such crypts at night,
A’hovered by the moon?
What keeps y’here in dank an cold,
So callin’ out fer me?
Ye know fer fact I’m dead by now,
An rottin’ in the sea!”

“It’s good to see ya’ too, my love;
Better then, to hear;
That death din’t take away that tongue,
Or how ye prone t’snear.
I ‘spected that I’d smell ya’ first,
That rancid scent of whale;
Yer eyes were once quite darker,
Yer skin not quite so pale”.

The spirit corpse then spun about,
Examined high and low,
The fiery bride he’d left behind,
With heart so still aglow.
Warmed by her excited eyes,
And cheeks so pink with life;
He felt a distance aching,
Longing for this wife.

“Ye got a bit of lonely, Mary,
That why ye come tonight;
‘Spectin’ glimpse ‘ov me, like this
‘Wud turn ya’ heart to right?
Sensible is how ye was,
Yet be scurryin’ to find,
Such wisdom in yer harkin’,
To terms ye felt unkind.”

“Stop with ya’!  Stop with ya’!
Ya’ stubborn, briney goat!
T’wasn’t me who boarded ship
An’ failed to keep afloat!
Aye, the heaven hasn’t tempered,
The iron in yer will.
Judge me not Bartholomew,
One, amongst the krill!”

The bearded ghost then chuckled,
‘Til tears came to his eyes.
Proud he was to have such time,
To spend with feisty bride.
He then retreats in silence,
As he gleans from her distress,
That she torments with a secret,
To him, she must confess.

“"Bartholomew, me love,"
she embarks to make her plea,
"Ye left me young an' fruitful still,
yet no child ‘pon me knee.
I'm not as sturdy as y'think,
An' tremble at the thought;
deprived I am of husbandry,
my womb be saved fer naught."
Without ye then, I’ll ‘ave no spring,
No child to remind,
Of splendid days, brighter sun,
Me husband now divine.
I’m askin’ yer forgiveness,
And yer permit to pursue,
The kindly callers come to me,
In absence then, of you.”

“Yer speakin’ of the cooper, Tim,
Or Drew, the smithies’ hand?
Aye, better off with men who keep,
Their feet upon the land!
But Tim, I’m sadly knowin’ that,
His time is comin’ due;
An’ if a child be yer design,
There ‘ain’t no seeds in Drew.
I’ll not be one to keep ya’,
To an empty marriage bed.
Lord knows ye d’serve a finer life,
Than keepin’ with the dead.
But ev’rythin’ that’s in me,
Needs ye hurt no more.
Death ‘as grant me favored eyes,
I ‘adn’t known before.
I’ll come ‘ere, e’vry night,
An’ visit, yer desire.
Honest, I will always be,
Tendin’ yer require.
Love ‘been mine for days of flesh,
Then, for eternity.
Go then now, me Mary Dunn,
An’ make a life for thee.”

With courage she did leave that night,
With freedom then realized,
To pair with then, another mate,
Forsaking former ties.
Yet, on the night that followed,
And for thousands after, too,
She chose the comp’ny of the ghost,
Her lost Bartholomew.

Each night she braved nature’s serve,
Through rain, or cold, or sleet;
Imbibing ‘pon such moment’s time,
To feed on love so sweet.
Each minute spent, Bartholomew,
Rejoiced in hardships, laughter;
And only God and Time will know,
Such treasures in hereafter.

One night, amidst November freeze,
Mary staggered there,
Among the stones akin to home,
With her husband shared;
Lungs revolting, gurgling swell,
Mouth of staining red;
Contrasting earthly suffering,
Found solace ‘mongst the dead.
Fevered to delirium,
Wet, silver-tainted hair,
She settles ‘side familiar post
And finds him waiting there.
Struggles so to form a breath,
In hopes that she may speak,
Surrendering the day’s accounts;
But fears she is too weak.

“Aye, ‘tis time, me Mary Dunn,
A’time that ye come home.
Beyond this night, forevermore,
Y’ll nev’r be alone.
I wish that I could reach ya’ now,
An pull ya’ ‘cross the veil
That’s kept us ‘part these many years,
In spite of what’s prevailed.”

“So ‘lighten me, me whaler man,”
She coughed a pale reply.
“Why’d ya’ choose to lie to me,
To keep me as yo’r bride?
The cooper, he outlived us both,
Eight children sprung from Drew;
Ye lied to me for all these years,
What say, Bartholomew?”

“I feared me own accord, me lass,
From terms set forth above;
Ye cannot cross to waitin’ arms,
Unless ye go with love.
An’ I, but one love known to life,
This chance then rest with you
To be me escort to the Lord,
This, I say is true.
Should ye have taken ‘nother man,
I feared that ye’d be his;
An’ ye’d be taken up with him,
While I’d be left like this;
A-hoverin’ in between such space,
An’ time, by lonesome self;
While pinin’ for me heart of life,
Me Mary, ‘n no one else.”

“Aye, such flat’ry from  des’prate ghost;
It was my life ye know;
I seen ya’ for deceiver,
So many years ago.
But I choose’d to keep me vows to you,
‘Til heaven takes me in;
An’ if I granted sim’lar choice,
I’d choose the same a’gin’.

I’m dying love, I feel it now,
Me spirit needs to leave;
This body sez it’s had enough,
Me time is done, indeed.”
“Lay down, me lass, breath peace,
Lay down ‘n be there, still;
Our fate, as love, ‘pears destiny,
As both our lungs were filled.”

Mary Dunn surrendered then,
To callings of her spirit;
With forever longing arms of his,
She had no cause to fear it.
United once again, at last,
Of faith and love of few,
She crossed into Eternity,
With her love, Bartholomew!
As this represents a needed edit, I'd like to extend my gratitude to Drew for precise observation, critique/guidance and to my dear poet friend, Ron Gardner,  who donated several verses to this piece that were clearly more appropriate than what I had penned originally.  Thanks, so much, gentlemen!!!

If you are reading this, you did me a great favor of time...thanks.  

Fegger, 2010
******* ain't **** in 2000's i don't trust em
they show they ***** so **** 'em
buck 'em down smack downs with the gun in hand
leave a permanent frown in school i was a clown
after the money the green crack scene king
everything turned reality from a dream
now a loc on the loose lookin' for a caboose
so i can tap it like rabbit smokin' jokerslike a bad habit
show up boy if ya want to watch these slugs dump up on you
still a ***** been real since i was an embryo
don't matter the scenery or scenario down for my barrios
turn 15 keys to 75 G's nigguh please 
i don't mean to brag but i got street cred **** the feds
and cops to 502's tryna get a brother on a catch 22
learned game from the wise my eyes
filled with blood from **** im tokin'
throwin' a peck harder than woody woulda
carvin' haters with barbed wire
im Crazy never lazy with my trigger aim high not low
hop in the blue midnight 64 pinin' the baddest cabbage
raw savage spittin' cavi flow open up ya holes
with my hallows ya swallow casket follow
but ain't no love lost toss out the best of 'em
now they sleepin' with the rest of 'em
ti's the retunr of the G me replica of the E
they may forget you i but imma keep you alive
though ya dead and gone
im continue stompin' much luv from Texas to Compton

So what the ****? ****** bumpin' gums
talkin' loud but sound like they got ***
in their mouth watch ya mouth boy
i ain't comin' to play
deals from Montego Bay parlay in the streets Texas to LA
i smoke muthaphukkaz like a philly
get off the ***** silly crazier than a hillbilly
fuedin' cities show none pities
to muthaphuckaz the world is a ****** up place
too many after the paper chase
from ladies to hoes rich to poors weak trend to populace fashion shows
i opened doors
thats locked dont give a **** thats why i keep the pistol cocked
knocked off'd another now ya blood on the concrete
duck nigguh! now ya *** a sleep a creep
on the real thought really doe
i don't rock diamonds or pretentious jewels
just man made rules **** religion along with a stool pigeon
my hands itchin'
cuz im urgin' for another ****** plan with the pistol hand
to **** propaganda can't tha
stupid *** media nothing but ******* hidin'
behind tubes muthaphukkaz
come out come out so i can show ya what the
hallow points about
i may get killed for keepin' to real
i put that on my kids and my biz
by the way my muthaphukkin' name is!!!
_
Tyler Matthew Jan 2021
Eat it up while you can, pig!
Your future's looking grim.
Head down in a pig trough,
spilling at the brim.
Farmer stands with his shotgun.
That look is in his eye.
You're squealin' now like a loose wheel,
wishin' you could fly.
Running 'round in the pigsty.
**** stains on your pig chin.
Fear keepin' your eyes wide.
Crawlin' out of your pig skin.
Eat it all while you can, pig!
And don't forget to chew!
The dinner bell's a-ringin'
and we've got plans for you!
Inspired by "Pigs (Three Different Ones)" by Pink Floyd, from the album "Animals."
Now the times is rolling through
I get high focus on my loot
Strategize for every plot
Lookin' for enemies that try to get me got
Shoot
In my  own hood can't find no peace or no good
***** deeds entice fame
Tryna break out the eternal flame
Death yes I felt it nobody couldn't help it
Born a slave made for Catastrophe
All eyes on me God send me
An angel for my weak will
Cuz soon im.goig. to have to ****
Plenty rounds
Lace up my boots a true soldier on the hunt
Prepared for war as my demons begin to taunt
Nobody safe once I ignite
So be ready to fight to the last breath
Seen a lot of scorned memories through centuries
Most play the fool im breakin' all the rules
Keepin' up chaos it's in my bloodline
Of my family jewels
They swear they know me feds wanna set me
Wet me
I'm takin' too many shots of hard liquor
I don't think it's healthy my mind wealthy
But sometimes I start to panic
Thinkin' about real **** exposin' hypocrites
I'm growin' frantic
Used to have childish antics
But now I'm grown  on my own ****
Hardest in the pit
As I position to strike lika cobra can't
Block it I'm spittin' venom
Be ready to die I ain't tellin'no lie

Cuz never will die I'll be back
Reincarnated as muthaphukkin' mack!!!



Cate May 2015
I keep thinking
                                 I'm hungry
                                 I'm closer to the curb
                                                      I'm late.

I keep thinking
                                 It should've cost less
                                 This was a waste of gas
                                         I'm gonna head out.

I keep hearing
                          my alarm;
                          Your early morning voice
                        The frosted wind quake above.

I keep thinking
                          I'd have more to say
                          I'd have more change
                        The meters were off by now.

I keep dreaming
                            I'm wandering
                            You appear occasionally
                           I have the antidote to misery.

I keep trying
                      To be
                             poetic
                                Enthusiastic
             ­                             Inspired.

Vonnegut has cursed me
I'm caught in a Timequake
Repeating continuously
My last worst mistake.
This is a tendency
I can't seem to shake and
My dependency
Comes and goes in waves
But for now I'd say

I don't need you.

I keep trying
                 to be logical.
I keep thinking
                 I'm doing alright.
I keep dreaming
                It's true
But I keep hearing
                The opposite from you.



C.e.M. April 24, 2014 first draft
st64 Aug 2013
sweet-dreamin'
a whole life
the world's a stuffy place
keepin'
lv...away




Down the street you can hear her scream, you're a disgrace
As she slams the door in his drunken face
And now he stands outside
And all the neighbours start to gossip and drool
He cries oh, girl you must be mad,
What happened to the sweet love you and me had?

Against the door, he leans and starts a scene,
And his tears fall and burn the garden green

And so castles made of sand fall in the sea, eventually

A little Indian brave who before he was ten,
Played war games in the woods with his Indian friends
And he built up a dream that when he grew up
He would be a fearless warrior Indian Chief
Many moons past and more the dream grew strong until
Tomorrow he would sing his first war song and fight his first battle
But something went wrong, surprise attack killed him in his sleep that night

And so castles made of sand melt into the sea, eventually

There was a young girl, whose heart was a frown
cause she was crippled for life,
And she couldn't speak a sound
And she wished and prayed she could stop living,
So she decided to die
She drew her wheelchair to the edge of the shore
And to her legs she smiled, you won't hurt me no more
But then a sight she'd never seen made, her jump and say
Look, a golden winged ship is passing my way

And it really didn't have to stop, it just kept on going...

And so castles made of sand slips into the sea, eventually*





st64, 24 augussy 2013 ... a mild ole (still-time ...) saturn-day
smasher-lyrics...cool song!

James Marshall "Jimi" Hendrix (born Johnny Allen Hendrix; November 27, 1942 – September 18, 1970) was an American musician, singer and songwriter. Despite a limited mainstream exposure of four years, he is widely considered one of the most influential electric guitarists in the history of popular music and one of the most celebrated musicians of the 20th century.
In 1961, Hendrix enlisted in the US Army; he was granted an honourable discharge the following year. In 1963, he moved to Clarksville, Tennessee, where he played numerous gigs on the chitlin' circuit.

In 1967, Hendrix earned three UK top ten hits with the Jimi Hendrix Experience: "Hey Joe", "Purple Haze", and "The Wind Cries Mary". Later that year, he achieved fame in the US after his performance at the Monterey Pop Festival. The world's highest paid performer, he headlined the Woodstock Festival in 1969 and the Isle of Wight Festival in 1970 before dying from barbiturate-related asphyxia at the age of 27.
Inspired musically by American rock and roll and electric blues, Hendrix favoured overdriven amplifiers with high volume and gain, and was instrumental in developing the previously undesirable technique of guitar amplifier feedback. He helped to popularize the use of a wah-wah pedal in mainstream rock, and pioneered experimentation with stereophonic phasing effects in music recordings.



sumtime-entry: gonna come cryin'

playin' you my mean ole axe
gonna be whippin' up a crackin' storm
come on, you sweet thang
hand 'em smiles to me
hackin' them steamin' strings with me teeth
and rakin' these nails 'cross your back...ooh

you gonna come cryin' to me, sweetheart o' mine
and layin' your body over me
my flickin' fingers gonna find you
yeh..mind your hidin' away

(hey, fry me up some brinjals...while I make some coffee)

oh, I gonna be wipin' them tears away
and you're gonna come flyin' my way
don't cry none
don't you fret none
world, she is crazy

we gonna go ridin' em purfling-waves, too
'cos I'm-a madly in love with you!






Jimi Hendrix - Once I Had A Woman
http://www.youtube.com/watch?v=LVUlzNXxljg&list;=RD02W3JsuWz4xWc
LittleFreeBird Jan 2015
That summer was hotter than any of the others before. The county was dryer than it had ever been, and the kids more restless than years past. I was sitting on the front porch at my granddaddy’s, swinging slowly with the breeze that offered no relief from that God awful heat. I was in a little black sundress, which was hard to find because most people prefer pink or yellow or orange  - anything but black during the summer. But you can’t wear pink or yellow or orange to a funeral. So there I sat, in my black sundress, black sun hat and black heels. I even had black sunglasses, but I opted for those on my own. I had no desire for every eye in Harlan to see me cry. The sunlight hurt my eyes anyway; I had one hell of a hangover. The night before was the first time I’d drunk anything but sweet tea or water in my life. My body did not take kindly to it. I was doing a lot of things my body did not take kindly to as of late, drinking being only one of the many vices I’d begun to partake in. “Come on girl, we best get a goin’. Ain’t gonna do to be late for this one.” Granddaddy offered me a hand and helped me up. The car ride there was silent, but I would catch him every once in a while glancing over at me to make sure I was “Keepin’ my **** together.” He knew about the drinking and had my hide for it.  It was far too soon that I had to step out of the car and walk to the front row where your family sat. The rest of the day went by in a blur. Your momma hugging me. Your daddy shaking my hand. Your sisters clinging to the skirt of my dress. I don’t know when I started crying, just that the tears seemed like they had been there since the day I was born. The songs we sang were all wrong and the sky was too blue and the birds sang too loud. The wind blew too much and not enough, because if it had been enough it would have carried me far, far away from that place, but too much because it’s sigh sounded far, far too much like yours. I kept it together until that first handful of dirt hit the lid of that ****** box that was going to hold you for the rest of eternity. I remember being jealous because I wanted to be the one holding you, not that hole in the ground. When it was my turn to throw it in, I fell. I fell as hard as when I fell in love with you, except you weren’t there to catch me this time, you were too busy in entering into the arms of our Good Lord. So I kissed the dirt I held in my hand (when it finally stopped shaking) and threw it in, then I tried to throw myself in. But granddaddy caught me before I could get to you and they covered you up before I could claw my way in. It hasn’t been the same since you left; the air doesn’t smell near as sweet and the sun doesn’t burn near as bright. I haven’t had the heart to wash the mud off that dress yet and I’ve had too much heart to throw it away. You left me to live in a world full of contradictions, Darlin’. Left me to live a life that knocks me to the ground and waits for me to get back up, just so it can kick me in the teeth.

And, I suppose, in your absence, I wouldn’t have it any other way.
alexis hill May 2014
I can't say
I love you
but I can say
I don't.

but some one
out there does
love you.

I don't know where
you're from but
it's been one hell
of a ride.

and I can't tell you
what sort of
trip you've been
on

or walk of life
you've been
on.

but I can
tell you,
that life
goes on.
Since 1996 I've been keepin it real
Writing these songs to connect with how you feel
Life consists of bad ******* and drug deals
And a whip with loud systems and big wheels

That's just life in the DYT,
Learn to never trust no-bo-dy
Cause your homie could be around the corner with a strap,
Go up expecting daps, and hear nothing but violent gunclaps
Dayton, where hoes get smacked and the game is crack,
**** with the wrong person, wake up, and get macked
Everything is an allegory to territory
Wrong side of town? Get dropped off forty stories
Alan McClure Mar 2012
You want this conversation
Well let's take the ******* out
You call for independence
So let's see what that's about
You're gonna need the banks for money
Gonna need the toffs for land
Well that's a kind of independence
That I just don't understand

So who are you kidding now, who are you kidding,
Nothing's going to change
With the same old queen and the same old scene
and the same old parlour games
This ain't no custody battle, you're not taking the kids to the zoo
If we don't want central government then why would we want you?

Now I find you quite convincing
when you say that things are wrong
But it seems that your solution
Is the same old same old song
And a suit in Edinburgh
Could be a suit in London town
Because you're all a million miles away
from the **** that's going down

Ah, who are you kidding now who are you kidding,
Where's the brand new dawn
It's the millionaires and the stocks and the shares
That'll keep on keepin' on
And this self-determination
Might catch you by surprise
The united states of me and my mates
Curse every flag that flies.
Jae Elle Jan 2012
the very lack of
self-discipline
that I seem to possess
just so happens to be the most
evil
of my demons
I don't think I made
a single ******
important phone call in
a week or five
& they all keep piling up
on my do-not-wish
list
I'm giving up my
voice
for Lent this year
& I ain't the slightest bit
religious
but I still pray for
my baby
& he can still outshine
the happiest sun
with his tiny teeth and
stubborn wit
may the little man
keep on
keepin' on
for the rest of eternity
while his mama
practices jumping back
in time
to catch her breath
& remember what it was like
to be the sun
and
never even
notice.
Cedric McClester Apr 2015
By: Cedric McClester

Bang bang
***** die slow
There’s more to hip hop
Than that ya know
It’s more than the bling
Some ****** show
More than the cribs
The cars or the dough
The culture’s diverse
And you need to know
It’s more than the **** shakin
You’ll always see
On certain shows
On the cable TV
It’s more than the dissin
The fights and braggin rights

Bang bang
***** die slow
I’m only sayin
What ya already know

Bang bang
***** die slow
We’re checkin for content
As well as for flow
You’re pimpin the game
And the homies know
You’re talkin ‘bout places
That you’ll never go
Talkin ‘bout crimes
You never committed
And it’s about time
To fess-up and admit it
Here is the deal
You need to yield
Cos it’s gettin too real
In the field

Bang bang
***** die slow
I’m only sayin
What ya already know

Bang bang
***** die slow
Ya namean
Let me give ya the low
Some name themselves
After I-talian criminals
Sending public messages
That attacks the subliminal
Then start complainin
Once they get popped
And the uninformed
Blame it on hip hop
And it’s not fair
That hip hop takes the blame
For some of you out there
That I could name

Bang bang
***** die slow
I’m only sayin
What ya already know

Bang bang
***** die slow
It’s about to be a rap
For the rap game (yo)
Rap is spiralin further
Out of control
And the government now
Sees itself in the role
Of overseer or regulator
Ya knew it would happen
Sooner or later
If you go on trial
You won’t be around
That’s their way of keepin
The Black man down
All you have to do is jus look around

Bang bang
***** die slow
I’m only sayin
What ya already know

Bang bang
***** die slow
All it takes for you to be
Good to go
Is a mouth full of platinum
And a video **
There’s more to life
Than that you know
Don’t let me be the one
To say I told you so
Cos the seeds you’re plantin
Are kinda rough to ***
But you’re convinced
That you are it
And a ****** like me
Can’t tell you ****

Bang bang
***** die slow
I’m only sayin
What ya already know

Bang bang
***** die slow
There’s more to hip hop
Than that ya know
It’s more than the bling
Some ****** show
More than the cribs
The cars or the dough
The culture’s diverse
And you need to know
It’s more than the **** shakin
You’ll always see
On certain shows
On the cable TV
It’s more than the dissin
The fights and braggin rights


(c) Copyright, 2015 Cedric McClester.  All rights reserved.

— The End —