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"shanks" poems
the virgins ravenous vault college girl ****** a seething abashment with mixed loyalties who belongs to no one ferocious for annihilation *** blast poured out from essence spread shanks wet spot hot shots meditative and gleaming huge hearted she is one and many choking on desire far flung in Turkish bath fantasies a singing **** tearing heaps of suns like burns and spatters her *** a high pitched note his **** rage at bay poised hot **** **** gasping fire *** criminal's foot kissing ****** biters
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Nov 1, 2018
Nov 1, 2018 at 11:39 AM UTC
College Girl ******
In pubs with bar flies. Kronenburg, Becks, Carling, Stella Artois and Fosters, Dancing in our blood, Utterly inured; we are endured by all: The solipsism most profound. And when Johnnie, Jack and Jameson join, The sentimental and the morbid Are conjoined. And **** In the custody of beer halls, The shadows that draw, fade, And calls – e’en Death’s! -- are put on hold! No time; instead, before the last, another pint. For in this hallowed inn, Drinking what’s in the glass, And espousing the glow within, Cares regress. No woes, Or loaded psyches, For when the pressure builds, The best: a jet of yellow bliss, Relieves the pain, On Armitage Shanks' porcelain.
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Sep 29, 2017
Sep 29, 2017 at 6:50 PM UTC
Quinn's
'Neath canopy of paradise Super troupers' shafts of light Illuminate his terpsichore; ***** he struts, the impresario Gyrating on spindle shanks; Needle thin and knock-kneed He dances a samba On stage of verdure; Midst Elvis blue-black thrusts, Steel rimmed amber orbs Seek admiring and desirous glances From the dour drab hen, Mousy in her beige twin set And mottled tweed skirt; With nonchalant disinterest she exits The arena; audition over.
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Jun 24, 2010
Jun 24, 2010 at 11:40 AM UTC
Bird of Paradise
In stubborn stupidity, I live on alone befriended by trees and herbs. Too lazy to learn right from wrong, I laugh at myself, ignoring others. Lifting my bony shanks, I cross the stream, a sack in my hand, blessed by spring weather. Living thus, I want for nothing, at peace with all the world. Your finger points to the moon, but the finger is blind until the moon appears. What connection has moon and finger? Are they separate objects or bound? This is a question for beginners wrapped in seas of ignorance. Yet one who looks beyond metaphor knows there is no finger; there is no moon.
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4.5k
Reply To A Friend
**** men predatory *** hounds chasing skirts and tights aching **** idiots disciples of Eros Christs of fetish reconciling nothing veiling that principled demeanor of feminist culture "of don't objectify me".....translation sensual form is not natures ruse machine Eve must override override override well the id does not negotiate the superstructure of affected political tele-reality starring the liberal chattering class who speculate male motives to be some vainglorious power trip while corporatized media personalities feign out of control lust as a mental disorder and sit up like shuddering Pekingese yessing the lascivious as a fiction no ladies its not just power theories are not testosterone it is pure unadulterated relentless irreducible urge to merge like the beluga **** channel sea world as you've never seen it before where male dolphins batter and gang bang the weaker *** in search of feral harmony in an overbuilt society yet to become a civilization are we scissored between a wild ****** id of the damed and the Victorian sacred of the damed oh you silky damsels makin men moody and humid pure **** heroine a poison ivy of *** like a rash givin men folk the itch cant stop the twitch rubber ******* in a rubbing frenzy from your soaking heat and odor we are  a rumbling of muttering torments for the forbidden taste of you oooow oooow we are pan in a mad dance for glistening shanks and buttery kisses we are the early bird looking for the worm hunters decreed by the liturgy of heaven and hell a constellation of infatuation and lechery mad with adoration love slaves in a raging furnace of desire *** addicts that just say yes turgid dogs hole sniffers voluptuous monsters all johnny apple seed and sometimes your salvation as you are ours knowing that sometimes real eroticism eclipses morality and yes my darlings* NO MAN SHOULD EVER TRANSGRESS ANOTHER NO MAN SHOULD EVER TRANSGRESS ANOTHER NO MAN SHOULD EVER TRANSGRESS ANOTHER NO MAN SHOULD EVER TRANSGRESS ANOTHER NO MAN SHOULD EVER TRANSGRESS ANOTHER NO MAN SHOULD EVER TRANSGRESS ANOTHER NO MAN SHOULD EVER TRANSGRESS ANOTHER NO MAN SHOULD EVER TRANSGRESS ANOTHER NO MAN SHOULD EVER TRANSGRESS ANOTHER NO MAN SHOULD EVER TRANSGRESS ANOTHER NO MAN SHOULD EVER TRANSGRESS ANOTHER NO MAN SHOULD EVER TRANSGRESS ANOTHER NO MAN SHOULD EVER TRANSGRESS ANOTHER NO MAN SHOULD EVER TRANSGRESS ANOTHER NO MAN SHOULD EVER TRANSGRESS ANOTHER NO MAN SHOULD EVER TRANSGRESS ANOTHER NO MAN SHOULD EVER TRANSGRESS ANOTHER NO MAN SHOULD EVER TRANSGRESS ANOTHER NO MAN SHOULD EVER TRANSGRESS ANOTHER NO MAN SHOULD EVER TRANSGRESS ANOTHER NO MAN SHOULD EVER TRANSGRESS ANOTHER
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Dec 15, 2017
Dec 15, 2017 at 12:55 PM UTC
THE TERROR OF WOMEN
**** men predatory *** hounds chasing skirts and tights aching **** idiots disciples of Eros Christs of fetish reconciling nothing veiling that principled demeanor of feminist culture "of don't objectify me".....translation sensual form is not natures ruse machine Eve must override override override well the id does not negotiate the superstructure of affected political tele-reality starring the liberal chattering class who speculate male motives to be some vainglorious power trip while corporatized media personalities feign out of control lust as a mental disorder and sit up like shuddering Pekingese yessing the lascivious as a fiction no ladies its not just power theories are not testosterone it is pure unadulterated relentless irreducible urge to merge like the beluga **** channel sea world as you've never seen it before where male dolphins batter and gang bang the weaker *** in search of feral harmony in an overbuilt society yet to become a civilization are we scissored between a wild ****** id of the damed and the Victorian sacred of the damed oh you silky damsels makin men moody and humid pure **** heroine a poison ivy of *** like a rash givin men folk the itch cant stop the twitch rubber ******* in a rubbing frenzy from your soaking heat and odor we are  a rumbling of muttering torments for the forbidden taste of you oooow oooow we are pan in a mad dance for glistening shanks and buttery kisses we are the early bird looking for the worm hunters decreed by the liturgy of heaven and hell a constellation of infatuation and lechery mad with adoration love slaves in a raging furnace of desire *** addicts that just say yes turgid dogs hole sniffers voluptuous monsters all johnny apple seed and sometimes your salvation as you are ours knowing that sometimes real eroticism eclipses morality and yes my darlings* NO MAN SHOULD EVER TRANSGRESS ANOTHER NO MAN SHOULD EVER TRANSGRESS ANOTHER NO MAN SHOULD EVER TRANSGRESS ANOTHER NO MAN SHOULD EVER TRANSGRESS ANOTHER NO MAN SHOULD EVER TRANSGRESS ANOTHER NO MAN SHOULD EVER TRANSGRESS ANOTHER NO MAN SHOULD EVER TRANSGRESS ANOTHER NO MAN SHOULD EVER TRANSGRESS ANOTHER NO MAN SHOULD EVER TRANSGRESS ANOTHER NO MAN SHOULD EVER TRANSGRESS ANOTHER NO MAN SHOULD EVER TRANSGRESS ANOTHER NO MAN SHOULD EVER TRANSGRESS ANOTHER NO MAN SHOULD EVER TRANSGRESS ANOTHER NO MAN SHOULD EVER TRANSGRESS ANOTHER NO MAN SHOULD EVER TRANSGRESS ANOTHER NO MAN SHOULD EVER TRANSGRESS ANOTHER NO MAN SHOULD EVER TRANSGRESS ANOTHER NO MAN SHOULD EVER TRANSGRESS ANOTHER NO MAN SHOULD EVER TRANSGRESS ANOTHER NO MAN SHOULD EVER TRANSGRESS ANOTHER NO MAN SHOULD EVER TRANSGRESS ANOTHER
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102
Gunboats ahoy there’s pirates about Speeding from Somali’s shore, A fast flimsy boat and some black skinny men With grenade launchers, cannon and more. They’re coming to capture the tankers They’re coming to capture the crew They’re coming to take you hostage Because fat cats will pay cash for you. It’s happening more every day now Ships are held to ransom for gold, This contagion is out of hand now The Somalian pirates are becoming so bold. Hard men in the west prepare crackdowns Gunboats sail for the Gulf as we speak, With instructions to shoot to **** now And make eradication of pirates complete! But you ask, why is this happening? Why does a man, a pirate become? What instigates this crazy morphosis From fisherman to pirate with gun? Somalia has no Government to speak of, It collapsed and went long ago. No law or army in place here, Life is dangerous, chaotic and low. Some fat cats made use of the vacuum They ditched toxic waste in the sea They irradiated the coastline region Making this a poisoned place to be. The coast folk were dying in thousands Sick mothers lost babies and kids Black illness spread madly in villages Then blind panic and pain hit the skids. Some fat cats made use of the vacuum They trawled the coastline clean Somalia’s fishermen were destitute The catch went from vast to lean. The villagers were starving and hopeless And what was pain became death. The leaders appealed for salvation But those with the means, had turned deaf. Who would take this problem on now? Who would make these ******** pay? Most turned around and shunned them, The world had turned and looked away. So hit transgressors where they’re vulnerable. Strike in sea lanes where it’s free. Hit them near the Horn of Africa. Attack with blades of piracy. Hooray for the small man’s justice. Hooray for his skinny, black shanks, Please God help their quest for deliverance For the West has arrived with their tanks. Now I ask you, in all fairness To stand back and view the scene, Where the richest and most powerful are doing something that's obscene For not only are they poisoning The most vulnerable race on earth But compounding it with genocide, And I add, for what it's worth, The West, in righteous arrogance, are crushing poorest fellow man In his struggle for survival Against their mammoth, global hand. Marshalg @theGate Mangere Bridge 25 April 2009
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Jan 19, 2010
Jan 19, 2010 at 7:33 PM UTC
Gunboat Pirates
Gunboats ahoy there’s pirates about Speeding from Somali’s shore, A fast flimsy boat and some black skinny men With grenade launchers, cannon and more. They’re coming to capture the tankers They’re coming to capture the crew They’re coming to take you hostage Because fat cats will pay cash for you. It’s happening more every day now Ships are held to ransom for gold, This contagion is out of hand now The Somalian pirates are becoming so bold. Hard men in the west prepare crackdowns Gunboats sail for the Gulf as we speak, With instructions to shoot to **** now And make eradication of pirates complete! But you ask, why is this happening? Why does a man, a pirate become? What instigates this crazy morphosis From fisherman to pirate with gun? Somalia has no Government to speak of, It collapsed and went long ago. No law or army in place here, Life is dangerous, chaotic and low. Some fat cats made use of the vacuum They ditched toxic waste in the sea They irradiated the coastline region Making this a poisoned place to be. The coast folk were dying in thousands Sick mothers lost babies and kids Black illness spread madly in villages Then blind panic and pain hit the skids. Some fat cats made use of the vacuum They trawled the coastline clean Somalia’s fishermen were destitute The catch went from vast to lean. The villagers were starving and hopeless And what was pain became death. The leaders appealed for salvation But those with the means, had turned deaf. Who would take this problem on now? Who would make these ******** pay? Most turned around and shunned them, The world had turned and looked away. So hit transgressors where they’re vulnerable. Strike in sea lanes where it’s free. Hit them near the Horn of Africa. Attack with blades of piracy. Hooray for the small man’s justice. Hooray for his skinny, black shanks, Please God help their quest for deliverance For the West has arrived with their tanks. Now I ask you, in all fairness To stand back and view the scene, Where the richest and most powerful are doing something that's obscene For not only are they poisoning The most vulnerable race on earth But compounding it with genocide, And I add, for what it's worth, The West, in righteous arrogance, are crushing poorest fellow man In his struggle for survival Against their mammoth, global hand. Marshalg @theGate Mangere Bridge 25 April 2009
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68
Revolving in oval loops of solar speed, Couched in cauls of clay as in holy robes, Dead men render love and war no heed, Lulled in the ample womb of the full-tilt globe. No spiritual Caesars are these dead; They want no proud paternal kingdom come; And when at last they blunder into bed World-wrecked, they seek only oblivion. Rolled round with goodly loam and cradled deep, These bone shanks will not wake immaculate To trumpet-toppling dawn of doomstruck day : They loll forever in colossal sleep; Nor can God's stern, shocked angels cry them up From their fond, final, infamous decay.
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3.8k
The Dead
Love poems rot, The sensical knots. I tie, overflowing, the dread. The Pickwitkin Heavy, The Verveberry Wedding. Such shanks, still stuck in my head. My memories loosen, The Stopshift Tallcluesen, Cut to myself dreaming in red. Full throttle forward, I'll sail ever toward, My untying your knots from my bed.
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Aug 29, 2010
Aug 29, 2010 at 7:24 PM UTC
Of Lust and Nautical Fabrications
(it's cliché to admonish clichés in their entirety) I. (love) We are meant to live the clichés; we are meant to resuscitate the words, and rehabilitate their wounds into a fertile viewpoint where we build respirators from clichés to filter the virulent dust kicked up by the marching pigs. (re-invented clichés offer back breath in an exchange of circular breathing) The swine contort love into armaments of antipathy; they push buttons, squeeze triggers, pull pins, and aim where it causes the most damage. Even though we are natural born hypocrites, we don't have to let that knowledge corner us into using love as a weapon. The pen is mightier than the sword, and I wield both; I sharpen the quill on the blade's edge. If need be, use the pen for a counter-strike, but only channel love in defence. II. (poetry) The pigs march to a beat of nuclear blasts that bring poetry's flag nearer to half-mast. Poetry should stand on its own merit, instead of leaning on shanks that hide behind smiles constructed with aspirations of popularity that churn out lazy, aspartame-laced lines devoid of accountability and integrity, or lean upon smiles filled with slivers from far too much fence-sitting, too worried about the trending majority, to see the complexity within simplicity and clarity, or propped-up against degrees while writing poems that are drier than the Sahara: husks of lines tumbling across dunes, only to be imploded by atomic-pork mushroom clouds, their fallout marring parchment into a poisonous terrain. . III. (dreams) (revive, twist, and switch the clichés ) We must not fear saying "never". Surrender to love, but never surrender to the jealous captains who attempt to hook and net the defenders of Neverland. With compasses of conscience beating in hearts kept young, navigate through the smoke and mirror-smog emitted by the marching pigs. (we must never give up on our dreams) Dream about the courage needed to love everyone and everything, including our enemies who conduct genocide on the language of a purer intent. Dream about word-seedlings pushing through the arid rind of dying poetry, in hope for a more organic fruition to grow in our hearts and minds, so that poetry gains back its strength and vitality to once again stand on its own merit. +/-
0
Aug 1, 2013
Aug 1, 2013 at 6:38 PM UTC
Live the Clichés
(it's cliché to admonish clichés in their entirety) I. (love) We are meant to live the clichés; we are meant to resuscitate the words, and rehabilitate their wounds into a fertile viewpoint where we build respirators from clichés to filter the virulent dust kicked up by the marching pigs. (re-invented clichés offer back breath in an exchange of circular breathing) The swine contort love into armaments of antipathy; they push buttons, squeeze triggers, pull pins, and aim where it causes the most damage. Even though we are natural born hypocrites, we don't have to let that knowledge corner us into using love as a weapon. The pen is mightier than the sword, and I wield both; I sharpen the quill on the blade's edge. If need be, use the pen for a counter-strike, but only channel love in defence. II. (poetry) The pigs march to a beat of nuclear blasts that bring poetry's flag nearer to half-mast. Poetry should stand on its own merit, instead of leaning on shanks that hide behind smiles constructed with aspirations of popularity that churn out lazy, aspartame-laced lines devoid of accountability and integrity, or lean upon smiles filled with slivers from far too much fence-sitting, too worried about the trending majority, to see the complexity within simplicity and clarity, or propped-up against degrees while writing poems that are drier than the Sahara: husks of lines tumbling across dunes, only to be imploded by atomic-pork mushroom clouds, their fallout marring parchment into a poisonous terrain. . III. (dreams) (revive, twist, and switch the clichés ) We must not fear saying "never". Surrender to love, but never surrender to the jealous captains who attempt to hook and net the defenders of Neverland. With compasses of conscience beating in hearts kept young, navigate through the smoke and mirror-smog emitted by the marching pigs. (we must never give up on our dreams) Dream about the courage needed to love everyone and everything, including our enemies who conduct genocide on the language of a purer intent. Dream about word-seedlings pushing through the arid rind of dying poetry, in hope for a more organic fruition to grow in our hearts and minds, so that poetry gains back its strength and vitality to once again stand on its own merit. +/-
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73
I was born a butchers boy I never lacked for meat Purse strings tight as a bishop’s *** My childhood lacked for sweets My sweethearts now a butchers wife Two lamb shanks for a ha penny We waste our coin and copper hair By eating sweets a plenty The merchant comes to peddle time The reaper dreads his arrival Those with coin and copper hair Can purchase their survival I will die a butcher’s death My sweets have sealed my fate With empty purse and graying hair The merchant comes to late
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Mar 2, 2015
Mar 2, 2015 at 6:35 AM UTC
Butcher's Boy
FLANDERS, the name of a place, a country of people, Spells itself with letters, is written in books. "Where is Flanders?" was asked one time, Flanders known only to those who lived there And milked cows and made cheese and spoke the home language. "Where is Flanders?" was asked. And the slang adepts shot the reply: Search me. A few thousand people milking cows, raising radishes, On a land of salt grass and dunes, sand-swept with a sea-breath on it: This was Flanders, the unknown, the quiet, The place where cows hunted lush cuds of green on lowlands, And the raw-boned plowmen took horses with long shanks Out in the dawn to the sea-breath. Flanders sat slow-spoken amid slow-swung windmills, Slow-circling windmill arms turning north or west, Turning to talk to the swaggering winds, the childish winds, So Flanders sat with the heart of a kitchen girl Washing wooden bowls in the winter sun by a window.
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2.1k
Flanders
Hearn's is a story of a flat bird, He couldn't catch the early worm, Dollar too late mixing wrist with shanks. Here lies Hearn: Goliath midage Peter Pan, He flew too high and never land. Hearn writes little words like their his words, Cole is a mess making a mess outliving the rest, Hearn holds a gun to his head a pen to his chest.
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Oct 2, 2015
Oct 2, 2015 at 8:04 PM UTC
Cole Hearn
internal damnation i want to give you my might exploding lividly seething the point beyond the humility of --- myriad, illusive to the pull, nervous, fuckingggggg, nervous, i can break you so easily in the cacophony of vesitude, clamp that jaw shut this instinct, knows not. what is it but a point? a venomous snake, gunned down, shake! you won't make it beyond my shanks. livid, past the channel bank, the ferocious fury of furious frankness who else could you **** inside you? gentle, deliquency, dashing inside gritted bars. i can walk away at any time. within the coils, past all the strife, the injustice abhors your incessant denial I am not a part of your demise.
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Dec 14, 2012
Dec 14, 2012 at 10:26 AM UTC
my gut feeling
Late morning after dreaming of these hand-written Alaskan three-dollar bills Polaroid photographs of empty silver screens hidden elevator button escape routes mid-performance ****** reconstructions I half-wake from my half-sleep and in seventy-five-cent consciousness beg the man of my waking misconceptions to meet for one more one more double latte Marlboro 27 kiss behind the parking lot than we’d ever had before we part again and he will reunite with his lunchmeat of holiday hopes and aspirations And I will return to the land of brotherless love and flaming heterosexuals the land of ugly **** and self-righteous queers the land where there is no God because I chased him from the West before he could do me harm the land filled with my pity and inebriated mindless self-perpetuation the land consumed with no passion because the Yukon’s landscape eyes are bleak and empty the land where the only direction is floating down-river to the blood-stained rocks of our maturity still within my mental prison with my other mental inmates and mental shanks and ***** I dream again with my eyes wide open and lips drawn in two-tier lonely grimace dream of the blue green red-eyed beauty that I have never known
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Mar 5, 2010
Mar 5, 2010 at 6:07 PM UTC
To the New Year
The wood room door was opened wide I closed it firm last night. I woke at four and felt it's breath It gave me quite a fright. I felt it's chilly, gentle breath Exhaling on my brow And upright in my skinny bed Roared "Get thee gone ghost, **** off now!" With naked shanks I padded forth To set and light the fire Whilst outside in the wilderness I could hear the specter's ire, It moved about deliberately, It stalked outside my room. I warmed my *** by fires heat And cursed to dispel doom. That icy feeling permeates It reaches to the bone, It is far to early for a call Yet there's the ringing phone, I listen to the vacant hiss, There's no one there of course So I bellow forth obscenities And hang up with a curse. Old Basil told me of the time He watched with open mouth Whilst a faceless man in hounds tooth coat Glided past him from the south. The housemaids tell with fear filled eyes Of depressions on the bed Where something sat and rested there Laid down it's weary head. Except the house was empty then, Unoccupied by guests. No cat nor dog nor friendly hog, Nobody playing jests. Some nights I walk the corridors To see what I can see And I fancy Thomas Dawson's ghost Is quietly watching me, For he only shows his bearded face At the darkest witching hour And it's usually in the dead of night To the echo's of the old clock tower When the mountain looms above the lodge Enshrouded in the mist, And the morepork calls its haunting sound And the snow is moonlight kissed. Marshalg Dawson Falls Lodge TARANAKI,New Zealand. 18th August 2008 - From Watching the Ripples Radiate
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Jul 7, 2013
Jul 7, 2013 at 6:56 PM UTC
The Ghost at Dawson Falls
The wood room door was opened wide I closed it firm last night. I woke at four and felt it's breath It gave me quite a fright. I felt it's chilly, gentle breath Exhaling on my brow And upright in my skinny bed Roared "Get thee gone ghost, **** off now!" With naked shanks I padded forth To set and light the fire Whilst outside in the wilderness I could hear the specter's ire, It moved about deliberately, It stalked outside my room. I warmed my *** by fires heat And cursed to dispel doom. That icy feeling permeates It reaches to the bone, It is far to early for a call Yet there's the ringing phone, I listen to the vacant hiss, There's no one there of course So I bellow forth obscenities And hang up with a curse. Old Basil told me of the time He watched with open mouth Whilst a faceless man in hounds tooth coat Glided past him from the south. The housemaids tell with fear filled eyes Of depressions on the bed Where something sat and rested there Laid down it's weary head. Except the house was empty then, Unoccupied by guests. No cat nor dog nor friendly hog, Nobody playing jests. Some nights I walk the corridors To see what I can see And I fancy Thomas Dawson's ghost Is quietly watching me, For he only shows his bearded face At the darkest witching hour And it's usually in the dead of night To the echo's of the old clock tower When the mountain looms above the lodge Enshrouded in the mist, And the morepork calls its haunting sound And the snow is moonlight kissed. Marshalg Dawson Falls Lodge TARANAKI,New Zealand. 18th August 2008 - From Watching the Ripples Radiate
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54
and whos to blame for this insane game the rest of man kind would think its fine, i love the world but does it love me back? infested in my life i been hacked whos to know where we'll be in 15 years how many of us will shed those tears. when every moment arises,will you be tall, condemned we'll be each time we fall, to remember all of those nights and days, the times where it was so blessed, but now its all just so gray, so muthafuckin stressed moments in between night and day, not talkin bout dusk til dawn, but the day that we are all gone. hate to love it and love to hate it. just listen and let your brain take it what will be, we mae never see. cherish the moments in your life, once its all done, was it all just pure strife? so fill my scars and watch it bleed once i thought that's all i would need so much more is left in the world but how many times do we see just one world get that natural high and then come fly open your eyes and breath in the phresh air soon enough you'll find the ones who'll care
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Sep 8, 2010
Sep 8, 2010 at 10:13 AM UTC
homemade shanks
Through this corroding forest,   a thin snake winds soundlessly between stiff marram grass. Over time, the constant brackish wind sculpts, drifts / scaling the metal shanks shackled to their own shape-shifting shadow. Steadfast in scorched sand, forty or more as one, tilt towards the ocean, reflecting conflict between water and earth. We are not in tune with their deep veined histories nor elemental transformation. We do not propound to understand their language. copyright © Caroline Grace 2012
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Feb 10, 2012
Feb 10, 2012 at 4:12 AM UTC
Anchored.
partially due to the weather, state of the roads. these are not just closed due to snow, some as cars slide, cause a commotion. it is a steep hill, the crimea, some call it a mountain steeped in history. plans change, while the bus windows remain ***** sbm. nails #notes and jottings Esgidiau Meirw Boot Dump, Moel Bowydd Primary Reference Number (PRN) : 14626 Trust : Gwynedd Community : Ffestiniog NGR : SH69924845 Site Type (preferred type first) : Modern REFUSE DISPOSAL SITE Legal Protection : Description : A mound of slate waste covered to an unknown depth with the (?burnt) remains of thousands of hobnail boots, heel plates, nails, eyelets etc. Dimensions 40 x 30 x 2.5m. <1> A low mound about 35m in diameter lies to the east of the A470 (Plate 66). Its earliest phase consists of slate waste from a shallow linear working shown on the 1889 OS 25 map. This is almost entirely covered by a dump of waste boots. The upper layer consists entirely of heel plates, eyelets, nails, screws, sole shanks and occasional sole plates (Plate 67). Beneath this is a thick layer of ash, also containing metal fittings. Until quite recently there was a grave slab with a pair of boots incised on it along with the inscription Esgidiau Meirw (dead shoes). The stone now lies on the wall of PRN 14777 (Plate 68). It was probably moved by the land-owner for safe keeping after being daubed with paint. The dump is known locally as Tomen Sgidiau (boot dump) and dates from World Wall II. The boots are rejects from a factory that was set up in Blaenau Market Hall to recycle old boots and shoes for the army. (Hopewell, 2005) A low heap of slate waste lying to the east of the present main road. The tip is covered with the rusted metal fittings of a large number of hob nailed boots, and other small metal waste, including nuts and bolts. There is also a significant quantity of a fine silty material – possibly the residue of burnt and decayed leather. On top of the mound is a slate grave slab with a pair of boots incised upon it and the inscription “Esgidiau Meirw” (dead shoes). The feature is thought to be a World War II army boot dump. (Riley & Roberts, 1995) Sources : Riley, H. & Roberts, R. , 1995 , A470(T) Blaenau Ffestiniog to Cancoed Improvement ( © GAT) Hopewell, D. , 2005 , A470 Blaenau Ffestiniog to Cancoed Improvement Pt I & II ( © GAT) Hopewell, D. , 2000 , Upland Survey 2000 , <1> Events : 40503 : Gwynedd Upland Survey 1999-2000 Moel Bowydd (year : 2000) 43801 : A470 Blaenau Ffestiniog to Cancoed Improvement: Archaeological Recording PtI&II; (year : 2005) 40295 : A470(T) Blaenau Ffestiniog to Cancoed Improvement (year : 1995) see also boot dump incomplete blog https://sonjabenskinmesher.wordpress.com/2015/03/26/boot-dump-2/
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Jan 16, 2016
Jan 16, 2016 at 1:39 AM UTC
. plans change .
partially due to the weather, state of the roads. these are not just closed due to snow, some as cars slide, cause a commotion. it is a steep hill, the crimea, some call it a mountain steeped in history. plans change, while the bus windows remain ***** sbm. nails #notes and jottings Esgidiau Meirw Boot Dump, Moel Bowydd Primary Reference Number (PRN) : 14626 Trust : Gwynedd Community : Ffestiniog NGR : SH69924845 Site Type (preferred type first) : Modern REFUSE DISPOSAL SITE Legal Protection : Description : A mound of slate waste covered to an unknown depth with the (?burnt) remains of thousands of hobnail boots, heel plates, nails, eyelets etc. Dimensions 40 x 30 x 2.5m. <1> A low mound about 35m in diameter lies to the east of the A470 (Plate 66). Its earliest phase consists of slate waste from a shallow linear working shown on the 1889 OS 25 map. This is almost entirely covered by a dump of waste boots. The upper layer consists entirely of heel plates, eyelets, nails, screws, sole shanks and occasional sole plates (Plate 67). Beneath this is a thick layer of ash, also containing metal fittings. Until quite recently there was a grave slab with a pair of boots incised on it along with the inscription Esgidiau Meirw (dead shoes). The stone now lies on the wall of PRN 14777 (Plate 68). It was probably moved by the land-owner for safe keeping after being daubed with paint. The dump is known locally as Tomen Sgidiau (boot dump) and dates from World Wall II. The boots are rejects from a factory that was set up in Blaenau Market Hall to recycle old boots and shoes for the army. (Hopewell, 2005) A low heap of slate waste lying to the east of the present main road. The tip is covered with the rusted metal fittings of a large number of hob nailed boots, and other small metal waste, including nuts and bolts. There is also a significant quantity of a fine silty material – possibly the residue of burnt and decayed leather. On top of the mound is a slate grave slab with a pair of boots incised upon it and the inscription “Esgidiau Meirw” (dead shoes). The feature is thought to be a World War II army boot dump. (Riley & Roberts, 1995) Sources : Riley, H. & Roberts, R. , 1995 , A470(T) Blaenau Ffestiniog to Cancoed Improvement ( © GAT) Hopewell, D. , 2005 , A470 Blaenau Ffestiniog to Cancoed Improvement Pt I & II ( © GAT) Hopewell, D. , 2000 , Upland Survey 2000 , <1> Events : 40503 : Gwynedd Upland Survey 1999-2000 Moel Bowydd (year : 2000) 43801 : A470 Blaenau Ffestiniog to Cancoed Improvement: Archaeological Recording PtI&II; (year : 2005) 40295 : A470(T) Blaenau Ffestiniog to Cancoed Improvement (year : 1995) see also boot dump incomplete blog https://sonjabenskinmesher.wordpress.com/2015/03/26/boot-dump-2/
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I am only three thrusts away enjoying the girl, oh her little bones, sweet somber hair as my pants become tighter. I watch you brushing teeth, foam on your lips, as my crippled spider legs sway forward on towards your tender little *** hole like a cherry, hidden within the cleft of a peach, sweet, then a flash of violence towards your haunches, hips, shanks. Older women are sweet like saccharine, but you are pure cane, ****** peppermint cinnamon disks, which drip the same as crushed maraschino cherries.
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Jun 16, 2011
Jun 16, 2011 at 5:27 AM UTC
Creeping Up On Delores
Clouds of white March mornings Surf inside this smokechamber I call a brain. I was twelve and you were thirteen Both separate rigid crystals growing In the back of Mom’s awful red minivan. We stained our fingers with Oxnard cherries And got high on orange and eucalyptus. Sand behaved like molasses. My Walkman was full of ants Who hated Third Eye Blind with a vengeance. I had a pimple on my chin Which I tried to hide with makeup And I really hoped you’d notice My cotton candy body splash I got it because you like Juicy Fruit gum and That smells like cotton candy to me. I chunked down short white shanks On the red crabbed beach towel Hoping you wouldn’t notice the ricotta billows Developing on the upper thighs Between slushy rivers of purple lightning stretch marks. I couldn’t deal after ten minutes so I got in the water. I laid myself across submerged tidal-pool boulders Near-floating on the frigid little water-pyre Congealing my skin like vanilla pudding Bogging me down like a sea sloth. It took me a halflife to figure out That while I miss those mornings, I do not miss you.
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Dec 24, 2014
Dec 24, 2014 at 2:11 PM UTC
Sea Sloth
The wood room door was opened wide I closed it firm last night. I woke at four and felt it's breath It gave me quite a fright. I felt it's chilly, gentle breath Exhaling on my brow And upright in my skinny bed Roared "Get thee gone ghost, **** off now!" With naked shanks I padded forth To set and light the fire Whilst outside in the wilderness I could hear the specter's ire, It moved about deliberately, It stalked outside my room. I warmed my *** by fires heat And cursed to dispel doom. That icy feeling permeates It reaches to the bone, It is far to early for a call Yet there's the ringing phone, I listen to the vacant hiss, There's no one there of course So I bellow forth obscenities And hang up with a curse. Old Basil told me of the time He watched with open mouth Whilst a faceless man in hounds tooth coat Glided past him from the south. The housemaids tell with fear filled eyes Of depressions on the bed Where something sat and rested there Laid down it's weary head. Except the house was empty then, Unoccupied by guests. No cat nor dog nor friendly hog, Nobody playing jests. Some nights I walk the corridors To see what I can see And I fancy Thomas Dawson's ghost Is quietly watching me, For he only shows his bearded face At the darkest witching hour And it's usually in the dead of night To the echo's of the old clock tower When the mountain looms above the lodge Enshrouded in the mist, And the morepork calls its haunting sound And the snow is moonlight kissed. Marshalg Dawson Falls Lodge TARANAKI,New Zealand. 18th August 2008
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Oct 23, 2009
Oct 23, 2009 at 2:11 PM UTC
The Ghost at Dawson Falls
The wood room door was opened wide I closed it firm last night. I woke at four and felt it's breath It gave me quite a fright. I felt it's chilly, gentle breath Exhaling on my brow And upright in my skinny bed Roared "Get thee gone ghost, **** off now!" With naked shanks I padded forth To set and light the fire Whilst outside in the wilderness I could hear the specter's ire, It moved about deliberately, It stalked outside my room. I warmed my *** by fires heat And cursed to dispel doom. That icy feeling permeates It reaches to the bone, It is far to early for a call Yet there's the ringing phone, I listen to the vacant hiss, There's no one there of course So I bellow forth obscenities And hang up with a curse. Old Basil told me of the time He watched with open mouth Whilst a faceless man in hounds tooth coat Glided past him from the south. The housemaids tell with fear filled eyes Of depressions on the bed Where something sat and rested there Laid down it's weary head. Except the house was empty then, Unoccupied by guests. No cat nor dog nor friendly hog, Nobody playing jests. Some nights I walk the corridors To see what I can see And I fancy Thomas Dawson's ghost Is quietly watching me, For he only shows his bearded face At the darkest witching hour And it's usually in the dead of night To the echo's of the old clock tower When the mountain looms above the lodge Enshrouded in the mist, And the morepork calls its haunting sound And the snow is moonlight kissed. Marshalg Dawson Falls Lodge TARANAKI,New Zealand. 18th August 2008
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53
they want to read you and not think, so too they want to read you and  not see, they hardly care for punctuation necessarily used, so who's out there to please? n'ah really, i was onto something, i meant that if the Kantian thing-in-itself was applied to the cartesian expression, either thinking-in-itself or being-in-itself is jested at, then we can explain the freedoms of disobedience and obedience, truthfulness and falsehood, and the parody of paradoxes, as highest claimants the claimants: (singular plural) choice - whereas will (plural adjective congregating into singular) is always a butterfly fluctuation of measuring an exactness akin to dating and remembering 1066 the battle of Hastings. mingle Kant with Descartes and you get thought as the per se existence - splitting into either fact of coining phrases or robbing someone: no doubt (existential good faith) and certainly no denial (existential bad faith) - mingle Kant with Descartes and you get the twins cogito ergo sum mingling with noumenon, and thus somewhere along the line you get to see the membrane of the zygote, like the thought behind a criminal life where the life is unexplained because the thought of such a life is "easily" accessed, so too in reverse, i.e. being a councillor or a clerk makes such thinking easily explained for the prop of the life lived "easily" justified via the person trading tomatoes or lamb shanks to keep you unthinking in a bureaucratic role.
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Mar 8, 2016
Mar 8, 2016 at 7:50 PM UTC
leverage
with no room to breathe, we wreathe the shanks of our slow breach, with retreat from our null ranks. we are going to burn for the very thing the water sparked.. the undarked sun of our unwashed medallions; marched from sea wreck, to the bottom of unmarked fathoms. clarity bleats - and howls. but the chaos engines purr like kittens in a bin of catnip and gypsy porridge, as it were. and however docile the violence of our retrospect, we wander. but never turn again to the nuisance of what two hearts may ponder. and yet so it is... we kink the smooth blithering of gnats and hatters. but only have ourselves to blame for what if ? if anything mattered.
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Jan 15, 2016
Jan 15, 2016 at 10:26 PM UTC
If Anything Mattered
Oh he's lovely, bedecked in ornaments from the $2 shop resplendent in gold and silver brocade high up and mounted, majestic barely balancing his bank accounts. I like the looks of him. Nice teeth, nice shape-oh momma, what a good choice you made for me. I know you love me. You are wonderful parents. See, that fat bellied politician approaching He is looking at the ladoos and the ladies Thank god I can hide behind my veil of virginity ( I met this politician before- or did I?) He makes a namaste-and reaches for the jelly-babies I like the shanks, Papa, the look the pulse races. my body quivers What a lovely creature he is. Oh Yes. He has his mouth open and He sees me here. The priest arrives pompously, people what a thin priest? He lacks the ladoo to marry me to the horse! Sorry Grandma. I don't want the man. Begin the bonfire. Author Notes In good humour. Must go with link. Cheers. http://media-cache ak0.pinimg.com/736x/d2/37/c4/d237c4aa6f167fd382ea3d7aa9007cdf.jpg. © Marshall Gass. All rights reserved, 11 days ago
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Jun 4, 2014
Jun 4, 2014 at 8:57 PM UTC
Change of Heart