i despise being pigeon-holed.
seeing myself through the circular looking glass
having one singular personality trait
based solely on my physicalities and class.

cute.
that's my descriptor
has been since I was a child
but I would walk miles to escape that word.

i am as multi-faceted as a kaleidoscope
i need no rope from another to pull myself
from the ashes of my failures

do not question my abilities because I have the eyes of a doe
or the body of woman.

i can move mountains with my hands and create worlds with my fingertips
hours of song can escape my lips
riddles and mathematic equations lay not in my hips
but in my mind.

i despise being pidgeon-holed
for my worth does not equate to my weight
and the space I'm allotted on this Earth does not count my appearance as a deciding factor
my strength as a human being does not relate to my gender
so you need not distract her
for she has goals ranging up to the sky
and down to the bottom of the sea
I am a woman and I will be free
of being pidgeon-holed.

Chapter 1

There was a woman. The cost to love her was your life. No other payment but a sending off, a revolver cocked to your temple’s side.
There was no spite in your death, just business.
Hell of a business to run.

I was protecting someone. Never been one to stick around, but this drag had carried for the past year. That gang-owned joint lay but two doors and a cold alley away. Popular place, maybe not the classiest but it had its patrons. Packed with your essentials: pool tables, dirt-licked walls and chairs, mean folk mixed in with the nice. Old fashioned joint with a history. You could almost feel it when you walked in. That small pressure when it’s about to rain? Felt like that had been building up for a decade there.
Some Madonna owned it. Names elude me, but she was just another front; as was the barkeep, the hired bouncers and those mean-eyed slingers that spoke loud in company, silent alone. Heh, almost like an old-fashioned saloon. Who the hell am I in this tale of cowboys and crooks?
I was holed up in that apartment block for the winter. Stiff drapes covering a stiff cold that seeped through the cracks anyway. Cold chills to wake to, and the whiskey don’t warm a **** thing. Maybe it was the ache of a past flame that led me to her. That old touch had languished and misted away in the night of some long dead memory, leaving an old kiss from a young lover on my shivering body. It grew faint with every year’s passing. I struggle to remember this keepsake.
Every night.
I was a no name protector protecting a no name ghost of a man. Yeah we knew each other. I’m no stranger to keep past talking terms . . . but, hell if I remember his name, how we got into this **** situation and why. Mind’s a little off. Been like that for years.

It was a stumble through the wrong door at the wrong time. Some spiteful voices in the back of the joint or the back of my mind telling me I’m headed for hell and ain’t coming back. See, every day is a crossroad, and I happened upon the worst one yet.
I remember that flaking paint; grime-covered white on a moulding door **** near off its hinges. That suited me, and I hated it. Maybe I grew sick of wandering the same way and turned my life on its spinning head. Spun me all the ways I couldn’t face. Saw a glimmer that fate had readied for me. Don’t think I’ve looked at anything with such eyes since; nor have they looked back at me.
The room was a cramped, dilapidated hellhole like every other room, but with her laying on that bed of hers . . . she was the only clean thing in the whole of this cursed city. Save, she wasn’t clean. No such thing exists; no such thing as clean since your adolescent innocence, and even that went up in flames. Hell, in a city like this I wouldn’t be surprised if the skeletons we kept so tightly locked in our closets outnumbered us ten to one.
Should have remembered that when I saw her, but my mind lay a blank canvas and I couldn’t help but fill it with all the details of this pretty bird. Even those that weren’t there.
No Name yanked me out quick. Never seen him so pale, ghosting further and further from a human being. He’d been running so long I don’t think he even knew what he was running from anymore. His past? Some cop chase from years back, ending with blood stains and shaky hands? A dead kid in the arms of a suicidal wife? Maybe he’s running from himself. Fear in the capacity we contain, and fear in the ways we unleash it around loved ones. I don’t blame him for running. If I was a worse man I’d run from him as well.
Now No Name has it all figured out, even if he won’t let on; and that bird in there ain’t part of the plan. Cash cash, first train out to some no name city for this no name man. In this together, he keeps repeating, like some broke down record player that only plays one song. Well I guess we share more similarities than I’d like to think so.

One night, about a month after settling in that old apartment, I hear raised voices. Not uncommon, but something about this still night woke some fear inside me. A fear I needed to meet with my eyes, a score to settle with myself. Sounded like some ******* outside was hoping to bring down the sky with volume alone. No type of gentleman, just a no ***** kid who doesn’t know the difference between command and screaming like a babe.
One gets you respect. Now, the other. . . .
I open those stiff drapes with stiffer fingers. Brush that layer of frozen breath and mist to find some mid-twenty good for nothing punk holding a struggling figure. The apartment ain’t exactly ground floor but even up here I can spot the difference between a gent and a sally. Some broad was in trouble.
Grab that six shooter, old man. The holster smooth from years of wear, small frays on the weathered jacket rubbing against goose-pricked skin. Comfort clothing that never really brings comfort. Not anymore. Guess I’m as bad as No Name. I’m just repeating routine.
Out the hall, no doors left in this apartment block. Stolen, broken, ain’t exactly your family fun lifestyle we’re living. No Name’s holed up in this fortress of upturned furniture and dresser-barred doorways. Lights flicker from between the cracks. The devil ain’t gonna bother with the door, I tell him. He doesn’t reply. Maybe he’s a religious man with one too many sins above his head.
There’s another yell and I feel my blood rise, hairs picking up static, a storm brewing inside that clenched stomach of mine. Take a tumble down the stairs in my haste. **** crooked balsa wood. Those stairs are gonna end me one day, I swear.
Ground floor. I slam that kitchen door and it cracks against the brick wall outside. ****. No Name’s gonna burst an artery. Call out for that ******* punk but he’s already eyeing me up. Only a few steps away and I can see the white in his eyes. No . . . those are his pupils. Wide, all cloud-like, he’s ******* dusted up. . . . Almost like looking into the past. Thrice-cursed ****. I’m in trouble.
This ain’t some lover’s quarrel, some twisted ****’s thought of a good way to end the night. This is a dusthead addict and I’m out of my league. His mid-snarl distorts and stretches past his cheeks and that devil grin sends an electric jolt from the wires of my brain to my heart.
This six shooter is as good as a pea gun against a Smiley.
He’s spouting some glossolalia drifts, layering it like an abominable duet. The coked-up boy in me yearns to understand again, but stiff joints and washed-out dreams have made me a cynic. Ain’t no beauty when you’re tearing things apart to see it. ******* Smiley’s on the edge and he’s ready to pounce right off. If that broad’s sobbing didn’t **** at those heart strings of mine I’d be running for my ******* life.
I lift that pea shooter and aim it straight at that devil smile.
He howls. Glass shatters from above. Some black monstrous thing comes speeding at me. I leap through that apartment doorway in time to see ******* Smiley consumed by it. All sharp, all solid that beast slams into Smiley, screaming loud enough to wake this dead city twice over. Smiley thrashes, he splays out to the ground, the beast’s seared flesh erupting in front of me. A piece slices past my cheek and I’m on the ground in tears. I hear No Name scream an incomprehensible curse above. I’m bawling now. Through my tears I spot that chunk of flesh. ******* balsa wood. Thrice-cursed balsa wood.
No Name had thrown a piano out that barricaded window of his. Tears of pure comedy, that’s what left my face. A Smiley taken out by No Name, I’ll never live this down. His mangled body lies under polished wood. Someone’s yearly worth gone in a second of frantic panic, reduced to twisted wires and cracked ivory. To see something so beautiful destroyed in seconds makes me wonder if the Smiley had gotten the better of us after all.
That broad’s in shock. Splinters covered every inch of ground save that around her; looked like a comet, trailing emptiness behind.  Should have noticed it then that something wasn’t right with that scene. Perfectly unscathed beauty sitting there with not a single scratch nor splinter on her, but I was too **** amazed I was alive. Knelt close to her and caught a whiff of some exotic scent on her skin. Some flower. Saw her face and it added another colour to that filling canvas of mine. This pretty bird from the joint. The one men died for. At least No Name had saved one life worth saving, funny it happened to be the one who could take yours in a night.
Names elude me, but the way I remember her . . . the way I remember her is Blossom, for when she came into my life she gave colours to my black and white memory, colours I didn’t know existed, and my black and white morals took a turn down some dawning grey-blurred alley.
So I’m a ******* gentleman and I walk Blossom home while No Name shifts furniture above us. Scrapes of hard wood against wood, filling that void in his once impenetrable bastion. I told you No Name’s got it all planned out already. Guess I’m just here for the ride.

She yelled from the bottom of the stairs

"What the **** are you DOING!?"

My neighbor, Mr. Monroe with the mustache, ring on every finger and a parrot that talked, pressed his face to the glass to look down at her.

"What the **** are YOU looking at?"

Mr. Monroe quickly went back to his day time soap operas and corn flakes. He never left the house because he believed their was going to be a grand earthquake where everyone that was outside getting food, shopping or at the beach, would die. He told me he believed that his house was a fortress and that God or mother nature or what have you could never touch him if he just stayed holed up in his room with his corn flakes and bath robes and old Sunday newspapers.

"HEY GUY, LET'S GO!"

I gingerly stepped out of my place. I stared up at the sky which was blue spattered with white clouds that were inching slowly toward the ocean. It was a beautiful day.

"******* FINALLY. What were you DOING?"

"Just getting myself a little more ready then usual."

"WHY?"

"I'm nervous or something."

We were headed to a dinner with my parents. I was going to introduce them to Alice and wanted to make sure all my pampering was in order, my mother could always tell if I forgot to comb my hair or use deodorant, my father didn't care. I walked cooly and lightly down the stairs.

"Well you smell like a laundry mat people have been drinking and ******* in."

"Thank you baby."

I kissed her on the cheek, waved up to Mr. Monroe who had gently re-placed his face upon his living room window, and headed to my car.

---

"So what you are you gonna' say to them about me?"

"I'll tell them we have a lot of *** and like movies."

"Really?"

"I don't know. Why not?"

"Seems strange."

"Were strange."

"What if we get married and they say that at our wedding and its awkward and my parents get mad."

"I'm not thinking that far off."

"Well you ******* SHOULD!"

Alice opened the window and stared out at the ocean which passed by with blinking blue reflective lights, beach combers and sand dune cops. There were many surfers wading in the light blue water waiting for the NEXT BIG ONE. I thought it was funny how they could sit out there for so long, not doing anything, and call it some kind of religion. I liked the idea of doing nothing and it saving you, I wanted to join but I was afraid of sharks.

"Do you want to get married to me?"

"No."

"I wouldn't either."

We drove down the highway but hit a big block of heavy traffic. We were gonna be late.

---

By an instinct I acquired either by fate, magic or the hand of the GOOD LORD, I ordered a hamburger with curly fries. The waiter was a young kid fresh out of college with a messy head of hair and a slight limp stuck on his right leg, he said it came from a biking accident but the kid looked like a scrapper.

My mother was alone on the other side of the table while Alice intensely examined the menu. There were clouds in her eye not of insecurity but of determination for my mother to accept her and pull no punches, when she wanted something she got it, like me.

"To start I am so sorry about your father not being here. He didn't come home last night and I haven't heard from him all morning so I suspect he forgot and slept at the office to get an early start on this Friday morning."

"It's fine Mrs. Kindle. I just feel so BAD for you."

"No worries. It is sweet of you to say though."

"Very sweet Alice. Yeah, I'm sorry Mom. Dad's an *** like that sometimes."

"Yes he is."

The water was warm when the waiter brought it. I hadn't looked at the menu but everyone was ready to order. I was thinking about my father all holed up in his on-site construction office, sweating over blue print over blue print, re-examining every last comma, every last note until it was "perfect". He had tried to get me into the business but I always hated a path that had already been trampled and organized upon, I didn't see the point.

"So how did you guys meet?"

"We actually met at one of Joe and Abe's parties."

We actually had met at a hot bar with loud music and cheap drinks with the wind ripping men and women to pieces outside and the bar man said we looked like we would make a good couple but we had never even looked or talked to each other but because this one little bartender in this one little hot tiny bar gave us the idea that maybe, just maybe, we would be good for each other I bought Alice a drink and then, thinking it would be funny and how she hates cliches, she bought me a drink and we got very drunk within the dark heated bar with the people swinging back and forth with the loud quick hipster electronica madness that spun all around us invisible in the smoke and the liquor and the cigarette smoke and there, in that dark steamy bar, we talked and talked and talked until I got a little drunker then her and she took me home, which we laughed about in the morning after we had drank a couple glasses of wine and tried to have *** but were both to drunk to talk or have *** or even kiss for that matter, we fell asleep on top of each other's faces and both of our necks were twisted and hurting in the morning.

"We call it "Our Spontaneous Romance".

"Very funny."

"Alice, do you know what you want yet?"

Alice, keeping her eyes down on the menu not looking up for a second.

"Not quite."

My mother shifted in her seat, she was getting anxious because she wanted to eat and she was worried about my dad. He'd been "busy" with many "things" that he "didn't like to talk about" or was "too tired to talk about" and it made my mom shift and silently sigh after every conversation either about the subject or related too.

"I'm going to have the soup and the sandwich"

"Turkey sandwich and salad for me."

"Healthy."

"Have to be."

"One sec..."

"OK."

"No rush."

"Mashed potatoes and gravy and ribs, that's what I want."

"Very nice..."

"Very nice."

"Thank you."

Alice was nervous. She ate mass amounts of food when she was either nervous or in tight confined places where she needed to converse but had absolutely nothing to say, the large order was her scapegoat and she would later blame it on *******, anxiety and depression, half of which was probably my fault. Alice didn't want to meet the parents, she thought it pointless, a waste of time and pushing towards something that may not even actually happen. She believed being invisible in a phenomenal world was the only way to go through life and in some respects, I agreed with her but also, I knew deep down, she was a little crazy, as was I.

---

"Thank you for meeting Alice and I for lunch Mom."

"Not a worry at all, I'm sorry about your father."

"I'll talk to him later."

"It was very very nice meeting you, very nice."

Alice and my mother shook hands cooly and suspiciously underneath the 3 o'clock sun. They hadn't talked much at lunch and I honestly didn't know how it went at all, they spoke about their food and that was it. Perhaps they neither hated or liked each other, maybe they were simply indifferent towards each other's presence and what they meant to me at all. They smiled, Alice waved as did I as my mom drove away down the hot black top. Alice, still waving said.

"Horrible, that was just horrible."

"I thought it went right as it went, neither here nor there."

"We didn't talk about anything but the food."

"Maybe that's all there was to talk about, some people meet and have absolutely nothing to say to each other, happens more then you think."

"Sounds right must be right."

"Let's go."

We both walked to my car which was boiling hot inside, the kind of hot when you enter when one wishes they couldn't breathe. We quickly opened the window turning on the radio listening to an old blues station for a second. I but the gears in reverse and slowly backed out of the restaurant parking lot as Alice neatly put on her dark sunglasses and rubbed sun tan lotion on her face, leaving a small patch on the tip of her nose. I paused the car before entering onto the main road.

"Let's get married Alice."

"I was about to say the same thing."

I pulled onto the main road home, nearly getting in an accident with a road biker who shook their fist violently toward my gleaming fender. I lightly smiled, embarrassingly laughed to myself, merging on. We were off.

Part I


the plateau. the truest of them all. coast line. night spells and even controlled by the dream of meeting again. the ribbon of darker than light in your crown. No region overlooked. Third picnic table to the drive at Half Moon Bay, meet me there, decant my speech there. the table by the restroom block. While the tide is in show me your oyster garden, 3:00p.m. at half-light here in the evilest torments that have been shed.---------------door locked.  The moors. Cow herds and lymph nodes, rancorous afternoon West light and bending roads, the cliffs, a sister, the need to jump. There is nothing as serious as this. There is nothing nor no one that could ever, or would ever on this side come between. Who needs sleep or jokes or snow or rivers or bombs or to turn or be a rat or a fly or ceiling fan or a gurney or a cadaver or piece of cloth or a bed spread or a couch or a game or the flint of a lighter or the bell of a dress; the bell of your dress, yes, perhaps. Having been crushed like orange cigarette light in a pool of Spanish tongues. I feel the heave, the pull; not a yawn but a wired, thread-like twist about my core. Up around the neck it makes the first cut, through the eyes out and into the nostrils down over the left arm, on the inside of the bicep, contorting my length, feigning sleep, and then cutting over my stomach, around and around multiples of times- pulled at the hips and under the groin, across each leg and in-between each nerve, capillary, artery, hair, dot, dimple, muscle, to the toes and in-between them. Wiry dream-like and nervous nightmarish, hellacious plateaus of leapers. Penguin heads and more penguin heads. Startling torment. The evilest of the vile mind. The dance of despair: if feet contorted and bound could move. The beach off Belmont. The hills and the reasons I stared. Caveat after caveat at the heads of letters, on the heads of crowns, and the wrists, and on the palms. Being pulled and signed, and moved away so greatly and so heavily at once in a moment, that even if it were a year or a set of many months it would always be a moment too taking away to be considered an expanse, and it would be too hellacious to be presumptuous. It could only be a shadow over my right shoulder as I write the letters over and again. One after another. Internally I ask if I would even grant a convo with Keats or Yeats or Plath or Hughes? Does mine come close? Does it matter the bellies reddish and cerise giving of pain? Does it have to have many names?


"This is the only Earth," I would say with the bouquet of lilies spread out on the table. Are lilies only for funerals, I would never make or risk or wish this metaphor, even play it like the drawn out notes of a melody unwritten and un-played: my black box and latched, corner of the room saxophone. Top-floor, end of the hall two-room never-ending story, I'm the left side of the bed Chicago and I see pink walls, bathrooms, the two masonite paintings, the Chanel books, the bookshelves, the white desk, the white dresser, you on the left side of the bed in such sentimental woe, **** carpet and tilted blinds, and still the moors and the whispering in the driver's seat in afternoon pasture. Sunset, sunrise, nighttime and bike room writing in other places, apartments, rooms where I inked out fingertips, blights, and moods; nothing ever being so bleak, so eerily woe-like or stoic. Nothing has ever made me so serious.

Put it on the rib, in a t-shirt. Make it a hand and guide it up a set of two skinny legs under a short-sheeted bed in small room and literary Belmont, address included. Trash cans set out morning and night, deck-readied cigarette smoking. Sliding glass door and kitchen fright. Low-lit living room white couch, kaleidoscope, and zoetrope. Spin me right round baby right round. I am my own revenge of toxic night. Attack the skin, the soul, the eyes, the mind, and the lids. The finger lids and their tips. Rot it out. Blearing wild and deafening blow after blow: left side of the bed the both of us, whilst stirs the intrepid hate and ousts each ******* tongue I can bellow and blow.

Last resort lake note in snow bank and my river speak and forest walk. Wrapped in blocks and boxes, Christmas packaging and giant over-sized red ribbons and bows. Shall I mention the bassinet, the stroller, the yard, several rings of gold and silver, several necklaces of black and thread? I draw dagger from box, jagged ended and paper-wrapped in white and amber: lit in candle light and black room shadow-kept and sleeping partisan unforgettable forever. Do I mention Hawaii, my mother dying, invisible ligatures and the unveiling of the sweat and horror? Villainous and frightening, the breath as a bleat or heart-beat and matchstick stirring slightly every friends' woe and tantrum of their spirit.

Lobster-legged, waiting, sifting through the sea shore at the sea line, the bright tyrannosaurs in mahogany, in maple, and in twine over throw rose meadow over-looks, honey-brimming and warehouse built terrariums in the underbelly of the ravine, twist and turn: road bending, hollowing, in and out and in and out, forever, the everlasting and too fastidious driving towards; and it's but what .2 miles? I sign my name but I'll never get out. I am mocked and musing at tortoise speed. Headless while improvising. Purring at any example of continue or extremity or coolness of mind, meddling, or temptation. I rock, bellowing. Talk, sending shivers up my spine. I'm cramped, and one thousand fore-words and after words that split like a million large chunks of spit, grime, and *****; **** and more ****. I might even be standing now. I could be a candle, in England, a kingdom, in Palo Alto, a rook in St. Petersburg. Mottled by giants or sleepless nights, I could be the Eiffel Tower or the Statue of Liberty, a heated marble flower or the figure dying to be carved out. I'm veering off highways, I'm belittling myself: this heathen of the unforgettable, the bog man and bow-tied vagrant of dross falsification and dross despair. I am at the sea shore, tide-righted and tongue-tide, bilingual, and multi-inhibited by sweat, spit, quaffs of sea salt, lake water, and the like. Rotten wergild ridden- stitched of a poor man's ringworm and his tattered top hat and knee-holed trousers. I'm at the sea shore, with the cucumbers dying, the rain coming in sideways, the drifts and the sandbars twisting and turning. I'm at the sea shore with the light house bruise-bending the sweet ships of victory out backwards into the backwaters of a mislead moonlight; guitars playing, beeps disappearing, pianos swept like black coffees on green walled night clubs, arenose and eroding, grainy and distraught, bleeding and well, just bleeding.






I'm at the sea shore, the coastline calling. I've got rocks in my pockets, ******* and two lines left in the letter. I’m at the sea shore, my mouth is a ghost. I've seen nothing but darkness. I'm at the seashore, second picnic table, bench facing the squat and gobble, the tin roof and riled weir near the roadside. .2 and I'm still here with my bouquet wading and waiting. I'm at the sea shore and there's nobody here. My inches are growing shorter by the second, cold, whet by the sunset, its moon men, their heavy claws and bi-laws overthrowing and throwing me out. The thorns stick. The tyrannosaurs scream. I'm at the sea shore, plateau, left bedside to write three more letters. Sign my name and there's nobody here.

I'm at the sea shore: here are my lips, my palms (both of them facing up), here are my legs (twine and all), my torso, and my head shooting sideways. I'm at the seashore and this is my grave, this is my purposeful calotype, my hide and go seek, my show and tell, my forever. .2 and forever and never ending. I was just one dream away come and keep me. I'm at the sea shore come and see me and seam me. I'm without nothing, the sky has drifted, the sea is leaving, my seat is a matchbox and I'm all wound up. The snow settling, the ice box and its glory taken for granted. I'm at the sea shore and there's nobody here. The room with its white sets of furniture, the lilies, the Chanel, the masonite paintings, the bed, your ribbon of darker on light, the throw rug **** carpet, pink walled sister's room, and the couch at the top of the stairs. I'm at the sea shore, my windows opened wide, my skin thrown with threat, rhinoceri, reddish bruises bent of cerise staled sunsets. I'm at the sea shore and there's nobody here. I'm at the plateau and there isn't a single ship. There are the rocks below and I'm counting. My caveats all implored and my goodbyes written. I'm in my bed and the sleep never set in. I'm name dropping God and there's nobody there. I'm in a chair with my hands on a keyboard, listening to Danish throb-rock, horse-riding into candle light on a wicked wedding of wild words and teary-eyed gazes and gazers. Bent by the rocking and the torment, the wild and the weird, the horror and everything horrifying. There is this shadow looking over my shoulder. I'm all alone but I feel like you're here.



Part II




I wake up in Panama. The axe there. Sleeping on the floors in the guest bedroom, the floor of the garden shed, the choir closet, the rut of dirt at the end of the flower bed; just a towel, grayish-blue, alone, lawnmower at my side, and sky blue setting all around. I was a family man. No I just taste bits of dirt watching a quiet and contrary feeling of cool limestone wrap over and about my arms and my legs. Lungs battered by snapping tongues, and ancient conversations; I think it was the Malaysian Express. Mom quieted. Sister quieted. Father wept. And is still weeping. Never have I heard such horrifying and un-kindly words.-----------------------It's going to take giant steel cavernous explorations of the nose, brain cell after brain cell quartered, giant ******* quaffs of alcohol, harboring false lanterns and even worse chemicals. Inhalations and more inhalations. I'm going to need to leap, flight, drop into bodies of waters from air planes and swallow capsules of psychotropics, sedatives beyond recalcitrance. I'm requiring shock treatments and shock values. Periodic elements and galvanized steel drums. Malevolence and more malevolence. Forest walks, and why am I still in Panama. I don't want to talk, to sleep, to dream, to play stale-mating games of chess, checkers, Monopoly, or anything Risk involving. I can't sleep, eat, treaty or retreat. I'm wickeded by temptations of grandeur and threats of anomaly, widening only in proverb and swept only by opposing endeavors. Horrified, enveloped, pictured and persuaded by the evilest of haunts, spirits, and match head weeping women. I can't even open my mouth without hearing voices anymore. The colors are beginning to be enormous and I still can't swim. I couldn't drown with my ears open if I kept my nose dry and my mouth full of a plane ticket and first class beanstalk to elysian fields. It's pervasive and I'm purveyed. It's unquantifiable. It's the epitomizing and the epitome. I have my epaulets set for turbulent battles though I still can't fend off night. Speak and I might remember. Hear and it's second rite. Sea attacks, oceans roaring, lakes swallowing me whole. Grand bodies of waters and faces and arms appendages, crowns and more crowns and more crowns and more crowns and more crowns and I'm still shaking, and I'm still just a button. And I still can't sleep. And I'm still waiting.

It is night. The moon ripening, peeling back his face. Writhing. Seamed by the beauty of the nocturne, his ways made by sun, sky, and stars. Rolled and rampant. Moved across the plateau of the air, and its even and coolly majestic wanton shades of twilight. It heads off mountains, is swept as the plains of beauty, their faces in wild and feral growths. Bent and bolded, indelible and facing off Roman Empires too gladly well in inked and whet tips of bolder hands to soothe them forth.-----------Here in their grand and grandiose furnaces of the heart, whipped tails and tall fables fettered and tarnished in gold’s and lime. Here with their mothers' doting. Here with their Jimi Hendrix and poor poetry and stand-up downtrodden wergild and retardation. I don't give a ****. I could weep for the ***** if they even had hair half as fine as my own. I am real now. Limited by nothing. Served by no worship or warship. My flotilla serves tostadas at full-price. So now we have a game going.-----------------------------------------------------------­------------------------  My cowlick is not Sinatra's and it certainly doesn't beat women. As a matter of factotum and of writ and bylaw. I'm running down words more quickly than the stanza's of Longfellow. I'm moving subtexts like Eliot. I'm rampant and gaining speed. Methamphetamine and five star meats. Alfalfa and pea tendrils. Loves and the lovers I fall over and apart on. Heroes and my fortune over told and ever telling. Moving in arc light and keeping a warm glow.

the fish line caves. the shimmy and the shake. Bluegrass music and big wafting bell tones. snakes and the river, hands on the heads, through the hair; I look straight at the Pacific. I hate plastic flowers, those inanimate stems and machine-processed flesh tones. Waltzing the state divide. I am hooked on the intrepid doom of startling ego. I let it rake into my spine. It's hooves are heavy and singe and bind like manacles all over me. My first, my last, my favorite lover. I'm stalemating in the bathtub. Harnessing Crystal Lite and making rose gardens out of CD inserts and leaf covers. I'm fascinated by magic and gods. Guns and hunters. Thieving and mold, and laundry, and stereotypes, and great stereos, and boom-boxes, and the hi-fi nightlife of Chicago, roasting on a pith and meaty flame, built like a horror story five feet tall and laced with ruggedness and small needles. My skin is a chromium orchid and the grizzly subtext of a Nick Cave tune. I've allowed myself to be over-amplified, to mistake in falsetto and vice versa. To writhe on the heavy metallic reverberations of an altercated palpitation. The heart is the lonely hunted. First the waterproof matchsticks, then the water, the bowie knife, crass grasses and hard-necked pitch-hitters and phony friends; for doing lunch in the park on a frozen pond, I play like I invented blonde and really none of my **** even smells like gold.--------------------- There are the tales of false worship. I heard a street vendor sell a story about Ovid that was worse than local politics. As far as intermittent and esoteric histories go I'm the king of the present, second stage act in the shadow of the sideshow. Tonight I'm greeting the characters with Vaseline. For their love of music and their love of philosophy. For their twilight choirs and their skinny women who wear black antler masks and PVC and polyurethane body suits standing in inner-city gardens chanting. For their chanting. The pacific. For the fish line caves. For the buzzing and the kazoos. For the alfalfa and the three fathers of blue, red, and yellow. For the state of the nation. But still mostly working for the state of equality, more than a room for one’s own.-------------------------------------------------------------­------"Rice milk for all of you." " Kensington and whittled spirits."
(Doppelganger enters stage left)MAN: Prism state, flash of the golden arc. Beastly flowers and teeming woodlands. Heir to the throes and heir to the throng.----------------------------------------------------------­--------------- The sheep meadow press in the house of affection. The terns on my hem or the hide in my beak; all across the steel girder and whipping ******* the windows facing out. The mystery gaze that seers the diplopic eye. Still its opening shunned. I put a cage over it and carry it like a child through Haight-Ashbury. At times I hint that I'm bored, but there is no letting of blood or rattle of hope. When you live with a risk you begin at times to identify with the routes. Above the regional converse, the two on two or the two on four. At times for reasons of sadness but usually its just exhaustion. At times before the come and go gets to you, but usually that is wrong and they get to you first. Lathering up in a small cerulean piece of sky at the end turnabout of a dirt road

You will go to sleep early to talk to your pillow.-Isaac Brock
The thoughts in my head were spinning around. It's all in doubt, it's all in doubt. - The Pacific Ocean

"Tell me why the stars are so bright?"
"They are made of gas which is constantly burning and the twinkling light is the result of that."
"You are simple"
"so what, I didn't listen to my teachers very well. you were the one who asked a simple question anyway"
"But was it?"
"I'm pretty sure it was, and how come you don't know?"
"I wanted to hear you tell me. Are you done with your video games now? I want to go outside"
"The game is almost over. Where would you like to go?"
"You always say it's almost over and yet it keeps going on and on. I don't know where to go, we should just go do something outside.
"Like what? I haven't been outside lately and there isn't much to do when you don't have money"
"It's not like we need to pay to go outside. You seem so reluctant to leave the house, who are you again?"
"How come you don't remember? My name is Bashful. What happened to you Jealousy?"
"I'm not entirely sure, something must have hit me on the head. We have to go now Bashful!"
"Why? It's not like there is anything that interesting outside."
"You have to come Bashful or I won't know how to act."
"Remember going outside always ends with disappointment."
"It won't be like that this time Bashful. We will find something fulfilling this time I swear."
"No Jealousy I don't want to go back outside. Id rather stay here in front of my screen."
"You know I'm not surprised much, after that last experience I can tell you don't want to show your face again."
"haha whatever Jealousy, just leave me alone."
"You are going to live with that disappointment forever Bashful if you don't let it go. I'm going to see if Envy wants to go and tell me when you change your mind. ok?"
"Will do."

"Wake, wake up you."
"What, whats happening?"
"Nothing at all you see that's why you gotta get up."
"But jealousy I was just so comfortable laying here, and the dreams were just about to start."
"You need to stop sleeping so much Envy, you will end up holed up in your room like Fear."
"Hmm, whatever you say. So what exactly did you want from me?"
"I wanted to see if you wanted to go outside. So do ya?"
"You don't seem yourself today Jealousy, why exactly do you want to go outside?"
"I feel so restrained in this place, and I'm not sure what there really is to do here anymore."
"You could just relax ya know like Content. He's been sitting there all day reading books and he seems fine."
"Yes he seems fine ,but he rarely even talks anymore. That last incident was just to much for him. Its as if he isn't even present anymore."
"You think too much, but ya Ill go outside with ya it's not like I have anything better to do. Have you asked Bashful?"
"I did but he's still upset about the other."
"I see. He sure is getting sensitive these days."

Jealousy and Envy then leave the house

"This isn't like you Jealousy. You have never been up to leave without Bashful with you. What's up?"
"I'm not sure..."
"Well you should try to sort things out before leaving next time because you don't look well now."
"It's the heat I feel faded and stretched."

The two walk down to the road

"What is there really to do outside these days? All I see is passing cars and others in the distance."
"Umm well I know Stress and Confidence usually go to the nearby station.."
"That's where they work Jealousy don't you remember. You've had to go with them once or twice now."
"Maybe, but the thing is I have no recollection of it."
"Something must of happened to you too during that last time out. You can recall that something occurred, but do you remember what exactly happened?"
"An other created a disturbance... I can sense it in Bashful and the rest of us..."
"Yes that's true but you have no idea of how it happened."
"I don't ya.."
"I guess Ill have to tell ya then, but lets get out of this heat first."

Jealousy and Envy walk over to a grass covered area with trees. Then Envy and Jealousy light up a cigg and resume their conversation.

"The day before, Stress,Bashful, and Coward had just returned from work and they wanted to head into another town to drink with friends. The rest of us agreed and we were able to get a ride. We arrived and thus collided into physical form."

Envy then shares the memory with Jealousy
"Who's ____"
"He's an artist she knows."
"Ohh ya, she told me about him last time I was hanging out with her. They seem to be getting along really well."
"Are you okay there___?"
"Ya I'm fine. I'm in the process of letting go. Are you ready to see if shes there? I want to get drunk."
"Let's go."

"Hey _____"
"How ya doing?"
"Fine. I brought my friend over too. Did you still want to hang out?"
The Memory Dissipates

"So where are you now friend?"
"I'm in a different place than before"
"Where is that? I've never seen you so distant"
"I think it's a place that doesn't truly exist. An imaginary space that confines it's only prisoner, me."
"That place doesn't sound very fun if its just you entrapped. Don't you have any visitors?"
"Once in awhile I let people inside, but then the space becomes distorted and chaotic with constant pressure to release myself"
"So you are the warden too?"
"In a sense I am but in another I'm not fully in control of that place."
"Who is?"
"I'm not entirely sure yet. I see a dark figure trailing me sometimes and I think it's the thing that brought me there. Though when I look back it disappears."
"Don't fade away ok?"
"I'm not gone yet. My mortality always brings me back, but someday I want to stay there."
"Why do you want to leave so badly?"
"I hate being here."

She has her secret magic
to keep men's hopes alive
she's truly fantastic
the girl the woman the wife

On earth the heavenly flower
in color's riot blooming wild
south wind and summer's shower
god's face is she girl child

The morning though passes to noon
times in her wings fly
she's a woman too soon
the woman of my eye

The woman of all weather
without her man is woe-man
she's wife sister mother
the way only a woman can

She fathoms what men don't tire
see her heart burned and holed
till she walks the whole length of fire
and be the woman in their eye old

A poser
not a poet
autobiographic poetry
hand-picked
ignoring pain
stepping past
**** times

Enjoying
my poems
the reverie
of past loves
saluting
heroic
women

Not
recording
so many
stupid
actions

Waking up
walking
naked
weaving
through
parked cars

Romancing
feeling
nothing
but animal
lust

Decisions
made
that hurt
me
friends
loved ones
strangers

so much
and guilty
it cannot
can it
be told

You
With the unthinkable past
Of carnal assault
And emotional onslaught,

You
With the walking dead dad
In the abandoned great house
Of unfilled pool of dreams,

You
Who always gets oppressed
Lashed, slashed
With harsher words from tongues of swords,

You
With the strained smile
But with the striking laugh
Behind caged, teeth,

You
With the broken geometry fantasy
Full of unstable biological chemistry
Ready to burst,

You
With the muffin top
Sausage arms and beefy legs
With the bacon skin,

You with the holed shoes
Holed pockets
Holed soul...and heart,

You
Who is reading this now
Who is my greatest opportunity
(not my best mistake because honey, you ain't mistake)
Who is the love of my life, center of my being


Who is my all,

**i love you

I
I stole my brother’s car and drove to Phoenix in the dark. Bluegreen glow of dashboard gauges, the faint scent of roadkill and desert marigolds. Tap. Tap. Tap. Insects slapping the windshield like rain. How many miles does it take to turn yourself around, to rise up from ashes? Keep driving. Drive until the sun blooms.

II
Some days were more dire than others. CCTV footage confirms I pawned a shotgun, a Gibson guitar, and my wife’s engagement ring at the pawnshop next to Fatty’s Tattoo parlor. The typographically accurate Declaration of Independence inscribed on my back also confirms this.

III
I ran the tilt-a-whirl at the Ashtabula county fair, fattening up on fried Oreos and elephant ears, flirting behind tent ***** with the cute contortionist with strawberry-blonde hair.

IV
I derailed in a dive bar.

V
I disappeared in a city lit by lavender streetlights, where buildings blotted out the stars and the traffic signals kept perfect time.
I picked through trash bins. I paid for love with drugstore wine.

VI
I closed my eyes on a mountain road. The sheriff extracted me from a ****** snowbank.

VII
I holed up for weeks in an oceanfront motel, dazed by the roar of the breakers. Each morning I drew back the curtains and lost myself in the crisscrossing patterns of whitecaps, the synchronous flight of sanderlings above the dunes. I dreamed of dead horseshoe ***** rolling in with the tide.

VIII
The moon over my shoulder tightened into focus like a prison spotlight. One night the barking dogs undid me. Goodnight, children. Goodbye, my love. I capitulated to the candor of a naked mattress. I grew my beard, an insomniac in a jail cell clinging to bars the color of a morning dove.

IV
I coveted the house keys of strangers.

X
I opened and closed many doors. I sang into the mouths of storm drains. I stepped out of many rooms only to find myself in the room I had just left. Despite all my leaving, I remained.

Her crinkled eyes show lines of feigned contentment,
Veiling the gritted resignation within.

Every proverbial step taken was always slightly off
So little that it wasn't noticeable at the time,
Though it took her to an unintended destination.
Never understanding why she would exude so much of herself
And never obtain what she wanted.
Going over past steps ad nauseam, wondering where she faltered.
At which point did she start in the wrong direction
How can she get back
Should she even try
When it's unknown if anything will be left
Aside from an abandoned piece of herself
If she were to return.

You can't go backwards in life
But who says you can't circle back?

Holding long to longing,
longing, holed to holding,

I ode my tale for bold forboding.

Swiftly shores sung,
ripping, reaping, revealing

I stopped just short of saint-like stealing.

Madly minutes mumbled,
syllables stuck, syrup

My thoughts no longer mine to stir up.

When I was younger
I had the idea that I wasn't supposed to be the main character
this was for a lot of reasons
the two biggest ones were that
I never really felt important enough to anyone to be a main character to them
and main characters usually had happy endings, something that as my life continues on seems to elude me
Sometimes I get the silly idea that this is my destiny
Holed up in the upper layers of a library
Furiously typing these words in order to avoid doing real work
Writing about how I'm not allowed to be happy
That every time I get close to to love or happiness
life gives me a giant *******
and I retreat to the only place where I matter
A lone room in the uppermost floor of a library
But that can't be the case?
I mean, everyones allowed to be happy at some point right?
I can't go through my whole life like this, can I?
I get something for these years of hell
please
please I just want this pain to go away
I don't want a lot out of life
I just want to be happy
Please God or whatever is listening to this
I'm sorry for everything I've done
I'm done with all of this
Please just let me live in peace
Let me be normal
I'll do anything you want me to
Just tell me what to do to be happy
Please
I can't keep going for much longer

There's an architect designing the world from the skyline downwards, as he believes himself to be a God
The paraffin lamps on Victorian cobbled corners are as dry as the seraph in dust bowls over some arid sea
A portrait exists, of a town covered in mist and the orange cliffs are a thousand bloodied wrists
Somewhere music plays to ghosts, obtuse reverberations of some cave on a mountain... or something
and what a useless skill it is to be a poet, flouting fanciful words as if a single soul cared or could possibly muster anything more than unadulterated apathy

What a lonely life it is, to spend entire days watching ******* and reveling in dissociative stoicism
Watching cam girls for hours on end, swept up in conversation yet never taking part, only watching
They seem as lonely as anybody, holed up in crimson rooms as anonymous DJs play through laptop speakers
Fielding obscene questions with a smile and renting their body in timetables to the highest tipper
and some days the depression becomes so heavy that ******* seems impossible, though it's possible to blame such  scarcity on the anti-anxiety meds that have ruined so many-a youthful folly

Is there a more flattering notion, than a story teller being commended for honesty when every word is a lie
Fictional accounts of melancholic lives told in a pulchritudinous verse or a prose of the most regal purples
Using nothing more than ******-stimulants and a smeared bedroom window for inspiration
There's a writer sat at a desk, typing ridiculous lines of text, as he knows himself to be human
and in that humanity he strives to create a realists interpretation of existence through scattered memories
and derivative styles of his favourite authors whilst using educational texts as footnotes in imaginary diaries

My momma always said
"it's not how big the suitcase is, it's how much you're willing to carry",
and I carried your bag, with its patches
knowing inside was your ***** laundry, that you slowly aired over time.

Even your broken bits, and holed jeans became sacred to me-
the smell of you left after on my skin,
but, you never let me unpack the whole bag,
always kept a side compartment up your sleeve.

And my arm slowly became numb,
when I realized that I still held mine,
even though the clasp was broken-
bits of me strewn about, laid bare for you to see

Though you did help fold  nicely,
you handed my pieces promptly back to me-
I wonder if some fibers stuck, some little bits of me,
like your neighbors dog's hair on your shirt

does my smell come back to you in a rush,
the feeling of our fingers brushing as I handed back your bag?
We are parting at the fork, both taking our separate things,
but are you giving up, or is this a temporary farewell,

before you fly through my door,
throw off your shoes,
set down your things,
and proclaim "sweetheart, have my bag, I'm here to stay!"

Is there anything more lonely than the sound of boy playing a banjo on a spring afternoon? Oh yes, yes, it’s the sound of girl playing a banjo on a spring afternoon. A boy would lean back on the porch chair and let the instrument fall and rest on his chest to feel the raindrop-plucked vibrations, one by one. This girl, she sits on a kitchen chair, but not in the kitchen, and folds herself over her Daddy’s 5-string. The banjo rests on her blue-cottoned thigh, the lower metal edge firm against her stomach, her slight ******* pressed against the upper wooden rim. If you were standing in the doorway of the workshop you’d see her blond hair falling, falling over her face. There would be that dead-centre parting and just visible the edge of her wire-rimmed glasses.  Then, the denim jacket worn over the kind of summer-blue flowered frock pulled from her Mummy’s clothes that with her passing have now migrated into her bedroom. The thought of clothes is what there is close to hand at the break of day.

When Kath woke this morning, when the morning woke Kath, the valley air was already as sweet, as fresh as any April morning could possibly be in this green hollow of her home. She had lain there feeling the air caress her forehead. The window, always open beside her tangled bed, let in the ringing song of the waterthrush. Newly returned this handsome brown migrant warbler, his whitish breast streaked with brown, more thrush than warbler, she’d watched in the stream yesterday wading on his long, pink legs bobbing his tail like a spotted sandpiper. Soon there would be a nest somewhere in the beech and hemlock hollow along by the stream in the interstices of some fallen tree.

Ellen was due home this morning. She’d hear the Toyota from way up the track, driven overnight from Philadelphia she’d have stopped and stopped. Tired and so tired, she’d go from truck stop to truck stop, the radio her only company and the thought of Joel between her legs arching into her to keep her warm. But she’d drive with the windows down swallowing the night air as the ***** brown car swallowed the miles. Kath would have the coffee waiting, potato cakes on the stove, she’d have a fresh towel placed on her bed, underwear warm from the dryer, spring flowers bunched in mug on the window sill.

Ellen would never come right in when she arrived home, but sit down with the dogs on the porch step and gather herself, watch the mist rise down in the valley, drink in the bird-ringing silence. Kath would steal open the door and crouch beside her with Mummy’s coffee cup thrown, glazed and fired at Plummer’s Fold. Head resting against the porch supports Ellen would allow the cup to be placed between her hands, her fingers uncurled then curled by Kath around its rough circumference. There would be a kiss on the back of the neck and she’d be gone back upstairs to sit with her notebook, those new lyrics she’d been fashioning, her Plummer’s Fold diary – yesterday had been a rich day as she’d walked the bounds of Brush Mountain on the Big Tree Trail singing and plucking an invisible banjo all the while. Those songs of her great-great uncle she’d discovered in a pile of Library of Congress recordings just echoed through her, had become part of her. They were as much a part of the hinterland of Brush Mountain as the stones on the trail. Garth Watson’s voice, well she knew every turn and breath. She’d been listening to them since she was thirteen. She saw herself at the old Victrola blowing off the dust, placing the forgotten disk on the central spindle, scratching the needle with her finger to test the machine, gauge its volume. Then, that voice surrounding her, entering her, as lonesome as the scrawny girl just out of junior high that she had been, the dumb silent girl from the backwoods with that cute clever sister who played guitar and was everybody’s friend, who the boys rushed to fill the empty seat next to her on the school bus.

They’d recorded this song on their Lonesome Pine album. Kath had it all arranged, had it all imagined, brought it to that session at One-Two Records. She had been so scared Ellen would smile gently and say ‘Kath, not this ol’ thing surely. Why I remember Daddy singing this song into the night over and over.’ But no. When Kath had sung it through, looking into the bowl of her denim skirt, she’d raise her eyes to see tears running down Ellen's face. Everything between them changed at that moment. The location studio in The Farm House disappeared and they were girls on their home porch. In an hour they had it down and Larry had said. ‘My God, Holy Jesus, where did that come from’. So they went straight home and listened to those old records all night and most of the next day. They rewrote the album they’d spent a year planning (and saving for).

So now when they came together on those country fair stages, in the cafes in Baltimore or Philly it was that haunting Appalachian music that ran through their songs. Kath still shy as a blushing bean, hiding in the hair and glasses, reluctantly singing harmony vocals, Ellen– well, that girl had only to look wistfully into the audience and they were hers.  

And so they were living this life holed up in their family place, keeping faith with Plummer’s Fold. Daddy was in a home in Lewis now. He’d taken himself there before his dementia had taken him. He played his girls’ CDs all day long on his Walkman, had their pictures in his near to empty room – just a rocker, a table, a pile of books by his bed with Dora’s wedding quilt.

This music, this oh so heart-breaking music, the loping banjo, the tinkling, springing, glancing accidental guitar and their innocent valley voices. They’d exhausted the old records now and, their education in the old ways done, were back with new songs and Kath’s ideas to only record in the Fold and build songs with soundtracks of the world around them. She’d been laying down tracks day after day whilst Ellen was on the road with the Williams Band and often solo, support for the Minna Peel as ‘an outsider folk artist from deepest Appalachia.’

Kath wouldn’t travel more than a day away from the farm. Every show was an agony, except for the time they were performing. She couldn’t bear all that stuff that surrounded it – all that waiting, the sound check, more waiting, that networking **** One-Two constantly wanted her to be part of. She’d ***** off as the guys gathered around Ellen. She’d take a book and sit in the Toyota. She couldn’t do people, though she loved her folks, she loved her sister like she loved the trees and stones, the birds and flowers on Brush Mountain. Always shy, always afraid of herself ‘Too sensitive for your own good, Kathy girl’, her Daddy had said. Never been kissed in passion, never allowed herself to fall for love, though her body drove her to feelings she had read about, and thus fuelled had succumbed to. There was a boy she’d see in Lewis just from time to time who she thought about, and thought about. She imagined him kissing her and holding her gently in the night . . .

Ay!
We grew up on the block.
Torn clothes, holed shoes, no socks.
Young boys tryna make it to the top.
On the corner selling flake and pushing rock.

Each morning another body drops.
Street soldiers; battle never stops.
No warning; raided by the cops.
Little sister screaming in her cot.

Life goes on. Get over the shock.
Loose lips get silenced by the glock.
Ain't no-one speaking on the dock.
Need green so we hustle round the clock.

Quick raid but we didn't get a lot.
Hear voices tellin' us to stop.
Look back, see my brother gettin' shot.
No choices. This is all we got.

-
We grew up on the block.
-

Now as our brothers lay dead,
as the world burns around us
just like my father said
and the fighting surrounds us.
We cover our heads
from the cops as they pound us.
But unbroken, we swear
that we'll never back down.
We will not live in fear.
We shall never be bound.
We're the kingmakers here.
We're still running this town!
So whilst we shed a tear
for the ones in the ground,
we'll make the rivers run red
and the bullets rain down.

-

But as we lie here tonight
still sleeping on the floor
I just can't help but think that
there must be something more.
You ask if Mummy's come home...
just bailffs at the door.
Little sister I'll protect you.
You're the one thing I adore.
You can't be living like this.
You're just a little girl,
I swear I'll find a way out.
I'll build a whole new world
where you can be anything.
You'll be incredible!
We'll make our mark in history.
We'll be indelible.

- - -

But right now I gotta go.
Don't let anybody in.
Got a hook-up for the blow
and another little thing:
We got raided at the grow.
They think Micky's gonna sing.
So we're putting on a show
and we're taking care of him.
-
They got him in the van
but it's gonna be OK
Uncle Sammy's got a plan.
They ain't gonna get away.
Gonna light the ****** up.
Muthafuckers better pray!
Ain't nobody going down.
He won't see another day.

- - -

So little sister don't you fear.
Not long til I'll be here.
I know you're hungry baby.
I hear you loud and clear.
I'm always right beside you
even when you think I'm not.
I'll always come back for you
baby you're all I've got

-
cos we grew up on the block.
-

Hey little sister can you hear me?
Oh baby, please don't cry.
You know it hurts me so much
to see tears in your eyes.
I know you can't forgive me
but I swear I didn't lie.
I was gonna change things for you,
build us a brand new life.

I never saw it coming,
thought Luther had my back.
I turned and saw him running
before the world turned black.
I'm glad you got some money.
I knew you'd find my stack.
You know it's kinda funny...
it says 'Brother' on my plaque.

-

Cos that's a joke, right?
It should say 'Failure' or something.
It's up in smoke.
Life's ****** up for you, I bailed on you.

Running with those guys was stupid.
I should've stayed home with you kid.
Now you're grown up and your new kid
cries cos there's still no food!
-
It's all my fault. I'm sorry.
I know that doesn't help.
Words can't buy clothes for Lori
or put food on the shelf.

I wish I'd held you longer
before I went away.
It might have made you stronger
to fight another day.
-
You tried to stand on your feet.
Tried to pay your own way.
Working two jobs with no sleep.
I'm so proud of you!

Hey, don't be so ******* yourself
cos you got back in the game.
You were born into this hell.
You didn't cause all this pain.
-
I loved you so much baby
since I stood by your cot.
I'm still right here beside you
even though you think I'm not.

I wish that we could just find
a way to turn back the clock
but still the cycle continues...

cos we grew up on the block.

/ /

light travels in straight lines

but truth often gets inverted

when worded through the pin-

holed window of closed minds

and blinds us with distracting

theories refracting on white walls

in a world of royals and riyals

and unnamed dark chambers.

In Neverland - never to grow old
never to marry that sweetheart
never to have children and grandchildren
nor watch hair thin and grey.

Full of derring-do - more dash than discipline
lanky and loose-limbed they swank and saunter
not like soldiers at all
no doff the cap humility
to the old rules and distant monarchies.

From a newly stolen world
hardly secured or steady with itself
lodged on the edge of a vast continent
clinging to a rim of turquoise blue.

Now cramped
in the pock-holed sores of ancient lands
richly bone-dusted from time to time.

Waiting for the fight to end
to go ‘back home’ ‘over there’
to farms and factories; schools and stations.

Still there - left behind
in the archipelago of cemeteries
as far as Fromelles, Pozieres,
to Bullencourt and Paschendaele
in fields of beetroot and corn,
fields bleeding red with poppies
beside the Menin Road at Ypres
in bluebelled woods of Verdun
in the silt of the Somme
on the plains of Flanders
in the victory graves at Amiens


Monash’s boys - the lost boys
cried for their mothers
begged for water
screamed to die
hung like khaki bundles on the wire.

Commanded by Field Marshalls
who never went to the fields,
who played the numbers game
in a war of bluff and bluster,
who never touched the dirt and slime,
nor waded through the ****** slush
of broken men and boys,
never waist-deep in mud and sinking,
wounded and drowning in that shambles of a war

Wearing dead men’s boots
and shrapnel-holed helmets
tunics and leggings splattered and rotting
with dead men’s blood and brains

Some haunted boys came home
knapsacks full of secret pictures,
old rusty tins crammed with suffering
breast pockets held their grief
wrapped in shroud-shreds.

They brought their duckboard demons
to the world of peace
Gas-choked fretful lungs still brought
the caustic fumes with every breath exhaled
and from every pore the death-sweat of decay.

But most boys were lost boys
lost forever in that no-man’s land
that Neverland of lives unlived.


© M.L.Emmett

In the shadow of the great oak tree
In a place not for you and me
Found only with great luck
Lived Riley the river duck

You see Riley was frumpy
And oh so grumpy
How she was, was how she preferred
To the point that it was absurd

None of the other animals seemed to care
That she was always holed up in there
Wallowing in a puddle, her thoughts in a muddle
And her dress, in such a mess

On one brilliant summer day
With the sun shining so bright and gay
You see she always thought that she had such rotten luck
For Riley yet again was stuck

For what pickle is so fickle
To make that duck, stuck
What thought so meek
To make this situation so dire and bleak

While all the other animals were outside playing
Riley was inside praying
That she could come out
But the problem was that she was filled with doubt

One morning was particularly glorious
And Riley was oh so furious
That she dropped all her doubt
And she tried for the first time to come out

She stepped out and ruffled her feathers
The power of the sun severing imaginary tethers
And a smile spread across her face  
For she realised how beautiful was this place

For now that she finally stepped out
Of her excuses and self doubt
All the animals greeted her with such zeal
She realised that this must be how it is to finally feel

Now a few days later
According to the official dater
She wasn’t grumpy, she wasn’t dire and she wasn’t a bore
Riley wasn’t frumpy any more

Everyone around her loved her, they couldn’t get enough
For what a special duck she was, being holed up had made her tough
Now Riley had finally learnt to be happy and be free
And there began the jovial tale of Riley of the Great Oak Tree

they're the worst, and i mean that literally
imagine this, imagine that
everything that terrifies you, from any age that you've been
from the things that barely ***** you to the things that you are deathly afraid of
under one tent, an old worn down halloween coloured carny tent, filled with broken down rides and fallen apart structures and lit only by the moon
all with one intent, all of them working together to reach one goal
to get you, and have their way with you
and you can't fight back, every time you try to, they just get stronger
so you do the one thing you can do at this point
you run
you run faster then you ever have before, and none of this weird *** dream running where you move slowly when you're trying to run
i mean full out sprinting
you run and try to escape
but there's no way out, the holed purple and orange walls of the tent flap in the wind but when you go to touch them, they fill and turn solid
solid concrete below three inches of dirt, and you can't see anything to climb
you run and try to hide
the lesser terrors might try to help you.
trying to convince you that this place is safe, or to let them lead the others off of your trail
but they never tell the truth, they only do one thing
they help the greater terrors find you
so you refuse their help, shooing them away, and you survive for a bit longer
but its always the same, in the end, no matter what you try, every time it ends the same way
they find you, hiding on top of one of the structures, in a little cave, somewhere in one of the rides
and you're tortured
you're tortured worse than you ever thought that a being would do
sometimes your tongue is split into thirds from side to side, and is then cut from front to back
sometimes your limbs and body are twisted and contorted into strange shapes, making you into human art
you foolishly believed that these things might have a heart and not make it as slow and painful as they could
well you're right for the first bit, they do have a heart of sorts
after they're done playing with you
after they're done toying with your body
they don't just let you be, leave you where you are to stay there in agony
no, they **** you
nothing extra, nothing complex
just a stab through the heart, a ripping off of the head, and you're gone
unless they're being crueler
at which point, you have the option of fighting back
or letting them **** you in a gruesome way, hanging you from a rope over an open tank of water with lots of hungry creatures eagerly awaiting your fall

at least, that's what you think they do, you're never asleep long enough to find out
and that's why youre glad that they've only now begun to come and get you while you're awake

you taste like candy
and i am starving and swallowing your tricks
i dreamt of a greasy hotel and
a box to sleep in.
i am not a cannibal,
i am not a sky diver
& and i am not a pilgrim,
but i hunger for your body
and i'm falling for your holy curves.
i will hang from your window and dance in the sunlight
even though i am not a pink velvet curtain.
i am a garbage-collector poet,
fresh from the allabaster market
who has found the words once lost
in a dark fox hole
near the bend of a lazily flowing river.
all i need is a dime and a glass vase,
a short story and a wet cigarette.
i've come back to town--i climbed right out of that stop sign
standing on a shotgun bullet-holed volkswagon
with a 7 day hangover
holding burning grace in my hands and you say
"lead me to the garbage"
carrying with you a bag of soggy french fries
and i stop to show you a dying tulip,
and we watch as it floats into a cloud.
we'll hide all our money in a glowing furnace
and as i try to write this with a water logged pen
you show me pictures of shirley temple with her head in a noose.
my name is not moses, and i do not want to be remembered.

And again my heart pounced
over skin cold; that pleaded singleness,
with hypocritical beats I bowed to,
to her highness; to her petite shrill,
a debut in partial denial; unpleasant,
as i withdrew with foul felony,
thoughts raced through judging ethics,
while simplicity ****** away the soul,
into a contagious six holed drain...

And I locked myself behind blue bars,
losing the wall I built with sweated palms,
danced did I over viscous black waters,
embracing the world's false desires,
smashed them pretty birds withing their cage,
lost all sense of peace, I go hidden,
in awe of that ever pleasant voice;
I bow again; in silence I ask me
to plant me in her backyard,
water me with her sour scents,
sing me her sweet lilting lullaby,
and embrace me into our little concord!!

Where did the wisdom lay that moment?
that moment when I tasted drops of sweat...
Why would I **** that clown in me?
that played tunes from a gleeful cassette...
When will I lose my two shadows?
that followed me even while I'd regret...

(a puff o' smoke and some silence)

And again my heart, it pounced!!

Waiting on Haight, ******* the gold beading of a thrifted 80s shirt inside my purse,
I listen for the 71.

He tells me, from under a nose cherry-red and with a cantaloupe and a spoon resting in his lap,
of how when he was 25, he holed up with an 18 year-old girl.

One night she leaves for an ex-boyfriend's, saying she felt compelled to him, like there was a magnet between them. And he said he went to the closet, he smelled her sweater and knew what he wanted.

He got some cardboard and fashioned a fake magnet, the classic horseshoe shaped and silver-tipped kind, out of cardboard. He turned it into a necklace and waited for a day with some red roses for her to get back.

She came back and said she couldn't remember the last time someone got her flowers. And then she called her mother, and her mother asked him sternly if he was planning to marry her.
He was bewildered a little, but he said yes (this was the sixties).
And he finished the call to her mother and she was standing with her hands on her hips, "Well?"
"Well what?"
"Aren't you going to ask me to marry you?"
(I laughed at this point)
"Oh..."
                                                  ­                                        . . .
"Will you marry me?"
"Yes!"

I asked what happened and he said they were together for three years. But it was a blissful three years.

He asked me if it was a good idea for a movie.
I said yes. But I probably wouldn't see that movie. I left that second part out.

There is a Mouse in this House.
Insatiable,
He keeps me up at night,
thin fine claws on metal stove tops,
whispering to the birds what a fool he's made of me,
because I couldn't make the fibers of my home work with me.

There is a Mouse in this House,
Immortal,
I've fished him drowned out of drains,
fed him bleach on silver trays,
listened to him choke in air vents,
his chestnut jacket perpetually in the corners of my eye,
leaving reminders in my cereal,
this rodent he refuses to die.

There is a Mouse in this House,
Intangible,
he is not slipping through my fingers he's dancing on them,
quick petite feet tapping on my counters,
fleet and fast like smoke,
I've seen him seep through a clenched fist and still escape with wedding bands,

There is a Mouse in this House.
Impish,
he waits 'till I'm alone to play his music,
the crack and chew,
too early with the morning dew,
he will not play his song for you, it'd be too easy to be seen.

There is a Mouse in this House,
primeval,
he's been waiting,
mapped the walls and painted my flaws,
tactician skilled and iron willed,
this beast knows war far more than my militia mind was ready for,
plotting out insurgencies for restless and anxieties,

There is a Mouse in this House,
emaciated,
what's his is his,
what's mine is his,
there is no sacred to things with tails.
clearing out my pantry,
his jaws now tasting for my sanity,
finished with the:
Rye,
White,
and Sourdough,
he's fixed his tongue on sweat breads,
scuttling with unnatural flow,

There is a Mouse in this House.
Charming,
too handsome a creature to ever be singed,
he peddles on the burners simply too strut,
scampering through flames to test his luck,

There is a Mouse in this House,
Insomniac,
from now until each evening hour,
his paws touch turns time sour.
Ivory teeth clanging out a new ink-printed deed,
he owns the tenant and never even had to rent it,

There is a Mouse in this House,
arrogant,
too self-assured and clever,
cunning, devilish a creature he may be,
but he has yet to get a load of me,
holed away within his den,
his first mistake was not letting me win,
setting aria's on fly's wings to declare his victory,
this furry phantasm is all too aware of what he did to me.

There is a Mouse in This House,
sleeper,
I'm plotting my comeback,
sure-footed,
slow breathes,
and savage hands,
I'm ready,
silent and steady;
this beautiful monstrous mouse had best prepare for battle.

There is a Mouse in this House.
But it's my House.

You followed down through the gathered pages
to the  labyrinth that leads back through the changes
A long and twisted line of unmapped rivers,
*** holed low-roads and tattered mileposts
glancing homeless back-alleys as dark as lonely crossroads

Past the broken wings that fell from skyward treetops
scattered feathers amongst rose petals wilted
at the hand of tear stained faded photos
of frozen black and white faces;
hidden ghosts in the closet that fell from grace

The pathway narrows where the traces dissipate
passing under burning bridges, beneath locked stairwells
A fickle feather floating upon rivers ragging
like the hubris disconnectedness of time rolling out to sea ―
Shadows growing darkest as you reach the blackest silence
and you kept the answers to all the questions at arms length
hidden in the darkness ― where you saw love disfigure me

It was then and there I knew I'd dreamed of someone like you
looking for someone more than I could ever be
Just an unsated curiosity,    trying to see beyond
your own misunderstanding,   to feel and touch
an unknown depth beyond  reach

As sunset pales the distantness, the night is yours alone
when  tomorrow's  morning  rain
hangs  on  the  falling  leaves       ―       I’ll  be  gone
Just a wayfaring loner in a lonely world

Where rivers are only water
                                         and love was once a flowing river
I thirst to swallow ― 
                                         to wash away these tracks of my tears ...


                                      rivers ... 2017

The Quantum Poetry Theorem

from a long time ago,
a thousand poems a priori.

Dedicated to you, Albert Einstein and the cast of TBBT, special thanks to the OWS movement.,
But especially to the few, the brave, geeks who write poetry in word and in equations.

Scruffy, yet ennobled,
my own 99% invade and
occupy all my senses,
in my eyesight encamped

sensing opportunity,
the 99 demand
that each shutter eye snap,
all nominal exhalations,
every quantum minutia perception,
be live streamed,
direct tv to you

Everything I witness,
transformed into an
acoustic guitar rocking vision,
a levitation of poetic expression,  
set to a primitive three-chord
rock & roll overture,
and my iPad,
appointed Recording Secretary,
compiles exhalations as ecrivations

a preservation society of the verb,
strings of words emanating non-stop
within my head, from a guitar playing
twenty four seven, ironically,
expressed mathematically

Street strolling,
busy brasserie bar,
a Pinot Noir arrives,
a large pour of
stanzas and a
napkin upon to scribble

mind in ferment but
A Capella smooth cool,
my bossy brain requires
incident reports,
a "write me down, please,"
and

no matter how much I drink,
ain't anti-matter enough to
stop my eyes from seeing
every human interaction
as a poetic, probabilistic,
verbal equation,
quantum expressions of sensory upload

The brain revels and reels from overload,  
no mas, no more,
poetry fatigue incurable,
caplets and ointments,
string theory,
can't cure or explain
the compulsion I feel,
and the 1% of me
protests my
overtaxed mental capacity,
and

hear the, see the, masses,
the shouts, the placards,
outside my home,
shut it down, no one cares,
no one wants your transplanted mechanics
in their eardrums

Huzzah, found in my gut,
a Grand Unifying Theory
to coordinate, gauge  and harmonize
my internal asymmetries,
yes, a coupling factor required,
but still,
one equation that explains everything!

my fatigued, pointy, index finger
refuses to tap any more,
my Theory of Everything,
and my poetry, forgot, overlooked.
in my library buried,
black holed, forever silence-stored

An Open Letter To The First Boy I Loved

Alternatively known as “An Open Letter To The Boy That Calls Me Crazy.”

The first words you ever “said” to me were in a facebook message,
A picture of your lined arms attached, reading,
“Hah, I’m sorry, but I saw your picture of your scars and felt like showing you these.”

The first thing I should have done was run.
Not only were you immediately trying to make me feel bad
Before I had even uttered a word,
But you were already one-upping me,
Making me feel like you had been through so much more.

I admit my mistake of having shown my weaknesses online
At such a young age,
Hardly 14,
But having grown to a world of romanticized trauma,
I felt it was only normal to have issues of my own,
Whether they were exaggerated or not.

The saddest part of these issues having been forced upon myself
Is the fact that at one point I did not need them,
But now I feel like I would be nothing without them.
I do not blame you for their worsened behavior,
But before I met you,

I had never felt like a ****.
I had never actually made myself bleed to the point of soiling a shirt.
I had never actually attempted to take my life.

Though knowing I had these scars,
It seemed you knew how easily I’d fall into you,
Fall for you,
Looking for comfort in knowing I was not alone.

You persuaded me into kissing you.
You persuaded me into losing my virginity in the back of your mom’s car
While she was in your house on a cold September night.
It was rushed.
It was rough.
There was blood.
And you did not care.
“It’ll be quick, don’t worry.”

In the six months we were together,
I willingly had *** with you twice.
Every other time ****** acts occurred,
(which was over forty times)
You guilted me.
You told me that you deserved it.
You asked if I really loved you.
You told me I needed to show you that I loved you,
You told me that it was what love really was.

I never told you how many times I cried after you left.
I never told you how many guys I kissed after you,
And how every single one made me cry
Without saying a word.
It was the simple intimate touch--
Lips, even if gentle, pressing together--
That sent fear rolling through my body.

It was three months after you broke up with me.
Three months after you admitted that you cheated on me,
It was the day you asked me to go on a walk with you.
The day we could become friends again,
Start over,
Ignore that I still loved you,
Try again.
You insisted you still loved me
(Though now I doubt you ever did).
You insisted that you
Never wanted to hurt me,
And bent me over a tree in the woods
Behind the high school,
And said it would
“Just be in and out! Once!”
And I begged you to stop.
You slapped me,
You called me a ****,
And when you finally finished,
You started to panic.
You were begging me to say that
You
Didn’t
****
Me.
Through my own tears,
My own confusion,
My own pain,
I assured you,
“No, you're okay. It'll all be okay.”

It has been over two years since that day.
Since then, I have opened myself up to one person.

That man has since left me.
One of the contributing factors
Being that he was worried I was not over you.
He kept receiving messages from you,
Messages you sent claiming I would never stop loving you,
When this is the closest thing to hatred that I have ever felt,
Messages you sent claiming I would always think of you,
And what’s terrifying is I can’t help thinking of you--

It's only because I can’t get the nightmare
Of your touch
Out of my aching skull
And I don’t want you to feel victorious,
And it terrifies me that you do,
Because not only did you push me,
Not only did you threaten me,
Intimidate me,
**** me,
But you insisted I’d spend the rest of my life with you,
You disoriented my visions of love
Like a bad LSD trip,
And I’m so ******* scared it will never ******* end,
Because every time I see myself trying to hug,
Kiss,
Love,
Trust someone,
I see what you did to me and I know that it’s
Baggage to them,
But a ball and chain on me,
And I’m petrified.
These memories are bars keeping me from moving onto happier things,
Keeping me holed up, waiting for you to finally let me go,

Stop telling people that I’m crazy,
Stop whispering my name when you pass me in the hall,
Stop following my social media,
Stop following the people that I try to let in,
Stop ******* with my life,
Stop ******* with my head,
Stop ******* with me,
Leave me the **** alone,

The first words you ever “said” to me were in a facebook message,
With a picture of your lined arms attached, reading,
“Hah, I’m sorry, but I saw your picture of your scars and felt like showing you these.”

I never thought I’d have more scars than that.
Over 146 scars,
The police department proved it when they showed up at your house
The night you tried to **** yourself,
And told me it was my fault.

The scars I have aren’t physical.
Not all of them, at least.
But the problem with scars is they don’t just go away.
They go away with time,
And it’s hard to let them heal when you’re still leaving them there today.

I’ve tried telling the police what you’ve done.
I’ve tried telling counselors,
They haven’t done anything;
There was never enough proof,
It happened too long ago.
I can’t do anything to prove it.
Instead I’m left to see you daily.
Instead I’m left to hear you whisper about me.
Have people ask me questions about the things they’re hearing
Things you say.

This is an open letter to the first boy I loved.

I say boy, because
The only thing I’m certain of anymore,
Is you will never
Be a
Man.

Our temporal lobes have neurons whose sole purpose
Is to recognize faces
You see, humans are meant to be connected
Our bodies should vibrate
From the sounds of emotional resonance
We are meant to be seen,
Really seen, delving deeply into streams of running water
Where our vulnerability makes love with our experience
And this need is so great, that day after day, year after year,
We open our mouths with hope
That our words can share a meaning with someone
But mostly, we are left colliding
Or surviving near misses
Driving through relationship guardrails
Over the edge into desperation  
We are left holed up in separate hospital beds  
Isolated by IV drips of disappointment
Until we tell ourselves that true happiness is a myth
And the word “soulmate” was intended for everyone else
This used to be me
And it used to be you

When I awoke this morning
Remnants of our laughter were singing on your pillow  
There are 86 lashes on your right, upper eye lid
I can almost see them listening to me
Conduits for comprehension
As I speak,
You turn your ear so it can graze my lips
I whisper while I stare at your profile
Blinking, gentle smile lines
And my heart lunges toward yours like a magnet
I have crawled inside your pupils
To be covered with wet, black paint shining
From your spirit outward
Opposite of indifferent
Our faces so close that I can taste you breathing
This strange sensation is the absence of fear
I. See. You.
I have always known you
I can pull the IV out of my arm
Because what keeps me alive,
Is that you know me too

in graves of boorish lands
a livingness so fake
riddling away this void
amidst the autumn race

with blink of bleeding heart
memory seeped in pain
she hangs upon his sleep
stale as love remain

but though may demon heart
pull voices in a head
and shrink below her weight
triumph as quitters dead

to find itself holed in
a crypt of blinding dark
dystopian consciousness
rejected cut spark

if faith shall fade and choke
in throes of emptiness
risk streams of million thoughts
set freeze in mindlessness

he'll find himself alive
near oasis of hate
her cascading blue eyes
crashing inferno's gate

for in his dreams as if
twisted lie angry shores
an accident of life
she drifts as nervous smoke

Today I saw a homeless man standing among a flock of pigeons in the city park.  The birds were excitedly and aggressively pecking at a crusty baguette some generous person donated to them.  There must have been 15 pigeons vying for a piece of the goods.  The filthy, hooded homeless man stood right in the center of the birds, unfazed yet aware - looking both melancholy and pleased.  His face was soft with a slight smirk, his eyes wide with wonder, but his body language revealed his longing for the same camaraderie as the pigeons.  Somewhere to belong, something to strive for.

In Neverland - never to grow old
never to marry that sweetheart
never to have children and grandchildren
nor watch hair thin and grey.

Full of derring-do - more dash than discipline
lanky and loose-limbed they swank and saunter
not like soldiers at all
no doff the cap humility
to the old rules and distant monarchies.

From a newly stolen world
hardly secured or steady with itself
lodged on the edge of a vast continent
clinging to a rim of turquoise blue.

Now cramped
in the pock-holed sores of ancient lands
richly bone-dusted from time to time.

Waiting for the fight to end
to go ‘back home’ ‘over there’
to farms and factories; schools and stations.

Still there - left behind
in the archipelago of cemeteries
as far as Fromelles, Pozieres,
to Bullencourt and Paschendaele
in fields of beetroot and corn,
fields bleeding red with poppies
beside the Menin Road at Ypres
in bluebelled woods of Verdun
in the silt of the Somme
on the plains of Flanders
in the victory graves at Amiens

Monash’s boys - the lost boys
cried for their mothers
begged for water
screamed to die
hung like khaki bundles on the wire.

Commanded by Field Marshalls
who never went to the fields,
who played the numbers game
in a war of bluff and bluster,
who never touched the dirt and slime,
nor waded through the ****** slush
of broken men and boys,
never waist-deep in mud and sinking,
wounded and drowning in that shambles of a war

Wearing dead men’s boots
and shrapnel-holed helmets
tunics and leggings splattered and rotting
with dead men’s blood and brains

Some haunted boys came home
knapsacks full of secret pictures,
old rusty tins crammed with suffering
breast pockets held their grief
wrapped in shroud-shreds.

They brought their duckboard demons
to the world of peace
Gas-choked fretful lungs still brought
the caustic fumes with every breath exhaled
and from every pore the death-sweat of decay.

But most boys were lost boys
lost forever in that no-man’s land
that Neverland of lives unlived.
© M.L.Emmett

As I sauntered on banks of Yamuna at night.
I saw a man old, bent, with stick in dhoti white.
Tardily, step by step as he came nearer to me.
With joy I smiled as our own beloved Bapu was he.

With tears in my eyes I asked, ' Bapu you are still alive! ,
those three bullets holed your chest, how did you survive?
What happened to you? Where were you all these days?
What you ate? How you lived? Now where do you stay?

Condition of your beloved land is deteriorating day by day.
Countrymen have left your path, they have gone astray.
Your image, your killers are trying to malign and degrade.
Berating your ways, encouraging means which you forbade.

******'s advocates on chariots are traversing Nation's length.
Day by day Fascism is gaining ground , gaining strength.
Disguised as followers of Sri Ram, deeds of Ravan they do.
Riots and killings are frequent, women and minors are targeted too.

Terrorism nourishing on terrorism, cruelty at its worst.
Targeting anyone, anywhere, time and again bombs burst.
Once a land of peace, land of sufism, land of saints,
now ******. Innocent souls being killed without restraint.

Regionalism is being encouraged and taking roots.
Unity of the Nation selfish politicians reduce and dilute.
Corruption is increasing everywhere and in all spheres
Even highest office of respect could not keep itself clear '

Passing his hand over my head he smiled and said '
I am just a spirit, long ago my weak body was dead.
Daily with expectation I rise and daily with despair I die
Daily my hope is shattered and daily with grief I sigh

They may have killed me but now I live in numerous hearts
They may write me down in history yet my message will dart.
See this flag, colour saffron is dear to me, colour green I love.
between them is colour white, colour of peace, colour of dove.

Nation divided in three hurts me more than bullets three
From casteism and regionlism country should be free.
Communalism should not be allowed to raise its ugly head.
With sword of constitution Fascism we need to behead '

Three sound disturbed the calm, beloved Bapu fell on the ground
I went to help but Bapu vanished with words 'Hey Ram' echoing around
Determined that this time his innocent blood will not go waste.
I collected his non-violent blood in my pen like ink with haste.

Looking through a keyhole
World becomes smaller
A constricted view of the world
Lost the key somewhere
All the keys are redundant now
Within the four walls
Life revolves around the mundane
Only window to the world
Now hazy with perceptions
Now there is only one way
To look at the world
Holed up within the premises
But only to look though a keyhole
Locked inside aspirations
Never will the key be found