At angle moonlight of permutative slants— it a system to all systems a
          system of permutative slants is as a slanted angle it to all lasting slants
          is it a angle it a slanted angle it to all lasting slants is as a system of
          permutative angle an angled moon as a slanted angle a system to all
          systems a system of permutative slants angle it a system to all lasting
          slants is it to slant a slanted angle a system to slant a system to slant a
          slanted angle an angled moon of permutative slants is as a slanted
          angle it to all lasting slants is it a angle it a slanted angle it to all lasting
          slants is as a system of permutative angle an angled moon as a slanted
          angle a system to all systems a system of permutative slants angle it a
          system to all lasting slants is it to slant a slanted angle a system to slant
          a system to slant a slanted angle an angled moon.

you wake up
his hair is spilled across the pillow,
the sun slants across his cheekbone
and his breath is slow and even.
he smells like an open field
and his body is wrapped around yours
so he keeps you warm.
you think,
there is no moment better than this,
that he is too perfect to exist.
but you wake up gasping,
skin soaked in sweat.
you lie there for a long time,
in your completely empty bed.

I WAS born on the prairie and the milk of its wheat, the red of its clover, the eyes of its women, gave me a song and a slogan.

Here the water went down, the icebergs slid with gravel, the gaps and the valleys hissed, and the black loam came, and the yellow sandy loam.
Here between the sheds of the Rocky Mountains and the Appalachians, here now a morning star fixes a fire sign over the timber claims and cow pastures, the corn belt, the cotton belt, the cattle ranches.
Here the gray geese go five hundred miles and back with a wind under their wings honking the cry for a new home.
Here I know I will hanker after nothing so much as one more sunrise or a sky moon of fire doubled to a river moon of water.

The prairie sings to me in the forenoon and I know in the night I rest easy in the prairie arms, on the prairie heart..    .    .
        After the sunburn of the day
        handling a pitchfork at a hayrack,
        after the eggs and biscuit and coffee,
        the pearl-gray haystacks
        in the gloaming
        are cool prayers
        to the harvest hands.

In the city among the walls the overland passenger train is choked and the pistons hiss and the wheels curse.
On the prairie the overland flits on phantom wheels and the sky and the soil between them muffle the pistons and cheer the wheels..    .    .
I am here when the cities are gone.
I am here before the cities come.
I nourished the lonely men on horses.
I will keep the laughing men who ride iron.
I am dust of men.

The running water babbled to the deer, the cottontail, the gopher.
You came in wagons, making streets and schools,
Kin of the ax and rifle, kin of the plow and horse,
Singing Yankee Doodle, Old Dan Tucker, Turkey in the Straw,
You in the coonskin cap at a log house door hearing a lone wolf howl,
You at a sod house door reading the blizzards and chinooks let loose from Medicine Hat,
I am dust of your dust, as I am brother and mother
To the copper faces, the worker in flint and clay,
The singing women and their sons a thousand years ago
Marching single file the timber and the plain.

I hold the dust of these amid changing stars.
I last while old wars are fought, while peace broods mother-like,
While new wars arise and the fresh killings of young men.
I fed the boys who went to France in great dark days.
Appomattox is a beautiful word to me and so is Valley Forge and the Marne and Verdun,
I who have seen the red births and the red deaths
Of sons and daughters, I take peace or war, I say nothing and wait.

Have you seen a red sunset drip over one of my cornfields, the shore of night stars, the wave lines of dawn up a wheat valley?
Have you heard my threshing crews yelling in the chaff of a strawpile and the running wheat of the wagonboards, my cornhuskers, my harvest hands hauling crops, singing dreams of women, worlds, horizons?.    .    .
        Rivers cut a path on flat lands.
        The mountains stand up.
        The salt oceans press in
        And push on the coast lines.
        The sun, the wind, bring rain
        And I know what the rainbow writes across the east or west in a half-circle:
        A love-letter pledge to come again..    .    .
      Towns on the Soo Line,
      Towns on the Big Muddy,
      Laugh at each other for cubs
      And tease as children.

Omaha and Kansas City, Minneapolis and St. Paul, sisters in a house together, throwing slang, growing up.
Towns in the Ozarks, Dakota wheat towns, Wichita, Peoria, Buffalo, sisters throwing slang, growing up..    .    .
Out of prairie-brown grass crossed with a streamer of wigwam smoke-out of a smoke pillar, a blue promise-out of wild ducks woven in greens and purples-
Here I saw a city rise and say to the peoples round world: Listen, I am strong, I know what I want.
Out of log houses and stumps-canoes stripped from tree-sides-flatboats coaxed with an ax from the timber claims-in the years when the red and the white men met-the houses and streets rose.

A thousand red men cried and went away to new places for corn and women: a million white men came and put up skyscrapers, threw out rails and wires, feelers to the salt sea: now the smokestacks bite the skyline with stub teeth.

In an early year the call of a wild duck woven in greens and purples: now the riveter's chatter, the police patrol, the song-whistle of the steamboat.

To a man across a thousand years I offer a handshake.
I say to him: Brother, make the story short, for the stretch of a thousand years is short..    .    .
What brothers these in the dark?
What eaves of skyscrapers against a smoke moon?
These chimneys shaking on the lumber shanties
When the coal boats plow by on the river-
The hunched shoulders of the grain elevators-
The flame sprockets of the sheet steel mills
And the men in the rolling mills with their shirts off
Playing their flesh arms against the twisting wrists of steel:
        what brothers these
        in the dark
        of a thousand years?.    .    .
A headlight searches a snowstorm.
A funnel of white light shoots from over the pilot of the Pioneer Limited crossing Wisconsin.

In the morning hours, in the dawn,
The sun puts out the stars of the sky
And the headlight of the Limited train.

The fireman waves his hand to a country school teacher on a bobsled.
A boy, yellow hair, red scarf and mittens, on the bobsled, in his lunch box a pork chop sandwich and a V of gooseberry pie.

The horses fathom a snow to their knees.
Snow hats are on the rolling prairie hills.
The Mississippi bluffs wear snow hats..    .    .
Keep your hogs on changing corn and mashes of grain,
    O farmerman.
    Cram their insides till they waddle on short legs
    Under the drums of bellies, hams of fat.
    **** your hogs with a knife slit under the ear.
    Hack them with cleavers.
    Hang them with hooks in the hind legs..    .    .
A wagonload of radishes on a summer morning.
Sprinkles of dew on the crimson-purple *****.
The farmer on the seat dangles the reins on the rumps of dapple-gray horses.
The farmer's daughter with a basket of eggs dreams of a new hat to wear to the county fair..    .    .
On the left-and right-hand side of the road,
        Marching corn-
I saw it knee high weeks ago-now it is head high-tassels of red silk creep at the ends of the ears..    .    .
I am the prairie, mother of men, waiting.
They are mine, the threshing crews eating beefsteak, the farmboys driving steers to the railroad cattle pens.
They are mine, the crowds of people at a Fourth of July basket picnic, listening to a lawyer read the Declaration of Independence, watching the pinwheels and Roman candles at night, the young men and women two by two hunting the bypaths and kissing bridges.
They are mine, the horses looking over a fence in the frost of late October saying good-morning to the horses hauling wagons of rutabaga to market.
They are mine, the old zigzag rail fences, the new barb wire..    .    .
The cornhuskers wear leather on their hands.
There is no let-up to the wind.
Blue bandannas are knotted at the ruddy chins.

Falltime and winter apples take on the smolder of the five-o'clock November sunset: falltime, leaves, bonfires, stubble, the old things go, and the earth is grizzled.
The land and the people hold memories, even among the anthills and the angleworms, among the toads and woodroaches-among gravestone writings rubbed out by the rain-they keep old things that never grow old.

The frost loosens corn husks.
The Sun, the rain, the wind
        loosen corn husks.
The men and women are helpers.
They are all cornhuskers together.
I see them late in the western evening
        in a smoke-red dust..    .    .
The phantom of a yellow rooster flaunting a scarlet comb, on top of a dung pile crying hallelujah to the streaks of daylight,
The phantom of an old hunting dog nosing in the underbrush for muskrats, barking at a **** in a treetop at midnight, chewing a bone, chasing his tail round a corncrib,
The phantom of an old workhorse taking the steel point of a plow across a forty-acre field in spring, hitched to a harrow in summer, hitched to a wagon among cornshocks in fall,
These phantoms come into the talk and wonder of people on the front porch of a farmhouse late summer nights.
"The shapes that are gone are here," said an old man with a cob pipe in his teeth one night in Kansas with a hot wind on the alfalfa..    .    .
Look at six eggs
In a mockingbird's nest.

Listen to six mockingbirds
Flinging follies of O-be-joyful
Over the marshes and uplands.

Look at songs
Hidden in eggs..    .    .
When the morning sun is on the trumpet-vine blossoms, sing at the kitchen pans: Shout All Over God's Heaven.
When the rain slants on the potato hills and the sun plays a silver shaft on the last shower, sing to the bush at the backyard fence: Mighty Lak a Rose.
When the icy sleet pounds on the storm windows and the house lifts to a great breath, sing for the outside hills: The Ole Sheep Done Know the Road, the Young Lambs Must Find the Way..    .    .
Spring slips back with a girl face calling always: "Any new songs for me? Any new songs?"

O prairie girl, be lonely, singing, dreaming, waiting-your lover comes-your child comes-the years creep with toes of April rain on new-turned sod.
O prairie girl, whoever leaves you only crimson poppies to talk with, whoever puts a good-by kiss on your lips and never comes back-
There is a song deep as the falltime redhaws, long as the layer of black loam we go to, the shine of the morning star over the corn belt, the wave line of dawn up a wheat valley..    .    .
O prairie mother, I am one of your boys.
I have loved the prairie as a man with a heart shot full of pain over love.
Here I know I will hanker after nothing so much as one more sunrise or a sky moon of fire doubled to a river moon of water..    .    .
I speak of new cities and new people.
I tell you the past is a bucket of ashes.
I tell you yesterday is a wind gone down,
  a sun dropped in the west.
I tell you there is nothing in the world
  only an ocean of to-morrows,
  a sky of to-morrows.

I am a brother of the cornhuskers who say
  at sundown:
        To-morrow is a day.

Sit in a crowded gymnasium
on a Thursday.
Basketball is not the point.

Stare at the orange speck anyway.
Silence your phone and his voice from before,
Still inside your head,
words the color of the burnt orange ball.

Find music in the squeak of the rubber soles,
Notice the referee's slanting stripes, and how they blur
when you stare, until even pictures inside your head blur.
Nod to the man wearing the red cap beside you,
whose words dribble across your mind,

They imprinting a message:
travel
next year
last year
time
killing
foul
out
losses
hope.

Maybe you miss that last word,
Or maybe you see the message graffitied on the score board.  
Maybe you close your eyes and open them again,
And notice the white jerseys gleaming in song with light,
The same light that slants up toward you,
Your shirt should also be white,
With the same light shining on those who travel
and on those who foul out.

Sit in the crowded gymnasium
on a Thursday,
and forget about what he told you last night.

A FOREFINGER of stone, dreamed by a sculptor, points to the sky.
It says: This way! this way!

Four lions snore in stone at the corner of the shaft.
They too are the dream of a sculptor.
They too say: This way! this way!

The street cars swing at a curve.
The middle-class passengers witness low life.
The car windows frame low life all day in pictures.

Two Italian cellar delicatessens
            sell red and green peppers.
The Florida bananas furnish a burst of yellow.
The lettuce and the cabbage give a green.

Boys play marbles in the cinders.
The boys' hands need washing.
The boys are glad; they fight among each other.

A plank bridge leaps the Lehigh Valley railroad.
Then acres of steel rails, freight cars, smoke,
And then ... the blue lake shore
...Erie with Norse blue eyes ... and the white sun.

The rain felt beautiful.
The grass stuck to my body itched
But I secretly miss that feeling
On any sunny day
I feel meaning in the way the field slants
Its always done that
The white paint has faded away
I love it when it stains my fingertips
Every shot leaves a tail of water
And the rippling sound of the ball sliding down the net
The way that the rain falls on me
Feels beautiful
Literally washing away my worries
As I never feel truly tired
As if every drop was distracting me
From my physical state
This makes me feel strong

I see a sunset in the west,
The fishes and turtles under the ocean take their rest,
Palm trees here and there;
The sun is fading in the air.

Royal-blue waves crashing in motion,
A sea turtle peeps up out of the ocean,
The sunset bears shades of red and gold;
Colours so vivid and bold!

The sunrays slant under the bay,
It's nearly the end of a beautiful day,
The sun slants under the sea;
This place is so dear to me!

Four palm trees on a high cliff,
I breathe in the salty-sea all in a surprised sniff,
I heave a sigh;
While on the beautiful island I lie.

One cliff and another one in the distance I see,
What a beautiful treasure to see is the pretty sea,
So beautiful is the day;
No wonder people call this beautiful place Turtle Bay!

*~Marian~

467

We do not play on Graves—
Because there isn’t Room—
Besides—it isn’t even—it slants
And People come—

And put a Flower on it—
And hang their faces so—
We’re fearing that their Hearts will drop—
And crush our pretty play—

And so we move as far
As Enemies—away—
Just looking round to see how far
It is—Occasionally—

Let Death be spontaneous
as will I

Shakespeare

I am a little boy
drawing the midnight wings of a moth
that I saw in my dreams
on the damp window
of a nomadic van
crossing the sea of a limbo AM highway
1993

Mother mystery night crossing Texan dirt roads
high grass
I am laying with my black lab

Death is a wild animal
birthed in the sands of a desert
that I traveled
****
holding the Bible
holding Hemingway
holding a
sternum of poems
to keep me
weighted from the sky

In a vision
In a vision
As a boy
Crossing the life span of a symphony
Crossing the life span
of a musical note
of a man growing old under a highway neck drinking my whiskey
from my Camel Wise palm

I am grace
I am Evil
I am the Devil's brother
scribbling war paint
on the bathroom walls of
Latin American 24/7 Neon Churches

Blessed with a passion
Blessed with a vision
Blessed with
the Night
on my back
that slants like the sunrise
that slants like
the eyes of a widow'd mother
of a widow'd goddess
of a widow'd song
of a widow'd night
of a widow'd Boy
stretched out on the Lawn
of a rich man
Who sleeps with silk
and hope

And I
I am a child

Exploring the tiny beauties
of things
that do not happen

I open the swede coffin
of imagination
of foot steps
of Beethoven's finger tips

I climb the roof of Death's condo
of Death's shack
of Death's
Widow'd cat

LifeX70
if you are lucky

Emma
girl with black hair
hair like sleep

On a Violin
On a Piano's back
On a Dog's color blind eyeball

Let Death
be spontaneous

I will wait for him
in my stained sweater
holding a bottle of wine
for the two of us

I know he won't say much
like the pavement

I will offer him a glass

Where does the poet go when he dies
Does Death favor him
Does he let him
become a bird
or a crooked lamp post
that shimmers
that shines
Like Youth once did

Highway child
Nomadic boy

falling in love
listening to the shapes
listening to the wrinkling skin
listening to the story
for ******
in a symphony

Aging night
leaning on my window
I would offer you a cigarette
I would offer you inside

But I know your tricks
I know that the moon
is awake

When does
the poem stop

When the poet stops writing
or when the truth is lost

There is a Cicada following me
like rain on her long hair
as she walks to a river

There are too many books poetry
too many lamps that wont let me sleep
too many poems I have stained
too many nights I have lived
Like a Moth
or a wandering bull through a cities lights

I ask April to stop the rain
I can hear scraps
from the storm
falling into the flower ***
where nothing grows

Let Death be spontaneous
and I will study the rain

(oh, if you don't like lengthy-reads, do not read any further.. thank you)





how I long to hear you
I am silent now
just like you


1.
from the curtain rail, hang paper-butterflies in gentlest-breeze
you made for us in vacation-time
we loved living and being with you
      so quiet and so serene
never loud, nor ever shouting
you gave us the love we often had to steal at home


2.
dear lady, when our parents couldn't cope
they dumped us at your door
you took us in for days on end
and how we flourished in your care

momma in her perfumed get-up.. always out and about
I couldn't stand her smell
she hardly took the time of day.. to get to know her own
they quarreled all the time
one time, we saw her pull in ugly-anger, a knife on him
      and he punched her hard in the face
      we-took-it-in.. the three of us
      they saw us standing there, looking on
I tried to shield the younger ones' eyes
but the lesson sank in.. thickly


3.
so, off to you.. we got bundled, like hastily-wrapped parcels
and you took us in
and we gleaned the worth of stability

you spoke to us in quiet-tone:
right, now we will read.. alright, my dears?
    we responded with three silent nods
    eyes up at you.. like open-flowers
    our smiles inside slowly blossomed
as a powerful-routine came to life

sit us down near koi-pond in the yard
     after milk and choc-chip cookies
     green dappled shade-cloth overhead and potted plants
she opened up a book - Gift from the Sea.. and she read
     we listened with rapt-souls, open and accepting
     drinking in the delight of her well-intoned voice
she tempered that sickly-void with deep-respect and lasting-admiration

how we filled the hours with your special-technique of patience
        we discover life.. along with title and the author
        one buck to read the first sentence of a new book
        two for first paragraph
        five for first page
we earned a keep to last a jolly ol' lifetime
looked forward to the end of every weekend
when we'd spend the week with you
off to school, you saw our tiny-feet and welcomed in the afternoon
      warm greetings with firm hand, discipline fell in place
      but when chores are done and homework, too
that's the time we'd settle quietly into the routine you set so well

cushions at the koi-pond and each one gets a turn
granny-dear, granny-doer.. you took the time
you read to us and we read to you
and then, we read to one another.. while you did your tasks
        we learnt of the classics and many obscure artists, too
        writers' names became familiar; we discussed at length
        and from your fine library, came three very well-fed beings
who each had a jar filled with love-pennies and mind-notes

tranquil-nap in dimmed-room in the afternoon
eyes sunlight piercing through in stippling-slants on polished wooden-floor
we fell into peace

thinking expanded beyond the lore of words
you'd engage the width of our seeker-imagination with so much
         drawing fine-lines into the unknown
         and paper-mâché and Rorschach-ink
         and let us see how earthworms could be useful
         and transplanting our seedlings from disposable egg-cups
by my teens, my special botany-project grew: orange saplings
how the time, it flew.. weeks and months.. years..


4.
then, one day, our momma said.. no more time at granny
          we questioned and we queried, but to poor avail
          evasive-looks met our searching eyes
and vague answers, even poppa with the *****-glaze didn't talk
we failed to swallow their awkward-energy

the three of us could take no more: affection interfered
      and I took two buses and snuck out to her place
I crept in silent, found her resting
but her eyes were covered up
      her face had blue blotches and cheeks were puffy
sharp-inhale!
      I shrank perforce and cried inside.. and softly touched her hand
she woke up, startled and turned away
     but she knew it was me; she'd learnt my smell so long ago
bowing my head, I gently wiped her brow with unscented-towelette
and I saw her shoulders shaking
she quietly accepted my comfort


5.
the routine continued, thankfully
after we got wind of what really happened
how you were mugged in the subway on your way to work
you've lost the use of one eye and you now slump on one leg
this fall in health did nothing to dampen your ardour
       we read for you when you could no longer see at all
       and when your pensioner-status made you penniless
       you rewarded us with hugs pressed into the psyche
       our night-time pitter-patter slipping to you from nightmares
       and you stitched our broken-pieces and sealed our cracked-assurance
never finer devotion bred from hands so kind


6.
you let us read and it sparked the mind
the penny kept on rolling with great success
long after you left
    my brother now lectures in languages
    and guest-speaks at many places of higher-learning
    and my sister became a lawyer
I became a drop-out early on, but I never sold my dream
I struggled with their help.. yes, I know.. I was always slower
and melted-crayons still do yield.. colour in the twilight of cool-eve

yes, and I bought a farm not long ago
and I tend my own keep
granny, you'd be proud of us
three silent nods to an angel in disguise


now, I stand here.. quiet in my beautiful-orchard of oranges
              stare at the leopard-changing shadows on the tiles
and long to read for you
so, I open up a dream lying next to my koi-pond, an auburn-tail flicks handsomely
and it all spills forth in reams..



can you hear me now?
in silent-vow, I unveil the finest of my heart-words
to you..




S T, 2 January 2013

Through water and sand, stands you.
Spring breaking at you feet
Your breath flicking the pages of a street paper
A black crown of nightingales at your head
Entwined in leaves and wheat trickling down stones in dew-morning light and thrones in brambles of blackberry pie
Rooted to firewood and sheer bliss of kissed moonlight
Where herons christen Stars before black velvet blanket
Bridled by Rosemary and time, caught with Mary in a dark corner
Slumped behind priest less ivy, we permeate the air and through blue blooded command and gnashing of teeth, slants me
Outside the ramshackle cwtch I the hangmedown barks of woods, kneels you.
And stopped around cockles and foundling sparrows, sings the epitaph of a fallen barbarian.
Still through desert and carcass, lies you.

JWS

In homage - splicer of Aladdin's reel;
a bow, beneath the centered piece so drawn
and slants alive in shade of noblest seal,
no other blushing temptress ever worn.

To hasten tryst; may taint her Jasmine gaze
as lashes flutter onto other's love
how then beguile and keep her ardent daze,
thereby no more in spite - a lonely dove?

The mystic canvas; mine - eternal beat,
and soars in winds, which sail's her gentled tones,
adrift and glides, to bloom this rose, complete
once withered long beneath the hermit stones.

If journeyed nether brittle; sways no guise
remote and marvel then - her Jasmine eyes.

let's all hold hands, dearly loved ones
and express gratitude for those living..
        as if..
the table high-decked with every sweet-meat
        fennel-sprigs clipped and hazelnut-oil on roast
        a mixed-salad of vivacity and touch of chili in sauce
        a dose of pesto and a dash of chopped-chive
        a pinch of salt on cut sweet-pepper
and so much more....
        means that much

but do they remember..?
surely they do



1.
there was a time when she needed you
but your harsh-judgment turned its back in stiff-penalty
which later led the flow of her life in slow-drip out
on the filthy-floor of a public restroom
as she pushed out her legacy
alone and no friend
                 to grip her departing-hands
                 to clean up the red-mess
                 to wipe down the bawling new-blob
surviving its necessary-squirm on the cracked-tiles

you heard the knock-of-need at your Hellenic-door
and the pillow you flattened and stuffed further in
    you couldn't offer a slit of time
    you wouldn't open that wretched-door
    you could not stop choking back old-tears
and when you checked your porch in the evening
your recently-scraped leukocytes blew a green-fuse
a small white-cat in a corner sat pondering your move
as a pile of singed-feathers lay in neat-disorder

now, here you are, grimacing with her crying-babe in arms
this poor orphan will be at bitter-play with some coarse-baubles
just like her scraggly mother, but she'll outlive that false *stain


2.
you swallow two blue-ones
        lose track of yourself
you never remember what you forgot
while you glibly insult those who pass by
belittling their big-arses and blue mini-purses
until the cycle goes round that beguiling-circuit once more
and you can't open a paxity-envelope with arthritic-heart
'cause you'd endure anything not to relive..
until tinkling-coins are all you hear falling
from your grandfather's endless-pocket


3.
appearing at the side of the latest arrival
we all welcome the burly-figure yet with tapered-fingers
who sits next to me and we try a smile, comes out dry
    I lost my grandchild to an accident last spring
    and he lost his daughter (we learn)
hello, Ixion.. yes, so sorry to hear..

he recounts his open-horror and mouth-dropping hell-tale
of his sweet-kin's blind-search for escape
he acknowledges what he never could.. at home
his final gin-soaked treachery against humanity

I am silent in here
I am at odds with this circle of strangers
          who pour out laden-things, some getting their catharsis
          everyone talks of how they loved and who was lost
but who remembers the broken-lives left behind
on the rickety and twisted conveyor-belt of life?

     my daughter now believes she sees her child's face in trees
     and has taken to counting each and every new-leaf she sees
                                                            ­                              fall
                              ­                                                            fall
­     when she remembers to open her eyes (in her morning)
                                         to step off her bed
                                         to go to the toilet
                                         to blot out the sun
                      to count the leaves on windy-days
she ends up re-counting and I have no heart
                      to correct her
                      to fix the frustrations that fate fuel-flung her way

I wonder.. where she learnt this habit?
they do say all behaviour is learned..

daylight beckons again in gentle, yellow slants
and I recall the two silver-marbles in my pocket
       on its secret-bed of old-leaves, some soft and some crunchy
       thirsty for the soothing-touch of my fidgety-fingers
count.. one, two..
                      one, two..
                               one, two..
yes, one for her.. and  w-w-w-w.. one
for me

one two.......

(oh, one too many a disaster - perhaps perdition has a friendly-face
and I sit with her 'neath
the three trees in the alcove-garden)





some things don't escape the sheer drop
of.. resultant excess-distress
in dark-parched mind-tunnels
untrod for fear of slipping..
in the mess



(now, everyone.. it grows cold
let's eat)






S T - 22 nov 2013

A journo aware, equally at home in Palaces, Halls or the streets
Trained to vision duplicity slants and angles and know the crux
Able to see the story behind the story behind the story and more
In ethics robed proudly while mendacity and shenanigans cry shy
Show me the Dai Lama in a crack den or Bill Gates ******* in Goa

Semi demi illiterates with joined-up thinking or unthinking
Immatures lacking emotional intelligence or gainful statures
In groupthink mired settles on group delusions in vicissitudes
We're programming or flooding seeds of doubts or confusing
As if maladroit fantasies are gospels not simpletons' chicanery

Dismissives sad dolts duly outflanked and outclassed inherently
Ignoramuses crude and coarse in true form lacking introspection
Wear disgrace proudly in persistence and parade idiocy fittingly
Strength in numbers neither nullifying stupidity or indignities
Indulgent cowards and sick gate-keeps of unearned entitlements

Nonentities, rabble rousers shamed vigilantes in emotional dearth
Claiming and luxuriating in the depravities of their deficiencies
I remain what I am and no apologies necessary for august status
Your diminutive deeds merely reflects your statures and intellects
Little minds already condemn you to suicides of real aspirations



CopyrightLaurenceA6thNov2018.allrightsreserved

He thinks her little feet should pass
Where dandelions star thickly grass;
Her hands should lift in sunlit air
Sea-wind should tangle up her hair.
Green leaves, he says, have never heard
A sweeter ragtime mockingbird,
Nor has the moon-man ever seen,
Or man in the spotlight, leering green,
Such a beguiling, smiling queen.
Her eyes, he says, are stars at dusk,
Her mouth as sweet as red-rose musk;
And when she dances his young heart swells
With flutes and viols and silver bells;
His brain is dizzy, his senses swim,
When she slants her ragtime eyes at him. . .
Moonlight shadows, he bids her see,
Move no more silently than she.
It was this way, he says, she came,
Into his cold heart, bearing flame.
And now that his heart is all on fire
Will she refuse his heart's desire?--
And O! has the Moon Man ever seen
(Or the spotlight devil, leering green)
A sweeter shadow upon a screen?

RED barns and red heifers spot the green
grass circles around Omaha-the farmers
haul tanks of cream and wagon loads of cheese.
  
Shale hogbacks across the river at Council
Bluffs-and shanties hang by an eyelash to
the hill slants back around Omaha.
  
A span of steel ties up the kin of Iowa and
Nebraska across the yellow, big-hoofed Missouri River.
Omaha, the roughneck, feeds armies,
Eats and swears from a ***** face.
Omaha works to get the world a breakfast.

Oh, Prue she has a patient man,
  And Joan a gentle lover,
And Agatha’s Arth’ is a hug-the-hearth,—
  But my true love’s a rover!

Mig, her man’s as good as cheese
  And honest as a briar,
Sue tells her love what he’s thinking of,—
  But my dear lad’s a liar!

Oh, Sue and Prue and Agatha
  Are thick with Mig and Joan!
They bite their threads and shake their heads
  And gnaw my name like a bone;

And Prue says, “Mine’s a patient man,
  As never snaps me up,”

And Agatha, “Arth’ is a hug-the-hearth,
  Could live content in a cup,”

Sue’s man’s mind is like good jell—
  All one color, and clear—
And Mig’s no call to think at all
  What’s to come next year,

While Joan makes boast of a gentle lad,
  That’s troubled with that and this;—
But they all would give the life they live
  For a look from the man I kiss!

Cold he slants his eyes about,
  And few enough’s his choice,—
Though he’d slip me clean for a nun, or a queen,
  Or a beggar with knots in her voice,—

And Agatha will turn awake
  While her good man sleeps sound,
And Mig and Sue and Joan and Prue
  Will hear the clock strike round,

For Prue she has a patient man,
  As asks not when or why,

And Mig and Sue have naught to do
  But peep who’s passing by,

Joan is paired with a putterer
  That bastes and tastes and salts,
And Agatha’s Arth’ is a hug-the-hearth,—
  But my true love is false!

He thinks her little feet should pass
Where dandelions star thickly grass;
Her hands should lift in sunlit air
Sea-wind should tangle up her hair.
Green leaves, he says, have never heard
A sweeter ragtime mockingbird,
Nor has the moon-man ever seen,
Or man in the spotlight, leering green,
Such a beguiling, smiling queen.

Her eyes, he says, are stars at dusk,
Her mouth as sweet as red-rose musk;
And when she dances his young heart swells
With flutes and viols and silver bells;
His brain is dizzy, his senses swim,
When she slants her ragtime eyes at him. . .

Moonlight shadows, he bids her see,
Move no more silently than she.
It was this way, he says, she came,
Into his cold heart, bearing flame.
And now that his heart is all on fire
Will she refuse his heart's desire?-
And O! has the Moon Man ever seen
(Or the spotlight devil, leering green)
A sweeter shadow upon a screen?

Sand of the sea runs red
Where the sunset reaches and quivers.
Sand of the sea runs yellow
Where the moon slants and wavers.

I* am the one who owns this game
This game of cat and mouse; the chase
Not him, not them, not those
The men
Who think it is in their place

The ones who covet the loving gleam
In a woman’s drawn up eyes
But then tell her that she was no more
Than a *****, a ****; filthy pennies in disguise

They leave her rotten, confused, revised
Writing sickly poems of love and gore
Reflection in her puzzled heart
Rebuild the sloppy, slaughtered gears, restart and then restore

I have written those poems too,
When I bore marks of the lost and broken
whispered words, shaking from my lips,
of things yet unspoken

Now I need no more
For poetry unheeded brings more sorrow on which to thrive
And anyways poetry writes itself for me,
Cause I have eaten it, alive

I have learned the trades of love
And unlearned how to feel
I threw my heart away gladly
For the others I could steal

I am the one who pulls you in,
Not you, strong soldier, the statue,
clearly cut and manned
I am the one whose glistening strife
Slides, dripping, through your open hands

I have the voice, purring rolls of silk,
Emerald slants, gaudy blue feathered eyes
Lupines bloom upon my lips
And foxgloves on my thighs

I have the sterling studs of class
The cocky robin smile,
A drink like silver wine am I
From a savory crystal vile

I have the shift of gentleness,
A tender, blooming embrace
You hold nothing but trust in me
Adoration upon your disgusting face

But I know something you do not
That only I have the key
Patience until the shaking burst
A monster waiting to break free

She howls and rips your heartstrings raw
Ignores your pleading glance with glee
A smirk, a sneer, arched lips pause
Knowing your demise is our reward
We won’t stop until you cease to be

I have strength beneath my beloved monster’s wings
The power to bend with whip-like throw
Each man I take, battles for my neck
And I slaughter each, basking in the glow

We have done this for ages
Sold perfection, curving laces at every door
Like gypsies we steal what you cling to most
Our silver infused fingers beckoning for more

Love is no longer fun for us
We crave deception, challenged lies,
We’ll never give you what you want
Only slay your mind and watch as it dies

As the madness creeps on mottled claws
And you beg and plead curled up in pain
Letting us in through your wracking body rocks
A glimpse, peeled back to reveal the stain

So pound the floors as much as you want
Drag splinters from your drooling cavernous screams
Throw yourself away again and again
Cause I will never leave your mind,
Having sown myself into your dreams

I am what you think about
What you've sold every scrap of yourself for
But I am a fake, a mask, the satin covered machine
What you fear will reap your corrupted core.

You never knew that all I want
Is to take but never give
To ****** but never stay
The girl who steals your love to live
And buries it in your own decay

After every sumptuous feast,
We give a trill, a gauzy lilting stream
Notes lift our cool heads high
Poised waiting for the choking screams

And as we slide through fractured lives,
My monster and I
We ponder the day we'll wake in hell
Eagerly awaiting the reward for all our lies

For we're not scared of death or flames
Flickering bodies of damnation
Cause we know we’ll live forever
In those suffering from love starvation

--Lily

laying in bed with ephemeral kate:
her hands are
brazen, fingernails clenching upon
my hips beneath the sheets,
her grip barely elucidated beneath
buttercream bedsheets.
her pale pink *******
cast aside hours ago,
and now the sun slants
westward upon her bedroom walls.
I laid waste to her skin,
ravaging her with lips and tongue and teeth,
and I am
sated, if only for the moment,
scent of her skin upon my tongue and
her ****** a badge of honor upon my mouth.
her bedsheets are ruins,
UNESCO World Heritage Site
waiting to be uncovered and reclaimed;
if it wasn't oh so lovely,
laying languorous limbs
asprawl, your stomach pulsing beneath
my thigh, her chest
rising and falling, rising and falling,
beneath my head; I always boasted I was
cutest when sleepy, and she always
murmured assent with a halfsmile;
that ******* halfsmile, playing
around the corners of her
endlessly kissable mouth,
lips glistening with a mix of
lipgloss and ***.
the sun dips down towards the horizon,
a girl hurrying homeward a minute after curfew;
her nails traverse upwards,
scouring my spine; my mouth is
pressed against her neck, tentative
words and laps embossed upon
the hollow of her throat.
she laughs, she sighs,
endlessly inimitable kate.

An echo of slants
A frozen stretch
Humming terra ensconces - you
Forlorn
Ever-crooked
A never-stagnant aeriform environ
Tugging and vibrating through root
Hairs furling densely about and
Through
Dirt clods

The clouds finally release their burden,
Feeling themselves suddenly empty,
Missing the drops of moisture that used to nestle within that now seal the sky with white.
The snow falls like dots on an old TV screen,Its bunny ear antennas finally failing in old age.
Muffled silence. Shh! Do not disturb.
The wind echoes through the trees,
Whispering airplanes lamenting the freedom of flight.
The snow plummets from the sky
Arrows
shot by a hidden enemy
But this is a friendly kind of war,
The intended targets only becoming chillier.
The wind chimes peal occasionally in delight,
Shaken by the frigid gust that slants the snowfall
I exhale, my breath warm as it clouds past my lips,
it swirls back to envelop me, as if in thanks.

*The world is quiet here.

Precise scaffold silhouette
slants sharply across smoothed
cement. Narrow shadow shaft bisects
unfinished window, points
toward glowing sunlit
sliver of grey wall. Mundane
beauty, workday
glory unwitnessed.

Emily will take her cedar box
of hidden poems
throwing them on a Sou’ Westerly breeze
in a New England Spring —

They will be snatched and fly
daring, dainty flutter byes
across the stretching continent
the Great Plains and New Frontiers —
The Sun — rising in ribbons
Mountains dripping scarlet sunsets
vast Miles of Evening Sparks —
as the Hemispheres come home
to early Night —

they’ll be read by lonely cowboys
drinking whisky, in the sagebrush
Indian braves campfire smoking
Sung in Saloons by husky-voiced dames
can-can dressed and a whole lotta grit
and gumption.

Emily, lightened of her load
unknotted the Skein of Misery —
Universe unstitched —
in this moment of escape
Landscape will listen —
Shadows will hold their breath
until the words are spoken.

Emily’s skipping down the stairs
of that morbid, cold wintered house
with its bare Slants of Light —
rushing out the door
throwing herself on the Open day —

Telling True, but slanted.

The late-day light slants in through
the large, framed window and onto the couch where I sit again.
I watch my Abby lean against the back and
squeal with joy as she points towards the tall trees
dropping pine cones and needles and filling the air with yellow dust.


"Dance! Dance!" she chimes while the trees continue to sway.
A sober smile spreads itself across my face
because the contrast lays heavy in my heart.

The air is thick and stuffy even though the wind outside blusters with
the warmth of a young Indian summer.

My grandmother sits pale and broken in that chair.
there was a time I sat there with her
delving deep into tales that took place so far away.
Her soft, careful voice lulling me
like the trees were lulled in that wind-

And there were times that I lay outside with my sister
our hair ratted with autumn leaves and pine needles
on a carpet of the greenest grass.

We would lay there, trees swaying above us,
shrieking and giggling nervously when they would bend.
Clutching hands we would laugh nervously and say
it was just a game.

And Grandma would call us in
to soup and sandwiches
made with such care
and over chocolate milk
we tell her of how the wind had snapped branches off the apple tree
and we had found a perfect bird nest with feathers still caught in the twigs

As she listened her eyes would widen with interest and,
at just the right moment, her hand would flutter to her heart
and she would gasp with such sincere surprise
that my eyes would meet with my sister's and we
would choke back a chuckle with a smile.

And there were times when I would snuggle deep
into the cleanest smelling bed linens and
Grandma would pull the quilt up over me to my chin.
"Goodnight my Angel," she said.
But in her eyes I saw the real angel
as she bent to kiss me softly on my cheek.

The smell of her face cream always lingered on my cheek from that kiss.

But now she sits
tired and broken
in that chair we used to share
and watches my little angel
young and vibrant
giggle at the same swaying trees
in a different age.

When the sun slants
on wings smelling fish
fly the cormorants
to where the home is.

Their memory is a lake
with bountiful food
bill's all the take
that makes living good.

In between the catch
when enough seems done
find a dry patch
hold the wings to sun.

If wishes were heard
it's all I would want
to be turned into a bird
and what else but cormorant!

===================================
The real joy your lap gives
My creeping Goddess of night
Happy, free from all confusion
Listening unheard music of twilight

Nothing in life is so beautiful
Than intention of links remain
A new born child seeks always
Her parents feeding cares sustain

Nothing can justify any way
The bird with wings in dream
Always trying fly to return again
Enjoy the chirping myrtle sway

Nothing always bind or release
Healthy relations are cool breeze

Written by
~~~Jawahar Gupta~~~


know the poet and peep into his poem ''Jawahar Gupta'' and his poem: the music of twilight  by Bipul Ch.Kalita

One of the Indian poets whom I earnestly appreciate for their unceasing efforts for creating a soft and creative platform, especially for the promising poetic minds of the current trends is my adorable friend Jawahar Gupta. He is clean in his expressions and mild in choosing and using words in his poems. Jawahar Gupta who was born on the 8th October in 1952 was a science graduate. He worked in a pharmaceuticals company and retired from there as a Sales Manager. He writes in Hindi, Punjabi, and English. As he is a popular figure in face book, I don't think that I should annoy the readers repeating the things about his poetic journey etc.
The poem's title contains an abstract slant. But if one goes deep into it the slants gradually disappears. The poet's ear to the music of the twilight is not far from mystical approach to the reality too. Twilight is not total darkness. It contains a bit of light that wraps the poet's Goddess of nights-

''The real joy your lap gives
My creeping Goddess of night''

The eternal music of nature frames human hearts in the world of mysticism. The poet takes twilight for a source of spiritual pleasure, as if a mother's warm lap is the ultimate source of pleasure and safety for a baby-

''Happy, free from all confusion
Listening unheard music of twilight''

''Nothing in life is so beautiful
Than intention of links remain
A new born child seeks always
Her parents feeding cares sustain''

The poet's imagination are innocently formed, Nothing can prevent him from flying with the wings of imagination, but at the same moment he is aware of the real world. Like a bird that flies everywhere without forgetting to return its own nest. Hard works of the days send the poet to the lap of the nights, enabling him to roam in his divinely honeyed world the twilight-

''The bird with wings in dream
Always trying fly to return again''

The poet thinks that man's normal but natural activities for his survival or existence should not be allowed to hurt the human relations. The evening twilight shows ways to night while that of the dawn will pave paths to greet the day. The relation between days and nights is maintained by the twilight. So, he has to maintain that relations-

''Healthy relations are cool breeze''

It is difficult to appreciate critically any work of critic. It's my noble venture to peep into an adorable poet and friend. Hope, dear readers will excuse me for my limitations. Waiting for more and more poetic writes from my dear friend Jawahar Gupta.

Sunlight slants
on pale pink
cherry blossoms;

for exactly an instant,

I really See.

~mce