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Mateuš Conrad Nov 2016
.i. if Kant could have his von Kleist... well... who else to juggle juggernauts if not me? as a task of redeeming that poor soul who succumbed to the terminator of all poetic ambitions, with his systematisation off-the-page, as eccentric and punctual as a sunset on a sundial at 16:11... and in case either the spring of sunrise, or the autumn of sunset... but so many hours after exacting a sunset... that gluttony of the eyes to stare at it... 16:11 is the zenith of a sunset in november the 15th... much prolonged when warmer... supersized sun when setting in summer, and all that whiskey-copper wiring for the eyes to stare at it: oh for goodness sake, who really cares for Ikea likened assembling of words... we're not putting together a coffee table, we're looking for Darwinistic entrapment, we're scared of the aeons and yawns... we're trying to create a Darwinistic entrapment saying what segregates us from apes! that's how anti-Darwinism works - if they can easily call you a poet and a technophobe... then that hardly makes you a merchant with a Quran... to encapsulate the language of our modernity we're doing everything against writing the onomatopoeia of our beginning... monkey ooo! monkey ooo ah ah! or a gorilla grunting and then snorkeling... we're encapsulating our language more and more... because beginning with ape and then looking at history, and then looking at the consensus of the contemporary: Darwinism's greatest enemy is not theology... it's history... Darwinism and history are not compatible... oddly enough Darwinism and theology are compatible, simply because they are dynamically equal for the case of furthering both arguments in debate... but Darwinism is an odd starting point to argue, given that physicists argue from the perspective of prior to dinosaurs, prior to all things formed.

how can i begin this? it will leave me having to
write it for two days,
the anti-narrative sketch first, then filling in
the gaps sober... just to get second opinions...
i might have to cook a quasi-Hungarian borscht
and fry up a few potato flattenings to a crispy
yum... first the narrator comes in to describe what's
in store, a bit like a translator comes in and says
of Joyce: that's Irish... well, yeah.
               hence the italic preface...
as some would say, the person who wrote these
sketches worked quicker that an algorithm in asking
and also quicker to copy & paste the required
atomic encoding... e.g. ч and ch
                   э and euro and epsilon...
      once upon a time there was nothing prior
to Copernicus, then the somersaults came,
    h ч y        what coordinates where?
    well of course perfecting the encoding of something,
if things weren't stated awry there would be
no optometrists either...
                  it's not hard to read, it's hard to
remember how to read, given that being literate reached
the omnipresent velocity, the new powers had to
include some new power struggle...
mingling Latin and Runes, Greek and Cyrillic...
     and the proto-Latin of additional diacritical marks...
they exposed the entirety of humanity to literacy
within the framework of post-industrial society,
after hitchhiking a ride on the 19th century donkeys
they suddenly had to reveal their power-secret of
being literate, and by the account of women:
corset bound and bored in salons...
      but something else appeared that didn't really fascinate
them: that over-complication of Latin with
punctuation marks above letters: or diacritical
distinction, crowns over letters, subatomic particularisation
of once favoured: universal applicability...
as a narrator? i have to make a complicated
introduction, the sketch lends itself to do so,
it suggests that not all writing can be as simple as
a nursery rhyme, not all writing can actually
    **** memory, not all writing desires being remembered,
not all writing can be remembered,
                in the mediation of the two chiral opposites
there's fiction, which is suspended in an armchair of
pleasurability... but on the opposite side of a nursery rhyme
or a well versed poem? writing akin to arithmetic...
  something truly painful for those competent with
lettering, but not really competent with ten digits...
      as a narrator who has already read the sketch,
i'm trying to not write a "filling in the gaps" to the sketch
like an art-critic might do to a painting deviating from:
brushstrokes were employed. well... d'uh!
variation of italics as in transcending the pause that
implies a condescending variation of taking a pause,
also excluded are: dot, comma, hyphen, semicolon
and colon.                         dot-dot-dot is not joining up
the dots: it implies a variation of how to anticipate
a punchline: drummed: tu-dum wet snare!
     i am actually a narrator who is trying to find
that other part of me that might digest this sketch properly,
     and return fully competent to pick up another
sketch... if ever there was a narrator in this sketch,
it has to be me, after the sketch has been scripted,
and i am left to suggest a need for a dot-dot-dot connectivity
of the strokes of the pen...
i warned myself: do not overdo the introduction in italics,
you know how picky people are...
whether pickled pineapple of cucumber...
i swear Turks invented pickling chillies...
         oh look! an inflatable gazebo filled with helium!
no one's laughing: only because i didn't mention vegina.
narrative puritanism? you get distracted a lot...
but this sketch is really a thesis for narration,
all i have to do is find the antithesis of narration in it:
an actual narrative!          it stretches for ~30 pages...
   well that's me turned archaeologist with a Grecian urn
with a snap of the finger... because that's how this
sketch looks like: ancient -
                         but understandably modern.
              so .  ,  - and ;
        were racing... out came the world record
             9.58(0)         the full-stop is the bracket-bound
0... i.e. it actually happened: hence the pinpoint...
or in Formula 1 a timed nonsense of ave. m/ph
     noted to three decimal points: 130.703...
                                    or chicane cha chicane cha cha!
as said, this is an actual representation of a narrator
encountering this sketch: so before you lose your head...
i've lost mine!
  look at the correlation though!
we've gone way past atoms with the atomic bomb
and encountered subatomic particles...
    we're not going to get beyond subatomic particles
because we're going to encounter the already apparent
reality of obatomic particle: namely our bodies,
   the perceived ******* (ob- is the antonym
                                                  prefixation of sub-):
             that's were the microscope adventure ends,
    and this is parallel to cutting up a second with
three decimal points, as the safetynet suggests:
                                                              π / 3.14;
yep, the obstructive - hence we can't spontaneously
combust... but then again Goethe's Werther did:
  out of love... down the spiral: you sweet little *******.

~ii. i'm actually too lazy to write the sketch and fill
in the blanks... so i'm going to fill in the blanks as i go along,
  or that's what's called the rebellious stance of narrator: mmm,
work in progress, could you see that coming?


ii. a beer in between glugs of whiskey - runes
combined in the ******* / sigma, variant of agliz or
the rune-zeta extended toward a dark shadow of the rebirth
of Ishrael: zoological enclosure; sigma *******
sigma ******* sigma *******, sigma *******...
rune-zeta... we cannot say there are ******
mathematicians and poets akin,
not then one optic encoding states
     a b c d e
         another states f u þ a r
yet another а б (ρ) в г
  α β γ δ:
for worth of gamma into a trill only because of
   a wave, that's ~ approx. on the side of the letter
   e.g. г & r.
   or rho upside down? what the ****?
did Voltaire write this? reading Candide,
i hope he ****** did!
you the problem is pixelated paper? if you know
how you enter a deciphering mode...
                    but you require a personal library to boot,
all that dos formatting,
                       well there's formatting in the humanity
outstretch of this white medium too...
after it isn't all ******* white when all the psychiatric
pills are white too... i have really found something better
than the Bermuda Δ...
       Greek, Latin, Cyrillic and Runes...
i could say neo or proto otherwise,
but i still haven't unearthed the sketch, that
is probably puzzling the Danes, with Cnut on the forefront...
                    but the arrangement of numbers is universal,
but it's not universal, given the particularity of
how language is encoded and why some people are
richer than others...
            but it's still a beer between glugs of whiskey that
makes more sense...
i said, retype the sketch and go to bed...
and i figured: that's probably the wisest of all possible
events stemming from this...
    that's ~27 pages of notes to retype... and i'm already
in a disclosure mode as to expect what's to be jargoned...


p. 1        cкεтч       /      σкεтχ
   necessity of                        (acute
a-       -the           (ism)
is that of language structure,
          only from the use of one's language does
a deity present itself: from within the noumenon
ground work, not the reverse, as in from
(pp. 2, 3)
                 a phenomenological exercise in
the use of language: Islam, Christianity, Buddhism, (etc.)...
       e.g. Islam is a phenomenon,
  it's not a noumenon: or a thing-in-itself...
  for the Islamic god to emerge from Islam's-in-itself
Islam will have to prevent itself from being-outside-itself...
or overpowering other in-itself contentions
but still: to no apparent success narrative of true intention
as satisfactory appropriation and hence lending itself
to a widespread nod of approval.
  challenging space: word compounding, or the space
between conjunctional deficiencies: nod-of-approval (e.g.).

p. 2    concussion (great film, Alec and Will, 2015, NFL)
concussion... Blitzkrieg Alzheimer's....
brain is fat.... dementia = attacking proteins...
  steroids... the noumenological use of language:
e.g. that ****** is an enigma,
therefore his views will not go viral,
and he'll not become fashion trendy...
it's not individualistic idealism, it's reality.
as will die sonne satan - orbis reach more than 5K
views... so... clap clap... clap, clap.
           what i meant about the a-     and -the
and the ism is following a sentence that sort of
does away with conjunctional fluidity,
apart from the big words, i treat all minor words as
categorically conunctional... and, the, a, is, to, too...
given the sentence: brain fatty *****,
brian organic giraffe wall... ******* hieroglyphic...
           stood above the rest, rest assured.
  dementia: invading protein cells
   (bulging prune of the opportune: purely
digestion?) no thought to eat or eat itself like,
cannibalistically. the brain is fatty...
not fat in muscle for mmm, schmile and flex
for the selfie. how about a protein inhibitor?
(by now, rewriting the sketch, i've lost the page count,
it's actually p. 5 of note paged toward 27).
how about the explanation that we're living in
times of post-industrialisation and thanksgiving
feminism? to me post-industrialisation has created
a class of meaningless white-collar workers
and no blues... it's what the Chinese blues call
the Amazonian nomads: ******* happy...
no amount of crosswords or sudoku will exert
your body to do things for others...
   no amount of mind games will actually tell your
brain to be equipped with: a bunch of hyenas... run!
dementia is a result of creating too many
white-collar jobs (thanks to feminism)
and exporting the blues to China (thanks to feminism
and: oh i broke a nail, can i get a Ching plumber to
fix my heating while i get a ****** to **** me up my
****?!) - maybe i'm just dreaming...
it's great to censor dreaming, i mean: you stop dreaming,
you get to see reality, and you don't even need to
read Proust on a ricochet.
  - so we have brain as fat, and invader cells as protein...
protein digests fat... and creates cucumbers out
of people... where do the carbohydrates come into play?
it can't be at the point of a.d.h.d., can it?
     i'm blaming post-industrialisation, the complete
disappearance of the blues (formerly known as the reds,
in the east) for the whites...
or that old chestnut of: my god you're goon'ah luv it!
   to till for worth from the sweat of yer brow -
funny funny funny... to earn your loaf of bread
you will toil...
                   and toil until you are physically assured
that not ghostly / mental life can enter your world /
books... that went well... didn't it?
   i should be tilling a potato plateau rather than
be bound to be writing this epic (by modern standards)
poem...
             but that's the curse of exporting all the blue
collar jobs to China, then importing mindless
white collar jobs to the west, what the hell do you think
would happen, not the pandemic of dementia?
if you do not exert the body, and then you do not
exert / exhaust the mind... do you think
you can secure a narrative with a post-industrial
westerner on the premise of that person simply being
able to solve a crossword? well... i believe in santa
claus too... but i don't believe in him giving out
presents... because to me, in my oh-so-called maturity
that's called an anagram of satan's clause: which is a legal
term for: i can turn civilisation into shrapnel
of what's said and what's to be said: and what's not to be
said. people can't expect to turn honest labour
for the recreational run on the treadmill in a gym...
and they can't expect photocopying in an office space
to replace Newton's curiosity, and then compensate
all this distraction with mind-games...
          can they? well... they did!

poets are gagged by writers of prose,
no wonder they write so sparingly,
      they are gagged in the sense that they write
as if asphyxiated: they need breathing room.


well sure, if he can revive the Polish steel industry
and i can go back to steel plates and pillars,
then the rust belt will get a polishing also.

or what's called: shrapnel before the waterfall of
narration: darting eyes, and poncy **** all the way through...

     muse... muse...

        well, how about we take the fluidity out of language?
declassify certain words into one grammatical broth,
say words like i and they
                              a  and the    are all conjunctions?
how about that? let's strip it bare, after all: what categories
of words exist for us to primarily speak (let alone think)?
     nouns, verbs, adjectives... adverbs?
       but all those words in between are so jungly classified
into a tangle that i'm about to sprout a handshake
          of a Japanese vine grip: and never let go...

an actual extract from the sketch:

      https that doesn't recognise UCS
                   and insists on IPA cannot be deemed
       encyclopaedic


              i need runes for this! i need runes for this idea!
i don't need transliteration right now...
                but hey! that's an idea, etymological transliteration...
bugly term, sure, but the previous night i was thinking
  of transcendental etymology, as you do, likened to
carbohydrates... so it was transliteration after all...
but a dead end when it comes to geometry and Pythagoras...
      
    three words... and they are computerised (i guess you
have to buy a decent book to decode this), a bit like
buying paint in a d.i.y. shop...
       16DE (dagaz / d) 16DC (ingwaz / ŋ / grapheme of n & j)
                  16DF (ōþala / Valhalla / o / ō = oo),
in total d'njoo / d'nyoo - even i concede the fact that this
is a ******* mind-******... it's a ****** congregation of
four optic encodings of phonos... i moved away from
the ancient greek fetish for the logos... i'm looking at
the phonos... not the logos with Heraclitus et al.
               φº θ þ фª f

ªgreek
  ºcyrillic                ever see a prettier pentagram?
                      i haven't.

(false original title:
škic / cкэтч / φº θ þ фª f: thespian pandemic - pending)

looking at the phonos is painful, actually painful,
it's like reading a book with a myopic pair of glasses:
a ******* aquarium blurry right there, befor...

- - - - - - - - - - - - - - - - - - - -

'e'? were you: was i, looking for an 'e'?

i can say this much...
what do you get when you mix a shot
of whiskey with a shot of bourbon:
i'm moving between bottles...
it's nearing christmas eve and i'm a ripe
taoist... i.e. i better this world:
by not having the world mind me...
on the odd occasion: oh... you're still here?!

yeah... i'm still here... i have glued-to-fascination
with my shadow... i'm just waiting
for the atom bomb to relieve me of a body
but ensuring my shadow is kept intact...
as if it were a Monet signature on a wall...

but i lament... the momentum has vanished...
i don't even know why i'm so idiotic as
to presume that: from the hour 22:00GMT
to the hours 00:00 circa 00:30GMT...
something will land into my lap,
my lisp... my cranium the oyster shell
my tongue the oyster...

it will not... i can't simply **** anything into
an existence that doesn't want to exist...
perhaps lurking in a canvas of:
"lost luggage" in an airport...
perhaps "there"...
i could be excused my... lethargy...

when was this written? back in 2018?
so i was thinking about teasing cyrillic even then?
wasn't i?
sketch cкэтч or?

what do you get when you mix a shot of whiskey
with some bourbon?
a Burguandian whisker...
i am not going to sound witty...
Ron's key...

that's still a cyrillic "or"... isn't it?
шкиц: škic...

i'm... deflated... nothing "new" has come my way...
i would have thought that...
reading some Knausgård would have /
could have... invigorated me:
reading him was supposed to be my:
dialysis my transfusion!
my zombie-go-to-literature...
it has proven an exhaustive enterprise
to begin writing again:
i became too comfortable
in reading - i almost forgot
the agony of writing...

alas... a contemporary of mine...
and someone well adjusted to prose...

notably: who would have thought
that death in june - the calling (MK II)
was something to be recorded in 1985...
for one: i wouldn't...

but i did begin: back in november 2016...
begin what? to tickle the cyrillic alphabet...
which is way before i discovered my reply
to the runes... to the ancient greek...
and this... "ancient", ahem... still in use...
latin script...

that script that went into the molloch couldron
of being invested in to code...
pristine as the hebrews cited:
how many holes in it?
to write onto a canvas of 0?
q Q R O o p P A a D d g b B...
which leaves...
W E T Y U I S F H J K L
Z X C V N and M "out of the equation"...

škic / cкэтч / φº θ þ фª f: thespian pandemic (pending):
i better rename it as... circa 2016...
that's way before i even acknowledged
the cyrillic text applying diacritical markers...
i thought them too crude at the time...

beside borrowing outright from greek...
the already at hand oddities of glagolitic,
notably: Ⱎ...Ⱋ...

it's only a single word i'm using...
i have abandoned all notions of metaphysics
in favor for orthography...
i'm not going to burden myself
with: what's after the physics...
i'm after: what's now...
in the respective tongues...
2 tongue deviations from
the original latin and greek...

what came with the runes and what
came with the glagolitic scripts...
what was ****** and had to succumb
to inter-breeding...

come 2020... i will have one clarification
to base my existence on...
pronouncing the growth of my ****** hair...
i will hope to aim at a length of beard
that will forever hide the neck...
i will aim at... somewhere to the level
of my heart... when i will then manage
to turn my beard into an orchestra's
nieche of violins when i procrastinate with it...

since 2016...
i have identified russian in ******...
i've seen it... finally!
зъaрт... i.e. żart
and the "hard sign" becoming a "soft sign"
in źrenica: зьрeницa...

i still think the russian orthography
is... as... primitive as the western slavic...

after all... зъ = ż...
зь = ź...
the balkan slavs have a caron...
which is neither a hard or a soft sign / acute...

their caron is... ч (č) or cz...
CHeaper in english...
and their caron is ш (š) or sz...
SHeep...
or the two together...
and always шч (šč): szczekam...
i'm barking...

pu-shch-air... a rare example in english
of the puщair...
but then lookie lookie 'ere:

CZACHA... skull...
ЧAХA...

perhaps this is my "revenge ****" on russia?
hey! boris the kremlin mascoot...
come and 'ave a look...
with how i disect your orthography
on the / with the language that asks
too many metaphysical questions and no
orthographic curiosities!

i'll meet you in Warsaw... given that you're
probably moving from Novosibirsk...
and i'm either in Stockholm...
Edinburgh or the outskirts of London:
Warsaw will be halfway for both of us...
you don't have to like Warsaw...
i only like it when the Ukrainian smugglers
and the Mongols appear
in the West Warsaw coach station...

smart as who? i am discovering this for
the first time myself...
i was only teasing it back in 2016...
way before i found the right sort of accents
in mother russian...

i do know that that crescent oddity:
above the ja: йa... is what it is...
if you only cut off the head in english... ȷ...
again: it's я given that most russians
are pulled toward an anglophile world-view...
they all see the window to europe...
the baltic and st. petersburg is somehow...
London... and the atlantic...
like hell it is...

i guess i feel it was a waste of time to
have re(a)d Kant, simply because:
i'm not here for the schematics...
i want to know how my thought my labyrinth
building architecture is coming along...
but with no one to talk to about it?

i found the categorical imperative most
dissatisfying... i didn't want to abide by universal laws...
poetry is already shoved out of waiting room
of the republic...
if my "poetry" is not a categorical imperative...
and it's not quiet a a hypothetical imperative...
it needs to be sharpened on a thesaurus
and some grammar...

categorical (adjective)... imperative (adjective)...
well two adjectives never imply much
if there's no noun involved...
and i'm pretty sure that... if i sharpen
the next word i'll compound with categorical-
in that hyphen construct that's only
allowed in oxford dictionary english:
since it's not: propergermannonhyphenfaustian:
i.e. carboxylic (carbo-xylic) acidity...

poetry doesn't belong in either
the categorical imperative focus...
nor the hypothetical imperative focus...

i.e. i must write a poem... to feel better...
i must write a poem... to organise my thoughts...
no! a poem is not a maxim is not a categorical
imperative! a language of poetry is not
a language of morality: it's a language
of experience - or a lack / a lackey's "sentiment"...

i need a... categorical: impetus!
it's not enough to have read kant's critique of pure
reason... it must also involved
having re(a)d the: groundwork of
the metaphysics of morals...
but i'm a democratic reader...
i need to hear the other voices...
i can't be a kantian scholar...
a snippet 'ere, a snippet v'ere (funny how
THETA disappears when making the posit:
THERE - ver!)

who needs metaphysical absolutes...
when orthography (or a lack of it)
in english... spreads open its legs...
and the tongue remembers its tongue-brain-phallus
stage of co-existence in the oyster?!

i'm pretty sure that a categorical imperative
is by no means a categorical impetus...
this had to be written,
but it had to be written in order to disregard
anything a priori... prior to it...
a poem is a shady concern for action or inaction...
it's a deviation from the cartesian crux:
res cogitans (thinking thing)...
into the cartesian levy (res extensa)...
it's an action of inactivity...
as much as it's an inactive activity...
"the rest"...

impetus is not an imperative...
an impetus sources its meaning in a per se
investement... of itself - in itself - for itself...
an imperative?
in pronouns... impetus: i want... i will...
imperative? you want... you will...

an impetus is self-dictative...
an imperative is: indicative...
someone would rightly claim...
those that mourn indicatively...
will don the right garments for the process
of mourning...
which is indicative and devoid of
the per se manifestation of mourning...
it is an imperative when compared to
the impetus to mourn -
which is self-dictative...
which does now shallow itself in
grief by making a socially agreed to fiasco
of a very specific choice of wardrobe...

basically: however you like it...
an IMPERATIVE ≠ IMPETUS...
the year is almost over and i want to break-off
the dust from the thoughts that fudge-packed themselves
as worthy of occupying the minor instance
of having to count a depth of:
not dead within the year of being written.
Michael Ryan Nov 2015
Retype number 3,018--
I don't really think I've written
this many entries for just one poem

it's a beam of light that
scores my thoughts
and begins to type across this board

but in the end
it was a refraction of shadows
hinting at another dream

because these ramblings of another world
are the minds way of scrambling
to form new words
and convey our Neverland
that we've Neverfound

Scented candles add an extra burst
of enthusiasm to wander this page a little longer
because they are my witness
that even Evergeen Woods
have some Cinnamon Bark hidden in them.

the candles are made of wax
and when I pour myself to sleep
perhaps our wicks stay lit
or do we fiddle away
with our dreams.
Something about something.
J Aug 2020
Frenchie. there's a lot that i'll probably never tell you. either in fear that it will drive you away, in spite of the numerous times that you've told me you won't leave or run because the chance of something scaring you off is slim. or simply because it slips my mind. trauma, am i right? you say a lot, and i mean this in the best way.  you can talk, and you can tell me as many things as you want, and i'll never properly believe them because i've learned that words are ****. then again all we have are words, smiles, and through-the-phone, air-blown, crush-induced kisses that bring back memories, and yet rewrites them as something entirely new and, of course, much much better. something ours. i hope it's never given to another person, this sweet kiss of life, the final kiss of death, an angel brings me to heaven, enter whatever aesthetically pleasing line you want but it will never be as good as, "and so the lion fell for the lamb." haha. it's 11:16 pm, August 9th. and i'm laying in bed. for reasons i'll try to explain in a second, i'm tearing up, as i have been for a while. i think i first started tearing up the first time we called, which isn't so much a bad thing as it is a surprising thing. because it was a sad happy cry. it's similar to breaking a piece of jewelry that you really enjoyed, but then buying something much better. you loved that plastic, feeble, oversized, first love bracelet, but now you have a moonstone or (enter favorite gem) filled, perfectly fitted, wifey-made promise ring. you'll keep the bracelet somewhere, forget about it, find it again, and again, and again. discovering it under blankets, and pillows, and promises that we've tossed around ourselves. it will peek from inside my black coffee, in the dirt i praise, in the trees, in the music we'll listen to together. in the color brown, Frenchie, that's where you'll see, i'll see, we will see, that piece of plastic. dark brown, the colors of his eyes. my favorite color for the longest time. i don't want it to mean him, so it doesn't. but that's where it comes from. i'll find it, we'll find it, up until you get tired of seeing it, of seeing me see it, and take my hand, begging to throw it out. but, my to be discovered favorite gem filled, wifey-made perfectly fitted promise ring, it might take a while, with me quietly begging for your help, to get rid of him. not because i want to wear it, but because i horde emotions the way i horde stuffed animals. it's a labrinth to find the bracelet, we have no map and somehow we have to get from this forever smile to the closed-off corners of my mind, where even i, as it's supposed owner, struggle to collect, and comprehend, and conquer my horrid thoughts. but Frenchie, we laughed. and it was the first time in so long that i've been able to laugh with someone like that, and not worry, and not expect, and not be afraid. except, since we're here it's already obvious, that ended up making me afraid anyways. Random, but there's this song in my head right now. "make me behave like an animal." Sir Chloe's Animal, everything by Sir Chloe is absolutely incredible. but, let's continue. you may not believe me when i say this, but i'm scared out of my mind so entirely that every second between our conversations is an hour added to my inevitable future breakdown. how weak, and pathetic, and disgusting, i know. i have told you so many times that i can't like people, that it's so hard for me to connect to someone new, and yet it's day three and i'm imagining that i'll be happy if only you'd hold me, as if that's what you want to do, as if that will heal me, as if that should happen. as if i'm taking things slow the way i want to, and yet don't want to. if i could properly explain in words, i'd tell you with lengthy descriptions, both vastly and vaguely, calmly and excitedly, slowly and quickly covering deep hidden and obvious and in-between meaning, proving how desperately i want to be with you, be yours and you be mine, and how, ****, how i hope you don't **** me up. because all i can think when we talk is "****." you breathe, and, between each of your heartbeats, i figure out that i like you more, and more, and ****! the way your face looks so angelic when you sleep makes me just think "god, she's going to really hurt me. she's gonna **** me up, and chances are i'll thank her for it." to be hurt by you? that would be a blessing, and yet i'm shaking. what a interesting concept. i'm sure this is proof that i'm ****** up already. i keep bringing up the time. three days, Frenchie. Three. and that's it. that is literally it. that's all we've been. so explain, please, why the first few words you said had me ranting to my friends. please, tell me, how within a day, everytime your name popped up on my screen i would giggle like a child. please, explain to me, why everytime i talk about you, my cheeks hurt so much from smiling. i'm crazy, absolutely crazy, and i know my friends have to be thinking so too, because it's been. three. *******. days. but why? as in, why is that so bad? three days, what's so wrong with that? why does liking someone have to have a time? let me explain something that i've been thinking about. two years, on and off, thirteen breakups. that was Justin and I. roughly six months after the final one, i met you. "cause everytime you hurt me, the less that i cry." i'm way too good at goodbye's. i never particularly got that song the way i do now. had we stayed apart the first to the maybe fifth time we broke up, i would have took longer to heal. but it was time thirteen, so it was all expected, hurtful of course, but expected and so, it was almost boring. almost. it would have been if it didn't rip my heart out. i rebounded. hard. many times. many people. zero regrets. but this connection to you, sometimes i catch myself fearing i'm picking up where Justin and I left off. which, yes, is really toxic. but then i remind myself, this is how a good portion of relationships start. if i like you, i'll act like it. if i want to be with you, regardless if we just met, i should act like that. right? right, that's what normal people do. but we already explained i'm not normal. i'm ****** up, and i overthink. i'm ******* up. so ******* up that i can't hold eyecontact with you because i was "trained" not to, because i'm not used to, because it makes me nervous, because i hate the way my eyes look and i believe that you shouldn't have to look at something so disgusting. god here we go, i'm talking about him again. blaming him with my "trained not to" rather than blaming myself for letting it  happen. i let myself feel like that, i let myself bow down. that's on me, that was my weakness. admittedly so, yes. i'm scared of looking in your eyes. maybe out of submission. or maybe i'm afraid of seeing what i once saw in his. but truth be told, i think i'm scared of looking into anyone's. maybe i'm once again overthinking things and it's just regular anxiety. "regular anxiety," what an interesting statement that even I can't properly explain. and by the way, i never want to compare you to him, not even the good things. (just realized this entire thing is bipolar and has been written and rewritten to a point where the overdramatic stuff became simple conversation). but why not the good things? because i don't want you to be like him in any way, and i don't want to be with someone like him again. i realize that i will eventually, and might have already without properly realizing it, compared you to him. but, as i like to say, if i don't look at it, it isn't there. so we're not going to pay this any mind. there's so many things that i can say behind all of  this but my mind is going too fast, and it also just realized that most of this is literally so ******* stupid that i should shut up about, i was truly overreacting. maybe if i remember, i'll retype this until it sounds less crazy and obsessive. good thing i edit before i show, so yes i was planning on showing someone. but probably not a lot. only a few trusted people. but now that i read and reread i might just keep this to myself. not that it will matter if i explain, seeing as i might never show this to you, but it's nice to give this to a ghost of you, although it leaves my imagination running wild trying to figure out how you would respond. everytime i type something i want to rewrite it, and i have been rewriting it by the way, because there's no way in hell this captures a fraction of a fraction of the surface of how i'm hurting, even though i've been typing for almost two hours trying to find better words and longer sentences. this all sounds so meek and weak and pathetic in comparrison to the metaphoric erruptions and hurricanes and other natural disasters. haha. this doesn't feel natural. it's like i'm begging for attention, or manipulating you more. fun fact, he called me overdramatic, and manipulative, and tons of other things i won't get into, so i often use the words on myself. because it was and is accurate. i keep making myself out to be a victim and he said i always did that too, that i always victimized myself. he said it a lot. let me explain: i panic so much, i get sad over the smallest things. for example, he was mourning over the death of his mother and started yelling at me and wouldn't tell me that he loved me back, which i shouldn't have gotten mad over but i did. he told me "jesus, i can't even ******* miss my mom without having to make sure you're not having one of your episodes." of course i apologized, and tried to fix my issues myself when he got tired of me or in general and hung up. literally, believe me. i'm so ******* sensitive and it's annoying and i'm annoying, i'll never understand how i got the amazing friends that i do. Apollo knows that i don't deserve them. and please ******* please, i just want to stop crying because it hurts so bad. but after writing it down i feel so much  better. i stopped crying, this is part of my editting by the way, and i feel much better writing to you, ghost Frenchie. but really. it. hurts. so. bad. so bad to a point where my heart seemingly stops, i'm left breathless and NOT in the best of ways. and then said heart explodes. over. and over. and over. in milliseconds, again and again and again, all while the usual me laughs and tries to make my eyes look lively, you might get this but there's so many hours of the day where i hope no one can see the pain i'm in. because i literally have zero ******* clue how to explain the way that i feel. eeehhhh, how edgy. i'm sooooo misunderstood haha. when it hurts, my jaw clenches, i'm no longer in control of my breathing, my head hurts, my brain becomes helium and all i can think is "fuuuuuuck." but ****, as well, because. "i don't wanna be your friend, i wanna kiss your lips." i just want to touch you, and lay on top of you, legs around your waist, snuggled into your neck, breathing in your scent and finding shelter in it, listening to you sing whatever song you put in the background, the smell of **** and cigarettes and us. and beg you please, between each kiss, each time my hand finds yours. please, promise ring, please, please. please. learn how to love me. love me, please. heal me. please fix me. please make me okay. because i'm not. and i haven't been. and i don't know if i ever will and, ****, i swear i'm calm now. but knowing that, knowing that i will never be okay? that hurts worse. because it's proof that i'm aware i'm nowhere near good enough for you. i added on to Justin's issues. I don't want to add on to yours. "But J, remember, I told you that making sure you're okay is giving me something to take off of my life." but you need to focus on you, i can't just take all of your attention. i know that seems like i'm wanting you to tell me "i want you to have it," but that is literally the way i feel, please don't tell me that. i want you to drink water, and eat, and call me. god i feel awful for not calling you today, holy absolute wow. Frenchie, you're hurting on your own without my added everything. You deal with so much, you've dealt with so much, from your birth to the girls and boys of your past, and **** it. ****. we're talking and i should make the most of it, but i really just want to make you okay. i lied to you, y'know. you asked me about my best quality. i told you that i gave good advice, but truth is i probably don't. i think that my best quality is that i make jokes out of everything, i try to make people laugh all the time. that's not always a good thing. last time i texted, i said something about holding you and giving you a watermelon to make you happy. that might have ****** you off. truth is, i doubt there's something only seen as good in me. there's always a second face to everything that i am, i'm a two faced, four faced- no no. twenty faced *****, and not even like a bad ***** i mean like. little ***** baby type faces. and i know for a **** fact that your life has been worse than mine, Frenchie, my issues are literally nothing compared to yours. so, once again, i can't let you add my issues to your own, and yet here i am pouring myself out and begging ghost you to fix me. i mean what you don't read can't hurt you, but something tells me that i want to give it to you. everytime i think about showing you this, i cringe. because jesus three days, man, and i'm writing this absolute *******? and yet i can't just stop. i can't just leave. i'm too selfish for either of those. i have **** to say, and call it growth but i'm gonna ******' say it! y'know? someone's gonna read it eventually. half of me hopes that they send it to you without my permission, but the fact that i'm writing this out proves that it's more than half of me that hopes. and yet the thought of you reading this makes me wanna swallow rat poison. i can't just let you free, y'know? give you the chance to run without wanting to grab you by your legs, pull you back, breakdown and just ******' scream that you're mine, MINE MINE MINE, until you feel sorry for my hoarse voice from crying, scared because now you know, now you ******' know, Frenchie. the opening to run, the ability, it's here, it always has been. but you won't take it, you won't, will you? will you? no, i don't think so. because you've been through worse, because you want to convince me i'm not as bad as i make myself out to be, because you're not afraid, because "it takes a lot more than this" to scare you. don't you see? i'm manipulating you into liking me, Frenchie, i am. i know what to say, how to say it, i read people, i get under their skin, and then i play victim when they flee my spiders web. and i love it and hate myself, haha! ******* ****, please, ****, oh, please, like me. oh, Artemis. please. i want to try, and i will, but, seriously, don't. do not trust me. don't love me. don't like me. run. please. please. you shouldn't, i'm not good, i'm really not. and no one gets that. i'm the Jerry of the world, people are attracted because they feel sorry for me. that's my magnet's secret. pity. **** it. listen, i'm proud and upset at the fact that i'm doing this to you. i've admitted it, dearest Ghost Frenchie, and yet continue. because in the ways that i want to show you my crazy, use it as a "please help me" and keep you here, i do actually want to try for you. read that as many times as you want, I want this. I want to try, but this is my warning that maybe no one will read. this is an entire universe of new things and old things i haven't or thought i couldn't feel. i've thought about it, and i've almost done it, but i can't block you, save you, and leave it at that. because i actually want to try and be good enough. i had cried to my friends saying that you would hurt me, but i wonder if i'd end up being like your exes and just be more proof that you don't need that this world is ****** up. oh wow, there i go again with my manipulation. just. ****. i want to be with you, even though i don't deserve it, even though i have no right to, even though i know that you, lovely butterfly, have a life ahead of you. though small, i'm still a spider. this has been on my mind for so many hours that i've spent typing this, but i should have said so much more to you when you told me that you were having a bad night. you admitted that you were too stressed to even eat and that you didn't want to take it out on me, calling wouldn't be a good idea because you didn't want to snap at me. can i please just say that, good Aphrodite, the fact that you're humane enough to say that, to warn me, means so much. you don't want to take it out on me, you didn't know for sure if it would happen but you wouldn't even let it happen because? ****, because you're, ****,  you're a good person. you care about me already, and that's so ******* heartbreaking and heartlifting at the same time because, AH! ****, she LIKES me? likes, me? likes. me. Frenchie. likes. J? and at the same time. why? Frenchie seriously likes J? Haven't they warned her? i almost didn't text you, i almost just left you on open, just so you could come to me when you wanted to. i don't know why, but i responded. sort of like a puppy, y'know, that's just been yelled at. or, rather since you have cats, a kitten literally just purring and rubbing themselves along you even though they clawed your wall and you screamed. i was hesitant, but i knew that you'd try to be nice, i think? truly, i don't know my reasoning behind that, but you responded anyways. and maybe i'm wrong, but you sounded so soft and it made me smile. because you were trying, and it's dumb that i have to say that but, relationship wise, it's been so long since anyone has TRIED. when you leave me on opened or when you don't respond, my heart drops. which isn't to make you feel bad, because i know you're either frustrated, or busy, or it's a habit, but it scares me. because, again, three days??? and yet you leaving for a little just freaks me out. also, allow me to admit this. while we called, i have reasons for why i'd wake up everytime you moved. i was scared that i'd wake up and you'd be gone. not to be creepy, this is supposed to be romantic, but at least twice i remember waking up, and you were asleep, and i looked at you. god, you're literally so beautiful, Frenchie. you're literally so unbelievably gorgeous that the sun pales in comparison to your radiance. can i say more depressing, Justin related things? i shouldn't, because him being mentioned is literally making me look worse, but i never really feel up to talking about it with anyone besides, well, you. talking about exes with you, it's just, comforting. you telling me you were having a bad night gave me these wretched flashbacks and- oh, ****! this isn't meaning never tell me, like, please, please, always tell me, just, uh, let me explain cause, uh, ****, oh, Hades, it hurts. it's dreadful, really. he, uh,  he would get upset about something, or really anything that he could think of, and uhm. just, haha, stop talking. for uh, for literal hours.. and hours. and hours. out of nowhere. i wouldn't know why, so i'd blame myself and then i'd spam him, thinking that would make him want to answer and begin my whole, "please, don't leave, please, Justin, please, i'm sorry, i love you, don't leave, you're supposed to be my daddy, please, you're supposed to be mine," skit. i mean, see? proof. he couldn't deal with his own issues because i needed attention and reassurance. all. the. ******. time. i won't give excuses, he really just needed space. but space felt like a break, which sometimes he made for. but, right, for me, Justin was famous for his "just leave me alone's" and then the "i don't want this anymore" or "i'm really tired of you" haha. or it was the whole, "you're just not what i need in my life." or i mean "there's someone else" or, of course, haha, the, uh, last one, my personal favorite "we're just not compatible." like, oh, really? i mean, yesterday you hit me and told me that i was a ****, like? we're not? we? we aren't? compatible? wow, like, really? so, no future together? like, uh, oh! c'mon Mistah J!  ouch that hurt to say, but please laugh because haha, TRAUMA, am I right? but, wait? does that count as trauma? hm, i mean some of it was traumatic, right? wait hang on, yes. wait. being beat- ? well, not beat! i mean, like, i could still, y'know, move-? jesus **** what is wrong with me. i don't want to call it traumatic cause victimizing. haha, ****- but uh anyway. i'd be left trying to off myself in some petty way. because i felt like if he couldn't love me, if he, Justin Ryder, the long-legged **** who knew me better than anyone, couldn't love me, honestly, who would? "But, J like. you have friends!" yeah, i do, and i did then, too. but these lovely, amazing friends didn't come to mind the way they sometimes do now. sometimes. i mean, why do i feel like it has to be romantic for "i love you" to count. i say "i love you" to my friends all the time, honestly, because they need to hear it and i've lost so many people without telling them, y'know? but anyhow, right, no one came to mind. just him, and his lack of love for me. i mean, he was God. he was MY God. he was my world, everything, my reason to breathe, the reason i existed. i loved him. more than i've ever loved someone in my entire life. and, i mean, that's why i let him come back so many times, with open arms and apologies from me that should have slithered from his own serpent lips, the reptile. they rained from mine, eagerly, harshly, on repeat, no questions asked. he hit me, i apologized. he made a mistake, i said "i'll never do it again." i blamed myself for a lot of things that he did to me, gave excuses for him, too. y'know, the cliche "you don't know him like i do." god, i mean, i was right about that. no one knows Justin Ryder the way that i do. i hope no one ever does. Frenchie, dearest promise ring i keep referring to for poetic purposes, you asked me if i was over him. i am. i don't want him back. but if he ever texted or called, i'd break down, lose myself, hysterical hurricane J. not because i miss him, just because of the **** that i went through with him, Frenchie. it's small, y'know, compared to what others have went through. but it really, i mean, REALLY, made a huge impression. i don't want him. i keep saying that, everytime i do it becomes less believable but please understand that it isn't him, it's what he did. but **** there i go putting the blame on him again. Frenchie, are you over her? see, the fact that someone came to your mind means that sometimes you question it. unless you really just thought to yourself, "who, am i over who J?" maybe i'll never know. but you should know this. desperately, quite desperately, i want to tell you that your smile makes me feel safe. and i haven't been able to feel so safe from such a small thing in months, almost a year. because how could i trust his smile, y'know? even before the very end, in the middle, in the first time, how could i ever trust his soul-stealing smile? especially when i saw him making it at whatever girl he chose next or, funny thing, even during our time together. i want to explain to you, Frenchie, that i know you need space, and that, even though i realize that, i'm so terrified of ******* up the way i did with him. when i'm upset, i need to be smothered. not everyone is like that, i have to cope with it. haha, wow what a *****, i have to cope with your ways of coping, god i annoy myself. but. regardless of the amount of friends i have who assure me that, "J it wasn't your fault, Justin was the issue, J you weren't the toxic one" i can't believe it. i refuse to think that it was just him. another lyric so a song i enjoy "it takes two to toxic," i keep thinking of songs, but i think you understand that, too, my adhd love. i should have, could have, done better as a person for him. not saying that i regret not, but the fact that i could and i didn't? maybe i should have shut up, maybe i should have said more. everything was beyond the severity of walking on eggshells, which he said often that he had to do around me because, i mean, i've explained that. it's just more proof, you see, that i was too sensitive, proof that i should have been tougher, said less, comforted more. but didn't he know how he made me feel? that i was trying, truly trying my hardest? didn't he know that i loved him so entirely that i gave up my best friends so he'd look at me. didn't he know? didn't he? honestly, how could he have not. i worshipped the literal ground he walked on, didn't i? did i? or am i exaggerating again? should i have ran? yes, no. yes. maybe, or maybe he should have? i don't know. **** me, this? this really, this isn't about him. but it is. because he made my head all ******, the time with him anyways, cause once again it was me, too, and everything is like, oh, ****, a minefield or something. and i don't want you to think that i'm not over him. because i am. him, as himself, i'm over. but the way he made me feel, the experience, the way he changed me? i don't know. did i change for the better or the worst? i wish you could have known me before, maybe you would be able to tell me if the me that i am that now is better. but maybe if i knew you before, my time with him never would have happened. but i hate myself for it. "it" as in everything from the time i got with him to now, every word i've now spent almost three hours revising and rewritting, i hate myself for. that's what's ******, i don't even hate him for it or this, i literally just hate myself. i sound like such a ******* idiot for all of this,  but i'm not, Frenchie. i'm not. well, hang on, i mean i am. i'm a literal ******* *******. haha. but this is how i'm trying to explain to you, and if you ever read this maybe you'll get it. but, i want to make you happy. me. i want to make you smile more and laugh like you did, like WE did. and i know that i got attached so ****** quickly so my whole "it's hard to love people" thing seems fake. but it isn't. i can't. i literally can't tell you how hard it is. and this right here, this is hard, too. because i'm fighting with the "oh, J!! this is different" side of me and the "**** her, *******, everyone is the same" side. i'm pretty sure i told you this, but i broke up with my last girlfriend because she actually gave a **** about me. and it made me want to puke. when i did, when i left, she told me that she was in love with me. and i ran to the bathroom. and proceeded to cry, getting rid of my lunch and dinner, and almost just ended it right there because i thought, "****. if someone can love me, can say those three sacred words, to me? TO ME? i must be hiding so much from them." i just want to scream. yknow? to the world, to my friends, my family, you, that "i'm ****** UP IM ****** UP IM ****** UP PLEASE LEAVE" but "oh, gods, don't leave." please, ******* ****, if you're not ready, if you don't want me, please, tell me. if i'm too much, especially after all of this, holy ******* ****, please, tell me. because i can't take it. i can't. tell me now, these three days in where i'm confessing i want to be with you, that you can't. because i wouldn't be able to handle it much longer than from here. oh, **** yeah, it's going to hurt so much. i kept saying that i didn't want to like you. but everything draws me in, dearest Edward, and it ******* *****. it. *****. because i'm beyond aware of possibilities of the failure. and, yet, i couldn't be happier. in the middle of my frequent breakdowns, i'm so entirely full of joy. my mother tells me that i'm glowing from how entirely, like, happy i am. you're miles away, Frenchie, and yet you make me happier than i've been in a long, long, LONG time, dancing and singing around my room like an absolute idiot because i'm thinking, y'know, MAYBE. MAYBE THIS IS THE ONE. "J MAYBE YOU CAN BE LOVED, AGAIN. MAYBE SHE'LL LOVE YOU, MAYBE YOU AREN'T AS BAD AS YOU MAKE YOURSELF OUT TO BE." and everything looks so ******* amazing with you in the picture. and, still, i always ask myself, is this too fast? am i still not ready, still taking things too fast, should i shut up, am i hiding too much, doesn't she get my bipolarness and bpd? you do right, you do? oh ******* ****- **** all that, those last few questions are entire other things, and it's now 2:07 in the morning and i'm ******' done. the end done, I won't write anything else. except this. Frenchie, I know you love being called that, but there's something so entirely personal about being called by your name. sometimes I catch myself slipping on typing. maybe it was a mistake to tell me your real name.
frenchie.
sydney
a rose by any other name would smell just as sweet
this literally has zero reasons to exist. but I wrote it anyways. because I've always wanted to write something. even if this doesn't particularly sound like a poem, I feel like maybe it belongs here. so if anyone ever reads this, hope you like it.
Andres Martinez Jul 2018
Relive the moment
Re-read The history
Repent from the past
Reiterate the words
Rethink the logic
Remember the hardships
Restrain The inscurites
Rewrite The map
Retype the joy
Reassure the foundation
Recite the goals
Re-do the next day
Imran Islam Jul 2017
I do love coffee
I have it every morning
Don't like toffee
or anything!

The morning coffee
Retype every nerve
Even at the work coffee
Helps to serve!

Usually, I have coffee
Twice a day
Mainly I need coffee
With the early ray!

I don't like coconuts
Menudo and toffee
But I like chocolates
Less than coffee…
Caty Jun 2013
I have so much to learn
Yet so little to share with the world

Therefore,
As I type and retype these words,
I question the direction- as well as motive

When the sun peers through the mustered drapes
My heart collapses, and my body once more refuses to rise

If past is any indication of the future
Then I'm in for hell

Pain is exponential
And so are the years that flutter continually by

The life I once had dreamed of
I now must  ordeal

My home is under the covers of a weathered blanket
-the sound of classical bellowing from a table, not far yonder

And as I work and wonder at the world
I count down the days to an inconceivable  dream

Let me share with you something; ever so true
No emotional pain surpasses that of someone who dwells utterly alone

We are social creatures
And without a friend or family member worthy of mention in the world,
It is a struggle within itself to be alive

May it be then,  that my prayers for a relative happiness be answered
and that with you, the deep peace of fallen dreams be ignited by the flames of love
David Montgomery May 2015
TODAY.
Abs_nce (e)

missing letters like missing
words,
like missing faces,
we don’t talk the way we used to,
and I am momentarily saddened by old songs,
and a dying keyboard,
as I retype the word,
“today”
like a fish gasping for air,
but still no water rushes in,
no swift tide,
to carry my heart
away.

-dm (c) 2014
Samora Mar 2021
Free ride
Fried to the core inside
Tried
To make me more afraid
Hide
Frightened of what might come out
Doubt
Mortified
To make me feel certified
In and out my life
I’m alright
And fine
Okay
K
I’m not
And yet keep telling
Repeating
How am I doing?
Answers
That I cannot retype
Words
I can’t rejoice
The noise (wake up)
That sounds so familiar
Memories
Clogging
Jamming (wake up)
Pounding
Banging
Slamming
What’s happening?
Brain was melting (wake)
Breaking
Freak train back on track (up)
Breathing
Steadily back and fourth
Steadily back and fourth
Rocking
Eyes slowly open
I peak
I blink
At last
It’s finally morning.
Dave Hardin Dec 2016
Strong Man

Sleep sound, dream sweet dreams
A strong man at the switch
Trouble no more, all peaches and cream
A strong man with an itch

Head for the mall, work on your tan
A strong man has your back
When things go south, he has a plan
A strong man, to tyranny he’ll tack  

Blow it up, the whole things broken
A strong man lights the fuse
The will to fix? You must be joking
A strong man wins, we lose

Feel free to retype and add a verse, or write new verses using the same title and pattern.
theory plays itself out
from a distance
a tree walks
towards me
brim flicked
exhausted
          grinning
                  smoking
within inch of meeting
he has been flying and

my pink skirt skips
a beat to meet him
flame-like
swirl-like
matches
ti leaf twists

I drink sap
acrid and sweet
take small bites
leave marks
to match scars
carved into bark
and shining shoulder

where his fragility shelters
in my airborne hemline
anchors fabric down
to fragrant ground of

wirey connections
bearded chin grooves
soulpatch blonde tinged
in glowing moonlight
i press my cheek to his
welcome him home



what the fish thinks...

she hasnt swum so deep in centuries
philosophies of gills glittering
wander starlike flowerlike
through autumn

spring has come
rejuvenates dead
coral gardens

"it's real..." she quivers
gills gasp and expand
oxygen through
her silver body
dapple-lit
she wonders
calmly

and, if a fish could breathe
in Essex salts and Polish skin
she would breathe him in
absorb him in ways
she never thought
she needed



Continuing...

i haven't had a visit from someone
quite like this

sure i've had family and friends
kid sleepovers and barbeques
potlucks and gatherings
bearing gifts and pupus

but this
this is different
this is a visit from a friend
with intention

no  "how are you(s)"
we past that long ago
no  “Are you hungry”
we already know we are
starving

just silent query of
edge smiling study
accompanied by a shake of head
equivalent to tail wagging
and, ohhh, how i like that

i liken it to a yellow vase
watching seven rocks
eclipsed by a morning

seven sunsets
digit multiples

© on Nov 16 2023 09:42 PM PST, Epsileta Wolonskaya

p.s. if it were truly copyrighted...
"©"... you wouldn't or shouldn't be able
to simply ctrl+c and then ctrl+p
from page to page...
html code would require you to retype it...
you couldn't control and paste it...
if it were truly copyrighted...
that's how the meaning of html and law
should be understood...

    yours sincerely, a Kierkegaard Bachelor.

— The End —