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Meena Menon Sep 2021
Flicker Shimmer Glow

The brightest star can shine even with thick black velvet draped over it.  
Quartz, lime and salt crystals formed a glass ball.
The dark womb held me, warm and soft.  
My mom called my cries when I was born the most sorrowful sound she had ever heard.  
She said she’d never heard a baby make a sound like that.    
I’d open my eyes in low light until the world’s light healed rather than hurt.  
The summer before eighth grade, July 1992,
I watched a shooting star burn by at 100,000 miles per hour as I stood on the balcony  
while my family celebrated my birthday inside.  
It made it into the earth’s atmosphere
but it didn’t look like it was coming down;
I know it didn’t hit the ground but it burned something in the time it was here.  
The glass ball of my life cracked inside.  
Light reflected off the salt crystal cracks.  
I saw the beauty of the light within.  
Nacre from my shell kept those cracks from getting worse,
a wild pearl as defense mechanism.  
In 2001, I quit my job after they melted and poured tar all over my life.  
All summer literature class bathtubs filled with rose hip oil cleaned the tar.  
That fall logic and epistemology classes spewed black ink all over my philosophy
written over ten years then.  
Tar turned to asphalt when I met someone from my old job for a drink in November
and it paved a road for my life that went to the hospital I was in that December
where it sealed the roof on my life
when I was almost murdered there
and in February after meeting her for another drink.  
They lit a fire at the top of the glacier and pushed the burning pile of black coal off the edge,
burnt red, looking like flames falling into the valley.  
While that blazed the side of the cliff something lit an incandescent light.  
The electricity from the metal lightbulb ***** went through wires and heated the filament between until it glowed.  
I began putting more work into emotional balance from things I learned at AA meetings.  
In Spring 2003, the damage that the doctors at the hospital in 2001 had done
made it harder for light to reflect from the cracks in the glass ball.
I’d been eating healthy and trying to get regular exercises since 1994
but in Spring 2003 I began swimming for an hour every morning .  
The water washed the pollution from the burning coals off
And then I escaped in July.  
I moved to London to study English Language and Linguistics.  
I would’ve studied English Language and Literature.  
I did well until Spring 2004 when I thought I was being stalked.  
I thought I was manic.  
I thought I was being stalked.  
I went home and didn’t go back for my exams after spring holiday.  
Because I felt traumatized and couldn’t write poetry anymore,
I used black ink to write my notes for my book on trauma and the Russian Revolution.
I started teaching myself German.  
I stayed healthy.  
In 2005, my parents went to visit my mom’s family in Malaysia for two weeks.
I thought I was being stalked.  
I knew I wasn’t manic.  
I thought I was being stalked.  
I told my parents when they came home.  
They thought I was manic.  
I showed them the shoe prints in the snow of different sizes from the woods to the windows.  
They thought I was manic.  
I was outside of my comfort zone.  
I moved to California. I found light.  
I made light,
the light reflected off the salt crystals I used to heal the violence inflicted on me from then on.  
The light turned the traffic lights to not just green from red
but amber and blue.  
The light turned the car signals left and right.  
The light reflected off of salt crystals, light emitting diodes,
electrical energy turned directly to light,
electroluminescence.  
The electrical currents flowed through,
illuminating.  
Alone in the world, I moved to California in July 2005
but in August  I called the person I escaped in 2003,
the sulfur and nitrogen that I hated.  
He didn’t think I was manic but I never said anything.
I never told him why I asked him to move out to California.  
When his coal seemed like only pollution,
I asked him to leave.  
He threatened me.  
I called the authorities.  
They left me there.
He laughed.  
Then the violence came.  
****:  stabbed and punched, my ****** bruised, purple and swollen.  
The light barely reflected from the glass ball wIth cracks through all the acid rain, smoke and haze.
It would take me half an hour to get my body to do what my mind told it to after.  
My dad told me my mom had her cancer removed.
The next day, the coal said if I wanted him to leave he’d leave.  
I booked his ticket.
I drove him to the airport.  
Black clouds gushed the night before for the first time in months,
the sky clear after the rain.  
He was gone and I was free,
melted glass, heated up and poured—
looked like fire,
looked like the Snow Moon in February
with Mercury in the morning sky.  
I worked through ****.  
I worked to overcome trauma.  
Electricity between touch and love caused acid rain, smoke, haze, and mercury
to light the discharge lamps, streetlights and parking lot lights.
Then I changed the direction of the light waves.  
Like lead glass breaks up the light,
lead from the coal, cleaned and replaced by potassium,
glass cut clearly, refracting the light,
electrolytes,
electrical signals lit through my body,
thick black velvet drapes gone.  





















Lava

I think that someone wrote into some palm leaf a manuscript, a gift, a contract.  
After my parents wedding, while they were still in India,
they found out that my dad’s father and my mom’s grandfather worked for kings administering temples and collecting money for their king from the farmers that worked the rice paddies each king owned.  They both left their homes before they left for college.  
My dad, a son of a brahmin’s son,
grew up in his grandmother’s house.  
His mother was not a Brahmin.  
My mother grew up in Malaysia where she saw the children from the rubber plantation
when she walked to school.  
She doesn’t say what caste she is.  
He went to his father’s house, then college.  
He worked, then went to England, then Canada.  
She went to India then Canada.  
They moved to the United States around Christmas 1978
with my brother while she was pregnant with me.  
My father signed a contract with my mother.  
My parents took ashes and formed rock,
the residue left in brass pots in India,
the rocks, so hot, they turned back to lava miles away before turning back to ash again,
then back to rock,
the lava from a super volcano,
the ash purple and red.  


















Circles on a Moss Covered Volcano

The eruption beatifies the magma.  
It becomes obsidian,
only breaks with a fracture,
smooth circles where it breaks.  

My mom was born on the grass
on a lawn
in a moss covered canyon at the top of a volcanic island.  
My grandfather lived in Malaysia before the Japanese occupied.  
When the volcano erupted,
the lava dried at the ocean into black sand.  
The British allied with the Communist Party of Malaysia—
after they organized.  
After the Americans defeated the Japanese at Pearl Harbor,
the British took over Malaysia again.  
They kept different groups apart claiming they were helping them.  
The black sand had smooth pebbles and sharp rocks.  
Ethnic Malay farmers lived in Kampongs, villages.  
Indians lived on plantations.  
The Chinese lived in towns and urban areas.  
Ethnic Malays wanted independence.
In 1946, after strikes, demonstrations, and boycotts
the British agreed to work with them.  
The predominantly Chinese Communist Party of Malaysia went underground,
guerrilla warfare against the British,
claiming their fight was for independence.  
For the British, that emergency required vast powers
of arrest, detention without trial and deportation to defeat terrorism.  
The Emergency became less unpopular as the terrorism became worse.  
The British were the iron that brought oxygen through my mom’s body.  
She loved riding on her father’s motorcycle with him
by the plantations,
through the Kampongs
and to the city, half an hour away.  
The British left Malaysia independent in 1957
with Malaysian nationalists holding most state and federal government offices.  
As the black sand stretches towards the ocean,
it becomes big stones of dried lava, flat and smooth.  

My mom thought her father and her uncle were subservient to the British.  
She thought all things, all people were equal.  
When her father died when she was 16, 1965,
they moved to India,
my mother,
a foreigner in India, though she’s Indian.  
She loved rock and roll and mini skirts
and didn’t speak the local language.  
On the dried black lava,
it can be hard to know the molten lava flickers underneath there.  
Before the Korean War,
though Britain and the United States wanted
an aggressive resolution
condemning North Korea,
they were happy
that India supported a draft resolution
condemning North Korea
for breach of the peace.  
During the Korean War,
India, supported by Third World and other Commonwealth nations,
opposed United States’ proposals.
They were able to change the U.S. resolution
to include the proposals they wanted
and helped end the war.  
China wanted the respect of Third World nations
and saw the United States as imperialist.  
China thought India was a threat to the Third World
by taking aid from the United States and the Soviets.  
Pakistan could help with that and a seat at the United Nations.  
China wanted Taiwan’s seat at the UN.
My mother went to live with her uncle,
a communist negotiator for a corporation,
in India.  
A poet,
he threw parties and invited other artists, musicians and writers.  
I have the same brown hyperpigmentation at my joints that he had.  
During the day, only the steam from the hot lava can be seen.  
In 1965, Pakistani forces went into Jammu and Kashmir with China’s support.  
China threatened India after India sent its troops in.  
Then they threatened again before sending their troops to the Indian border.  
The United States stopped aid to Pakistan and India.
Pakistan agreed to the UN ceasefire agreement.  
Pakistan helped China get a seat at the UN
and tried to keep the west from escalating in Vietnam.  
The smoldering sound of the lava sizzles underneath the dried lava.  
When West Pakistan refused to allow East Pakistan independence,
violence between Bengalis and Biharis developed into upheaval.  
Bengalis moved to India
and India went into East Pakistan.  
Pakistan surrendered in December 1971.  
East Pakistan became independent Bangladesh

The warm light of the melted lava radiates underneath but burns.  
In 1974, India tested the Smiling Buddha,
a nuclear bomb.  
After Indira Gandhi’s conviction for election fraud in 1973,
Marxist Professor Narayan called for total revolution
and students protested all over India.  
With food shortages, inflation and regional disputes
like Sikh separatists training in Pakistan for an independent Punjab,
peasants and laborers joined the protests.  
Railway strikes stopped the economy.  
In 1975, Indira Gandhi, the Iron Lady,
declared an Emergency,
imprisoning political opponents, restricting freedoms and restricting the press,
claiming threats to national security
because the war with Pakistan had just ended.  
The federal government took over Kerala’s communist dominated government and others.  

My mom could’ve been a dandelion, but she’s more like thistle.  
She has the center that dries and flutters in the wind,
beautiful and silky,
spiny and prickly,
but still fluffy, downy,
A daisy.
They say thistle saved Scotland from the Norse.  
Magma from the volcano explodes
and the streams of magma fly into the air.  
In the late 60s,
the civil rights movement rose
against the state in Northern Ireland
for depriving Catholics
of influence and opportunity.
The Northern Irish police,
Protestant and unionist, anti-catholic,
responded violently to the protests and it got worse.  
In 1969, the British placed Arthur Young,
who had worked at the Federation of Malaya
at the time of their Emergency
at the head of the British military in Northern Ireland.
The British military took control over the police,
a counter insurgency rather than a police force,
crowd control, house searches, interrogation, and street patrols,
use of force against suspects and uncooperative citizens.  
Political crimes were tolerated by Protestants but not Catholics.  
The lava burns the rock off the edge of the volcano.  

On January 30, 1972, ****** Sunday,  
British Army policing killed 13 unarmed protesters
fighting for their rights over their neighborhood,
protesting the internment of suspected nationalists.
That led to protests across Ireland.  
When banana leaves are warmed,
oil from the banana leaves flavors the food.  
My dad flew from Canada to India in February 1972.  
On February 4, my dad met my mom.  
On February 11, 1972,
my dad married my mom.  
They went to Canada,
a quartz singing bowl and a wooden mallet wrapped in suede.  
The rock goes down with the lava, breaking through the rocks as it goes down.  
In March 1972, the British government took over
because they considered the Royal Ulster Police and the Ulster Special Constabulary
to be causing most of the violence.  
The lava blocks and reroutes streams,
melts snow and ice,
flooding.  
Days later, there’s still smoke, red.  
My mom could wear the clothes she liked
without being judged
with my dad in Canada.  
She didn’t like asking my dad for money.
My dad, the copper helping my mother use that iron,
wanted her to go to college and finish her bachelors degree.
She got a job.  
In 1976, the police took over again in Northern Ireland
but they were a paramilitary force—
armored SUVs, bullet proof jackets, combat ready
with the largest computerized surveillance system in the UK,
high powered weapons,
trained in counter insurgency.  
Many people were murdered by the police
and few were held accountable.  
Most of the murdered people were not involved in violence or crime.  
People were arrested under special emergency powers
for interrogation and intelligence gathering.  
People tried were tried in non-jury courts.  
My mom learned Malayalam in India
but didn’t speak well until living with my dad.  
She also learned to cook after getting married.  
Her mother sent her recipes; my dad cooked for her—
turmeric, cumin, coriander, cayenne and green chiles.  
Having lived in different countries,
my mom’s food was exposed to many cultures,
Chinese and French.
Ground rock, minerals and glass
covered the ground
from the ash plume.  
She liked working.  

A volcano erupted for 192 years,
an ice age,
disordered ices, deformed under pressure
and ordered ice crystals, brittle in the ice core records.  
My mother liked working.  
Though Khomeini was in exile by the 1970s in Iran,
more people, working and poor,
turned to him and the ****-i-Ulama for help.
My mom didn’t want kids though my dad did.
She agreed and in 1978 my brother was born.
Iran modernized but agriculture and industry changed so quickly.  
In January 1978, students protested—
censorship, surveillance, harassment, illegal detention and torture.  
Young people and the unemployed joined.  
My parents moved to the United States in December 1978.  
The regime used a lot of violence against the protesters,
and in September 1978 declared martial law in Iran.  
Troops were shooting demonstrators.
In January 1979, the Shah and his family fled.  
On February 11, 1979, my parents’ anniversary,
the Iranian army declared neutrality.  
I was born in July 1979.
The chromium in emeralds and rubies colors them.
My brother was born in May and I was born in July.

Obsidian—
iron, copper and chromium—
isn’t a gas
but it isn’t a crystal;
it’s between the two,
the ordered crystal and the disordered gas.  
They made swords out of obsidian.  





Warm Light Shatters

The eruption beatifies the magma.  
It becomes obsidian,
only breaks with a fracture,
smooth circles where it breaks.  

My dad was born on a large flat rock on the edge of the top
of a hill,
Molasses, sweet and dark, the potent flavor dominates,
His father, the son of a Brahmin,
His mother from a lower caste.
His father’s family wouldn’t touch him,
He grew up in his mother’s mother’s house on a farm.  
I have the same brown hyperpigmentation spot on my right hand that he has.

In 1901, D’Arcy bought a 60 year concession for oil exploration In Iran.
The Iranian government extended it for another 32 years in 1933.
At that time oil was Iran’s “main source of income.”
In 1917’s Balfour Declaration, the British government proclaimed that they favored a national home for the Jews in Palestine and their “best endeavors to facilitate the achievement” of that.

The British police were in charge of policing in the mandate of Palestine.  A lot of the policemen they hired were people who had served in the British army before, during the Irish War for Independence.  
The army tried to stop how violent the police were, police used torture and brutality, some that had been used during the Irish War for Independence, like having prisoners tied to armored cars and locomotives and razing the homes of people in prison or people they thought were related to people thought to be rebels.
The police hired Arab police and Jewish police for lower level policing,
Making local people part of the management.
“Let Arab police beat up Arabs and Jewish police beat up Jews.”

The lava blocks and reroutes streams, melts snow and ice, flooding.
In 1922, there were 83,000 Jews, 71,000 Christians, and 589,000 Muslims.
The League If Nations endorsed the British Mandate.
During an emergency, in the 1930s, British regulations allowed collective punishment, punishing villages for incidents.
Local officers in riots often deserted and also shared intelligence with their own people.
The police often stole, destroyed property, tortured and killed people.  
Arab revolts sapped the police power over Palestinians by 1939.

My father’s mother was from a matrilineal family.
My dad remembers tall men lining up on pay day to respectfully wait for her, 5 feet tall.  
She married again after her husband died.
A manager from a tile factory,
He spoke English so he supervised finances and correspondence.
My dad, a sunflower, loved her: she scared all the workers but exuded warmth to the people she loved.

Obsidian shields people from negative energy.
David Cargill founded the Burmah Oil Co. in 1886.
If there were problems with oil exploration in Burma and Indian government licenses, Persian oil would protect the company.  
In July 1906, many European oil companies, BP, Royal Dutch Shell and others, allied to protect against the American oil company, Standard Oil.
D’Arcy needed money because “Persian oil took three times as long to come on stream as anticipated.”
Burmah Oil Co. began the Anglo-Persian Oil Co. as a subsidiary.
Ninety-seven percent of British Petroleum was owned by Burmah Oil Co.
By 1914, the British government owned 51% of the Anglo-Persian Oil Co.  
Anglo-Persian acquired independence from Burmah Oil and Royal Dutch Shell with two million pounds from the British government.

The lava burns the rock off the edge of the volcano.
In 1942, after the Japanese took Burma,
the British destroyed their refineries before leaving.
The United Nations had to find other sources of oil.
In 1943, Japan built the Burma-Thailand Railroad with forced labor from the Malay peninsula who were mostly from the rubber plantations.

The rock goes down with the lava, breaking through the rocks as it goes down.
In 1945. Japan destroyed their refineries before leaving Burma.
Cargill, Watson and Whigham were on the Burmah Oil Co. Board and then the Anglo Iranian Oil Co. Board.  

In 1936 Palestine, boycotts, work stoppages, and violence against British police officials and soldiers compelled the government to appoint an investigatory commission.  
Leaders of Egypt, Trans Jordan, Syria and Iraq helped end the work stoppages.
The British government had the Peel Commission read letters, memoranda, and petitions and speak with British officials, Jews and Arabs.  
The Commission didn’t believe that Arabs and Jews could live together in a single Jewish state.
Because of administrative and financial difficulties the Colonial Secretary stated that to split Palestine into Arab and Jewish states was impracticable.  
The Commission recommended transitioning 250,000 Arabs and 1500 Jews with British control over their oil pipeline, their naval base and Jerusalem.  
The League of Nations approved.
“It will not remove the grievance nor prevent the recurrence,” Lord Peel stated after.
The Arab uprising was much more militant after Peel.  Thousands of Arabs were wounded, ten thousand were detained.  
In Sykes-Picot and the Husain McMahon agreements, the British promised the Arabs an independent state but they did not keep that promise.  
Representatives from the Arab states rejected the Peel recommendations.
United Nations General Assembly Resolution181 partitioned Palestine into Arab and Jewish states with an international regime for the city of Jerusalem backed by the United States and the Soviet Union.  

The Israeli Yishuv had strong military and intelligence organization —-  
the British recognized that their interest was with the Arabs and abstained from the vote.  
In 1948, Israel declared the establishment of its state.  
Ground rock, minerals, and gas covered the ground from the ash plume.
The Palestinian police force was disbanded and the British gave officers the option of serving in Malaya.

Though Truman, Eisenhower and Kennedy supported snd tried to get Israel to offer the Arabs concessions, it wasn’t a major priority and didn’t always approve of Israel’s plans.
Arabs that had supported the British to end Turkish rule stopped supporting the West.  
Many Palestinians joined left wing groups and violent third world movements.  
Seventy-eight percent of the territory of former Palestine was under Israel’s control.  

My dad left for college in 1957 and lived in an apartment above the United States Information services office.
Because he graduated at the top of his class, he was given a job with the public works department of the government on the electricity board.  
“Once in, you’ll never leave.”
When he wanted a job where he could do real work, his father was upset.
He broke the chains with bells for vespers.
He got a job in Calcutta at Kusum Products and left the government, though it was prestigious to work there.
In the chemical engineering division, one of the projects he worked on was to design a *** distillery, bells controlled by hammers, hammers controlled by a keyboard.
His boss worked in the United Kingdom for. 20 years before the company he worked at, part of Power Gas Corporation, asked him to open a branch in Calcutta.
He opened the branch and convinced an Industrialist to open a company doing the same work with him.  The branch he opened closed after that.  
My dad applied for labor certification to work abroad and was selected.  
His boss wrote a reference letter for my him to the company he left in the UK.  My dad sent it telling the company when he was leaving for the UK.  
The day he left for London, he got the letter they sent in the mail telling him to take the train to Sheffield the next day and someone from the firm would meet him at the station.  
His dad didn’t know he left, he didn’t tell him.
He broke the chains with chimes for schisms.


Anglo-Persian Oil became Anglo-Iranian Oil in 1935.
The British government used oil and Anglo-Persian oil to fight communism, have a stronger relationship with the United States and make the United Kingdom more powerful.  
The National Secularists, the Tudeh, and the Communists wanted to nationalize Iran’s oil and mobilized the Iranian people.
The British feared nationalization in Iran would incite political parties like the Secular Nationalists all over the world.  
In 1947, the Iranian government passed the Single Article Law that “[increased] investment In welfare benefits, health, housing, education, and implementation of Iranianization through substitution of foreigners” at Anglo-Iranian Oil Co.
“Anglo-Iranian Oil Company made more profit in 1950 than it paid to the Iranian government in royalties over the previous half century.”
The Anglo-Iranian Oil Company tried to negotiate a new concession and claimed they’d hire more Iranian people into jobs held by British and people from other nationalities at the company.
Their hospitals had segregated wards.  
On May 1, 1951, the Iranian government passed a bill that nationalized Anglo- Iranian Oil Co.’s holdings.  
During the day, only the steam from the hot lava can be seen.
In August 1953, the Iranian people elected Mossadegh from the Secular Nationalist Party as prime minister.
The British government with the CIA overthrew Mossadegh using the Iranian military after inducing protests and violent demonstrations.  
Anglo-Iranian Oil changed its name to British Petroleum in 1954.
Iranians believe that America destroyed Iran’s “last chance for democracy” and blamed America for Iran’s autocracy, its human rights abuses, and secret police.

The smoldering sound of the lava sizzles underneath the dried lava.  
In 1946, Executive Yuan wanted control over 4 groups of Islands in the South China Sea to have a stronger presence there:  the Paracels, the Spratlys, Macclesfield Bank, and the Pratas.
The French forces in the South China Sea would have been stronger than the Chinese Navy then.
French Naval forces were in the Gulf of Tonkin, U.S. forces were in the Taiwan Strait, the British were in Hong Kong, and the Portuguese were in Macao.
In the 1950s, British snd U.S. oil companies thought there might be oil in the Spratlys.  
By 1957, French presence in the South China Sea was hardly there.  

When the volcano erupted, the lava dried at the ocean into black sand.
By 1954, the Tudeh Party’s communist movement and  intelligence organization had been destroyed.  
Because of the Shah and his government’s westernization policies and disrespectful treatment of the Ulama, Iranians began identifying with the Ulama and Khomeini rather than their government.  
Those people joined with secular movements to overthrow the Shah.  

In 1966, Ne Win seized power from U Nu in Burma.
“Soldiers ruled Burma as soldiers.”
Ne Win thought that western political
Institutions “encouraged divisions.”
Minority groups found foreign support for their separatist goals.
The Karens and the Mons supported U Nu in Bangkok.  


Rare copper, a heavy metal, no alloys,
a rock in groundwater,
conducts electricity and heat.
In 1965, my Dad’s cousin met him at Heathrow, gave him a coat and £10 and brought him to a bed and breakfast across from Charing Cross Station where he’d get the train to Sheffield the next morning.
He took the train and someone met him at the train station.  
At the interview they asked him to design a grandry girder, the main weight bearing steel girder as a test.
Iron in the inner and outer core of the earth,
He’d designed many of those.  
He was hired and lived at the YMCA for 2 1/2 years.  
He took his mother’s family name, Menon, instead of his father’s, Varma.
In 1967, he left for Canada and interviewed at Bechtel before getting hired at Seagrams.  
Iron enables blood to carry oxygen.
His boss recommended him for Dale Carnegie’s leadership training classes and my dad joined the National Instrument Society and became President.
He designed a still In Jamaica,
Ordered all the parts, nuts and bolts,
Had all the parts shipped to Jamaica and made sure they got there.
His boss supervised the construction, installation and commission in Jamaica.
Quartz, heat and fade resistant, though he was an engineer and did the work of an engineer, my dad only had the title, technician so my dad’s boss thought he wasn’t getting paid enough but couldn’t get his boss to offer more than an extra $100/week or the title of engineer; he told my dad he thought he should leave.
In 1969, he got a job at Celanese, which made rayon.
He quit Celanese to work at McGill University and they allowed him to take classes to earn his MBA while working.  

The United States and Israel’s alliance was strong by 1967.
United Nations Security Council Resolution 242 at the end of the Third Arab Israeli War didn’t mention the Palestinians but mentioned the refugee problem.
After 1967, the Palestinians weren’t often mentioned and when mentioned only as terrorists.  
Palestinians’ faith in the “American sponsored peace process” diminished, they felt the world community ignored and neglected them also.
Groups like MAN that stopped expecting anything from Arab regimes began hijacking airplanes.
By 1972, the Palestine Liberation Organization had enough international support to get by the United States’ veto in the United Nations Security Council and Arab League recognition as representative of the Palestinian people.
The Palestinians knew the United States stated its support, as the British had, but they weren’t able to accomplish anything.  
The force Israel exerted in Johnson’s United States policy delivered no equilibrium for the Palestinians.  

In 1969, all political parties submitted to the BSPP, Burma Socialist Programme Party.
Ne Win nationalized banks and oil and deprived minorities of opportunities.
Ne Win became U Nu Win, civilian leader of Burma in 1972 and stopped the active role that U Nu defined for Burma internationally
He put military people in power even when they didn’t have experience which triggered “maldistribution of goods and chronic shortages.”  
Resources were located in areas where separatist minorities had control.

The British presence in the South China Sea ended in 1968.  
The United States left Vietnam in 1974 and China went into the Western Paracels.
The U.S. didn’t intervene and Vietnam took the Spratlys.
China wanted to claim the continental shelf In the central part of the South China Sea and needed the Spratlys.
The United States mostly disregarded the Ulama In Iran and bewildered the Iranian people by not supporting their revolution.

Obsidian—
iron, copper and chromium—
isn’t a gas
but it isn’t a crystal;
it’s between the two,
the ordered crystal and the disordered gas.  
They made swords out of obsidian.


Edelweiss

I laid out in my backyard in my bikini.  
I love the feeling of my body in the sun.  
I’d be dark from the end of spring until winter.
The snow froze my bare feet through winter ,
my skin pale.
American towns in 1984,
Free, below glaciers the sunlight melted the snow,
a sea of green and the edelweiss on the edge of the  limestone,
frosted but still strong.    
When the spring warmed the grass,
the grass warmed my feet. 
The whole field looked cold and white from the glacier but in the meadow,
the bright yellow centers of those flowers float free in the center of the white petals.
The bright yellow center of those edelweiss scared the people my parents ran to America from India to get away from.  
On a sidewalk in Queens, New York in 1991, the men stared and yelled comments at me in short shorts and a fitted top in the summer.  
I grabbed my dad’s arm.

























The Bread and Coconut Butter of Aparigraha

Twelve year old flowerhead,
Marigold, yarrow and nettle,
I’d be all emotion
If not for all my work
From the time I was a teenager.
I got depressed a lot.
I related to people I read about
In my weather balloon,
Grasping, ignorant, and desperate,
But couldn’t relate to other twelve year olds.
After school I read Dali’s autobiography,
Young ****** Autosodomized by Her Own Chastity.
Fresh, green nettle with fresh and dried yarrow for purity.
Dead souls enticed to the altar by orange marigolds,
passion and creativity,
Coax sleep and rouse dreams.
Satellites measure indirectly with wave lengths of light.
My weather balloon measures the lower and middle levels of the atmosphere directly,
Fifty thousand feet high,
Metal rod thermometer,
Slide humidity sensor,
Canister for air pressure.

I enjoy rye bread and cold coconut butter in my weather balloon,
But I want Dali, and all the artists and writers.
Rye grows at high altitudes
But papyrus grows in soil and shallow water,
Strips of papyrus pith shucked from their stems.
When an anchor’s weighed, a ship sails,
But when grounded we sail.
Marigolds, yarrow and nettle,
Flowerhead,
I use the marigold for sleep,
The yarrow for endurance and intensity,
toiling for love and truth,
And the nettle for healing.
Strong rye bread needs equally strong flavors.
By the beginning of high school,
I read a lot of Beat literature
And found Buddhism.
I loved what I read
But I didn’t like some things.
I liked attachment.  
I got to the ground.
Mushrooms grow in dry soil.
Attachment to beauty is Buddha activity.
Not being attached to things I don’t find beautiful is Buddha activity.  
I fried mushrooms in a single layer in oil, fleshy.
I roasted mushrooms at high temperatures in the oven, crisp.
I simmered mushrooms in stock with kombu.
Rye bread with cold coconut butter and cremini mushrooms,
raw, soft and firm.  
Life continues, life changes,
Attachments, losses, mourning and suffering,
But change lures growth.
I find stream beds and wet soil.
I lay the strips of papyrus next to each other.
I cross papyrus strips over the first,
Then wet the crossed papyrus strips,
Press and cement them into a sheet.
I hammer it and dry it in the sun,
With no thought of achievement or self,
Flowerhead,
Hands filled with my past,
Head filled with the future,
Dali, artists poets,
Wishes and desires aligned with nature,
Abundance,
Cocoa, caraway, and molasses.

If I ever really like someone,
I’ll be wearing the dress he chooses,
Fresh green nettle and yarrow, the seeds take two years to grow strong,
Lasting love.
Marigolds steer dead souls from the altar to the afterlife,
Antiseptic, healing wounds,
Soothing sore throats and headaches.
Imperturbable, stable flowerhead,
I empty my mind.
When desires are aligned with nature, desire flows.
Papyrus makes paper and cloth.
Papyrus makes sails.
Charcoal from the ash of pulverized papyrus heals wounds.
Without attachment to the fruit of action
There is continuation of life,
Rye bread and melted coconut butter,
The coconut tree in the coconut butter,
The seed comes from the ground out of nothing,
Naturalness.
It has form.
As the seed grows the seed expresses the tree,
The seed expresses the coconut,
The seed expresses the coconut butter.
Rye bread, large open hollows, chambers,
Immersed in melted coconut butter,
Desire for expansion and creation,
No grasping, not desperate.
When the mind is compassion, the mind is boundless.
Every moment,
only that,
Every moment,
a scythe to the papyrus in the stream bed of the past.  

































Sound on Powdery Blue

Potter’s clay, nymph, plum unplumbed, 1993.
Dahlia, ice, powder, musk and rose,
my source of life emerged in darkness, blackness.
Seashell fragments in the sand,
The glass ball of my life cracked inside,
Light reflected off the salt crystal cracks,
Nacre kept those cracks from getting worse.
Young ****** Autosodomized By Her Own Chastity,
Nymph, I didn’t want to give my body,
Torn, *****, ballgown,
To people who wouldn’t understand me,
Piquant.

Outside on the salt flats,
Aphrodite, goddess of beauty, pleasure and fertility and
Asexual Artemis, goddess of animals, and the hunt,
Mistress of nymphs,
Punish with ruthless savagery.

In my bedroom, blue caribou moss covered rocks, pine, and yew trees,
The heartwood writhes as hurricane gales, twisters and whirlwinds
Contort their bark,
Roots strong in the soil.
Orris root dried in the sun, bulbs like wood.
Dahlia runs to baritone soundbath radio waves.
Light has frequencies,
Violet between blue and invisible ultraviolet,
Flame, slate and flint.
Every night is cold.

Torii gates, pain secured as sacred.
An assignation, frost hardy dahlia and a plangent resonant echo.
High frequency sound waves convert to electrical signals,
Breathe from someone I want,
Silt.
Beam, radiate, ensorcel.
I break the bark,
Sap flows and dries,
Resin seals over the tear.
I distill pine,
Resin and oil for turpentine, a solvent.
Quiver, bemired,
I lead sound into my darkness,
Orris butter resin, sweet and warm,
Hot jam drops on snow drops,
Orange ash on smoke,
Balm on lava,
The problem with cotton candy.

Electrical signals give off radiation or light waves,
The narrow frequency range where
The crest of a radio wave and the crest of a light wave overlap,
Infrared.
Glaciers flow, sunlight melts the upper layers of the snow when strong,
A wet snow avalanche,
A torrent, healing.
Brown sugar and whiskey,
Undulant, lavender.
Pine pitch, crystalline, sticky, rich and golden,
And dried pine rosin polishes glass smooth
Like the smell of powdery orris after years.
Softness, flush, worthy/not worthy,
Rich rays thunder,
Intensify my pulse,
Frenzied red,
Violet between blue and invisible ultraviolet.
Babylon—flutter, glow.
Unquenchable cathartic orris.  

















Pink Graphite

Camellias, winter shrubs,
Their shallow roots grow beneath the spongy caribou moss,
Robins egg blue.
After writing a play with my gifted students program in 1991,
I stopped spending all my free time writing short stories,
But the caribou moss was still soft.

In the cold Arctic of that town,
The evergreen protected the camellias from the afternoon sun and storms.
They branded hardy camellias with a brass molded embossing iron;
I had paper and graphite for my pencils.

After my ninth grade honors English teacher asked us to write poems in 1994,
It began raining.
We lived on an overhang.
A vertical rise to the top of the rock.
The rainstorm caused a metamorphic change in the snowpack,
A wet snow avalanche drifted slowly down the moss covered rock,
The snow already destabilized by exposure to the sunlight.

The avalanche formed lakes,
rock basins washed away with rainwater and melted snow,
Streams dammed by the rocks.  
My pencils washed away in the avalanche,
My clothes heavy and cold.
I wove one side of each warp fiber through the eye of the needle and one side through each slot,
Salves, ointments, serums and tinctures.
I was mining for graphite.
They were mining me,
The only winch, the sound through the water.

A steep staircase to the red Torii gates,
I broke the chains with bells for vespers
And chimes for schisms,
And wove the weft across at right angles to the warp.  

On a rocky ledge at the end of winter,
The pink moon, bitters and body butter,
They tried to get  me to want absinthe,
Wormwood for bitterness and regret.
Heat and pressure formed carbon for flakes of graphite.
Heat and pressure,
I made bitters,
Brandy, grapefruit, chocolate, mandarin rind, tamarind and sugar.
I grounded my feet in the pink moss,
paper dried in one hand,
and graphite for my pencils in the other.  



































Flakes

I don’t let people that put me down be part of my life.  
Gardens and trees,
My shadow sunk in the grass in my yard
As I ate bread, turmeric and lemon.
Carbon crystallizes into graphite flakes.
I write to see well,
Graphite on paper.  
A shadow on rock tiles with a shield, a diamond and a bell
Had me ***** to humiliate me.
Though I don’t let people that put me down near me,
A lot of people putting me down seemed like they were following me,
A platform to jump from
While she had her temple.  

There was a pink door to the platform.
I ate bread with caramelized crusts and
Drank turmeric lemonade
Before I opened that door,
Jumped and
Descended into blankets and feathers.
I found matches and rosin
For turpentine to clean,
Dried plums and licorice.  

In the temple,
In diamonds, leather, wool and silk,
She had her shield and bells,
Drugs and technology,
Thermovision 210 and Minox,
And an offering box where people believed
That if their coins went in
Their wishes would come true.

Hollyhock and smudging charcoal for work,  
Belled,
I ground grain in the mill for the bread I baked for breakfast.
The bells are now communal bells
With a watchtower and a prison,
Her shield, a blowtorch and flux,
Her ex rays, my makeshift records
Because Stalin didn’t like people dancing,
He liked them divebombing.
Impurities in the carbon prevent diamonds from forming,
Measured,
The most hard, the most expensive,
But graphite’s soft delocalized electrons move.  






































OCEAN BED

The loneliness of going to sleep by myself.  
I want a bed that’s high off the ground,
a mattress, an ocean.
I want a crush and that  person in my bed.  
Only that,
a crush in my bed,
an ocean in my bed.  
Just love.  
But I sleep with my thumbs sealed.  
I sleep with my hands, palms up.  
I sleep with my hands at my heart.  
They sear my compassion with their noise.  
They hold their iron over their fire and try to carve their noise into my love,
scored by the violence of voices, dark and lurid,  
but not burned.  
I want a man in my bed.  
When I wake up in an earthquake
I want to be held through the aftershocks.  
I like men,
the waves come in and go out
but the ocean was part of my every day.  
I don’t mind being fetishized in the ocean.  
I ran by the ocean every morning.  
I surfed in the ocean.  
I should’ve gone into the ocean that afternoon at Trestles,
holding my water jugs, kneeling at the edge.  














Morning

I want to fall asleep in the warm arms of a fireman.  
I want to wake up to the smell of coffee in my kitchen.  

Morning—the molten lava in the outer core of the earth embeds the iron from the inner core into the earth’s magnetic field.  
The magnetic field flips.  
The sun, so strong, where it gets through the trees it burns everything but the pine.  
The winds change direction.  
Storms cast lightening and rain.  
Iron conducts solar flares and the heavy wind.  
In that pine forest, I shudder every time I see a speck of light for fear of neon and fluorescents.  The eucalyptus cleanses congestion.  
And Kerouac’s stream ululates, crystal bowl sound baths.  
I follow the sound to the water.  
The stream ends at a bluff with a thin rocky beach below.  
The green water turns black not far from the shore.  
Before diving into the ocean, I eat globe mallow from the trees, stems and leaves, the viscous flesh, red, soft and nutty.  
I distill the pine from one of the tree’s bark and smudge the charcoal over my skin.  

Death, the palo santo’s lit, cleansing negative energy.  
It’s been so long since I’ve smelled a man, woodsmoke, citrus and tobacco.  
Jasmine, plum, lime and tuberose oil on the base of my neck comforts.  
Parabolic chambers heal, sound waves through water travel four times faster.  
The sound of the open sea recalibrates.  
I dissolve into the midnight blue of the ocean.  

I want to fall asleep in the warm arms of a fireman.  
I want to wake up to the smell of coffee in my kitchen.  
I want hot water with coconut oil when I get up.  
We’d lay out on the lawn, surrounded by high trees that block the wind.  
Embers flying through the air won’t land in my yard, on my grass, or near my trees.  





Blue Paper

Haze scatters blue light on a planet.  
Frought women, livid, made into peonies by Aphrodites that caught their men flirting and blamed the women, flushed red.
and blamed the women, flushed red.
Frought women, livid, chrysanthemums, dimmed until the end of the season, exchanged and retained like property.  
Blue women enter along the sides of her red Torii gates, belayed, branded and belled, a plangent sound.  
By candles, colored lights and dried flowers she’s sitting inside on a concrete floor, punctures and ruin burnished with paper, making burnt lime from lime mortar.  
Glass ***** on the ceiling, she moves the beads of a Palestinian glass bead bracelet she holds in her hands.  
She bends light to make shadows against  thin wooden slats curbed along the wall, and straight across the ceiling.
A metier, she makes tinctures, juniper berries and cotton *****.
Loamy soil in the center of the room,
A hawthorn tree stands alone,
A gateway for fairies.
large stones at the base protecting,
It’s branches a barrier.  
It’s leaves and shoots make bread and cheese.
It’s berries, red skin and yellow flesh, make jam.
Green bamboo stakes for the peonies when they whither from the weight of their petals.
And lime in the soil.  
She adds wood chips to the burnt lime in the kiln,
Unrolled paper, spools, and wire hanging.
Wood prayer beads connect her to the earth,
The tassels on the end of the beads connect her to spirit, to higher truth.
Minerals, marine mud and warm basins of seawater on a flower covered desk.  
She adds slaked lime to the burnt lime and wood chips.  
The lime converts to paper,
Trauma victims speak,
Light through butterfly wings.  
She’s plumeria with curved petals, thick, holding water
This is what I have written of my book.  I’ll be changing where the poems with the historical research go.  There are four more of those and nine of the other poems.
Sar Lopez Dec 2015
In Spanish, VIVIR means To Live, the proper conjugation of which to when you say something as improper as “I live” would simply be translated to “Yo Vivo”.
I live, as a Colombian-American.
I live, as “You don’t look Hispanic”
I live, “Woah! You and your brother look nothing alike. You’re so… white.”
I live, “My mom came home once and talked about a man who simply replied with a horribly pronounced “Me gusta” when my mom said she was Hispanic.”
I live, “My dad condones abusive behavior because he thinks Latina aggression is ‘****’”
I live, my mom asking me “Would you rather celebrate the Sweet Sixteen or have a quinceanera party?”
I live, as the white boy sitting across the room in Spanish class asking “When will I need this in real life?”
I live, as the “Yes I DO have a friend with a skin complexion similar to mine, and yes, he is Hispanic.”
I live, most of my friends are beautiful people of color.
I live, when will you open up the tab in Google and search some Hispanic History to fill your mind instead of “Latina ****”?
I live, the messages on the Internet saying “You’re Hispanic? I bet you’re great in bed.”
I live, there are NO gender neutral nouns in Spanish
I live, yes I DO love coffee
I live, no it did NOT stunt my growth
I live, one kiss per cheek at family meet-ups
I live, “Eskimo” nose rubs
I live, "if you’re hispanic, why aren’t your ears pierced?"
I live, being expected to remember Spanish just because it was my first language, but growing up with an American dad made me whiter than fresh bed-sheets sold in America, made in South America, Hecha en Peru.
I live, my mom breaking into tears as she is so proud that I can sing in Spanish
I live, my mom used to be so embarrassed, when I replied “un poco” to her friends asking “Tu Hablas Espanol?”
I live, "if you’re Hispanic, is your mom an Alien?"
I live, "But your dad looks so white!"
I live, being subject to racism hidden in a joke, hidden in a remark about how pale I am, hidden behind a judgmental look, hidden behind a scoff, a laugh, a pity shrug, a fetishized assumption.
I live the bulletproof clothing and horrible crimes I am warned about when I say I wanna go to Colombia I wanna go to my mom’s home.
I live, as a Colombian-American.
I live.
Yo vivo.
I wrote this when I was really r e a l l y angry ****, sorry.
pearl Mar 2020
what he did
two or so years ago
it has messed me up
oh, yes it has
i see no worth in my body
i see an object
a doll

i've fetishized my own fear
oh, god i want to fear you
make me afraid, afraid, afraid
because that's how *** is supposed to be
right?
right?
right?
i'm not supposed to like it
i'm supposed to be in pain
right?

i've fetishized my own fear
that stockholm-syndrome feeling
it wraps its hands around my throat
take my breath
i want to black out
i want to black out

am i ok?
am i ok?
am i ok?
my brain has blended lust and fear
they are the same
i have fetishized my fear
i hate you i hate you i hate you
you RUINED ME
1.

When I
was young
I listened to
Billy the Kid

I galloped
across the
living room floor
giddy upping
in an ecstatic
square dance
with my beloved
America

excitedly
enraptured
boundlessly
enthralled
in youthful
zeal
ebulliently  
yodeling
hymns
whistling
reveries to
America’s
heroic prairie
songs

a precocious
kinder beaming  
moved and illumined
by the broiling fanfare
of trilling trumpets

to uphold the promise
I pledged allegiance
to diligent  work
galloping onward
on ponies of
reverent faith
respectful duty
playful engagement
and guardianship

2.

expectation
never fell short
of resounding
supranaturalistic
optimism

energising
the sweep of
a nation’s
self evident
exceptionalism

our democratic
vista stirred
and steeped

a nation of
wheelwrights
building
wagon trains
to traverse
stratified latitudes
with sturdy ladders
erected with common
sense sensibility
of hands to work
and hearts to God

earthen
yeoman
dancing in
wheat fields
threshing sheaves
of prosperity
their exertions
elevating
families
raising
a glorious chorus,
a peeling crescendo
of horns of plenty
splayed across
landscapes of
an ennobled
nation
placing fruits
of labor upon
ascendent
alters to
to receive
the anointing
of abundance

the lighted grace
of infinite possibilities
shines for a grueling
world listening to the
clamouring drumbeats
sounding in the hearts
of all grace anointed
republicans


3.  

No lullabies
no quiet moonlit nights
we ardently
dance on keys
boasting soul
filled dexterity
the quick self
assuredness
extemporaneously
jazz tapping
across bold
hidden rondos
grasping
transcendence
squarely set
in the minds eye
of unbroken resolve
our cool countenance
an unassailable
righteous destination

any
spare sweeping
plaintive introspection
lends space to
affirm
an
affirmation
beginning
with the individual
unum to e pluribus

solitary dancers
incorporated into
fully enfranchised
troopers

the gyrations
the rhythms and steps
of individuated melodies
join to form a harmonious whole
a beautifully woven consensus

this democratic symphony
perfected in an intelligent
choreography of
separate people
sojourning  
toward
a mutually
constructed
shared destiny

aspirational desires
call forth generations
of spirits boldly engaging
the challenges upholding
the rights and privilege
of all citizens
the celebratory harvest
of a new nations
natural law


4.

As a man
I cruise
along
Main Street
in a joyless
joy ride
gliding by
disassembled
factories
moldering schools
defunct governments

surveying the
demolished ruins
of cities,
the decrepit
wrecking ball
of history
is busy,
rolling through
towns
not worthy
of cast iron
destruction
forged in
foreign kilns

we built palaces
to democracy
in the tiniest hamlets
dotting the granges
wholly assimilated
into a national congress
of freemen

today our
congress
is scattered
dialog seeking
resolution is considered
betrayal to holy
partisanship...

selfish insistence
masquerades as
high ideals

portraiture
of obstinance
is a grotesque
reflection
of virtue

we have
reduced
the peoples
house

to a battlefield
for tribes…..

once freemen
now captives….

soulless ghosts
wandering lost
inside grand
rotundas...

mocked
by murals
and inert
granite statuary
howling
expiration dates
of timeless
psalms

sojourning
the trail of tears
drinking from bowls
of anguish

our only
respite
the silent
ruins we
find impossible
to leave

fear fills our bellies
rust stains our hearts
abiding acrimony
ain’t easily brushed
from dust laden cloths

the deconstruction
of dead cities, mark
expired civilizations
centuries in the making
hammered by the blows
of the mightiest blacksmiths
with precision and deft craft


5.

the spareness of
Martha Graham's set
frame black shadows
of fortitude

it always starts
with the individual

then surely
sure footedness
measured footsteps
boldly dance about
the lily pads
of the keyboard
a resounding ballet
the arms wave
like swaying stalks of wheat
but hurry to respond
opportunity knocks
conditions change
the group awaits
to be joined

my pirouette
remains my solitary mark
on the weaving spindles
crafting the mosaic
of a complex American
complexion

the possibility
the promise
laid before us
wheat fields
of democracy
tilled planted
attended

the wondrous yields of
an Appalachian Spring
the promise
hectare of grace
apportioned to all
citizens

the promise
harvest of liberty
freedom
of opportunity
all anointed
freemen
conferred an
amazing grace

civil discourse
was once spoken
we can learn the
lost languages again
sitting on the porch
with neighbors
sipping ice tea
sharing thoughts on
hot summer evenings
caring too care

but scoundrels
became heroes
we fetishized
idiosyncrasies
of insisted
entitlement

we ******
the whole by
exalting the part

we dare not condemn them
lest we condemn ourselves




6.

the west was once woolly wild
I hear the sweeping sound
of my youth rustle again
the dramatic symphony
of a brilliant people
filled with courage
undeterred optimism
claiming a continent
manifesting a new
Pax Americana
a century
of immigrants  

coming to integrate
coming to assimilate
coming to believe in the promise
coming to make a new promise

I came to hear Copland
when I was young

when America was young
when promises were made
and sworn by a brilliant
fanfare of trumpets

when America was young
Copland composed
when America was young
a promise was made

come forth brothers
come forth sisters
come claim
the promise
of a simple gift


Aaron Copland:
Billy The Kid

11/29/11
Oakland
jbm
Espresso manic Apr 2020
Brown eyes aren't special, fetishized, or the happiest ones.
Brown eyes feel normal.
Turn off the lights and observe how
fast eyes change.
Vibrant blue eyes turn sad.
Amber eyes forget to look inwards.
Calm green eyes turn sour.
Gentle hazel eyes do not smile the same.
Grey eyes become hardened.
Brown eyes
are like a cup of coffee that sat for too long.
They turn bitter with rage.
My truth is not a universal one
Xander Duncan May 2014
My sassy gay friend
Is not an accessory
When you go rooting through the closet and find him
Lacing straight ties into chains
Do not think that he will complete your outfit
Just because a rainbow holds the hues that you were looking for
Haven’t you seen that bruises also bloom in shades of purple and blue
Fading into green and yellow
With red far too often escaping veins that are supposed to hold it in
Haven’t you seen what marks us
And brings our identity to the surface of our skin
When closet doors are slammed too often against our hands
My sassy gay friend
Is not a decoration
You do not get to wear him at your hip
To flaunt your acceptance
And claim symbiosis
As if he needs you to navigate the streets of heteronormativity
Cutting short his words when communication is the best thing we have
And when speaking fails us we resort to spending an afternoon
Sending smoke signals into the sky
Waiting for security in the focus that it takes just to
Breathe
My sassy gay friend
Is not a collectible
You do not get to gather us up into a complete set
To line us neatly in an array
Of rarities and charities
And alternative identities
Until you feel sufficiently well rounded
In your attempted diversity
My sassy gay friend
Is not an icon
A token character
Or comic relief
My sassy gay friend
Is not meant to be romanticized
Idolized
Or fetishized
He is human
I am human
You are human
And if we see each other as sparkles and rhinestones
We're all going to lose all the value
That can't be found on price tags
vircapio gale Jul 2012
exude the moment;
you are a transformative fulcrum

of intersubject's rent and awe:
anthropomythic ecolaw

the dream cascades into words,
birds fly little crisps of meaning
into morning light. last night's
snow leaves a crystalline spark
of you subdued, become a finer point
of tantric sight, gazing rose-blue pulsar
lashing through a cosmic garden,
delicious fruit of spacious letting be.
i'm grasping for that pleasure,
vermillion moan of lifestring vibrance,
but the wind carries on outside,
swirling pieces of the mind in
flux of upturned joy~
our heartbreeze summoned,
now whispersssoulsounds to come
and earthly darkness grips the future frost,
thaw, break and steam as it wills;
the churning ground sings to us
of bear-sleep and jackal-howl,
of seasons transpiring,
one lost sled of memories
leaves us empty, pressing crystal sky:
my aching ideality trounced in bliss-meanders
!stunning revelation! you! You! yOu!
bringing all to be a second time,
as it was.. in me.. now new,
sweet novelty of union,
this gathering of nervure self,
gliding insights, sudden soundsss.

like a node of forest-echo swirls
it dazzles: unseen colors for my inner eye;
ancient tones of fog ripple
off something you are,
creaking center easing of my sidling,
spirit drop and wavelet growth:
as if you were a branching greenery
of my own once lost other-self,
last gasping there as what i pictured 'you'~
swayingss.. sun-spikes speaking,
sky-gaze and soaking barky iris sssuck,
moulding into me the wisdom of our past leavings,
those raspy kites of sap-filled yearnings
shadow sunshower evening.
i would be a tree with you and
let you pierce our foundations
with roots of gaiasight slipping though
our primal urgings, concrete deference
under sun arch, spin of moon. let
ignorant insistence on fetishized divides~
slipping past my grounded darkness
still unknown, remain
my underself unleashed
my silent trunk-swilling soothed,
stable chaos-other, self regiven,
life renewed in leaf,
the touch of you imbued.

the whole vision lost
but for that glimmer~
it finds me writhing unknown spirals:
ringing wonderment in a seed,
or dormant sporocarpic lineage of life,
the vast hyphae-humming cups of death-born
nethergenesis of cycled hyle me.
a womb that never knew of pain
or being evertorn in dessicated spectre-sea.

the burning desert-storms helixify our rain,
a heaving hiss-like suncry
from that dark, sandy baobabic throat.
the earth consumes in shifts,
and blossoms toward the alterbliss of you, too,
an expanse of solar flare
its beautific reach engulfing terribly,
nepho-logos spanning all the air.

ssssunlit boughs of winds' remembrance
grow soft across this window,
then shift with forest breath,
their snowlace puffed before
an azure true expanse,
the burdened greens stirring a needlish depth
of metawinter, all-too-human
starfields constellate in hiding
far behind my starshine there a curtain blue,
whose prismatic humor lights more
than scenic treescape, frigid dust.
hair, nose, glass enframed by sapless wood
of window cut to square my void revision of the world.

the colors whirl into mindflow,
inter-material upsurge-undulate,
abyssal cauldron seething passions stilled by
comic symbols of a secular mystic;
dancing eddies convey my sense of sight
just thought, then lost into a wider dance
of tensions eased and drawn,
of geometric visions seemly here and gone,
inner, outer: conveyed by stroke of
spinal eidos, its rhythm set
before my time, its tone the vital,
draping earthverse
recited in my veins, the sinews of my
life in other lives,
the song of us expressive in my gaze~
one blink()a single point of beauty
fades into another haze,
lighted icedrift iridescing evanesce.
anthropos (religion, Gnosticism) Man. (From Ancient Greek) [cf. Anthropogenesis, (an thro po jen’ e sis) n. Study of the development and origin of man]

myth·os/'miTHos/ Noun: A myth or mythology. (in literature) A traditional or recurrent narrative theme or plot structure.

*derew(o)- Indo-European root meaning "tree" or "wood"

Tantra, "weave, loom, warp"; or "principle, system, doctrine", from the two root words tanoti "stretch, extend, expand", and trayati "liberation"

Sporocarp (in fungi, known as fruiting body or fruit body): a multicellular structure in certain algae, lichens, and fungi on which spore-producing structures are borne.

Hypha · (plural hyphae). (mycology) Any of the long, threadlike filaments that form the mycelium of a fungus. The hyphae are used for reproduction and nutrient gathering.

hyle, In philosophy, refers to matter or stuff [fr. Gk "ulh" (üleh, where the ü is as in German or "lune"]

baobab, A short tree with an enormously thick trunk and large edible fruit. Other common names include boab, boaboa, bottle tree, upside-down tree, and monkey bread tree.

ne·phol·o·gy. n. The branch of meteorology that deals with clouds. [Greek nephos, cloud; see nebh- in Indo-European roots + -logy.]

logos, multivalent term fr. the Gk verb legein (soft g - modern greek lego ) "to say, speak" and also "to gather and lay down" ;  traditionally meaning "word, thought, principle, or speech"; also ratio (latin for reason), pre-linguistic language (phil.), the principle governing the cosmos, the source of this principle, or human reasoning about the cosmos. origin of  "(o)-logy." the active, material, rational principle of the cosmos; nous.  logos is marked by two main distinctions - the first dealing with human reason (the rationality in the human mind which seeks to attain universal understanding and harmony), the second with universal intelligence (the universal ruling force governing and revealing through the cosmos to humankind)

eidos, a term used by Plato for the abstract forms or ideas. fr. the Indo-European root *weid-, "see" is determinative of a substance; it is the key aspect expressed in the thing's definition as the essence or whatness of the thing. also (anthropology) the distinctive expression of the cognitive or intellectual character of a culture or a social group.
vf May 2015
me
well, I'm a foreign dialect,
and musically uninclined, I'm the exoticism
fetishized by old white men who want a Greek-Italian-
Latina-Persian harem.
I am the the voice that doesn't match the body,
the long-limbed and quiet. My insides are not my
outsides, my tenderness with them won't
be afforded to you, not just yet. And I lick
the wrapper on every dark chocolate bar,
my O-mouth on every milkshake straw,
knowing I am being watched
pt 2
asf Mar 2016
• because I was questioned for calling Beyoncé a god
• because I was told Beyoncé is overrated
• because some white lady I don’t know touched my hair before she               learned my name at my place of work
• because one of my white friends made a joke about crack houses when we were watching fake anime and eating fried dough…in addition to making that joke, he made me uncomfortable
• because a white friend of mine agreed with someone who said cis white men are the most oppressed group on my campus
• because people still tell me “ALL Lives Matter” and ask me “why isn’t there a WHITE History Month”
• because “I don’t see color” is a “less racist” way of saying “that isn’t my problem, so I don’t have to get involved”
• because girls “like me” are fetishized
• because girls “like me” are seen as the **** of jokes or just the ****
• because I’m the only non-white passing person of color in my dominant friend group
• because #Lightskinned is still a way to humiliate someone for being fairer skinned and having feelings
• because #Darkskinned is still a way to demean someone who is darker than you and painting them as “*****”
• because colorism exists in every racial group, but no one wants to talk about it
• because someone argued why a white person should be able to wear dreads and black people are kicked out of institutions for wearing the exact same hairstyle
• because black on black crime is still used as some sort of crevice you try to shimmy yourself through
• because somewhere, a white girl is teaching tutorials on how anyone can have an afro, and no one is stopping her
• because Facebook exploded when I expressed that I want to be respected
• because everybody wanna be a *****, but no one wanna be a *****
• because I didn’t know what to say until I couldn’t stop speaking
• because we are twenty days into February and Black History Month hasn’t been mentioned by ONE of my professors
• because of ******* course I’m the angry black woman
• because I’m essentially the backbone, which means that it’s easy for me to break, right?
• because this **** happens to me every **** day of my life and it will continue to happen to me every **** day of my life
• because you made it that way
• this poem does not have an ending
• this poem is the abyss
• why do I make it about race?
• because this poem can go on and on and on forever
• and I’ll still be talking about the same thing


**~~a.s.f.
Hesitant Alien Feb 2015
I'm not BABE
or *******
or PRINCESS
I'm not the names you throw at me from your car window
I'm not HONEY
or SWEETIE
or LOOK AT ME WHEN IM TALKING TO YOU *****
Harassment. A 10 letter word with thousands of synonyms
each one like a knife to my skin
each one a scar I can point to and show
"this is where I stopped trusting"
and
"this is when I started running"
Never was I prepared for a life where Im told to be timid
To shrink myself down
To be humble so that men aren't threatened
To never speak my mind and to laugh at everything he says
To always carry my keys in my hand like they are a weapon
To never show my skin and that its my fault if I'm taken advantage of because "boys will be boys"
We live in a world where the female body is fetishized
Where women are seen as "liars" if they wear makeup and "lazy" when they don't
Where girls in school are being removed from class because their tank top straps aren't three fingers wide as if making sure that men are comfortable is more important than an education.
The overarching misogyny that plagues women everyday
That makes them see themselves as the "second class ***" will always be apparent
Unless we make a change.
So no
I will not SMILE
or BE NICE
I will tear
And destroy
And break
And smash
I will fight.
Casper J Nov 2013
The green combusts, the cherry sclerotized mask dances above
the invisible paper carapace.
Stuffed full with Rotten skunk innards and burning,
tongues of heat sweat away its crystalline hairs.
Aren is hunched and crooked, all teeth and lungs,
under the mixed halogens of suburban porchlight,
being bathed in bluescale waves from the
strobe of the neighbor's telescreen.
Ropes of smog pour from the slats between his picket fence ivories and get frayed.
I drink the filth, choking down the viscera of the vermin.
It doesn't seem to get easier.

Stumbling inside, my feet detach and I throw myself on the door
until I've locked out the sickly tide pool light of dawn,
and I'm rolling toward his bedroom.
Jolting and sputtering, and
grasping at the hands of the clock,
listening for the steady metronome to
count me through.
And then numbness.
I know the feeling, and next come the
pins, digging into my
fingertips and the pads of my
toes, and then I'm all body and silent prayers.
And I'm whispering sick thoughts to Aren -

"Those adrenaline demons
will do me in,
and if only I could relax,
and my dear mother
used to have a stalker,
and I almost got run down
by a car on the highway when I was five,
and asthmatics are five times as likely to have a
generalized anxiety disorder."


The adrenaline demons gather my tendons in pincushion palms,
tugging at the strings,
panicked arthritis and my fingers are
twitching and curling backwards
while I glare on with shallow breaths and cataracts.
The organs moan in the cavern of my body,
with thick wet air pouring from the opening.
I'm standing now,
a fetishized devil doll,
shaking out the pins
and the needles
and the sick splinters of glass
and the long holy skewers
and I'm breathing again
and I sit and
I breathe.
You hide (fear) your feelings
better than me (I)
fetishized flirtatious banter
(that is) cavity syrup sweet

I’m contemplating the calculus of your eyes
mind ******
by the shell game Sudoku/chattel slavery chess of our distance


Your movements a projection film noir  
my favorite cinematic fetish
The flesh?
The mind?
... a thousand stolen glances (for the thousandth time I love you)

What would (should) you have me (i) do
I'm an open book (chest)
I could write (carve) our (your) story (name)
on a thousand lonely pages (my heart)
L A Lamb Sep 2014
They call me crazy: I guess it’s in my right. I’d say I parallel Plath and Dickinson in their poetic plight. It’s a part of life. It’s something I’ve always known. And this holiday season shows how my disdain has grown for lies; I even hate the Christmas lights. I’m a Grinch-like *****. I won’t pretend to love consumerism, plastered-smiles of family—I lose my sanity every night there’s a holiday party. I sneak multiple glasses of wine. I text my lovers while my parents laugh at boring stories my relatives share. I am the coal of children’s stockings. I am the hair in the drain of the virtuous people showering off Christmas cocktails.

I was raised to be scared. I was raised to believe magic. It was so ******* tragic when I found out Santa was a lie. I held him in such high regard, the accord that I’d get some kind of reward if I was always nice. These terms included rejecting all vice and feeling faith in the stillness that even mice couldn’t be heard. I wouldn’t ever share a word of any sadness or doubt and this shutting of my mouth would promise prizes. Santa was my savior, my lord. I had a hard time adjusting to the fact that he was a fraud, but even worse—my parents were. My mother was a Mary. I couldn’t see her having *** as a means to create me. She was the wholesome, proper etiquette of French perspective and Muslim heritage. Santa was a separate thing. Santa was my father’s way, his mechanisms and faults that taught us to be loyal kids. I prayed., I prayed. I prayed to a mystical man who’d promise me goodness and accept me for myself, only if I followed his guidelines. I could be rewarded later, later, and my dreams on Christmas Eve of this anticipation would keep me awake and wondering: “sleep, sleep” they said, so I’d lay my head on my pillow and think of marshmallows and wrappings and peppermint and cookies and milk. “Santa will love my favors,” I thought. “Just be a nice girl and he’ll provide all you want in exchange for your virtue and goodness. Toys and family are all you need to be happy.” I accepted this notion, along with wine and bread and didn’t question the thoughts in my head that asked for a better understanding.

I prayed. “Dear Santa, I want a pony,” all the little girls said. Who would know in reality how much I’d dread cleaning up **** and taking care of it like a child or sacred possession? I wanted something to ride, to love. “Don’t question Santa—he lives above in the North Pole. If you asked him he’s bring a whole bag of presents. His presence will bless you if you stay a good girl and twirl in nice dresses and count all your blessings.” I wondered about all children in the world. “Well how can he fly all around the world at night and serve everyone? How does Santa know who deserves any one certain present?” “It’s not a competition—just be a good girl and don’t worry your little head about the mechanics of Santa’s magic: get good grades in school and listen to the authoritative teacher who expects you to learns but scolds you for asking questions. Listen, but don’t be heard. Believe our word that Santa’s coming to make your life better. Just be a good girl.”

I remember stacking cookies on a plate and leaving milk. The last time I might’ve been nine and I felt such guilt for not having them fresh-baked but leaving Chips-Ahoy! I went to bed but my brother’s ploy to catch Santa in the act—to prove for a fact that he existed—persisted beyond my parents answers and later went to destroy my fantasies of merriment. They call me crazy, but I’m not the one who lies. I found out later that Santa was a disguise. From sitting on the lap of every man who wore a hat and went to pat my thigh after asking for a bicycle, I learned Christmas was a cruel cycle of lies. I thought beyond it and wondered why my parents would deny the fiction they instilled. Did God advocate this kind of ignorance towards a child? Three years before I found out about Santa I learned about life and knew about death and realized one day my parents would die. I cried every night. I wondered when it would happen and the thought that no particular circumstance could rob their life made me anxious inside.

“What’s beyond life?” I’d wonder, in my little girl way, and my parents would reassure me to chase those thoughts away with Barbies and rainbows and sunshine. “Everyone has their time. There’s very little chance I’ll die tomorrow.” Tomorrow would pass and they’d still be alive but I’d ask about the day after and they’d chide me without providing answers. “How did Mary give birth?” asked the thirteen-year old me. I knew enough about biology to wonder how Santa and Jesus combined to make “merry”—a holiday of lies.

Adults despised my young eager mind and talked about a bible, a fairy-tale of St. Nicolas who once did this thing where he delivered socks to houses. I was wrong for my investigations and grown-ups had no hesitations in telling me so. “I don’t know,” they’d say, but just have faith and all will be okay. I knew about the Santa hoax so I figured Allah and God were also a joke I was too young to understand. Christian neighbors would reprimand my efforts and tell me about hell—saying they would show me the way and take me away if I went to church with them on Sundays. They were so nice and so threatening. “(Your Muslim friend is crazy but we can sway her back to normalcy). Would you like to try some bacon?”

Maybe I was crazy. I fetishized naught and nice later in life and I preferred the role of naughty. I thought if someone taught me a lesson I could get some answers in exchange for being bad. All I came up with was touching in the private parts with a warning “keep your mouth shut unless you want to be put up for adoption.” My mother was away. “Be grateful for your step-dad—that dead-beat Franklin isn’t the one filling your stockings.” I couldn’t endure talking because my silence was the exchange for “stuff”. Merry Christmas indeed—when mom was away we celebrate with shots of peppermint schnapps. “Do you remember those days?” I’d ask my siblings. “No-but I don’t really want to.” I wanted to ask “Does it haunt you in the same way?”

Mother was away. My siblings were estranged. I had no one to talk to so I used my own gift to make new friends. “Cute,” they’d call me, right as I was hitting puberty. “I thought you were older—when’s your birthday?” “Several weeks before the holiday,” I’d say. I’d find a boy with a nice sitting-lap and I’d talk about all the crap I couldn’t share otherwise. They’d sometimes stroke my thighs while they pretended to listen. I’d look in their eyes and see irises glisten but I didn’t know what I thought was trust was the human condition—a sin called lust. I wanted someone nice to provide me with goodness, but in my heart I knew that naughtiness earned the ultimate prize. I grew to despise the accustomed way men would lie and top of me and sweat out their secrets while robbing my thighs. I went with it anyway. You deal with this kind of celebration during the holiday and you don’t think twice about the lies—just do your best to be nice. I was nice in so many ways. They called me crazy.
Martin Narrod May 2017
Tangley Wangling

Fruit Jews in Tutus at youth group, maybe just a few with their screws loose. One self-rolling righteous group, their brothers grinning
Within the depths of their white-heads at the brim of a wet blanket suckling the needles catering new drug use. Two by two, elefants and woozels, hippopotamü's confusals, spongey-butts outfitting the rye n' wines refusals.

The luxury of a coccyx felt from the fingers turn to sunrise, where the water's weigh the bricks of suicides, concrete block tourniquets from the migraines of English turnabouts. So there's some surplus of surprise in them, in an integers shock-appraisal face-lift on Catholicism's lobotomy to cuckhold housewives seeking collagen, or the thick dark-skinned forearm-******* insider's swinging in the houses of the denizens, or repurposing their malign from their unused vaginas, to **** the dust off such scab-covered stitches, which is like vacuuming between the loose inner-leg space of a succubus.

Bring out the gimp! Any fetishized leather-wearing hungry miner for the oral tongue-slapping mouth-dance might do, as long as the dom can subdue that sub tied to the stocks voted on for the public to use, there might be screaming, squirming, and scoffs, but there's nothing left for him that Marina Abramowicz hasn't already proven she's willing to lose. Plus, in this small town not far enough from Laramie, there's still too much fat to chew through, too much flab to tuck the **** into, where even the F.U.P.A. so deep that a *******-day or deity might need the leverage of a boot to get even Ron Jeremy's **** unglued.

Lucky loos by the brothel befit these new arrivals, though some tyrannosaurs despise 'em, smoke as much as you can if you've got 'em.

But don't let your antiques get you down, an ornithologist lends herself to your bookends, and even that nighthawk roosting makes your car alarm sound second rate, it's seconds late as the aves rave to the ravens, and they pontificate. Owls hoo-hoo and hooting, branch off with the others and start colluding. They just wanna get you home, to get back those prosthetics you've loaned.

Canoodling barbarians on their way back from the aquarium, demand  their fires come from oblivion, which sends sparks of arguments from the sharks and the bathylkopian oblivions, where we found that this water's warm these citizens, demand recompense for such grandiose living expense, three pence to use the phone, twelve rupees towards the sofa, and even a deutsch mark for every sit or every look at sit, it's just a chair, a doubly set of wooden legs, idling under a table plank. Pirated by the buttocks, such bullocks it is, and that's just it!

An archaeologist on assignment discovered that the future of the rhinoceros exists upon the olfactory exaggerated proboscis, the result of flushing unused anti-biotics, and is currently working for dimes out of college to deluge this quite deprived yet interesting biopic.  

The films of the *****, grab at the ***** thrown about by The Monkees, and the musicians wearing those stickers on their *******, are victim to XXS cotton denim vests, unzipped and barely covering themselves, added to by the accessories and rings, jewelry if anything, a pearl necklace and nubile sacrifis.

And the trollops frolic, diurnally dispose of logic, doing the hoopty-hoop, the alley-oops, with mom's high school flute in nothing but cowboy boots!

These are, the new discoveries of our species, carved into the marble and wet frescos, in the street reliefs, spray-painted and air-brushed motif, this creates such gatherings for throngs of people who've unachieved their needs, who've displaced their parents and display their racist grieving beliefs to trash indigenous language pleas for francophonian linguistic greed that have splayed their hellacious treaty in what's considered to be modern circumscribed and ill-painted cuneiform visually conceived, vocal graffiti.

So that the neu-faux derogatory delegates stress to sudatorium, it has regressed to moratoriums, we've now cancelled this sport consortium of awful and flagrant art performances.
Martin Narrod Feb 2017
Being a poet, a heavy handed right-hand writer, is to me, being a sociopathic killer of language. Hands that worship sometimes the least popular fruit, the myrrh or the mana, the young woman or the homeless man-animal, prostitutes and the dregs of civilization.

Here I am, shuffling through my cabinets, searching out that precise instrument, for this precise moment. My repertoire of blades, bludgeoning objects, handyman's tools: the hammer, axe, screwdriver, sieve, staple gun, nail gun, jigsaw, bandsaw, handsaw, and wrench, also too there are wood chippers, snippers, clippers, scissors, tapes, shanks, cords, ropes, and wires. I do not prefer the six or twelve shooter, the Smith & Wesson semi-automatic pistol, the M-14 rifle or the M1 Garand. Too many are there to name the incredibly effective pharmaceuticals, including the human tranquilizers, animal poisons, toxic chemicals, and household cleaning products. I do want for these, though many of the myriad instruments I've listed work with great efficacy, eliciting the desired pleasure or response from he or she who wields them. I instead choose the the pen. Any pen will do, though I prefer the Uniball .7mm with black ink, as blue to me does not possess the intensity and seriousness that must be conveyed or omitted. The pen can chisel away the unwanted or offer the necessary temperament and intensity, which might be required. For each killing is unique unto itself. No ****** is quite like the other, though there are similarities between them on some occasions.

It must be I that wields the pen and not the other way around. This relationship is one-sided, and must be orchestrated by me and only me, lest I should sacrifice the personal nature of this hauntingly ferocious arrangement between ink and instrument, instrument and I. A gravely serious one-way, unreciprocated, and unbalanced, nearly schizophrenic performance of language that is never heard nor displays no sound, which instead draws heavy sanguinated strokes, marks, scribbles, and inscriptions amidst other fanatical displays of power and allegiance, ego and lust, eloquent rage and fetishized insanity. Each movement of the hand readies this god-sized control to the pen, exercising its tumultuous rein of might, choosing to exact its motive on this word, while ignoring and sometimes even skipping over whole sets of words, sentences in some instances, while in others it chooses to exhaust itself in wholly unbelievable performances of carnage, destroying speech, and slaying, splicing, and splitting-up complete sections of the English language.

In some cases neglecting those words that might seem noisome or rank to some folks, only to select and offer penalty to others, it chooses on occasion to ostracize other more sweetly and eloquent pieces of speech, it chooses which parts of our alphabet to select and which words or letters it ought to omit.

****** after ******, the writer counts each ****, committing every instance to memory, and on some accounts he or she might even bring home a treasure or trinket, something small though, not bigger than that of a pomegranate though often not smaller than the wick of a candle. The writer takes this together with any artifacts or materials that could tie his or her method to his or her execution. Until, at last amid the company of themselves, they can revel in their vain glory and perfervid excite for the acts they've chosen to commit and the acts they've chosen to omit.

It's in these brief moments, when the speaking ceases, and the company is called to rest, there can be found an easing and peaceful contentment. Each room slowly ushers out any of the unwanted sounds of the day. Finally, he or she may sit or stand, lay or play, undisturbed by agonizing wants or needs, and happily, having chosen to keep many cupfuls of pens, not only on their work-bench and writing desk, but in the kitchen, in the living room, and in every room.

In recent years, I've begun to notice that nearly every home and establishment, business, and institution keeps at least one pen on hand. If only for those special moments of social awkwardness when at last the spoken language holds no greater power than can be wielded under the grand spells and vespers, free-verse, stream-of-consciousness, or prose that quickly by taking up the pen can offer to its bearer in short time steadfast relief or certain resolve. For the heart certainly pumps more ink than it does blood.
Joelle A Owusu Jun 2016
My nose is too broad
And my hips are too wide
My big lips swollen with stories
About my lack of self-pride.

I can’t buy cheap makeup,
Flesh plasters or tights
But I can’t really moan
‘Cause I got civil rights.

Right?
Left.
I see the bold stare.
She masks her intrigue with kindness
Then ruffles my hair.

I’m told that I’m different
Then told I’m the same.
But when push turns to shove
It’s myself who’s to blame.

Weaves mean I crave white
Curls, hidden from view.
And everyone’s a critic
In this real human zoo.

I’m exotic and feisty
Though I’m from where you live.
Should I just play along?
Or move on and forgive?
My curves are so ghetto
But it’s what most girls crave.
It belongs to everyone, but me
And that’s the path that we pave.

Fetishized by the pale
But ignored by my own.
Lord, what did I do?
To deserve this skin tone?

“I’ve never been with a Black chick”.
I say: “Neither have I”.
If that’s all we have in common,
My humour runs dry.

I’m forced to smile at old strangers
So they don’t cross the street.
When paranoia takes over,
I stare down at my feet.

I shouldn’t need to remind you
That we all bleed dark red.
But when pixels and spin divide us,
It’s my flesh left for dead.

So what can I do
To soothe this 300-year itch?
Nothing, just take it!
You angry, Black *****.
kenye Dec 2023
Bet I’m in the belly of the Beast
With this enemy ofMe
Do I fight or flight or Freeze?

Cause either way
this *******’s
coming straight At me

I was only a dark forest away
From where I needed to be

I never metaphor for anxiety
Like this one
*** Imposter syndrome

Mara’s army fires arrows
Of self-deprication
And self-doubt

And i hit the ground running exhausted
Hot and heavy heaving
To the four-on-the-floor

At the heart of the war…
She was doing yoga in the distance
And as she rose to mountain pose
I let my mind slip back into the prose
Where I fetishized her
Like some sacred ******* object

Caught in the act like Actaeon
Watching The Huntress bathing

Basilisk staring me down
Like Artemis cloaked
In her wild fury

And as she rose to mountain pose...
She held a crescent blade
To the throat of the horizon
Locking her eyes in
As she stood over Gaia’s mouth
Spinning up **** Magick

Earth the power back from the word
She channels power back from the void

From womb to tomb
To womb of the tomb

She creates
She destroys
Her body, Her weapon
Her own ******* choice
These are lyrics from a song in my rock opera. This is about delusion, abandonment, addiction, guilt, shame etc.
Don’t let them run the gamut on your soul
https://on.soundcloud.com/EaPpp6X2BMkRksjK9
Saint Jonah Jude Mar 2013
Is this how God feels?
People pray to me when I am at my lowest, beg
For the ability to make it through a day that I have not
Yet made it through, and God (like me) can
Fulfill the purpose of a stand-in.

Is this how God feels?
When people call upon his (or her) (or zir)
Name in times of crisis, like when a bullet is pointed
Right between their eyes and they have one name to call out
To save them from an eternity ******.

Is this how God feels?
Fetishized and cried out in the dead of night,
Someone’s always yelling his name in ecstasy,
Or in pain, or in fear, or in joy, and it seems like poets
Drop him like a bomb, like a ritual, stark naked in their stanzas.
Emily Mar 2014
I was raised in a strictly religious household and I privately thought that being gay was okay but I knew that most people in my religious community disagree. I admitted to myself when I was about 17 (I'm 18 now) that I was attracted to girls (I'm also Gray-A, meaning I experience limited ****** attraction) and this year I came out to a few close friends. My parents views on LGBT rights (that is, that "being gay is a choice" and "gays are destroying the sanctity of marriage", etc) influence me heavily, but in a negative way- they make me feel unsafe and I know I can't come out to them now or they might kick me out (my mom told my sister once that if any of us were gay we wouldn't be welcome. she also referenced my trans friend as being 'confused' and things like that).
The 8 or so friends I've told have been accepting but I know they see me differently and I feel uncomfortable telling boys because there's an expectation that lesbians are more inclined to ****** activity (think lesbian ****) and are often fetishized, things like that.
I still go to church but it makes me miserable because people hate gays there and make insensitive comments, not realizing that they make me feel pretty terrible for being who I am. I've also suffered from major depression for about 6 years and part of what made it worse throughout junior high and high school was having to suppress my identity and the constant fear I face in my home and community. You never know who's going to hate you, reject you, or even attack you for being gay. The internet (tumblr, mainly) provides a more welcoming community than I find elsewhere so at least I have that forum to express myself.
Ira Desmond Aug 2017
Quiet White Boys
wearing awkward glasses
sporting clean haircuts
and boring polo shirts

keep to themselves,
don’t know how to draw boundaries,
don’t know how to reach out,
and don't know how to reach inward.

They eschew the material world
in favor of a false digital one,

and there, in the simulacrum,
they find a modicum of validation—
a reinforcement of a kernel
of a horribly flawed idea:

that they have somehow been more victimized
than the victims all around them—

the women,
the racial minorities,
the people afraid to practice their own religion,
the people afraid to live as their true gender,
the people suffering with mental illness,
the people suffering with domestic violence,
the girls who were sexually molested,
the girls who were *****,
and so on,
and so forth.

The Quiet White Boys
learn that they are victims
from other Quiet White Boys,

and together they conclude
that, because they have been victimized,
they may therefore
act heedlessly, aggressively,

hatefully, mercilessly

in furtherance of
what they view to be justice.

But it is a distorted, fractured
version of justice
that they seek—
fetishized by the red, screaming faces
with loud megaphones
and debilitated, sickly hearts
in the digital basement
where the Quiet White Boys have chosen
to live.

A torch-carrying mob
has never delivered real justice—

not once in the entire history of human civilization, in fact—

and a slate gray Dodge Challenger
barreling into a crowd at fifty miles per hour
is not an instrument of justice, either—

it is just a reflection
seen through a shattered mirror.

And shattered mirrors
don’t come unshattered
simply because other
Quiet White Boys
are gazing into them with you.
for Heather Heyer and the other victims at Charlottesville
RJ Days Nov 2015
I saw most minds of my generation
(and a few generations past)
all boiled together
in the cauldron of history,
a simmering creation from ancient recipe–

who take one breath of fearsome air,
positioned on false arousals
erasing ****** decades
badgering doves with tropes
of noble hearts
protecting fiery hearths
with flag of nation raised;

who mix in a dozen distasteful cities,
adorned in luxurious isolation
producing delicate ennui
which finds each donation harmful
as colors pretend monochromatic
talk of godless violence
withstanding headstrong lusts for nil;

who devour a whole fetishized messiah,
crowned by galloping anxiety
obscuring bulleted defects
battling monsters mounted
on imaginary horses–not crosses–
whilst saving purest virtues
of every child & mother

who torch refuge under murderous lights,
presented as shackled dilemmas
casting diabolic martingale
pitted against those urban sissies
of shallow flimsy heart
mirroring frozen affections
for bizarre cloven rambling about “facts”

who finish with crooked saucy error,
whipped from soft flesh
converted into rusty treasure
absurdly vacant demonstrations
topping brightly flavored cries
still couching ambiguous decrees
amid gaunt periodic theatrical spectacle

who bellow “THIS IS US COOKING!”
awaiting timer dings to hail
the proud tentative product
of their latest ghastly confection,
seasoned with salty tears
and wrought of troublingly familiar ingredients

who pair sacrosanct identities with Pinot Noir
and speak of black & white & queer as if
they know who is what and why and think
they’re somehow differently acidic
in a stomach digesting stale bread
sopped up stew of circus elephants

who hardly know to laugh or cry,
when sadly forgetful, they’re surprised
by the unsatisfying result!

who hold their noses, ignore the taste,
with eyes downcast,
some mumbling, most shouting
“Just serve and enjoy!”

hearts long butchered out and filleted
but still pumping as they fed
millennial masses raised on milk
of Secular Western Humanity

gulping slurping moldy vestiges
forgotten soulful terrors consuming cannibal cravings
passions relit by ignorance of the poem
of life replaced by the hum of sly echoes

ricocheting in revolver chambers
ricocheting in rifle chambers
ricocheting in machine gun chambers
ricocheting in chambers of bombers
ricocheting in chambers of bone in skull

oblivious to decimated cities
–struggling against straw men ignorant to the epidemiology
of the ideology of the very viruses they created–
unworthy of mention or count or even noticing brown lives lost

beating beating beating pounding
till knuckles nearly break
atop the drum of warheads’ quiet boom
Long gone are all objections to escaping
the phantasmagoric discomfort of Actual Reality!

beat on beat on beat on end whimperingly
–with renewed amnesia–
in contemporary post-modern
dullness fading sparks of anticlimax
then no denouement… *Il est vrai pour nous aussi…
Au nom de quoi?
fray narte Jul 2019
mom
and you ruined me,
way before those filthy hands
and forced kisses had,
way before cigarettes,
and hangovers,
way before my poems
fetishized
my unhappiness,
before best friend break-ups
and pretty boys
who couldn't
love themselves
and me.

you see, it was you
who ruined me first,
way before
all of them ever did.
it was you
who ruined me first,
way before
everything else did,
way before
life did,
and way before
i
did.

and sometimes, i still wish
you weren't my first heartbreak
basil Sep 2020
i hate pedophiles. i don't care what you want to deem yourself as, if you're attracted to a minor of any sort, you're a ******* ****. you always will be. don't even try to change it. you're hurting literal children. doesn't even matter if they're a teenager. neither does gender. you are traumatizing a literal child. they'll look back on you and think, "wow. that really changed me, and for the worst."

if you get off to ****, you're an awful human being. you are literal ****. you like to watch people be hurt like that? maybe it takes an experience like that to change your views. maybe it takes actually being ***** to understand. it changes you forever and leaves so much pain. mentally and physically. the damage cannot be undone, no matter how long it is after. you think i ENJOYED being ignored when i said no? you think ****** assault is just a cute little fetish? *******. do whatever it takes to never speak to any victims. you'll probably ******* to it later.

when someone tells you their pronouns, do the world a favor and RESPECT that. if this person is trans, don't call them by their dead name. don't call them the opposite pronouns of what they want to be called. it's awful. gender dysphoria eats me alive every ******* day, and you can't take time to even think about how that weighs me down? i want to **** myself on a regular basis because i just don't feel right anymore. my binder doesn't even help sometimes. i look at myself and i know i'm just wrong. wrong body. wrong EVERYTHING. i don't like getting made fun of. being trans/non-binary/whatever you are isn't some cute little trend or a choice.

stop fetishizing trans men. and trans women too! trans MEN (key word, MEN) aren't some cute little uwu soft boys. we aren't something you can just play with. trans women aren't "sissies" and most certainly are not trans just for your pleasure. as a trans man, i know how it feels to be fetishized. i am a man.
you can't just make someone "not trans". calling them their dead name/dead pronouns to change anything. nothing will change the absolute torment they experience on a daily basis. as bad as it sounds, we can't help but suffer. gender dysphoria is a curse. understand that.

i'm 15. i'm a trans male. i'm not your toy.
not even a poem im just mad lol
-- Feb 2018
gave up sweet months of time to be by your side
and for what?
for what conversation did we ever had that changed me for the better?
your taste in everything was politically vanilla
you fetishized my looks to the point of my own self-destruction
you made me question every flaw that fell outside the coloring book lines of
Your Dream Girl

our relationship was
sweet n’ low
i’m still looking for the real sugar
Connor Jan 2017
..As the self is sacred like lillies!

and deaths callous fingers are no good for
piano playing
            
    The current posture of America
    Has the optimistic
tossing marbles
    
    I have seen the fetishized
         Kingdom
Of music & body made white
   By our very soul
  
   We have made it clear in ourselves to shoot the floorboards with pig spit
  
   Induced by
       your twilight  
       Canine flash exhibit

(sacred like lillies & willows
& whisper & yellow & May
& yearn)
Everything is relative
but no one is relatable
when cheap *** sells
and romanticism is an affliction.

I want to play jazz chords on a piano of human bones;
in a world where superficial charm
leading to senseless friction
is the only natural progression
and shame is the only ***** word left in the dictionary
so spread your legs for the sycophants,
they’ll adore you until they abhor you.
Relent to the parasites
they’ll gorge on your skin until they’ve had their fill.
Pretend hypersexuality doesn’t run parallel with mental instability;
enable ego-driven addiction
lie with as many people as it takes to forget what you’re always trying to escape.
Swallow ecstasy after you have spat out that jagged little pill;
do what it takes to strip away the meaningless
from the fetishized act you’re always performing.
Meaghan Garner Oct 2020
What makes me

A woman,

Is it something that you wanted
To take from me?
Something that you wanted
To maime; break me
And make from me

A woman.

You wanted to
Make me.
Never even realizing
How much
You made me.
You maimed me,
Into this;

A woman.

By way of your gaze,
I only know now,
It was something
You wanted
To take from me.
Deform me
And make from me

A woman.

In your mind.
Instead of a sister,
A daughter,
A child.
You made me
Into this;

A woman.

Cursed by my ***,
The fires of your ****
Burned me.
Charred me.
From my ashes
And in your mind
You made of me

A woman.

All I wanted to be
Was a sister.
All I wanted to be
Was a daughter.
All I wanted to be
Was a child.
But you
Sexualized me.
Fetishized me.
Fantasize about
Being inside me;

A woman.

Never realizing that
You are already
Inside.
Infecting all my
Darkest places.
Taking and taking
And taking from me.
Making from me
A fantasy,

A woman.

An object of lust,
An affliction.
I don't want to be

A woman

Anymore.
Meena Menon Apr 2021
The loneliness of going to sleep by myself.  
I want a bed that’s high off the ground,
a mattress, an ocean.
I want a crush and that person in my bed.  Only that,
a crush in my bed,
an ocean in my bed.  
Just love.  
But I sleep with my thumbs sealed.  
I sleep with my hands, palms up.  
I sleep with my hands at my heart.  
They sear my compassion with their noise.  They hold their iron over their fire
and try to carve their noise into my love, scored by the violence of voices,
dark and lurid,  
but not burned.  
I want a man in my bed.  
When I wake up in an earthquake
I want to be held through the aftershocks.
I like men,
the waves come in and go out
but the ocean was part of my every day.  
I don’t mind being fetishized in the ocean.  
I ran by the ocean in the morning.  
I surfed in the ocean.  
I should’ve gone into the ocean that afternoon at Trestles,
holding my water jugs,
kneeling at the edge.
OnwardFlame Dec 2018
I've written so much tortured poetry
Using it in hopes of communicating
What I couldn't before.

Sometimes I think I'm in love with the idea of how I want
Someone to love me
And see me.

I long to be seen as real
All still wanting to be fetishized
Glorified, worshipped
Told I'm the one and only
All still while gagging me
And barking orders
Wanting
Just I.
Michael Marchese Dec 2020
Be right back
Stealing Christmas
Real quick
I’ll be swift
As a flash
Not a light I’ll let flicker
On trees turned to ash
And I’ll stash the cache deep
In my cavernous lair
And it’s there it will keep
Until I reappear
In the new year
To do it all over again
Upend every tradition
And dollar you spend
On material sentiment
Commodified
As this luxury fetishized  
Marketize lie

— The End —