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"rachel" poems
I love being horribly straightforward. I love sending reckless text messages (because how reckless can a form of digitized communication be?) and telling people I love them and telling people they are absolutely magical humans and I cannot believe they really exist. I love saying, “Kiss me harder,” and “You’re a good person,” and, “You brighten my day.” I live my life as straight-forward as possible. Because one day, I might get hit by a bus. I could be walking down the street one day, blasting Rihanna or Fleetwood Mac, jamming so hard that I don’t see the bus coming. I could be walking with a book in my hand, reading until the very end. I could be paying total and complete attention, imagine the impact before it arrives. And I’d really, really rather not die with some confusing statement I said sitting in the phone or the thoughts or the memory of someone I know, care about, need. I know how it is—we all want to be mysterious. None of us want to get hurt. None of us want to look desperate. So we wait to respond to texts, phone calls, emails, Facebook messages, Tweets. So we communicate our emotions in how we end our messages (no period this time? Really gonna get them.). So we say vague, half-statements and expect people to read our minds. But what if we died? What if the last thing you ever texted that girl was, “I don’t know, whenever,” when she asked when she should come over, even though you really really wanted to see her right now? What if you were head-over-heels in lust with some beautiful human in your Lit. class but you chose to wait 15 seconds before texting them back, only to never get the chance to text them at all? Maybe it’s weird. Maybe it’s scary. Maybe it seems downright impossible to just be—to just let people know you want them, need them, feel like, in this very moment, you will die if you do not see them, hold them, touch them in some way whether its your feet on their thighs on the couch or your tongue in their mouth or your heart in their hands. But there is nothing more beautiful than being desperate. And there is nothing more risky than pretending not to care. We are young and we are human and we are beautiful and we are not as in control as we think we are. We never know who needs us back. We never know the magic that can arise between ourselves and other humans. We never know when the bus is coming. (So go text them back.) -Rachel C. Lewis
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Sep 23, 2016
Sep 23, 2016 at 8:03 AM UTC
Tell The People You Love That You Love Them, By Rachel C. Lewis
I love being horribly straightforward. I love sending reckless text messages (because how reckless can a form of digitized communication be?) and telling people I love them and telling people they are absolutely magical humans and I cannot believe they really exist. I love saying, “Kiss me harder,” and “You’re a good person,” and, “You brighten my day.” I live my life as straight-forward as possible. Because one day, I might get hit by a bus. I could be walking down the street one day, blasting Rihanna or Fleetwood Mac, jamming so hard that I don’t see the bus coming. I could be walking with a book in my hand, reading until the very end. I could be paying total and complete attention, imagine the impact before it arrives. And I’d really, really rather not die with some confusing statement I said sitting in the phone or the thoughts or the memory of someone I know, care about, need. I know how it is—we all want to be mysterious. None of us want to get hurt. None of us want to look desperate. So we wait to respond to texts, phone calls, emails, Facebook messages, Tweets. So we communicate our emotions in how we end our messages (no period this time? Really gonna get them.). So we say vague, half-statements and expect people to read our minds. But what if we died? What if the last thing you ever texted that girl was, “I don’t know, whenever,” when she asked when she should come over, even though you really really wanted to see her right now? What if you were head-over-heels in lust with some beautiful human in your Lit. class but you chose to wait 15 seconds before texting them back, only to never get the chance to text them at all? Maybe it’s weird. Maybe it’s scary. Maybe it seems downright impossible to just be—to just let people know you want them, need them, feel like, in this very moment, you will die if you do not see them, hold them, touch them in some way whether its your feet on their thighs on the couch or your tongue in their mouth or your heart in their hands. But there is nothing more beautiful than being desperate. And there is nothing more risky than pretending not to care. We are young and we are human and we are beautiful and we are not as in control as we think we are. We never know who needs us back. We never know the magic that can arise between ourselves and other humans. We never know when the bus is coming. (So go text them back.) -Rachel C. Lewis
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14
you think you're unloved and unwanted but honey, that's not true open your eyes and look around no one's as beautiful as you "too fat", "too skinny", "stupid", "ugly" cover your ears, my dear don't listen to society you may have scars on your skin or bruises black and blue it's okay, darling, I have them too do not give up hope, it'll all get better soon
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Sep 26, 2018
Sep 26, 2018 at 7:53 AM UTC
For Rachel
Visits of condolence is all we get from them. They squat at the Holocaust Memorial, They put on grave faces at the Wailing Wall And they laugh behind heavy curtains In their hotels. They have their pictures taken Together with our famous dead At Rachel's Tomb and Herzl's Tomb And on Ammunition Hill. They weep over our sweet boys And lust after our tough girls And hang up their underwear To dry quickly In cool, blue bathrooms. Once I sat on the steps by agate at David's Tower, I placed my two heavy baskets at my side. A group of tourists was standing around their guide and I became their target marker. "You see that man with the baskets? Just right of his head there's an arch from the Roman period. Just right of his head." "But he's moving, he's moving!" I said to myself: redemption will come only if their guide tells them, "You see that arch from the Roman period? It's not important: but next to it, left and down a bit, there sits a man who's bought fruit and vegetables for his family."
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9k
Tourists
Haply but Sweetly, Serene Volumes mix And Summer's Fornication took its toll Please don't React. I am not here to fix Those very Clouds you hard-worked to install My name is Supporter; Though it sounds strange To write this Foreword which read too extreme Trust me this fully; I am well within range To lend you my Honest and Golden Ring Indeed Family does matter; Much on Sport An Athlete like you needs Supplement Prime This I can assure: They Love you formore Never to betray your Sensitive Time. Much grateful am I to scribble this Verse Now win your Medal; Let Nike converse.
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Mar 7, 2013
Mar 7, 2013 at 10:52 PM UTC
SONNET TRIBUTE: RACHEL BUGG
*She’s riding her bike the wind’s on her cheeks and hair She’s got no worries no care, cause she’s riding easy on her bike* Rachel comes on her bicycle down the street and she sways with a smile; she can go steady or she can show off, as she pleases, on her happiness bike off her bicycle she loses her smile she frowns, she does not talk but O - she’s a goddess, she’s Venus she’s all radiance when she’s on happiness bike she’s in her red top today: her ******* decent but talkative; her *** is composed - and O, as always Rachel is glowing on her happiness bicycle we know it all: angels come on bicycles now *She’s riding her bike the wind’s on her cheeks and hair She’s got no worries no care, cause she’s riding easy on her bike*
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Oct 24, 2014
Oct 24, 2014 at 10:27 PM UTC
happiness bicycle
An inland blockade from Israel cut off life giving supplies to the Palastians in Gaza. This happened around 2010. Formulated was the "GAZA FREEDOM FLOATILLA". Their strategy was to dock in Gaza-away from land-and deliver much needed life saving supplies. However, the flotilla was seized- on the sea -by the Israeli Navy consisting of one hundred and fifty sailors. Around ten people from one of the flotilla ships were killed and  brutality reigned supreme. ( a Turkish ship fought back ) Incarcerations from the floatilla to Israel's jails took place. And so I dedicate this writing to these wonderful people of conscience and their brave hearts upon the sea... Days of siege Days of conscience Days of hope Sailing to their destination Days remembered Day's compassion Days remembered these needed cargoes held Engines turning on paths of caution; love is carried on sailing symbols Each ship and boat will shout her name Will shout in spirit dear Rachel Corrie,dear Rachel Corrie Will shout in spirit dear Rachel Corrie Brave hearts you suffered so upon the sea Brave hearts you fought for truth, hope and dignity Brave hearts on floating love Brave hearts you are that peaceful powerful dove Brave hearts you are our guiding light Brave hearts you pierced that darkened blackened night Brave Hearts upon the sea...
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Sep 8, 2014
Sep 8, 2014 at 1:34 AM UTC
Brave Hearts Upon The Sea
Rachel’s hair, black as ink, splatters my blank skin. It’s a rewrite for bad readers, a stroll for quick-to screamers, a phone call at 3 a.m., and a sickening high that just won’t end. Rachel’s teeth, sharp/jagged like littered glass shards, dig into my aged, faintly seasoned flesh. It’s a feast for lazy vultures, an eyesore for devout heathens, a dusty revolver on a Sunday, and a lone drunk at a flybuzz wedding. Rachel’s soul, battering ram/sputtering mad, dilutes toxic mine, leaves only the rind. It’s a constant reminder for dangerous nostalgia, a blanket smoldering in fire within winter-without-end, a handshake and a heart attack for closest kin, an elevation, a joyous atomic cloud, and a sky crying elative confetti tears of future me.
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Jul 25, 2011
Jul 25, 2011 at 2:52 PM UTC
Rachel the Revolver
First Kiss (Manchester to Miami) Rachel was a 19 year old student who attended the Royal Northern College of Music, located in Manchester UK. Manchester was considered the arts, media, higher education and commerce mecca of north central England. Bordered by the Cheshire plain to the south, and the Pennines mountain range to the north and east. The famous River Mersey ran along the southern side of Manchester. Rachel was packing for winter holiday with some of her classmates, to the warm beaches of Miami Florida, for a week long stay in the sun, far from the often dreary weather that settled over the UK this time of year. Not only was Rachel looking forward to the warm weather and sunny skies but she was looking forward to meeting up with Daniel. Daniel was a 40 something musician, beach bartender, handyman, who lived just outside of Miami. They had met on a poetry website seven months prior, and had established a warm friendship. They communicated almost daily threw emails, chat sites and through poetry exchanges. Their friendship had become more romantic in the last month or so, talking that silly love talk that new lovers used, and Rachel finished off every meeting with the initials AKTY at the end. AKTY stood for angel kisses to you, as Daniel liked to refer to her as his angel. they both were very excited about the chance to see each other, face to face. Rachel knew that the majority of Daniels poetry was slanted toward the romance side, and she knew from their conversations that he seemed to be educated, gentle and romantic. She was, they were, both looking forward to spending an evening together, holding hands,caressing each other, looking into each others eyes, and..... that first kiss. Kiss kiss kiss kiss hard rock guitars, lights and smoke Kiss, that first kiss, this is what, loves all about kiss, your sweet kiss, makes me go crazy, scream and shout your kiss, that angel kiss, can't live with out it, you drive me mad one kiss, just one kiss, from your sweet lips, blows my mind real bad don't know how I got by before you never want to try it no never again my darlin angel I adore you, since I met you you know i've been crazy, I've gone crazy, just can't get enuff, of you sweet baby dreaming, got me dreaming, every night baby, I don't mean maybe every kiss, like your first kiss, sets me ablaze, you know it takes me higher another kiss, I want another kiss, turn the flames up like a funeral pyre don't wanna try to get along without you never want to try it no never again my darlin angel I adore you, since I met you been waiting for that first kiss Gomer LePoet
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Apr 12, 2010
Apr 12, 2010 at 8:58 PM UTC
First Kiss (Act I -Manchester to Miami) A Rock Opera
First Kiss (Manchester to Miami) Rachel was a 19 year old student who attended the Royal Northern College of Music, located in Manchester UK. Manchester was considered the arts, media, higher education and commerce mecca of north central England. Bordered by the Cheshire plain to the south, and the Pennines mountain range to the north and east. The famous River Mersey ran along the southern side of Manchester. Rachel was packing for winter holiday with some of her classmates, to the warm beaches of Miami Florida, for a week long stay in the sun, far from the often dreary weather that settled over the UK this time of year. Not only was Rachel looking forward to the warm weather and sunny skies but she was looking forward to meeting up with Daniel. Daniel was a 40 something musician, beach bartender, handyman, who lived just outside of Miami. They had met on a poetry website seven months prior, and had established a warm friendship. They communicated almost daily threw emails, chat sites and through poetry exchanges. Their friendship had become more romantic in the last month or so, talking that silly love talk that new lovers used, and Rachel finished off every meeting with the initials AKTY at the end. AKTY stood for angel kisses to you, as Daniel liked to refer to her as his angel. they both were very excited about the chance to see each other, face to face. Rachel knew that the majority of Daniels poetry was slanted toward the romance side, and she knew from their conversations that he seemed to be educated, gentle and romantic. She was, they were, both looking forward to spending an evening together, holding hands,caressing each other, looking into each others eyes, and..... that first kiss. Kiss kiss kiss kiss hard rock guitars, lights and smoke Kiss, that first kiss, this is what, loves all about kiss, your sweet kiss, makes me go crazy, scream and shout your kiss, that angel kiss, can't live with out it, you drive me mad one kiss, just one kiss, from your sweet lips, blows my mind real bad don't know how I got by before you never want to try it no never again my darlin angel I adore you, since I met you you know i've been crazy, I've gone crazy, just can't get enuff, of you sweet baby dreaming, got me dreaming, every night baby, I don't mean maybe every kiss, like your first kiss, sets me ablaze, you know it takes me higher another kiss, I want another kiss, turn the flames up like a funeral pyre don't wanna try to get along without you never want to try it no never again my darlin angel I adore you, since I met you been waiting for that first kiss Gomer LePoet
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Sometimes I fear I am more scar than skin. More salt than water. More gun than girl. I play the piano; black and ivory softly so you can follow me back to the cave, to the gardens, to the water. My body was not touched by the boy, was not touched by the girl that ripped out my heart and ate it. I checked for fingerprints on the side of my breast, my hip- bone,the inside of my thighs— nothing. Their hands never leave traces, never leave proof that one day someone was brave enough to touch the hills and valleys of my body. Rachel Wiley said: ******* me does not require an asterisk. Loving me is not a fetish.* He said: *I would do it if you lost weight.* He turns off the light, but I do not blame him. If he hadn't reached for it first, I would have. I keep on my T-shirt, make sure his hands don't wander to places I try too hard to forget are there. They call me fat—I make jokes about it so they won't. My mother tells me that it's important to love yourself even if you don't want to. I say yes, then count the cuts on my thigh, then smile. RACHEL WILEY SAID: ******* ME DOES NOT REQUIRE AN ASTERISK. LOVING ME IS NOT A FETISH.* I DON'T UNDERSTAND WHY YOU COULD THINK THAT FINDING ME ATTRACTIVE IS SOMETHING TO BE ASHAMED ABOUT. SOME- THING YOU WOULDN'T TELL YOUR MOTHER. YOU CAN TOUCH ME IN THE BEDROOM BUT REFUSE TO HOLD MY HAND. I AM NOT EXTRA THICK WRAPPING FOR YOUR **** I AM NOT SOMETHING YOU  LIE ABOUT TO YOUR FRIENDS. LOVING ME IS NOT SOMETHING TO HIDE FROM YOUR SISTER. LOVING ME IS NOT SOMETHING TO HIDE. It is 11:31 PM. I am the girl they like to **** but not the girl they like to have wedding pictures of, hanging on the kitchen wall. He says: *I would do it if you lost weight.* I say: *I would do it if you stopped acting like I am something to be ashamed of.* Rachel Wiley said: *I say: “I am fat.” He says: “No, you are beautiful.” I wonder why I can not be both.*
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Dec 12, 2014
Dec 12, 2014 at 5:46 PM UTC
they call me fat
Sometimes I fear I am more scar than skin. More salt than water. More gun than girl. I play the piano; black and ivory softly so you can follow me back to the cave, to the gardens, to the water. My body was not touched by the boy, was not touched by the girl that ripped out my heart and ate it. I checked for fingerprints on the side of my breast, my hip- bone,the inside of my thighs— nothing. Their hands never leave traces, never leave proof that one day someone was brave enough to touch the hills and valleys of my body. Rachel Wiley said: ******* me does not require an asterisk. Loving me is not a fetish.* He said: *I would do it if you lost weight.* He turns off the light, but I do not blame him. If he hadn't reached for it first, I would have. I keep on my T-shirt, make sure his hands don't wander to places I try too hard to forget are there. They call me fat—I make jokes about it so they won't. My mother tells me that it's important to love yourself even if you don't want to. I say yes, then count the cuts on my thigh, then smile. RACHEL WILEY SAID: ******* ME DOES NOT REQUIRE AN ASTERISK. LOVING ME IS NOT A FETISH.* I DON'T UNDERSTAND WHY YOU COULD THINK THAT FINDING ME ATTRACTIVE IS SOMETHING TO BE ASHAMED ABOUT. SOME- THING YOU WOULDN'T TELL YOUR MOTHER. YOU CAN TOUCH ME IN THE BEDROOM BUT REFUSE TO HOLD MY HAND. I AM NOT EXTRA THICK WRAPPING FOR YOUR **** I AM NOT SOMETHING YOU  LIE ABOUT TO YOUR FRIENDS. LOVING ME IS NOT SOMETHING TO HIDE FROM YOUR SISTER. LOVING ME IS NOT SOMETHING TO HIDE. It is 11:31 PM. I am the girl they like to **** but not the girl they like to have wedding pictures of, hanging on the kitchen wall. He says: *I would do it if you lost weight.* I say: *I would do it if you stopped acting like I am something to be ashamed of.* Rachel Wiley said: *I say: “I am fat.” He says: “No, you are beautiful.” I wonder why I can not be both.*
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#012116 #Genesis "Ikaw na siyang tagapangalaga ng mga tupa, Habang ako'y hamak na ligaw lamang, Sa lupaing yaong paraiso sa inyo. At kagandahan mo'y Siyang bukas kong may sigla." "Ginoo, ako'y hanga sa iyo Pagkat tupa ko'y iyong diniligan. Ni hindi mo sinadyang ako ang unahin." "Hayaan **** pagsilbihan kita, Kahit pitong taon pa. Giliw, ako'y maghihintay. Mabilis lang ang araw Sa pusong tunay na nagmamahal." "Paumanhin, tila nabalewala ang iyong pagpapagal. Kaya mo pa bang ako'y ipaglaban? Kung hindi ma'y, sana'y sambitin mo Nang maarok ko ang tugon mo." "Sinta, ako ma'y subukin pa Ng pitong taong muli. Ipaglalaban pa rin kita, Pagkat pag-ibig ko'y hindi limitado ng panahon." "Salamat pagkat ikaw ang kabiyak, Puso mo't lakas, tila'y napagod. Hayaan **** ako mismo Ang siyang magbigay kapahingahan."
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Feb 17, 2016
Feb 17, 2016 at 9:34 PM UTC
Jacob and Rachel
Red flags in the beginning are easy to turn into little sticky notes, notes for later that sometimes lose their adhesive and fall to the ground much like my current tolerance for ****** dudes The first known use for red flags was by the military to indicate they’re ready for battle, unfortunately I’ve seen enough red flags to start the next world war I should’ve known When I came back from Arizona and he said “you must’ve cheated on me because your ****** feels different” Not because he’s insecure or because he doesn’t know trust or because he’s trying to assert control I should’ve known When he asked if I “had a problem getting wet because it seemed like that was a thing” Not because he doesn’t know foreplay (side note: **** doesn’t teach you foreplay) or because he doesn’t actually turn me on or because fun fact!- women can be turned on and not be wet I should’ve known When he said “if you shaved, then I’d go down on you 24/7” Not because he was scared that choking on my ***** hair reminded him he’s with a real woman that grows hair and humans inside her and ideas and opinions and strength and my body is not yours to give me ultimatums of I should’ve known When I asked if figuring out my pleasure was a burden and he answered “actually, yes it is” Not because he’s too lazy to actually want to pleasure anyone but himself or because his only ****** education ended with a .com or because no one has ever expected more of him I should’ve known when he said “What I want out of a ****** partner is someone that wants me inside of them as soon as possible” Not “inside my soul” or “inside my thoughts” or “inside my memories” or “inside an intimacy he will never know” I should’ve known when he said “Let me show you how Rachel did it” Not “this is how I like it” or “can we try this?” or “opening your ******* mind to how another human being moves around you” I should’ve known when He spit on my ****** the universal sign for disrespect Like I deserve the same fate as tobacco swollen cheeks Like my ****** is your spittoon, am I the end of a tobacco session or a fancy wine tasting? these things matter Now I find it symbolic men are taught to spit while women are taught to swallow Swallow our reactions Swallow our feelings Swallow our voices Swallow his releases Swallow his spit Swallow us whole When you see a red flag do not ignore that it means battle This battle is not a healthy one, this battle will leave you bruised Uproot this flag and take it with you to remind yourself You can lose every battle and still win the war 11/28/2016 Amanda Powell
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Jan 6, 2018
Jan 6, 2018 at 8:59 PM UTC
Red Flags
Red flags in the beginning are easy to turn into little sticky notes, notes for later that sometimes lose their adhesive and fall to the ground much like my current tolerance for ****** dudes The first known use for red flags was by the military to indicate they’re ready for battle, unfortunately I’ve seen enough red flags to start the next world war I should’ve known When I came back from Arizona and he said “you must’ve cheated on me because your ****** feels different” Not because he’s insecure or because he doesn’t know trust or because he’s trying to assert control I should’ve known When he asked if I “had a problem getting wet because it seemed like that was a thing” Not because he doesn’t know foreplay (side note: **** doesn’t teach you foreplay) or because he doesn’t actually turn me on or because fun fact!- women can be turned on and not be wet I should’ve known When he said “if you shaved, then I’d go down on you 24/7” Not because he was scared that choking on my ***** hair reminded him he’s with a real woman that grows hair and humans inside her and ideas and opinions and strength and my body is not yours to give me ultimatums of I should’ve known When I asked if figuring out my pleasure was a burden and he answered “actually, yes it is” Not because he’s too lazy to actually want to pleasure anyone but himself or because his only ****** education ended with a .com or because no one has ever expected more of him I should’ve known when he said “What I want out of a ****** partner is someone that wants me inside of them as soon as possible” Not “inside my soul” or “inside my thoughts” or “inside my memories” or “inside an intimacy he will never know” I should’ve known when he said “Let me show you how Rachel did it” Not “this is how I like it” or “can we try this?” or “opening your ******* mind to how another human being moves around you” I should’ve known when He spit on my ****** the universal sign for disrespect Like I deserve the same fate as tobacco swollen cheeks Like my ****** is your spittoon, am I the end of a tobacco session or a fancy wine tasting? these things matter Now I find it symbolic men are taught to spit while women are taught to swallow Swallow our reactions Swallow our feelings Swallow our voices Swallow his releases Swallow his spit Swallow us whole When you see a red flag do not ignore that it means battle This battle is not a healthy one, this battle will leave you bruised Uproot this flag and take it with you to remind yourself You can lose every battle and still win the war 11/28/2016 Amanda Powell
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cherry blossom was his smoking hot girlfriend. they moved in together, probably in 2007. he met her online, he was married to a woman who he said was a fundamentalist. they had four kids, three daughters and a son. he wrote a lot about how his fundamentalist wife had turned the three daughters against him. as the years went by, he forgot their birthdays and ages because it hurt too much, so he wrote. "cherry blossom, you're going to make it with your unbroken man who i hope to thank one day for making you happy", he wrote in a journal entitled "the last one" dated late September of 2012. they broke up in mid August 2011 from a journal entry dated at the end of October 2012: "ten things you want to say to ten different people" cherry blossom was first on the list cherry blossom's unbroken man was second on the list cherry blossom's son of a different baby daddy was third on the list his own son was fourth on the list his daughters were not on the list at all. he was glad she was with a good guy. he didn't have to worry about her. unbroken guy was a good guy, he loved unbroken guy for that. her son was a good guy, he was glad that her son got to hang out with him and his son. according to the public messages his friends left on his profile and the last time stamp on his activity feed, he must have died almost three years ago, in mid August, 7 years to the exact date he had posted a journal entry explaining that they had broken up and cherry blossom was moving out. 7 years is the same amount of time it took for jacob to get rachel as his wife after being deceived into marrying leah. he had other journal entries too, they go back to 2008, so some of them cover his time with cherry blossom cherry blossom was smokin hot, they had *** parties cherry blossom got all the attention because she was smokin hot he had bottomed to his vanilla fundamentalist wife who turned his three daughters against him but cherry blossom was his submissive so cherry blossom was the way cherry blossom introduced him to swinging, **** and gang bangs his fundamentalist wife, who he never got a legal divorce from, turned his three daughters against him. he had 342 friends and 13 followers on his fetlife profile, five left public messages on his wall after he died. cherry blossom was so smokin hot.
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Mar 23, 2021
Mar 23, 2021 at 8:54 PM UTC
pretard for the ******
cherry blossom was his smoking hot girlfriend. they moved in together, probably in 2007. he met her online, he was married to a woman who he said was a fundamentalist. they had four kids, three daughters and a son. he wrote a lot about how his fundamentalist wife had turned the three daughters against him. as the years went by, he forgot their birthdays and ages because it hurt too much, so he wrote. "cherry blossom, you're going to make it with your unbroken man who i hope to thank one day for making you happy", he wrote in a journal entitled "the last one" dated late September of 2012. they broke up in mid August 2011 from a journal entry dated at the end of October 2012: "ten things you want to say to ten different people" cherry blossom was first on the list cherry blossom's unbroken man was second on the list cherry blossom's son of a different baby daddy was third on the list his own son was fourth on the list his daughters were not on the list at all. he was glad she was with a good guy. he didn't have to worry about her. unbroken guy was a good guy, he loved unbroken guy for that. her son was a good guy, he was glad that her son got to hang out with him and his son. according to the public messages his friends left on his profile and the last time stamp on his activity feed, he must have died almost three years ago, in mid August, 7 years to the exact date he had posted a journal entry explaining that they had broken up and cherry blossom was moving out. 7 years is the same amount of time it took for jacob to get rachel as his wife after being deceived into marrying leah. he had other journal entries too, they go back to 2008, so some of them cover his time with cherry blossom cherry blossom was smokin hot, they had *** parties cherry blossom got all the attention because she was smokin hot he had bottomed to his vanilla fundamentalist wife who turned his three daughters against him but cherry blossom was his submissive so cherry blossom was the way cherry blossom introduced him to swinging, **** and gang bangs his fundamentalist wife, who he never got a legal divorce from, turned his three daughters against him. he had 342 friends and 13 followers on his fetlife profile, five left public messages on his wall after he died. cherry blossom was so smokin hot.
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the priest, whose tomato face looked like it might explode under collar tension, gave the valedictory at the friday night execution the yellow-toothed, combover'd serial killer buckled in electric chair kept staring at the door, expecting an ally to crawl in late but not too late the mother of one of the victims rattled on about how she didn't care that the killer had an allergy to the anesthetic used in lethal injection      he's going to die either way     what's it matter? buzz of fly    crack of rolled program against empty folding chair (yes, there were programs, and whoever laid them out knew their typography) buzz of fly raised upward, toward the black, magma-cooled ceiling audience chin up, pupils circled fly as the priest droned on about everlasting life like a Paul Simon song from his youth like a catcher's mitt from his youth like a youth from his youth the boyfriend of one of the mothers of one of the victims said he was hungry    pancakes sound good, don't they? I love it when syrup gets on the bacon, you know? love that. a pudgy guard with bleary eyes and 12 a.m. shadow rolled his index finger   lowered his brow, telling the priest to wrap it up   so the priest wrapped it up by reading the names of the victims Tara Barnes, 17, Rachel Lythe, 10, Julie McPherson, 13, Serenity Strongman, 15, and Mary Beth Williamson, 13 the priest said something about judgement as the boyfriend of the mother of one of the victims took another swat at the fly                       missed any last words? the priest asked where's James? the killer asked, he was supposed to be here did you guys give him the right time? the guard nodded to a lab coat by a black box then a hiss then a hum then an inhale the first jolt of alternating current for instantaneous brain death hard to tell if they succeeded in that for the second jolt came only a moment later    this shock's aim to fatally damage the internal organs, overstimulate the heart and the killer's face looked like a horse's leg then an exhale then a hum then a hiss and the killer's face looked like the crinkled skinmemory of a cicada it was late   most of the best restaurants already closed but we could go to that diner off 63rd, the boyfriend of the mother of one of the victims, said
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Feb 16, 2013
Feb 16, 2013 at 1:07 PM UTC
brain death
the priest, whose tomato face looked like it might explode under collar tension, gave the valedictory at the friday night execution the yellow-toothed, combover'd serial killer buckled in electric chair kept staring at the door, expecting an ally to crawl in late but not too late the mother of one of the victims rattled on about how she didn't care that the killer had an allergy to the anesthetic used in lethal injection      he's going to die either way     what's it matter? buzz of fly    crack of rolled program against empty folding chair (yes, there were programs, and whoever laid them out knew their typography) buzz of fly raised upward, toward the black, magma-cooled ceiling audience chin up, pupils circled fly as the priest droned on about everlasting life like a Paul Simon song from his youth like a catcher's mitt from his youth like a youth from his youth the boyfriend of one of the mothers of one of the victims said he was hungry    pancakes sound good, don't they? I love it when syrup gets on the bacon, you know? love that. a pudgy guard with bleary eyes and 12 a.m. shadow rolled his index finger   lowered his brow, telling the priest to wrap it up   so the priest wrapped it up by reading the names of the victims Tara Barnes, 17, Rachel Lythe, 10, Julie McPherson, 13, Serenity Strongman, 15, and Mary Beth Williamson, 13 the priest said something about judgement as the boyfriend of the mother of one of the victims took another swat at the fly                       missed any last words? the priest asked where's James? the killer asked, he was supposed to be here did you guys give him the right time? the guard nodded to a lab coat by a black box then a hiss then a hum then an inhale the first jolt of alternating current for instantaneous brain death hard to tell if they succeeded in that for the second jolt came only a moment later    this shock's aim to fatally damage the internal organs, overstimulate the heart and the killer's face looked like a horse's leg then an exhale then a hum then a hiss and the killer's face looked like the crinkled skinmemory of a cicada it was late   most of the best restaurants already closed but we could go to that diner off 63rd, the boyfriend of the mother of one of the victims, said
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From beginning to end she kept a straight face. If she didn't, she would just explode. The white, silk polka-dots surrounded her, billowing like an ivory cloud. She grasped his finger tightly, Her manicured hands sweating, feet throbbing. The ring touched her head. She had not promised herself to another. She kept a straight face. If she smiled, she would just burst. On their heads were glorious crowns of laurels and satin, and they danced the ancient dance of Isaiah. She kept a straight face, if she didn't watch where she was going she would fall, but he would catch her. *May you be as loving as Isaac and Rebecca, as fruitful as Jacob and Rachel.* Another squeeze of his pinky, and a twitch of her cheek. God grant many years! Chant onlookers. Her eyes flooded and washed away her straight face. Catching her soiled tears, Papa's paisley black handkerchief. She was still his little Tzeitel.
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Jun 26, 2010
Jun 26, 2010 at 6:09 PM UTC
The Black Handkerchief
She burst into our lives one summer In an explosion of glitter and cat ears And into the darkness of our young lives She became a light. She demanded my friendship Commanded my respect Reprimanded my bad choices And expanded my views. She's the one who got me writing poetry She taught me how to worship And how to question authority She told me to speak up To be myself And I learned from her fearless example. We shared some scars And she was never afraid of telling me the straight-up truth. She wasn't perfect Sometimes she destroyed feelings And shoplifted our hearts But I learned from that, too. And then one day with a toss Of those red curls, one of those Hugs that made everything better And a swing of the metal heart hanging on her chest She was gone, just like that But I'll never forget she changed my life And I'm still changing it through Rachel, this one's for you.
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Jul 5, 2016
Jul 5, 2016 at 4:57 PM UTC
Church Daze -- Rachel
She is my friend She is the one who said that She is not interested in my love She is independent She is wonderful She is beautiful She is kind She is witty She is smart She is my Pam Beasly She is my Rachel Greene She is my Gilmore Girl She is the one that I wait for She is perfect She is my forbidden fruit She is Awesome She is Nice She is Neat She is Amazingly smart She is a goddess of perfection
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Aug 13, 2018
Aug 13, 2018 at 3:33 AM UTC
Who is “She”
I was sitting in the chat, with big dumb Mike he showed us his mask, it was a terrible site Boston Chickie was quiet and subdued , Shelby, Cindy, Katie, Rachel, kind of set the mood Ciggy came into the chat with his well well well And Steve replayed to Ciggy you look like you are from hell Raven had beautiful eyes and lips of wonder Wolf Bracker was downing the sauce like a pirate in plunder Tucker zone he was there as well and Romeo, Ken, Robert and Al we all came out of our shell
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Nov 11, 2012
Nov 11, 2012 at 8:11 PM UTC
Big dumb Mike
*This is a poem for Rachel Corrie. I am not religious, and a far cry from spiritual, but I refuse to imagine Rachel Corrie insentient and six feet under, slowly amalgamating with the soil encasing her. Before her death, Rachel Corrie said “I still really want to dance around to Pat Benatar and have boyfriends and make comics for my co-workers. But I also want this to stop.” In the words of contemporary Palestinian poet Suheir Hammad “God has a better imagination than all of us combined” in either God's words or my own, I will not imagine in/on the same ground in/on which I maybe soon will be and more words from Suheir “What do I tell young people about non-violence when they can see for themselves how even orange bright and megaphone loud and cameras and US citizenship will not stop your ****** what do I tell young people/anyone even myself about “non-violence” when every single thing I've seen presenting itself/perhaps even masquerading as “non-violence” has been in my face and /rude/harsh/unavoidable and most of all, violent? I do not believe in God and humanity is pushing it's luck, but I believe in Rachel Corrie. This is for Rachel;* I should study a she-wolf's prose she wanted to write about death but life would frequently weasel and wheedle it's way in there’s an overhanging image a smaller yet infinitely larger organism continuously broached by each word I only want to study a caterpillar’s motion backward/forward /onward across arms/legs of this deer/dear [her] surname/ [my] given name/ separated by [semi/totally] circular VOWels ***** blond hair dirtied by dust / rubble / rhyme /reason/ whatever/ in compliance with a rep/RESENT/ative democracy several shades lighter literally figuratively whiter than she need no permission pat benatar would/should croon to your moves every boy and girl friend i will/may/have/had should be yours entomo/insecto/[social] phobias I never would’ve said so I never would’ve/ could’ve told the caterpillar to go
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Nov 28, 2011
Nov 28, 2011 at 8:41 PM UTC
Waggish Recall
*This is a poem for Rachel Corrie. I am not religious, and a far cry from spiritual, but I refuse to imagine Rachel Corrie insentient and six feet under, slowly amalgamating with the soil encasing her. Before her death, Rachel Corrie said “I still really want to dance around to Pat Benatar and have boyfriends and make comics for my co-workers. But I also want this to stop.” In the words of contemporary Palestinian poet Suheir Hammad “God has a better imagination than all of us combined” in either God's words or my own, I will not imagine in/on the same ground in/on which I maybe soon will be and more words from Suheir “What do I tell young people about non-violence when they can see for themselves how even orange bright and megaphone loud and cameras and US citizenship will not stop your ****** what do I tell young people/anyone even myself about “non-violence” when every single thing I've seen presenting itself/perhaps even masquerading as “non-violence” has been in my face and /rude/harsh/unavoidable and most of all, violent? I do not believe in God and humanity is pushing it's luck, but I believe in Rachel Corrie. This is for Rachel;* I should study a she-wolf's prose she wanted to write about death but life would frequently weasel and wheedle it's way in there’s an overhanging image a smaller yet infinitely larger organism continuously broached by each word I only want to study a caterpillar’s motion backward/forward /onward across arms/legs of this deer/dear [her] surname/ [my] given name/ separated by [semi/totally] circular VOWels ***** blond hair dirtied by dust / rubble / rhyme /reason/ whatever/ in compliance with a rep/RESENT/ative democracy several shades lighter literally figuratively whiter than she need no permission pat benatar would/should croon to your moves every boy and girl friend i will/may/have/had should be yours entomo/insecto/[social] phobias I never would’ve said so I never would’ve/ could’ve told the caterpillar to go
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shut up shut up i say i say SHUT UP who got a thing to say? AL QAEDA! traitors! those like them so shut up shut up shut up this is america rachel maddow glen beck they speak
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Sep 7, 2010
Sep 7, 2010 at 2:19 PM UTC
shut up
Nobody ever found a dead seagull. They plan their final flight. Nobody ever felt comfortable waiting in line. They're too far away from the table wine. Nobody ever got you, Rachel. They can't chip through your glassy eyes. Nobody ever got rid of a lie. Their deceit  simmers into a wish. Nobody ever married me. They leave me for Jesus Christ and civil wars. Nobody ever heard a juke joint singer hit a perfect note. They applaud for black culture. Nobody ever found a dead seagull. Their feathers disintegrate under the ocean's weight. Nobody ever felt comfortable at a wedding. They sit curious about the contents under the wedding dress. Nobody ever got you, Rachel. They try to pull you down from your high heels. Nobody ever got rid of their parents. They settle for calling long distance. Nobody ever married me. They only nod at my longwinded history. Nobody ever heard a fine-combed politician stutter. They picket sign and roll their eyes. Nobody ever found a dead seagull. They control the waves with ghostly wings. Nobody ever felt comfortable holding a newborn. They look at porcelain skin like a loaded gun. Nobody ever got you, Rachel. They can't afford your grace. Nobody ever got rid of a former lover. They avert their eyes as they stroll by. Nobody ever married me. They complain about their fiancees. Nobody ever heard a mother say, "Everything won't be alright." They find out when the rent comes due. Nobody ever found a dead seagull, and they will never find me and you.
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Jul 26, 2012
Jul 26, 2012 at 7:43 PM UTC
Nobody ever got you, Rachel
Nobody ever found a dead seagull. They plan their final flight. Nobody ever felt comfortable waiting in line. They're too far away from the table wine. Nobody ever got you, Rachel. They can't chip through your glassy eyes. Nobody ever got rid of a lie. Their deceit  simmers into a wish. Nobody ever married me. They leave me for Jesus Christ and civil wars. Nobody ever heard a juke joint singer hit a perfect note. They applaud for black culture. Nobody ever found a dead seagull. Their feathers disintegrate under the ocean's weight. Nobody ever felt comfortable at a wedding. They sit curious about the contents under the wedding dress. Nobody ever got you, Rachel. They try to pull you down from your high heels. Nobody ever got rid of their parents. They settle for calling long distance. Nobody ever married me. They only nod at my longwinded history. Nobody ever heard a fine-combed politician stutter. They picket sign and roll their eyes. Nobody ever found a dead seagull. They control the waves with ghostly wings. Nobody ever felt comfortable holding a newborn. They look at porcelain skin like a loaded gun. Nobody ever got you, Rachel. They can't afford your grace. Nobody ever got rid of a former lover. They avert their eyes as they stroll by. Nobody ever married me. They complain about their fiancees. Nobody ever heard a mother say, "Everything won't be alright." They find out when the rent comes due. Nobody ever found a dead seagull, and they will never find me and you.
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Apeneck Sweeney spreads his knees Letting his arms hang down to laugh, The zebra stripes along his jaw Swelling to maculate giraffe. The circles of the stormy moon Slide westward toward the River Plate, Death and the Raven drift above And Sweeney guards the hornèd gate. Gloomy Orion and the Dog Are veiled; and hushed the shrunken seas; The person in the Spanish cape Tries to sit on Sweeney’s knees Slips and pulls the table cloth Overturns a coffee-cup, Reorganised upon the floor She yawns and draws a stocking up; The silent man in mocha brown Sprawls at the window-sill and gapes; The waiter brings in oranges Bananas figs and hothouse grapes; The silent vertebrate in brown Contracts and concentrates, withdraws; Rachel née Rabinovitch Tears at the grapes with murderous paws; She and the lady in the cape Are suspect, thought to be in league; Therefore the man with heavy eyes Declines the gambit, shows fatigue, Leaves the room and reappears Outside the window, leaning in, Branches of wistaria Circumscribe a golden grin; The host with someone indistinct Converses at the door apart, The nightingales are singing near The Convent of the Sacred Heart, And sang within the ****** wood When Agamemnon cried aloud, And let their liquid siftings fall To stain the stiff dishonoured shroud.
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Sweeney Among The Nightingales
[Fanfare, obviously] This poem should begin with the call of a bugle, as is fitting for an ode of Braveheart Macdougal. Children of Parklands, take heed and be wary, as I relate now, in verse, a tale cautionary. Benigna Murdie was a most virtuous lass, blesséd with promise and a penchant for sass. To peer pressure she was admirably immune, and ne'er did she bow to the temptation of goon. Nary a drop of ***** has e'er passed her lips, save for politeness and church-mandated sips. Yet even the mightiest fall-- what a pity! (harder than I did that night in the city). So I hope you all glean a moral from this, and your interpretation does not go too amiss. But all is self-evident, to quote Descartes, so allow me to recount this tale from the start. She hails from a country renown for their piety, for their pacifist ways and universal sobriety. The Scottish are known throughout the land for their temperance of character and lightness of hand. And our poor Bennigles was no rule-exception, she subscribed quite wholly to this perception. A more reserved and reclusive girl you've not seen, virtually a saint at only nineteen. Passed out on the couch, liquor was never the root, only strain from the studying and academic pursuit. A paradigm of virtue, a pillar of purity, no “that's-what-she-said's” to compromise maturity. But that all changed one day touched by fate, when Rachel realized that hedonism's great. She took to the streets to revel in her glee, and legit nothing bad happened cause this isn't tv. Alas, now I'm drunk and the screen is a-shaking, perhaps of wine I should halt my partaking. I cannot continue with this facetious ode, as we all well know that this is a total load. But I'll miss you, my Brit, and our shitshow nights, our Australian exploits and your culinary delights. Sorry I couldn't finish to detail your demise, but perhaps I'll conclude after an Australia-reprise.
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Feb 13, 2013
Feb 13, 2013 at 6:20 AM UTC
ODE TO A SCOT
[Fanfare, obviously] This poem should begin with the call of a bugle, as is fitting for an ode of Braveheart Macdougal. Children of Parklands, take heed and be wary, as I relate now, in verse, a tale cautionary. Benigna Murdie was a most virtuous lass, blesséd with promise and a penchant for sass. To peer pressure she was admirably immune, and ne'er did she bow to the temptation of goon. Nary a drop of ***** has e'er passed her lips, save for politeness and church-mandated sips. Yet even the mightiest fall-- what a pity! (harder than I did that night in the city). So I hope you all glean a moral from this, and your interpretation does not go too amiss. But all is self-evident, to quote Descartes, so allow me to recount this tale from the start. She hails from a country renown for their piety, for their pacifist ways and universal sobriety. The Scottish are known throughout the land for their temperance of character and lightness of hand. And our poor Bennigles was no rule-exception, she subscribed quite wholly to this perception. A more reserved and reclusive girl you've not seen, virtually a saint at only nineteen. Passed out on the couch, liquor was never the root, only strain from the studying and academic pursuit. A paradigm of virtue, a pillar of purity, no “that's-what-she-said's” to compromise maturity. But that all changed one day touched by fate, when Rachel realized that hedonism's great. She took to the streets to revel in her glee, and legit nothing bad happened cause this isn't tv. Alas, now I'm drunk and the screen is a-shaking, perhaps of wine I should halt my partaking. I cannot continue with this facetious ode, as we all well know that this is a total load. But I'll miss you, my Brit, and our shitshow nights, our Australian exploits and your culinary delights. Sorry I couldn't finish to detail your demise, but perhaps I'll conclude after an Australia-reprise.
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HelloPoetry Blessed us all , no matter where we live. I am truly Blessed by each and everyone alike here. There are so many here on this here site that I am thankful for. Sally Bayan, Mike Hauser, Iamdaisie, Olivia Kent, Wendy Ronshausen,Brandon Nagley, Earl Jane, Rachel Sia Jane Lloyd, Lydia Monet,Neil Aranda, Mark Cleavenger, Ann Marie Johnson, Melanie Wilson-Herring, Mike Essig,  **** Paz Its Gonna Make Sense. PrttyBrd, Vicki Bashor, Kripi Mehra, Willyam Pax, Poetess Bhumi, Kelly Rose. Elizabeth Burnettge, Toni Pugh, Paul Champman, David Lewis Paget. Ryn, Sean Scibbles, Aurelia, Kim Johanna Baker,Yasaman Johari. Lady RF,Crazy Diamond Kristy, Weeping Willow, Alyssa Underwood. MydstopiA,adhi das, South by southwest, Petal, soulsurvivor. reformdancerecover,Ashly Kocher, Mack, Travler, Randolph Wilson. Plus many more whom are very special indeed whom did not make this poem love you all in Christ.
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Apr 19, 2017
Apr 19, 2017 at 2:03 PM UTC
HelloPoetry
My darling, upon the mountain's caress. My schizo-friendly mess in a pineapple dress. I couldn't love less or less of you. Young explorer, drifting from world to world. A huckleberry eye that shifts from trembling duress, with my hands onto her back. Why can't life cut you any slack? The chair is going out under as the skies are mumbling thunder. My violin underneath the sin, sounding from within "...I love you." Broken water bounce from cheek to chest. Your breathing sounds the best. With my words onto your lips, and how the saliva drowns and drips. I grip around your hips, with the world releasing a boulder, that drops upon your shoulder, and I shake you senselessly, why can't god set you free? I can feel from you to me. Blood, down, to ever and let go, with your body in the snow. My river-drowned girl, engulfed by the swirl. Love, oh no, from year to year. Your words so everclear, "I love you, too." Silver-shiner, moon-kissed and ever so, your feet on the bathroom floor, the kills from the handled snore. What I wouldn't give to drink from your fountain. What I wouldn't give to die on your mountain. My darling, from colored-t.v., with a kiss and a motel fee, I could know what the known couldn't, with my fingertips where they shouldn't. Turn down the volume and say that you'll stay another day or three.
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Feb 28, 2015
Feb 28, 2015 at 1:43 AM UTC
Rachel