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EssEss Apr 4
If Pablo Picasso's name doesn't ring a bell, it is indeed a rarity,
Welcome to Malaga, Picasso's birthplace - an unique identity,
Known for his exquisite paintings & sculptures, Picasso is a legend,
That his work is still considered sensational, need not be questioned

As Costa del Sol's capital, Malaga in Spain's Andalusia is a vibrant coastal city,
Lying along a wide bay of the Mediterranean Sea, it constantly bustles with activity,
Excellent weather all-year round, renders it an idyllic tourist haven,
It's mountain geography and sun-drenched beaches - delight for a travel maven

The city is replete with a profusion of museums, daring street art and eateries,
Add to it, centuries-old heritage and beaches, that always hold pleasant memories,
Delightful pedestrianized centers and stunning views add to the city's intrigue,
Casual strolls to several picturesque locales hardly gives room for any fatigue

The hilltop Arab palace fortress of Alcazaba provides panoramic sweeping sea views,
Roman marble pillars & Moorish horseshoe arches add to stunning architectural hues,
The once coastal-facing defense of Plaza de Armas now features beautiful gardens,
Evocative vast courtyards & bubbling fountains yield a pathway that seldom straightens

A Picasso museum visit is unmissable on the itinerary for anyone visiting Malaga,
The stamp of conceptual brilliance seen in the exhibits makes art lovers go gaga,
The manner in which cubism art has been displayed is thoughtfully amazing,
Picasso's  genius is reflected in his works and was perhaps his way of proclaiming

The majestic Cathedral de Malaga is situated right in the historic town's center,
A blend of Gothic, Renaissance & Baroque architectural styles adds to the splendor,
The grand marble staircase and a beautiful assortment of frescoes are a visual treat,
The vast colonaded nave, housing an enormous cedar-wood choir stall, is no mean feat

The Carmen Thyssen Museum is located in an aesthetically renovated 16th-century palace,
It features an unique cocktail of paintings with thematic variations, not in the least hapless,
The almost cartoonish costumbrismo paintings are a throwback to 19th-century Spain myths,
That depicted fiestas, banditry, flamenco, bar-room brawls as if 'twas the work of a jokesmith!

Beaches in Malaga are characterized by dark, long stretches of sand skirted by lofty palm trees,
With boarded promenades, shorefronts are adorned with colorful parasols, wafting in the breeze,
Visitors swarming the beaches can be seen lazing in hammocks while basking in the sunshine,
Having all the trappings of a sunbather's paradise, that can be seen along the entire coastline

Ever experienced walking along a walkway dangling up to 100 meters in the air?
Its Caminito del Rey, pinned along the steep hills of a narrow gorge - indeed rare,
Parts of the route clinging recklessly to the sheer rock face of the gorge are awe-inspiring,
While completely safe, the linear 8-km walk can cause vertigo and culminate in respiring

This walkway was once dubbed the most dangerous hike in Spain - yet, so far from reality,
Multi-layered landscapes encompass reservoirs, mountains, gorges & valleys in totality,
The accompanying guide regales trekkers with the canyon's fascinating history and folklore,
While numerous selfie-worthy clicks of the breath-taking dizzy views, are like never before

Malaga is centric for day trips to Tangier, Morocco and The Rock of Gibraltar,
It is one of the few European cities that experiences a relatively warm winter,
It's coastal location with the Mediterranean Sea wind makes summer less oppressive,
Loaded with history and a multi-layered past, is what makes the city so impressive

Malaga is a typical port city that epitomizes Andalusian lifestyle to the fullest,
The warmth and camaraderie displayed by locals can be experienced at its best,
Streets and by-lanes are always pleasantly crowded with folks in colorful attire,
A wholesome feeling of utmost satisfaction at the trip's end, is for all to aspire
Susan O'Reilly Oct 2013
Blossoming shrubs

enveloping pubs

not a cloud in the sky

budding am I



Malaga in September

weather I'll remember

29 degrees and counting

each day it seems to be mounting



I'm not liking the creepy crawlies

giving me the heebie jeebies

to everyone's delight

I squeal in fright



Spanish are fine

until behind them in line

no problem pushing

with choice adjectives I'm gushing



My muscles are loving the heat

I can even touch my feet

my back thinks its in heaven

my shoulder readily rev-ing



Still a week to go

my tan a no-show

this sunbathing is hard work

in the shade my husband lurks



Batteries are charging

my stomach's enlarging

relaxation is seeping into my pores

lullabies, each others snores
Terry Collett Jan 2014
Miryam unzipped
the tent flap
and looked out
pretty dead out here

she said
Benedict looked at her ****
hiding behind
the blue jeans

come back in then
no point
in going out yet
she zipped it

back up
and crawled back
beside him
and lay down

looking up
at the blue tent canvas
what do you think
Morocco's like​?

she asked
Morocco
he replied
she laughed

I know that
but to experience it
apart from what
was in the booklet

they sent
with the other stuff
she said
have to see

when we get there
he replied
are you sure
that ex-army bloke

won't be back?
she asked
not for a few hours
he's gone to see sights

in Malaga
lucky us
she said
make the most of

he said
she gazed at him
is there no
satisfying you?

pretty much not
he said
she smiled
I’m sure people

heard us earlier
she said
your fault
if they did

he said
all that noise
and giggling
and oh oh oh

more more
I didn't
she said
you're making it up

pretty much so
he said
she kissed his cheek
to think I thought you

were the quiet one
she said
I am quiet
as a mouse

he replied
what if he comes back early
and we're making out?
she said

he won't
he's off to see
where
Picasso was born

and other
arty things
Benedict said
people might talk

if they see me
in here too much
she said
they can't see you

in here
he said
they might hear me
then be silent

he said smiling
trying to unbuttoned
her jeans
she watched him

biting her lower lip
seductively
and turning her head
at an angle

who said you could?
shall I stop?
he said
no don't you dare

she breathed out
she held his fingers
and helped unbutton
until it was

all done
there now you
she said
and unzipped his jeans

with one motion
why would he want
to see
where Picasso was born?

she said
taking off
?her jeans
and what other arty things?

Benedict undressed
listening
watching
takin
her tight ****
in the blue bra
museums
art shops

galleries
that kind of thing
boring ****
she said

putting her jeans
and underwear
to one side
yes guess so

Benedict said
what if
he changes his mind
and comes back?

she said
laying down
next to him well he'll get

a free lesson
in biology
won't he
Benedict said

she smiled
and kissed his neck
and said
utterly ****

what the hell
what the heck.
Terry Collett Nov 2012
In Malaga
at the base camp
you danced at some disco
and drank Bacardi

and coke and it was
well into the early hours
of the morning
when you left

with Mamie
tiptoeing between
tent ropes and the unlit
areas between

and she said
I can’t find
where my tent is
and you said

I’d let you share mine
but that young army guy
is in mine
and three in a bed

is a bit cramped
but where is mine?
she said
searching around

touching tent ropes
as she went by
you stood watching
trying to decide

where your tent was
what are we to do?
she asked
let’s go back

to the club
until it gets lighter
or we remember
where our tents are

you said
but I’m tired
she said
I want to go to bed

and sleep
you searched around
by the hedge of the field
and then said

wait
I know where
mine is now
and you led her

to the tent
and unzipped it
and there inside
was the army guy

fast asleep
you can come in here
if you like
you said

but she just stood there
in the semi dark
cussing into the night
come on in

and be quiet
you said
I want my tent
she said

I want my own ****** tent
ok go find it then
you said
and began to climb inside

wait
she said
in a hushed voice
and came over

to your tent
and looked in
what about him?
she asked

he’s asleep
you replied
what will he say
and finds me here?

you gazed
at the sleeping soldier boy
his mouth open
his eyes closed

a soft snore
filling the air
either come in
or go elsewhere

you whispered
I can’t
she said
not with him there

and so she turned
and wandered off
into the semi dark
another chance walking off

into the night
some things you hope for
you murmured
never come right.
Terry Collett Jun 2012
Mamie met you
in the base camp bar

in Malaga
her curly red hair

damp from a recent shower
and said

Picasso was born here  
In this bar?

you said
No

she moaned
In the city

in 1881
and she took the drink

you’d bought her
I like Picasso don’t you?

she asked
taking a sip

of the drink
and you noticed

the tight tee shirt
snugly holding

her firm *******
and her eyes bright

as sunlight’s breaking dawn
yes

you said
I like his later work

not the Blue
or Pink period or

that Cubist *****
and your eyes

slipped downwards
along her slender frame

the tight blue jeans
caressing her small

but plumpish ***
her fingers holding

the glass
and you thinking

of other things
far removed

from Picasso‘s art
though knowing he

would understand
where your mind

had wandered
and what the scene

your mind had set
like some dramatist

preparing for a play
she sipped more

of the drink
her head thrown back

the nice turn
of the neck

the chin
the nose

the ears protruding slight
between her red

and curly hair
and wondered deep

as you drank your own
if the other hair below

between her thighs
was as red and tight

as that above
and she said

breaking through
your thoughts

Was it lust or love
that moved his brush

Picasso I mean?
and oh you mused

taking on her words
and squeezing

the meaning
from each syllable

that was uttered
on her breath

to lay my head
upon her breast

not to sleep
but dreaming rest

and you turning to her
said High love or low lust

fed by his fond muse
moved his brush I trust.
Terry Collett May 2015
Miriam
begins her
*******

in a tent
at base camp
in down town

Malaga
2am
party done

boozing done
the music
for dancing

turned off now
and she says
she's not here

the fat dame's
not come back
to the tent

so what now?
Benny asks
shall I stay?

well I can't
have good ***
without you

she replies
are you sure?
Benny asks

sure I'm sure
she replies
enter in

and zip up
the **** tent
so Benny

zips it up
and begins
to unzip

and undress
watching her
shed her clothes

best he could
in half light
from moon's glow

and stars' shine
what if the
dame returns?

Benny asks
she can make
a *******

or *******
Miriam
says to him

naked now
her soft ****
hanging there

inviting
him to stare
he listens

to the wind
blowing hard
against blue

stretched canvas
come on then
come on in

Miriam
says to him
so he did

his **** ****
rising up
and then down

capturing
the moon's glow
not too fast

she utters
keep a pace
keep it slow.
A BOY AND GIRL JOIN FORCES IN MALAGA 1970
A Gouedard Jun 2014
i was walking around
in the Tate
on the Thames Embankment
London that day
it was hot hot hot
the heat haze
shimmered
above the river
like the sweat
that rose off my back
i saw you
all mixed up
with Picasso's
misplaced eyes
in Malaga blue
long necks,
curved limbs askew
morning balconies
the sculpture of a goat
made of a basket
***** ram
with a bicycle seat
we weren't allowed to ride
i kept thinking
of painted naked flesh
Velasquez, Degas, Matisse
and flying to Malaga,
Barcelona, Granada,
Paris, Venice, New York
all the cities we could **** in
over and over and over
if we ran off
together right then
any cheap hotel room
with a bed
and a shower
would do
we could give up
on looking at art
completely
screaming
meaningless
poems
words
endless
passiona­te
words
consumed
by life
Trees in groves,
Kine in droves,
In ocean sport the scaly herds,
Wedge-like cleave the air the birds,
To northern lakes fly wind-borne ducks,
Browse the mountain sheep in flocks,
Men consort in camp and town,
But the poet dwells alone.

God who gave to him the lyre,
Of all mortals the desire,
For all breathing men's behoof,
Straitly charged him, "Sit aloof;"
Annexed a warning, poets say,
To the bright premium,—
Ever when twain together play,
Shall the harp be dumb.
Many may come,
But one shall sing;
Two touch the string,
The harp is dumb.
Though there come a million
Wise Saadi dwells alone.

Yet Saadi loved the race of men,—
No churl immured in cave or den,—
In bower and hall
He wants them all,
Nor can dispense
With Persia for his audience;
They must give ear,
Grow red with joy, and white with fear,
Yet he has no companion,
Come ten, or come a million,
Good Saadi dwells alone.

Be thou ware where Saadi dwells.
Gladly round that golden lamp
Sylvan deities encamp,
And simple maids and noble youth
Are welcome to the man of truth.
Most welcome they who need him most,
They feed the spring which they exhaust:
For greater need
Draws better deed:
But, critic, spare thy vanity,
Nor show thy pompous parts,
To vex with odious subtlety
The cheerer of men's hearts.

Sad-eyed Fakirs swiftly say
Endless dirges to decay;
Never in the blaze of light
Lose the shudder of midnight;
And at overflowing noon,
Hear wolves barking at the moon;
In the bower of dalliance sweet
Hear the far Avenger's feet;
And shake before those awful Powers
Who in their pride forgive not ours.
Thus the sad-eyed Fakirs preach;
"Bard, when thee would Allah teach,
And lift thee to his holy mount,
He sends thee from his bitter fount,
Wormwood; saying, Go thy ways,
Drink not the Malaga of praise,
But do the deed thy fellows hate,
And compromise thy peaceful state.
Smite the white ******* which thee fed,
Stuff sharp thorns beneath the head
Of them thou shouldst have comforted.
For out of woe and out of crime
Draws the heart a lore sublime."
And yet it seemeth not to me
That the high gods love tragedy;
For Saadi sat in the sun,
And thanks was his contrition;
For haircloth and for ****** whips,
Had active hands and smiling lips;
And yet his runes he rightly read,
And to his folk his message sped.
Sunshine in his heart transferred
Lighted each transparent word;
And well could honoring Persia learn
What Saadi wished to say;
For Saadi's nightly stars did burn
Brighter than Dschami's day.

Whispered the muse in Saadi's cot;
O gentle Saadi, listen not,
Tempted by thy praise of wit,
Or by thirst and appetite
For the talents not thine own,
To sons of contradiction.
Never, sun of eastern morning,
Follow falsehood, follow scorning,
Denounce who will, who will, deny,
And pile the hills to scale the sky;
Let theist, atheist, pantheist,
Define and wrangle how they list,—
Fierce conserver, fierce destroyer,
But thou joy-giver and enjoyer,
Unknowing war, unknowing crime,
Gentle Saadi, mind thy rhyme.
Heed not what the brawlers say,
Heed thou only Saadi's lay.

Let the great world bustle on
With war and trade, with camp and town.
A thousand men shall dig and eat,
At forge and furnace thousands sweat,
And thousands sail the purple sea,
And give or take the stroke of war,
Or crowd the market and bazaar.
Oft shall war end, and peace return,
And cities rise where cities burn,
Ere one man my hill shall climb,
Who can turn the golden rhyme;
Let them manage how they may,
Heed thou only Saadi's lay.
Seek the living among the dead:
Man in man is imprisoned.
Barefooted Dervish is not poor,
If fate unlock his *****'s door.
So that what his eye hath seen
His tongue can paint, as bright, as keen,
And what his tender heart hath felt,
With equal fire thy heart shall melt.
For, whom the muses shine upon,
And touch with soft persuasion,
His words like a storm-wind can bring
Terror and beauty on their wing;
In his every syllable
Lurketh nature veritable;
And though he speak in midnight dark,
In heaven, no star; on earth, no spark;
Yet before the listener's eye
Swims the world in ecstasy,
The forest waves, the morning breaks,
The pastures sleep, ripple the lakes,
Leaves twinkle, flowers like persons be,
And life pulsates in rock or tree.
Saadi! so far thy words shall reach;
Suns rise and set in Saadi's speech.

And thus to Saadi said the muse;
Eat thou the bread which men refuse;
Flee from the goods which from thee flee;
Seek nothing; Fortune seeketh thee.
Nor mount, nor dive; all good things keep
The midway of the eternal deep;
Wish not to fill the isles with eyes
To fetch thee birds of paradise;
On thine orchard's edge belong
All the brass of plume and song;
Wise Ali's sunbright sayings pass
For proverbs in the market-place;
Through mountains bored by regal art
Toil whistles as he drives his cart.
Nor scour the seas, nor sift mankind,
A poet or a friend to find;
Behold, he watches at the door,
Behold his shadow on the floor.
Open innumerable doors,
The heaven where unveiled Allah pours
The flood of truth, the flood of good,
The seraph's and the cherub's food;
Those doors are men; the pariah kind
Admits thee to the perfect Mind.
Seek not beyond thy cottage wall
Redeemer that can yield thee all.
While thou sittest at thy door,
On the desert's yellow floor,
Listening to the gray-haired crones,
Foolish gossips, ancient drones,—
Saadi, see, they rise in stature
To the height of mighty nature,
And the secret stands revealed
Fraudulent Time in vain concealed,
That blessed gods in servile masks
Plied for thee thy household tasks.
Terry Collett Oct 2013
Are you in there?
Miryam said
through the canvas
of the tent

no
you replied
I'm out
you are there

she said
and unzipped the zip
and poked her head
in the gap

you were lying there
in your sleeping bag
gazing at her red
fuzzing hair

and large eyes
where's your friend?
she asked
gone for a shower

you said
she unzipped all down
and came in the tent
walking on her knees

like Toulouse Lautrec
in a wig
and lay down beside you  
how long before he's back?

no idea
you said
have we time for ***?
risky

you said
sometimes risky
is enjoyable
she said softly

running her hand
down the outline
of your leg
not when an ex-army guy

comes in
and see his sleeping partner
******* some red head
in his tent

you said
she pouted her lips
spoilsport
she said

in your ear
yes I guess so
you said
what we doing today?

she asked
we're moving
onto Malaga apparently
the coach leaves at 9.30

she looked
at her wrist watch
gives us an hour
she said

in a whispering voice
gives me an hour
to get showered
and dressed

and breakfasted
and such
you said
she lay back beside you

on the sleeping bag
isn't Malaga
where Picasso was born?
yes that's right

you said
do you like his work?
she asked
sure

it makes me
want to see it again
and again
it does?

she said
as if I had said
I like to wear
ladies's underwear

don't you find his work
kind of odd?
she said
that's what I like about it

it breaks out
of that prison
which people have put
around art

as if only
such and such
can be art
she put her lips

on your cheek
wet and warm
don't I tempt you at all?
not one little bit?

she walked her fingers
down your leg
and moved them
towards your groin

not about 6ins worth?
she said sexually
how did we get
from Picasso

to you finger walking
on my *****?
all is art you said
she whispered

you've left the zip unzipped
the ex-army guy said
poking his head
in the gap

what's she doing in here?
he said
just popped in
to see how he is

Miryam said
looking at the guy
with his short
back and sides haircut

and smelling
of shampoo and soap
well now you've seen
you can go

he said
can't he and I
have *** first​​?
she said

in her imitation
Monroe voice
no you can't
he said

go elsewhere
if you must do
such things
and he sat back

on his haunches
and stared at her
his arms folded
Ok

she said
and kissed your cheek
and walked on her knees
out of the tent

and stood up
and looked in
before the ex-army guy
could zip back up

shame
she said
we could have had
a *******

go away
he said
before I slap your backside
promises promises

Miryam said
and walked off
towards her tent
across the camp base field

girls huh?
you said
but he didn't reply
he just began packing

his stuff into his suitcase
ready for the next move
and so you closed your eyes
and imagined her

there beside you again
listening
to the patter patter
of the Spanish rain.
SET IN SPAIN IN 1970.
SassyJ Jan 2017
I came to your hometown team
inserted in hallucinatory dreams  
inspired sweaty with fused realms
Is it real that you stole Mona Lisa?
At the heart of Louvre in 1911
Is it true that you sneaked her?
was it for a muse or a lover to use?

She would have viewed you sideways
then make love to you at the coffee table
Her beauty enthralled yours in entirely
blending on easel with pencil onto a canvas
Her palate would have swooned your palette  
Her very kiss would have paralyzed in ecstasy
abducting your perpendicular in angular zones

Then you framed it on Guillaume Appollinaire
The poet play wright whom face you just forgot
under the oath, in the sweet name of freeing art
from the prisons of extortionate museums fixtures  
the same exhibitions holding your name and fame
charging fees for a walk around the rhythm of art
a melody not each an every artist will be granted

You made the goddesses and then reduced them to dust
Fernanda soothed the childhood nightmares to lust
Olga the ballerina whom you couldn't share the assets
Marie-Therese the 17year old who hang herself to death
Dora Maar who fought so hard to get your affection
Francoise who left law school for your immortalisation
Jacqueline your passion who you wooed with a dove
Art is a lie that makes us realise the truth (Pablo Picasso)
Reflections after a visit to Pablo Picasso Museum Malaga (38 collections). I wrote a more positive one  on the visit to the Pablo Picasso Museum in France now deleted but will repost....
Mateuš Conrad Nov 2016
if god is dead,
then poetry is nought: but suicide.

could it be the evermore question, a year from now
the same autumn will rinse the lands of once budding colour,
and stretch, as the eye can see, the witry skeletons,
where once the birds nested their young in bulbs of harvested
twigs  bundled up? for what if the wintry tree, if not
the last remnants of the airs of spring,
a lizardly womb of flight...
   so the paupers of Rome argue
about the benefits of monogamy,
as they might about monotheism...
and they say monogamy is not "natural",
but what is? why take the burden of
a widower swan, why extract monogamy from
swans and later find the harem of monkeys?
and then simply say: it be unnatural... why?
we were never gracious enough to mirror
swans, hence the brothers Grimm and the
ugly duckling mistook...
        oh wagers of the translated Graeae
of Scotland, where it Hamlet on the couch,
or where it Macbeth?
what matters is how populist media makes
a franchise of a form of athletics that cannot bed
a guised look of despondency -
      puritan saxon conference on sexuality
that gone beyond the ******* use:
***** therefore thinking,
            flaccid therefore not thinking...
you can utilise language to a point where mathematical
certainty is given, as is the missing blemish of
woad... no wonder the Saxon maidens
    retain their virginity at home,
but treat themselves for a nibble of the Magdalene
on the isle of Malaga... puritanism disintegrates
2 weeks in...
                   and still they bemoan,
if they have been growing more and more depressed
since the second world war...
                why allow them to create this viral infection
that's like a virus ingested by unsuspecting
       victims... are they not the ones
prescribing premature depression since they
heaved no foetus in their womb?
          and having done so, are clear of the command:
remove that alien **** from me!
   aren't they?
       if god is dead... all those who write poetry
have committed suicide...
           i once made a lament statement:
given that god is dead, then so is poetry,
i don't which is more lamentable...
but i'm sure to spot a few more eager-beavers of
kneeling and prayer than i'm to see poets...
and can i return to the heights having sunk so low?
      evidently i didn't sulk on my way down,
could poetry ever be tamed with no populist
acrimony? no *auld lang syne
?
      i doubt it...              i very much doubt
a care for anything else sing-along astute than that,
for all i can compete with, is, some sort
of individual... a shadowy statuette...
         it's what's called the reverse of having a heart
for the cardiologist, a brain for the neurosurgeon,
a pathology for the psychiatrists,
  an ambition for the philosopher (mistook them
as humanists you have, for those that are simply
relegated from the realms of language by linguists) -
  for the oncologist that's hardly an ontologist....
swans epitome monogamy with the widower...
apes are Islam with the harem...
          and they say gods do not exist...
but if one sees no god, how is one to replica
a god's existence, if man borrows from the purest
sense of plagiarism that hides no legal documents
enforcing a slack on plagiarism, namely that of anima /
animal? man cannot grasp a concept of god
by sacrificing himself on the altar of imitable animal...
swans have their monogamy... man too presumptuous
also chose swans as the guiding beacon...
softened core, a mongrel of mammal and lizard
that the birds became... furry but borne from
a cracking of the eggshell... man too presumptuous...
he looked elsewhere to no visionary guide since
Narcissus: for mythology is the guiding hand of
new poetry, should god be indeed dead, and poetry
akin to that statement be merely suicide...
then at least mythology is equivalent of history
for poetry... at least there is a logic involved..
   for assuredly should god be dead,
and chlorophyll as pointless as the logic of bio:
be that of life outside one's own graphic or within
one's graphic... should life be nothing more
than the tactless usurping of history that is merely
a blank hole between the omni toward a speciem,
then why have we bothered recording history?
of all scientific theories, of all that rampantly
degrade all human dignity, why create a despotism
within science, that constantly repeats itself
to be overvalued, for reasons that suggests:
en masse applicability due to its pictorial invigoration
for a cruising simplicity? i gather this be a reason
for the emergence of technophobes, or men equipped
to war armed with nothing but sticks!
it's one thing to popularise an idea, later morphed
into a theory, then morphed into an ideology
(an idea that recurs persistently and has no
theoretical basis to not succumb to its theoretical
premise of becoming dodo - the theory of evolution
doesn't take into context the notion that it too can
become extinct... surpassed by something more
invigorating)... later morphed into a shiva
construct that destroys itself...
          we've seen 20th century's pinnacle of this
idea... we've seen eugenics emerge from a pristine
monkish background that said: how best
to economise the case of: the accurate *****-count...
is Darwinism the zenith of invigorating man?
              i find it's too arrogant to even imagine
a square tilting into a rhombus...
       suggesting a rectangle...
       but the days of roaming the Savannah are long gone
and past us... the dependency on oil and gas
and central heating has created a prison-like Akeley...
from what we've inherited, toward what we can
expect, or with suspicion: demand.
            and to think having begun erasing history,
and to think, having erased history of what's noteworthy,
we turned the slapped cheek into a cubist abstraction:
it seems pointless naming pubs after Charlemagne
(shar-le-maine) let alone singing about them...
let's all celebrate running ****-naked on a Kenyan
plateau... and rather than dealing with the past
on a poetic scale... rather: on a literalist scaling of things...
it's almost like biblical literalism kinetics....
     in either case: everyday poetry dies...
or as the case is minded to refresh the argument:
    with the death of god, poetry committed suicide...
i don't know which is the more tragic evidence
of what language has become...
                     this doesn't even invoke an analysis
of the marketplace use of language that politics is...
god forbid it should ever come to that...
  aren't we supposed to feel something otherworldly
at some point in our lives?
                     it's not that i can't rationalise my existence
into this world alone... and feel all the contentment
i need by mere concern for thought trickling into my
being within it...
            it's just that i can't rationalise my existence within
this world alone, based upon a hierarchical
          symptom... much akin to Guy "Lucifer" Fawkes
tried to state by blowing the houses of parliament...
which doesn't suggest a need for a celestial conjuring
of dictator... man has already encouraged that
with English 24/7 c.c.t.v.,
                                                   and as might be suggested...
the point you reach when catching yourself trying
to persuade or enforce a point...
         that lacks all emotive sensitivity hoping for
a romantic excavation invoking the zeitgeist of the times...
neo-romantics are on the rise...
                            we do live in a time of neo-romanticism,
as a few might have suggested: globalisation's
and the audaciousness of militant Islam's offspring:
lying dormant, like a speech by Pope Urban II:
     it just lay there, under a fog of submerged Calvinism
and secular sensibility... waiting patiently
        till the nibbling stopped and it had a chance
to counter... it truly was a case of Damocles' seconds...
tick-tock, tick-tock... and thus the guillotine dropped;
you could feel the carcass stench in the air
         or what cultural-marxisim would make of
an economy that attacked its own economic model...
  it would be deemed dead economically,
but culturally? resurgent...
         you could sniff it out in the air, that rotting
carcass menu: providing a wake of vultures,
                                  or a comedy house of hyenas.
Edward Coles Jan 2018
I’m tired of these lonesome nights
spent **** in fist and staring at the ceiling.
Exist in thought and again through
ever-changing screens;
it’s been years since I lived through action.

Desiccated white heels in the dust of Savannakhet.
Finding love in the half-dark Bangkok hotel room.
The bar-maid in Malaga, hash from Morocco,
all those nights spent lusting for blood amongst the wine.

Now getting high means finding an anchor
to hold me down when gravity does not feel enough.
When all forces of G-d and Nature combined
Cannot rattle hard enough to force me to speak
in any half-filled room.

Sometimes I’m certain the noise in my chest
can be heard aloud
and everyone knows I am nothing.
I wonder why in all my dreams
Beauty follows in my footsteps.

I wonder why in all my dreams
I’m running away from something.
C
andy fardell Feb 2011
Our freinds are that our family we love to have them stay
for food and entertainment its always meant that way
for laughs and lots of golfing and tons oh tons of chat
is great to see them yet again for loads of this and that

Our freinds that are our family are great to be around
making fires and washing pots thats what its all about
we hope so sure we'll see them soon in warmer climates bound
in sunny parts of Malaga a welcome home is found
My wild ambition loves to slide - ye all must understand
But fortune's ice prefers only the most virtuous of hand.
In Malaga I grew weary and wanton to possess
The most colorless canvas, one easy with a lazy happiness,
Disdained by golden fruit to the viewer be
As I passed the crowd to gently shake the tree.
Now manifest in paint, inward contrived and long since
I stood in bold defiance with the heart of a prince,
Held up on the square by one wanting to buy my latest cause.
Against the wind I held it up in spite of all the laws.
Do they wish to thicken my lot among all their other mistakes?
What circumstances find you this? -This is what my mind makes!
The buzzing of my emissaries fill my ears
With many solitary jealousies and fears,
Arbitrary thoughts brought forward into the light,
Contemplating existence, must it prove my vision right?
Weak are the arguments! Which the true artist knows full well,
Where weak minded people curse my renderings or are easy to rebel.
For am I not governed by the moon and by the far off stars?
Tread lightly on me and don’t put me behind your own bars.
And once in a shard of time let the Annunaki’s scribe record,
That my vision once rendered could somehow affect their lord.
The unrecognized Enki still wants to be a chief, yet none
He created was found as fit as barren Adam.
Not that he wished his greatness to create,
For leaders should wish not to be called great.
But he like I know our titles are not to be allowed.
For titles are useless and only dependent upon a crowd,
Those are kingly powers, thus ebbing us out, they might be
Drawn by the dregs of a falsely acclaimed democracy.
But in my paint I attempt, with studied arts to ease,
And shed the unholy venom with visions such as these.
On the other side of the canvas, not much escapes my eye –
But once in front of it – nothing escapes the me that I call I.
I have several prints of Picasso's work and sometimes I ponder their true meanings. I'm like that. I wonder what was the artist thinking as he created this or that piece. Picasso was/is a hard nut to crack. Born of influence and trained mostly by his father he should have had a life of luxury. But such was not the case. For a time he lived almost penniless and hungry a lot of the time. But even in those years he not only refused to conform but he defied all reason to conform to what he was being taught as an artist. Instead he blazed his own trail. And today more people know the name of Picasso than any other artist, I dare say. So - in this piece it is my hope to show you how original he truly was. To me his magic is found in his ability to reflect his own thoughts into - if not inside of - a particular piece of his renderings. After just a little study - you can see him in his drawings, paintings, etc. Here's a last bit of trivia for you concerning Picasso. Were you aware that in his earlier young adulthood that he was so poor that he actually burned some of his own art just to try to stay warm? Think of what any of his burned renderings would be worth today. Now I call that perspective.
Terry Collett Jun 2014
At the clubhouse‭
in Malaga‭
in the base camp‭

I danced and drank‭
in turn‭
sometimes‭
at the same time‭
sometimes I sat it out‭
at the bar‭
and smoked and drank‭
with Miriam‭

you dance good‭
she said‭

you reckon so‭
I said‭

yes you dance ok‭
she said‭
she sipped‭
her gin and tonic‭
and looked‭
around the club house‭

the disco music‭
is a bit old hat‭
she said‭

it's ok‭
at least‭
you can‭ ‬dance to it‭
I said‭

we sipped more‭
of our drink‭s
and sat in silence‭
for a few moments‭

Picasso was born here‭
she said‭

what here‭
in this club house‭?
I said smiling‭

no here in Malaga‭
she said‭
read it some place‭
I don't like his art‭
she said‭
makes me want‭
to throw up‭

you sure it's not‭
the *****‭?
I said‭

no I mean‭
when I see it‭
she said‭

I love his art‭
it speaks volumes to me‭
I said‭

poor you‭
she said‭
I see nothing in it‭

each to their own‭
view of things‭
I said‭
Picasso touches me‭

don't I touch you‭?
she said‭
wouldn't you rather‭
be touched by me‭
than Picasso‭?

depends on the touching‭
I said‭
he touches my soul‭
where would you touch‭?

she giggled‭
and sipped her drink‭
be telling wouldn't it‭?
you didn't complain‭
the last time‭
I touched or rather‭
we touched‭

she looked back‭
at the dance floor‭
and at people dancing‭
not my fault‭
if the tent‭
was too small‭
for much action‭
she added‭
looking back at me‭

small is beautiful‭
sometimes‭
I said

she gazed at me‭
with her bluey green eyes‭
her hair in tight curls‭
I’d let you come‭
to my tent tonight‭
she said‭
but that fussy cat girl‭
is sharing with me‭
always yakking‭
about her cats at home‭
as if I cared‭
what she calls‭
her **** cats‭
and what she does‭
with them‭
what about your tent‭?
she asked‭

no I got the ex-army guy‭
in with me‭
and he talks on and on‭
about his family‭
and how they don't‭
understand him‭
and how he got‭
chucked out the army‭
and so on‭

a‭ ‬Beatles song‭
was playing‭
I got up to go dance again‭

and she said‭
go dance Benny‭
go show them‭
how its done‭
she leaned on the bar‭
her eyes closing‭

I danced‭
drinking the dregs‭
thinking of the last time‭
I lay‭
between her legs.‭
BOY AND GIRL IN SPAIN IN 1970.
Shiny streets like paved gold
Spreads miles before us
Cloth clouds hang loose upon us
Sheltering us from the sun
A soft sweet breeze whispers by us
We hold hands...kiss...
A soft lingering kiss....
Terry Collett Oct 2013
On the road
from Madrid to Malaga
you sat next to Miryam
in the coach

the scenery going by
the Spanish sun above
music from the radio
and she beside you

her head
against your shoulder
sleeping
her red hair

a mass of curls and waves
her eyes closed
her mouth slightly open
her hands crossed

in her lap
you sitting there
thinking of the base camp
in Madrid

the bar and *****
the music
in the small disco
and dancing

to the small hours
and she said
about her parents
and she being

for the first time
free to do
what she wanted
and she walked with you

back to her tent
and there she stood
and said
if I was alone

in this tent
I'd invite you in for ***
but I'm sharing
with another girl

and so did you share
with another guy
you said
wishing it otherwise

and so she kissed you
good night
and unzipped the tent
and went in

and off you walked
through the early morning dark
crossing the field of tents
trying to remember

where yours was
remembering it was by
the hedge with Bob's flag
on top waving silently

in the semi-dark
she stirred
against your shoulder
and readjusted her head

making that
I'm comfortable sound
and then she was off again
a Beatles's song

on the radio
someone sang along
you still sensing
that kiss of hers

her lips on yours
the night before
her hands
around your waist

her small ****
pressing against you
the smell of oranges
and ripe fruit

and her tongue invading
your mouth
touching yours
and your pecker stirring

from slumber
your hands on her ****
feeling the pockets
of her jeans

the smooth material
the studs
her near you
lips and tongues

and she stirred
and opened her eyes
and lifted her head
from your shoulder

and said
are we there yet?
no
you said

getting near
and she looked out
the window of the coach
and you studied

her profile
the blush of cheek
the nose
her neck

and the show
of naked shoulder
and she said
did I snore?

no  
you said
good
she said

because sometimes
I tend to go off
into snoring land
and she smiled

and touched your thighs  
and all you saw
was the blue world
of her cool blue eyes.
SET IN SPAIN IN 1970.
Nuit noire mais belle de Malaga
Empoisonne-moi
De tes hamecons et de tes leurres
Envenime-moi
De tes vers luisants et polissons
Qui gigotent dans le vin du clair de lune
Instille-moi de tes piqûres,  de tes ourlets
Des criquets qui chantent au fond de tes criques
Innocule-moi
Tes vaccins, tes rappels et tes antidotes
Cachés au creux des terriers
Des mangues et des câpres qui mûrissent
Sous tes obscènes caresses.
Obsède-moi
De la froidure romantique de tes rhums capiteux
Muselle-moi dans  la cannelle de ta souricière
Bâillonne-moi de tes eaux de Styx
Engloutis
Capture
Relâche
Aspire-moi de tes yeux de khôl
Je ne suis qu'étincelle
Infime brindille incandescente d'amour
Dans l'attente fébrile du point du jour.
Marisia Delafuga Nov 2014
Where Are you re?

Please give me a sign
Something
Whats going on?

Are you Ok?
you got me in agony!
I'm waiting for your love letter
yes! That card postal from Malaga..

Please gimme a sign

Hit me baby One more time...

No no..
I mean

I want ya!

I miss you a lil

GIVE ME A ******* SIGN THAT YOU  ARE
A L I VE !


love

M.

P.s: Do you Wanna Dance?
Mateuš Conrad Nov 2016
and he comes over in the afternoon, his wife is pregnant,
   she also had an abortion with the love
of her life... and he says i am diseased...
as i once said to a pensioner
in a park: cut words open and feel
less than a sucker's punch,
dis- (negation) of -ease... yes,
i'm bound to being denied a cradling of ease,
your quick syllable punctures are no wit to be
celebrated...
         i thought i gave back enough that was
necessary... but this madman of a neighbour complains
that i sometimes laugh in the night:
   because i am bound to tomorrow with aeons
toward the future, and aeons toward
  Darwinistic falsification of history...
          because where is the octopus ontology ****
up to the wall of intestines like a tapeworm,
as what point, exactly?
                  i sorta forgive that grievance,
even though i'm sitting in the living room,
and he picks up a package that's been left in my house...
           because the high-street has suddenly
evaporated... the rich are making the middletons
claustrophobic too... i could never buy the music
or the books i read these days when skimming the annals
of what's worthy of being bought, with the money i earn.
   it submerged, not even an anarchist bookshop
takes my fancy... but this **** of a neighbour comes
by and suggests i could ****** my mother,
              the same neighbour who ushers in politics of
gardens... a branch fell onto his side of the fence,
                   he throws it over to my side and crushes
the daffodils without much thought...
there are homeless people out there,
    and he complains that i syringed too much life into
my one chance to be here, to have the audacity to
laugh like a fox, to sometimes hum, and to sometimes
sing aloud...
      and he complains that it cost him too much money
from moving from the rear bedroom and into the front
bedroom... oh kiddly pauper, how poor you must be,
to have never had the capacity to laugh on your own.
   i listen to these Balkan guys angry at Sweden,
  i know the language like a Belgian and still that's not
enough... if national pride really bound to
a religiosity of fish & chips on a Friday, and skinhead
chanting at a football match at a London derby?
       should i say: sign me up!?
           all he had to do is move room...
he didn't have to sleep rough...
                what a swarm of ants in the *** that must be...
          because one man managed to laugh...
as it always does: concentrates on women...
           i must come from Mongolia to be honest,
how i find English women unappealing in terms of
companionship... the ridicule comes when a people
are unearthed and side with Israel...
                as the landowning class for a region bound
to Prussia and the Austro-Hungarian chattering maiden:
  Jan Sobieski (now a pop *****) and the siege of
Vienna...
                  we have so much prejudiced history tattooed
into our psyche, lukewarm 100 year old stuff...
   and out-of-the-blue, we're expected to bleach all of it,
somehow accept a dialogue that's merchant talk
     and a community clarification...
    the same neighbour has the same audacity to claim
i have a medical problem, and that his labouring wife
is the most-endearing hope for company...
  i just sat there on the sofa while he blah-blahed
his way into receiving the package...
             i could have emerged from my slumber and
faced slander to knuckle with piercing eyes...
   but i preferred sleeping for 2 hours on the sofa
while words turned into daggers...
it's just that part of me that suggests...
   for my knowledge of the English language,
  i have no need to debase myself with crude Englishness,
to invest in post-colonial ambition to right-away-the-elder-wrongs...
you know the first time you wear a cotton jumper
and you just itch? it's like that...
               i own language, language has no right to own me,
i tell language what to do, language doesn't tell me who
to identify with or as such identifiable with the thus said...
     plus... if someone agitated me over an intellectual
problem i might have emerged hearing slander against me,
but as they say: **** stinks, don't touch it.
    i once made brother of en Egyptian childhood friend,
every day since he chose olive skin solidarity
i've been heard citing a very pointless mea culpa,
              for i too could have been wiser
in not forming childhood friendships - and being a hermit
for 9 years and counting: i don't ever think
to engage in intimacy, other than with Puerto Rican
prostitutes in Amsterdam, or Bulgarian madames in
London... i don't know why they said they were
Romanians... the one word gave them away:
the cyrillic: pizdets! пиздетс!
                    if he even remotely insinuated a topic
concerning van gogh (v. gou) -
                such is the traffic of life passing through my
days...                    this the fascination
              how greeks gave names to their encoded
sounds... and how it took a plastician to recode
       what came as
         п (p'eh)- -и (ī)- -з (z'eh)- -д (d'eh)- -е (eh)- -т (t'eh)- -с (esse)...
  how fascinating that you cut off so much stabilisation
of the alphabet and no wooing vocabulary
  before you do away with stabilising letters that are
associated with clear indicative formulation from
alphabet into word...
                       which goes beyond Heraclitus' лoгoс
and certainly beyond my фoнoс...
                as suggested: back into the aлbion ζ
      beginning if not simple begging norman sicily's α...
                              alphabet - zetayod...
and mirrors - of those worth a seven year signature
to yet be mended... and those pristine,
      with focus on the doubly mortal, within
a tsunami of time's paraphrased democracy, wherein
autocratic: from Helen of Troy to Kimberley of the Liban...
     how then rise from such belittling circumstances,
and enforce the law of abstract?
                    to come toward the лoгoс
   as with due to spot the фoнoс, and as such
auto-instructive diacritical marking of iota should
Lιban be a Ly-ban....           enter the dragon, Bruce?
                     yep... we have established the лoгoс,
and chained by synonymous banking affairs for
peacocking tongue waggling, i insist upon a return
      into how the Greeks left no musicology to
how they named the symbol ι with iota, or ω with
omega... but the Romans left a musicology
that yahweh embraced, and said of a: ah... and said of
m: em, and said of t: tee... and said of p: ***...
because they didn't come up with names for letters,
which is why scientific constants are written
                                                   in γρεχκι (grechkι).
if knowing the native tongue is not enough...
        i cannot contemplate the natives teaching my
their ****** practices any more than my eagerness to
engage in them... their presumptuous agitation of
trying to "educate" almost everyone...
     it's true a Mongolian arrow pierced the throat
of the trumpeter in the tower of the Mariacki Church,
           it's just they treat their women
            as i wish i could have... the Dutch know love
by spitting on eastern European women...
(because they just had a conversation about their
interests in a pub with another man two seats down)...
   and in our age of propaganda: i have not a single
opinion that isn't bound to be but ash scattered in the wind...
            i just find it strange to be in "need" of being educated...
given most of these "men" have never had the guts
to visit prostitutes because the girls are playing puritan poker
at home: and Jezebel at an **** in Malaga...
         i can't deal with this en masse schizoid conditioning:
as if lying or having a Dorian Gray fantasy could
ever get me off with a hard-on when a girl says:
can you imagine what my daddy would say if he knew
i swallowed you jizzom? well, now that i know what
you're imagining i'm starting to think i need a shrink...
                  for ****'s sake! why do prostitutes seem
the most sane women out there? saviours!
               i could have done better things with my hands...
like moulded a statue, or something,
               dating culture killed it for me...
  and the whole: women are there to be chased like
cheetahs crying their eyes out at speeds of 100 kilometres
per hour...                  it was in my best interests
to learn a knowledge of the language...
  that was my utmost necessary courtesy of being
   part of this society... local customs though?
                  you know what a smarkatka is?
    you really didn't expect for me to blend up to the point
of supporting Millwall and knowing football songs
religiously, did you?   it's when you use the language
and still get ridiculed...           the locals have been
given it on a platter...                i get a "poem"
they get the ease of buying vegetables in a supermarket...
          brownnosing yourself in Kentucky
                                     will not help either...
Calcium Steeps       of Dover could be equated to that
Hawaiian Pearl in terms of what hand will wash the hand
that puts a thumb in the **** and the index and middle
into the ******.

— The End —